Owls Do Cry Quotes

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She grew more and more silent about what really mattered. She curled inside herself like one of those black chimney brushes, the little shellfish you see on the beach, and you touch them, and then go inside and don’t come out.
Janet Frame (Owls Do Cry)
Where the bee sucks, there suck I In the cow-slip's bell i lie There I couch when owls do cry
William Shakespeare (The Tempest)
Where the bee sucks, there suck I: In a cowslip’s bell I lie; There I couch when owls do cry. On the bat’s back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
William Shakespeare (The Tempest)
All these young mothers chauffeuring their volcanic three-year-olds through the grocery store. The child's name always sounds vaguely presidental, and he or she tends to act accordingly. "Mommy hears what you're saying about treats," the woman will say, "But right now she needs you to let go of her hair and put the chocolate-covered Life Savers back where they came from." "No!" screams McKinley or Madison, Kennedy or Lincoln or beet-faced baby Reagan. Looking on, I always want to intervene. "Listen," I'd like to say, "I'm not a parent myself, but I think the best solution at this point is to slap that child across the face. It won't stop its crying, but at least now it'll be doing it for a good reason.
David Sedaris (Let's Explore Diabetes with Owls: Essays, Etc.)
Oh, what a lovely owl!" Cried the Wart. But when he went up to it and held out his hand, the owl grew half as tall again, stood up as stiff as a poker, closed its eyes so that there was only the smallest slit to peep through - as you are in the habit of doing when told to shut your eyes at hide-and-seek - and said in a doubtful voice "There is no owl." Then it shut its eyes entirely and looked the other way. "It is only a boy," said Merlyn. "There is no boy," said the owl hopefully, without turning round.
T.H. White (The Once and Future King)
Kite spends three minutes trying to calm me down - 'Dutch! Dutch!' - and then just hugs me with his huge arms, so I am completely wrapped up, and inside him, like an owl inside a hollow tree. This is my most enjoyable crying ever - if all crying were this pleasant, I would do it more often.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
You know what you need?" Giguhl said. I raised a brow, bracing myself for a punch line. "A to-do list. Might help you keep track of all the beings who want you dead and the satanic birdlife you've kidnapped." I imagined a list in my head: 1. Perform voodoo ritual on evil owl. 2. Find out who sold us out to the anachronistic Caste vampires. 3. Make amends with a lesbian werewolf. 4. Rescue twin. 5. Murder grandmother. I wasn't sure whether to laugh or cry. "Yeah, I'll get right on that." Gighul heard the sarcasm. "Suit yourself, but don't come crying to me if you forget who you're supposed to kill when.
Jaye Wells (Green-Eyed Demon (Sabina Kane, #3))
A stout, middle-aged man, with enormous owl-eyed spectacles, was sitting somewhat drunk on the edge of a great table, staring with unsteady concentration at the shelves of books. As we entered he wheeled excitedly around and examined Jordan from head to foot. “What do you think?” he demanded impetuously. “About what?” He waved his hand toward the book-shelves. “About that. As a matter of fact you needn’t bother to ascertain. I ascertained. They’re real.” “The books?” He nodded. “Absolutely real — have pages and everything. I thought they’d be a nice durable cardboard. Matter of fact, they’re absolutely real. Pages and — Here! Lemme show you.” Taking our scepticism for granted, he rushed to the bookcases and returned with Volume One of the “Stoddard Lectures.” “See!” he cried triumphantly. “It’s a bona-fide piece of printed matter. It fooled me. This fella’s a regular Belasco. It’s a triumph. What thoroughness! What realism! Knew when to stop, too — didn’t cut the pages. But what do you want? What do you expect?
F. Scott Fitzgerald (The Great Gatsby)
Where the bee sucks, there suck I. There I couch when owls do cry. On the bat’s back I do fly.” 
Martin Cruz Smith (Nightwing)
The day is early with birds beginning and the wren in a cloud piping like the child in the poem, drop thy pipe, thy happy pipe. And the place grows bean flower, pea-green lush of grass, swarm of insects dizzily hitting the high spots; dunny rosette creeping covering shawl ream in a knitted cosy of roses; ah the tipsy wee small hours of insects that jive upon the crippled grass blades and the face of the first flower alive.
Janet Frame (Owls Do Cry)
Where the bee sucks. there suck I: In a cowslip's bell I lie; There I couch when owls do cry. On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough.
William Shakespeare (The Tempest)
To Juan at the Winter Solstice There is one story and one story only That will prove worth your telling, Whether as learned bard or gifted child; To it all lines or lesser gauds belong That startle with their shining Such common stories as they stray into. Is it of trees you tell, their months and virtues, Or strange beasts that beset you, Of birds that croak at you the Triple will? Or of the Zodiac and how slow it turns Below the Boreal Crown, Prison to all true kings that ever reigned? Water to water, ark again to ark, From woman back to woman: So each new victim treads unfalteringly The never altered circuit of his fate, Bringing twelve peers as witness Both to his starry rise and starry fall. Or is it of the Virgin's silver beauty, All fish below the thighs? She in her left hand bears a leafy quince; When, with her right hand she crooks a finger, smiling, How many the King hold back? Royally then he barters life for love. Or of the undying snake from chaos hatched, Whose coils contain the ocean, Into whose chops with naked sword he springs, Then in black water, tangled by the reeds, Battles three days and nights, To be spewed up beside her scalloped shore? Much snow if falling, winds roar hollowly, The owl hoots from the elder, Fear in your heart cries to the loving-cup: Sorrow to sorrow as the sparks fly upward. The log groans and confesses: There is one story and one story only. Dwell on her graciousness, dwell on her smiling, Do not forget what flowers The great boar trampled down in ivy time. Her brow was creamy as the crested wave, Her sea-blue eyes were wild But nothing promised that is not performed.
Robert Graves
He took the sacramental chalice, and stretching forth his bare arm, cried in a loud voice, 'Come ye viewless ministers of this dread hour! come from the fenny lake, the hanging rock, and the midnight cave! The moon is red - the stars are out - the sky is burning - and all nature stands aghast at what we do!' Then replacing the sacred vessel on the altar, he drew, one by one, from different parts of his body, from his knotted hair, from his bosom, from beneath his nails, the unholy things which he cast into it. 'This,' said he, 'I plucked from the beak of a raven feeding on a murderer's brains! This is the mad dog's foam! These the spurgings of a dead man's eyes, gathered since the rising of the evening star! This is a screech-owl's egg! This a single drop of black blood, squeezed from the heart of a sweltered toad! This, an adder's tongue! And here, ten grains of the gray moss that grew upon a skull which had lain in the charnel-house three hundred years! What! Not yet?' And his eyes seemed like balls of fire as he cast them upwards. 'Not yet? I call ye once! I call ye twice! Dare ye deny me! Nay, then, as I call ye thrice, I'll wound mine arm, and as it drops, I'll breathe a spell shall cleave the ground and drag you here!' ("The Forsaken Of God")
William Mudford (Reign of Terror: Great Victorian Horror Stories)
And he felt so lonely so close up to the sky, not the rewarding and proud loneliness he had felt when driving the train at night across the plains, but an unforgiving and harsh emptiness, as if he had been rejected by earth and sky and must stay forever now in the between gulf, tired and afraid.
Janet Frame (Owls Do Cry)
The broken pillar of the wing jags from the clotted shoulder, The wing trails like a banner in defeat, No more to use the sky forever but live with famine And pain a few days: cat nor coyote Will shorten the week of waiting for death, there is game without talons. He stands under the oak-bush and waits The lame feet of salvation; at night he remembers freedom And flies in a dream, the dawns ruin it. He is strong and pain is worse to the strong, incapacity is worse. The curs of the day come and torment him At distance, no one but death the redeemer will humble that head, The intrepid readiness, the terrible eyes. The wild God of the world is sometimes merciful to those That ask mercy, not often to the arrogant. You do not know him, you communal people, or you have forgotten him; Intemperate and savage, the hawk remembers him; Beautiful and wild, the hawks, and men that are dying, remember him. II I'd sooner, except the penalties, kill a man than a hawk; but the great redtail Had nothing left but unable misery From the bone too shattered for mending, the wing that trailed under his talons when he moved. We had fed him six weeks, I gave him freedom, He wandered over the foreland hill and returned in the evening, asking for death, Not like a beggar, still eyed with the old Implacable arrogance. I gave him the lead gift in the twilight. What fell was relaxed, Owl-downy, soft feminine feathers; but what Soared: the fierce rush: the night-herons by the flooded river cried fear at its rising Before it was quite unsheathed from reality
Robinson Jeffers
And so passed one morning and every morning and day but the people growing gentle and together, like old bulbs without promise of bloom, thrown to the rubbish heap and sinking in the filth and blindness to sprout a seperate community of dark, touching tendril and root to yet invisible colour of maimed flowers, narcissus, daffodil, tulip, and crocus-leaf stained with blade of snow.
Janet Frame (Owls Do Cry)
That puppet there,’ continued the Talking-cricket, ‘is a confirmed rogue. …’ Pinocchio opened his eyes, but shut them again immediately. ‘He is a ragamuffin, a do-nothing, a vagabond. …. Pinocchio hid his face beneath the clothes. ‘That puppet there is a disobedient son who will make his poor father die of a broken heart! …’ At that instant a suffocated sound of sobs and crying was heard in the room. Imagine everybody’s astonishment when, having raised the sheets a little, it was discovered that the sounds came from Pinocchio. ‘When the dead person cries, it is a sign that he is on the road to get well,’ said the Crow solemnly. ‘I grieve to contradict my illustrious friend and colleague,’ added the Owl, ‘but for me, when the dead person cries, it is a sign that he is sorry to die.
Carlo Collodi (Pinocchio)
[...] Echo. Into the night. Man. O rocky voice Shall we in that great night rejoice? What do we know but that we face One another in this place? But hush, for I have lost the theme Its joy or night seem but a dream; Up there some hawk or owl has struck Dropping out of sky or rock, A stricken rabbit is crying out And its cry distracts my thought. [...]and set my boyish lips to say, ‘Only the wasteful virtues earn the sun
W.B. Yeats
When I was a kid,'' she said. ``These sort of stories always start like this, don't they, `When I was a kid ...' Anyway. This is the bit where the girl suddenly says, `When I was a kid' and starts to unburden herself. We have got to that bit. When I was a kid I had this picture hanging over the foot of my bed ... What do you think of it so far?'' ``I like it. I think it's moving well. You're getting the bedroom interest in nice and early. We could probably do with some development with the picture.'' ``It was one of those pictures that children are supposed to like,'' she said, ``but don't. Full of endearing little animals doing endearing things, you know?'' ``I know. I was plagued with them too. Rabbits in waistcoats.'' ``Exactly. These rabbits were in fact on a raft, as were assorted rats and owls. There may even have been a reindeer.'' ``On the raft.'' ``On the raft. And a boy was sitting on the raft.'' ``Among the rabbits in waistcoats and the owls and the reindeer.'' ``Precisely there. A boy of the cheery gypsy ragamuffin variety.'' ``Ugh.'' ``The picture worried me, I must say. There was an otter swimming in front of the raft, and I used to lie awake at night worrying about this otter having to pull the raft, with all these wretched animals on it who shouldn't even be on a raft, and the otter had such a thin tail to pull it with I thought it must hurt pulling it all the time. Worried me. Not badly, but just vaguely, all the time. ``Then one day --- and remember I'd been looking at this picture every night for years --- I suddenly noticed that the raft had a sail. Never seen it before. The otter was fine, he was just swimming along.'' She shrugged. ``Good story?'' she said. ``Ends weakly,'' said Arthur, ``leaves the audience crying `Yes, but what of it?' Fine up till there, but needs a final sting before the credits.'' Fenchurch laughed and hugged her legs. ``It was just such a sudden revelation, years of almost unnoticed worry just dropping away, like taking off heavy weights, like black and white becoming colour, like a dry stick suddenly being watered. The sudden shift of perspective that says `Put away your worries, the world is a good and perfect place. It is in fact very easy.
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
At a conference, I preach Christ for you with a hemorrhoid while my books are on sale out in the hallway. What is more, I may have seen myself in my children’s eyes that morning and had to ask their forgiveness for something the day before, or maybe I’m still blind as I speak to you regarding what my wife or my children or my congregation still desperately need me to see. When I visit you in the hospital, I had to tie my shoes that morning or figure out which sweater makes me look a bit slimmer or cry out to God with my own doubts as you hurt and I have no answer why. When you’ve been changed by grace through something I said or wrote, I likely had a bowl of oatmeal for breakfast or enjoyed the sound of the owl that visits our place. Therefore, as we begin to think about desires, we need to cry from the rooftops that pastoral ministry is creaturely. A pastor is a human being. I believe that Christian life and ministry are an apprenticeship with Jesus toward recovering our humanity and, through his Spirit, helping our neighbors do the same. All of this is for, through, by, with, and in him for the glory of God.
Zack Eswine (The Imperfect Pastor: Discovering Joy in Our Limitations through a Daily Apprenticeship with Jesus)
Last Night My Soul Cried O Exalted Sphere Of Heaven Last night my soul cried, “O exalted sphere of Heaven, you hang indeed inverted, with flames in your belly. “Without sin and crime, eternally revolving upon your body in its complaining is the indigo of mourning; “Now happy, now unhappy, like Abraham in the fire; at once king and beggar like Ebrahim-e Adham. “In your form you are terrifying, yet your state is full of anguish: you turn round like a millstone and writhe like a snake.” Heaven the blessed replied, “How should I not fear that one who makes the Paradise of the world as Hell? “In his hand earth is as wax, he makes it Zangi and Rumi , he makes it falcon and owl, he makes it sugar and poison. “He is hidden, friend, and has set us forth thus patent so that he may become concealed. “How should the ocean of the world be concealed under straws? The straws have been set adancing, the waves tumbling up and down’ “Your body is like the land floating on the waters of the soul; your soul is veiled in the body alike in wedding feast or sorrow. “In the veil you are a new bride, hot-tempered and obstinate; he is railing sweetly at the good and the bad of the world. “Through him the earth is a green meadow, the heavens are unresting; on every side through him a fortunate one pardoned and preserved. “Reason a seeker of certainty through him, patience a seeker of help through him, love seeing the unseen through him, earth taking the form of Adam through him. “Air seeking and searching, water hand-washing, we Messiah-like speaking, earth Mary-like silent. “Behold the sea with its billows circling round the earthy ship; behold Kaabas and Meccas at the bottom of this well of Zamzam!” The king says, “Be silent, do not cast yourself into the well, for you do not know how to make a bucket and a rope out of my withered stumps.
Jalal ad-Din Muhammad ar-Rumi
All these young mothers chauffeuring their volcanic three-year-olds through the grocery store. The child’s name always sounds vaguely presidential, and he or she tends to act accordingly. “Mommy hears what you’re saying about treats,” the woman will say, “but right now she needs you to let go of her hair and put the chocolate-covered Life Savers back where they came from.” “No!” screams McKinley or Madison, Kennedy or Lincoln or beet-faced baby Reagan. Looking on, I always want to intervene. “Listen,” I’d like to say, “I’m not a parent myself, but I think the best solution at this point is to slap that child across the face. It won’t stop its crying, but at least now it’ll be doing it for a good reason.
David Sedaris (Let's Explore Diabetes with Owls)
The Unanswered Question by Stewart Stafford Ask a body why it lies in a grave, And no answer shall ring in your ears, Ask the rat that squeaks like a knave, And there is nothing to ease your fears. See lightning's fiery eye wink a hint, Hear thunder belching out proud, Hail is flicked off like lint, Dumb as a corpse in its shroud. Mourners do splutter and cry, In unison or solitary grief, Hysteria governs their reply, Tongues pocketed by sorrow's thief. Only when you lay in dirt senselessly, Do answers come out of reach, Secrets clouded eternally, To an owl's shrill and wise screech. © Stewart Stafford, 2021. All rights reserved.
Stewart Stafford
He had said of me, ‘You are fated to be life’s passive participant,’ but I wrestled fate to the ground and suffocated its’ fortune. And yet, his laughter still mocks me, for though the earth has been my stepping stone, only here at the oceans’ side do I feel at ease. Only in your stillness do I find rest. I am a waning bird encased in a glass sphere; I cannot see my prison, and my cries no one can hear.
Craig Froman (An owl on the moon: A journal from the edge of darkness)
Here, where the lonely hooting owl Sends forth his midnight moans, Fierce wolves shall o’er my carcase growl, Or buzzards pick my bones. No fellow-man shall learn my fate, Or where my ashes lie; Unless by beasts drawn round their bait, Or by the ravens’ cry. Yes! I’ve resolved the deed to do, And this the place to do it: This heart I’ll rush a dagger through Though I in hell should rue it! Often
Joshua Wolf Shenk (Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness)
Here, where the lonely hooting owl Sends forth his midnight moans, Fierce wolves shall o'er my carcase growl, Or buzzards pick my bones. No fellow-man shall learn my fate, Or where my ashes lie; Unless by beasts drawn round their bait, Or by the ravens' cry. Yes! I've resolved the deed to do, And this the place to do it: This heart I'll rush a dagger through, Though I in hell should rue it! Hell! What is hell to one like me Who pleasures never knew; By friends consigned to misery, By hope deserted too? To ease me of this power to think, That through my bosom raves, I'll headlong leap from hell's high brink, And wallow in its waves. Though devils yell, and burning chains May waken long regret; Their frightful screams, and piercing pains, Will help me to forget. Yes! I'm prepared, through endless night, To take that fiery berth! Think not with tales of hell to fright Me, who am damn'd on earth! Sweet steel! come forth from your sheath, And glist'ning, speak your powers; Rip up the organs of my breath, And draw my blood in showers! I strike! It quivers in that heart Which drives me to this end; I draw and kiss the bloody dart, My last—my only friend! —Poem attributed to Abraham Lincoln
Candace Fleming (The Lincolns: A Scrapbook Look at Abraham and Mary)