Shampoo Quotes

We've searched our database for all the quotes and captions related to Shampoo. Here they are! All 200 of them:

He can run faster than Severus Snape confronted with shampoo.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
You smell good, too,” said Patch It’s called a shower.” I was staring straight ahead. When he didn’t answer, I turned sideways. “Soap. Shampoo. Hot water.” Naked. I know the drill.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Remember: the time you feel lonely is the time you most need to be by yourself. Life's cruelest irony.
Douglas Coupland (Shampoo Planet)
Since we're keeping it primal, you smell good," he observed. "It's called a shower...," I began automatically, then trailed off. My memory snagged, taken aback by a compelling and forceful sense of undue familiarity. "Soap, shampoo, hot water," I added, almost as an afterthought. "Naked. I know the drill," Jev said, something unreadeble passing over his eyes.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
The moment in The Bell Jar when Esther Greenwood realizes after thirty days in the same black turtleneck that she never wants to wash her hair again, that the repeated necessity of the act is too much trouble, that she wants to do it once and be done with it, seems like the book's true epiphany. You know you've completely descended into madness when the matter of shampoo has ascended into philosophical heights.
Elizabeth Wurtzel (Prozac Nation)
I can always hear Harry screaming in the shower cause shampoo goes in his eyes, and Louis always goes in and helps him.
Zayn Malik
How will I survive this missing? How do others do it? People die all the time. Every day. Every hour. There are families all over the world staring at beds that are no longer slept in, shoes that are no longer worn. Families that no longer have to buy a particular cereal, a kind of shampoo. There are people everywhere standing in line at the movies, buying curtains, walking dogs, while inside, their hearts are ripping to shreds. For years. For their whole lives. I don't believe time heals. I don't want it to. If I heal, doesn't that mean I've accepted the world without her?
Jandy Nelson (The Sky Is Everywhere)
Songs and smells will bring you back to a moment in time more than anything else. It's amazing how much can be conjured with a few notes of a song or a solitary whiff of a room. A song you didn't even pay attention to at the time, a place that you didn't even know had a particular smell. I wonder what will someday bring back Dex and our few months together. Maybe the sound of Dido's voice. Maybe the scent of the Aveda shampoo I've been using all summer.
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
Love is like a door knob that I’ve mistaken for a shower handle, and I’m trying to turn up the heat on our relationship, but the handle won’t turn and I’ve got shampoo in my eyes and my wetsuit is dry and I started crying just as the zookeeper asked me to leave.
Jarod Kintz (This Book Has No Title)
In periods of rapid personal change, we pass through life as though we are spellcast. We speak in sentences that end before finishing. We sleep heavily because we need to ask so many questions as we dream alone. We bump into others and feel bashful at recognizing souls so similar to ourselves.
Douglas Coupland (Shampoo Planet)
The family. We were a strange little band of characters trudging through life sharing diseases and toothpaste, coveting one another's desserts, hiding shampoo, borrowing money, locking each other out of our rooms, inflicting pain and kissing to heal it in the same instant, loving, laughing, defending, and trying to figure out the common thread that bound us all together.
Erma Bombeck
I think of how the person who needs the other person the least in a relationship is the stronger member.
Douglas Coupland (Shampoo Planet)
I decided to masturbate with shampoo instead of conditioner today. Because yolo. Things Jesus never said.
Dave Matthes (Sleepeth Not, the Bastard)
Despite having known him for almost a year, there were a lot of things I still didn't know about Zachary Goode. Like how soap and shampoo could smell so much better on him than anyone else. Like where he went when he wasn't mysteriously showing up at random (and frequently dangerous) points in my life. And, most of all, I didn't know how, when he mentioned the jacket, he made me think about the sweet, romantic part of the night last November when he'd given it to me, and not the terrible, bloody, international-terrorists-are-trying-to-kidnap-me part that came right after
Ally Carter (Only the Good Spy Young (Gallagher Girls, #4))
It's being a grown up, which I never figured out how to do, scrubbing the tub, and remembering to eat and shampoo my hair. It's the basics: I can write a whole book, but I cannot handle the basics.
Elizabeth Wurtzel (More, Now, Again)
I miss the way he used to kiss my shoulder whenever it was bare and he was nearby. I miss how he cleared his throat before he took a sip of water and scratched his left arm with his right hand when he was nervous. I miss how he tucked my hair behind my ear when it came loose and took my temperature when I was sick or when he was bored. I miss his glasses on my nightstand. I miss watching him take Sunday afternoon naps on my couch, with the newspaper resting on his stomach like a blanket. How his hands stayed clasped, fingers intertwined, while he slept. I miss the cadence of his speech and the stupidity of his puns. I miss playing doctor when we made love, and even when we didn't. I miss his smell, like fresh laundry and honey (because of his shampoo) at his place. Fresh laundry and coconut (because of my shampoo) at mine. I miss that he used to force me to listen to French rap and would sing along in a horrible accent. I miss that he always said "I love you" when he hung up the phone with his sister, never shy or embarassed, regardless of who else was around. I miss that his ideal Friday night included a DVD, eating Chinese food right out of the carton, and cuddling on top of my duvet cover. I miss that he reread books from his childhood and then from mine. I miss that he was the only man that I have ever farted on, and with, freely. I miss that he understood that the holidays were hard for me and that he wanted me to never feel lonely.
Julie Buxbaum (The Opposite of Love)
i open my eyes and blow a straggle of hair out of my face. Not my hair, smitty's. his head is buried in the crook of my neck and he's out cold. he uses raspberry shampoo? what a big girl.
Kirsty McKay (Undead (Undead, #1))
I don’t like it when you use my shampoo, because then your hair smells like me, not you.
David Levithan (The Lover's Dictionary)
...if you lose, you’ll have to wear a metal diaper to school and call me Lord Hunkyhair from now on.” “Uh... yeah, no,” Fitz said as Biana asked, “Hunkyhair?” “Lord Hunkyhair,” Keefe corrected. “What? It’s accurate.” He tossed his head like he was in a shampoo commercial. “I think we need to make it a thing either way- don’t you, Foster?” “I think you’re ridiculous,” Sophie told him.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
I cry because the future has once again found its sparkle and has grown a million times larger. And I cry because I am ashamed of how badly I have treated the people I love–of how badly I behaved during my own personal Dark Ages–back before I had a future and someone who cared for me from above. It is like today the sky opened up and only now am I allowed to enter
Douglas Coupland (Shampoo Planet)
She uses that shampoo,” he sighed. “What shampoo?” “The one with honey in it.” Ric’s eyes crossed. “Oh, my God.” “She was sitting in that tree, her leg bleeding out, and all I could think about was how good her hair smelled.
Shelly Laurenston (The Mane Squeeze (Pride, #4))
You smell good." "It's called a shower. Soap, shampoo, water-" "Naked. I know the drill.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
I don't even use the stupid shampoo.
A.S. King (Everybody Sees the Ants)
We are kissing like crazy. Like our lives depend on it. His tongue slips inside my mouth, gentle but demanding, and it’s nothing like I’ve ever experienced, and I suddenly understand why people describe kissing as melting because every square inch of my body dissolves into his. My fingers grip his hair, pulling him closer. My veins throb and my heart explodes. I have never wanted anyone like this before. Ever. He pushes me backward and we’re lying down, making out in front of the children with their red balloons and the old men with their chess sets and the tourists with their laminated maps and I don’t care, I don’t care about any of that. All I want is Étienne. The weight of his body on top of mine is extraordinary. I feel him—all of him—pressed against me, and I inhale his shaving cream, his shampoo, and that extra scent that’s just . . . him. The most delicious smell I could ever imagine. I want to breathe him, lick him, eat him, drink him. His lips taste like honey. His face has the slightest bit of stubble and it rubs my skin but I don’t care, I don’t care at all. He feels wonderful. His hands are everywhere, and it doesn’t matter that his mouth is already on top of mine, I want him closer closer closer.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Besides, if I wanted to hear people speaking wall-to-wall French, all I had to do was remove my headphones and participate in what is known as ‘real life,’ a concept as uninviting as a shampoo cocktail.
David Sedaris
It was not uncommon to walk in the door of their home and find my mother sitting on the sofa reading over a manuscript with shampoo horns sculpted into her hair. Anne Sexton's voice would be blasting from the speakers. A woman who writes feels too much...
Augusten Burroughs (Running with Scissors)
Cookie&Charley Coffee moments: “You did your dishes with shampoo?” “It was either that or my apricot body scrub.” “No, good call. A little shampoo won’t hurt you.
Darynda Jones (Fifth Grave Past the Light (Charley Davidson, #5))
What's wrong with you? I asked myself. You are a happy person. You are an upbeat sort of person. Men smile at you on the subway, women ask you what shampoo you use. Cheer up for Christ's sake, I told myself, relax, you're fine, be happy, Girl. When I talk to myself I call myself Girl.
Jennifer Belle (Going Down)
His mouth twisted into a perceptive, sexy smile. "Hmm." "Hmm?" I looked away, flustered, automatically using irritation to cover my discomfort up. "What does 'hmm' have to do with anything? Could you ever use more than five words? All this grunting and miced words make you come across--primal." His smile tipped higher. "Primal." "You're impossible." "Me Jev, you Nora." "Stop it." But I nearly smiled in spite of myself. "Since we're keeping it primal, you smell good," he observed. Hw moved closer, makin me acutely aware of his size, the rise and fall of his chest, the warm burn of his skin on mine. Electricity tingled along my scalp, and I shuddered with pleasure. "It's called a shower...," I began automatically, then trailed off. My memory snagged, taken aback by a compelling and forceful sense of undue familiarity. "Soap, shampoo, hot water," I added, almost as an afterthought. "Naked. I know the drill," Jev said, something unreadable passing over his eyes. Unsure how to proceed, I attempted to wash away the moment with an airy laugh. "Are you flirting with me, Jev?" "Does it feel that way to you?" "I don't know you well enough to say either way." I tried to keep my voice level, neutral even. "Then we'll have to change that." Still uncertain of his motives, I cleared my throat. Two could play this game. "Running from bad guys together is your idea of playing getting-to-know-you?" "No. This is." He dipped my body backward, drawing me up in a slow arc until he raised me flush against him. In his arms, my joints loosened, my defenses melting as he led me through the sultry steps.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
Our achievements may make us interesting, Tyler, but our darkness makes us lovable.
Douglas Coupland (Shampoo Planet)
They were both totally laughing, and he was twirling her, and her hair was flying around like she was in a shampoo commercial. Seriously. She could have sold conditioner to a bald man the way she looked out there.
Ally Carter
I guess any halfwit could nail a game of ‘Spot the Falcone’. Just look for the shampoo-commercial hair or those I-might-murder-you eyes.
Catherine Doyle (Inferno (Blood for Blood, #2))
The best thing about taking a shower is that there’s no proof of crying. Red puffy face? Hot water. I’m trembling? Must be dehydrated. Blood-shot eyes? Darn shampoo.
Gray Marie Cox (Shower Thoughts)
What's this new shampoo you're wearing?" "I stole it from Margot. It's juicy pear. Nice, right?" "It's all right, I guess. But can you go back to the one you used to wear? The coconut one? I love the smell of that one." A dreamy look crosses his face, like evening fog settling over a city.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Not much call for a barbarian hairdresser, I expect,' said Rincewind. 'I mean, no-one wants a shampoo-and-beheading.
Terry Pratchett (Sourcery (Discworld, #5; Rincewind, #3))
That’s what she was, Joanna felt suddenly. That’s what they all were, all the Stepford wives: actresses in commercials, pleased with detergents and floor wax, with cleansers, shampoos, and deodorants. Pretty actresses, big in the bosom but small in the talent, playing housewives unconvincingly, too nicey-nice to be real.
Ira Levin (The Stepford Wives)
I felt bad for Lulu because I've been Lulu. It's really hard when you realize the guy you've been dating is basically a high schooler at heart. It make you feel like Mary Kay Letourneau. It's the worst. Until I was thirty, I only dated boys, as far as I can tell. I'll tell you why. Men scared the shit out of me. Men know what they want. Men make concrete plans. Men own alarm clocks. Men sleep on a mattress that isn't on the floor. Men tip generously. Men buy new shampoo instead of adding water to a nearly empty bottle of shampoo. Men go to the dentist. Men make reservations. Men go in for a kiss without giving you some long preamble about how they're thinking of kissing you.
Mindy Kaling
Men know what they want. Men make concrete plans. Men own alarm clocks. Men sleep on a mattress that isn’t on the floor. Men tip generously. Men buy new shampoo instead of adding water to a nearly empty bottle of shampoo. Men go to the dentist. Men make reservations. Men go in for a kiss without giving you some long preamble about how they’re thinking of kissing you. Men wear clothes that have never been worn by anyone else before. (Okay, maybe men aren’t exactly like this. This is what I’ve cobbled together from the handful of men I know or know of, ranging from Heathcliff Huxtable to Theodore Roosevelt to my dad.) Men know what they want and they don’t let you in on their inner monologue, and that is scary.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
I think we're simply going to run out of Nature before we have a chance to destroy it.
Douglas Coupland (Shampoo Planet)
Some baby shampoos say “No More Tears” on the bottle. What a scam. I want my shampoo made with 100% real baby tears.
Jarod Kintz (This Book is Not for Sale)
They all looked like a shampoo commercial, healthy and clear-skinned, perfectly proportioned, a group of handsome young men. Their clothes hung on them like they were glad to be gracing such supermodels.
Lilith Saintcrow (Jealousy (Strange Angels, #3))
It's me," a deep voice rumbled. The hands released me and I turned. There stood Derek, all six foot of him. Maybe it was just the thrill of seeing him, but he looked better than I remembered. His black hair was still lank, and his face was still dotted with acne. But he looked...better. ~~~~~ Tori waited until Derek was gone, then shuddered. "Okay, Derek always weired me out, but the wolf man stuff is seriously creepy. Suits him, I suppose. A creepy power for a creepy guy." "I thought he looked better." She stared at me. "What? He does. Probably because he's starting his wolf changes and he's not stressed out about being in Lyle House. That must help." "You know what will really help? Shampoo. Deodorant - " I raised my hand to cut her off. "He smelled fine, so don't start that. I'm sure his wearing deodorant and - for once-it's working. As for showers, they're a little hard to come by on the street, and we won't look much better soon." "I'm just saying." "Do you think he doesn't know you're saying? News flash-he's not stupid.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
I DRAW A HOT SORROW BATH IN MY DESPAIR ROOM WITH A MISERY CANDLE BURNING I WASH MY HAIR WITH REGRET SHAMPOO AFTER CLEANING MYSELF WITH PAIN SOAP I DRY MYSELF WITH MY GORGEOUS WHITE ONE HUNDRED PERCENT AND IT WILL NEVER CHANGE TOWEL THEN SMOOTH ON MY I DON’T DESERVE LOTION AND I HATE MYSELF FACE CREAM THEN I PUT ON MY ALONE AGAIN SILK PYJAMAS AND GO TO SLEEP WHEN THE HUE HAS GONE BLUE AND YOU CAN’T QUITE GRIN AND BEAR IT LET THIS WORD PICTURE REMIND YOU IT CAN ALWAYS BE WORSE
Keanu Reeves (Ode to Happiness)
It was pivotal in making you but you don't remember it. Or do you? Do we understand the events that make us who we are? Do we understand the factors that make us do the things we do?
Douglas Coupland (Shampoo Planet)
-a feeling at once destructive, romantic, and grand-like falling into a swimming pool dressed in a tuxedo.
Douglas Coupland (Shampoo Planet)
Life always wins.
Douglas Coupland (Shampoo Planet)
He met his day in the shower, washing his hair with shampoo that was guaranteed to have never been put in a bunny's eyes and from which ten percent of the profits went to save the whales. He lathered his face with shaving cream free of chlorofluorocarbons, thereby saving the ozone layer. He breakfasted on fertile eggs laid by sexually satisfied chickens that were allowed to range while listening to Brahms, and muffins made with pesticide-free grain, so no eagle-egg shells were weakened by his thoughtless consumption. He scrambled the eggs in margarine free of tropical oils, thus preserving the rain forest, and he added milk from a cartn made of recycled paper and shipped from a small family farm. By the time he finished his second cup of coffee, which would presumably help to educate the children of a poor peasant farmer named Juan Valdez, Sam was on the verge of congratulating himself for single-handedly preserving the planet just by getting up in the morning.
Christopher Moore
Then his gaze shifted to the wild bush sprouting from her head. “Wow. Did I do that to your hair?” He looked oddly pleased at the thought. Rylann made a mental note to throw a flat iron in her purse the next time she had sex in the shower with a billionaire ex-con. Not that there was going to be a next time. “Not all of us are lucky enough to have freakishly perfect, shampoo-commercial hair. This is what happens when I get wet.” His expression turned wicked. “I know exactly what happens when you get wet, counselor.” Yep, she’d walked right into that one.
Julie James (About That Night (FBI/US Attorney, #3))
LET'S JUST HOPE WE ACCIDENTALLY BUILD GOD.
Douglas Coupland (Shampoo Planet)
I only asked you to move down the couch because I could smell your peach shampoo, and I wanted to be closer.
Nikki Chartier (American Girl on Saturn (Saturn, #1))
You smell good, too,” said Patch "It’s called a shower.” I was staring straight ahead. When he didn’t answer, I turned sideways. “Soap. Shampoo. Hot water.” "Naked. I know the drill.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
While she does like boys, she generally finds the traits of a compelling villain—arrogance, malice, an angsty backstory—tedious in a man. Like, what do hot guys with long dark hair even have to be that upset about? Get a clarifying shampoo and suck it up, Kylo Ren. So your rich parents sent you to magic camp and you didn’t make any friends. Big deal.
Casey McQuiston (I Kissed Shara Wheeler)
Yves did not like showers, he preferred long, scalding baths, with newspapers, cigarettes, and whiskey on a chair next to the bathtub, and with Eric nearby to talk to, to shampoo his hair, and to scrub his back.
James Baldwin (Another Country)
Sometimes I still have American dreams. I mean literally. I see microwave ovens and exercise machines and grocery store shelves with 30 brands of shampoo, and I look at these things oddly, in my dream. I stand and think, "What is all this for? What is the hunger that drives this need?" I think it's fear. Codi, I hope you won't be hurt by this, but I don't think I'll ever be going back. I don't think I can.
Barbara Kingsolver (Animal Dreams)
You are paralyzed by the fact that cruelty is often amusing.
Douglas Coupland (Shampoo Planet)
You look like a demented bunny," I told him."What are you doing?" "You switched to lemon shampoo." I blinked, thought back to my morning shower,which felt like years ago.He was right.His hands were clenched, but his voice was soft and husky. He turned his head away, was close enough that his hair brushed my cheek. "Smells good.
Alyxandra Harvey (My Love Lies Bleeding (Drake Chronicles, #1))
You pretend to be more eccentric than you actually are because you worry you are an interchangeable cog.
Douglas Coupland (Shampoo Planet)
This is not ambition. This is desperation.
Douglas Coupland (Shampoo Planet)
I think there is a Paris inside us all.
Douglas Coupland (Shampoo Planet)
So what I want to know is this. How often do all these hairy-faced men wash their faces? It is only once a week, like us, on Sunday nights? And do they shampoo it? Do they use a hair-dryer? Do they rub hair-tonic in to stop their faces from going bald? Do they go to a barber to have their hairy faces cut and trimmed or do they do it themselves in front of the bathroom mirror with nail-scissors?
Roald Dahl (The Twits)
Name me a leader who has a better idea for homeland security than making us take off our shoes in airports and throw away our shampoo?
Lee Iacocca
At least there's nothing scary about him and hopefully he doesn't see anything scary in me. We go way back, to summer camp. We KNOW each other. People I don't know just make me want to say YIKES! I'll take history over mystery any day of the week.
Douglas Coupland (Shampoo Planet)
We lived for honey. We swallowed a spoonful in the morning to wake us up and one at night to put us to sleep. We took it with every meal to calm the mind, give us stamina, and prevent fatal disease. We swabbed ourselves in it to disinfect cuts or heal chapped lips. It went in our baths, our skin cream, our raspberry tea and biscuits. Nothing was safe from honey...honey was the ambrosia of the gods and the shampoo of the goddesses.
Sue Monk Kidd (The Secret Life of Bees)
I'd live with loneliness a long time. That was something which was always there... one learns to keep it at bay, there are times when one even enjoys it - but there are also times when a desperate self-sufficiency doesn't quite suffice, and then the search for the anodyne begins... the radio, the dog, the shampoo, the stockings-to-wash, the tin soldier...
Mary Stewart (Nine Coaches Waiting)
The rest of us, not chosen for enlightenment, left on the outside of Earth, at the mercy of a Gravity we have only begun to learn how to detect and measure, must go on blundering inside our front-brain faith in Kute Korrespondences, hoping that for each psi-synthetic taken from Earth's soul there is a molecule, secular, more or less ordinary and named, over here - kicking endlessly among the plastic trivia, finding in each Deeper Significance and trying to string them all together like terms of a power series hoping to zero in on the tremendous and secret Function whose name, like the permuted names of God, cannot be spoken... plastic saxophone reed sounds of unnatural timbre, shampoo bottle ego-image, Cracker Jack prize one-shot amusement, home appliance casing fairing for winds of cognition, baby bottles tranquilization, meat packages disguise of slaughter, dry-cleaning bags infant strangulation, garden hoses feeding endlessly the desert... but to bring them together, in their slick persistence and our preterition... to make sense out of, to find the meanest sharp sliver of truth in so much replication, so much waste... [Gravity's Rainbow, p. 590]
Thomas Pynchon
They passed a netscreen that showed a commercial for a shampoo that claimed to change the color of one’s hair based on their moods.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
Saved, rescued, fished-up, half-drowned, out of the deep, dark river, dry clothes, hair shampooed and set. Nobody would know I had ever been in it.
Jean Rhys (Good Morning, Midnight)
In a seperate cloth pouch I found little bottles of shampoo and soap and a toothbrush and the like,as well as a tiny brown glass vial of perfumed oil. It smelled of violets and chocolate. Yeah,like I needed the zombies to find me any more delicious.That'd be like a cow wearing eau de gravy.
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
Ritual he liked, but compulsory routine he hated. Thus, he resented every minute that he now had to surrender to showering, shampooing, shaving, and flossing and brushing his teeth. If mere men could devise self-defrosting refrigerators and self-cleaning ovens, why couldn't nature, in all its complex, inventive magnificence, have managed to come up with self-cleaning teeth? "There's birth," he grumbled, "there's death, and in between there's maintenance.
Tom Robbins (Fierce Invalids Home from Hot Climates)
Life is maybe like deep-sea fishing. We wake up in the morning, we cast our nets into the water, an, if we are lucky, at day's end we will have netted one-- maybe two-- small fish. Occasionally we will net a seahorse or sometimes a shark-- or a life preserver or an iceberg, or a monster. And in our dreams at night we assess our Catch of the Day-- the treasures of this long, slow process of accumulation...
Douglas Coupland (Shampoo Planet)
When you grow older a dreadful, horrible sensation will come over you. It's called loneliness, and you think you know what it is now, but you don't. Here is a list of the symptoms, and don't worry-loneliness is the most universal sensation on the planet. Just remember one fact-loneliness will pass. You will survive and you will be a better human for it.
Douglas Coupland (Shampoo Planet)
It's one of my inventions-a shampoo," Athena explained. "Anyway, I didn't know it would do"-she gestured toward the snakes-"that.
Joan Holub (Athena the Brain (Goddess Girls, #1))
I drop on my back on the bed, panting and sweating. How will I survive this missing? How do others do it? People die all the time. Every day. Every hour. There are families all over the world staring at beds that are no longer slept in, shoes that are no longer worn. Families that no longer have to buy a particular cereal, a kind of shampoo. There are people everywhere standing in line at the movies, buying curtains, walking dogs, while inside, their hearts are ripping to shreds. For years. For their whole lives. I don't believe time heals. I don't want it to. If I heal, doesn't that mean I've accepted the world without her?
Jandy Nelson (The Sky Is Everywhere)
Nachdenklich sah ich hinab auf meine Hände, in der einen den siebten Band der Harry Potter Reihe, in der anderen meinen Kulturbeutel. »Shampoo könnte ich mir ja eigentlich auch dort kaufen.«
Amelie Murmann (Fangirl auf Umwegen)
When you get older, you notice your sheets are dirty. Sometimes, you do something about it. And sometimes, you read the front page of the newspaper and sometimes you floss and sometimes you stop biting your nails and sometimes you meet a friend for lunch. You still crave lemonade, but the taste doesn’t satisfy you as much as it used to. You still crave summer, but sometimes you mean summer, five years ago. You remember your umbrella, you check up on people to see if they got home, you leave places early to go home and make toast. You stand by the toaster in your underwear and a big t-shirt, wondering if you should just turn in or watch one more hour of television. You laugh at different things. You stop laughing at other things. You think about old loves almost like they are in a museum. The socks, you notice, aren’t organized into pairs and you mentally make a note of it. You cover your mouth when you sneeze, reaching for the box of tissues you bought, contains aloe. When you get older, you try different shampoos. You find one you like. You try sleeping early and spin class and jogging again. You try a book you almost read but couldn’t finish. You wrap yourself in the blankets of: familiar t-shirts, caffe au lait, dim tv light, texts with old friends or new people you really want to like and love you. You lose contact with friends from college, and only sometimes you think about it. When you do, it feels bad and almost bitter. You lose people, and when other people bring them up, you almost pretend like you know what they are doing. You try to stop touching your face and become invested in things like expensive salads and trying parsnips and saving up for a vacation you really want. You keep a spare pen in a drawer. You look at old pictures of yourself and they feel foreign and misleading. You forget things like: purchasing stamps, buying more butter, putting lotion on your elbows, calling your mother back. You learn things like balance: checkbooks, social life, work life, time to work out and time to enjoy yourself. When you get older, you find yourself more in control. You find your convictions appealing, you find you like your body more, you learn to take things in stride. You begin to crave respect and comfort and adventure, all at the same time. You lay in your bed, fearing death, just like you did. You pull lint off your shirt. You smile less and feel content more. You think about changing and then often, you do.
Alida Nugent (You Don't Have to Like Me: Essays on Growing Up, Speaking Out, and Finding Feminism)
There, just beyond his open palm, was our mother’s face. I wasn’t expecting it. We hadn’t requested a viewing, and the memorial service was closed-coffin. We got it anyway. They’d shampooed and waved her hair and made up her face. They’d done a great job, but I felt taken, as if we’d asked for the basic carwash and they’d gone ahead and detailed her. Hey, I wanted to say, we didn’t order this. But of course I said nothing. Death makes us helplessly polite.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Still, Lindsay stops getting dressed, even though he's only half-done, because he gets this urge to ambush the kid with a hug. Just that, nothing else. He wraps his arms around Valentine's skinny body and pulls him close and rests his cheek on the still-damp hair and inhales the cherry-almond scent of his shampoo, and Valentine says, "Oh!" in a really odd way, like he's just read a particularly interesting fact on the back of a Penguin biscuit wrapper. Lindsay's got his eyes shut but he can feel the kid's hands creeping up his bare arms, over his shoulders. One stays there and the other comes to rest on the back of his neck, fingers playing idly with the ends of his hair, and several minutes pass without sound or movement, just the gentle thud of heartbeats. "What's that for?" Valentine asks, when Lindsay finally lets him go. "Don't know. Nothing. Just seemed the kind of thing you'd like. BAM, surprise ninja cuddles.
Richard Rider (Stockholm Syndrome (Stockholm Syndrome, #1))
I lay on your bed, and smelled your pillow,” I say, and rush to tell her the rest. “I may have also had a beer, touched your underwear, smelled your shampoo, and used some of your lotion. Look, don’t judge, I just wanted to get as close to you as I could.
Alexa Riley (Pulling Her Trigger (Ghost Riders MC, #1))
Maybe people with weird haircuts are like structures that become interesting only after being wrecked - Florida ranch houses half-fallen into sinkholes; bankrupt malls; civilizations after a nuclear war. I feel a warm tragic glow knowing I may be of interest to the world only once I have been destroyed.
Douglas Coupland (Shampoo Planet)
Well, of course I’ve tried lavender. And pulling my memory out, ribbonlike and dripping. And shrieking into my pillow. And writing the poems. And making more friends. And baking warm brown cookies. And therapy. And intimacy. And pictures of rainbows. And all of the movies about lovers and the terrible things they do to each other. And watching the ones in other languages. And leaving the subtitles off. And listening to the language. And forgetting my name. And feeling the dirt on my skin. And screaming in the shower. And changing my shampoo. And living alone. And cutting my hair. And buying a turtle. And petting the cat. And traveling. And writing more poems. And touching a different body. And digging a grave. And digging a grave. Of course, I’ve tried it. Of course I have.
Yasmin Belkhyr
Evan …” she murmured, wrapping her soft arms around his neck. Their position had her lips near his ear. She’d lost her headband somewhere. He could smell the strawberry of her shampoo, feel the tickle of her sluggish breath stirring his hair. “Evan.” “Kelsey. Move over here, lie down.” She pulled back slightly, her bleary eyes trying to focus on his. The weight of her head still seemed too much for her neck to support and her hair flowed over his arm. “Evan, I always liked you.” “I always liked you, too, honey.” The way she kept saying his name in that intoxicated purr, savoring the v between her teeth and her bottom lip, was unnerving. Unnerving, hell. It had his dick twitching in his pants. “Come on, girl, you need to sleep it off.” “I mean I like liked you.” […] Her hands caught his face, surprising him. He should have moved away from her long ago, before she could get her hands on him. As it was, he felt like a fly caught in the sticky gossamer of a spider’s den. “Always wanted to fuck you, y’know that? Even when I was a virgin.” He drew in a breath, exhaled it shakily. So much for prudish. Note to self: Kelsey now gets unbelievably horny when drunk.
Cherrie Lynn (Unleashed (Ross Siblings, #1))
What?" he asked. "Nothing. Your bony hands of death amuse me, that's all." "Wait until yours look the same," he said, preparing to scythe. "Wait - what?" She batted the sapphire blade out of his hands. "What do you mean? Is that why everyone around here has such creepy fingers?" "Yeah." He bent down to pick up his scythe. "I don't know why it happens, though. Probably the same weird reason our hair goes all wonky." "What?" she barked, knocking his scythe to the ground once more. "Stop that!" "What happens to our hair?" He gestured to the disaster atop his head. "You think I want to look like a drunken hedgehog all the time? It's from hanging out in the ether so much. It messes with your follicles or something. Doesn't happen to everyone, but I can assure you that Ferbus's wasn't always the color of a prison jumpsuit, Zara wasn't born Silvylocks, and Mort's been rocking the electrocution look for years. Look, yours has gotten straighter already." Lex ran a hand through her hair. It had lost some of its poofyness. There had been so many other circuses of insanity to deal with that she hadn't even noticed. It was calm, manageable, even - she shuddered to think it - sleek and shiny. "Oh my God," she said in disgust. "I'm a shampoo commercial.
Gina Damico (Croak (Croak, #1))
I turn the water to nearly scalding hot. I love water so hot it almost burns. I love the smell of shampoo. My happiest place might just be under a showerhead. It is here in the steam, covered in suds, that I do not feel like Monique Grant, woman left behind. Or even Monique Grant, stalled writer. I am just Monique Grant, owner of luxury bath products.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
As brothers and sister we knew instinctively that if we were going to stand in darkness, best we stand in a darkness we had made ourselves.
Douglas Coupland (Shampoo Planet)
Even when there’s no bread, there’s always shampoo.
Rory Power (Wilder Girls)
Get a clarifying shampoo and suck it up, Kylo Ren.
Casey McQuiston (I Kissed Shara Wheeler)
After the shampoo was rinsed away, the girl performed a ‘shiatsu head massage’. I have never known such bliss. She kneaded my scalp with firm tenderness and precision, and I felt the hairs stand up on my forearms, then a bolt of electricity run down my spine. It ended about nine hours before I would have liked it to.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
My mood has changed now. And the sun has gone behind the clouds. I'm in this mood I feel occasionally... this mood where there's a very good friend nearby who I should be phoning. If only I could reach that friend and talk, then everything would be just fine. The dilemma is, of course, I just don't know who that friend is. But in my heart I know my mood is merely me feeling disconnected from my true inner self.
Douglas Coupland (Shampoo Planet)
(On differences between men and boys) Men know what they want. Men make concrete plans. Men own alarm clocks. Men sleep on a mattress that isn't on the floor. Men tip generously. Men buy new shampoo instead of adding water to a nearly empty bottle of shampoo. Men go to the dentist. Men make reservations. Men go in for a kiss without giving you some long preamble about how they're thinking of kissing you. Men wear clothes that have never been worn by anyone else before.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Foaming is a huge reward,” said Sinclair, the brand manager. “Shampoo doesn’t have to foam, but we add foaming chemicals because people expect it each time they wash their hair. Same thing with laundry detergent. And toothpaste—now every company adds sodium laureth sulfate to make toothpaste foam more. There’s no cleaning benefit, but people feel better when there’s a bunch of suds around their mouth. Once the customer starts expecting that foam, the habit starts growing.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
She stands facing me to take off the helmet. When she does, she shakes her dark hair free. It looks like something a girl in a shampoo commercial might do. I have no doubt she doesn’t have a clue how sexy she is. But she is. Holy hell, is she ever!
Michelle Leighton (Down to You (The Bad Boys, #1))
Anna-Louise leans over and whispers in my ear. "This is so surreal," she says, "I think I'm turning into a melting clock.
Douglas Coupland (Shampoo Planet)
In my ears i hear a noise, and this noise is the sound of the color of the sun.
Douglas Coupland (Shampoo Planet)
I'm sorry about these two," Mike told the waitress. "Just so you know, I'll be embarrassed with you." "It's just that we haven't seen each other since summmer camp," Becky said. "And we'd formed such a bond playing wily tricks on our camp counselors," Felix said. "Remember how you replaced Miss Pepper's shampoo with liquid Jell-O and turned her hair green?" "It was sheer genius when you stretched cling film over all the toilet seats." "Oh." The waitress turned to Mike, as if to address the only sane member of the group. "So, are ya'll ready to eat now, or are you waiting for your date to arrive?" Mike played with the menu. "Actually, she's my date." "These are my two husbands," Becky said. "We're from Utah. You know, Mormom.
Shannon Hale (The Actor and the Housewife)
Have you ever put finger, algea-filled lake-water, or shampoo in there? Yeah, that gets your eyes screaming in pain pretty quick, doesn't it? Unless you're using baby No More Tears shampoo, of course, in which case feel free to lather your eyeballs right on up, no worries.
Neil Pasricha (The Book of Awesome)
Life is so expensive.
Douglas Coupland (Shampoo Planet)
Life is soon
Douglas Coupland (Shampoo Planet)
The perfect comeback only comes to you way after the offending incident, most especially when you’re alone in the shower with no one but the shampoo bottle to tell it to.
Emma Mills (Lucky Caller)
I showered and shampooed. I even shaved the requisite legs and armpits just in case I fell in a swoon and one or the other was exposed to view. (Kinsey Millhone)
Sue Grafton (U is for Undertow (Kinsey Millhone, #21))
I love water so hot it almost burns. I love the smell of shampoo. My happiest place might just be under a showerhead.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
This is what Liza knows: People go under. They fall off the world, they go beneath and drown and die. Sometimes, nothing saves you…Liza knows how black the world is, how fast it spins, and how you have to take the taste of apples and the smell of your little girl’s orange zest shampoo where you find them. You have to hold these things and strive, always, for one more word and one more step. You push forward and you fight, for as long as ever you can, until the black world spins and the moon pulls the tide and the water rises up and takes you.
Joshilyn Jackson
Imagine you are sitting down in a chair and on a screen before you you are shown a bloody, ripping film of yourself undergoing surgery. The surgery saved your life. It was pivotal in making you you. But you don't remember it. Or do you? Do we understand the events that make us who we are? Do we ever understand the factors that make us do the things we do? When we sleep at night - when we walk across a field and see a tree full of sleeping birds - when we tell small lies to our friends - when we make love - what acts of surgery are happening to our souls - what damage and healing and shock are we going through that we will never be able to fathom? What films are generated that we will never be shown?
Douglas Coupland (Shampoo Planet)
I wouldn't mind if the consumer culture went poof! overnight because then we'd all be in the same boat and life wouldn't be so bad, mucking about with the chickens and feudalism and the like. But you know what would be absolutely horrible. The worst? ... If, as we were all down on earth wearing rags and husbanding pigs inside abandoned Baskin-Robbins franchises, I were to look up in the sky and see a jet -- with just one person inside even -- I'd go berserk. I'd go crazy. Either everyone slides back into the Dark Ages or no one does.
Douglas Coupland (Shampoo Planet)
You want it, boy?" He pulled his prick out of his jeans. "God, yes. That's why I'm here." "Good." He left his jeans open, left his prick hard and pushing out. "Come on. Shower." "Turn around." He wanted to see it. Griff went a deep red, but the man turned to show the weird, stylized whip branded into one ass cheek. Groaning, Brian reached out and touched it, traced it with his fingers. He'd done that. He'd marked his boy. "You still clean?" Brian kept rubbing his prick back and forth across Griff's hole. "I am. I couldn't... I couldn't get it up with anyone else." "Good." He grabbed the shampoo and poured it over his fingers. "Was not. You fucked me up" "We fucked each other up." He was not in this alone. He couldn't wait to be inside Griff again. His wild, desperate baby boy. His fingers traced the brand on Griff's ass. His. All fucking his. Marked permanently. And Griff had let him do it. The man knew it was true.
Sean Michael (Breaking Cover)
You get everything you need?” She squealed like an idiot and whirled around to see him smirking at her. “JeSUS!” She glared at him and brushed past him, ignoring the sparks that shot down her arm where their bodies met. Thumping down on to the sofa, she grabbed at the food tray and began digging in, glaring at him the whole time as he took the seat opposite her. She swallowed when he refused to look away. “You know this is all just a little too Virginia Andrews for my liking.” He raised an eyebrow. “Meaning?” “The clothes, the accessories, the shampoo!” Avery shook her head in disbelief. “It’s creepy, Brennus.
Samantha Young (Drip Drop Teardrop)
You wait for fate to bring about the changes in life which you should be bringing about yourself.
Douglas Coupland (Shampoo Planet)
You don't believe magic is possible in lives lived within traditional boundaries.
Douglas Coupland (Shampoo Planet)
What are you doing?" "Washing your hair," he murmured and proceeded to stroke and massage the shampoo into her short, sopping cap of hair. "I'm going to enjoy smelling my soap on you." His lips curved. "You're a fascinating woman, Eve. Here we are, wet, naked, both of us half dead from a very memorable night, and still you watch me with very cool, very suspicious eyes." "You're a suspicious character, Roarke." "I think that's a compliment.
J.D. Robb (Naked in Death (In Death, #1))
During rush-hour traffic, emissions of siloxane, a microbiome-destroying ingredient in shampoos, lotions, and deodorants, are found in comparable levels to vehicle exhaust.17 Just one more reason to dread your daily commute.
Steven R. Gundry (The Longevity Paradox: How to Die Young at a Ripe Old Age (The Plant Paradox, #4))
Maybe it's the TV commercials. They make you hate everything they try to sell. God, they must think the public is a halfwit. Every time some jerk in a white coat with a stethoscope hanging around his neck holds up some toothpaste or a pack of cigarettes or a bottle of beer or a mouthwash or a jar of shampoo or a little box of something that makes a fat wrestler smell like mountain lilac I always make note never to buy any. Hell, I wouldn't buy the product even if I liked it.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
I was in the shower the other day and I noticed on the back of the shampoo bottle it said, "Avoid contact with eyes. In case of eye contact, flush with water." and I thought, "Avoid eye contact? What do you think I do, talk to shampoo bottles? And even if I did converse with soap, am I not worthy to look at the bottle while I talk to it, that I have to purge myself with water after gazing upon it?
Jarod Kintz (This Book is Not for Sale)
I'm Cooper Taylor. I'm a Scorpio. I enjoy women, long walks on the beach, and my roommate says I use girly shampoo. Oh, and I generally hate anyone in the film industry because they're total assholes. Guess you could say I'm you Pai Mei." "Willow Avery. Actress, Cancer, and according to my team, on my last leg before porn.
Emily Snow
What did ye talk about with the ladies?" "Lots of things," she replied " The Three step rule, oral sex-" "Holy Christ Almighty" He pressed a hand to his brow. "They were supposed to teach you how to shampoo yer hair, no' give you instructions on oral sex!
Kerrelyn Sparks (Vampire Mine (Love at Stake, #10))
I sit on the steps in the heat of the sun and listen as one by one these car alarms extinguish themselves until once more only the muted roar of the city is audible, and the city, bathed in sunlight, once again resumes dreaming its collective dream. Cars roll down the city's roads, plants grow from its soil, wealth is generated in its rooms, hope is created and lost and recreated in the minds and souls of its inhabitants, and the city continues its dream and searches for those ideas that will make it strong.
Douglas Coupland (Shampoo Planet)
Keep your treasure to yourself.
Douglas Coupland (Shampoo Planet)
And for a while they were happy in their own manner; they had the animal confidence money affords.
Douglas Coupland (Shampoo Planet)
Every day, give yourself a good mental shampoo.
Sara Jordan
suffuse, v. I don’t like it when you use my shampoo, because then your hair smells like me, not you.
David Levithan (The Lover's Dictionary)
The company wants to sell you more shampoo, your friend doesn't, so she gets more trust points.
Chip Heath
I read trash. Empty cereal boxes, empty shampoo bottles, the bottoms of empty Kleenex boxes, and occasionally even a mystical self-help book.
Jarod Kintz (This Book is Not for Sale)
Hacking shampoos, conditioners, gels and creams with your oil(s) of choice is a great way to promote healthy strong hair growth.
Monica Millner (Natural and Free: Journey to Natural Beauty)
He can smell his cologne, his shampoo, and something else -- he can smell the boy's own scent, something bittersweet.
Lidia Roldán
I grabbed it and held it to my face and there,God,yes.Her smell.The lilac shampoo and the almond in her skin lotion and benneath all of that the faint sweetness of the skin itself.
John Green (Paper Towns)
He smells like Speed Stick, shampoo, and all I've ever wanted.
Sarah Tregay (Fan Art)
Someone, or someones, more like it, had Little Mermaided their bathroom: There were Little Mermaid towels hanging on all the hooks and rods, a Little Mermaid rug in front of the double sinks . . . Little Mermaid cups and toothbrushes and kids’ toothpaste on the counters . . . Little Mermaid shampoo and conditioner in the shower . . . action figures lined up on the lip around the tub and down the sill of the big window that looked out over the gardens.
J.R. Ward (The Beast (Black Dagger Brotherhood, #14))
In LA, you can’t do anything unless you drive. Now I can’t do anything unless I drink. And the drink-drive combination, it really isn’t possible out there. If you so much as loosen your seatbelt or drop your ash or pick your nose, then it’s an Alcatraz autopsy with the questions asked later. Any indiscipline, you feel, any variation, and there’s a bullhorn, a set of scope sights, and a coptered pig drawing a bead on your rug. So what can a poor boy do? You come out of the hotel, the Vraimont. Over boiling Watts the downtown skyline carries a smear of God’s green snot. You walk left, you walk right, you are a bank rat on a busy river. This restaurant serves no drink, this one serves no meat, this one serves no heterosexuals. You can get your chimp shampooed, you can get your dick tattooed, twenty-four hour, but can you get lunch? And should you see a sign on the far side of the street flashing BEEF-BOOZE – NO STRINGS, then you can forget it. The only way to get across the road is to be born there. All the ped-xing signs say DON’T WALK, all of them, all the time. That is the message, the content of Los Angeles: don’t walk. Stay inside. Don’t walk. Drive. Don’t walk. Run!
Martin Amis (Money)
Everyone likes everything nowadays. They like the television and the phonograph and the shampoo and the soda pop and the Cracker Jack. Everything becomes everything else and it's all nice and pretty and LIKABLE. Everything is fun in the sun! Where's the discernment? Where's the arbitration that separates what I LIKE from what I RESPECT, what I deem WORTHY, what has... listen to me now... SIGNIFICANCE.
John Logan (Red (Oberon Modern Plays))
If you're dizzy at all, sit down. Just sit down wherever you are. It's better than falling. Range of motion in the shoulder?" Eve demonstrated it by raising her arms and scrubbing shampoo into her hair. "Hip?" Eve wiggled her butt and made Louise laugh. "Glad to see you're feeling frisky." "That wasn't frisky. I was mooning you, which is supposed to be insulting." "But you have such a cute little butt." "So I've always said," Roarke added. "Jesus, are you still in here? Go away, everybody go away." She flipped back her hair, turned, and let out a thin scream when Peabody walked in. "Hey! How're you feeling?" "Naked. I'm feeling naked and very crowded." "The face doesn't look half-bad." Peabody looked around. "She's in here, McNab, doing a lot better." "He comes in here," Eve said ominously, "and somebody's going to die." "Bathrooms—veritable death traps," Roarke added. "Why don't I just take Peabody and McNab, and Feeney," he added when he heard the EDD captain's voice join McNab's, "up to your office. Louise will stay until she's satisfied you're fit to return to duty." "I'm fit to kick righteous ass if one more person sees my tits this morning." She turned away again and tried to bury herself in water and steam.
J.D. Robb (Reunion in Death (In Death, #14))
Someone knocked on the back door. He push back the chair and had to pause. The wolf was angry that someone had breached his sanctuary. Not even his pack had been brave enough the past few days to approch him in his home. By the time he stalked into the kitchen, he had it mostly under control. He jerked open the back door and expect to see one of his wolves. But it was Mercy. She didn't look cheerful—but then, she seldom did when she had to come over and talk to him. She was tough and independent and not at all happy to have him interfere in any way with that independence. It had been a long time since someone had bossed him around the way she did—and he liked it. More than a wolf who'd been Alpha for twenty years ought to like it. She smelled of burnt car oil, Jasmine from the shampoo she'd been using that month, and chocolate. Or maybe that last was the cookies on the plate she handed him. "Here," she said stiffly. And he realize it was shyness in the corner of her mouth. "Chocolate usually helps me regain my balance when life kicks me in the teeth." She didn't wait for him to say anything, just turned around and walked back to her house. He took the cookies back to the office with him. After a few minutes, he ate one. Chocolate, thick and dark, spread across his tongue, it's bitterness alleviated by a sinfull amount of brown sugar and vanilla. He'd forgotten to eat and hadn't realized it. But it wasn't the chocolate or the food that made him feel better. It was Mercy's kindness to someone she viewed as her enemy. And right at that moment, he realized something. She would never love him for what she could do for her. He ate another cookie before getting up to make himself dinner.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
What I will tell you, son of sons, is this: shortly, if not already, you will begin noticing the blackness inside us all. You will develop black secrets and commit black actions. You will be shocked at the insensitivities and transgressions you are capable of, yet you will be unable to stop them. And by the time you are thirty, your friends will all have black secrets, too, but it will be years before you learn exactly *what* their black secrets are. Life at that point will become like throwing a Frisbee in a graveyard; much of the pleasure of your dealings with your friends will stem from the contrast between your sparkling youth and the ink you now know lies at your feet. Later, as you get to be my age, you will see your friends begin to die, to lose their memories, to see their skins turn wrinkled and sick. You will see the effects of dark secrets making themslves know - via their minds and bodies and via the stories your friends - yes, Harmony, Gaia, Mei-lin, Davidson, and the rest - will begin telling you at three-thirty in the morning as you put iodine on their bruises, arrange for tetanus shots, dial 911, and listen to them cry. The only payback for all of this - for the conversion of their once-young hearts into tar - will be that you will love your friends more, even though they have made you see the universe as an emptier and scarier place - and they will love you more, too.
Douglas Coupland (Shampoo Planet)
How do you find a name?" "In this case, on a shampoo bottle. It's one of the ingredients; Sodium Laureth Sulphate. He thought it was a beautiful word and sounded like a name." "He's right." "Mum didn't think so. He swears he told her at the time where it came from, and maybe he did, but she was too ill to remember. I was seven when she found out, and then she hit the roof. 'You named our daughter after a chemical!' That kind of thing." "I still think it's a cool name," said Sam, and I could hear the smile in his voice. It was a soft voice, too. I liked it. "And very beautiful," he added. "Thank you," I said, feeling a little warm inside. "And that's why I have such a boring name," said Benjamin. "Oh, hey," said Sam. "That's a cool name, too." "No, it's not," said Benjamin. "There are two Bens in my class. Mum said she was going to choose my name when I was born. Dad wasn't allowed. So I got a boring name. But that's why Stan's called Stan." "Because you wanted him to have a boring name, too?" "Stan's not a boring name. It's short for Stannous." "Stannous?" "Stannous Chloride," I said. "It's a chemical. It was on a tube of toothpaste." Sam laughed. "Mum hit the roof," said Benjamin, proudly.
Marcus Sedgwick (She Is Not Invisible)
Then, walking across the room, hips swaying, blond hair flowing as if in a shampoo commercial, came Joe's date. Tall. Skinny. Big boobs despite the skinniness, their cantaloupe-like roundness announcing them as store-bought
Kristan Higgins (Fools Rush in)
then Colette, everyone’s girl crush, our trusted friend. One of the pretty ones, with her auburn shampoo-commercial hair, her Colorado-bred effortlessness and unmedicated home birth—the perfect female, topped in powdered sugar.
Aimee Molloy (The Perfect Mother)
The sheets and pillows smelled like the sea and citrus. “Oranges,” I murmured. “My shampoo,” Wit murmured back. “I love oranges.” “So you love me.” I giggled. He hadn’t phrased it as a question, and for some reason—lack of sleep, probably—that made me giggle. Really giggle. “You have a nice laugh,” Wit commented. “A nice laugh?” I asked, giggles gone.
K.L. Walther (The Summer of Broken Rules)
Each day we wake up and make myriad choices that affect others. We clothe ourselves with shirts, pants, and shoes that may have been sewn together by women working in factories fourteen-plus hours a day for a nonliving wage; we buy products manufactured in ways the destroy forests, pollute waterways, and poison the air; we wash our hair with shampoos that may have been squeezed into the eyes of conscious rabbits or force-fed to them in quantities that kill; and on and on. As Derrick Jensen has written in his book "The Culture of Make Believe", "It is possible to destroy a culture without being aware of its existence. It is possible to commit genocide or ecocide from the comfort of one's living room
Zoe Weil (Most Good, Least Harm: A Simple Principle for a Better World and Meaningful Life)
Those were big years, big times.
Douglas Coupland (Shampoo Planet)
The sixties are like a theme park to them. They wear the costume, buy their tickets, and they have the experience.
Douglas Coupland (Shampoo Planet)
Display in a foreign culture is not a foreign concept, and anyone who has ever traveled abroad will recollect, if they are honest, their status as an ephemeral concubine, with a global passport to seduction and a license to transgress. All the fleeting love affairs that are as much a part of visits to far-off lands as baggage tags and travel-size shampoo bottles--- isn't this proof enough that we all fall into the delightful trap of exoticising and commodifying ourselves in foreign places?
Cynthia Gralla (The Floating World)
You will see the effects of dark secrets making themselves known-- via their minds and bodies and via the stories your friends...will begin telling you...The only payback for all of this-- for the conversion of their once-young hearts into tar--will be that you will love your friends more, even though they have made you see the universe as an emptier and scarier place...
Douglas Coupland (Shampoo Planet)
Do you realize, Tyler,' says Anna-Louise, 'the entire time we were in the forest it rained steadily and not once did we approach a state of moistness? There was a storm and we didn't even know.
Douglas Coupland (Shampoo Planet)
According to Annabeth, our family, the Chases, had some sort of special appeal to the ancient gods. Maybe it was our winning personalities. Maybe it was our brand of shampoo. Annabeth’s mom, the Greek goddess Athena, had fallen in love with her dad, Frederick. My dad, Frey, had fallen in love with my mother, Natalie. If somebody came up to me tomorrow and told me—surprise!—the Aztec gods were alive and well in Houston and my second cousin was the granddaughter of Quetzalcoatl, I would totally believe them. Then I would run screaming off a cliff into Ginnungagap.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
He welcomes the chance to do fatherly things with the little girl, and those ten morning minutes with dear little four-year-old Ruby, with her deep soulful eyes, and the wondrous things she sees with them, and her deep soulful voice, and the precious though not entirely memorable things she says with it, and the smell of baby shampoo and breakfast cereal filling the car, that little shimmering capsule of time is like listening to cello music in the morning, or watching birds in a flutter of industry building a nest, it simply reminds you that even if God is dead, or never existed in the first place, there is, nevertheless, something tender at the center of creation, some meaning, some purpose and poetry.
Scott Spencer (A Ship Made of Paper)
There wasn't any fanfare in quitting my job. Most of my clients would know I'd left and been replaced by a new person. Maybe they would vacuum or position the throw pillows differently. Maybe the clients would come home to find the shampoo bottles arranged in a new way, but most of them probably wouldn't notice the change at all. When I thought about a new maid taking over my job, I wondered again what it would be like to know a stranger had been in your house, wiping every surface, emptying the garbage of your bloody pads. Would you not feel exposed in some way? After a couple of years, my clients trusted our invisible relationship. Now there would be another invisible human being magically making lines in the carpet.
Stephanie Land (Maid: Hard Work, Low Pay, and a Mother's Will to Survive)
You step out of the shower and the entire nation calms— a drop of lemon-egg shampoo, you smell like bees, a brief kiss, I don’t know anything about you—except the spray of freckles on your shoulders! which makes me feel so thrillingly alone. I stand on earth in my pajamas, penis sticking out— for years in your direction.
Ilya Kaminsky (Deaf Republic)
When MSC Napoli grounded off a Devon beach in January 2007, its burst boxes of motorbikes, shampoo, and diapers attracted looters and treasure hunters. It was also a rare opportunity to compare what was declared on container manifests with actual contents. In 20 percent of the containers, the contents and weights were wrong.
Rose George (Ninety Percent of Everything: Inside Shipping, the Invisible Industry That Puts Clothes on Your Back, Gas in Your Car, and Food on Your Plate)
And so the point of this story is that when I first met you at the photocopy machine, sure, we talked like a telethon and everything, but the perfume you were wearing then—that perfume was the smell of my stamp album, the smell of countries I always wanted to visit but never thought I’d be able to. It was like you had the world inside you.
Douglas Coupland (Shampoo Planet)
She helps me to the bathroom, helps me wash, then helps me put a gazillion tangles in my hair while she shampoos it. And she actually thinks we’re going to leave it that way. “I’m not going downstairs looking like a hobo,” I tell her. “We have to comb it.” “That thick mess will break this flimsy comb. Can’t you just run your fingers through it?” It’s weird to be arguing about my hair when we still haven’t discussed my wound, how I got it, and how I came to be snoring in Galen’s bed. We both seem to appreciate the bizarreness at the same time. Mom raises a brow. “Don’t think you get special treatment just because you can make a whale do the tango. I’m still your mother.” We both laugh so hard I think I feel a tiny rip in my newly dressed wound. Without warning, Mom throws her arms around me, careful to avoid touching it. “I’m so proud of you, Emma. And I know your father would be, too. Your grandfather can’t stop talking about it. You were amazing.” Ah, the bonding power of tangled hair and dancing whales. She releases me the second before it gets awkward. “Let’s get you dressed. We have a lot to discuss. And I get you’re starving. Rachel made you…uh…Upchuck Eggs.” “She gets an A for effort.
Anna Banks (Of Triton (The Syrena Legacy, #2))
The thing about being cloned from all those shampoo commercials, well, that goes for me and Brandy Alexander, too. Shotgunning anybody in this room would be the moral equivalent of killing a car, a vacuum cleaner, a Barbie doll. Erasing a computer disk. Burning a book. Probably that goes for killing anybody in the world. We're all such products.
Chuck Palahniuk (Invisible Monsters Remix)
They weren’t you, V. I didn’t realize it before, but once I was with them, I expected their hair to smell like your strawberry shampoo and their hugs to feel like yours and their laughter to sound like yours. I was looking for you in every girl I met.” His thumb brushes against my parted lips. “But there’s no other you, Violet. You’re it for me.
N.S. Perkins (The Infinity Between Us)
Mphhh... What did you say Tyler?' Anna-Louise mumbles on the bed above me. I stand up, and a tame blue bird lands on my shoulder and tries to nibble my earlobe. I gently shake Anna-Louise fully awake. 'Anna-Louise, wake-up,' I say. 'Wake up--the world is alive.
Douglas Coupland (Shampoo Planet)
Always keep your mouth shut with a drunk. You can never win with piss tanks. The most you can hope for is to break even.
Douglas Coupland (Shampoo Planet)
Her brown hair is so shiny; I believe her shampoo is made from the semen of demonic stallions.
Kayley Loring (A Very Bossy Christmas (Very Holiday, #1))
All her friends were settling down, and Margot? She had yet to find a brand of shampoo she liked well enough to commit to, let alone a whole person
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
You know you’ve completely descended into madness when the matter of shampoo has ascended to philosophical heights.
Elizabeth Wurtzel (Prozac Nation: Young and Depressed in America)
Maybe he is, maybe he isn't, but the fact remains he can move faster than Severus Snape confronted with shampoo.
J.K. Rowling
I imagine I sow cuttings of Anna-Louise's hair, like the fine stems of dried flowers, and watch sunflowers grow from the cuttings. I imagine I bury a pocket calculator with liquid crystals spelling her name, then watch the earth shoot forth lightning bolts. 'We should open up a seafood house together,' Anna-Louise says when she wants to torture me. Now that's love.
Douglas Coupland (Shampoo Planet)
What a lot of hairy-faced men there are around nowadays. When a man grows hair all over his face it is impossible to tell what he really looks like. Perhaps that’s why he does it. He’d rather you didn’t know. Then there’s the problem of washing. When the very hairy ones wash their faces, it must be as big a job as when you and I wash the hair on our heads. So what I want to know is this. How often do all these hairy-faced men wash their faces? Is it only once a week, like us, on Sunday nights? And do they shampoo it? Do they use a hairdryer? Do they rub hair-tonic in to stop their faces from going bald? Do they go to a barber to have their hairy faces cut and trimmed or do they do it themselves in front of the bathroom mirror with nail-scissors? I don’t know. But next time you see a man with a hairy face (which will probably be as soon as you step out on to the street) maybe you will look at him more closely and start wondering about some of these things.
Roald Dahl (The Twits)
I want to wash your hair with a shampoo that smells like fruit - mango, or strawberries. I want to walk on a beach with you, dragging a big stick behind us, making a message in the sand that we try to believe an airplane will really see. I want to kiss saltwater from your lips. I want us to listen to music with our eyes closed; I want to read musty books while lying next to you - books about fascinating things like mummies and eccentric artists and old shipwrecks in the Pacific. I want to have picnics on our bed and crawl into cotton sheets that smell like summer because we left the windows open when we were gone. I want to wake in the night with you and marvel at the stars and try to find the moon through the trees. I want all the sweet things in life. But only by your side.
Deb Caletti (The Six Rules of Maybe)
It's a good-bye, so I hug her back, breathing in the tangerine shampoo that I will associate with her forever, remembering how we used to shower together in her tiny blue-tiled bathroom after days spent by the pool, and how in the beginning, when things still felt easy and right, holding her close like this—underwater, in the sunlight in the quietest nighttime hours—was the best feeling in my life.
Nina LaCour
Even through the smell of rain and exhaust, I catch the scent of her shampoo, which smells like coconuts and summer, and it sends a jolt of excitement through my veins. Oh man, I’ve got it bad for this girl.
Amy Sparling (Bella and the New Guy (Love on the Track, #1))
It’s always surprised me that people fall for shampoo adverts that say it revitalises the hair. Hair has never had any life in it that can be revitalised. Hair’s dead, a cuticle of keratin growing out of a follicle. It’s got as much of life and you in it as the excrement you squeeze out. Hair is history, it’s what you’ve been, eaten and done. And you can’t go back. Grete’s perm was a mummified past, a permafrost, frightening as death itself.
Jo Nesbø (The Kingdom)
We then return our gaze to the mirror-boxed future-towns circling us-the hard drives of our culture, where the human tribe is making flesh its deepest needs and fears; teaching machines to think; accelerating the pace of obsolescence; designing new animals to replace the animals we've erased; value adding; reconstructing the future.
Douglas Coupland (Shampoo Planet)
I then return to my seat and something happens to me-- something inside me is exhausted and worn and stops spinning and I break down and cry. I cry because the future has once again found its sparkle and grown a million times larger. And I cry because... of how badly I behaved during my own personal Dark Ages-- back before I had a future and someone who cared for me from above. It is like today the sky opened up and only now am I allowed to enter.
Douglas Coupland (Shampoo Planet)
Of course you like it – how can you not like it?! Everyone likes everything nowadays. They like the television and the phonograph and the soda pop and the shampoo and the Cracker Jack. Everything becomes everything else and it’s all nice and pretty and likable. Everything is fun in the sun! Where’s the discernment? Where’s the arbitration that separates what I like from what I respect, what I deem worthy, what has…listen to me now…significance.     
John Logan (Red)
Think about the progression of a young relationship. Two people meet for the first time in person. Talk, drink, get to know each other. Next, if there is a next, is the apartments. The unfamiliar number on the door, a brass handle where yours is steel. The strange but pleasant smell of another person’s sheets. Shampoos in the shower, used, but new to you. Loganberry: Okay, why not? Back at your place next time, she opens the fridge, and it’s just … mustards. Sorry.
Christian Rudder (Dataclysm: Love, Sex, Race, and Identity--What Our Online Lives Tell Us about Our Offline Selves)
When someone went too long without touch, they became hypersensitive to the slightest graze. There was truth to it. Last weekend, Eva had almost had an orgasm when her hairstylist shampooed her. And her hairstylist was a grandmother of six.
Tia Williams (Seven Days in June)
History has proven that trickle-down economics didn’t pan out for the working class, and the same applies here: Trickle-down soap and shampoo will not clean those gams, so do yourself a favor and give your soiled stems the due diligence they deserve.
Trixie Mattel (Trixie and Katya's Guide to Modern Womanhood)
Kaitlin said, "I'm so sick of that 'Greatest Generation' crap. We finally drove a silver nail through the heart of Generation X, only to have this new monster rear its head. And I'm soooooo sick of Tom Hanks looking earnest all the time. They should make a Tom Hanks movie where Tom kills off Greatest Generation figureheads one by one." Bree arrived on cue: "And then he starts killing other generations. He becomes this supernova of hate--all he wants to do is destroy." "Hate clings to him like a rich, lathery shampoo. His lungs secrete it like anthrax foam." Mom lost it. "Stop it! All of you! Tom Hanks is a fine actor who would never hurt anybody. At least not onscreen." I thought, 'Hey, didn't Tom Hanks mow down half of Chicago in "Road to Perdition?"' Well, whatever.
Douglas Coupland (JPod)
I am on a lonely road and I am traveling Traveling, traveling, traveling Looking for something, what can it be Oh I hate you some, I hate you some, I love you some Oh I love you when I forget about me I want to be strong I want to laugh along I want to belong to the living Alive, alive, I want to get up and jive I want to wreck my stockings in some juke box dive Do you want - do you want - do you want to dance with me baby Do you want to take a chance On maybe finding some sweet romance with me baby Well, come on All I really really want our love to do Is to bring out the best in me and in you too All I really really want our love to do Is to bring out the best in me and in you I want to talk to you, I want to shampoo you I want to renew you again and again Applause, applause - Life is our cause When I think of your kisses my mind see-saws Do you see - do you see - do you see how you hurt me baby So I hurt you too Then we both get so blue. I am on a lonely road and I am traveling Looking for the key to set me free Oh the jealousy, the greed is the unraveling It's the unraveling And it undoes all the joy that could be I want to have fun, I want to shine like the sun I want to be the one that you want to see I want to knit you a sweater Want to write you a love letter I want to make you feel better I want to make you feel free I want to make you feel free
Joni Mitchell (Blue)
I find it difficult to sleep. A sort of daydream, perhaps, reliving old times, trying to capture something of her, while there’s still a flavour of her in the house. It’s real, you know. A perfume. The shampoo she used, I think. Something else I can’t pin down. I know it won’t last for long.
Ann Cleeves (Raven Black (Shetland Island, #1))
On vacation you can be anyone you want Like a good book or an incredible outfit, being on vacation transports you into another version of yourself.
In your day-to-day life, maybe you can’t even bob your head to the radio without being embarrassed, but on the right twinkly-light-strung patio, with the right steel drum band, you’ll find yourself whirling and twirling with the best of them. On vacation, your hair changes. The water is different, maybe the shampoo. Maybe you don’t bother to wash your hair at all, or brush it, because the salty ocean water curls it up in a way you love. You think, Maybe I could do this at home too. Maybe I could be this person who doesn’t brush her hair, who doesn’t mind being sweaty or having sand in all her crevices. On vacation, you strike up conversations with strangers, and forget that there are any stakes. If it turns out impossibly awkward, who cares? You’ll never see them again!
Emily Henry (People We Meet on Vacation)
I love water so hot it almost burns. I love the smell of shampoo. My happiest place might just be under a showerhead. It is here in the steam, covered in suds, that I do not feel like Monique Grant, woman left behind. Or even Monique Grant, stalled writer. I am just Monique Grant, owner of luxury bath products.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Thomas Builds-the-Fire's stories climbed into your clothes like sad, gave you itches that could not be scratched. If you repeated eve a sentence from one of those stories, your throat was never the same again. Those stories hung in your clothes and hair like smoke, and no amount of laundry soap or shampoo washed them out. Victor and Junior often tried to beat those stories out of Thomas, tied him down and taped his mouth shut. They pretended to be friendly and tried to sweet talk Thomas into temporary silences, made promises about beautiful Indian women and cases of Diet Pepsi. But none of that stopped Thomas, who talked and talked.
Sherman Alexie (Reservation Blues)
Your hair!” Della gasped, rushing to where Fitz sat at the table. His usual dark waves had been dyed green, and they stuck out in every direction. “Someone slipped an elixir into my shampoo this morning,” Fitz said, patting the spikes and eyeing Dex. “But it’s cool. I kind of like it.” Dex snorted. “Keep telling yourself that.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
These were citizens who, never having bothered to awaken to the technological and psychic changes in their world, hadn't bothered to defend themselves, hadn't bothered to build walls or plan counterattacks or build weapons-- asleep inside their collective dream, thinking for all the world that the unthinkable would never happen. Thinking they were safe.
Douglas Coupland (Shampoo Planet)
The store is also lit to the point of painfulness by a ceiling loaded with more fluorescent bulbs than a landing mothership. Shielding my headachey eyes, I make my consumer choices, then head to the counter, where the clerk is wearing sunglasses. I pay the clerk with a five-dollar bill on which I have felt-penned the words: I AM AFRAID OF THE DARK AGES.
Douglas Coupland (Shampoo Planet)
Are you cold?” My hands are clamped around my upper arms, my torso curled into my legs to keep the heat in. “Um.” “Here.” Wallace sits up and pulls a thick knitted blanket from beneath the other sheets on his bed. “Insulation layer. Hope it doesn’t smell bad.” He wraps it around me. It’s already warm. Probably warm from him, considering he sleeps with it touching him every freaking night. “Smells like Irish Spring and spicy boy shampoo,” I say. “Is that good or bad?” “It’s great.” I have never been so close to something that smells like Irish Spring and spicy boy shampoo, unless you count anything my dad goes near, and I do not. I’m not entirely sure my brothers shower. I curl up in his blanket but stay turned away from him.
Francesca Zappia (Eliza and Her Monsters)
I called Mom from the hotel during the period of peace, I'd turned out all of the lights and closed the curtains in pursuit of sensory deprivation. It was Black and sensationless. All There was in the room was my voice and mom's voice trickling out of the phone's earpiece, and this feeling passed through me-this feeling of what a gift it is that people are able to speak to each other while they're alive. These casual conversations, this familiar voice heard through a Las Vegas hotel room telephone. It was strange to realize that, in one since, all we are is our voice.
Douglas Coupland (Shampoo Planet)
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.” Harper laughed. “What’s funny?” “I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.” Trent’s mouth twitched, a slight smile making its way to his lips. “Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?” Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift. “Trent,” she squealed, kicking her feet to get free. “What are you doing?” He slapped her butt playfully and laughed as he carried her down the hallway. Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others. “Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.” Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks. “Pick one.” “Pick one what?” “Sink. Which do you want?” “You’re giving me a whole sink? Wait … stop…” Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her. Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity. He did the same thing with the vanity drawers and created some space under the sink. “I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.” “You like the vanilla?” It never ceased to surprise her, the details he remembered. Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.” “Oh my goodness, you are beyond!” Harper blushed furiously. “I want you for so much more than just sex, Harper.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
Up rose the scent of green-apple shampoo. Of river stones once the flood has gone. The taste of winter sky laced with sulfur fumes. A kiss beneath a white-hearted tree. A hot still day holding its breath. We removed the contents one by one. There were two blue plastic hair combs. A tough girl's black rubber-band bracelet. A newspaper advertisement for a secretarial school folded in half. A blond braid wrapped in gladwrap. A silver necklace with a half-a-broken-heart pendant. An address, written in a leftward-slanting hand, on a scrap of paper. Ballet shoes wrapped in laces. From the box came the sound of bicycle tires humming on hot pavement. Of bare feet running through crackling grass. Of frantic fingers unstitching an embroidered flower. Of paper wings rising on a sudden wind. Of the lake breathing against the shore. I didn't say anything. I kept very still.
Karen Foxlee (The Anatomy of Wings)
Peter and I were downstairs alone, the last two people to be picked up. We were sitting on the couch. I kept texting my dad, Where are uuuuuu? Peter was playing a game on his phone. And then, out of nowhere, he said, “Your hair smells like coconuts.” We weren’t even sitting that close. I said, “Really? You can smell it from there?” He scooted closer and took a sniff, nodding. “Yeah, it reminds me of Hawaii or something.” “Thanks!” I said. I wasn’t positive it was a compliment, but it seemed like enough of one to say thanks. “I’ve been switching between this coconut one and my sister’s baby shampoo, to do an experiment on which makes my hair softer--” Then Peter Kavinsky leaned right in and kissed me, and I was stunned. I’d never thought of him any kind of way before that kiss. He was too pretty, too smooth. Not my type of boy at all. But after he kissed me, he was all I could think about for months after.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Europe, which at last count has banned 1300 chemicals from personal-care products, is way ahead of us in regard. Most people probably believe that the U.S. Food and Drug Administration is regulating what goes into personal-care products like lipstick, skin cream and shampoo. In fact, that's not the case at all. In the United States, the Food, Drug, and Cosmetic Act of 1938 allowed cosmetic companies to police themselves—and nothing's changed in the 80 years since.
Sandy Skotnicki (Beyond Soap: The Real Truth About What You Are Doing to Your Skin and How to Fix It for a Beautiful, Healthy Glow)
The charm of traveling is everywhere I go, tiny life. I go to the hotel, tiny soap, tiny shampoos, single-serving butter, tiny mouthwash and a single-use toothbrush. Fold into the standard airplane seat. You’re a giant. The problem is your shoulders are too big. Your Alice in Wonderland legs are all of a sudden miles so long they touch the feet of the person in front. Dinner arrives, a miniature do-it-yourself Chicken Cordon Bleu hobby kit, sort of a put-it-together project to keep you busy.
Chuck Palahniuk (Fight Club)
I use my mom’s shampoo sometimes,” I blurt out. “I know I shouldn’t. I know it’s lady shampoo. But it smells better than mine, and I think my hair might like it better, and – but that doesn’t change the fact that that stuff, that’s for chicks. And, that, that’s probably gay, isn’t it? Like, at least a little.” “I don’t know whether—” “And I cried once listening to ‘The Scientist’ by Coldplay. I don’t know, I was in sort of a lousy mood anyway, but it’s not like that excuses that stuff. Like, that was gay, wasn’t it? Guys don’t just sit around and cry over Coldplay.” “Howie—” “And I loved Mamma Mia. Like, loved it. Amber made me watch it with her on TV once, and I didn’t want to, and she wound up thinking it was this sentimental piece of crap, but I loved it. It was all sunny and happy and there was all that blue sky and blue ocean, and everyone was just, like, so chill, all bouncing and singing and being so happy, and I just wanted to, I don’t know, live there or something. Jump right into the screen and sing backup to Dancing Queen. That’s gay, right? That’s queeriest queerdom. There’s no way that’s not totally gay. It’s gay. It’s so gay. I’m … I …” “If I may,” Arthur says. I take a deep breath. “Yeah, okay.” “I don’t like any of those things,” Arthur says, “and I am gay. So maybe you’re just girly.” That? That’s his answer? “I’m not girly,” I say, affronted. “Just an observation,” Arthur replies innocently. “You didn’t like Mamma Mia?” I ask, feeling like I just got kicked. “I’m not even really sure what it is,” Arthur replies, frowning thoughtfully. Useless bastard.
Hannah Johnson (Know Not Why (Know Not Why, #1))
Well,Anna.It's Matt or the minivan. I'm not making the choice for you." I choose my ex.We used to be good friends,so I'm sort of looking forward to seeing him again. And maybe Cherrie isn't as bad as I remember.Except she is. She totally is. After only five minutes in her company,I cannot fathom how Bridge stands sitting with her at lunch every day.She turns to look at me in the backseat,and her hair swishes in a vitamin-enriched, shampoo-commercial curtain. "So.How are the guys in Paris?" I shrug. "Parisian." "Ha ha.You're funny." Her lifeless laugh is one of her lesser attributes.What does Matt see in her? "No one special?" Matt smiles and glances at me through the rearview mirror. I'm not sure why,but I forgot that he has brown eyes.Why do they make some people look amazing and others completely average? It's the same with brown hair. Statistically speaking, St. Clair and Matt are quite similar. Eyes: Brown. Hair: Brown. Race: Caucasian. There's a significant difference in height,but still. It's like comparing a gourmet truffle to a Mr. Goodbar. I think about the gourmet truffle. And his girlfriend. "Not exactly.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Laleh’s suitcase was twice as heavy as mine, because it was also crammed full of the stuff Mom had brought with her from America. It wasn’t just stuff for our family. When Mom announced we were going to Iran, every Persian family in the Willamette Valley started calling her, asking if she could take something to Iran for a relative, or bring something back. It would be Mamou’s job to distribute what Mom had brought after we left. It was all random stuff too: a particular kind of shampoo, or a face cream, or even Tylenol PM, which apparently you couldn’t buy in Iran.
Adib Khorram (Darius the Great Is Not Okay (Darius the Great, #1))
And now let’s move to news concerning the wizard who is proving just as elusive as Harry Potter. We like to refer to him as the Chief Death Eater, and here to give his views on some of the more insane rumors circulating about him, I’d like to introduce a new correspondent: Rodent.” “‘Rodent’?” said yet another familiar voice, and Harry, Ron, and Hermione cried out together: “Fred!” “No—is it George?” “It’s Fred, I think,” said Ron, leaning in closer, as whichever twin it was said, “I’m not being ‘Rodent,’ no way, I told you I wanted to be ‘Rapier’!” “Oh, all right then. ‘Rapier,’ could you please give us your take on the various stories we’ve been hearing about the Chief Death Eater?” “Yes, River, I can,” said Fred. “As our listeners will know, unless they’ve taken refuse at the bottom of a garden pond or somewhere similar, You-Know-Who’s strategy of remaining in the shadows is creating a nice little climate of panic. Mind you, if all the alleged sightings of him are genuine, we must have a good nineteen You-Know-Who’s running around the place.” “Which suits him, of course,” said Kingsley. “The air of mystery is creating more terror than actually showing himself.” “Agreed,” said Fred. “So, people, let’s try and calm down a bit. Things are bad enough without inventing stuff as well. For instance, this new idea that You-Know-Who can kill with a single glance from his eyes. That’s a basilisk, listeners. One simple test: Check whether the thing that’s glaring at you has got legs. If it has, it’s safe to look into his eyes, although if it really is You-Know-Who, that’s still likely to be the last thing you ever do.” For the first time in weeks and weeks, Harry was laughing: He could feel the weight of tension leaving him. “And the rumors that he keeps being sighted abroad?” asked Lee. “Well, who wouldn’t want a nice little holiday after all the hard work he’s been putting in?” asked Fred. “Point is, people, don’t get lulled into a false sense of security, thinking he’s out of the country. Maybe he is, maybe he isn’t, but the fact remains he can move faster than Severus Snape confronted with shampoo when he wants to, so don’t count on him being a long way away if you’re planning on taking any risks. I never thought I’d hear myself say it, but safety first!
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Angel had sort of believed that death—the death of someone essential and life-defining—meant the end of everything, but here she is, mashing banana with a fork, loading the dishwasher. Here she is (having placed Connor in his pen), doing something as mundane and necessary as choosing from among the bottles lined up along the edge of the bathtub and shampooing her hair. This heartache is so much larger than anything she’s felt. It’s agony—she can’t sit still, it hurts so much—and also enlivening. Angel had no idea that the world could hold ache like this, just as, before Connor was born, she had no idea it could hold such love.
Kirstin Valdez Quade (The Five Wounds)
A 1997 study of the consumer product design firm IDEO found that most of the company’s biggest successes originated as “combinations of existing knowledge from disparate industries.” IDEO’s designers created a top-selling water bottle, for example, by mixing a standard water carafe with the leak-proof nozzle of a shampoo container. The power of combining old ideas in new ways also extends to finance, where the prices of stock derivatives are calculated by mixing formulas originally developed to describe the motion of dust particles with gambling techniques. Modern bike helmets exist because a designer wondered if he could take a boat’s hull, which can withstand nearly any collision, and design it in the shape of a hat. It even reaches to parenting, where one of the most popular baby books—Benjamin Spock’s The Common Sense Book of Baby and Child Care, first published in 1946—combined Freudian psychotherapy with traditional child-rearing techniques. “A lot of the people we think of as exceptionally creative are essentially intellectual middlemen,” said Uzzi. “They’ve learned how to transfer knowledge between different industries or groups. They’ve seen a lot of different people attack the same problems in different settings, and so they know which kinds of ideas are more likely to work.” Within sociology, these middlemen are often referred to as idea or innovation brokers. In one study published in 2004, a sociologist named Ronald Burt studied 673 managers at a large electronics company and found that ideas that were most consistently ranked as “creative” came from people who were particularly talented at taking concepts from one division of the company and explaining them to employees in other departments. “People connected across groups are more familiar with alternative ways of thinking and behaving,” Burt wrote. “The between-group brokers are more likely to express ideas, less likely to have ideas dismissed, and more likely to have ideas evaluated as valuable.” They were more credible when they made suggestions, Burt said, because they could say which ideas had already succeeded somewhere else.
Charles Duhigg (Smarter Faster Better: The Secrets of Being Productive in Life and Business)
Oh please, you look amazing,” Sophie assured her. “Like always.” It wasn’t a lie. Even in a hall full of Vackers, Biana managed to shine. So did Fitz—though Sophie was trying not to notice. “Hey, Fitzy,” Keefe said, elbowing Fitz’s side. “Wanna join our bet on how long this Tribunal is going to last? You get to name your terms—oh, but if you lose, you’ll have to wear a metal diaper to school and call me Lord Hunkyhair from now on.” “Uh . . . yeah, no,” Fitz said as Biana asked, “Hunkyhair?” “Lord Hunkyhair,” Keefe corrected. “What? It’s accurate.” He tossed his head like he was in a shampoo commercial. “I think we need to make it a thing either way—don’t you, Foster?” “I think you’re ridiculous,” Sophie told him.
Shannon Messenger (Flashback (Keeper of the Lost Cities #7))
There wasn't any fanfare in quitting my job. Most of my clients wouldn't know I'd left and been replaced by a new person. Maybe they would vacuum or position the throw pillows differently. Maybe the clients would come home to find the shampoo bottles arranged in a new way, but most of them probably wouldn't notice the change at all. When I thought about a new maid taking over my job, I wondered again what it would be like to know a stranger had been in your house, wiping every surface, emptying the garbage of your bloody pads. Would you not feel exposed in some way? After a couple of years, my clients trusted our invisible relationship. Now there would be another invisible human being magically making lines in the carpet.
Stephanie Land (Maid: Hard Work, Low Pay, and a Mother's Will to Survive)
She lifted the cup to her lips. “You make good coffee.” “You haven’t tasted it yet.” “I can smell it. And I love the way it smells.” It’s not the coffee, he thought. Not all of it, at any rate. “Well, I love your perfume,” he said, because he was a dolt. She frowned. “I’m not wearing any. I mean, other than the soap and shampoo I use.” “Well, I like them, then. And I’m glad you stayed.” “Is this what you planned?” Their eyes met. Shit, she was perfect. Radiant as the candles had been. “You making it all the way to the coffee? Yeah, I guess a date was what I was after.” “I thought you agreed with me.” Man, that breathless quality in her voice made him want to have her up against his naked chest. “Agreed with you?” he said. “Hell, if it would make you happy, I’d say yes to anything. But what are you specifically referring to?” “You said…I shouldn’t date anyone.” Ah, right. “You shouldn’t.” “I don’t understand.” Fuck him, but he went for it. Rehv put his numb elbow on the table and leaned into her. As he closed the distance, her eyes got wider, but she didn’t pull back. He paused, to give her a chance to tell him to cut the shit. Why? He had no clue. His symphath side was into pauses only for analysis or to better capitalize on a weakness. But she made him want to be decent. Ehlena didn’t tell him to step off, however. “I don’t…understand,” she whispered. “It’s simple. I don’t think you should date anyone.” Rehv moved in even closer, until he could see the flecks of gold in her eyes. “But I’m not just anyone.” -Ehlena & Rehv
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
PART TWO Unexpressed emotions will never die. They are buried alive, and will come forth later, in uglier ways. —SIGMUND FREUD CHAPTER ONE Alicia Berenson’s Diary JULY 16 I never thought I’d be longing for rain. We’re into our fourth week of the heat wave, and it feels like an endurance test. Each day seems hotter than the last. It doesn’t feel like England. More like a foreign country—Greece or somewhere. I’m writing this on Hampstead Heath. The whole park is strewn with red-faced, semi-naked bodies, like a beach or a battlefield, on blankets or benches or spread out on the grass. I’m sitting under a tree, in the shade. It’s six o’clock, and it has started to cool down. The sun is low and red in a golden sky—the park looks different in this light—darker shadows, brighter colors. The grass looks like it’s on fire, flickering flames under my feet. I took off my shoes on my way here and walked barefoot. It reminded me of when I was little and I’d play outside. It reminded me of another summer, hot like this one—the summer Mum died—playing outside with Paul, cycling on our bikes through golden fields dotted with wild daisies, exploring abandoned houses and haunted orchards. In my memory that summer lasts forever. I remember Mum and those colorful tops she’d wear, with the yellow stringy straps, so flimsy and delicate—just like her. She was so thin, like a little bird. She would put on the radio and pick me up and dance me around to pop songs on the radio. I remember how she smelled of shampoo and cigarettes and Nivea hand cream, always with an undertone of vodka. How old was she then?
Alex Michaelides (The Silent Patient)
Every night, I sit in the rocking chair in the nursery when I give Willow her bedtime bottle. Tonight, I burped her halfway through her feeding like always. Then I sat her on my knees facing me and made funny faces. She looked right into my eyes. And she smiled. She’s ten weeks old and she just gave me her very first smile. I wish I’d taken a picture. I’m probably supposed to be documenting everything better for her baby book or whatever. She’s going to have a terrible baby book. But at least she’ll have a father who loves her. Because when she smiled at me tonight, I finally felt it. Love. A rush of love. I was so blown away by it I laughed, which made her smile at me even more. Then I hugged her small body and breathed in the smell of her Johnson’s baby shampoo. I could feel her heartbeat. Up until tonight, I was pretty sure Willow didn’t like me, and I understood why she didn’t. I didn’t blame her for resenting the idiot, bumbling guy who started doing for her all the things her gorgeous, familiar mother had done before. But tonight . . . tonight my little girl smiled at me. She gave her very first smile to me because I’m her person now. I’m her daddy and, in her way, I think she might love me, too. When I laid her against the inside of my elbow to feed her the rest of her bottle, her hand made a fist in the fabric of my shirt. She watched me as she drank down her formula. I’m tired and lonely. Parenting is far more difficult than I understood when I was a son and not yet a father. I miss my freedom and my friends and the life I had before Sylvie told me she was pregnant. I miss who I used to be. But tonight my daughter, a tiny girl in pink pajamas, smiled at me. Because I’m her person. Letter
Becky Wade (Then Came You (A Bradford Sisters Romance, #0.5))
ROTHKO: So, now, what do you see? – Be specific. No, be exact. Be exact – but sensitive. You understand? Be kind. Be a human being, that’s all I can say. Be a human being for once in your life! These pictures deserve compassion and they live or die in the eye of the sensitive viewer, they quicken only if the empathetic viewer will let them. That is what they cry out for. That is why they where created. That is what they deserve… Now… What do you see?     Beat. KEN: Red. ROTHKO: But do you like it? KEN: Mm. ROTHKO: Speak up. KEN: Yes. ROTHKO: Of course you like it – how can you not like it?! Everyone likes everything nowadays. They like the television and the phonograph and the soda pop and the shampoo and the Cracker Jack. Everything becomes everything else and it’s all nice and pretty and likable. Everything is fun in the sun! Where’s the discernment? Where’s the arbitration that separates what I like from what I respect, what I deem worthy, what has…listen to me now…significance.
John Logan (Red)
It was in the Cornish summer of his twelfth year that Peter began to notice just how different the worlds of children and grown-ups were. You could not exactly say that the parents never had fun. They went for swims - but never for longer than twenty minutes. They liked a game of volleyball, but only for half an hour or so. Occasionally they could be talked into hide-and-seek or lurky turkey or building a giant sand-castle, but those were special occasions. The fact was that all grown-ups, given half the chance, chose to sink into one of three activities on the beach: sitting around talking, reading newspapers and books, or snoozing. Their only exercise (if you could call it that) was long boring walks, and these were nothing more than excuses for more talking. On the beach, they often glanced at their watches and, long before anyone was hungry, began telling each other it was time to start thinking about lunch or supper. They invented errands for themselves - to the odd-job man who lived half a mile away, or to the garage in the village, or to the nearby town on shopping expeditions. They came back complaining about the holiday traffic, but of course they were the holiday traffic. These restless grown-ups made constant visits to the telephone box at the end of the lane to call their relatives, or their work, or their grown-up children. Peter noticed that most grown-ups could not begin their day happily until they had driven off to find a newspaper, the right newspaper. Others could not get through the day without cigarettes. Others had to have beer. Others could not get by without coffee. Some could not read a newspaper without smoking a cigarette and drinking coffee. Adults were always snapping their fingers and groaning because someone had returned from town and forgotten something; there was always one more thing needed, and promises were made to get it tomorrow - another folding chair, shampoo, garlic, sun-glasses, clothes pegs - as if the holiday could not be enjoyed, could not even begin, until all these useless items had been gathered up.
Ian McEwan (The Daydreamer)
Suddenly, he's aware of something pushing onto his lap. The stupid monkey. "Give him a cuddle," Valentine says. He's slid his thumb to the corner of his mouth so he can talk, but it still sounds slurry from the way he's holding it, so it won't fall out. "He'll stop you being all grumpy and stressed. He smells nice." "It smells like its rotting," Lindsay says. He picks the thing up and sits it on the steering wheel so he can get a better look at it, trying not to touch its saliva-drenched foot. "No he don't. He smells like being sleepy, and hiding under your covers when everybody's pissed off and shouting. He smells like what it feels like being all warm and safe under your covers." Lindsay brings the thing to his face to give it an experimental sort of sniff. "Wrong. It smells like your spit." And his shampoo, and sort of musty, and something indefinable but unmistakable that makes him think of the way Valentine looks first think in the morning, when his hair's sticking up every which way and he's frowning slightly on opening his eyes like he can't remember where he is. He reaches over to tuck the monkey back between the kid's knees.
Richard Rider (Stockholm Syndrome (Stockholm Syndrome, #1))
Trust me, Tess’s husband was somewhere right now, one woman sitting on his face while another sucked him off, and he was certainly not talking about the ways Tess let him down. “So,” she said. “What happened to you?” Later, at her apartment, when she was sitting atop his penis, bouncing up and down, her hands in her own hair like she was in a shampoo commercial, her head rolling around in what had to be exaggerated ecstasy—the sex was fine, but come on—he had the feeling that came up a full eighty percent of the time he’d been having sex with a new woman these days, which was that it didn’t quite matter to her that he was there. He was just a warm body. To imagine that the sex act was dependent on him was to miss what was going on here. The point was that the parade of women interested in intercourse with him was steady and strong. He was enjoying this. Did he even need to say that? He was enjoying this. — HERE IS A mostly complete inventory of the women that Toby had encountered romantically, both sexually and otherwise, since he first moved out of his marital home and into the Ninety-fourth Street apartment where he sat on a beanbag chair he’d bought for Solly and first understood his phone’s new role in his life.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
She wraps her legs around my waist, and I walk us slowly down the hall. "Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..." She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues. I push open the glass door and turn on the shower. Water cascades from the waterfall showered. "Oh," she says as she grins and bites her bottom lip. By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing. "Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first." I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?" A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her. I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs. She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me. I lean down to kiss her. "Tell me what you want." "You. Just you. Please." With her breathy request, I'm ready to burst. Not yet, though. She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her. When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it. I love her. She explodes against my palm, the weight of her body shuddering against me. I've got her, though. I've always, always got you. When she starts to ease back down, she lets out a breathy laugh. "Oh my god." I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that." Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push. When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.
Sarah Echavarre Smith (The Boy With the Bookstore)
What no one tells you is that there will be a last time you ever carry your child. A last time you tuck them in. A last time they run into your arms off the school bus. All through his infancy, Dylan was attached to me, almost literally. I nursed him, and he was fussy, so I carried him almost constantly, patting his back, humming to him, breathing in his delicious baby scent. He didn’t walk till he was fourteen months old, and I loved that, because I got to carry him that much longer. I took him for hikes in a backpack, his little knees hitting my ribs. I carried him on my shoulders, him clinging to fistfuls of my hair. I loved every minute. He was an affectionate boy full of drooly kisses and cuddles. He was generous with his hugs, from Paul at the post office to Christine, our librarian. And especially with me. Every night when I read him bedtime stories, his sweet little head would rest against my shoulder, and he’d idly stroke my arm, smelling like Dove soap and baby shampoo. Driving in the car was like a tranquilizer dart for Dylan . . . even bumping down our long dirt road wouldn’t wake him up, and I’d park the car, get out and unbuckle him, then lift his sweaty little body into my arms to carry him inside and just sit on the couch with him in my arms, heart against heart. And then one day, he no longer needed that. The bedtime stories stopped when he was about ten and wanted to read to himself. The last time I attempted to carry him from the car, he woke up and said, “It’s okay, Mom. I’m awake.” He never needed that again. Had someone told me “This is the last time you’ll get to carry your son,” I would have paid more attention. I would have held him as long as I could. They don’t tell you that your son will stop kissing you with sweet innocence, and those smooches will be replaced with an obligatory peck. They don’t tell you that he won’t want a piggyback ride ever again. That you can’t hold his hand anymore. That those goofy, physical games of chasing and tickling and mock wrestling will end one day. Permanently. All those natural, easy, physical gestures of love stop when your son hits puberty and is abruptly aware of his body . . . and yours. He doesn’t want to hug you the same way, finding your physicality perhaps a little . . . icky . . . that realization that Mom has boobs, that Mom’s stomach is soft, that Mom and Dad have sex, that Mom gets her period. The snuggles stop. This child, the deepest love of your life, won’t ever stroke your arm again. You’ll never get to lie in bed next to him for a bedtime chat, those little talks he used to beg for. No more tuck-ins. No more comforting after a bad dream. The physical distance between the two of you is vast . . . it’s not just that he’ll only come so close for the briefest second, but also the simple fact that he isn’t that little boy anymore. He’s a young man, a fully grown male with feet that smell like death and razor stubble on his once petal-soft cheeks.
Kristan Higgins (Out of the Clear Blue Sky)