Shadow Weaver Quotes

People, like us we feel... too deeply consumed, in shadow this game of chance. Together, surviving we unending dreamers. People... like us.

Everything else is mere shadows in a world of your realness.

Give my heart a voice to tell the world About my Savior— Give my soul a song That will ring out across the years, A song that sings Your boundless love In sunshine or in shadow, A psalm of praise for all my days, Through happiness or tears. B.J. Hoff

I am the weaver of hope, searching shadows for silver strands of stars. I make light out of darkness. I make dreams out of scars.

The room behind me was dark. "Thief," intoned a lovely voice in the blackness. "You do know," Ianthe tittered from outside the cottage, her steps slowing into a walk, "that we'll have to kill whoever is inside there with you. Selfish of you, Feyre." I panted, holding the door open, making sure they couldn't see me on the other side. "You have seen my twin," the Weaver hissed softly- with a hint of wonder. "I smell him on you." Outside, Ianthe and the guard grew closer. Closer and closer. Somewhere deep in the room, I felt her move. Felt her stand. And take a step toward me. "What are you," the Weaver breathed. "Feyre, you can be quite tedious," Ianthe said. Right outside. I could barely make out her pale robes through the crack between the door and the threshold. "Do you think you can ambush us in there? I saw your shield. You're drained. And I do not think your glowing trick will help." The Weaver's dress rustled as she crept closer in the gloom. "Who did you bring, little wolf? Who did you bring to me?" Ianthe and her two guards stepped over the threshold. Then another step. Past the open door. They didn't see me in the shadows behind it. "Dinner," I said to the Weaver, whirling around the door- to it's outside face. And let go of the handle. Just as the door slammed shut hard enough to rattle the cottage, I saw the ball of faelight that Ianthe lifted to illuminate the room. Saw the horrible face of the Weaver, that mouth of stumped teeth opening wide with delight and unholy hunger. A death-god of old- starved for life. With a beautiful priestess before her. I was already hurtling for the trees when the guards and Ianthe began screaming.

Every weaving is as unique as the weaver who makes it. The goddess does not want us to imitate some ideal of perfection, but to be our true selves.

But only a weaver who stands between worlds can make the tenth knot,” she replied.

She should have been afraid. She should have been quaking with terror, but rage and anguish pumped through her veins.

Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, "Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us." And the passionate say, "Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us." The tired and the weary say, "Beauty is of soft whisperings. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow." But the restless say, "We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions." At night the watchmen of the city say, "Beauty shall rise with the dawn from the east." And at noontide the toilers and the wayfarers say, "We have seen her leaning over the earth from the windows of the sunset." In winter say the snow-bound, "She shall come with the spring leaping upon the hills." And in the summer heat the reapers say, "We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair." All these things have you said of beauty, Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden for ever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror.

A Draft of Shadows' desire turns us into ghosts. We are vines of air on trees of wind, a cape of flames invented and devoured by flame. The crack in the tree trunk: sex, seal, serpentine passage closed to the sun and to my eyes, open to the ants. That crack was the portico of the furthest reaches of the seen and thought: —there, inside, tides are green, blood is green, fire green, green stars burn in the black grass: the green music of elytra in the fig tree's pristine night; —there, inside, fingertips are eyes, to touch is to see, glances touch, eyes hear smells; —there, inside is outside, it is everywhere and nowhere, things are themselves and others, imprisoned in an icosahedron there is a music weaver beetle and another insect unweaving the syllogisms the spider weaves, hanging from the threads of the moon; —there, inside, space is an open hand, a mind that thinks shapes, not ideas, shapes that breathe, walk, speak, transform and silently evaporate; —there, inside, land of woven echoes, a slow cascade of light drops between the lips of the crannies: light is water; water, diaphanous time where eyes wash their images; —there, inside, cables of desire

Someone once elaborated on each line of the well-known and much-loved Psalm 23: The Lord is my Shepherd — that’s relationship! I shall not be in want — that’s supply! He makes me lie down in green pastures — that’s rest! He leads me beside quiet waters — that’s refreshment! He restores my soul — that’s healing! He guides me in the paths of righteousness — that’s guidance! For His name’s sake — that’s purpose! Even though I walk through the valley of the shadow of death —that’s testing! I will fear no evil — that’s protection! For you are with me — that’s faithfulness! Your rod and the staff, they comfort me — that’s discipline! You prepare a table before me in the presence of my enemies —that’s hope! You anoint my head with oil — that’s consecration! My cup overflows — that’s abundance! Surely goodness and love will follow me all the days of my life —that’s blessing! And I will dwell in the house of the Lord — that’s security! Forever — that’s eternity! AUTHOR OF ELABORATED MATERIAL UNKNOWN

So you’d rather pretend you don’t want me?” His hands slid around her waist then down over her backside. He pulled her hips hard into his and his mouth dropped closer again, lips brushing against hers as he spoke. “Because I don’t want to pretend anymore.

Life holds darkness and light, and sometimes one must step into the shadows to see which will prevail.' The curtain fell, and there was a moment of silence before applause burst forth from the audience. It was not the tepid appreciation of polite spectators, but the thunderous approval of those who marveled at what they had just seen.

The process of industrialization is necessarily painful. It must involve the erosion of traditional patterns of life. But it was carried through with exceptional violence in Britain. It was unrelieved by any sense of national participation in communal effort, such as is found in countries undergoing a national revolution. Its ideology was that of the masters alone. Its messianic prophet was Dr Andrew Ure, who saw the factory system as ‘the great minister of civilization to the terraqueous globe’, diffusing ‘the life-blood of science and religion to myriads… still lying “in the region and shadow of death”.’ But those who served it did not feel this to be so, any more than those ‘myriads’ who were served. The experience of immiseration came upon them in a hundred different forms; for the field labourer, the loss of his common rights and the vestiges of village democracy; for the artisan, the loss of his craftsman’s status; for the weaver, the loss of livelihood and of independence; for the child, the loss of work and play in the home; for many groups of workers whose real earnings improved, the loss of security, leisure and the deterioration of the urban environment.

SEEN ACROSS TEN MILES OF sunlit water, Lorbanery was green, green as the bright moss by a fountain’s rim. Nearby, it broke up into leaves, and tree-trunks, and shadows, and roads, and houses, and the faces and clothing of people, and dust, and all that goes to make up an island inhabited by men. Yet still, over all, it was green: for every acre of it that was not built or walked upon was given up to the low, round-topped hurbah trees, on the leaves of which feed the little worms that spin the silk that is made into thread and woven by the men and women and children of Lorbanery. At dusk the air there is full of small grey bats who feed on the little worms. They eat many, but are suffered to do so and are not killed by the silk-weavers, who indeed account it a deed of very evil omen to kill the grey-winged bats. For if human beings live off the worms, they say, surely small bats have the right to do so.

Beauty And a poet said, 'Speak to us of Beauty.' Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, 'Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us.' And the passionate say, 'Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us.' The tired and the weary say, 'beauty is of soft whispering s. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow.' But the restless say, 'We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions.' At night the watchmen of the city say, 'Beauty shall rise with the dawn from the east.' And at noontide the toilers and the wayfarers say, 'we have seen her leaning over the earth from the windows of the sunset.' In winter say the snow-bound, 'She shall come with the spring leaping upon the hills.' And in the summer heat the reapers say, 'We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair.' All these things have you said of beauty. Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden forever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror

I will not mention the name (and what bits of it I happen to give here appear in decorous disguise) of that man, that Franco-Hungarian writer... I would rather not dwell upon him at all, but I cannot help it— he is surging up from under my pen. Today one does not hear much about him; and this is good, for it proves that I was right in resisting his evil spell, right in experiencing a creepy chill down my spine whenever this or that new book of his touched my hand. The fame of his likes circulates briskly but soon grows heavy and stale; and as for history it will limit his life story to the dash between two dates. Lean and arrogant, with some poisonous pun ever ready to fork out and quiver at you, and with a strange look of expectancy in his dull brown veiled eyes, this false wag had, I daresay, an irresistible effect on small rodents. Having mastered the art of verbal invention to perfection, he particularly prided himself on being a weaver of words, a title he valued higher than that of a writer; personally, I never could understand what was the good of thinking up books, of penning things that had not really happened in some way or other; and I remember once saying to him as I braved the mockery of his encouraging nods that, were I a writer, I should allow only my heart to have imagination, and for the rest rely upon memory, that long-drawn sunset shadow of one’s personal truth. I had known his books before I knew him; a faint disgust was already replacing the aesthetic pleasure which I had suffered his first novel to give me. At the beginning of his career, it had been possible perhaps to distinguish some human landscape, some old garden, some dream- familiar disposition of trees through the stained glass of his prodigious prose... but with every new book the tints grew still more dense, the gules and purpure still more ominous; and today one can no longer see anything at all through that blazoned, ghastly rich glass, and it seems that were one to break it, nothing but a perfectly black void would face one’s shivering soul. But how dangerous he was in his prime, what venom he squirted, with what whips he lashed when provoked! The tornado of his passing satire left a barren waste where felled oaks lay in a row, and the dust still twisted, and the unfortunate author of some adverse review, howling with pain, spun like a top in the dust.

The Lord is my Shepherd — that’s relationship! I shall not be in want — that’s supply! He makes me lie down in green pastures — that’s rest! He leads me beside quiet waters — that’s refreshment! He restores my soul — that’s healing! He guides me in the paths of righteousness — that’s guidance! For His name’s sake — that’s purpose! Even though I walk through the valley of the shadow of death —that’s testing! I will fear no evil — that’s protection! For you are with me — that’s faithfulness! Your rod and the staff, they comfort me — that’s discipline! You prepare a table before me in the presence of my enemies —that’s hope! You anoint my head with oil — that’s consecration! My cup overflows — that’s abundance! Surely goodness and love will follow me all the days of my life —that’s blessing! And I will dwell in the house of the Lord — that’s security! Forever — that’s eternity!

TAKING LEAVE Of the unhindered motion in the million swirled and twisted grooves of the juniper driftwood lying in the sand; taking leave of each sapphire and amber thread and each iridescent bead of the swallowtail's wing and of the quick and clever needle of the seamstress in the dark cocoon that accomplished the stitching. Goodbye to the long pale hairs of the swaying grassflowers, so like, in grace and color and bearing, the nodding antennae of the green valley grasshopper clinging to its blade; and to the staircase shell of the butter-colored wendletrap and to the branches of the sourwood making their own staircase with each step upward they take and to the spiraling of the cobweb weaver twirling as it descends on its silk out of the shadows of the pitch pine. Taking leave of the sea of spring, that grey-green swell slowly rising, spreading, its heavy wisteria-scented surf filled with darting, gliding, whistling fish, a current of cries, an undertow of moans and buzzes, so pervasive and penetrating and alluring that the lungs adapt to the density. Determined not to slight the knotted rockweed or the beach plum or the white, blue-tipped petals of the five spot; determined not to overlook the pursed orange mouth of each maple leaf just appearing or the entire chorus of those open leaves in full summer forte. My whole life, a parting from the brazen coyote thistle and the reticent, tooth-ridged toad crab and the proud, preposterous sage grouse. And you mustn't believe that the cessation which occurs here now is more than illusory; the ritual of this leave-taking continues beyond these lines, in a whisper beside the window, below my breath by the river, without noise through the clearing at midnight, even in the dark, even in sleep, continues, out-of-notice, private, incessant.

I was turned High Fae when an enemy shoved me into it. It’s raw power, but also … sentient.” “Like that mask you put on earlier.” Azriel folded his wings tightly, clearly wary of discussing such a powerful instrument with a potential enemy. But Nesta asked, “You detected a sentience in the Mask?” Bryce nodded. “It didn’t, like, talk to me or anything. I could just … sense it.” “What did it feel like?” Nesta asked quietly. “Like death,” Bryce breathed. “Like death incarnate.” Nesta’s eyes grew distant, grave. “That’s what the Mask can do. Give its wearer power over Death itself.” Bryce’s blood chilled. “And this is a … normal type of weapon here?” “No,” Azriel said from ahead, shoulders tense. “It is not.” Nesta explained, “The Mask is one of three objects of catastrophic power, Made by the Cauldron itself. The Dread Trove, we call it.” “And the Mask is … yours?” “I was also Made by the Cauldron,” Nesta said, “which allows me to wield it.” She spoke with no pride or boasting. Merely cold resignation and responsibility. “Made,” Bryce mused. “You said that my tattoo was Made.” “It is a mystery to us,” Nesta said. “You’d need to have had the ink Made by the Cauldron, in this world, for it to be so.” The Horn had come from here. Had been brought by Theia and Pelias into Midgard. Perhaps it, too, had been forged by the Cauldron. Bryce tucked away the knowledge, the questions it raised. “We don’t have anything like the Cauldron on Midgard. Solas is our sun god, Cthona his mate and the earth goddess. Luna is his sister, the moon; Ogenas, Cthona’s jealous sister in the seas. And Urd guides all—she’s the weaver of fate, of destiny.” Bryce added after a moment, “I think she’s the reason I’m here.” “Urd,” Nesta murmured. “The Fae say the Cauldron holds our fates. Maybe it became this Urd.

I left the altar rail and went back to the pew where the others were kneeling like four shadows, four unrealities, and I hid my face in my hands. In the temple of God that I had just become, the once eternal and pure sacrifice was offered up to the God dwelling in me. The sacrifice of God to God. Now, Christ born in me, a new Bethlehem, and sacrificed in me his new Calvary, and risen in me: offering me to the Father, in himself, asking the Father, my Father and his, to receive me into his infinite and special love — not the love he has for all things that exist, for mere existence is a token of God’s love, but the love of those creatures who are drawn to him in and with the power of his own love for himself.3

And a poet said, Speak to us of Beauty. And he answered: Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, “Beauty is kind and gentle. “Like a young mother half-shy of her own glory she walks among us.” And the passionate say, “Nay, beauty is a thing of might and dread. “Like the tempest she shakes the earth beneath us and the sky above us.” The tired and the weary say, “Beauty is of soft whisperings. “She speaks in our spirit. “Her voice yields to our silences like a faint light that quivers in fear of the shadow.” But the restless say, “We have heard her shouting among the mountains, “And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions.” At night the watchmen of the city say, “Beauty shall rise with the dawn from the east.” And at noontide the toilers and the wayfarers say, “We have seen her leaning over the earth from the windows of the sunset.” In winter say the snow-bound, “She shall come with the spring leaping upon the hills.” And in the summer heat the reapers say, “We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair.” All these things have you said of beauty, Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart inflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden forever in bloom and a flock of angels forever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror.

Stars explode in every nerve, in every chamber of my heart.

You belong to you. But I will cherish any part you're willing to share with me.

The Weaver's dress rustled as she crept closer in the gloom. 'Who did you bring, little wolf? What did you bring to me?' Ianthe and her two guards stepped over the threshold. Then another step. Past the open door. They didn't see me in the shadows behind it. 'Dinner,' I said to the Weaver, whirling around the door- to its outside face. And let go of the handle. Just as the door slammed shut hard enough to rattle the cottage, I saw the ball of faelight that Ianthe lifted to illuminate the room. Saw the horrible face of the Weaver, that mouth of stumped teeth opening wide with delight and unholy hunger. A death-god of old- starved for life. With a beautiful priestess before her. I was already hurtling for the trees when the guards and Ianthe began screaming.

Dear Father, dear Son, dear Spirit, The clock hands spin the dial at a maddening pace. The sun rises on the garden dial and the shadows of the stylus fall too spinning fast upon the Roman numerals that number my brief hours. My life is but a vapor that appears and then vanishes away. It is nothing more than the flight of a weaver's shuttle. It is the hurried trip of the sun gone fast across a shallow Attic sky. But never mind, I know two words that open heaven. And I shall speak the words amid the applause of gathering angels. And when I've said the words the gates will swing and the carpet to the throne will be as scarlet as forgiveness. And the words are kyrie elieson.

I fell. Wildly. Relentlessly. My hands clenched around wet, slimy things. Cold mud. Decaying leaves. I was a doll, a stone—useless, useless—slamming into branches and the sharp underside of tree roots.

I swallow a sudden sting of tears before they can pool in my eyes. A coy grin pulls at my lips. “Ashen of House Urbigu... do you think I belong to you?” Ashen gives a breath of a laugh. His smile fades. His eyes soften and the flame within dies to embers. He reaches up and lays his hand on the side of my face, letting his fingers trace the line of my cheekbone and the angle of my jaw. His gaze follows every movement of his slow and gentle caress. “No. You belong to you, vampire. But I will cherish any part you're willing to share with me.

What are you going to wish for? A simple, honest question. And looking at him, at that beautiful face and easy smile, so many of those shadows vanished, our family gathered around us, eternity a road ahead … I knew. I truly knew what I wanted to wish for, as if it were a piece of Amren’s puzzle clicking into place, as if the threads of the weaver’s tapestry finally revealed the design they’d formed to make.

And maybe I was exhausted and broken, but I breathed, 'I killed them.' I hadn't said the words aloud since it had happened. Cassian's lips tightened. 'I know.' Not condemnation, not praise. But grim understanding. My hands slackened as another shuddering sob worked its way through me. 'It should have been me.' And there it was. Standing there under the cloudless sky, the winter sun beating on my head, nothing around me save for rock, no shadows in which to hide, nothing to cling to... There it was. Then darkness swept in, soothing, gentle darkness- no, shade- and a sweat-slicked male body halted before me. Gentle fingers lifted my chin until I looked up... at Rhysand's face. His wings had wrapped around us, cocooned us, the sunlight casting the membrane in gold and red. Beyond us, outside, in another world, maybe, the sound of steel on steel- Cassian and Azriel sparring- began. 'You will feel that way every day for the rest of your life,' Rhysand said. This close, I could smell the sweat on him the sea-and-citrus sent beneath it. His eyes were soft. I tried to look away, but he held my chin firm. 'And I know this because I have felt that way every day since my mother and sister were slaughtered and I had to bury them myself, and even retribution didn't fix it.' He wiped away the tears on one cheek, then another. 'You can either let it wreck you, let it get you killed like it nearly did with the Weaver, or you can learn to live with it.' For a long moment, I just stared at the open, calm face- maybe his true face, the one beneath all the masks he wore to keep his people safe. 'I'm sorry- about your family,' I rasped. 'I'm sorry I didn't find a way to spare you from what happened Under the Mountain,' Rhys said with equal quiet. 'From dying. From wanting to die.' I began to shake my head, but he said, 'I have two kinds of nightmares: the one when I'm again Amarantha's whore or my friends are... And the ones where I hear your neck snap and see the light leave your eyes.' I had no answer to that- to the tenor in his rich, deep voice. So I examined the tattoos on his chest and arms, the glow of his tan skin, so golden now that he was no longer caged inside that mountain. I stopped my perusal when I got to the vee of muscles that flowed beneath the waist of his leather pants.

He’d intended to release her immediately, but his arms tightened instead. Wrapped around her small frame, his cheek pressed against her hair and his eyes squeezed shut, he held her to him. For one brief moment, he allowed himself to acknowledge his pathetic relief that he wasn’t alone in this. And how petrified he was of the moment when he’d have to face this new future on his own.

It leaks in here sometimes,” the Weaver said dully. “You’re one of the great masters,” I couldn’t help saying. “Why do you live like this?

Solas is our sun god, Cthona his mate and the earth goddess. Luna is his sister, the moon; Ogenas, Cthona’s jealous sister in the seas. And Urd guides all—she’s the weaver of fate, of destiny.

Knowing the dark doesn't make you a monster. It's what you do in the darkness-and how you rise to overcome it-that matters.

How many marks do you think you’ll get for treason?” “One from the Scholar to make my skin fairer, one from the Weaver to make me taller, one from the King to make me fatter, one from the Inquisitor to make me stronger, and one from the Warmaster to fix whatever it is he doesn’t like about me.” “Probably your general attitude. He gets at least a dozen offers of marriage a week; he doesn’t understand what you don’t like about him.” “Probably his general attitude.