“
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
”
”
John Richard Spencer
“
- Смятате, че не си подхождаме? Правилно. Ала хората, които са родени един за друг, по-лесно могат да се разделят. Също като тенджерата и похлупака, направени по мярка - те се отделят без трудност. Но ако капакът не отговаря на тенджерата и трябва да се набие с чук в нея, то при опит да ги отделиш - много лесно нещо може да се счупи.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
Once upon a time, [...]. There was a world that was perfectly made and full of birds and striped creatures and lovely things like honey lilies and star tenzing and weasels—
[...] And this world already had light and shadow, so it didn't need any rouge stars to come and save it, and it had no use for bleeding suns or weeping moons, either, and most important, it had never known war, which is a terrible and wasteful thing that no world needs. It had earth and water, air and fire, all four elements, but it was missing the last element. Love.
[...]
And so this paradise was like a jewel box without a jewel. There it lay, day after day of rose-colored dawns and creature sounds and strange perfumes, and waited for lovers to find it and fill it with their happiness. The end.
[...]
The story is unfinished. The world is still waiting.
”
”
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
“
And just for a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, wiht a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotus-lands falling open in the magic mothswarm of heaven. - Sal Paradise
”
”
Jack Kerouac (On the Road: The Original Scroll)
“
When Eleanor's arm touched his he felt his hands grow cold with deadly fear lest he should lose the shadow brush with which his imagination was painting wonders of her. He watched her from the corners of his eyes as ever he did when he walked with her-- she was a feast and a folly and he wished it had been his destiny to sit forever on a haystack and see life through her green eyes.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Before that night, I didn't grasp that the shadows that sometimes crossed her face weren't momentary clouds passing in front of the sun. Her deep silences were more than daydreams. And her habit of standing with her arms wrapped around her ribs was a way of holding herself together.
I didn't get there must be balance.
She couldn't hold so much life, light and joy without also containing their opposites.
”
”
Chelsey Philpot (Even in Paradise)
“
My paradise is in the shadow of my sword.
”
”
Friedrich Nietzsche (Ecce Homo)
“
When you love someone, it's like building a library and filling the shelves. It doesn't matter how many years it's been since Austen wrote Emma or Fitzgerald wrote This Side of Paradise. We can still pull them from the bookcases and dive back into the words, the same as they day they were written. All the years and memories are still right there, cataloged inside us.
”
”
Rachel Moore (The Library of Shadows)
“
Deepest of all in her personality was the golden radiance that she diffused around her. As an open fire in a dark room throws romance and pathos into the quiet faces at its edge, so she cast her lights and shadows around the rooms that held her.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
It was deep afternoon when shadows begin to grow, light becomes gold, and you realize that this particular day has reached its destiny. Like old age, it’s not yet over, but there’s no denying the time of day.
”
”
Vicki Covington (Bird of Paradise (Voices of the South))
“
Here, Earth-born, over the lilt of the water,
Lisping its music and bearing a burden of light,
Bosoming day as a laughing and radiant daughter…
Here we may whisper unheard, unafraid of the night.
Walking alone…was it splendor, or what, we were bound with?
Deep in the time when summer lets down her hair?
Shadows we loved and the patterns they covered the ground with
Tapestries, mystical, faint in the breathless air.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Like many others of the younger generation, for Magda and Fritz the last years of the sixties were the utopian meaning of paradise on earth, the more so for Magda who had graduated with honours. She had based a part of her thesis on the philosophical perspective of the Expressionist movement, particularly what the philosopher Nietzsche wrote in his book Thus Spoke Zarathustra, in which, amongst other things, he stated: ''What does my shadow matter?... Let it run after me!... I shall out-run it...'' And that's what Magda wanted to do with her life: declare herself independent from conventional thought and from past memories.
”
”
Anton Sammut (Memories of Recurrent Echoes)
“
Let no one reduce to tears or reproach
This statement of the mastery of God,
Who, with magnificent irony, gave
Me at once both books and night
Of this city of books He pronounced rulers
These lightless eyes, who can only
Peruse in libraries of dreams
The insensible paragraphs that yield
With every new dawn. Vainly does the day
Lavish on them its infinite books,
Arduous as the arduous manuscripts
Which at Alexandria did perish.
Of hunger and thirst (a Greek story tells us)
Dies a king amidst fountains and gardens;
I aimlessly weary at the confines
Of this tall and deep blind library.
Encyclopedias, atlases, the East
And the West, centuries, dynasties
Symbols, cosmos and cosmogonies
Do walls proffer, but pointlessly.
Slow in my shadow, I the hollow shade
Explore with my indecisive cane;
To think I had imagined Paradise
In the form of such a library.
Something, certainly not termed
Fate, rules on such things;
Another had received in blurry
Afternoons both books and shadow.
Wandering through these slow corridors
I often feel with a vague and sacred dread
That I am another, the dead one, who must
Have trodden the same steps at the same time.
Which of the two is now writing this poem
Of a plural I and of a single shadow?
How important is the word that names me
If the anathema is one and indivisible?
Groussac or Borges, I see this darling
World deform and extinguish
To a pale, uncertain ash
Resembling sleep and oblivion
”
”
Jorge Luis Borges
“
Не бива да мъкнем спомените си със себе си. Те са тежък багаж, ако не си толкова стар и те не са единственото нещо, което ти остава. Не живей със спомените, а ги дръж далеч от себе си, за да не те удушат като лиани в някой девствен лес.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
- Нима всеки от нас не е малко смахнат?
Той се усмихна.
- Зависи до каква степен сдържаме чувствата си. Сдържаните хора са изложени на най-голяма опасност.Онези, които излизват всичко са почти неуязвими.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
The imperfect is our paradise. Note that, in this bitterness, delight, Since the imperfect is so hot in us,
”
”
Robert Bly (A Little Book on the Human Shadow: A Poetic Journey into the Dark Side of the Human Personality, Shadow Work, and the Importance of Confronting Our Hidden Self)
“
If you look hard enough, muchacho, you can find paradise even in the darkest places.
”
”
Ryan Calejo (Charlie Hernández and the League of Shadows (Charlie Hernández #1))
“
The Trial By Existence
Even the bravest that are slain
Shall not dissemble their surprise
On waking to find valor reign,
Even as on earth, in paradise;
And where they sought without the sword
Wide fields of asphodel fore’er,
To find that the utmost reward
Of daring should be still to dare.
The light of heaven falls whole and white
And is not shattered into dyes,
The light for ever is morning light;
The hills are verdured pasture-wise;
The angel hosts with freshness go,
And seek with laughter what to brave;—
And binding all is the hushed snow
Of the far-distant breaking wave.
And from a cliff-top is proclaimed
The gathering of the souls for birth,
The trial by existence named,
The obscuration upon earth.
And the slant spirits trooping by
In streams and cross- and counter-streams
Can but give ear to that sweet cry
For its suggestion of what dreams!
And the more loitering are turned
To view once more the sacrifice
Of those who for some good discerned
Will gladly give up paradise.
And a white shimmering concourse rolls
Toward the throne to witness there
The speeding of devoted souls
Which God makes his especial care.
And none are taken but who will,
Having first heard the life read out
That opens earthward, good and ill,
Beyond the shadow of a doubt;
And very beautifully God limns,
And tenderly, life’s little dream,
But naught extenuates or dims,
Setting the thing that is supreme.
Nor is there wanting in the press
Some spirit to stand simply forth,
Heroic in its nakedness,
Against the uttermost of earth.
The tale of earth’s unhonored things
Sounds nobler there than ’neath the sun;
And the mind whirls and the heart sings,
And a shout greets the daring one.
But always God speaks at the end:
’One thought in agony of strife
The bravest would have by for friend,
The memory that he chose the life;
But the pure fate to which you go
Admits no memory of choice,
Or the woe were not earthly woe
To which you give the assenting voice.’
And so the choice must be again,
But the last choice is still the same;
And the awe passes wonder then,
And a hush falls for all acclaim.
And God has taken a flower of gold
And broken it, and used therefrom
The mystic link to bind and hold
Spirit to matter till death come.
‘Tis of the essence of life here,
Though we choose greatly, still to lack
The lasting memory at all clear,
That life has for us on the wrack
Nothing but what we somehow chose;
Thus are we wholly stripped of pride
In the pain that has but one close,
Bearing it crushed and mystified.
”
”
Robert Frost
“
To sacrifice the world to paradise is to let slip the prey for the shadow.
”
”
Victor Hugo (Les Misérables)
“
Човек изобщо не се променя. Въпреки хилядите клетви, които си даваме. Понякога, когато нямаме почва под краката си, сме готови да го сторим. Но щом отново си поемем дъх, забравяме всичко...Какво е това всъщност героизъм или идиотизъм?
”
”
Erich Maria Remarque (Shadows in Paradise)
“
Here is the soundless cypress on the lawn:
It listens, listens. Taller trees beyond
Listen. The moon at the unruffled pond
Stares. And you sing, you sing.
That star-enchanted song falls through the air
From lawn to lawn down terraces of sound,
Darts in white arrows on the shadowed ground;
And all the night you sing.
My dreams are flowers to which you are a bee
As all night long I listen, and my brain
Receives your song, then loses it again
In moonlight on the lawn.
Now is your voice a marble high and white,
Then like a mist on fields of paradise,
Now is a raging fire, then is like ice,
Then breaks, and it is dawn.
”
”
Harold Monro (Collected poems;)
“
Примитивните хора, които са в състояние само да мразят или само да обичат, са за завиждане.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
За изкуството не може да се пише. То може само да се чувстува.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
-Все още обичаш да философстваш,а?
- Не мога да отвикна. Това ме успокоява....
- Дава ти усещане за евтино превъзходство, това е всичко.
- Превъзходството не може да бъде евтино.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
-Ты много выпил? - спросила Наташа.
-Ни капли. Ничего я не пил, кроме кофе и грусти.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
How peaceful it was, with the light evening breeze stirring the small leaves of the grapevine that clustered around the electric bulb, making the shadows move and change on the yellow mat below. For a moment he pushed aside the thought of money. From time to time the dark water beside them rippled audibly, as if a tiny fish had come to the surface for an instant and then darted beneath. It was in peaceful moments such as this, his father had said, that men were given to know just a little of what paradise was like, so that they might yearn for it with all their soul,and strive during their time on earth to be worthy of going there.
”
”
Paul Bowles (The Spider's House)
“
Is there then any terrestrial paradise where, amidst the whispering of the olive-leaves, people can be with whom they like and have what they like and take their ease in shadows and in coolness? Or all men's lives like the lives of us good people - like the lives of the Ashburnhams, of the Dowells, of the Ruffords - broken, tumultuous, agonized, and unromantic lives, periods punctuated by screams, by imbecilities, by deaths, by agonies? Who the devil knows?
”
”
Ford Madox Ford (The Good Soldier: A Tale of Passion)
“
Life presents itself as a continual deception, in small matters as well as in great. If it has promised, it does not keep its word, unless to show how little desirable the desired object was; hence we are deluded now by hope, now by what was hoped for. If it has given, it did so in order to take. The enchantment of distance shows us paradises that vanish like optical illusions, when we have allowed ourselves to be fooled by them. Accordingly, happiness lies always in the future, or else in the past, and the present may be compared to a small dark cloud driven by the wind over the sunny plain; in front of and behind the cloud everything is bright, only it itself always casts a shadow. Consequently, the present is always inadequate, but the future is uncertain, and the past irrecoverable.
”
”
Arthur Schopenhauer
“
Бети се замисли за миг. След това ми направи знак да се приближа. Аз пристъпих неохотно, защото от нея се носеше мирис на ментови таблетки и смърт.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
As an open fire in a dark room throws romance and pathos into the quiet faces at its edge, so she cast her lights and shadows around the rooms that held her,
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Главното е да започнеш отначало, където и да попаднеш. А не да чакаш. Накои - той махна с ръка - чакат. Какво? Да се върне времето назад заради тях? Бедните!
”
”
Erich Maria Remarque (Shadows in Paradise)
“
Защото красотата е преходна. Старостта подхожда на малцина. За нея явно е необходимо нешо повече от красота
”
”
Erich Maria Remarque (Shadows in Paradise)
“
Необходимо ли е винаги да критикувате?...Не можете ли да се отпуснете? Или се боите?
”
”
Erich Maria Remarque (Shadows in Paradise)
“
Запомни едно - само безнадеждния кретен се стреми да докаже на жените, че е прав и да разсъждава логично в отношенията си с тях.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
Колко малко можем да кажем за жените, когато сме щастливи, нали? И колко много, когато не е тъй?
”
”
Erich Maria Remarque (Shadows in Paradise)
“
Всегда надо жить так, как будто прощаешься навеки", подумал я.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
this midnight my desire will see, shadowed among the embers, furled in flame, the splendor and the sadness of the world
”
”
F. Scott Fitzgerald (This Side Of Paradise)
“
Čovek gubi hrabrost. Veruje da se može navići na razočaranja. To nije tačno. Ona svaki put sve više bole tako da se čovek uplaši. To je kao da se svaki put više opeče. I svaki put sporije zarasta. Ne želim da se još koji put opečem.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
The skeleton key unlocks the mind and swings open the door of imagination. A far better place than here A much safer place than there The quintessential somewhere The mystical nowhere The enigmatic anywhere My gift to you - the key to everywhere.
The mortal will find itself lost while the soul always knows the way it is grateful for the darkness and celebrates the day
I can give you peace my peace I give you... but I cannot be your savior or your god - I cannot be the light along your path - I can only give you the lamp and point the way.
The blind will see... the deaf will hear... but those who choose reason will never understand.
Woe to the ones who think they know the answers they will cease to ask the questions that may be their own salvation.
We possess the knowledge of the Universe from conception. Once born we are taught to forget.
If we cannot look out at our world and see our children's vision then we are truly blind we are unable to lead them to paradise.
"Even people who are in the dark search for their shadows. Shadows exist only if there is light. We will never find total darkness - not even in death... ...and we always cast a shadow no matter how overcast our skies become. You are never alone."
Do not listen to the voice that shouts to you from behind desks behind podiums behind altars. Do not pay attention to the orators and the opportunists. Do not be distracted by the promises made behind masks. Listen to the quiet. Listen to the whispers as they gently guide you through the assaults of man's absurdities. Listen to the gentle breathing of your mother and lay your head to rest in her peace and in her warm embrace and understand that truth and power lie within you. Breathe silence.
The free bird will always return to the cage sooner or later to seek food and water and the loving hand of it's caretaker.
”
”
M. Teresa Clayton
“
On September 16,1978, there was an eclipse of the moon in Riyadh. Late one afternoon it became visible: a dark shadow moving slowly across the face of the pale moon in the darkening blue sky. There was a frantic knocking on the door.When I opened it, our neighbor asked if we were safe. He said it was the Day of Judgment, when the Quran says the sun will rise from the west and the seas will flood, when all the dead will rise and Allah's angels will weigh our sins and virtue, expediting the good to Paradise and the bad to Hell. Though it was barely twilight, the muezzin suddenly called for prayer—not one mosque calling carefully after the other, as they usually did, but all the mosques clamoring all at once, all over the city. There was shouting across the neighborhood. When I looked outside I saw people praying in the street. Now more neighbors came knocking,asking us to pardon past misdeeds. They told us children to pray for them, because children's prayers are answered most. The gates of Hell yawned open before us. We were panicked.... but the next morning, the sun was safely in its usual place, fat and implacable, and the world wasn't ending after all.
”
”
Ayaan Hirsi Ali (Infidel)
“
But I also knew that there was no going back. One can never go back; nothing and no one is ever the same. All that remained was an occasional evening of sadness, the sadness that we all feel because everything passes and because man is the only animal who knows it.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
It is evil,” the Old Wise One said. “For very long we have walked carefree in the only paradise. It would be better if all here were to die.” The last Shadow child said firmly, “Nothing is worse than that I should die,” and something that had wrapped the world was gone.
”
”
Gene Wolfe (The Fifth Head of Cerberus)
“
hell never came into my dreamings except in the interesting shape it took in "Paradise Lost." After reading that, the devil was to me no horned and hoofed horror, but the beautiful shadowed archangel, and I always hoped that Jesus, my ideal Prince, would save him in the end.
”
”
Annie Besant (Annie Besant An Autobiography)
“
Тя отпъди с усилие птиците.
- Къш, Патирк! Къш, Емили! Ето, вече ме изцапаха!
- Хубаво е когато можем да назовем причината за нещасието си по име, нали? -забелязах аз. - Тогава всичко е много по-просто.
Запътих се към своя форд, ала внезапно спрях. Какво казах? За секунда ми се стори, че някой ме прободе отзад. Извърнах се.
- Не е толкова страшно. - чух гласа на Кармен от градината. - Петното може да се изчисти.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
You sneak around in the shadows pretending to be like everyone else, but like it or not, you never will be. What you have can be a blessing or a curse, but the choice is entirely yours. It is what you make of it. You can spend the rest of your life skulking or you can find your swagger.
”
”
Ruth Hogan (Queenie Malone's Paradise Hotel)
“
- Разкажете ми за Холивуд - помоли госпожа Фрисилендер.
- Там човек се чувства така, сякаш на главата му са надянали прозрачна найлонова торба - казах аз. - Виждаш всичко, не разбираш нищо, не вярваш на нищо, чуваш само приглушени шумове, живееш като в безвъздушно пространство и се събуждаш остарял.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
I was walking in a meadow, the source of a small brook, when the sun at last, just before setting, after a cold, gray day, reached a clear stratum in the horizon, and the softest, brightest morning sunlight fell on the dry grass and on the stems of the trees in the opposite horizon and on the leaves of the shrub oaks on the hillside, while our shadows stretched long over the meadow east-ward, as if we were the only motes in its beams. It was such a light as we could not have imagined a moment before, and the air also was so warm and serene that nothing was wanting to make a paradise of that meadow.
”
”
Henry David Thoreau (Walking)
“
A year ago, I was at a dinner in Amsterdam when the question came up of whether each of us loved his or her country. The German shuddered, the Dutch were equivocal, the Brit said he was "comfortable" with Britain, the expatriate American said no. And I said yes. Driving across the arid lands, the red lands, I wondered what it was I loved. the places, the sagebrush basins, the rivers digging themselves deep canyons through arid lands, the incomparable cloud formations of summer monsoons, the way the underside of clouds turns the same blue as the underside of a great blue heron's wings when the storm is about to break.
Beyond that, for anything you can say about the United States, you can also say the opposite: we're rootless except we're also the Hopi, who haven't moved in several centuries; we're violent except we're also the Franciscans nonviolently resisting nucelar weapons out here; we're consumers except the West is studded with visionary environmentalists...and the landscape of the West seems like the stage on which such dramas are played out, a space without boundaries, in which anything can be realized, a moral ground, out here where your shadow can stretch hundreds of feet just before sunset, where you loom large, and lonely.
”
”
Rebecca Solnit (Storming the Gates of Paradise: Landscapes for Politics)
“
My Childhood Home I See Again
by Abraham Lincoln
My childhood home I see again,
And sadden with the view;
And still, as memory crowds my brain,
There's pleasure in it too.
O Memory! thou midway world
'Twixt earth and paradise,
Where things decayed and loved ones lost
In dreamy shadows rise,
And, freed from all that's earthly vile,
Seem hallowed, pure, and bright,
Like scenes in some enchanted isle
All bathed in liquid light.
As dusky mountains please the eye
When twilight chases day;
As bugle-notes that, passing by,
In distance die away;
As leaving some grand waterfall,
We, lingering, list its roar--
So memory will hallow all
We've known, but know no more.
Near twenty years have passed away
Since here I bid farewell
To woods and fields, and scenes of play,
And playmates loved so well.
Where many were, but few remain
Of old familiar things;
But seeing them, to mind again
The lost and absent brings.
The friends I left that parting day,
How changed, as time has sped!
Young childhood grown, strong manhood gray,
And half of all are dead.
I hear the loved survivors tell
How nought from death could save,
Till every sound appears a knell,
And every spot a grave.
I range the fields with pensive tread,
And pace the hollow rooms,
And feel (companion of the dead)
I'm living in the tombs.
”
”
Abraham Lincoln
“
Whose but his own? ingrate, he had of mee
All he could have; I made him just and right,
Sufficient to have stood, though free to fall.
Such I created all th’ Ethereal Powers
And Spirits, both them who stood and them who fail’d;
Freely they stood who stood, and fell who fell.
Not free, what proof could they have giv’n sincere
Of true allegiance, constant Faith or Love,
Where only what they needs must do, appear’d,
Not what they would? what praise could they receive?
What pleasure I from such obedience paid,
When Will and Reason (Reason also is choice)
Useless and vain, of freedom both despoil’d,
Made passive both, had served necessity,
Not mee. They therefore as to right belong’d,
So were created, nor can justly accuse
Thir maker, or thir making, or thir Fate;
As if Predestination over-rul’d
Thir will, dispos’d by absolute Decree
Or high foreknowledge; they themselves decreed
Thir own revolt, not I; if I foreknew
Foreknowledge had no influence on their fault,
Which had no less prov’d certain unforeknown.
So without least impulse or shadow of Fate,
Or aught by me immutable foreseen,
They trespass, Authors to themselves in all
Both what they judge and what they choose; for so
I form’d them free, and free they must remain,
Till they enthrall themselves: I else must change
Thir nature, and revoke the high Decree
Unchangeable, Eternal, which ordain’d
Thir freedom: they themselves ordain’d thir fall.
”
”
John Milton (Complete Poems and Major Prose)
“
НО важно е не началото, а шансовете.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
Ню Йорк трябва да се наблюдава отгоре, помислих си аз, а не отдолу, с вдигнати към небостъргачите глави.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
да, мили мой, не можеш да се любиш с ръкавици.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
За Хитлер всеки, който се бори срещу него е комунист. Първата работа на диктатора е да опрости понятията.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
...заяви Силвърс, който както всички несигурни в себе си хора винаги искаше да бъде прав.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
Войниците не се виждат. Виждат се тиловите герои и кръшкачите.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
- Той не само приказва, Кармен. Кан е истински герой.
- От това не може да се живее.Героите трябва да умират. Ако оживеят се превръщат в най - скучните хора на света
”
”
Erich Maria Remarque (Shadows in Paradise)
“
Кой в днешно време се бои от смъртта? Човешкият разум не може да осъзнае смъртта.Страхът от последния час - това е нещо друго.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
Человек вообще не меняется. Несмотря на то, что дает себе тысячу клятв. Когда тебя кладут на обе лопатки, ты полон раскаяния, но стоит вздохнуть свободнее, и все клятвы забыты...
”
”
Erich Maria Remarque (Shadows in Paradise)
“
Люди, полагающие, что они никому не нужны, на самом деле часто самые нужные.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
From some points of view, the demonic is not that which hides in the shadows, but lives among us, is us, in every choice we make and don’t make.
”
”
John Milton (Paradise Lost (with bonus material from The Demonologist))
“
Погледнах през прозореца - покрай мен бягаше чуждата тъма. След това впих очи в мъждиво осветления влак, в който като призрачни прилепи пърхаха наоколо чужди вече представи - един силует; една обронена глава, малко топлина, едно рамо - езиче на пламък от един друг, безименен свят, което приличаше на волтова дъга, на мост, издигнат над бездната. Но този мост не бе в състояние да преведе човек отвъд безграничното отчуждение и безнадеждната самота - не безобидна и сантиментална, а абсолютната безчовечна самота, в която човек е първата, последната и най-самотна искрица живот
”
”
Erich Maria Remarque (Shadows in Paradise)
“
Home was that lone house on its great bend of Chatham River, no destination anymore but only the source of a vague sadness he thought of as “homegoing,” a returning to the lost paradise of true belonging.
”
”
Peter Matthiessen (Shadow Country)
“
Let us remark by the way, that to be blind and to be loved, is, in fact, one of the most strangely exquisite forms of happiness upon this earth, where nothing is complete. To have continually at one's side a woman, a daughter, a sister, a charming being, who is there because you need her and because she cannot do without you; to know that we are indispensable to a person who is necessary to us; to be able to incessantly measure one's affection by the amount of her presence which she bestows on us, and to say to ourselves, "Since she consecrates the whole of her time to me, it is because I possess the whole of her heart"; to behold her thought in lieu of her face; to be able to verify the fidelity of one being amid the eclipse of the world; to regard the rustle of a gown as the sound of wings; to hear her come and go, retire, speak, return, sing, and to think that one is the centre of these steps, of this speech; to manifest at each instant one's personal attraction; to feel one's self all the more powerful because of one's infirmity; to become in one's obscurity, and through one's obscurity, the star around which this angel gravitates,—few felicities equal this. The supreme happiness of life consists in the conviction that one is loved; loved for one's own sake—let us say rather, loved in spite of one's self; this conviction the blind man possesses. To be served in distress is to be caressed. Does he lack anything? No. One does not lose the sight when one has love. And what love! A love wholly constituted of virtue! There is no blindness where there is certainty. Soul seeks soul, gropingly, and finds it. And this soul, found and tested, is a woman. A hand sustains you; it is hers: a mouth lightly touches your brow; it is her mouth: you hear a breath very near you; it is hers. To have everything of her, from her worship to her pity, never to be left, to have that sweet weakness aiding you, to lean upon that immovable reed, to touch Providence with one's hands, and to be able to take it in one's arms,—God made tangible,—what bliss! The heart, that obscure, celestial flower, undergoes a mysterious blossoming. One would not exchange that shadow for all brightness! The angel soul is there, uninterruptedly there; if she departs, it is but to return again; she vanishes like a dream, and reappears like reality. One feels warmth approaching, and behold! she is there. One overflows with serenity, with gayety, with ecstasy; one is a radiance amid the night. And there are a thousand little cares. Nothings, which are enormous in that void. The most ineffable accents of the feminine voice employed to lull you, and supplying the vanished universe to you. One is caressed with the soul. One sees nothing, but one feels that one is adored. It is a paradise of shadows.
”
”
Victor Hugo (Les Misérables)
“
— Глупостта е скъпоценен дар — продължи Кан. — Ала загубим ли я веднъж, никога не можем да я придобием пак! Тя закриля като шапка-невидимка. Глупостта изобщо не забелязва опасностите, пред които интелектът е безсилен.
”
”
Ерих Мария Ремарк (Shadows in Paradise)
“
WHAT KIND OF TIMES ARE THESE
There’s a place between two stands of trees where the grass grows uphill
and the old revolutionary road breaks off into shadows
near a meeting-house abandoned by the persecuted
who disappeared into those shadows.
I’ve walked there picking mushrooms at the edge of dread, but don’t be fooled
this isn’t a Russian poem, this is not somewhere else but here,
our country moving closer to its own truth and dread,
its own ways of making people disappear.
I won’t tell you where the place is, the dark mesh of the woods
meeting the unmarked strip of light —
ghost-ridden crossroads, leafmold paradise:
I know already who wants to buy it, sell it, make it disappear.
And I won’t tell you where it is, so why do I tell you
anything? Because you still listen, because in times like these
to have you listen at all, it’s necessary
to talk about trees.
”
”
Adrienne Rich (Collected Early Poems, 1950-1970)
“
Чест съм откривал у рускините това възхитително умение да стигат до неопровержими умозоключения, изхождайки от погрешни предпоставки, а после да предявяват претенции към другите. Много очарователно, много женствено и много опасно.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
I confess that I'm a sinner. Just like my old man. In word and in deed I enjoy my sin. In word and in deed my sin enjoys me. There is no one to blame. No one but me. Sin is my nature. I sin instinctually. Sin mimics the gates of paradise. Sin beats me to the floor. Sin is the dark shadow that no one can ignore. Sin screams "What's yours I want". Sin screams. "What's mine I'll keep." Sin is forever knocking, beating at the iron door. Don't even open it for an instant. Sin always wants more. Sin forever stole the key. But you're not locked out forever. In this sinner's Garden of Eden where sin pretends to be a treasure. Sin wants to make you bleed. Sin cuts down every giver. Sin cuts every hand. Sin wants total control. Sin wants to command. Sin just wants to kill you. And yes, for you the bell tolls. So death came before life entered. In death sin was conceived. Sin will linger forever Blameless, it's part of you and me. But there's a silver lining to sin's story. And the silver lining is this-When I was out chasing sin. The truth was out chasing me and when it finally caught me. That truth set me free. Now I've shared it all. Perhaps I've shared too much. But in this you must believe. The only truth I have left is this, my Sinner's Creed.
”
”
Scott Stapp (Sinner's Creed)
“
- Можем да постъпим и по-просто - каза Кан - Да сключим договор. Вие ще разстреляте първия в списъка, а аз всички останали. Съгласен ли сте?....Искам да кажа,че вие ще разстреляте първия собственоръчно. И няма да се криете зад гърба на някакъв си комитет.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
West couldn't stop staring at Lady Clare. He had the feeling if he reached out to touch her, he would come away with his fingers scorched. That hair, blazing from beneath a simple gray traveling bonnet... he'd never seen anything like it. Bird-of-paradise red, with glimmers of crimson dancing amid the pinned-up locks. Her skin was flawless ivory except for a tender spray of freckles sprinkled across her nose, like a finishing spice on some luxurious dessert.
She had the look of someone who had been nurtured: educated and well dressed. Someone who had always been lovingly sheltered. But there was a shadow in her gaze... the knowledge that there were some things no human being could be protected from.
God, those eyes... light gray, with striations like the rays of tiny stars.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
At such moments Gilberte’s plaits used to brush my cheek. They seemed to me, in the fineness of their grain, at once natural and supernatural, and in the strength of their constructed tracery, a matchless work of art, in the composition of which had been used the very grass of Paradise. To a section of them, even infinitely minute, what celestial herbary would I not have given as a reliquary. But since I never hoped to obtain an actual fragment of those plaits, if at least I had been able to have their photograph, how far more precious than one of a sheet of flowers traced by Vinci’s pencil! To acquire one of these, I stooped — with friends of the Swanns, and even with photographers — to servilities which did not procure for me what I wanted, but tied me for life to a number of extremely tiresome people.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
There was only one guy in the whole Bible Jesus ever personally promised a place with him in Paradise. Not Peter, not Paul, not any of those guys. He was a convicted thief, being executed. So don't knock the guys on death row. Maybe they know something you don't." -Shadow
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
- Толкова ли държите на нея?
...
- Не би трябвало. Отначало не държах на нея, беше само леко увлечение, но изведнъж всичко се промени. Знаете ли защо?
- Защото иска да се разделите. За какво иначе?
...
- Просто, нали? И въпреки това не сме в състояние да го разберем, когато се случи.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
The moon seemed to veil herself before the bold looks of Satan. The night was cold. All the doors were closed, all the windows darkened. and the streets deserted. From their appearance, one would have imagined that, for a long time past no foot had traversed those silent streets. Everything around us bore a death-like aspect. It seemed as if, when day came, no one would open their doors; that no head, of woman or of child, would look out of those dark, dull windows; that no step would break the silence which fell, like a pall, upon all around. I seemed to be walking in a city which had been buried some ages. In truth, the town seemed to have been depopulated, and the cemetery to have grown full.
Still we went forward, without hearing a murmur, or meeting even with a shadow. The street stretched for a long way across this fearful city of silence and repose. At last we reached my house.
'You remember it?' said the fiend.
'Yes,' replied I, sullenly, 'let us enter.'
'First,' said he, 'we must open the door. It is I, by the way, who invented the science of opening doors without breaking them in. In fact, I have a second key to all doors and gates - with one exception - that of Paradise!
”
”
James Hain Friswell
“
-...Заповедта винаги е безкръвна. С това започва всичко. Този, който седи зад бюрото, не е длъжен да вземе брадвата в ръце...А хора, изпълняващи заповеди, винаги се намират...
- Даже и кървави?
- Особено кървави, защото заповедта освобождава от отговорност. Тъй че човек може да даде воля на своите инстинкти.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
-Kartais žmogus netenki drąsos, - tarė Nataša. - O kitais kartais pamanai, kad prie nusivylimų galima priprasti. Bet taip nėra. Kiekvieną kartą jie vis labiau skaudina. Jie taip skaudina, kad žmogų pagauna baimė. Atrodo, kad kiekvieną kartą atsiranda vis didesni nudegimai. Ir kiekvieną kartą jie vis lėčiau gyja.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night.
Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset.
All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic.
She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic.
When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all.
The boat rocked and an actual laugh pierced the quiet.
Tella froze.
The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses.
Tella’s skin prickled; gooseflesh rose on her bare arms.
At her feet a puddle of petals formed a seductive trail of red.
Tella might not have known Legend’s true name, but she knew he favored red and roses and games.
Was this his way of toying with her? Did he know what she was up to?
The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges.
She turned the knob.
And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine.
But none of it was for Tella.
It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch.
Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian.
They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of.
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
”
”
Stephanie Garber (Legendary (Caraval, #2))
“
Странно бе, че с течение на времето започнах все по-често да си спомням за Наташа. В мислите ми нямаше нито съжаление, нито разкаяние, ала едва в този миг осъзнах какво е представлявала тя за мен. Тогава не го бях осъзнавал, но сега, когато всичко се отрече от мен, или се сля с поток от огорчения, рухнали илюзии и лутания, ми ставаше все по-ясно каква роля бе изиграла тя в моя живот. Като че ли от златоносната руда бе изтръгнат чистия метал. Тези мисли не ми помогнаха да преодолея разочарованието, ала за това пък запонах да да виждам нещата по-отчетливо и да се дистанцирам от тях. Колкото повее онова време се отдалечаваше от мен, толкова по-силно ставаше убеждението ми, че Наташа е била най-важното явление в моя живот, а аз не съм знаел това...Понякога си мисля,че можех да остана в Америка, ако знаех какво ме очаква в Европа. Но това бяха мисли, които идваха и отлитаха като вятъра, те не пораждаха нито сълзи, нито отчаяние - знаех, че едното бе невъзможно без другото, живота ми в Америка нмаше да бъде същия. Връщане назад няма, нищо не стои на едно място - нито ти, нито другия до теб. Онова, което остана, бяха редките вечери, изпълнени с тъга, тъгата на всеки човек, осъзнаващ, че всичко е преходно, а той е единственото живо същество, което го знае, както знае и друго - че това е неговата утеха, макар и да не разбира защо.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
... up they rose
As from unrest; and, each the other viewing,
Soon found their eyes how opened, and their minds
How darkened. Innocence, that, as a veil,
Had shadowed them from knowing ill, was gone;
Just confidence, and native righteousness,
And honour, from about them, naked left
To guilty shame; He covered, but his robe
Uncovered more.
”
”
John Milton (Paradise Lost)
“
Suddenly I realized that this was the beginning of a new life. But was it possible to start over again from scratch? To make myself at home in this new, unknown language? And, most frightening of all after all these years of fighting for survival, to learn once more how to live? And if I succeeded in coming back to life, would I not be betraying all my dead friends and loved ones?
”
”
Erich Maria Remarque (Shadows in Paradise)
“
The Poor Children
Take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that weep
”
”
Victor Hugo
“
Coconut trees were fireworks that arced into the sky and exploded in green. Pandanus trees, angular and mop-headed, seemed cut from the pages of a Dr. Seuss book. Breadfruit trees cast generous shadows. The lagoon, never more than twenty feet away, fulfilled every postcard cliché of tropical paradise. On the beach, muscular island men were beaching their wooden sailing canoe after a morning on the water, strings sagging with the weight of colorful reef fish.
”
”
Peter Rudiak-Gould (Surviving Paradise: One Year On A Disappearing Island)
“
Paradise, blooded daughter of Abalone, First Adviser to the King, frowned at the screen of her Apple lappy. She’d set herself up here in her father’s library ever since he’d started working each night for Wrath, son of Wrath, because in the old rambling Tudor mansion, Wi-Fi was strongest at this desk. Not that a good signal was helping her at the moment. Her Hotmail account was full of unread messages, because, with iMessage on her phone and her Twitter, Instagram, and FB accounts, there was no reason to sign into it very often.
”
”
J.R. Ward (The Shadows (Black Dagger Brotherhood, #13))
“
All Sun-shine
when his Beams at Noon
Culminate from th' Æquator, as they now
Shot upward still direct, whence no way round
Shadow from body opaque can fall, and the Aire,
No where so cleer, sharp'nd his visual ray
To objects distant farr, whereby he soon
Saw within kenn a glorious Angel stand,
The same whom John saw also in the Sun:
His back was turnd, but not his brightness hid;
Of beaming sunnie Raies, a golden tiar
Circl'd his Head, nor less his Locks behind
Illustrious on his Shoulders fledge with wings
Lay waving round; on som great charge imploy'd
He seemd, or fixt in cogitation deep.
”
”
John Milton (Paradise Lost)
“
Before my eyes daily as we sailed way down upon the Suwannee River were visions of spring furrows at Clouds Creek, the warmed earth opened up behind the plow; of wildflowered meadows, cool and verdant, and airy open woods along the shaded creeks, winding southeast to the Edisto. That spring landscape turned forever and away in my mind's eye, changing softly into gold greens of upland summer in that lost land where I was born, the country of my forefathers, the heart of home. Clouds Creek—my earth—was the wellspring and the source of Edgar Watson, all the Eden he had ever wished or hoped to find.
”
”
Peter Matthiessen (Shadow Country)
“
По-късно се оказа, че асимилацията протича нормално, както при всички малцинства - извършва се едва във второто поколение. В първото хората все още държаха един за друг, а второто се разпиляваше на всички страни. Причините се криеха в недостатъчното владеене на езика, вкоренените навици и трудното приспособяване на възрастните хора към новия начин на живот. Децата, посещаващи американски училища, усвояваха без усилие обичаите на страната. Родителите - не. При цялата си благодарност към своята нова родина те се чувстваха като в приятен затвор без стени, но никой не осъзнаваше, че сам си е изградил всичките тия бариери.
”
”
Erich Maria Remarque (Shadows in Paradise)
“
Sunday Morning
I
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound,
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.
II
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun,
In pungent fruit and bright, green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measures destined for her soul.
III
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.
IV
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote on heaven's hill, that has endured
As April's green endures; or will endure
Like her remembrance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings
”
”
Wallace Stevens
“
Death shall reign bliss over the abyss to those who fear the end. All those who are dying will travel only once through the desolate. Dim it will be for the souls in gray, not ready to evanesce from this world. Grief will cling to ice, limbs will stiffen as timber, voices will go unheard through a death rattle, and our minds will turn into eternal shadow. All of the love you carry will stand on a thread of pinhole conviction. Your lifeless body will be entombed in your graveyard of disbelief. A path to an empty conscience is the only one that leads to naught. In the spiritual dimension after demise, we are the paradise lost that has disappeared.
”
”
D.L. Lewis
“
The Sun burned down in a warm contrasting world of white and black, of white Sun against black sky and white rolling ground mottled with black shadow. The bright sweet smell of the Sun on every exposed square centimeter of metal contrasting with the creeping death-of-aroma on the other side.
He lifted his hand and stared at it, counting the fingers. Hot-hot-hot-turning, putting each finger, one by one, into the shadow of the others and the hot slowly dying in a change in tactility that made him feel the clean, comfortable vacuum.
Yet not entirely vacuum. He straightened and lifted both arms over his head, stretching them out, and the sensitive spots on either wrist felt the vapors- the thin, faint touch of tin and lead rolling through the cloy of mercury.
The thicker taste rose from his feet; the silicates of each variety, marked by the clear separate-and-together touch and tang of each metal ion. He moved one foot slowly through the crunchy, caked dust, and felt the changes like a soft, not quite random symphony.
And over all the Sun. He looked up at it, large and fat and bright and hot, and heard its joy. He watched the slow rise of prominences around its rim and listened to the crackling sound of each; and to the other happy noises over the broad face. When he dimmed the background light, the red of the rising wisps of hydrogen showed in bursts of mellow contralto, and the deep bass of the spots amid the muted whistling of the wispy, moving faculae, and the occasional thin keening of a flare, the ping-pong ticking of gamma rays and cosmic particles, and over all in every direction the soft, fainting, and ever-renewed sigh of the Sun's substance rising and retreating forever in a cosmic wind which reached out and bathed him in glory.
He jumped, and rose slowly in the air with a freedom he had never felt, and jumped again when he landed, and ran, and jumped, and ran again, with a body that responded perfectly to this glorious world, this paradise in which he found himself.
”
”
Isaac Asimov (The Bicentennial Man and Other Stories)
“
As he wept, daylight penetrated more and more clearly
into his soul; an extraordinary light; a light at once ravishing
and terrible. His past life, his first fault, his long expiation,
his external brutishness, his internal hardness, his dismissal
to liberty, rejoicing in manifold plans of vengeance, what
had happened to him at the Bishop’s, the last thing that he
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had done, that theft of forty sous from a child, a crime all
the more cowardly, and all the more monstrous since it
had come after the Bishop’s pardon,—all this recurred to
his mind and appeared clearly to him, but with a clearness
which he had never hitherto witnessed. He examined his
life, and it seemed horrible to him; his soul, and it seemed
frightful to him. In the meantime a gentle light rested over
this life and this soul. It seemed to him that he beheld Satan
by the light of Paradise.
How many hours did he weep thus? What did he do after
he had wept? Whither did he go! No one ever knew. The
only thing which seems to be authenticated is that that same
night the carrier who served Grenoble at that epoch, and
who arrived at D—— about three o’clock in the morning,
saw, as he traversed the street in which the Bishop’s residence
was situated, a man in the attitude of prayer, kneeling
on the pavement in the shadow, in front of the door of Monseigneur
Welcome.
”
”
Victor Hugo
“
Abel was also the first of the human family to experience physical death- and it was through murder! He suffered death because of another's sin, the transgression of his elder brother Cain, who, in a fit of rage, killed him in cold blood. At the same time, thanks to faith in the sin-offering, he overcame death. The first man to descend into the Valley of the Shadow of Death was the first one to triumphantly march straight through it into the Paradise of Glory. He stepped from the excruciating pain of mortal manslaughter's hate into the exquisite land of eternal delights prepared by the Father's love! He led the way, like a pioneer, for all subsequent generations of men and women of faith throughout human history.
”
”
Robert L. Sumner (Hebrews: Streams of Living Water)
“
The old God, wholly “spirit,” wholly the high-priest, wholly perfect, is promenading his garden: he is bored and trying to kill time. Against boredom even gods struggle in vain.[21] What does he do? He creates man—man is entertaining.... But then he notices that man is also bored. God’s pity for the only form of distress that invades all paradises knows no bounds: so he forthwith creates other animals. God’s first mistake: to man these other animals were not entertaining—he sought dominion over them; he did not want to be an “animal” himself.—So God created woman. In the act he brought boredom to an end—and also many other things! Woman was the second mistake of God.—“Woman, at bottom, is a serpent, Heva”—every priest knows that; “from woman comes every evil in the world”— every priest knows that, too. Ergo, she is also to blame for science.... It was through woman that man learned to taste of the tree of knowledge.—What happened? The old God was seized by mortal terror. Man himself had been his greatest blunder; he had created a rival to himself; science makes men godlike—it is all up with priests and gods when man becomes scientific!—Moral: science is the forbidden per se; it alone is forbidden. Science is the first of sins, the germ of all sins, the original sin. This is all there is of morality.—“Thou shall not know”:—the rest follows from that.—God’s mortal terror, however, did not hinder him from being shrewd. How is one to protect one’s self against science? For a long while this was the capital problem. Answer: Out of paradise with man! Happiness, leisure, foster thought—and all thoughts are bad thoughts!—Man must not think.—And so the priest invents distress, death, the mortal dangers of childbirth, all sorts of misery, old age, decrepitude, above all, sickness—nothing but devices for making war on science! The troubles of man don’t allow him to think.... Nevertheless—how terrible!—, the edifice of knowledge begins to tower aloft, invading heaven, shadowing the gods—what is to be done?—The old God invents war; he separates the peoples; he makes men destroy one another (—the priests have always had need of war....). War—among other things, a great disturber of science!—Incredible! Knowledge, deliverance from the priests, prospers in spite of war.—So the old God comes to his final resolution: “Man has become scientific—there is no help for it: he must be drowned!”...
”
”
Friedrich Nietzsche
“
But here through the dusk comes one who is not glad to be at rest. He is a workman on the ranch, an old man, an immigrant Italian. He takes his hat off to me in all servility, because, forsooth, I am to him a lord of life. I am food to him, and shelter, and existence. He has toiled like a beast all his days, and lived less comfortably than my horses in their deep-strawed stalls. He is labour-crippled. He shambles as he walks. One shoulder is twisted higher than the other. His hands are gnarled claws, repulsive, horrible. As an apparition he is a pretty miserable specimen. His brain is as stupid as his body is ugly. "His brain is so stupid that he does not know he is an apparition," the White Logic chuckles to me. "He is sense-drunk. He is the slave of the dream of life. His brain is filled with superrational sanctions and obsessions. He believes in a transcendent over-world. He has listened to the vagaries of the prophets, who have given to him the sumptuous bubble of Paradise. He feels inarticulate self-affinities, with self-conjured non-realities. He sees penumbral visions of himself titubating fantastically through days and nights of space and stars. Beyond the shadow of any doubt he is convinced that the universe was made for him, and that it is his destiny to live for ever in the immaterial and supersensuous realms he and his kind have builded of the stuff of semblance and deception. "But you, who have opened the books and who share my awful confidence—you know him for what he is, brother to you and the dust, a cosmic joke, a sport of chemistry, a garmented beast that arose out of the ruck of screaming beastliness by virtue and accident of two opposable great toes. He is brother as well to the gorilla and the chimpanzee. He thumps his chest in anger, and roars and quivers with cataleptic ferocity. He knows monstrous, atavistic promptings, and he is composed of all manner of shreds of abysmal and forgotten instincts." "Yet he dreams he is immortal," I argue feebly. "It is vastly wonderful for so stupid a clod to bestride the shoulders of time and ride the eternities." "Pah!" is the retort. "Would you then shut the books and exchange places with this thing that is only an appetite and a desire, a marionette of the belly and the loins?" "To be stupid is to be happy," I contend. "Then your ideal of happiness is a jelly-like organism floating in a tideless, tepid twilight sea, eh?
”
”
Jack London (John Barleycorn)
“
THE SPANISH JEW'S TALE.
THE LEGEND OF RABBI BEN LEVI.
Rabbi Ben Levi, on the Sabbath, read
A volume of the Law, in which it said,
"No man shall look upon my face and live."
And as he read, he prayed that God would give
His faithful servant grace with mortal eye
To look upon His face and yet not die.
Then fell a sudden shadow on the page
And, lifting up his eyes, grown dim with age,
He saw the Angel of Death before him stand,
Holding a naked sword in his right hand.
Rabbi Ben Levi was a righteous man,
Yet through his veins a chill of terror ran.
With trembling voice he said, "What wilt thou here?"
The angel answered, "Lo! the time draws near
When thou must die; yet first, by God's decree,
Whate'er thou askest shall be granted thee."
Replied the Rabbi, "Let these living eyes
First look upon my place in Paradise."
Then said the Angel, "Come with me and look."
Rabbi Ben Levi closed the sacred book,
And rising, and uplifting his gray head,
"Give me thy sword," he to the Angel said,
"Lest thou shouldst fall upon me by the way."
The Angel smiled and hastened to obey,
Then led him forth to the Celestial Town,
And set him on the wall, whence, gazing down,
Rabbi Ben Levi, with his living eyes,
Might look upon his place in Paradise.
Then straight into the city of the Lord
The Rabbi leaped with the Death-Angel's sword,
And through the streets there swept a sudden breath
Of something there unknown, which men call death.
Meanwhile the Angel stayed without, and cried,
"Come back!" To which the Rabbi's voice replied,
"No! in the name of God, whom I adore,
I swear that hence I will depart no more!"
Then all the Angels cried, "O Holy One,
See what the son of Levi here has done!
The kingdom of Heaven he takes by violence,
And in Thy name refuses to go hence!"
The Lord replied, "My Angels, be not wroth;
Did e'er the son of Levi break his oath?
Let him remain; for he with mortal eye
Shall look upon my face and yet not die."
Beyond the outer wall the Angel of Death
Heard the great voice, and said, with panting breath,
"Give back the sword, and let me go my way."
Whereat the Rabbi paused, and answered, "Nay!
Anguish enough already has it caused
Among the sons of men." And while he paused
He heard the awful mandate of the Lord
Resounding through the air, "Give back the sword!"
The Rabbi bowed his head in silent prayer;
Then said he to the dreadful Angel, "Swear,
No human eye shall look on it again;
But when thou takest away the souls of men,
Thyself unseen, and with an unseen sword,
Thou wilt perform the bidding of the Lord."
The Angel took the sword again, and swore,
And walks on earth unseen forevermore.
”
”
Henry Wadsworth Longfellow (Tales of a Wayside Inn)
“
It is evil,” the Old Wise One said. “For very long we have walked carefree in the only paradise. It would be better if all here were to die.” The last Shadow child said firmly, “Nothing is worse than that I should die,” and something that had wrapped the world was gone. It went in an instant and left the river and the mist, the shaking, dancing marshmen and chanting Lastvoice and themselves all unchanged, but it had been bigger than everything and Sandwalker had never seen it because it had been there always, but now he could not remember what it had been. The sky was open now, with nothing at all between the birds and the sun; the mist swirling around Lastvoice might reach to Burning Hair Woman. Sandwalker looked at the last Shadow child and saw that he was weeping and that his eyes held nothing at all. He felt that way himself, and turning to Cedar Branches Waving asked, “Mother, what color are my eyes now?
”
”
Gene Wolfe (The Fifth Head of Cerberus)
“
She hadn’t commented on the lower half of the carving, which depicted a Helscape beneath their thrones, some kind of underworld. Humanoid figures writhed in pain amid what looked like icicles and snapping, scaly beasts—either past enemies conquered or an indication of what failure to bow to the rulers would bring upon the defiant. The suffering stretched throughout, lingering even underneath that archipelago and its mountaintop palace. Even here, in paradise, death and evil remained. A common motif in Midgardian art, too, usually with the caption: Et in Avallen ego. Even in Avallen, there am I. A whispered promise from Death. Another version of memento mori. A reminder that death was always, always waiting. Even in the blessed Fae isle of Avallen. Maybe all the ancient art that glorified the idea of memento mori had been brought to Midgard by these people. Maybe she was thinking too much about shit that really didn’t matter at the moment. Especially with an impassable river before her.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
China seems to offer a much more serious challenge than Western social protestors. Despite liberalising its politics and economics, China is neither a democracy nor a truly free-market economy, which does not prevent it from becoming the economic giant of the twenty-first century. Yet this economic giant casts a very small ideological shadow. Nobody seems to know what the Chinese believe these days – including the Chinese themselves. In theory China is still communist, but in practice it is nothing of the kind. Some Chinese thinkers and leaders toy with a return to Confucianism, but that’s hardly more than a convenient facade. This ideological vacuum makes China the most promising breeding ground for the new techno-religions emerging from Silicon Valley (which we will discuss in the following chapters). But these techno-religions, with their belief in immortality and virtual paradises, will take at least a decade or two to establish themselves. Hence at present China doesn’t pose a real alternative to liberalism. For bankrupt Greeks despairing of the liberal model and searching for a substitute, ‘imitating the Chinese’ isn’t a viable option.
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
However mean your life is, meet it and live it; do not shun it and call it hard names. It is not so bad as you are. It looks poorest when you are richest. The fault-finder will find faults even in paradise. Love your life, poor as it is. You may perhaps have some pleasant, thrilling, glorious hours, even in a poorhouse. The setting sun is reflected from the windows of the almshouse as brightly as from the rich man’s abode; the snow melts before its door as early in the spring. I do not see but a quiet mind may live as contentedly there, and have as cheering thoughts, as in a palace. The town’s poor seem to me often to live the most independent lives of any. Maybe they are simply great enough to receive without misgiving. Most think that they are above being supported by the town; but it oftener happens that they are not above supporting themselves by dishonest means, which should be more disreputable. Cultivate poverty like a garden herb, like sage. Do not trouble yourself much to get new things, whether clothes or friends. Turn the old; return to them. Things do not change; we change. Sell your clothes and keep your thoughts. God will see that you do not want society. If I were confined to a corner of a garret all my days, like a spider, the world would be just as large to me while I had my thoughts about me. The philosopher said: “From an army of three divisions one can take away its general, and put it in disorder; from the man the most abject and vulgar one cannot take away his thought.” Do not seek so anxiously to be developed, to subject yourself to many influences to be played on; it is all dissipation. Humility like darkness reveals the heavenly lights. The shadows of poverty and meanness gather around us, “and lo! creation widens to our view.” We are often reminded that if there were bestowed on us the wealth of Croesus, our aims must still be the same, and our means essentially the same. Moreover, if you are restricted in your range by poverty, if you cannot buy books and newspapers, for instance, you are but confined to the most significant and vital experiences; you are compelled to deal with the material which yields the most sugar and the most starch. It is life near the bone where it is sweetest. You are defended from being a trifler. No man loses ever on a lower level by magnanimity on a higher. Superfluous wealth can buy superfluities only. Money is not required to buy one necessary of the soul.
”
”
Henry David Thoreau (Walden)
“
But here they are, leaving the stress and shit food and endless misunderstandings. Leaving. The jobcentre, the classroom, the pub, the gym, the car park, the flat, the filth, the TV, the constant swiping of newsfeeds, the hoover, the toothbrush, the laptop bag, the expensive hair product that makes you feel better inside, the queue for the cash machine, the cinema, the bowling alley, the phone shop, the guilt, the absolute nothingness that never stops chasing, the pain of seeing a person grow into a shadow. The people’s faces twisting into grimaces again, losing all their insides in the gutters, clutching lovers till the breath is faint and love is dead, wet cement and spray paint, the kids are watching porn and drinking Monster. Watch the city fall and rise again through mist and bleeding hands. Keep holding on to power-ballad karaoke hits. Chase your talent. Corner it, lock it in a cage, give the key to someone rich and tell yourself you’re staying brave. Tip your chair back, stare into the eyes of someone hateful that you’ll take home anyway. Tell the world you’re staying faithful. Nothing’s for you but it’s all for sale, give until your strength is frail and when it’s at its weakest, burden it with hurt and secrets. It’s all around you screaming paradise until there’s nothing left to feel. Suck it up, gob it, double-drop it. Pin it deep into your vein and try for ever to get off it. Now close your eyes and stop it. But it never stops. They
”
”
Kate Tempest (The Bricks that Built the Houses)
“
One way to respond to these "sins" is found in The Divine Comedy, in which Dante is ultimately led to the vision of God by his guide, Beatrice. In first traversing through the Inferno, Dante reveals that the inhabitants of the Inferno are not there because they are sinners. Sinners also make up the populations of Purgatory and Paradise. Rather, those souls are in the Inferno because they are sinners who refused to admit to their own sins. They denied their faults and projected them onto others, blaming everyone around them. The lesson we learn is that only when our sins become acknowledged and deeply felt can they be integrated. Deep reflection and prayer are an important part of the integration of the [inner] shadow. Once we admit to our shadow with honesty and an open heart, the shadow has the potential to become transformed.
Once the shadow is integrated, the Seven Deadly Sins can become aspects of a healthy self. Greed and lust become passion, imbuing our journey with heart and fire. Anger transforms into righteousness that acts compassionately for own and other's behalf. The healthy side to gluttony is self-care, something many women have to learn. Envy, once integrated, becomes an appreciation of others. And in a society where doing is valued over being, sloth turns into the ability to be still. Pride enables us to feel good about our accomplishments and grow in confidence and strength. But the path to authenticity is to admit these qualities are within us. It is shadow work that enables holy women to make their hidden struggles into levers with which to free themselves.
”
”
Helen LaKelly Hunt (Faith and Feminism: A Holy Alliance)