Seventeen Funny Quotes

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I cannot go to school today" Said little Peggy Ann McKay. "I have the measles and the mumps, A gash, a rash and purple bumps. My mouth is wet, my throat is dry. I'm going blind in my right eye. My tonsils are as big as rocks, I've counted sixteen chicken pox. And there's one more - that's seventeen, And don't you think my face looks green? My leg is cut, my eyes are blue, It might be the instamatic flu. I cough and sneeze and gasp and choke, I'm sure that my left leg is broke. My hip hurts when I move my chin, My belly button's caving in. My back is wrenched, my ankle's sprained, My 'pendix pains each time it rains. My toes are cold, my toes are numb, I have a sliver in my thumb. My neck is stiff, my voice is weak, I hardly whisper when I speak. My tongue is filling up my mouth, I think my hair is falling out. My elbow's bent, my spine ain't straight, My temperature is one-o-eight. My brain is shrunk, I cannot hear, There's a hole inside my ear. I have a hangnail, and my heart is ... What? What's that? What's that you say? You say today is .............. Saturday? G'bye, I'm going out to play!
Shel Silverstein
I try to think of something catchy to say, but there's nothing but irritation that something that was funny yo an eleven-year-old boy is still funny to a seventeen-year-old one.
Maggie Stiefvater (The Scorpio Races)
Who-who are you?" Seth asked, hesitantly."Wh-what do you want?" How else was was I supposed to reply? The words were out of my mouth before I could stop them.I mean, I'd only seen the movie like seventeen times. "I'm Luke Skywalker," I said. "I'm here to rescue you.
Meg Cabot (Sanctuary (1-800-Where-R-You, #4))
You’re seventeen! Why do I have to keep reminding you of that? There are soooo many women you haven’t even met yet! Don’t act like you’re tired of the puss-puss, no guy is ever tired of the puss-puss.
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
The driver got out smiling. He looked about seventeen or eighteen, and for a second, I had the uneasy feeling it was Luke, my old enemy. This guy had the same sandy hair and outdoorsy good looks. But it wasn't Luke. His smile was brighter and more playful. (Luke didn't do much more than scowl and sneer these days.) The Maserati driver wore jeans and loafers and a sleeveless T-shirt. "Wow" Thalia muttered. Apollo Is hot." "He's the sun god," I said. "That's not what I meant.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians #3))
Now that we know you're not a hundred percent vampire you should stop trying to suck necks," I said to Ziggy. "I'll try," Ziggy said, "but it's a hard habit to break.
Janet Evanovich (Smokin' Seventeen (Stephanie Plum, #17))
Opening my door to Dillon Ruddick, my bulding super. I handed him a cup of coffee. "Sorry about the blood." "What was it this time?" No one reported gunfire." "I hit a guy in the face with a hair dryer." "Whoa." Dillon said. "It wasn't my fault," I told him. "Maybe we should lay down some linoleum here. It would make things easier for clean up.
Janet Evanovich (Smokin' Seventeen (Stephanie Plum, #17))
And I was all, "Don't be gross, you crustacious fuck. You pull that thing out and I'll pepper-spray you until you fry." (You have to be stern with weenie waggers--I've been exposed to on the bus over seventeen times, so I know.)
Christopher Moore (You Suck (A Love Story, #2))
Usually the thought process for a seventeen-year-old boy went girl touching me > omg > boner.
Leah Raeder (Unteachable)
A woman’s magazine quiz: Question: You decide to do the dread deed and just as things are starting to get hot he comes, rolls over, and asks, “Was it good for you?” You: a. Say, “God, yes! That was the best seventeen seconds of my life” b. Say, “Sure, as good as it gets for me with a man.” c. Put a Certs in your navel and say, “That’s for you, Mr. Bunnyman. You can have it on your way back up, after the job is finished
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
...she was faced with an annoying, irritating Demon. One she wasn’t allowed to kill. Unless she made it look like an accident. But she had a feeling that even the lazy heifers in the Legal Department would get suspicious if she wrote under cause of death; fell on my hatchets seventeen times.
Jane Cousins (What's Up, Buttercup? (Vexatious Valkyries, #1))
In the morning After taking cold shower —-what a mistake—- I look at the mirror. There, a funny guy, Grey hair, white beard, wrinkled skin, —-what a pity—- Poor, dirty, old man, He is not me, absolutely not. Land and life Fishing in the ocean Sleeping in the desert with stars Building a shelter in the mountains Farming the ancient way Singing with coyotes Singing against nuclear war— I’ll never be tired of life. Now I’m seventeen years old, Very charming young man. I sit quietly in lotus position, Meditating, meditating for nothing. Suddenly a voice comes to me: “To stay young, To save the world, Break the mirror.
Nanao Sakaki (Break the Mirror)
To cut a long story short, coaching by Charlotte and Mr. Giordano was even worse than I’d expected. That was mainly because they were trying to teach me everything at the same time. While I was struggling to learn the steps of the minuet (rigged out in a hooped skirt with cherry-red stripes, not very chic worn with my school uniform blouse, which was the color of mashed potato), I was also supposed to be learning how greatly the political opinions of the Whigs and the Tories differed, how to hold a fan, and the difference between “Your Highness,” “Your Royal Highness,” “Your Serene Highness,” and even “Your Illustrious Highness.” After only an hour plus seventeen different ways of opening a fan, I had a splitting headache, and I couldn’t tell left from right. My attempt to lighten the atmosphere with a little joke—“Couldn’t we stop for a rest? I’m totally, serenely, illustriously exhausted”—went down like a lead balloon. “This is not funny,” said Giordano in nasal tones. “Stupid girl.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
I’m just not ready to give myself up, Sammy. I mean, there’s something perfect about virginity, and I haven’t found someone who deserves to take that perfection from me…” “You’re loco, Carlos. Insane. Totally crazy… Most guys think they’re imperfect for still being virgins past the age of seventeen.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
What's with the super soaker?" -Stephine "I had a stork of genius when you called me this morning I said what do I have to do to protect myself from the vampire? And the answer that came to me was holy water! I don't know why I didn't think of this sooner." -Lula "You have the Super Soaker filled with holy water?" -Stephine "Yeah I sucked it out of the church. You know that birdbath thing they got right up front?" -Lula "THe baptismal font?" -Stephine "That's it. They got it filled with holy water, free for the taking." -Lula "Brilliant." -Stephine
Janet Evanovich (Smokin' Seventeen (Stephanie Plum, #17))
One Sufi mystic who had remained happy his whole life—no one had ever seen him unhappy—he was always laughing. He was laughter, his whole being was a perfume of celebration. In his old age, when he was dying—he was on his deathbed, and still enjoying death, laughing hilariously—a disciple asked, “You puzzle us. Now you are dying. Why are you laughing? What is there funny about it? We are feeling so sad. We wanted to ask you many times in your life why you are never sad. But now, confronting death, at least one should be sad. You are still laughing! How are you managing it?” And the old man said, “It is a simple clue. I had asked my master. I had gone to my master as a young man; I was only seventeen, and already miserable. And my master was old, seventy, and he was sitting under a tree, laughing for no reason at all. There was nobody else, nothing had happened, nobody had cracked a joke or anything. And he was simply laughing, holding his belly. And I asked him, ‘What is the matter with you? Are you mad or something?’ “He said, ‘One day I was also as sad as you are. Then it dawned on me that it is my choice, it is my life. Since that day, every morning when I get up, the first thing I decide is, before I open my eyes, I say to myself, “Abdullah”—that was his name—‘what do you want? Misery? Blissfulness? What are you going to choose today? And it happens that I always choose blissfulness.’” It is a choice. Try it. The first moment in the morning when you become aware that sleep has left, ask yourself, “Abdullah, another day! What is your idea? Do you choose misery or blissfulness?” And who would choose misery? And why? It is so unnatural—unless one feels blissful in misery, but then too you are choosing bliss, not misery.
Osho (Meditation: The First and Last Freedom)
Dodger made haste towards the house of the Mayhews while in his mind he saw the cheerful face and hooked nose of Mister Punch, beating his wife, beating the policeman and throwing the baby away, which made all the children laugh. Why was that funny, he thought? Was that funny at all? He’d lived for seventeen years on the streets, and so he knew that, funny or not, it was real. Not all the time, of course, but often when people had been brought down so low that they could think of nothing better to do than punch: punch the wife, punch the child and then, sooner or later, endeavour to punch the hangman, although that was the punch that never landed and, oh how the children laughed at Mister Punch! But Simplicity wasn't laughing...
Terry Pratchett (Dodger)
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)
I am the only tea abstainer in my family. I think they regard this as a baffling perversion. To me, tea tastes like dried lawn clippings, diluted leaf mold, watered down compost mixed with a dash of bovine bodily fluid. I have never been able to stomach it.
Maggie O'Farrell (I Am, I Am, I Am: Seventeen Brushes with Death)
You know, sir," he said, "she was easily the nicest woman I ever knew." Sampson suppressed a smile. It was funny to hear a boy of seventeen talk like that. All the same, he reflected, the lad might live to seventy and still find no reason to change his opinion.
Cyril Hare (Death Walks the Woods (Francis Pettigrew, #4))
Where were you this morning?” Peter demands. I cross my arms and try to stand tall. It’s hard, because I’m so short and he really is tall. “You’re one to talk.” Peter huffs, “At least I texted you! I’ve called you like seventeen times. Why is your phone off?” “You know we’re not allowed to have our phones on at school!” He huffs, “Lara Jean, I waited in front of your house for twenty minutes.” Yikes. “Well, I’m sorry.” “How’d you get to school? Sanderson?” “Yes.” Peter exhales. “Listen, if you were pissed I couldn’t come over last night, you should’ve just called and said so instead of the shit you pulled this morning.” In a small voice I say, “Well, what about that shit you pulled last night?” A smile tugs at the corners of his mouth. “Did you just say ‘shit’? It sounds really funny coming out of your mouth.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
That's an alien. I just saw an alien. Not just an alien ship. An alien being. I mean- just his claw- er... hand. But yeah. Well, I say "his hand", but maybe it's her hand. Or some other pronoun I don't have a word for. They might have seventeen biological sexes, for all I know. Or none. No one ever talks about the really hard parts of first contact with intelligent alien life: pronouns. I'm going to go with "he" for now, because it just seems rude to call a thinking being "it." Also, until I hear otherwise, his name is Rocky.
Andy Weir (Project Hail Mary)
Okay,like I could write about being new to this school and feeling really self-conscious already, you know, 'cause I'm new and haven't really gotten my growth spurt yet...in any capacity." This gets a few chuckles and I plow forward. "Then,at this meeting, maybe some cool, hot jock is sitting next to me and asks me to stand up, only to have the entire classroom staring at me as I say, 'But I am standing up!' Except,you know, funnier." A few kids giggle and the big guy next to me grunts, "Pretty funny." I smile over at my new comrade and smack his massive shoulder like we're old friends.I'm going to have to get his name. "I mean, obviously it'd be better than that. But I just think it'd be good comif relief," I add, doing what my dad calls laying it on thick. "And we could put it near the pet obits to balance out all the high-school-is-depressing-enough vibes!" Now the laughs are easy and everyone's smiling, and I feel myself loosen up a bit. Just like Mom and Dad with cheerleading, these folks are cracking under my spell, and I start really amping up the drama. "And I know I couldn't use 'Traumarama' as a title since Seventeen already does, but I'm thinking 'Trauma and Drama-Terrible Tales of Teenagedom,' or something like that, with some real-life gossip mixed in.
Alecia Whitaker (The Queen of Kentucky)
Sam dragged her over to a small plot. Unlike the historic ones, this seemed like an ordinary grave. The headstone read Paul Danvers 1950-1997. “And this guy,” Sam said through clenched teeth. “Got so drunk one night, he accidentally set his house on fire, killing himself and his seventeen-year-old son.” Margot pulled back. This date had turned as sour as the feeling in her gut. “Murdered his own son.” Sam’s voice was tight and full of emotion. “He was going to college in the fall. Got a full ride and everything.” “That’s awful,” said Margot. “Where’s the son buried?” “So glad you asked.” Sam smiled so mournfully that Margot regretted asking at all. He pointed to the headstone next to Paul’s. In the darkness, it was nearly impossible to make out the young man’s name. Margot knelt on the soft grass and leaned forward, using the light from her cellphone to see the engraving. She gasped and nearly dropped the phone. “Sam Danvers,” she said, barely getting out the words. “That’s not funny.” Margot’s hands shook. “Is your name really Sam?” He no longer smiled, just nodded. “It is.” Sam came in close and said her name in such a soft whisper, Margot ached to touch him. He reached up to her face and tucked a strand of wavy hair behind her ear. “If things were different at all…” She put her hands on his. His skin felt dry and cold while hers felt clammy. “What does that mean? If what was different?” Sam leaned in, his face encased in shadows, and kissed Margot. She gasped before being taken in by the kiss. His breath tasted oddly of licorice and she was suddenly aware of the scent of fresh-cut grass. His lips were soft, but his kiss was urgent. He gripped the belt loops of Margot’s jean shorts and pulled her in tight against his chest. Her head swam and her heart pounded. She pulled away from him and attempted to catch her breath. She looked at him, her eyes bright with fury. “That wasn’t an answer.” He ran his hands through his hair. A typical guy stall tactic, thought Margot. But Sam wasn’t stalling. He was struggling. “Margot, I’m Sam Danvers,” he said. Margot shook her head — “No. No. No.” — and marched away from him.
Kimberly G. Giarratano (One Night Is All You Need: A Short Story)
You’re…you’re what? Where?” I stood up and glimpsed myself in the mirror. I was a vision, having changed into satin pajama pants, a torn USC sweatshirt, and polka-dotted toe socks, and to top it off, my hair was fastened in a haphazard knot on the top of my head with a no. 2 Ticonderoga pencil. Who wouldn’t want me? “I’m outside,” he repeated, throwing in a trademark chuckle just to be extra mean. “Get out here.” “But…but…,” I stalled, hurriedly sliding the pencil out of my hair and running around the room, stripping off my pathetic house clothes and searching in vain for my favorite faded jeans. “But…but…I’m in my pajamas.” Another trademark chuckle. “So?” he asked. “You’d better get out here or I’m comin’ in…” “Okay, okay…,” I replied. “I’ll be right down.” Panting, I settled for my second-favorite jeans and my favorite sweater of all time, a faded light blue turtleneck I’d worn so much, it was almost part of my anatomy. Brushing my teeth in ten seconds flat, I scurried down the stairs and out the front door. Marlboro Man was standing outside his pickup, hands inside his pockets, his back resting against the driver-side door. He grinned, and as I walked toward him, he stood up and walked toward me, too. We met in the middle--in between his vehicle and the front door--and without a moment of hesitation, greeted each other with a long, emotional kiss. There was nothing funny or lighthearted about it. That kiss meant business. Our lips separated for a short moment. “I like your sweater,” he said, looking at the light blue cotton rib as if he’d seen it before. I’d hurriedly thrown it on the night we’d met a few months earlier. “I think I wore this to the J-bar that night…,” I said. “Do you remember?” “Ummm, yeah,” he said, pulling me even closer. “I remember.” Maybe the sweater had magical powers. I’d have to be sure to hold on to it. We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?” “Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen. “I’ve got this problem,” he continued, in between kisses. “Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind. “I’m crazy about you,” he said. By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Why did eighteen blondes go to the movies together? A: They heard that under seventeen weren't admitted!
Johnny B. Laughing (151+ Funny Blonde Jokes!)
Funny how you can change so much,” Charles said, “but still sound the same as when we were seventeen.
Tara Westover (Educated)
It’s funny how from seventeen to seventy can be the blink of an eye, all of a sudden.
Lisa Wingate (Never Say Never)
Are you hungry?' I say, slightly mischievously. 'Very, he says, unfurling his napkin. This is a shame, because we're sitting down for a tasting menu that will not be a meal, but more a random collection of the chef's ambitions, presented with seventeen verses of Vogon poetry from the staff as they dole out tiny plates of his life story. These tomatoes remind chef of his grandmother's allotment. This eel is a tribute to his uncle's fishing prowess. I will pull the requisite faces to cope with all of this. The lunch will be purposefully challenging, at times confusing and served ritualistically in a manner that requires the diner to behave like a congregation member of a really obscure sect who knows specifically when to bow her head and when to pass the plate and what lines to utter when.
Grace Dent (Hungry)
Everyone is probably familiar with the story about the new guy in prison on death row. The first day he’s locked up, another inmate yells out, “Twenty-four!” Everyone on death row breaks up laughing. A little time goes by and another prisoner shouts, “Seventeen!” Again, everyone cracks up. The new guy asks another inmate, “What is that?” The inmate says, “They are telling jokes. We all know the joke, so they just give the punch line.” The new guy says, “Let me try. Twenty-nine!” Nothing happens. The inmate says, “See, some people can tell jokes and some people can’t.
Bob Newhart (I Shouldn't Even Be Doing This!: And Other Things That Strike Me as Funny)
On the edge of town, I had promptly lost my way, and, meaning to ask for directions to the little station guard post, I had walked into a tiny cottage that stood there all by itself. Living there, I found, all alone, as her father had lately died, was a seventeen-year-old girl by the name of Jeanne. When she gave me directions, she laughed and when I asked what was so funny, she said: 'Vous êtes bien jeune, je voudrais avoir votre devenir.' (You're so young, I wish I could have your future) pg; 67-68
Ernst Jünger (Storm of Steel)
...she was faced with an annoying, irritating Demon. One she wasn’t allowed to kill. Unless she made it look like an accident. But she had a feeling that even the lazy heifers in the Legal Department would get suspicious if she wrote under the cause of death; fell on my hatchets seventeen times.
Jane Cousins (What's Up, Buttercup? (Vexatious Valkyries, #1))
on 20 April – funnily enough, the same day as Hitler’s birthday – they pulled me out of my mother’s vagina with forceps because she couldn’t be bothered to push, cut the only authentic connection I ever had to her, and slapped my ass until I screamed. They wrapped me up in a cheap tea towel and whisked me away to the baby room so my drunk father could try to wave at me. And just in case that wasn’t enough trauma, the next morning the very same doctor placed himself between my legs and removed my foreskin. Ouch! Why were they clamping my penis and hacking into it with a blade? Apparently this was just so I could ‘look like Daddy’. The worst thing is, I didn’t get a say in it at all. Mongrels. It wasn’t long before my boozed-up daddy, with the neighbour’s tipsy seventeen-year-old daughter under his arm, was at the hospital, standing beside me and my pretty mother. Despite being drained from giving birth and having her lady bits hanging in tatters beneath her, I have no doubt that Mum looked stunning. She always made a point of wearing lippy. Dad bent over and covered me with his beer breath, declaring, ‘We’re going to call him Bradley.
Brett Preiss (The (un)Lucky Sperm: Tales of My Bizarre Childhood - A Funny Memoir)
People have often asked me how we girls managed any privacy in a house with so many boys and no private rooms. It was difficult. We used to bathe with a washcloth from a pan of water. We would first start with our necks and faces and wash down as far as possible. Then we would wash the road dust from our feet and wash up as far as possible. Later, when the boys were out of the room, we would wash “possible.” It was these circumstances that led to a very embarrassing mishap that I have told very few people and would not relate here if it were not so funny. We had an outdoor bathroom, and there were times in the middle of the night when it was very inconvenient to dress and go out into the cold just to take a leak. For these times there was a little room, actually a closet, that had in it what was called a “slop jar” or “slop bucket.” It was actually an enameled pot with flared sides that was made to accommodate a woman squatting over it to do her business. The closet had no door as such, just a sort of curtain hung on a tight piece of wire. After dark when the fire had died down, it could afford some kind of privacy at least. One night when I was about sixteen or seventeen, I had been out on a date and got home fairly late. Everybody was already in bed, and I didn’t want to wake them and alert Mama and Daddy to the hour of my homecoming. I was absolutely bustin’ to pee, so I fumbled my way through the dark until I found the curtain to the closet and stepped inside. I dropped my panties and hiked up my skirt and assumed the position over the slop jar. I was feeling relieved in a physical sense and quite grown-up and somewhat smug that I “pulled it off,” so to speak. But suddenly, here in the middle of my little triumph, or more accurately here in the middle of my rump, came the cold nose of an unexpected intruder. A raccoon had gotten into the house, and unbeknownst to me, we were sharing the closet as well as a very intimate moment. When I felt that cold nose on my butt, I screamed bloody murder and literally peed all over myself. Of course I woke the whole house with my unscheduled concert. Daddy grabbed the poker to fend off an intruder. Mama started praying. The little kids cried, and the big kids just ran around confused. When everybody found out what had happened, they all had a good laugh at my expense. Except, of course, the raccoon. Once the lights were turned on, he acted like any man caught in a compromising position with a lady and bolted for the door. I often think of that moment at times when I’m feeling “too big for my britches,” and it tends to have a humbling effect.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
I cannot go to school today" Said little Peggy Ann McKay. "I have the measles and the mumps, A gash, a rash and purple bumps. My mouth is wet, my throat is dry. I'm going blind in my right eye. My tonsils are as big as rocks, I've counted sixteen chicken pox. And there's one more - that's seventeen, And don't you think my face looks green? My leg is cut, my eyes are blue, It might be the instamatic flu. I cough and sneeze and gasp and choke, I'm sure that my left leg is broke. My hip hurts when I move my chin, My belly button's caving in. My back is wrenched, my ankle's sprained, My 'pendix pains each time it rains. My toes are cold, my toes are numb, I have a sliver in my thumb. My neck is stiff, my voice is weak, I hardly whisper when I speak. My tongue is filling up my mouth, I think my hair is falling out. My elbow's bent, my spine ain't straight, My temperature is one-o-eight. My brain is shrunk, I cannot hear, There's a hole inside my ear. I have a hangnail, and my heart is … What? What's that? What's that you say? You say today is .............. Saturday? G'bye, I'm going out to play!” Shel Silverstein
Neeraj Kumar (Funny Quotes: Learn with Fun)
Have you ever thought maybe you should just let them go?” I hadn’t, not once. “It’s not permanent,” I said. “I can fix it.” “Funny how you can change so much,” Charles said, “but still sound the same as when we were seventeen.
Tara Westover (Educated)
Celia laughed. “You’re like a seventeen-year-old girl on a prom date. Color is a fact of life, Del. The people who say they don’t see color, or race, are the people who do. We see good-looking people and funny people, obnoxious people. Why shouldn’t we see something so obvious as color?
Robert Dugoni (Close to Home (Tracy Crosswhite, #5))