Series Dark Quotes

We've searched our database for all the quotes and captions related to Series Dark. Here they are! All 200 of them:

You're not very nice," I say, grinning. "You're one to talk." "Hey, I could be nice if I tried." "Hmm." He taps his chin. "Say something nice, then." "You're very good-looking." He smiles, his teeth a flash in this dark. "I like this 'nice' thing.
Veronica Roth (Allegiant (Divergent, #3))
I didn’t ask. Some things are better left unsaid. He looked at me and I shivered. I never get enough of him. Never will. He lives. I breathe. I want. Him. Always. Fire to my ice. Ice to my fever. Later we would go to bed, and when he rose over me, dark and vast and eternal, I’d know joy.
Karen Marie Moning (Shadowfever (Fever, #5))
DON’T THINK, FEEL flickers from an electric billboard cutting out the darkness. 
Adam Scott Huerta (Motive Black (Motive Black Series, #1))
Although it may not seem like it, this isn’t a story about darkness. It’s about light. Kahlil Gibran says Your joy can fill you only as deeply your sorrow has carved you. If you’ve never tasted bitterness, sweet is just another pleasant flavor on your tongue. One day I’m going to hold a lot of joy.
Karen Marie Moning (Bloodfever (Fever, #2))
Doing business without advertising is like winking at a girl in the dark. You know what you are doing but nobody else does.
Steuart Henderson Britt (Marketing Management and Administrative Action (McGraw-Hill Series in Marketing))
Never doubt God in the darkness what he has given us in the light.
Francine Rivers (A Voice in the Wind (Mark of the Lion, #1))
He didn't want to give the cartel any time to persuade Emiliana into accepting a more enticing offer. He had reservations about her loyalty and feared she might make a deal without Elpidio's consent.
Carolyn M. Bowen (Legacy of Shadows: An International Crime Thriller (The Family Legacy Series))
The brightest light casts the darkest shadow.
Jess C. Scott (The Darker Side of Life)
I've become this happiness scavenger who picks away at the ugliness of the world, because if there's happiness tucked away in my tragedies, I'll find it no matter what. If the blind can find joy in music, and the deaf can discover it with colors, I will do my best to always find the sun in the darkness because my life isn't one sad ending—it's a series of endless happy beginnings.
Adam Silvera (More Happy Than Not)
It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try to readjust the way you thought of things. The Baudelaire orphans were crying not only for their Uncle Monty, but for their own parents, and this dark and curious feeling of falling that accompanies every great loss.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
The guy stroked his goatee. "What do you call twenty guys watching the world series?" "The New York Yankees," Butch replied.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
There will be a time when I will answer everything, Avelyn. But it is far in the future for you.
Jack Borden (The Lost City: An Epic YA Fantasy Novel (The Tixie Chronicles Book 4))
I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and ats the horseradish loves the miyagi, and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness of the napkin, and the squinting eye of the reader loves the smudged document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp... I will love you until all such compartments are discovered and opened, and all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and rebuilt from the handsomest and most susceptible of woods. I will love you until the bird hates a nest and the worm hates an apple. I will love you as we find ourselves farther and farther from one another, where once we were so close... I will love you until your face is fogged by distant memory. I will love you no matter where you go and who you see, I will love you if you don't marry me. I will love you if you marry someone else--and i will love you if you never marry at all, and spend your years wishing you had married me after all. That is how I will love you even as the world goes on its wicked way.
Lemony Snicket (The Beatrice Letters (A Series of Unfortunate Events, #12.5))
I bet him and all his Guy brothers had burst through the nightclub entrance, poured an insane amount of alcohol into their systems, and snatched at anything with a pulse that wandered past their sloshed eyes. I bet after all the hoopla subsided, the demented Guys spilled out of the nightclub at some ungodly hour, intoxicated blood pumping, gallivanting around the city like foul beasts seeking their next series of exploitations.
Jasun Ether (The Beasts of Success)
Their branches shook as if trying to dislodge beetles crawling up their bony arms.
Susan Rowland (The Swan Lake Murders (Mary Wandwalker #4))
Every tattoo I got with them is a mark of their friendship, and almost every time I have laughed in this dark place was because of them. I don’t want to lose them. But I feel like I have already.
Veronica Roth (Divergent (Divergent, #1))
No one was to blame for what happened, but that does not make it any less difficult to accept. It was all a matter of missed connections, bad timing, blundering in the dark. We were always in the right place at the wrong time, the wrong place at the right time, always just missing each other, always just a few inches from figuring the whole thing out. That's what the story boils down to, I think. A series of lost chances. All the pieces were there from the beginning, but no one knew how to put them together.
Paul Auster (Moon Palace)
Then sail, my fine lady, on the billowing wave - The water below is as dark as the grave, And maybe you'll sink in your little blue boat - It's hope, and hope only, that keeps us afloat
Margaret Atwood (The Penelopiad)
I always knew there was no one who is going to accept my flaws and understand my brokenness.And i knew it very well that nobody would hold my hand when the wind of darkness overcome my life so i just pushed them,i pushed them all away.
Carl W. Bazil
I like you, Dawn. I've seen a lot of humans, from far away and up close. I've never met one like you. I think you're the closest thing to a sunrise I'll ever see.
J.A. London (Darkness Before Dawn (Darkness Before Dawn #1))
The central theme of Anna Karenina," he said, "is that a rural life of moral simplicity, despite its monotony, is the preferable personal narrative to a daring life of impulsive passion, which only leads to tragedy." "That is a very long theme," the scout said. "It's a very long book," Klaus replied. [...] "Or maybe a daring life of impulsive passion leads to something else," the scout said, and in some cases this mysterious person was right. A daring life of impulsive passion is an expression which refers to people who follow what is in their hearts, and like people who prefer to follow their head, or follow a mysterious man in a dark blue raincoat, people who lead a daring life of impulsive passion end up doing all sorts of things.
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
Jack couldn't help but watch Nonie as she left. She looked to be twenty-nine, thirty at the most, stood maybe five foot-four and was slender. She had shoulder-length, curly, walnut-colored hair and the largest most beautiful blue eyes he'd ever seem Her nose and ears were small in comparison to her full lips, which he'd give anything to kiss.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Of course, it is quite possible to be in the dark in the dark, but there are so many secrets in the world that it is likely that you are always in the dark about one thing or another, whether you are in the dark in the dark or in the dark not in the dark, although the sun can go down so quickly that you may be in the in the dark about being in the dark, only to look around and find yourself no longer in the dark about being in the dark, but in the dark in the dark nontheless, not only because of the dark, but because of the ballerinas in the dark, who are not in the dark about the dark, but also not in the dark about the locked cabinet, and you may be in the dark about the ballerinas digging up the locked cabinet in the dark, even though you are no longer in the dark about being in the dark, and so you are in fact in the dark about being in the dark, even though you are not in the dark about being in the dark, and so you may fall into the hole that the ballerinas have dug, which is dark, in the dark, and in the park.
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
Let us advance on Chaos and the Dark
Ralph Waldo Emerson (Self-Reliance: An Excerpt from Collected Essays, First Series)
Can I just point something out?" Fletcher asked. "That is an awful plan. On a scale of one to ten - the Trojan War being a ten and General Custer verus all those Indians being a one - your plan is a zero. I don't think it is a plan at all. I think it's just a series of happenings that are, to be honest, unlikely to follow on from each other in the way in which everyone's probably hoping." "Do you have a better plan?" Valkyrie asked. "Of course not. I'm a man of action, not thought." Valkyrie nodded. "You're definitely not a man of thought." "Why are you in charge anyway? What do you know about organising something like this?" "I have faith," Tanith said. "As do I," said Ghastly. Valkyrie smiled at them gratefully. "So you think the plan will work?" "God, no," said Ghastly. "Sorry, Val," said Tanith
Derek Landy
So I flirt with disaster once or twice. Who doesn’t?” He snorted. “You don’t just flirt with disaster, you have intercourse with it.
Dannika Dark (Impulse (Mageri, #3))
The most self-damaging words in the English language are: try, might, and if. These are words of uncertainty. Will you fail? That is possible. But continue doubting your abilities and you’ll never succeed.
Dannika Dark (Gravity (Mageri, #4; Mageriverse #4))
Wherever there is light, look for the shadow. The shadow is me.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
As Hamlet said to Ophelia, ”God has given you one face, and you make yourself another." The battle between these two halves of identity...Who we are and who we pretend to be, is unwinnable. "Just as there are two sides to every story, there are two sides to every person. One that we reveal to the world and another we keep hidden inside. A duality governed by the balance of light and darkness, within each of us is the capacity for both good and evil. But those who are able to blur the moral dividing line hold the true power.
Emily Thorne
I lived in a really dark place. I wasn't safe in my own mind. I woke up every morning hoping to die and then spent the rest of the day wondering if maybe I was already dead because I couldn't even tell the difference.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Hello, Darkness," Caine said. Gaia's face fell. Her bloody, feral grin faded to be replaced by lips drawn right with fear. Her killer blue eyes widened as she looked at Caine who was no longer Caine. "Nemesis," Gaia said.
Michael Grant (Light (Gone, #6))
I feel it, I feel my thin morals dissolving. I feel my flimsy, moth-eaten skin of humanity begin to come apart, and with it, the veil keeping me from complete darkness. There are no lines I won't cross. No illusions of mercy. I wanted to be better for her. For her happiness. For her future. But if she's gone, what good is goodness? - Warner
Tahereh Mafi (Defy Me (Shatter Me, #5))
Oh, uh-uh," Shaundelle said. "I'm not gonna be no place where no ghost is gonna be knockin' nobody upside the head. I'm outta here. I'm not going to take any chances that some ghost is gonna mess up this pretty face.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Because I know it in my bones. You are the only female I desire, the only water that will quench my thirst, the only sun that will warm my skin, the only lips that were made for mine.
Dannika Dark (Impulse (Mageri, #3))
If you are sitting in the dark (due to depression) go turn the light on. If you can't find the light switch, seek the help of someone who can.
Stephanie Anne Allen (How to Survive Depression: Book #1 in How to Survive Series)
Margaret's voice, with its raspy twang, reminded her of magnolias and whiskey.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Nothing is forever. Except atoms.
Dannika Dark (Gravity (Mageri, #4; Mageriverse #4))
I was beginning to think that Simon just had a bad case of OCD, ADD, and PMS. With a little BS and OMG mixed in.
Dannika Dark (Gravity (Mageri, #4; Mageriverse #4))
Two imperfect people met each other... They fell in love... And they became ideal for each other...
Yanina K. (Seduction by Death: Seduction Series)
What's he saying?" Buggy asked, her voice shaky. "That there's something up in the attic that we should be careful of because it could be dangerous. "Oh, uh-uh, I'm not going up there," Buggy said, You can send Shaundelle up there, but I'm keeping my little white ass down here.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
All cats are gray in the dark. And besides, her actions have less to do with her, and everything to do with you.
Jaye Frances (The Kure)
Old dark sleepy pool... Quick unexpected frog Goes plop! Watersplash!
Matsuo Bashō (Japanese Haiku (Japanese Haiku Series I))
You will shout my name loudly and bedependent on my caresses.
Yanina K. (Seduction by Death: Seduction Series)
Two gasps rang out. The first one came from Clara, the second from Fezzo. One moment they'd been looking at a mound of concrete, and now they were staring at two human feet. They were crossed at the ankle so that tops of the feet faced each other and rested toe to toe.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Nonie chewed on her bottom lip for a moment. She'd told Fezzo so much already yet there wasn't a speck of incredulity in his eyes. His expression was serious, and she had his full attention. "I'm not quite sure about what to do with Helen, the ghost that followed me home.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Sometimes a woman has experienced too much life to have any blush left in her cheeks, but the man who puts it there is someone not easily forgotten.
Dannika Dark (Five Weeks (Seven, #3; Mageriverse #9))
He'd died. Plain and simple. And it pissed him off. Left him frustrated and disappointed. Where had all , the guardian angel crap they'd fed him in catechism gone to? He'd seen no angels, seraphim, archangels or pearly gates. No one to show him the ropes now that he was dead. What the hell was he supposed to do?
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Sometimes an angel is found in the dark.
K. Webster (Alpha & Omega (Alpha & Omega, #1))
What good is it to be rich if we canna scrape up the scratch to buy a political prisoner on a whim?
Kresley Cole (MacRieve (Immortals After Dark, #13))
Doubt is a disease that infects the mind creating a mistrust of peoples motives and ones own perceptions. Doubt has the ability to call into questions everything you ever believed about someone and reinforce the darkest suspicions of our inner circle.
Emily Thorne
In any case, this is how all our stories begin, in darkness with our eyes closed, and all our stories end the same way, too, with all of us uttering some last words—or perhaps someone else’s—before slipping back into darkness as our series of unfortunate events comes to an end.
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
When Shaundelle turned and looked back at Nonie she had her lips pursed. "The man say wear whatever you want. Wear black, girl. It's slimmin', not that you need any slimmin' with your skinny self, but it makes me look like I've been dietin' for a week. I don't want to be the only one wearin' black, so wear black, okay?
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Although this scouting gig sounded like a financial hit, it made Nonie extremely nervous. She feared someone slip--that someone being Buggy--and others would find out Nonie's secret. And if the wrong person caught wind that she could see and speak to the dead, word would spread through Clay Point like ants at a picnic.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
If there's happiness tucked away in my tragedies, I'll find it no matter what. If the blind can find joy in music, and the deaf can discover it with colors, I will do my best to always find the sun in the darkness because my life isn't one sad ending - it's a series of endless happy beginnings.
Adam Silvera (More Happy Than Not)
In my dreams I am safe; I have a strong hand to hold; a door to lock against the dark; a trusted ear into which I whisper my fears. In my dreams I am patient and kind; I have room in my heart for more pain than my own. I am not afraid to smile at strangers. I have never witnessed death.
Tahereh Mafi (Watch Me (Shatter Me: The New Republic, #1))
Saturday morning was their unrestricted television time, and they usually took advantage of it to watch a series of cartoon shows that would certainly have been impossible before the discovery of LSD.
Jeff Lindsay (Dexter in the Dark (Dexter, #3))
The phrase "in the dark," as I'm sure you know, can refer not only to one's shadowy surroundings, but also to the shadowy secrets of which one might be unaware. Every day, the sun goes down over all these secrets, and so everyone is in the dark in one way or another. If you are sunbathing in a park, for instance, but you do not know that a locked cabinet is buried fifty feet beneath your blanket, then you are in the dark even though you are not actually in the dark, whereas if you are on a midnight hike, knowing full well that several ballerinas are following close behind you, then you are not in the dark even if you are in fact in the dark. Of course, it is quite possible to be in the dark in the dark, as well as to be not in the dark not in the dark, but there are so many secrets in the world that it is likely that you are always in the dark about one thing or another, whether you are in the dark in the dark or in the dark not in the dark, although the sun can go down so quickly that you may be in the dark about being in the dark in the dark, only to look around and find yourself no longer in the dark about being in the dark in the dark, but in the dark in the dark nonetheless, not only because of the dark, but because of the ballerinas in the dark, who are not in the dark about the dark, but also not in the dark about the locked cabinet, and you may be in the dark about the ballerinas digging up the locked cabinet in the dark, even though you are no longer in the dark about being in the dark, and so you are in fact in the dark about being in the dark, even though you are not in the dark about being in the dark, and so you may fall into the hole that the ballerinas have dug, which is dark, in the dark, and in the park.
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
After a minute he said, "It's like-I don't know how to describe it, but it's like I belong with Jade. She really sees me. I mean, not the outside stuff. She sees me inside, and she likes me. Nobody else has ever done that…except you.
L.J. Smith (Night World, No. 1 (Night World, #1-3))
Twilight whippoorwill... Whistle on, sweet deepener Of dark loneliness
Matsuo Bashō (Japanese Haiku (Japanese Haiku Series I))
Don’t worry…three vampire meanies and a horse won’t keep me away from you.” Kalina looked at Jaegar. Jaegar shrugged. “If you don’t get it, it’s before your time.” “And what time is that?” “The Dark Ages…that’s why you’ve never heard of it before. Everything was kept in the dark…
Kailin Gow (The PULSE Papers (Pulse #4.5))
I swear I won't touch you even with a finger until you ask me yourself.
Olga Goa (Fateful Italian Passion)
I feel the nights stretching away thousands long behind the days till they reach the darkness where all of me is ancestor.
Annie Finch (Spells: New and Selected Poems (Wesleyan Poetry Series))
The body was far smaller than the heart it had held
Stephen King
I'm so much worse and better than you. I'm the thing the monsters in the dark fear. And now i'm even the Boogeyman's nightmare.
S.T. Abby (Mindf*ck Series (Mindf*ck, #1-5))
Kowkosvki? You handling this?” “I am.” The suit turned and stared at me with his dark eyes. “Detective Hayden. I take it you’re the shooter?” “I am.” “And you are?” “Jack Ludefance. I’m a PI hired by Mr. Kingsley to investigate the murder of Professor Zambear.” “Oh, yeah, I heard about you. Who’s in the bedroom?” “Rudy Orkut. My computer tech.” “Computer tech, huh? Any idea who this dead body is?” “Not a clue.
Behcet Kaya (Uncanny Alliance (Jack Ludefance PI Series))
Although it was only six o'clock, the night was already dark. The fog, made thicker by its proximity to the Seine, blurred every detail with its ragged veils, punctured at various distances by the reddish glow of lanterns and bars of light escaping from illuminated windows. The road was soaked with rain and glittered under the street-lamps, like a lake reflecting strings of lights. A bitter wind, heavy with icy particles, whipped at my face, its howling forming the high notes of a symphony whose bass was played by swollen waves crashing into the piers of the bridges below. The evening lacked none of winter's rough poetry.
Théophile Gautier (Hashish, wine, opium (Signature series))
The Doctor: You betrayed me. You betrayed my trust, you betrayed our friendship, you betrayed everything I ever stood for. You let me down! Clara: Then why are you helping me? The Doctor: Why? Do you think I care for you so little that betraying me would make a difference?
Dark Water (Series 8)
The words of men cannot be trusted, especially men like you!
Olga Goa (Fateful Italian Passion)
I don't want you to leave. I want you to stay.
Olga Goa (Fateful Italian Passion)
The Man in Black fled across the desert, and the Gunslinger followed
Stephen King (The Gunslinger (The Dark Tower, #1) separate)
You have the Answer. Just get quiet enough to hear it. ~Pat Obuchowski
Laurie Stevens (The Dark Before Dawn (Gabriel McRay #1))
But you know, mon petite, what you got is a gift. And when de good Lord gives you a gift you have to use it. Dat's why he put you here on dis earth. Sometime it's gonna be to help a soul cross over to de other side to meet him. If dat's whey you gott do, den dat's what you gotta do. You can't just keep collecting de dead. You gonna have to find a way to take what you got and work wit dat.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
The past is a tricky thing. Sometimes it's etched in stone. And other times, it's rendered in soft memories. But if you meddle too long in deep, dark things... Who knows what monsters you'll awaken?
Emily Thorne
A brave girl! And a unique one. The best that I have ever met in my life.
Olga Goa (Fateful Italian Passion)
What we’ve got here is a lunatic genius ghost-in-the-computer monorail that likes riddles and goes faster than the speed of sound. Welcome to the fantasy version of One Flew Over the Cuckoo’s Nest.
Stephen King (The Waste Lands (The Dark Tower, #3))
For the righteous, the revelation is a joyous event, the realization of a divine truth. But for the wicked, revelations can be far more terrifying, when dark secrets are exposed and sinners are punished for their trespasses.
Emily Thorne
We do not lead others into the Light by stepping into the darkness with them.
Melody Beattie (The Language of Letting Go: Daily Meditations on Codependency (Hazelden Meditation Series))
Because when we stop growing and learning, we start dying.
Melissa K. Roehrich (Lady of Darkness (Lady of Darkness Series #1))
But, my dear, so few things are fulfilled: what are most lives but a series of incompleted episodes? 'We work in the dark, we do what we can, we give what we have. Our doubt is our passion and our passion is our task...' It is wanting to know the end that makes us believe in God, or witchcraft, believe, at least, in something.
Truman Capote (Other Voices, Other Rooms)
Fairy tales, then, are not responsible for producing in children fear, or any of the shapes of fear; fairy tales do not give the child the idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon. Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear.
G.K. Chesterton (Tremendous Trifles)
Find my hand in the darkness and if we cannot find the light, we will always make our own.
Tyler Knott Gregson (Chasers of the Light: Poems from the Typewriter Series)
Don't be shy, dear. I'm too old for you to be embarrassed by me.
Olga Goa (Fateful Italian Passion)
Maybe. Maybe is gradations of darkness. The sweetest torture. Maybe is hope.
Emma Scott (Rush (City Lights Series, #3))
The finest thing in the world is knowing how to belong to oneself. Michel de Montaigne
Laurie Stevens (The Dark Before Dawn (Gabriel McRay #1))
One of the most effective forms of industrial or military sabotage limits itself to damage that can never be thoroughly proven - or even proven at all - to be anything deliberate. It is like an invisible political movement; perhaps it isn't there at all. If a bomb is wired to a car's ignition, then obviously there is an enemy; if public building or a political headquarters is blown up, then there is a political enemy. But if an accident, or a series of accidents, occurs, if equipment merely fails to function, if it appears faulty, especially in a slow fashion, over a period of natural time, with numerous small failures and misfiring- then the victim, whether a person or a party or a country, can never marshal itself to defend itself.
Philip K. Dick (A Scanner Darkly)
You're very naive and innocent, and don't understand a lot of things yet.
Olga Goa (Fateful Italian Passion)
Everyone thinks to the extent of their own depravity.
Olga Goa (Fateful Italian Passion)
The Tower trembles; the worlds shudder in their courses. The rose feels a chill, as of winter.
Stephen King (UR)
If you were silent Flight of herons on dark sky... Oh! Autumn snowflakes!
Sokan (Japanese Haiku (Japanese Haiku Series I))
Darkness scares us. We yearn for the comfort of light as it provides shape and form, allowing us to recognize and define what's before us. But what is it we're afraid of really? Not the darkness itself, but the truth we know hides within.
Emily Thorne
Who's the young man beside you?" Helen suddenly asked. "Oh, I see, you're one of us." She turned to Nonie. "And you did introduce us before." She tapped a finger against her right temple. "Every once in a while this old clock up here forgets to click to the next second. I apologize for that.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
The children knew, as I'm sure you know, that there is usually no reason to be afraid of the dark, but even if you are not particularly afraid of something, you might not want to get near it
Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
You are like a narcotic plant.
Olga Goa (Fateful Italian Passion)
Because sometimes we just need someone to sit with us in the darkness in the middle of the mess,
Melissa K. Roehrich (Lady of Darkness (Lady of Darkness Series #1))
This isn’t going to be a cute little storybook you can close when you’re done. You open this and you’re going to be letting things out you cannot possibly imagine. And believe me when I tell you this is no fairytale.”–Eli (Darkness Of Light)
Stacey Marie Brown (Darkness of Light (Darkness, #1))
Kaz had rescued her from that hopelessness, and their lives had been a series of rescues ever since, a string of debts that they never tallied as they saved each other again and again. Lying in the dark, she realized that for all her doubts, she’d believed he would rescue her once more, that he would put aside his greed and his demons and come for her. Now she wasn’t so sure. Because it was not just the sense in the words she’d spoken that had stilled Van Eck’s hand but the truth he’d heard in her voice. He’ll never trade if you break me. She could not pretend those words had been conjured by strategy or even animal cunning. The magic they’d worked had been born of belief. An ugly enchantment.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
no matter how early you rise or how late you turn in, you never see that point where light begins or the first bruise of darkness bleeds in under its fragile skin; the beauty, and the scary, unfathomable wisdom of transition.
Irvine Welsh (Skagboys (Mark Renton Series Book 1))
Without darkness, nothing comes to birth, As without light, nothing flowers.
Jessica Shirvington (Entice (The Embrace Series, #2))
Come come! Come Out! From bogs old frogs command the dark and look...the stars
Kikaku (Japanese Haiku (Japanese Haiku Series I))
All the jarring, rattling and clanking, spurting and hissing of the moving train of the train dissolved in the distance into something that was half a sob and half a sigh.
R.K. Narayan (Swami and Friends, The Bachelor of Arts, The Dark Room, The English Teacher: Introduction by Alexander McCall Smith (Everyman's Library Contemporary Classics Series))
Your lifemate is a mean little thing healer. I do not envy you. Aidan Savage, Dark Magic
Christine Feehan (Dark Magic (Dark, #4))
I hate you.” “Okay, let's start with hate.” “What does it mean?” “This means that I will make you experience, Vivien, full range of emotions and the last one will be obsession. Exactly the same one that makes me feel my little heart for you.
Yanina K. (Seduction by Death: Seduction Series)
I laugh, and it’s laughter, not light, that casts out the darkness building within me, that reminds me I am still alive, even in this strange place where everything I’ve ever known is coming apart. I know some things—I know that I’m not alone, that I have friends, that I’m in love. I know where I came from. I know that I don’t want to die, and for me, that’s something—more than I could have said a few weeks ago.
Veronica Roth (Allegiant (Divergent, #3))
Back in 2010, I introduced fairies and fantasy creatures as having silver blood in Bitter Frost and then Silver Frost. This silver blood is what makes them fey versus human or any other creatures. Now in Ring of Ice when there is a convergence of the fey and the dark ones (vampires), you the resemblance between these two race of creatures, which is the next Frost books. After the film release of Bitter Frost of course!
Kailin Gow (Bitter Frost (Frost, #1))
with the night falling we are saying thank you we are stopping on the bridge to bow from the railings we are running out of the glass rooms with our mouths full of food to look at the sky and say thank you we are standing by the water looking out in different directions back from a series of hospitals back from a mugging after funerals we are saying thank you after the news of the dead whether or not we knew them we are saying thank you in a culture up to its chin in shame living in the stench it has chosen we are saying thank you over telephones we are saying thank you in doorways and in the backs of cars and in elevators remembering wars and the police at the back door and the beatings on stairs we are saying thank you in the banks that use us we are saying thank you with the crooks in office with the rich and fashionable unchanged we go on saying thank you thank you with the animals dying around us our lost feelings we are saying thank you with the forests falling faster than the minutes of our lives we are saying thank you with the words going out like cells of a brain with the cities growing over us like the earth we are saying thank you faster and faster with nobody listening we are saying thank you we are saying thank you and waving dark though it is
W.S. Merwin
It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try to readjust the way you thought of things.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
You can't push me away, mio cuore. You can't!
Olga Goa (Fateful Italian Passion)
Scusi mia bella*, but it runs in the blood of all Italians to be skillful lovers. So you have to get used to this.
Olga Goa (Fateful Italian Passion)
I cannot believe that you're still a girl. Your kisses don’t seem that innocent. They are driving me crazy.
Olga Goa (Fateful Italian Passion)
Forget everything that surrounds you. Think that there’s just you and me in this wide world.
Olga Goa (Fateful Italian Passion)
The passageway was still as dark as a bar of extra-dark chocolate sitting in a planetarium covered in a thick, black blanket
Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
Tears are pouring down my cheeks like tiny rivers, soaking my shirt with dark patches of my salty happiness.
A.R. Von (Reunion (Wunder #2))
C'mon, lets get out of here. It's too dark. Besides, its more fun if I can see you while you're bitching me out.
Kimberly Derting
It was a mistake bacause Ifell under his warmth and aroma, his smell. For a split a second, I closed my eyes, enjoing this moment.
Yanina K. (Seduction by Death: Seduction Series)
The intensity in his gaze created a flutter low in my belly. When he spoke, his voice was rough, sending a series of chills up and down my spine. “I don’t know what made you change your sleeping attire, but I just want to let you know that I am a hundred and fifty-five percent behind it.” All I could think was that he liked what he saw and that was a good sign. “Actually, if you want to dress like that whenever we’re alone—to eat dinner, watch the TV, read a book or whatever, I also support that.
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
what is a dream but a series of lies designed to keep us immobilized in a dark room for hours at a time
Daniel M. Lavery (Texts from Jane Eyre: And Other Conversations with Your Favorite Literary Characters)
Stop smiling as if I’ve been acquainted with you for ages!
Olga Goa (Fateful Italian Passion)
I think the word ‘pleasure’ is unknown to you. More precisely, its practical meaning.
Olga Goa (Fateful Italian Passion)
I’m giving pleasure to you. Don’t interfere.
Olga Goa
If you were three times poor, I would still have paid attention to you and fell head over heels in love with you.
Olga Goa (Fateful Italian Passion)
I want this to be everything you want it to be." Leaning in, he smiles and says, "I want you to see your dream come to life.
Christina Lauren (Dark Wild Night (Wild Seasons, #3))
Darkness will always be...its own master...
C.K. Mullinax (Ember Celestial Tempest (Ember #3))
Blood. There's blood on you, " he whispers to me, drawing circles on my cheek, wiping the blood with one finger.
Yanina K. (Seduction by Death: Seduction Series)
Darkness is not a bad thing, Scarlett, but do not let it overtake the stars.
Melissa K. Roehrich (Lady of Darkness (Lady of Darkness Series #1))
Ahhh, you two are special friends." Nick "How do you mean?" Kyrian "He thinks we're a couple" Ash "No No No Definitely not. Not that Acheron is not an attractive man, not that I've ever really noticed whether or not he's attractive, but male is not my type." Kyrian
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
The guy stroked his goatee. “What do you call twenty guys watching the World Series?” “The New York Yankees,” Butch replied. The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
With painstaking rumination, the tips of his fingers grazed over my neck, a deafening silence. I didn't move as his hand paused at the base of my throat. He listened to the arrhythmic beating of my heart, my pulse thumping beneath his fingers. He kissed me along my neckline and throat. I almost burst apart from the longing. My blood burned for him.
Rae Hachton
The little island seemed to float on the dark lake-waters. Trees grew on it, and a little hill rose in the middle of it. It was a mysterious island, lonely and beautiful. All the children stood and gazed at it, loving it and longing to go to it. It looked so secret - almost magic. “Well,” said Jack at last. “What do you think? Shall we run away, and live on the secret island?” “Yes!” whispered all the children. “Let’s!
Enid Blyton (The Secret Island (Secret Series, #1))
And you haven’t got a ‘pause’ button, have you? You are just uncontrollable!
Olga Goa (Fateful Italian Passion)
If you go on touching me, I’ll catch fire before your eyes.
Olga Goa (Fateful Italian Passion)
If your parents left you, it doesn’t mean that other people will also do it to you.
Olga Goa (Fateful Italian Passion)
I'm afraid that if we move on to such topics, I won't be able to let you go safe and sound.
Olga Goa (Fateful Italian Passion)
Will you cry? Will you miss me?
C.J. Roberts
You’re the light in my darkness, Charlotte.
Emma Scott (Rush (City Lights Series, #3))
Maybe what I told her was a lie. Maybe I could be what she deserved. Maybe I could make the same teeth-clenching, sweat-pouring effort I’d put into my PT, and channel that into living blind, so that she wouldn’t have to constantly be cleaning up after me, or dragging my ass out of the house. My endless black was never going to go away. That was certainty. But kissing Charlotte had been a burst of light streaking across it, like a comet. Maybe. Maybe is gradations of darkness. The sweetest torture. Maybe is hope.
Emma Scott (Rush (City Lights Series, #3))
Did you see the look on that guy's face when he hit the ground? He was all like "Come here, defenceless little girl,' and then you were like 'BAM! Take that, suck-face! I've got superpowers!
Bree Despain (The Lost Saint (The Dark Divine, #2))
It's just like in a Brazilian serial! Destiny has brought us together.
Olga Goa (Fateful Italian Passion)
I need only you, Milano, not your money.
Olga Goa (Fateful Italian Passion)
Once when Monty was in kindergarten, I had read to him and was trying to get him to go to sleep. He said he didn't want to close his eyes because "It's dark in there.
Charles M. Schulz (Charles M. Schulz: Conversations (Conversations with Comic Artists Series))
In addition, he really killed me without touching me, but it was not physical death.
Yanina K. (Seduction by Death: Seduction Series)
Occasionally, events in one's life become clearer through the prism of experience, a phrase which simply means that things tend to be clearer as time goes on. For instance, when a person is just born, they usually have no idea what curtains are and spend a great deal of their first months wondering why on earth Mommy and Daddy have hung large pieces of cloth over each window in the nursery. But as the person grows older, the idea of curtains becomes clearer through the prism of experience. The person will learn the word "curtains" and notice that they are actually quite handy for keeping a room dark when it is time to sleep, and for decorating an otherwise boring window area. Eventually, they will entirely accept the idea of curtains of their own, or venetian blinds, and it is all due to the prism of experience.
Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
The Goddess spoke to all the dead. She was beloved for it. It seemed she passed on that gift to you. Oh, it taxed her immensely, but she tried to set as many to rest as she could. Sometimes it only takes one word of kindness, you know, to set a soul at ease.
Leanna Renee Hieber (The Darkly Luminous Fight for Persephone Parker (Strangely Beautiful, #2))
How can it surprise any of you that loves could break the curse? You, whose very genetic makeup forces you to love so deeply that you can't even survive without your mate? It's no coincidence that the saying is 'love conquers all'. It's a tale as old as time.
Quinn Loftis (Out of the Dark (The Grey Wolves, #4))
There is a reason why morning follows night, hjälte. After times of great darkness, we must take time to mourn all we have lost and all who were lost, even as hope rises with the sun.
Emory R. Frie (Realm of the Snow Queen (The Realms Series, #5))
Mr. Normal stepped forward and offered him a Scotch bottle. "You look like you could use some." Yeah, you think? Butch took a swig. "Thanks." "So can we kill him now?" said the one with the goatee and the baseball hat. Beth's man spoke harshly. "Back off, V." "Why? He's just a human." "And my shellan is half-human. The man doesn't die just because he's not one of us." "Jesus, you've changed your tune." "So you need to catch up, brother." Butch got to his feet. If his death was going to be debated, he wanted in on the discussion. "I appreciate the support," he said to Beth's boy. "But I don't need it." He went over to the guy with the hat, discreetly switching his grip on the bottle's neck in case he had to crack the damn thing over a head. He moved in tight, so their noses were almost touching. He could feel the vampire heating up, priming for a fight. "I'm happy to take you on, asshole," Butch said. "I'll probably end up losing, but I fight dirty, so I'll make you hurt while you kill me." Then he eyed the guy's hat. "Though I hate clocking the shit out of another Red Sox fan." There was a shout of laughter from behind him. Someone said, "This is gonna be fun to watch." The guy in front of Butch narrowed his eyes into slits. "You true about the Sox?" "Born and raised in Southie. Haven't stopped grinning since '04." There was a long pause. The vampire snorted. "I don't like humans." "Yeah, well, I'm not too crazy about you bloodsuckers." Another stretch of silence. The guy stroked his goatee. "What do you call twenty guys watching the World Series?" "The New York Yankees," Butch replied. The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh. Just like that, the tension was broken.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Just as there are two sides to every story, there are two sides to every person. One that we reveal to the world and another we keep hidden inside. A duality governed by the balance of light and darkness. Within each of us is the capacity for both good and evil. But those of us who are able to blur the moral dividing line hold the true power.
Emily Thorne
There is beauty in the courage of the fragile fighter. Those that persevere, despite all they’ve been through, those who still believe there is good in the world, as dark things we often find we need that light the most.
Klaus Mikaelson
I atone in my heart for the mistakes I have made: the recklessness and irresponsibility, the laziness and dishonesty, the harm I have caused to myself or others. I pray for those who I may have hurt, and ask that they be healed of any pain I might have caused them. I vow to be a better person now, that I might rise where before I had fallen, and shine where I had dwelled in darkness.
Marianne Williamson (A Year of Miracles: Daily Devotions and Reflections (The Marianne Williamson Series))
And through a dark night of the soul, I came to realize that salvation happens through a mysterious, indefinable, relational interaction with Jesus in which we become one with Him. I realized Christian conversion worked more like falling in love than understanding a series of concepts of ideas. This is not to say there are no true ideas, it is only to say there is something else, something beyond.
Donald Miller
I have seen a stunning amount of death and destruction. Creation yes, but more death than birth. Mankind has learned nothing from their forefathers. Their ancestors. It is true what they say: history does repeat itself, Delacroix, and those after history are left to make it, but how can they,” he removed his hand from the globe, waving it thoughtfully through the air, “when it has already been made?
S.C. Parris (The Dark World (The Dark World 1))
Normally, the author retains copyright of their work unless he is hired or employed by some other person to create the work, in which event the employer is the owner.” “You mean to tell me Dresden held the copyright on the entire Trade Secrets series?” Iris asked. Mathew grabbed a slice of pizza and bit it in half. “I never liked that man.
Diane L. Kowalyshyn (Double Cross (Cross Your Heart and Die, #2))
Anna Petrovna: Do you know what, Kolya? Try and sing, laugh, get angry, as you once did... You stay in, we'll laugh and drink fruit liqueur and we'll drive away your depression in a flash. I'll sing if you like. Or else let's go and sit in the dark in your study as we used to, and you'll tell me about your depression... You have such suffering eyes. I'll look into them and cry, and we'll both feel better.
Anton Chekhov (Ivanov (Plays for Performance Series))
An ordinary man can enjoy breakfasting on juice and rye bread. But when you are underfed, scorned, miserable or just plain bored, you don’t want to eat dull wholesome food. You want something a little more colourful, exciting, tastier, meatier and juicier.
R.S. Vern (The Unconventional Life of Haee (Haee and the Other Middlings, #2))
My life ended when I was 20. Since then it’s been merely a series of endless reminiscences, a dark, winding corridor leading nowhere. Nevertheless, I had to live it, surviving each empty day, seeing each day off still empty.
Haruki Murakami (Kafka on the Shore)
Dracula : Dying is the only remaining novelty. Every other human experience is catalogued somewhere in your endless chattering libraries. Nothing comes fresh. Every living instant is shop-soiled and secondhand except that one moment in life that no one can report back on. In a world of travelled roads, death is the last unprinted snow.
Dracula
We must have a creature made of Darkness to break through the cage of Darkenss that imprisons your grandmother," Thanatos said. "That creature is me." Aurox stepped forward. "Oh, for shit's sake! We are absolutely fucked!" Aphrodite said. Sadly I had to agree with her.
P.C. Cast (Hidden (House of Night, #10))
Some monsters disguise themselves so well you don’t realize that they’re monsters until it’s too late. You check all of the usual places: under the bed, in the closet, behind the shower curtain, around that suspicious, dark corner of your room. No, some monsters don’t look like monsters at all. But they are, have been, and always will be there.
Nikki Rae (Sunshine (Sunshine, #1))
Do you know how I love you? My spirit leisurely roams around yours until it discovers a crevice. It then trickles inward through that crevice, pouring my affection into its depths. Yet, as the same crevice resides within my own soul, I inadvertently inflict pain upon you, for our crevices are sharp and profound.
Seda Ulu (Darkness In The Light #2)
If you have ever felt the world melt away when the woman you know is destined to be yours walks into the room; if you have felt your soul reach out to hers, finally making you feel whole; if you tremble when you touch her from sheer awe at being the one who has that right; if the darkness swallows you and you begin to suffocate at the thought of losing her, then you will have a small taste of what it is like to be bonded.
Quinn Loftis (Beyond the Veil (The Grey Wolves, #5))
A fourth group of people climbs from ignorance and pretends to possess the rational faculty. They suppose that the highest felicity is the expansion of honor and fame, the spread of reputation, a multiplicity of followers, and the influence of the command that is obeyed. Hence, you see that their only concern is eye service and cultivation of the things upon which observers cast their glance. One of them may go hungry in his house and suffer harm so that he can spend his wealth on clothes with which to adorn himself so that no one will look at him with the eye of contempt when he goes out. The types of these people are beyond count. All of them are veiled from Allah by the sheer darkness that is their own dark souls.
Abu Hamid al-Ghazali (The Niche of Lights (Brigham Young University - Islamic Translation Series))
The Force is not so simple, and neither are the emotions of living creatures. Most Jedi have felt the temptation of the dark side. It is only natural. But we resist it. It is a deliberate path to the dark, not a series of bad days. Being a Jedi is about choosing the light over and over again.
Justina Ireland (A Test of Courage (Star Wars: The High Republic))
Cleaners have a dark side, and a zone you can’t enter. They get what they want, but they pay for it in solitude. Excellence is lonely. They never stop working, physically or mentally, because it gives them too much time to think about what they’ve had to endure and sacrifice to get to the top.
Tim S. Grover (Relentless: From Good to Great to Unstoppable (Tim Grover Winning Series))
Even if they did hear, they'd keep walking. That's what people do. They tell themselves they'll just die too. They tell themselves their life is more precious than the person dying at close to their feet. They just don't give a fuck in short. A dark smiles curves my lips as he stares up at me in suprised horror. He came into this alley as the predator. He'll die as the prey.
S.T. Abby (Mindf*ck Series (Mindf*ck, #1-5))
Once a man offered me his heart and I said no. Not because I didn’t love him. Not because he was a beast or white — I couldn’t love him. Do you understand? In bed while we slept, our bodies inches apart, the dark between our flesh a wick. It was burning down. And he couldn’t feel it.
Eduardo C. Corral (Slow Lightning (Volume 106) (Yale Series of Younger Poets))
I'm afraid it's not nonsense," Genghis said, shaking his turbaned head and continuing his story. "As I was saying before the little girl interrupted me, the baby didn't dash off with the other orphans. She just sat there like a sack of flour. So I walked over to her and gave her a kick to get her moving." "Excellent idea!" Nero said. "What a wonderful story this is! And then what happened?" "Well, at first it seemed like I'd kicked a big hole in the baby," Genghis said, his eyes shining, "which seemed lucky, because Sunny was a terrible athlete and it would have been a blessing to put her out of her misery." Nero clapped his hands. "I know just what you mean, Genghis," he said. "She's a terrible secretary as well." "But she did all that stapling," Mr. Remora protested. "Shut up and let the coach finish his story," Nero said. "But when I looked down," Genghis continued, "I saw that I hadn't kicked a hole in a baby. I'd kicked a hole in a bag of flour! I'd been tricked!" "That's terrible!" Nero cried.
Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
It was all a matter of missed connections, bad timing, blundering in the dark. We were always in the right place at the wrong time, always just missing each other, always just a few inches from figuring the whole thing out. That’s what the story boils down to, I think. A series of lost chances. All the pieces were there from the beginning, but no one knew how to put them together.
Paul Auster (Moon Palace)
It's not easy being the Chosen One. Just ask Buffy Summers. Ask Harry Potter. And ask Zoey Redbird, the latest in this list of "lucky" candidates picked by fate to save the world from darkness- and oh yeah, find romance, keep their friends and maybe not flunk every class. In their spare time of course.
Jeri Smith-Ready (Nyx in the House of Night: Mythology, Folklore and Religion in the PC and Kristin Cast Vampyre Series)
The Baudelaire orphans hung on to one another, and wept and wept while the adults argued endlessly behind them. Finally-as, I'm sorry to say, Count Olaf forced the Quagmires into puppy costumes so he could sneak them onto the airplane without anyone noticing-the Baudelaires cried themselves out and just sat on the lawn together in weary silence.
Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
It was Monday morning. Swaminathan was reluctant to open his eyes. he considered Monday specially unpleasant in the calendar. After the delicious freedom of Saturday and Sunday, it was difficult to get into the Monday mood of work and discipline. He shuddered at the very thought of school: the dismal yellow building; the fire-eyed Vedanayagam, his class teacher, and headmaster with his thin long cane...
R.K. Narayan (Swami and Friends, The Bachelor of Arts, The Dark Room, The English Teacher: Introduction by Alexander McCall Smith (Everyman's Library Contemporary Classics Series))
I believe in hope as an act of defiance, or rather as the foundation for an ongoing series of acts of defiance, those acts necessary to bring about some of what we hope for while we live by principle in the meantime. There is no alternative, except surrender. And surrender not only abandons the future, it abandons the soul.
Rebecca Solnit (Hope in the Dark: The Untold History of People Power)
The sky was so heartless and dark, and her body, her head, and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes -- telling them to pass it on and on in a trick-crystal regression -- that what death amounted to was only a more complete assortment of the infinite fractions of solitude.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle (Vintage International))
Why is bedtime so hard for many families? Because the needs of parents and children clash. To parents, bedtime is the time they finally get to separate from their children and have a little time to themselves. To children, bedtime is the time they’re forced to separate from their parents and lie in the dark by themselves. On top of that, children are exhausted and wound up, and parents are exhausted and fed up. No wonder it’s the single most challenging time in most families.
Laura Markham (Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting (The Peaceful Parent Series))
In Sri Lanka, when two strangers meet, they ask a series of questions that reveal family, ancestral village, and blood ties until they arrive at a common friend or relative. Then they say, "Those are our people, so you are our people." It's a small place. Everyone knows everyone. "But in America, there are no such namings; it is possible to slip and slide here. It is possible to get lost in the nameless multitudes. There are no ropes binding one, holding one to the earth. Unbound by place or name, one is aware that it is possible to drift out into the atmosphere and beyond that, into the solitary darkness where there is no oxygen.
Nayomi Munaweera (What Lies Between Us)
The town was a series of dark shapes with edges picked out in moonlight; sloping rooves and gables, balconies and gutters met one another in a chaotic, shadowed jumble. Behind him, the far-flung darkness of what must be the great northern forests. And to the south ... to the south, past the dark shapes of the city, past the lightly wooded hills and rich central provinces of Vere, lay the border, prickling with true castles, Ravenel, Fortaine, Marlas ... and across the border Delpha, and home.
C.S. Pacat (Captive Prince (Captive Prince, #1))
Once the soul has left the body it had to walk across a bridge as narrow as a knife edge, with paradise on the right and, on the left, a series of circles that lead down into the darkness inside the earth. Before crossing the bridge, each person had to place all his virtues in his right hand and all his sins in his left, and the imbalance between the two meant that the person always fell towards the side to which his actions on Earth had inclined him.
Paulo Coelho (The Devil and Miss Prym)
He looked so strange without his guns. So wrong. 'Okay? Now that the numb-fuck apprentices have the guns and the master's unarmed, can we please go? If something big comes out of the bush at us, Roland, you can always throw your knife at it.' 'Oh, that,' he murmured. 'I almost forgot.' He took the knife from his purse and held it out, hilt first, to Eddie. 'This is ridiculous!' Eddie shouted. 'Life is ridiculous.' 'Yeah, put it on a postcard and send it to the fucking Reader's Digest.' Eddie jammed the knife into his belt and then looked defiantly at Roland. 'Now can we go?' 'There is one more thing,' Roland said. 'Weeping, creeping Jesus!' The smile touched Roland's mouth again. 'Just joking,' he said Eddie's mouth dropped open. Beside him, Susannah began to laugh again. The sound rose, as musical as bells, in the morning stillness.
Stephen King (The Waste Lands (The Dark Tower, #3))
The French expression 'cul-de-sac' describes what the Baudelaire orphans found when they reached the end of the dark hallway, and like all French expressions, it is most easily understood when you translate each French word into English. The word 'de,' for instance is a very common French world, I would be certain that 'de' means 'of.' The word 'sac' is less common, but I can fairly certain that it means something like 'mysterious circumstances.' And the word 'cul' is such a rare French word that I am forced to guess at its translation, and my guess is that in this case it would mean 'At the end of the dark hallway, the Baudelaire children found an assortment,' so that the expression 'cul-de-sac' here means 'At the end of the dark hallway, the Baudelaire children found an assortment of mysterious circumstances.
Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
A third group of people see the highest felicity in the abundance of property and the extension of ease. After all, property is an instrument to achieve the object of appetite. Through it, the human being attains the ability to achieve wishes. Hence, these people aspire to gather property; to increase estates, land, valuable horses, cattle, and farmland, and to hoard dinars in the earth. Hence, you will see one of them striving throughout life --- embarking on great dangers in the deserts, on journeys, and in the oceans to gather possessions with which he is niggardly toward himself, to say nothing of others. These are the ones meant by the words of The Prophet: "The slave of the dirham is miserable: the slave of the dinar is miserable." What darkness is greater than that which deceives the human being? Gold and silver are two stones that are not desired in themselves. When wishes are not achieved through them and they are not spent, then they are just like pebbles, and pebbles are just like them.
Abu Hamid al-Ghazali (The Niche of Lights (Brigham Young University - Islamic Translation Series))
I had a dream about you. In my dream I stole all your money, kidnapped your parents, and mailed you mannequin parts spray-painted red in a series of packages that also included ransom notes. Then, towards the end of the dream, the cops surrounded my cave and swarmed in to arrest me. Sweating, my eyes shot open, and I realized it was a dream. “Of course it’s a dream,” I thought. “The cops have no idea where my cave is, and your first package has yet to be delivered.”

Dark Jar Tin Zoo (I Had a Dream About You)
Then, unprompted, Henry says into the stretching stillness, “Return of the Jedi.” A beat. “What?” “To answer your question,” Henry says. “Yes, I do like Star Wars, and my favorite is Return of the Jedi.” “Oh,” Alex says. “Wow, you’re wrong.” Henry huffs out the tiniest, most poshly indignant puff of air. It smells minty. Alex resists the urge to throw another elbow. “How can I be wrong about my own favorite? It’s a personal truth.” “It’s a personal truth that is wrong and bad.” “Which do you prefer, then? Please show me the error of my ways.” “Okay, Empire.” Henry sniffs. “So dark, though.” “Yeah, which is what makes it good,” Alex says. “It’s the most thematically complex. It’s got the Han and Leia kiss in it, you meet Yoda, Han is at the top of his game, fucking Lando Calrissian, and the best twist in cinematic history. What does Jedi have? Fuckin’ Ewoks.” “Ewoks are iconic.” “Ewoks are stupid.” “But Endor.” “But Hoth. There’s a reason people always call the best, grittiest installment of a trilogy the Empire of the series.” “And I can appreciate that. But isn’t there something to be valued in a happy ending as well?” “Spoken like a true Prince Charming.” “I’m only saying, I like the resolution of Jedi. It ties everything up nicely. And the overall theme you’re intended to take away from the films is hope and love and … er, you know, all that. Which is what Jedi leaves you with a sense of most of all.
Casey McQuiston (Red, White & Royal Blue)
The dark sky. A hundred million stars. More stars than I’ve ever seen before. My eyes let me see farther, but they don’t show me the one thing I want to see. I would trade all the stars in the universe if I could just have him back again. Wind whistles through the trees nearby. Birdsong weaves in and out of the sound. The hybrids emerge from the communication building, heads tilted to the sky. And then we see the end. Godspeed’s engine was nuclear; who knows what fueled the biological weapons. But they explode together. In space, they don’t make the familiar mushroom cloud. They don’t make the boom! of an exploding bomb. There is, against the dark sky, a brief flash of light. It is filled with colors, like a nebula or the aurora borealis, bursting like a popped bubble. Nothing else—no sound of an explosion, no tremors in the earth, no smell of smoke. Not here, on the surface of the planet. Nothing else to signify Elder’s death. Just light. And then it’s gone. And then he’s gone.
Beth Revis (Shades of Earth (Across the Universe, #3))
Operating theaters are not nearly as popular as dramatic theaters, musical theaters, and movie theaters, and it is easy to see why. A dramatic theater is a large, dark room in which actors perform a play, and if you are in the audience, you can enjoy yourself by listening to the dialog and looking at the costumes. A musical theater is a large, dark room in which musicians preform a symphony, and if you are in the audience you can enjoy yourself by listening to the melodies and watching the conductor wave his little stick around. And a movie theater is a large, dark room in which a projectionist shows a film, and if you are in the audience, you can enjoy yourself by eating popcorn and gossiping about movie stars. But an operating theater is a large, dark room in which doctors preform medical procedures, and if you are in the audience, the best thing to do is to leave at once because there is never anything on display in an operating theater but pain, suffering and discomfort, and for this reason most operating theaters have been closed down or have been turned into restaurants.
Lemony Snicket (The Hostile Hospital (A Series of Unfortunate Events, #8))
I think if you had been born a boy, perhaps you would have been satisfied with what the world offered you. That is how we are alike. We saw everything that was not ours, and we hungered. Do not lose that hunger. You will always have to fight for everything. Even when you already have it, you will have to keep fighting to maintain it. You will have to be more ruthless, more brutal, more everything. Any weakness will undo everything you have accomplished. They will see any crack as evidence that they were right that a woman cannot do what you do.
Kiersten White (Now I Rise (And I Darken Series, #2))
William: What are you looking for in a woman? Reyes: I’ve found my angel, Danika. She’s all I need. William: Really? That’s, like, weird to me. Men should need many girls. No one girl should be so important. Reyes: How sad for you. William: I’m not sad. You’re sad! Reyes: Why are you so defensive about this? William: Let’s move on. Favorite outfit? Reyes: First, you said girls rather than women. Why is that, I wonder? Because you care about one girl in particular? Anyway, clothes are clothes. I don’t have any favorites. William: Go to hell. I care about no one and I’m proud to admit that! Favorite moment in the series so far? Reyes: The first time Danika looked at me with trust and acceptance in her eyes. I’m still reeling. William: And just so you know, girl was a slip of the tongue. Now. Least favorite moment in the series? Reyes: Every time I had to kill Maddox. William: Really? That would have been my favorite. Anyway, hobbies? Reyes: Do you really have to ask? Yes? Fine. Cutting myself. I’ve started to draw shapes. Like hearts. William: You actually admitted that aloud. [snicker] [..] Reyes: Happy for the first time in what seems an eternity. William: Not that you deserve it. Really, I didn’t say girl for any particular reason. So what do you think of the fact that your home has been invaded by women? Reyes: As long as I have Danika, I don’t care who lives with us. William: Who do you think is the smartest Lord? Reyes: Me. Look who I picked to spend eternity with. William: I think you’re the dumbest! Seriously, girl was meant to encompass everyone old enough to be bedded by me. Now, if you knew you only had twenty-four hours before the Hunters found Pandora’s box and killed you, what would you do in the time you had left to live? Reyes: Not even death can keep me away from my angel. I would find a way to change such a fate. Again. William: What kind of underwear are you wearing? Note from William: Bastard flipped me off and left. Final thoughts from William: Reyes’s thoughts about me and my slip of the tongue were ridiculous and unfounded!
Gena Showalter (Into the Dark (Lords of the Underworld, #0.5,3.5; Atlantis #4.5))
Have you really not noticed, then, that here of all places, in this private, personal solitude that surrounds me, I have turned to you? All the memories of my youth speak to me as I walk, just as the sea shells crunch under my feet on the beach. The crash of every wave awakens far-distant reverberations within me... I hear the rumble of bygone days, and in my mind the whole endless series of old passions surges forward like the billows. I remember my spasms, my sorrows, gusts of desire that whistled like wind in the rigging, and vast vague longings that swirled in the dark like a flock of wild gulls in a stormcloud... On whom should I lean, if not on you? My weary mind turns for refreshment to the thought of you as a dusty traveler might sink onto a soft and grassy bank...
Gustave Flaubert
Suddenly an unexpected series of sounds began to be heard in this place up against the starry sky. They were the notes of Oak´s flute. It came from the direction of a small dark object under the hedge - a shephard´s hut - now presenting an outline to which an unintiated person might have been puzzled to attach either meaning or use. ... Being a man not without a frequent consciousness that there was some charm in this life he led, he stood still after looking at the sky as a useful instrument, and regarded it in an appreciative spirit, as a work of art superlatively beautiful. For a moment he seemed impressed with the speaking loneliness of the scene, or rather with the complete abstraction from all its compass of the sights and sounds of man. ... Oak´s motions, though they had a quiet energy, were slow, and their deliberateness accorded well with his occupation. Fitness being the basis of beauty, nobody could have denied tha his steady swings and turns in and about the flock had elements of grace. His special power, morally, physically, and mentally, was static. ... Oak was an intensely human man: indee, his humanity tore in pieces any politic intentions of his which bordered on strategy, and carried him on as by gravitation. A shadow in his life had always been that his flock should end in mutton - that a day could find a shepherd an arrant traitor to his gentle sheep.
Thomas Hardy (Far From the Madding Crowd)
He has offered to help me, and right now I need his help." "Is it just his help, or are you going because you wish to be with him?" He leaned closer, face fierce. "Do you love him? Is that it?" "You, of all people , have no right to ask me that." "Maybe not, but I ask it anyway. Do you love him?" "Love him?" Helen's voice rose. "Apparently I am not allowed to love in this godforsaken world!" "Apparently neither am I," he said through his clenched teeth. "Yet..." Yet what? His face. his body, were so close. So dangerously close. "Stay," he breathed. She shook her head. He stepped away, the sudden distance between them full of pain.
Alison Goodman (The Dark Days Pact (Lady Helen, #2))
In any dark time, there is a tendency to veer toward fainting over how much is wrong or unmended in the world. Do not focus on that. There is a tendency, too, to fall into being weakened by dwelling on what is outside your reach, by what cannot yet be. Do not focus there. That is spending the wind without raising the sails. We are needed, that is all we can know. And though we meet resistance, we more so will meet great souls who will hail us, love us and guide us, and we will know them when they appear. Didn't you say you were a believer? Didn't you say you pledged to listen to a voice greater? Didn't you ask for grace? Don't you remember that to be in grace means to submit to the voice greater?
Clarissa Pinkola Estés (Quotes From Clarissa Pinkola Estés' Women Who Run With The Wolves: Great Non-Fiction Books Quotation Series)
I won’t forget that we kissed. Sorry”—Ethan tried to grin a little—“but you have to cut me some slack on that one. Because, I mean, come on, you’re you.” She nodded, not guilty at all. “But I promise not to think about it too much. I’ll save it for those really dark moments, when I look at everything wrong with the world and I feel helpless. When every good thing I’ve ever done, ever seen or heard about, pales against the garish human capacity for hate and corruption.” He bent forward quickly and kissed her cheek, lingering more than he should but less than he wanted to before pulling back.“I’ll think about it then, if it’s okay,” he said gently, “just for a few seconds, so I can remember what it was like to feel transcendent.
Rosie Danan (The Intimacy Experiment (Shameless #2))
God is all right—why should we mind standing in the dark for a minute outside his window? Of course we miss the inness, but there is a bliss of its own in waiting. What if the rain be falling, and the wind blowing; what if we stand alone, or, more painful still, have some dear one beside us, sharing our outness; what even if the window be not shining, because of the curtains of good inscrutable drawn across it; let us think to ourselves, or say to our friend, ‘God is; Jesus is not dead; nothing can be going wrong, however it may look so to hearts unfinished in childness.’ Let us say to the Lord, ‘Jesus, art thou loving the Father in there? Then we out here will do his will, patiently waiting till he open the door. We shall not mind the wind or the rain much. Perhaps thou art saying to the Father, ‘Thy little ones need some wind and rain: their buds are hard; the flowers do not come out. I cannot get them made blessed without a little more winter-weather.’ Then perhaps the Father will say, ‘Comfort them, my son Jesus, with the memory of thy patience when thou wast missing me. Comfort them that thou wast sure of me when everything about thee seemed so unlike me, so unlike the place thou hadst left.
George MacDonald (Unspoken Sermons Series I, II, and III)
Negativity poisons my mind, and positivity restores it. I have a choice whether to join in the darkness of the world, its petty judgments, and constant blame. When I do so I inject my psyche with poison, and today I choose a healthy mind. I replace all negativity with a positive attitude, in which I seek to find, and to articulate, the good in every heart. If I disagree, I will disagree with honor. If I debate a point, I will debate with respect. If I need to draw a line for the sake of justice, I will do so with an honor for the dignity of all. I will no longer be careless with the working of my mind. Rather, I will use it as it was created by God to be used, as a conduit for love and a gateway to peace. May everyone, including myself, feel the tenderness of my approval and not the harshness of my unkindness.
Marianne Williamson (A Year of Miracles: Daily Devotions and Reflections (The Marianne Williamson Series))
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle (Vintage International))
Like Nycteris, she thought, and cringed. There was an old fairy tale called The History of Photogen and Nycteris that she still carried a copy of. The main character in it was a young woman who had been raised by a cruel witch, inside a cave beneath a castle. The girl had grown up knowing only darkness, which at the time hadn’t seemed much of an issue to child-Devon. But the general idea was that Nycteris’s world was narrow: she thought the lamp in her cave was a sun, and that the universe was just a tiny series of rooms. She knew nothing of society and had very few books. A relatable situation, for a book eater woman. One day, Nycteris escaped her cave by following a stray firefly. She ended up in the castle garden. But her reactions in the story were strange and unexpected. Upon espying the moon for the first time, Nycteris decided that it must be a giant lamp, akin to the one in her cave. She saw the sky, and likewise decided it must be another kind of roof. And when she looked at the horizon, she saw not a limitless world, but merely another room, albeit with distant walls. The concept of outside didn’t exist for one such as Nycteris, nor could it ever. Her upbringing had given her such a fixed perspective that, even when encountering something new, she could only process it along the lines already drawn for her. The story’s complexity had baffled Devon as a child, but she understood it well enough now. The truth was, Nycteris never really escaped. Oh, she got a prince and a castle and the cruel witch died at the end. But Nycteris could not ever leave the cave, because the cave was a place in her mind; it was the entire way she thought about reality. Princesses like that couldn’t be rescued.
Sunyi Dean (The Book Eaters)
Perhaps the immobility of the things that surround us is forced upon them by our conviction that they are themselves, and not anything else, and by the immobility of our conceptions of them. For it always happened that when I awoke like this, and my mind struggled in an unsuccessful attempt to discover where I was, everything would be moving round me through the darkness: things, places, years. My body, still too heavy with sleep to move, would make an effort to construe the form which its tiredness took as an orientation of its various members, so as to induce from that where the wall lay and the furniture stood, to piece together and to give a name to the house in which it must be living. Its memory, the composite memory of its ribs, knees, and shoulder-blades offered it a whole series of rooms in which it had at one time or another slept; while the unseen walls kept changing, adapting themselves to the shape of each successive room that it remembered, whirling madly through the darkness. And even before my brain, lingering in consideration of when things had happened and of what they had looked like, had collected sufficient impressions to enable it to identify the room, it, my body, would recall from each room in succession what the bed was like, where the doors were, how daylight came in at the windows, whether there was a passage outside, what I had had in my mind when I went to sleep, and had found there when I awoke. The stiffened side underneath my body would, for instance, in trying to fix its position, imagine itself to be lying, face to the wall, in a big bed with a canopy; and at once I would say to myself, "Why, I must have gone to sleep after all, and Mamma never came to say good night!" for I was in the country with my grandfather, who died years ago; and my body, the side upon which I was lying, loyally preserving from the past an impression which my mind should never have forgotten, brought back before my eyes the glimmering flame of the night-light in its bowl of Bohemian glass, shaped like an urn and hung by chains from the ceiling, and the chimney-piece of Siena marble in my bedroom at Combray, in my great-aunt's house, in those far distant days which, at the moment of waking, seemed present without being clearly denned, but would become plainer in a little while when I was properly awake.
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
I’m not sure, though, what “for later” means anymore. Something changed in the world. Not too long ago, it changed, and we know it. We don’t know how to explain it yet, but I think we all can feel it, somewhere deep in our gut or in our brain circuits. We feel time differently. No one has quite been able to capture what is happening or say why. Perhaps it’s just that we sense an absence of future, because the present has become too overwhelming, so the future has become unimaginable. And without future, time feels like only an accumulation. An accumulation of months, days, natural disasters, television series, terrorist attacks, divorces, mass migrations, birthdays, photographs, sunrises. We haven’t understood the exact way we are now experiencing time. And maybe the boy’s frustration at not knowing what to take a picture of, or how to frame and focus the things he sees as we all sit inside the car, driving across this strange, beautiful, dark country, is simply a sign of how our ways of documenting the world have fallen short. Perhaps if we found a new way to document it, we might begin to understand this new way we experience space and time. Novels and movies don’t quite capture it; journalism doesn’t; photography, dance, painting, and theater don’t; molecular biology and quantum physics certainly don’t either. We haven’t understood how space and time exist now, how we really experience them. And until we find a way to document them, we will not understand them.
Valeria Luiselli (Lost Children Archive)
When once to a man the human face is the human face divine, and the hand of his neighbour is the hand of a brother, then will he understand what St Paul meant when he said, "I could wish that myself were accursed from Christ for my brethren." But he will no longer understand those who, so far from feeling the love of their neighbour an essential of their being, expect to be set free from its law in the world to come. There, at least, for the glory of God, they may limit its expansive tendencies to the narrow circle of their heaven. On its battlements of safety, they will regard hell from afar, and say to each other, "Hark! Listen to their moans. But do not weep, for they are our neighbours no more." St Paul would be wretched before the throne of God, if he thought there was one man beyond the pale of his mercy, and that as much for God's glory as for the man's sake. And what shall we say of the man Christ Jesus? Who, that loves his brother, would not, upheld by the love of Christ, and with a dim hope that in the far-off time there might be some help for him, arise from the company of the blessed, and walk down into the dismal regions of despair, to sit with the last, the only unredeemed, the Judas of his race, and be himself more blessed in the pains of hell, than in the glories of heaven? Who, in the midst of the golden harps and the white wings, knowing that one of his kind, one miserable brother in the old-world-time when men were taught to love their neighbour as themselves, was howling unheeded far below in the vaults of the creation, who, I say, would not feel that he must arise, that he had no choice, that, awful as it was, he must gird his loins, and go down into the smoke and the darkness and the fire, travelling the weary and fearful road into the far country to find his brother?—who, I mean, that had the mind of Christ, that had the love of the Father?
George MacDonald (Unspoken Sermons, Series I., II., and III.)
[986a] [1] they assumed the elements of numbers to be the elements of everything, and the whole universe to be a proportion1 or number. Whatever analogues to the processes and parts of the heavens and to the whole order of the universe they could exhibit in numbers and proportions, these they collected and correlated;and if there was any deficiency anywhere, they made haste to supply it, in order to make their system a connected whole. For example, since the decad is considered to be a complete thing and to comprise the whole essential nature of the numerical system, they assert that the bodies which revolve in the heavens are ten; and there being only nine2 that are visible, they make the "antichthon"3 the tenth.We have treated this subject in greater detail elsewhere4; but the object of our present review is to discover from these thinkers too what causes they assume and how these coincide with our list of causes.Well, it is obvious that these thinkers too consider number to be a first principle, both as the material5 of things and as constituting their properties and states.6 The elements of number, according to them, are the Even and the Odd. Of these the former is limited and the latter unlimited; Unity consists of both [20] (since it is both odd and even)7; number is derived from Unity; and numbers, as we have said, compose the whole sensible universe.Others8 of this same school hold that there are ten principles, which they enunciate in a series of corresponding pairs: (1.) Limit and the Unlimited; (2.) Odd and Even; (3.) Unity and Plurality; (4.) Right and Left; (5.) Male and Female; (6.) Rest and Motion; (7.) Straight and Crooked; (8.) Light and Darkness; (9.) Good and Evil; (10.) Square and Oblong.
Aristotle (Metaphysics)
What is personal death? Asking this question and pausing to look inward - isn't personal death a concept? Isn't there a thought-and-picture series going on in the brain? These scenes of personal ending take place solely in the imagination, and yet they trigger great mental ad physical distress - thinking of one's cherished attachments an their sudden, irreversible termination. Similarly, if there is 'pain when I let some of the beauty of life in' - isn't this pain the result of thinking, 'I won't be here any longer to enjoy this beauty?' Or, 'No one will be around and no beauty left to be enjoyed if there is total nuclear devastation.' Apart from the horrendous tragedy of human warfare - why is there this fear of 'me' not continuing? Is it because I don't realize that all my fear and trembling is for an image? Because I really believe that this image is myself? In the midst of this vast, unfathomable, ever-changing, dying, and renewing flow of life, the human brain is ceaselessly engaged in trying to fix for itself a state of permanency and certainty. Having the capacity to think and form pictures of ourselves, to remember them and become deeply attached to them, we take this world of pictures and ideas for real. We thoroughly believe in the reality of the picture story of our personal life. We are totally identified with it and want it to go on forever. The idea of "forever" is itself an invention of the human brain. Forever is a dream. Questioning beyond all thoughts, images, memories, and beliefs, questioning profoundly into the utter darkness of not-knowing, the realization may suddenly dawn that one is nothing at all - nothing - that all one has been holding on to are pictures and dreams. Being nothing is being everything. It is wholeness. Compassion. It is the ending of separation, fear, and sorrow. Is there pain when no one is there to hold on? There is beauty where there is no "me".
Toni Packer (The Work of This Moment)
I was amazed, shocked, and sickened by what I heard throughout the day, over and over, by many victims' stories. I can think of no one with whom I didn't recognize a common thread. These monsters, these evil priests, used the same words and methods on all of us. With each session, I would find something that sent a cold chill down my spine. It amazed and frightened me that the actual words used on me, to rape me, to rape me, were the same as the words used on so many others from all over the United States. You would think that all these priests either were educated in how to concur and rape us, or they met privately with each other to compare notes and develop their plan of attack on us. The pattern was so much the same, with the same words, that you would swear it was scripted and disbursed to these priests. Do they secretly have closed-door meetings on how to abuse us? A chilling thought. Neary's routine of saying the “Our Father” during the rape and making me say it with him, repeating the “thy will be done” over and over, the absolution given me after he “finished,” the threats of having God take my parents away, the lectures about offering my suffering up to God, etc., etc., etc. My experience was identical, word-for-word, to that of many others. The exact words during the abuse were not just close, but exactly the same, as if it were some kind of abuse ritual. Ritual abuse is not limited to the religious definition and can include compulsive, abusive behavior performed in an exact series of steps with little variation. How could these similarities occur without the priests taking the same “abuse seminar” together some place, somehow? Was it taught in the seminary? In some dark corner? It goes beyond coincidence—the similarities in deeds and verbiage that these predators use on us. It truly chilled me to the very marrow of my bones.
Charles L. Bailey Jr. (In the Shadow of the Cross: The True Account of My Childhood Sexual and Ritual Abuse at the Hands of a Roman Catholic Priest)
This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book. "It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest. It's the boy from my dreams. The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life. I scold my heart to settle,but it doesn't obey. I admonish myself to sit,to act normal, casual-and I just barely succeed. Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade. "You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it. I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother. I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me. He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?" I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too. He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-" "The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain. Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people? I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.
Alyson Noel (Fated (Soul Seekers, #1))