Seventeen Quotes

We've searched our database for all the quotes and captions related to Seventeen. Here they are! All 100 of them:

Seventeen, eh!" said Hagrid as he accepted a bucket-sized glass of wine from Fred. "Six years to the day we met, Harry, d’yeh remember it?" "Vaguely," said Harry, grinning up at him. "Didn’t you smash down the front door, give Dudley a pig’s tail, and tell me I was a wizard?" "I forge’ the details," Hagrid chortled.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I'm seventeen and I'm crazy. My uncle says the two always go together. When people ask your age, he said, always say seventeen and insane.
Ray Bradbury (Fahrenheit 451)
Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should've gotten more.' 'Seventeen,' Gus corrected. 'I'm assuming you've got some time, you interupting bastard. 'I'm telling you,' Isaac continued, 'Augustus Waters talked so much that he'd interupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. 'But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him.' I was kind of crying by then.
John Green (The Fault in Our Stars)
You’re seventeen,” Magnus said. “You can’t have wasted a life you’ve barely lived.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Only the Dead stay seventeen forever.
Haruki Murakami (Norwegian Wood)
By the way, my name's Rose Hathaway. I'm seventeen years old, training to protect and kill vampires, in love with a completely unsuitable guy, and have a best friend whose weird magic could drive her crazy. Hey, no one said high school was easy.
Richelle Mead (Frostbite (Vampire Academy, #2))
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. I was in the Hunger Games. I escaped. The Capitol hates me........
Suzanne Collins (Mockingjay (The Hunger Games, #3))
His lips soften into a smile that cracks apart my spine. He repeats my name like the word amuses him. Entertains him. Delights him. In seventeen years no one has said my name like that
Tahereh Mafi (Shatter Me (Shatter Me, #1))
I cannot go to school today" Said little Peggy Ann McKay. "I have the measles and the mumps, A gash, a rash and purple bumps. My mouth is wet, my throat is dry. I'm going blind in my right eye. My tonsils are as big as rocks, I've counted sixteen chicken pox. And there's one more - that's seventeen, And don't you think my face looks green? My leg is cut, my eyes are blue, It might be the instamatic flu. I cough and sneeze and gasp and choke, I'm sure that my left leg is broke. My hip hurts when I move my chin, My belly button's caving in. My back is wrenched, my ankle's sprained, My 'pendix pains each time it rains. My toes are cold, my toes are numb, I have a sliver in my thumb. My neck is stiff, my voice is weak, I hardly whisper when I speak. My tongue is filling up my mouth, I think my hair is falling out. My elbow's bent, my spine ain't straight, My temperature is one-o-eight. My brain is shrunk, I cannot hear, There's a hole inside my ear. I have a hangnail, and my heart is ... What? What's that? What's that you say? You say today is .............. Saturday? G'bye, I'm going out to play!
Shel Silverstein
She’s fifteen, above the age of consent, and he’s seventeen, but he’s still “the boy” in every conversation. She’s “the young woman”. Words are not small things.
Fredrik Backman (Beartown (Beartown, #1))
I wished my mother was here tonight, which is stupid, because it’s an impossible wish.” He shrugs and turns to me, drowning the smile that cracks me every time. “It’s not stupid to want to see her again.” “It wasn’t so much that I wanted to see her again,” he says, looking at me with the depth of more than seventeen years in his eyes. “I wanted her to see you.
Katja Millay (The Sea of Tranquility)
There were five others before they got to him. He smiled a little when his turn came. His voice was low, smoky, and dead sexy. “My name is Augustus Waters,” he said. “I’m seventeen. I had a little touch of osteosarcoma a year and a half ago, but I’m just here today at Isaac’s request.” “And how are you feeling?” asked Patrick. “Oh, I’m grand.” Augustus Waters smiled with a corner of his mouth. “I’m on a roller coaster that only goes up, my friend.
John Green (The Fault in Our Stars)
He smiles at me, and I am suddenly seventeen again - the year I realize that love doesn't follow the rules, the year I understood that nothing is worth having so much as something unattainable
Jodi Picoult (My Sister’s Keeper)
When I was seventeen, I don't think I even knew what love was. But when it's right, it's right, and you just know it.
Nicholas Sparks (The Last Song)
If I stayed here, something inside me would be lost forever—something I couldn't afford to lose. It was like a vague dream, a burning, unfulfilled desire. The kind of dream people have only when they're seventeen.
Haruki Murakami (South of the Border, West of the Sun)
If you've got a dollar and you spend 29 cents on a loaf of bread, you've got 71 cents left; But if you've got seventeen grand and you spend 29 cents on a loaf of bread, you've still got seventeen grand. There's a math lesson for you.
Steve Martin
You sneaked into my cabin?” Annabeth rolled her eyes. “Percy, you’ll be seventeen in two months. You can’t seriously be worried about getting in trouble with Coach Hedge.” “Uh, have you seen his baseball bat?” “Besides, Seaweed Brain, I just thought we could take a walk. We haven’t had any time to be together alone. I want to show you something—my favorite place aboard the ship.” Percy’s pulse was still in overdrive, but it wasn’t from fear of getting in trouble. “Can I, you know, brush my teeth first?” “You'd better,” Annabeth said. “Because I’m not kissing you until you do. And brush your hair while you’re at it.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Escape plan number seventeen," I told her. "Run away and open a juice stand in Fresno." "Why Fresno?" "Sounds like the kind of place people drink a lot of juice.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
At seventeen the young woman had worked out how to improve her future prospects; she would seduce the Prince.
Robert Reid (The Emperor (The Emperor, the Son and the Thief, #1))
You are a little heartless today, aren't you?" "Never," I say. "There are seventeen under my bed.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
Is Jase already gonna marry you?” I start coughing again. “Uh, No. No, George. I’m only seventeen.” As if that’s the only reason we’re not engaged. “I’m this many.” George holds up four, slightly grubby fingers. “But Jase is seventeen and a half. You could. Then you could live in here with him. And have a big family.” Jase strides back into the room, of course, midway through this proposition. “George. Beat it. Discovery Channel is on.” George backs out of the room but not before saying, “His bed’s really comfortable. And he never pees in it.
Huntley Fitzpatrick (My Life Next Door)
How old are you?” “Seventeen,” he answered promptly. “And how long have you been seventeen?” His lips twitched as he stared at the road. “A while,” he admitted at last.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
One word, two lips, three four five fingers form a fist. One corner, two parents, three four five reasons to hide. One child, two eyes, three four seventeen years of fear. A broken broomstick, a pair of wile faces, angry whispers, locks on my door.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
It’s not proper for seventeen-year-old princesses to be alone with young men who have questionable intentions.” She laughed. “And what about young men who she’s been best friends with since she was barely old enough to walk?” He shook his head. “Those are the worst.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
The beginning of wisdom, as they say. When you're seventeen you know everything. When you're twenty-seven if you still know everything you're still seventeen.
Ray Bradbury (Dandelion Wine)
Asleep, he looked a lot younger than going-on-seventeen, but I had noticed that Johnny looked younger when he was asleep too, so I figured everyone did. Maybe people are younger when they are asleep.
S.E. Hinton
It must be wonderful to be seventeen, and to know everything.
Arthur C. Clarke (2010: Odyssey Two)
And now I am here, as alone as I've ever been. I am seventeen years old. This is not how it's suppose to be. This is not how my life is suppose to turn out.
Gayle Forman (If I Stay (If I Stay, #1))
I love you,' Buttercup said. 'I know this must come as something of a surprise to you, since all I've ever done is scorn you and degrade you and taunt you, but I have loved you for several hours now, and every second, more. I thought an hour ago that I loved you more than any woman has ever loved a man, but a half hour after that I knew that what I felt before was nothing compared to what I felt then. But ten minutes after that, I understood that my previous love was a puddle compared to the high seas before a storm. Your eyes are like that, did you know? Well they are. How many minutes ago was I? Twenty? Had I brought my feelings up to then? It doesn't matter.' Buttercup still could not look at him. The sun was rising behind her now; she could feel the heat on her back, and it gave her courage. 'I love you so much more now than twenty minutes ago that there cannot be comparison. I love you so much more now then when you opened your hovel door, there cannot be comparison. There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do. I know I cannot compete with the Countess in skills or wisdom or appeal, and I saw the way she looked at you. And I saw the way you looked at her. But remember, please, that she is old and has other interests, while I am seventeen and for me there is only you. Dearest Westley--I've never called you that before, have I?--Westley, Westley, Westley, Westley, Westley,--darling Westley, adored Westley, sweet perfect Westley, whisper that I have a chance to win your love.' And with that, she dared the bravest thing she'd ever done; she looked right into his eyes.
William Goldman (The Princess Bride)
But seventeen is an inconvenient time to fall in love.
Gayle Forman (If I Stay (If I Stay, #1))
We're only seventeen." I said quietly. "Fuck seventeen." His eyes and voice were defiant. "If I were to live a thousand years, I would belong to you for all of them. If we were to live a thousand lives, I would want to make you mine in each one.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
Even the constellations can see us now: we are seventeen and shattered and still dancing. We have messy, throbbing hearts, and we are stronger than anyone could ever know.
Emery Lord (When We Collided)
I don't like my shoes,' said Rose. 'I'm wearing my shoes and you don't see me complain.' 'You only hear a person complain,' said Rose. 'Not see.' How has Rose lived for seventeen years and no one has killed her, not once?
Franny Billingsley (Chime)
Seventeen's not so young. A hundred years ago people got married when they were practically our age." "Yeah, that was before electricity and the Internet. A hundred years ago eighteen-year-old guys were out there fighting wars with bayonets and holding a man's life in their hands! They lived a lot of life by the time they were our age. What do kids our age know about love and life?
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
You can't tell a seventeen-year-old anything. They think they're immortal. They don't listen. Seventeen-year-olds have to see it for themselves.
Jennifer Echols (Going Too Far)
I don’t know if I will have the time to write any more letters, because I might be too busy trying to participate. So, if this does end up being the last letter, I just want you to know that I was in a bad place before I started high school, and you helped me. Even if you didn’t know what I was talking about, or know someone who’s gone through it, you made me not feel alone. Because I know there are people who say all these things don’t happen. And there are people who forget what it’s like to be sixteen when they turn seventeen. I know these will all be stories some day, and our pictures will become old photographs. We all become somebody’s mom or dad. But right now, these moments are not stories. This is happening. I am here, and I am looking at her. And she is so beautiful. I can see it. This one moment when you know you’re not a sad story. You are alive. And you stand up and see the lights on the buildings and everything that makes you wonder. And you’re listening to that song, and that drive with the people who you love most in this world. And in this moment, I swear, we are infinite.
Stephen Chbosky (The Perks of Being a Wallflower)
My name is Katniss Everdeen. I am seventeen years old. My home is District 12. There is no District 12. I am the Mockingjay. I brought down the Capitol. President Snow hates me. He killed my sister. Now I will kill him. And then the Hunger Games will be over....
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Alcohol ruined me financially and morally, broke my heart and the hearts of too many others. Even though it did this to me and it almost killed me and I haven't touched a drop of it in seventeen years, sometimes I wonder if I could get away with drinking some now. I totally subscribe to the notion that alcoholism is a mental illness because thinking like that is clearly insane.
Craig Ferguson (American on Purpose: The Improbable Adventures of an Unlikely Patriot)
Sometimes things would be so much simpler if you could just pull out your gun and shoot the bad guy. Reason number seventeen why Indiana Jones is my hero.
Jennifer Rardin (Once Bitten, Twice Shy (Jaz Parks, #1))
It's not very easy to grow up into a woman. We are always taught, almost bombarded, with ideals of what we should be at every age in our lives: "This is what you should wear at age twenty", "That is what you must act like at age twenty-five", "This is what you should be doing when you are seventeen." But amidst all the many voices that bark all these orders and set all of these ideals for girls today, there lacks the voice of assurance. There is no comfort and assurance. I want to be able to say, that there are four things admirable for a woman to be, at any age! Whether you are four or forty-four or nineteen! It's always wonderful to be elegant, it's always fashionable to have grace, it's always glamorous to be brave, and it's always important to own a delectable perfume! Yes, wearing a beautiful fragrance is in style at any age!
C. JoyBell C.
It took me seventeen years to get three thousand hits in baseball. It took one afternoon on the golf course.
Hank Aaron
This is what I know. I look like my father. My father disappeared when he was seventeen years old. Hannah once told me that there is something unnatural about being older than your father ever got to be. When you can say that at the age of seventeen, it's a different kind of devastating.
Melina Marchetta (On the Jellicoe Road)
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
This is probably a bad idea,” Jace said. “Like, a record-breakingly bad idea. Like a go-down-in-history bad idea. But—” Clary bounced to her feet. “What he means is, we’re in,” she said. “We love bad ideas.” “That’s true,” Jace admitted, a smile breaking over his face. Suddenly he looked seventeen again.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
Was I ignorant, then, when I was seventeen? I think not. I knew everything. A quarter-century's experience of life since then has added nothing to what I knew. The one difference is that at seventeen I had no 'realism'.
Yukio Mishima (Sun & Steel)
I don't have the strength to keep writing this. To go on living with this feeling is painful beyond description. Isn't there someone kind enough to strangle me in my sleep?
Ryūnosuke Akutagawa (Rashōmon and Seventeen Other Stories)
At seventeen dreams DO satisfy because you think the realities are waiting for you farther on.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
They stared each other down, and while the dorky eleven-year-old in my soul kind of hoped that two hot boys might fight over me, the rational, seventeen-year-old knew that Archer need to get out of here, fast.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Many things happened in my life, and I thought that they changed me. But in the end, nothing has changed since I was seventeen. If I could keep today’s happiness I wouldn’t worry about tomorrow. 
Ai Yazawa (Nana, Vol. 1)
Marconi is a good fellow. Let him continue. He is using seventeen of my patents.
Nikola Tesla
But she was seventeen now and not actually dumb. She knew that you could love somebody more than anything and still not love the person all that much, if you were busy with other things.
Jonathan Franzen (Freedom)
It was him—Aiden St. Delphi. I’d never forget his name or face. The first time I’d caught a glimpse of him standing in front of the training arena, a ridiculous crush had sprung alive. I’d been fourteen and he seventeen. The fact he was a pure-blood hadn’t mattered whenever I’d spotted him around campus.
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
It is unfortunate for the gods that, unlike us, they cannot commit suicide.
Ryūnosuke Akutagawa (Rashōmon and Seventeen Other Stories)
And, like a fool, she kissed him back. Kissed him a way that would leave no doubt about the way she felt about him. Kissed him because she knew the chances were slim she'd have very many kisses like that in her lifetime. Which is a sad thing when you're only seventeen.
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
Gideon marvelled that someone could live in the universe only seventeen years and yet wear black and sneer with such ancient self-assurance.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be a heroine... But from fifteen to seventeen she was in training for a heroine...
Jane Austen (Northanger Abbey)
He would look so young. They were both so young. Tessa knew it was unusual to marry at seventeen and eighteen, but they were racing a clock. The clock of Jem's life, before it wound down.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
You wanna tell me, sweetness, how dessert for seventeen people translates into seven pies and two cakes?” Brock asked.
Kristen Ashley (Wild Man (Dream Man, #2))
Why is it that everyone else can look like they’re part of a zombie hunting party, but I still have to worry about fashion?” He won’t stop snickering. “You look like a leopard-spotted Shar-Pei.” I think those are the little pug-like dogs drowning in massive folds of skin. “You’re scarring me, you know. It could haunt me for the rest of my life to be called a wrinkly little dog at the tender age of seventeen.” “Yup. A sensitive girl. That just defines you, Penryn.
Susan Ee (World After (Penryn & the End of Days, #2))
Now, darlin', I just had myself a little thought." "Did you?" I murmured, distracted by the way he reached up to run his thumb over my bottom lip. "I did indeed. It being that you are seventeen and I'm eighteen, and we have every damn right to make out like teenagers. Like normal, happy, crazy kids.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
She is like all the rest of them. Whether they are seventeen or fortyseven, when they finally come to surrender completely, it's going to be in words.
William Faulkner (Light in August)
It's the oldest story in the world. One day you're seventeen and planning for someday, and then quietly, without you ever really noticing, someday is today, and that someday is yesterday and this is your life.
Brooke Davies
Man, first I’m shot, now I’m going to be a friggin’ zombie. At this rate, I’ll never live to have my first date or a driver’s license. Ah, gah! I’ve come too far to die a predestrian virgin. Bubba, you can’t let me die…I only have seventeen more months and three days to my sixteenth birthday! (Nick)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
She would not have understood, then, that time is not linear but circular. There is no past, present, future. Roya was the woman she was today and the seventeen-year-old girl in the Stationery Shop, always. She and Bahman were one, and she and Walter were united. Kyle was her soul and Marigold would never die.
Marjan Kamali (The Stationery Shop)
I go to books and to nature as the bee goes to a flower, for a nectar that I can make into my own honey.
John Burroughs (The Summit of the Years (The Writings of John Burroughs Part Seventeen))
Yes -- or rather, it's not so much that I want to die as that I'm tired of living.
Ryūnosuke Akutagawa (Rashōmon and Seventeen Other Stories)
How old are you?” she asked. My answer was automatic and ingrained. “Seventeen.” “And how long have you been seventeen?” I tried not to smile at the patronizing tone. “A while,” I admitted. “Okay,” she said, abruptly enthusiastic. She smiled up at me.
Stephenie Meyer
A week feels like a year when you’re seventeen and in love. A twenty minute drive might as well be an ocean. But we were together again and the whole world was rejoicing, even the gravel crunched melodiously under our feet as we danced onward through the night.
Chloe Rattray (Sacré Noir)
You know what your problem is, Justina? You're in desperate need of a good shag. "Not that I'm offering you one myself, mind. My days as a whore ended back in the seventeen hundreds." The gin was abruptly sucked back into my lungs as I gasped. He did not just tell my mother about his former profession; sweet Jesus, let me have heard incorrectly! I hadn't, and Bones went right on. "... But I have a friend who owes me a favor and he could be persuaded to... Kitten, are you all right?" I'd stopped breathing as soon as he casually admitted to his prior occupation. Add that to the liquid stuck in my lungs, and no, I wasn't all right.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
I don't know then that one day I won't be seventeen. I don't know that youth doesn't last, that it's only a moment, and then it disappears and by the time you finally realize it, it's too late. It's finished, vanished, lost. There are some around me who can sense it; the adults repeat it constantly but I don't listen. Their words roll over me but don't stick. Like water off the feathers of a duck's back. I'm an idiot. An easygoing idiot.
Philippe Besson (Lie With Me)
I will be thin and pure like a glass cup. Empty. Pure as light. Music. I move my hands over my body - my shoulders, my collarbone, my rib cage, my hip bones like part of an animal skull, my small thighs. In the mirror my face is pale and my eyes look bruised. My hair is pale and thin and the light comes through. I could be a lot younger than seventeen. I could be a child still, untouched.
Francesca Lia Block
The right thing to do is so easy to see when you're seventeen years old and don't have to make any big decisions. When you know that no matter what you do, someone will take care of you and fix everything. But when you're grown up, the world is not that black and white, and the right thing doesn't a tidy little arrow pointing to it.
Huntley Fitzpatrick (My Life Next Door)
How old are you, anyway?' she asked, squinting at him. There was a pause. At last he said, 'Why do you want to know?' I just wondered,' said Winnie. All right. I'm one hundred and four years old,' he told her solemnly. No, I mean really,' she persisted. Well then.' he said, 'if you must know, I'm seventeen.' Seventeen?' That's right.' Oh,' said Winnie hopelessly. 'Seventeen. That's old.' You have no idea,' he agreed with a nod.
Natalie Babbitt (Tuck Everlasting)
I felt the taste of mortality in my mouth, and at that moment I understood that I was not going to live forever. It takes a long time to learn that, but when you finally do, everything changes inside you, you can never be the same again. I was seventeen years old, and all of a sudden, without the slightest flicker of a doubt, I understood that my life was my own, that it belonged to me and no one else. I’m talking about freedom, Fogg. A sense of despair that becomes so great, so crushing, so catastrophic, that you have no choice but to be liberated by it. That’s the only choice, or else you crawl into a corner and die.
Paul Auster (Moon Palace)
Me: Oh! One time in high school, I spent the night at a girl's house who I didn't know very well. We made out. I wasn't into it, and it was really gross, but I was seventeen and curious. Ridge: No. That does NOT count as a flaw, Sydney. Jesus Christ, work with me here.
Colleen Hoover (Maybe Someday (Maybe, #1))
She’s only seventeen years old,” Llarimar said. “I can’t imagine being married to the God King at her age.” “I can’t imagine you being married to the God King at any age, Scoot,” Lightsong said. Then he pointedly cringed. “Actually, yes I can imagine it, and the dress looks painfully inelegant on you. Make a note to have my imagination flogged for its insolence in showing me that par tic u lar sight.” “I’ll put it in line right behind your sense of decorum, Your Grace,” Llarimar said dryly. “Don’t be silly,” Lightsong said, taking a sip of wine. “I haven’t had one of those in years.
Brandon Sanderson (Warbreaker)
If you imagine the 4,500-bilion-odd years of Earth's history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow. Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flash-bulb pop of light marking the impact of a Manson-sized meteor or one even larger. It's a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long.
Bill Bryson (A Short History of Nearly Everything)
No one in my family or my circle of friends had ever had to confront something like this. Jamie was seventeen, a child on the verge of womanhood, dying and still very much alive at the same time. I was afraid, more afraid than I'd ever been, not only for her, but for me as well. I lived in fear of doing something wrong, of doing something that would offend her. Was it okay to ever get angry in her presence? Was it okay to talk about the future anymore?
Nicholas Sparks (A Walk to Remember)
This is like coming home, like coming home after years away among Trojans and Lestrygonians, like coming home to a place where everyone is like you, where people know, they just know—coming home as when everything falls into place and you suddenly realize that for seventeen years all you’d been doing was fiddling with the wrong combination.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
The tears that kept Buttercup company the remainder of the day were not at all like those that had blinded her into the tree trunk. Those were noisy and hot; they pulsed. These were silent and steady and all they did was remind her that she wasn’t good enough. She was seventeen, and every male she’d ever known had crumbled at her feet and it meant nothing. The one time it really mattered, she wasn’t good enough.
William Goldman (The Princess Bride)
All depression has its roots in self-pity, and all self-pity is rooted in people taking themselves too seriously.” At the time Switters had disputed her assertion. Even at seventeen, he was aware that depression could have chemical causes. “The key word here is roots,” Maestra had countered. “The roots of depression. For most people, self-awareness and self-pity blossom simultaneously in early adolescence. It's about that time that we start viewing the world as something other than a whoop-de-doo playground, we start to experience personally how threatening it can be, how cruel and unjust. At the very moment when we become, for the first time, both introspective and socially conscientious, we receive the bad news that the world, by and large, doesn't give a rat's ass. Even an old tomato like me can recall how painful, scary, and disillusioning that realization was. So, there's a tendency, then, to slip into rage and self-pity, which if indulged, can fester into bouts of depression.” “Yeah but Maestra—” “Don't interrupt. Now, unless someone stronger and wiser—a friend, a parent, a novelist, filmmaker, teacher, or musician—can josh us out of it, can elevate us and show us how petty and pompous and monumentally useless it is to take ourselves so seriously, then depression can become a habit, which, in tern, can produce a neurological imprint. Are you with me? Gradually, our brain chemistry becomes conditioned to react to negative stimuli in a particular, predictable way. One thing'll go wrong and it'll automatically switch on its blender and mix us that black cocktail, the ol’ doomsday daiquiri, and before we know it, we’re soused to the gills from the inside out. Once depression has become electrochemically integrated, it can be extremely difficult to philosophically or psychologically override it; by then it's playing by physical rules, a whole different ball game. That's why, Switters my dearest, every time you've shown signs of feeling sorry for yourself, I've played my blues records really loud or read to you from The Horse’s Mouth. And that’s why when you’ve exhibited the slightest tendency toward self-importance, I’ve reminded you that you and me— you and I: excuse me—may be every bit as important as the President or the pope or the biggest prime-time icon in Hollywood, but none of us is much more than a pimple on the ass-end of creation, so let’s not get carried away with ourselves. Preventive medicine, boy. It’s preventive medicine.” “But what about self-esteem?” “Heh! Self-esteem is for sissies. Accept that you’re a pimple and try to keep a lively sense of humor about it. That way lies grace—and maybe even glory.
Tom Robbins (Fierce Invalids Home from Hot Climates)
Sir Richard sighed. "Rid yourself of the notion that I cherish any villainous designs upon your person," he said. "I imagine I might well be your father. How old are you?" "I am turned seventeen." "Well, I am nearly thirty," said Sir Richard. Miss Creed worked this out. "You couldn't possibly be my father!" "I am far too drunk to solve arithmetical problems. Let it suffice that I have not the slightest intention of making love to you.
Georgette Heyer (The Corinthian)
A number of years ago, when I was a freshly-appointed instructor, I met, for the first time, a certain eminent historian of science. At the time I could only regard him with tolerant condescension. I was sorry of the man who, it seemed to me, was forced to hover about the edges of science. He was compelled to shiver endlessly in the outskirts, getting only feeble warmth from the distant sun of science- in-progress; while I, just beginning my research, was bathed in the heady liquid heat up at the very center of the glow. In a lifetime of being wrong at many a point, I was never more wrong. It was I, not he, who was wandering in the periphery. It was he, not I, who lived in the blaze. I had fallen victim to the fallacy of the 'growing edge;' the belief that only the very frontier of scientific advance counted; that everything that had been left behind by that advance was faded and dead. But is that true? Because a tree in spring buds and comes greenly into leaf, are those leaves therefore the tree? If the newborn twigs and their leaves were all that existed, they would form a vague halo of green suspended in mid-air, but surely that is not the tree. The leaves, by themselves, are no more than trivial fluttering decoration. It is the trunk and limbs that give the tree its grandeur and the leaves themselves their meaning. There is not a discovery in science, however revolutionary, however sparkling with insight, that does not arise out of what went before. 'If I have seen further than other men,' said Isaac Newton, 'it is because I have stood on the shoulders of giants.
Isaac Asimov (Adding a Dimension: Seventeen Essays on the History of Science)
When I was seventeen you said you wanted to perform an autopsy on me, to crack open my ribcage and squeeze my heart until it burst between your fingers.” What is that—if not flirting? She lifts her head off a pillow to near me, propping her elbows on the mattress. “That was me hating you, Richard. I dreamed of your death.” “You dreamed of clutching my heart,” I rebut. “Of killing you,” she emphasizes. I lean closer to her, our eyes locking. “Vous m’aimiez.” You loved me.
Becca Ritchie (Fuel the Fire (Calloway Sisters, #3))
Laurent stopped. Damen could see the moment when Laurent decided to continue. It was deliberate, his eyes meeting Damen's, his tone subtly changed. 'Damianos of Akielos was commanding troops at seventeen. At nineteen, he rode onto the field, cut a path through our finest men, and took my brother's life. They say--they said--he was the best fighter in Akielos. I thought, if I was going to kill someone like that, I would have to be very, very good.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldn’t sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs. Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensuality’s skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sun’s rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot. Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is? It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, ‘But we’ve been making love for days.
J. Ruth Gendler (The Book of Qualities)
London The Institute Year of Our Lord 1878 “Mother, Father, my chwaer fach, It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other? I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important. I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that. I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters. I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship. And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes. And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own. Your Son, Will
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
I am in love with this world... I have tilled its soil, I have gathered its harvest, I have waited upon its seasons, and always have I reaped what I have sown. I have climbed its mountains, roamed its forests, sailed its waters, crossed its deserts, felt the sting of its frosts, the oppression of its heats, the drench of its rains, the fury of its winds, and always have beauty and joy waited upon my goings and comings.
John Burroughs (The Summit of the Years (The Writings of John Burroughs Part Seventeen))
It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished. It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.
Joan Didion (Slouching Towards Bethlehem)
Samuel Vimes dreamed about Clues. He had a jaundiced view of Clues. He instinctively distrusted them. They got in the way. And he distrusted the kind of person who’d take one look at another man and say in a lordly voice to his companion, “Ah, my dear sir, I can tell you nothing except that he is a left-handed stonemason who has spent some years in the merchant navy and has recently fallen on hard times,” and then unroll a lot of supercilious commentary about calluses and stance and the state of a man’s boots, when exactly the same comments could apply to a man who was wearing his old clothes because he’d been doing a spot of home bricklaying for a new barbecue pit, and had been tattooed once when he was drunk and seventeen* and in fact got seasick on a wet pavement. What arrogance! What an insult to the rich and chaotic variety of the human experience!
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
Yeah, you lose this attitude, I can help you work that hurt out.” Who was this man? He held onto his tragedy for seventeen fucking years, how could he stand there and tell me he could help me work through mine? “Really, Joe? Like you helped me work out my grief at losing Tim?” I asked sarcastically. “That’s not what I was offerin’, buddy, but you want it like that I’ll give it to you.” “You’re unbelievable,” I snapped. “I’m yours.” That socked me in the gut too, so hard it winded me and all I could do was stare up at him. Taking advantage, his face dipped close and his hands curled around both sides of my head. “First fuckin’ time you smiled at me in my bed, that’s when it happened,” he murmured.
Kristen Ashley (At Peace (The 'Burg, #2))
Why you?” I asked. “Why are you the one here with me? Why isn’t it him?” Grayson’s smile was sad and full of sympathy. “I don’t know, Aves, but maybe it’s for the best. You guys are almost seventeen. If it hasn’t happened by now, maybe it’s not supposed to.” “I can’t accept that.” “Denial isn’t good for you.” “It isn’t denial.” “Now you’re denying your denial.” “But look at you,” I said. “You always thought I was like a sister too. If you can change your mind, then he can too. He just needs a wake up call.” “Hey now, you can’t just go jumping in the shower with every guy you know. That’s totally our thing.
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
That’s nice of you, but it’s not necessary to loan me a car.” “I loan you cars all the time.” “And I almost always destroy them or lose them. I have terrible luck with cars.” “Working at Rangeman is a high-stress job, and you’re one of our few sources of comic relief. I give you a car and my men start a pool on how long it will take you to trash it. You’re a line item in my budget under entertainment.
Janet Evanovich (Smokin' Seventeen (Stephanie Plum, #17))
With each day, he felt the barriers melting. He let them melt. Because of her genuine laugh, because he caught her one afternoon sleeping with her face in the middle of a book, because he knew that she would win. She was a criminal—a prodigy at killing, a Queen of the Underworld—and yet . . . yet she was just a girl, sent at seventeen to Endovier. It made him sick every time he thought about it. He’d been training with the guards at seventeen, but he’d still lived here, still had a roof over his head and good food and friends. Dorian had been in the middle of courting Rosamund when he was that age, not caring about anything. But she—at seventeen—had gone to a death camp. And survived. He wasn’t sure if he could survive Endovier, let alone during the winter months. He’d never been whipped, never seen anyone die. He’d never been cold and starving. Celaena laughed at something Dorian said. She’d survived Endovier, and yet could still laugh. While it terrified him to see her down there, a hand’s breadth from Dorian’s unprotected throat, what terrified him even more was that he trusted her. And he didn’t know what that meant about himself.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Combat and rape, the public and private forms of organized social violence, are primarily experiences of adolescent and early adult life. The United States Army enlists young men at seventeen; the average age of the Vietnam combat soldier was nineteen. In many other countries boys are conscripted for military service while barely in their teens. Similarly, the period of highest risk for rape is in late adolescence. Half of all victims are aged twenty or younger at the time they are raped; three-quarters are between the ages of thirteen and twenty-six. The period of greatest psychological vulnerability is also in reality the period of greatest traumatic exposure, for both young men and young women. Rape and combat might thus be considered complementary social rites of initiation into the coercive violence at the foundation of adult society. They are the paradigmatic forms of trauma for women and men.
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
And how old are you, Miss Beckett?” “Seventeen.” “What!” There is no way she’s seventeen. I inspect her face, studying it intently, but don’t know what it is I hope to find. Laugh lines maybe? She watches my face. “Is my age a problem for you?” “Hell, yeah, seventeen is a problem.” I throw my napkin on the table. All of this has been a waste. “Forget it all. This whole thing is off.” “I don’t act seventeen. I’m very mature for my age.” “No way. You’re not even old enough to be drinking that wine.” I lean in and whisper so no one will overhear. “I’m almost twice your age.” “I don’t mind. I have daddy issues.” She breaks into a huge grin and I hear a girlish giggle. That’s when I realize she’s fucking with me and has the ability to lie with a straight face. I’ll have to remember that for future reference. I’m not amused. “I see I have a comedienne on my hands.
Georgia Cates (Beauty from Pain (Beauty, #1))
Words are small things. No one means any harm by them, they keep saying that. Everyone is just doing their job. The police say it all the time. 'I'm just doing my job here.' That's why no one asks what the boy did; as soon as the girl starts to talk they interrupt her instead with questions about what she did. Did she go up the stairs ahead of him or behind him? Did she lie down on the bed voluntarily or was she forced? Did she unbutton her own blouse? Did she kiss him? No? Did she kiss him back, then? Had she been drinking alcohol? Had she smoked marijuana? Did she say no? Was she clear about that? Did she scream loudly enough? Did she struggle hard enough? Why didn't she take photographs of her bruises right away? Why did she run from the party instead of saying anything to the other guests? They have to gather all the information, they say, when they ask the same question ten times in different ways in order to see if she changes her answer. This is a serious allegation, they remind her, as if it's the allegation that's the problem. She is told all the things she shouldn't have done: She shouldn't have waited so long before going to the police. She shouldn't have gotten rid of the clothes she was wearing. Shouldn't have showered. Shouldn't have drunk alcohol. Shouldn't have put herself in that situation. Shouldn't have gone into the room, up the stairs, given him the impression. If only she hadn't existed, then none of this would have happened, why didn't she think of that? She's fifteen, above the age of consent, and he's seventeen, but he's still 'the boy' in every conversation. She's 'the young woman.' Words are not small things.
Fredrik Backman (Beartown (Beartown, #1))
Once upon a time, there was a boy. He lived in a village that no longer exists, on the edge of a field that no longer exists, where everything was discovered and everything was possible. A stick could be a sword. A pebble could be a diamond. A tree was a castle. Once upon a time, there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was the Queen and he was the King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark, they parted with leaves in their hair. Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. When they were ten he asked her to marry him. When they were eleven he kissed her for the first time. When they were thirteen they got into a fight and for three weeks they didn't talk. When they were fifteen she showed him the scar on her left breast. Their love was a secret they told no one. He promised her he would never love another girl as long as he lived. "What if I die?" she asked. "Even then," he said. For her sixteenth birthday, he gave her an English dictionary and together they learned the words. "What's this?" he'd ask, tracing his index finger around her ankle and she'd look it up. "And this?" he'd ask, kissing her elbow. "Elbow! What kind of word is that?" and then he'd lick it, making her giggle. "What about this," he asked, touching the soft skin behind her ear. "I don't know," she said, turning off the flashlight and rolling over, with a sigh, onto her back. When they were seventeen they made love for the first time, on a bed of straw in a shed. Later-when things happened that they could never have imagined-she wrote him a letter that said: When will you learn that there isn't a word for everything?
Nicole Krauss (The History of Love)
Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should've gotten more." "Seventeen," Gus corrected. "I'm assuming you've got some time, you interrupting bastard. "I'm telling you," Isaac continued, "Augustus Waters talked so much that he'd interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. "But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him." [...] "And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed." Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he'd recovered his composure, he added, "I would cut the bit about seeing through girls' shirts." Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, "Goddamn it, Augustus, editing your own eulogy.
John Green (The Fault in Our Stars)
Well, my dear sisters, the gospel is the good news that can free us from guilt. We know that Jesus experienced the totality of mortal existence in Gethsemane. It's our faith that he experienced everything- absolutely everything. Sometimes we don't think through the implications of that belief. We talk in great generalities about the sins of all humankind, about the suffering of the entire human family. But we don't experience pain in generalities. We experience it individually. That means he knows what it felt like when your mother died of cancer- how it was for your mother, how it still is for you. He knows what it felt like to lose the student body election. He knows that moment when the brakes locked and the car started to skid. He experienced the slave ship sailing from Ghana toward Virginia. He experienced the gas chambers at Dachau. He experienced Napalm in Vietnam. He knows about drug addiction and alcoholism. Let me go further. There is nothing you have experienced as a woman that he does not also know and recognize. On a profound level, he understands the hunger to hold your baby that sustains you through pregnancy. He understands both the physical pain of giving birth and the immense joy. He knows about PMS and cramps and menopause. He understands about rape and infertility and abortion. His last recorded words to his disciples were, "And, lo, I am with you always, even unto the end of the world." (Matthew 28:20) He understands your mother-pain when your five-year-old leaves for kindergarten, when a bully picks on your fifth-grader, when your daughter calls to say that the new baby has Down syndrome. He knows your mother-rage when a trusted babysitter sexually abuses your two-year-old, when someone gives your thirteen-year-old drugs, when someone seduces your seventeen-year-old. He knows the pain you live with when you come home to a quiet apartment where the only children are visitors, when you hear that your former husband and his new wife were sealed in the temple last week, when your fiftieth wedding anniversary rolls around and your husband has been dead for two years. He knows all that. He's been there. He's been lower than all that. He's not waiting for us to be perfect. Perfect people don't need a Savior. He came to save his people in their imperfections. He is the Lord of the living, and the living make mistakes. He's not embarrassed by us, angry at us, or shocked. He wants us in our brokenness, in our unhappiness, in our guilt and our grief. You know that people who live above a certain latitude and experience very long winter nights can become depressed and even suicidal, because something in our bodies requires whole spectrum light for a certain number of hours a day. Our spiritual requirement for light is just as desperate and as deep as our physical need for light. Jesus is the light of the world. We know that this world is a dark place sometimes, but we need not walk in darkness. The people who sit in darkness have seen a great light, and the people who walk in darkness can have a bright companion. We need him, and He is ready to come to us, if we'll open the door and let him.
Chieko N. Okazaki