Shack Book Quotes

Never stop reading, Luke. The words from the pages make me feel like I'm right there, like I can smell the sea and hear the wind. It's my one regret that I didn't read much over the years. How can you learn about all the things happening in the world if you don't read?

With lots of color and lots of plants, good smells, plenty of home cooking and loving memories, even a shack can become a wonderful and lovable home.

You know how the story ends. He escaped and went on to become the greatest chief Suntown ever had. He never built a shrine or a temple or even a shack in the name of Tia. In the Great Book, her name is never mentioned again. He never mused about her or even asked where she was buried. Tia was a virgin. She was beautiful. She was poor. And she was a girl. It was her duty to sacrifice her life for his.

As I lay there watching Robin sleep beside me, I realized that she was right all along. I didn’t need to live in a castle — a shack in the woods with her would do just fine. And for that matter, I didn’t need to be prince of the ocean either, because with her by my side… I was king of the pond.

In seminary he had been taught that God had completely stopped any overt communication with moderns, preferring to have them only listen to and follow sacred Scripture, properly interpreted, of course. God's voice had been reduced to paper, and even that paper had to be moderated and deciphered by the proper authorities and intellects. It seemed that direct communication with God was something exclusively for the ancients and uncivilized, while educated Westerner's access to God was mediated and controlled by the intelligentsia. Nobody wanted God in a box, just in a book.

I was 'led' to read The Shack by Wm Paul Young after the sudden & unexpected death of my fiance', Marina DeAngelo in July of 2012. It helped me as it has millions of people with the trauma and grief associated with the great personal loss of a loved one." ~R. Alan Woods [2013]

Think of that Thoreau fellow. I've read some of his books. He went out and lived in a shack and looked at a pond. Now he's one of your heroes. If I go out and live in a shack and look at a pond, pretty soon I'll have so many damn social workers beating on my door that I won't be able to sleep. “They'll start scribbling in some damn notebook: ‘No initiative. No self-esteem.’ They'll write reports, get grants, start some government program with a bunch of forms.

God’s voice has been reduced to paper, and even that paper had to be moderated and deciphered by the proper authorities and intellects. It seemed that direct communication with God was something exclusively for the ancients and uncivilized, while the educated Westerners’ access to God was mediated and controlled by the intelligentsia. Nobody wanted God in a box, just a book

The books were in no particular order, and Lundy found the process of sorting them remarkably soothing, involving, as it did, a strange sort of scavenger hunt through the entire shack. Books had been used to prop up tables and level out shelves; they were piled on surfaces where books had no business being and tucked under the edge of the thin mattress of the Archivist's bed. In the case of books that had become load-bearing, Lundy used her school ruler to carefully note their heights and went searching for rocks or pieces of scrap wood that would do the job as well, if not better. In the case of books left too near to water or exposed to the air, she rolled her eyes and whisked them away to literary safety.

What if it doesn’t work out?” “What if it does?” “I don’t want to get hurt again.” “I don’t want to hurt you, Amie, I want to love you.

Write whenever you can but choose a subject you know about and will want to work with for a few years or even longer...

I came three times. During sex. That’s like being told unicorns are real. And then actually seeing one.

Only then did I realize that I was about to traumatize him just a little bit more. I would have to simply rip off the bandage. “There’s been another murder, in the field, behind Jack’s shack.

Over the years I have read many, many books about the future, my ‘we’re all doomed’ books, as Connie liked to call them. ‘All the books you read are either about how grim the past was or how gruesome the future will be. It might not be that way, Douglas. Things might turn out all right.’ But these were well-researched, plausible studies, their conclusions highly persuasive, and I could become quite voluble on the subject. Take, for instance, the fate of the middle-class, into which Albie and I were born and to which Connie now belongs, albeit with some protest. In book after book I read that the middle-class are doomed. Globalisation and technology have already cut a swathe through previously secure professions, and 3D printing technology will soon wipe out the last of the manufacturing industries. The internet won’t replace those jobs, and what place for the middle-classes if twelve people can run a giant corporation? I’m no communist firebrand, but even the most rabid free-marketeer would concede that market-forces capitalism, instead of spreading wealth and security throughout the population, has grotesquely magnified the gulf between rich and poor, forcing a global workforce into dangerous, unregulated, insecure low-paid labour while rewarding only a tiny elite of businessmen and technocrats. So-called ‘secure’ professions seem less and less so; first it was the miners and the ship- and steel-workers, soon it will be the bank clerks, the librarians, the teachers, the shop-owners, the supermarket check-out staff. The scientists might survive if it’s the right type of science, but where do all the taxi-drivers in the world go when the taxis drive themselves? How do they feed their children or heat their homes and what happens when frustration turns to anger? Throw in terrorism, the seemingly insoluble problem of religious fundamentalism, the rise of the extreme right-wing, under-employed youth and the under-pensioned elderly, fragile and corrupt banking systems, the inadequacy of the health and care systems to cope with vast numbers of the sick and old, the environmental repercussions of unprecedented factory-farming, the battle for finite resources of food, water, gas and oil, the changing course of the Gulf Stream, destruction of the biosphere and the statistical probability of a global pandemic, and there really is no reason why anyone should sleep soundly ever again. By the time Albie is my age I will be long gone, or, best-case scenario, barricaded into my living module with enough rations to see out my days. But outside, I imagine vast, unregulated factories where workers count themselves lucky to toil through eighteen-hour days for less than a living wage before pulling on their gas masks to fight their way through the unemployed masses who are bartering with the mutated chickens and old tin-cans that they use for currency, those lucky workers returning to tiny, overcrowded shacks in a vast megalopolis where a tree is never seen, the air is thick with police drones, where car-bomb explosions, typhoons and freak hailstorms are so commonplace as to barely be remarked upon. Meanwhile, in literally gilded towers miles above the carcinogenic smog, the privileged 1 per cent of businessmen, celebrities and entrepreneurs look down through bullet-proof windows, accept cocktails in strange glasses from the robot waiters hovering nearby and laugh their tinkling laughs and somewhere, down there in that hellish, stewing mess of violence, poverty and desperation, is my son, Albie Petersen, a wandering minstrel with his guitar and his keen interest in photography, still refusing to wear a decent coat.

Mythologist Joseph Campbell once spent 5 years living in a shack in rural New York where he read 9 hours a day. I did something similar as I was in middle school but I suspect Campbell read much better books. Most of my books were acquired at the flea market in Chiefland, FL where a hoarse voiced lady sold musty paperbacks 5 for $1.

Gamache loved to see inside the homes of people involved in a case. To look at the choices they made for their most intimate space. The colors, the decorations. The aromas. Were there books? What sort? How did it feel? He'd been in shacks in the middle of nowhere, carpets worn, upholstery torn, wallpaper peeling off. But stepping in he'd also noticed the smell of fresh coffee and bread. Walls were taken up with immense smiling graduation photos and on rusty pocked TV trays stood modest chipped vases with cheery daffodils or pussy willows or some tiny wild flower picked by worn hands for eyes that would adore it. And he'd been in mansions that felt like mausoleums.

Outside the gates of the finca, watching the passing rows of tin-roofed shacks which represented the residential section of San Francisco de Paula, I began to think about The Old Man and the Sea, and I realized it was Ernest’s counterattack against those who had assaulted him for Across the River. It was an absolutely perfect counterattack and I envisioned a row of snickering carpies bearing the likenesses of Dwight Macdonald and Louis Kronenberger and E.B. White, who in the midst of cackling, “Through! Washed Up! Kaput!” suddenly grab their groins and keel over. It is a rather elementary military axiom that he who attacks must anticipate the counterattack, but the critics, poor boys, would never make General Staff. As Ernest once said, “One battle doesn’t make a campaign but critics treat one book, good or bad, like a whole goddamn war.

As painful as it was, reading about sexual violence toward Black women and girls helped me with necessary creative depictions. My book could not have been written without Harriet Jacobs’s Incidents in the Life of a Slave Girl, Toni Morrison’s The Bluest Eye as well as Beloved, and Alice Walker’s The Color Purple—this last book is so special to me because Ms. Walker is a native of Eatonton, Georgia, the home of my maternal ancestors. (My mother was one of Ms. Walker’s teachers.) My mother—Trellie James Jeffers—published an early germinal essay about colorism in the Black community, “The Black Black Woman and the Black Middle Class,” which allowed me to witness (vicariously) intra-racist sexism in African American communities. Another essay by her, “From the Old Slave Shack: Memoirs of a Teacher,” offers historical background about Mama’s experiences attending segregated schools in Eatonton, Georgia, in the 1930s and 1940s, before attending Spelman College in 1951.

The archers would spot a hostile, one would run to the bell tower and tug on the bell to warn the rest of the mobs out there. The men would take their position and make bets to see who would be the first one to hit the mobs. A person named Steve would win ninety percent of the time. He would come home with his pockets full of gold ingots, and he would place them into chests, but he never did anything with them.   He never bought anything he didn't need. He never bought extravagant things, he only used his gold to buy bread and some spring-water, oh, and the occasional book, that was it. Steve was somewhat of a minimalist. What is a minimalist, you might ask?   A minimalist is a person who believes he or she can be happy without having many possessions. They believe they can be happy without having luxurious homes, horses, or anything that isn't necessary. This is the way Steve lived, he had a small shack in outside of town. He owned one horse, and that was only because it was mandatory to own one if you were a soldier.   The

Fat Matt’s Rib Shack

Shacking with no destination held little appeal.

TELLING GOD, “THANKS IN ADVANCE FOR YOUR COOPERATION.” I love when people thank me for doing something I haven’t done yet. They’ll send me an email, ask me to work on a project, and then end the message by saying, “Thanks in advance for your cooperation.” Ohh, that is tricky. That bold move is designed to force my hand, to make me sit there and think, “Well they already thanked me for doing it. I suppose I should in fact do it.” Even better though is when there is a condition of speed applied to the request. “Thank you for doing this so quickly,” or, “I really appreciate your quick turnaround.” That’s two levels of trickery. Not only have I not agreed to do it, but I certainly haven’t agreed to do it quickly. If you want to add a third level, get God into the mix and tell someone, “Thank you for serving the kingdom of God with your talents.” That’s church talk for, “We’re not going to pay you any money for that thing we need you to do, but we are going to thank you in a way that makes it next to impossible to say no. What, you don’t want to serve the kingdom of God?” That’s pretty ridiculous, but sometimes I do the same thing. Instead of asking God for his guidance or praying about where/ what/how he would have me move through a situation, I throw him a little advance appreciation. “God, thank you for blessing this book. Thank you for allowing me to sell more copies than The Shack. Thank you for allowing me to become the first Christian author to ever host Saturday Night Live. Thank you for all of that.

Burke lived in a shack in the desert outside Las Vegas, about four hundred square feet all told. He kept a trunk under his bed and this is the key to that trunk. Two dear friends who are with the SFPD were with me when we unlocked the trunk, but I was not prepared for what we found. “Burke had been documenting his kills from his first, over thirty years before. He’d filled several scrapbooks with souvenirs and photos. He had drawn maps to where he’d hidden his victims’ remains. And along with the scrapbooks, he had a dozen journals detailing his kills. Often he described the women he was about to kill, what they said, how they died, and bits of poetry along with his victims’ last words.” Cindy paused, put her hand on the book and looked out at the silent audience. Many in the group looked frightened, as if Evan Burke might just stand up and replace her at the microphone. She said, “Evan Burke will die in prison. His career as a killer is over. But, along with his trophies and voluminous notes, Evan Burke gave me, gave all of us, a priceless gift. “Ninety-five percent of Burke’s victims didn’t know him, received no warning, and didn’t survive their first encounter. His gift is one our parents gave us as children and is reiterated, no, proven in this book. “It’s simply this: Beware of strangers. “Take that to heart. It comes from one of the most successful serial killers in America.

The wonderful thing about Moab is that everything happens in a story-book setting, with illustrations by Maxfield Parrish and Wyeth and Joe Coll, and all the rest of them, whichever way you look. Imagine a blue sky—so clear-blue and pure that you can see against it the very feathers in the tails of wheeling kites, and know that they are brown, not black. Imagine all the houses, and the shacks between them, and the poles on which the burlap awnings hang, painted on flat canvas and stood up against that infinite blue. Stick some vultures in a row along a roof-top—purplish—bronze they’ll look between the tiles and sky. Add yellow camels, gray horses, striped robes, long rifles, and a searching sun-dried smell. And there you have El-Kerak, from the inside. From any point along the broken walls or the castle roof you can see for fifty miles over scenery invented by the Master-Artist, with the Jordan like a blue worm in the midst of yellow-and-green hills twiggling into a turquoise sea. The villains stalk on-stage and off again sublimely aware of their setting. The horses prance, the camels saunter, the very street-dogs compose themselves for a nap in the golden sun, all in perfect harmony with the piece. A woman walking with a stone jar on her head (or, just as likely, a kerosene can) looks as if she had just stepped out of eternity for the sake of the picture. And not all the kings and kaisers, cardinals and courtezans rolled into one great swaggering splurge of majesty could hold a candle to a ragged Bedouin chief on a flea-bitten pony, on the way to a small-town mejlis.

on the island where the drunken and brokenhearted typically washed ashore after a night of debauchery. A red-faced Swede at Le Select claimed to have bought Spider a Heineken that very morning. Someone else said he saw him stalking the beach at Colombier, and there was a report, never confirmed, of an inconsolable creature baying at the moon in the wilds of Toiny. The gendarmes faithfully followed each lead. Then they scoured the island from north to south, stem to stern, all to no avail. A few minutes after sundown, Reginald Ogilvy informed the crew of the Aurora that Spider Barnes had vanished and that a suitable replacement would have to be found in short order. The crew fanned out across the island, from the waterside eateries of Gustavia to the beach shacks of the Grand Cul-de-Sac. And by nine that evening, in the unlikeliest of places, they had found their man. He had arrived on the island at the height of hurricane season and settled into the clapboard cottage at the far end of the beach at Lorient. He had no possessions other than a canvas duffel bag, a stack of well-read books, a shortwave radio, and a rattletrap motor scooter that he’d acquired in Gustavia for a few grimy banknotes and a smile. The books were thick, weighty, and learned; the radio was of a quality

I did not care for the book the Shack at all! It all seemed a little far fetched.

I was so enthused with literature -- not stuck on literature, but in love with letters -- that I was easily inclined to bring all the conversations round to works I had read or fictitious characters from my readings about whom I loved to talk

He has, like, ten different charger cords in there,” Chris said, pointing at Dylan’s suitcase. “It’s like traveling with a Radio Shack.” “At least cords are light. You’re the one with all the books.” “Gotta have somethin’ to read, and I ain’t gonna learn French or Spanish.” “They have books in English over there. Or you could get a Kindle.” Chris snorted. “That’d be another cord.

splinters,

The sea witch’s name was Raven. She sat by the hearth, winding twine into poppets while I hid in the corner, tiny and trembling; I didn’t know where I was. She said she was named after the birds of her homeland, and opened a mouldering book to show me a photograph. She was patient. Gentle. Finally betrayed by curiosity, I peeked out from my hiding place. ‘Took this from a fine young man,’ she said. Her ancient eyes twinkled just like the bird’s in the picture, wide and wild and cunning. ‘A seafarer. A beautiful one.’ She gave me pringlea in cold broth and said that the sailor had had a broad nose, and strong hands, and mumbled in his sleep. She loved him. But he loved the ocean more than her, and so she took his compass, blankets and books. She had taken the chairs, pots and tables of the shack from the duchess, with lovely lips and hair so soft it felt like down. The fine woman had been lost at sea. The windchimes—they had been made by the selkies. Raven brought me blankets. They smelled like her: of sweat, earth, and decay. She told me stories of her heartaches. I played with the pretty birds in their cages. My fear dwindled with the weeks as I began to feel sad for her.

shacked up with the pilot man, right? And this one: They were all transfigured by higher beings: *STENDEC* Val Garner, presenter of Impossible,

Which we do not have time for right now. Mrs. Stratton, we must go. The others are waiting.” Virginia shot her husband a glare, but smiled when she turned back to Carrie. “It’s a sincere pleasure to meet you. I hope we’ll find time to talk soon.” She stared at Carrie’s clothing and face as though drinking her in. She curtsied before leaving the room. Carrie stepped outside onto the rickety back porch. Many of the boards were broken or black with rot. The back steps were missing. She hopped down into the dead foot-high grass and walked over to an old-fashioned well. She gave the handle a couple of pumps before it came off in her hand. “Great. Gonna have to fix that too.” To her right was the barn where she’d parked her car. A path led off to the left, and she could see the remains of a small brick shed, identical in color to the main house. She forced the door open. A bird flew out, startling her. She took several steps back when she saw wasps’ nests in the rafters. Next to the shack, buried beneath the weeds, was the tell-tale hump of a root cellar. “I don’t even want to think about going down there,” she said to herself. “Used to be a right good cellar.” Carrie turned to see the older black woman who had minutes before been in the parlor. “My mama kept everything down there. Potatoes, beets, onions, and apples. Oh, Lord, but my mama could cook.” “And did you learn her trade?

Mikhail? Her voice startled him, low and warm and filled with feminine amusement. Try making suggestions next time, or just plain asking. You go do whatever it is you’re doing, and I’ll search your extensive library for a book on manners. He nearly forgot he was crouched at the base of a tree only a few hundred feet from the shack belonging to Hans and Heidi Romanov. Mikhail managed to suppress his urge to laugh. You will not find one. Why am I not surprised? This time Raven broke contact.

Try making suggestions next time, or just plain asking. You go do whatever it is you’re doing, and I’ll search your extensive library for a book on manners. He nearly forgot he was crouched at the base of a tree only a few hundred feet from the shack belonging to Hans and Heidi Romanov. Mikhail managed to suppress his urge to laugh. You will not find one. Why am I not surprised? This time Raven broke contact. For a brief moment he allowed himself the luxury of wrapping himself in her warmth, her laughter, her love. Why God had chosen this time, when Mikhail was in his darkest hour, to send him such a gift, he had no idea.

His mind reached out for Raven’s, craving the contact. What are you doing all alone in that spooky old house? Her soft laugher filled his utter coldness with warmth. Waiting for my big bad wolf to come home. Do you have your clothes on? This time her response sent fingers playing over his skin, touching him intimately, heating his body. Warmth, laughter. He hated being away from her, hated the distance separating them. Of course I have my clothes on! What if more unexpected visitors arrive? I can’t very well greet them naked, can I? She was teasing, but the thought of anyone approaching his home with her alone and unprotected made a sliver of fear slice through him. It was an unfamiliar emotion, and he almost couldn’t identify it. Mikhail? Are you all right? Do you need me? I’ll come to you. Stay there. Listen for the wolves. If they sing to you, call me right away. Do not wait. There was that brief hesitation that meant she was annoyed with his tone. I don’t want you to worry about me, Mikhail. You have enough people who make demands on you. Perhaps that is so, little one, but you are the only one I truly give a damn about. And drink another glass of juice. You will find some in the refrigerator. He broke contact, smiling at their brief exchange. She would have argued over the order for nourishment if he had waited long enough. He rather liked to irritate her sometimes. He liked the way her blue eyes deepened into sapphire, and how she got that little edge in her carefully controlled voice. Mikhail? Her voice startled him, low and warm and filled with feminine amusement. Try making suggestions next time, or just plain asking. You go do whatever it is you’re doing, and I’ll search your extensive library for a book on manners. He nearly forgot he was crouched at the base of a tree only a few hundred feet from the shack belonging to Hans and Heidi Romanov. Mikhail managed to suppress his urge to laugh. You will not find one. Why am I not surprised? This time Raven broke contact.

change of clothes into linen slacks and sports coat, and some time using my multi-tool to modify a coat hanger into a concealed carry holster, I was striding back out through the hotel lobby with a well-handled .380 stuffed down the side of my pants. The taco shack guy had helped me out with a few other things to complete my ensemble, though he hadn’t at the time realized why I was buying everything. As I went

Come on,” said Dee. “We’re going to do what some homeless guy says?” “Not homeless,” said Burl. “Groundskeeper. Live in a shack. Heated.” “You’re the yardman?” said Sukey. “The one who drove Alycia to live with the statutory rapist?” asked Jen. Burl’s jaw dropped. He shook his head. “She said she needed asthma medicine!” “There are plagues in my book,” said Jack. “Eve. Tell your baby brother,” said Sukey, and crushed a beer can underfoot. “The only people who take the Bible literally are Alabama inbreds. And wife-beaters in Tennessee.” “Your family’s not even Christian, Jack,” said Jen. “Eve told me. And your storybook’s not a user’s manual.