Shady Behavior Quotes

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Ridin'" [Lana Del Rey] I want to be your object, of your affection Give me all your time, touch, money, and attention [Lana Del Rey] I want to be your object, of your affection Give me all your time, touch, money, and attention Pick me up after school, you can be my baby Maybe we could go somewhere, get a little crazy He’s rich and I’m wishin’, um, he could be my Mister Yum Delicious to the maximum, chew him up like bubble gum Mama’s pretty party favor, he says I’m his favorite flavor [Hook] Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh [Lana Del Rey] You say that I am flawless, true perfection So give me all your drugs, props, money, and connections Pick me up after school, actin’ kinda shady You’re the coolest kid in town, I’m your little lady Your sick and I’m kissin’ him, magical musician, how I’m Drivin’ at the cinema, lovin’ him and lickin’ him He’s my love, the life saver Don’t step on my bad behavior Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh [A$AP Rocky] Swervin’, swervin’, gettin’ all them dimes Tell her I be doin’, I be swaggin’ to my prime This ain’t all the time, it happens all the time That’s a big contradiction, get your money on your mind What, what, tell her I be on a chase Chasin’ for that paper and you see me on that race What, what, tell her I be goin’ first I be gon’ first and they put me in a herse, oh One big room, full of bad bitches, no One big room and it’s full of mad bitches Lana, Lana, tell them what it is Tell ‘em that you doin’ it, you mean to do it big I said, one big room, full of bad bitches, no it’s One big room and it’s full of mad bitches, I said Lana, Lana, tell them what it is Tell ‘em when you do it that you only do it big Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh
Lana Del Rey
Will you explain to me why people encourage delusional behavior in children, and medicate it in adults? That’s so random. It’s like this whole shady setup.
Barbara Kingsolver (Flight Behavior)
But my cognitive brain fought back hard, telling me that I knew these scenarios were unlikely, that whatever rationalizations she might have for the staging of the four deaths we knew of, to say nothing of her manipulations of other people, including me, would prove inadequate. I even tried the habit that Mike and I consistently warned our students against, listening to my gut; but all my gut told me was that I had fallen in love with a girl who had brought me out of years of torment, however briefly, yet who was still involved in something beyond shady. Had it not been me, had it been just another actor in a different case, I would have called the behavior common enough. But it didn’t feel common; not from the inside…
Caleb Carr (Surrender, New York)
She thought of how she’d contorted herself and her habits and her behavior for twenty years to be a person who would not be raped, and now she had been raped in the place where she was meant to be safe, by the person who was meant to protect her. She felt the artifice of the last twenty years of her life, the pointlessness and futility of it. She might as well have taken the shortcut, worn the tarty top, flirted with the shady guy. She might as well have lived her life free.
Lisa Jewell (The Family Remains (The Family Upstairs, #2))
People mess up. We lie, exaggerate, betray, hurt, and abandon each other. When we hear that this has happened, it makes sense to feel anger, pain, confusion, and sadness. But to move immediately to punishment means that we stay on the surface of what has happened. To transform the conditions of the "wrongdoing", we have to ask ourselves and each other, "Why?" Even--especially--when we are scared of the answer. It's easy to decide a person or group is shady, evil, psychopathic. The hard truth (hard because there's no quick fix) is that long-term injustice creates most evil behavior. The percentage of psychopaths in the world is just not high enough to justify the ease with which we assign that condition to others. In my mediations, "why?" is often the game-changing, possibility-opening question. That's because the answers rehumanize those we feel are perpetuating against us. "Why?" often leads us to grief, abuse, trauma, mental illness, difference, socialization, childhood, scarcity, loneliness. Also, "Why?" makes it impossible to ignore that we might be capable of a similar transgression in similar circumstances. We don't want to see that.
Leah Lakshmi Piepzna-Samarasinha
As a manager in high altitude astronomy, if you report to the upper management team that their staff appear sick and that they are displaying behavioral problems, it was my experience that they respond by notifying you that your contract will not be renewed and that you will be terminated without notice if anyone complains about you! High altitude astronomy is a very shady industry that only functions by ignoring worker health and safety issues.
Steven Magee