Series Dark Quotes

We've searched our database for all the quotes and captions related to Series Dark. Here they are! All 100 of them:

You're not very nice," I say, grinning. "You're one to talk." "Hey, I could be nice if I tried." "Hmm." He taps his chin. "Say something nice, then." "You're very good-looking." He smiles, his teeth a flash in this dark. "I like this 'nice' thing.
Veronica Roth (Allegiant (Divergent, #3))
I didn’t ask. Some things are better left unsaid. He looked at me and I shivered. I never get enough of him. Never will. He lives. I breathe. I want. Him. Always. Fire to my ice. Ice to my fever. Later we would go to bed, and when he rose over me, dark and vast and eternal, I’d know joy.
Karen Marie Moning (Shadowfever (Fever, #5))
DON’T THINK, FEEL flickers from an electric billboard cutting out the darkness. 
Adam Scott Huerta (Motive Black: A novel (Motive Black Series Book 1))
Although it may not seem like it, this isn’t a story about darkness. It’s about light. Kahlil Gibran says Your joy can fill you only as deeply your sorrow has carved you. If you’ve never tasted bitterness, sweet is just another pleasant flavor on your tongue. One day I’m going to hold a lot of joy.
Karen Marie Moning (Bloodfever (Fever, #2))
Doing business without advertising is like winking at a girl in the dark. You know what you are doing but nobody else does.
Steuart Henderson Britt (Marketing Management and Administrative Action (McGraw-Hill Series in Marketing))
He didn't want to give the cartel any time to persuade Emiliana into accepting a more enticing offer. He had reservations about her loyalty and feared she might make a deal without Elpidio's consent.
Carolyn M. Bowen (Legacy of Shadows: An International Crime Thriller (The Family Legacy Series))
Never doubt God in the darkness what he has given us in the light.
Francine Rivers (A Voice in the Wind (Mark of the Lion, #1))
I've become this happiness scavenger who picks away at the ugliness of the world, because if there's happiness tucked away in my tragedies, I'll find it no matter what. If the blind can find joy in music, and the deaf can discover it with colors, I will do my best to always find the sun in the darkness because my life isn't one sad ending—it's a series of endless happy beginnings.
Adam Silvera (More Happy Than Not)
The brightest light casts the darkest shadow.
Jess C. Scott (The Darker Side of Life)
It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try to readjust the way you thought of things. The Baudelaire orphans were crying not only for their Uncle Monty, but for their own parents, and this dark and curious feeling of falling that accompanies every great loss.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
I bet him and all his Guy brothers had burst through the nightclub entrance, poured an insane amount of alcohol into their systems, and snatched at anything with a pulse that wandered past their sloshed eyes. I bet after all the hoopla subsided, the demented Guys spilled out of the nightclub at some ungodly hour, intoxicated blood pumping, gallivanting around the city like foul beasts seeking their next series of exploitations.
Jasun Ether (The Beasts of Success)
The guy stroked his goatee. "What do you call twenty guys watching the world series?" "The New York Yankees," Butch replied.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Every tattoo I got with them is a mark of their friendship, and almost every time I have laughed in this dark place was because of them. I don’t want to lose them. But I feel like I have already.
Veronica Roth (Divergent (Divergent, #1))
No one was to blame for what happened, but that does not make it any less difficult to accept. It was all a matter of missed connections, bad timing, blundering in the dark. We were always in the right place at the wrong time, the wrong place at the right time, always just missing each other, always just a few inches from figuring the whole thing out. That's what the story boils down to, I think. A series of lost chances. All the pieces were there from the beginning, but no one knew how to put them together.
Paul Auster (Moon Palace)
Then sail, my fine lady, on the billowing wave - The water below is as dark as the grave, And maybe you'll sink in your little blue boat - It's hope, and hope only, that keeps us afloat
Margaret Atwood (The Penelopiad)
I always knew there was no one who is going to accept my flaws and understand my brokenness.And i knew it very well that nobody would hold my hand when the wind of darkness overcome my life so i just pushed them,i pushed them all away.
Carl W. Bazil
I like you, Dawn. I've seen a lot of humans, from far away and up close. I've never met one like you. I think you're the closest thing to a sunrise I'll ever see.
J.A. London (Darkness Before Dawn (Darkness Before Dawn #1))
The central theme of Anna Karenina," he said, "is that a rural life of moral simplicity, despite its monotony, is the preferable personal narrative to a daring life of impulsive passion, which only leads to tragedy." "That is a very long theme," the scout said. "It's a very long book," Klaus replied. [...] "Or maybe a daring life of impulsive passion leads to something else," the scout said, and in some cases this mysterious person was right. A daring life of impulsive passion is an expression which refers to people who follow what is in their hearts, and like people who prefer to follow their head, or follow a mysterious man in a dark blue raincoat, people who lead a daring life of impulsive passion end up doing all sorts of things.
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
Had he stood outside my door as I'd stood outside his, fists at his sides, lips drawn back? Did it have him as bad as it had me? Was it eating at him, gnawing at him with the same sharp vicious little teeth that wouldn't let me sleep? Yes, it was. I could see the rage of insatiable uninvited lust in every line of that dark, stoic face that had once been too subtly etched for me to read. I wasn't the only one lying awake at night, fevered with memories, tossing, turning, soaking my sheets, burning up--not for Fae sex, but him, damn it all to hell, him.
Karen Marie Moning (Dreamfever (Fever, #4))
Jack couldn't help but watch Nonie as she left. She looked to be twenty-nine, thirty at the most, stood maybe five foot-four and was slender. She had shoulder-length, curly, walnut-colored hair and the largest most beautiful blue eyes he'd ever seem Her nose and ears were small in comparison to her full lips, which he'd give anything to kiss.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Of course, it is quite possible to be in the dark in the dark, but there are so many secrets in the world that it is likely that you are always in the dark about one thing or another, whether you are in the dark in the dark or in the dark not in the dark, although the sun can go down so quickly that you may be in the in the dark about being in the dark, only to look around and find yourself no longer in the dark about being in the dark, but in the dark in the dark nontheless, not only because of the dark, but because of the ballerinas in the dark, who are not in the dark about the dark, but also not in the dark about the locked cabinet, and you may be in the dark about the ballerinas digging up the locked cabinet in the dark, even though you are no longer in the dark about being in the dark, and so you are in fact in the dark about being in the dark, even though you are not in the dark about being in the dark, and so you may fall into the hole that the ballerinas have dug, which is dark, in the dark, and in the park.
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
Can I just point something out?" Fletcher asked. "That is an awful plan. On a scale of one to ten - the Trojan War being a ten and General Custer verus all those Indians being a one - your plan is a zero. I don't think it is a plan at all. I think it's just a series of happenings that are, to be honest, unlikely to follow on from each other in the way in which everyone's probably hoping." "Do you have a better plan?" Valkyrie asked. "Of course not. I'm a man of action, not thought." Valkyrie nodded. "You're definitely not a man of thought." "Why are you in charge anyway? What do you know about organising something like this?" "I have faith," Tanith said. "As do I," said Ghastly. Valkyrie smiled at them gratefully. "So you think the plan will work?" "God, no," said Ghastly. "Sorry, Val," said Tanith
Derek Landy
Let us advance on Chaos and the Dark
Ralph Waldo Emerson (Self-Reliance: An Excerpt from Collected Essays, First Series)
So I flirt with disaster once or twice. Who doesn’t?” He snorted. “You don’t just flirt with disaster, you have intercourse with it.
Dannika Dark (Impulse (Mageri, #3))
The most self-damaging words in the English language are: try, might, and if. These are words of uncertainty. Will you fail? That is possible. But continue doubting your abilities and you’ll never succeed.
Dannika Dark (Gravity (Mageri, #4; Mageriverse #4))
As Hamlet said to Ophelia, ”God has given you one face, and you make yourself another." The battle between these two halves of identity...Who we are and who we pretend to be, is unwinnable. "Just as there are two sides to every story, there are two sides to every person. One that we reveal to the world and another we keep hidden inside. A duality governed by the balance of light and darkness, within each of us is the capacity for both good and evil. But those who are able to blur the moral dividing line hold the true power.
Emily Thorne
Wherever there is light, look for the shadow. The shadow is me.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
Hello, Darkness," Caine said. Gaia's face fell. Her bloody, feral grin faded to be replaced by lips drawn right with fear. Her killer blue eyes widened as she looked at Caine who was no longer Caine. "Nemesis," Gaia said.
Michael Grant (Light (Gone, #6))
Oh, uh-uh," Shaundelle said. "I'm not gonna be no place where no ghost is gonna be knockin' nobody upside the head. I'm outta here. I'm not going to take any chances that some ghost is gonna mess up this pretty face.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Because I know it in my bones. You are the only female I desire, the only water that will quench my thirst, the only sun that will warm my skin, the only lips that were made for mine.
Dannika Dark (Impulse (Mageri, #3))
If you are sitting in the dark (due to depression) go turn the light on. If you can't find the light switch, seek the help of someone who can.
Stephanie Anne Allen (How to Survive Depression: Book #1 in How to Survive Series)
Margaret's voice, with its raspy twang, reminded her of magnolias and whiskey.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
I lived in a really dark place. I wasn't safe in my own mind. I woke up every morning hoping to die and then spent the rest of the day wondering if maybe I was already dead because I couldn't even tell the difference.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Nothing is forever. Except atoms.
Dannika Dark (Gravity (Mageri, #4; Mageriverse #4))
I was beginning to think that Simon just had a bad case of OCD, ADD, and PMS. With a little BS and OMG mixed in.
Dannika Dark (Gravity (Mageri, #4; Mageriverse #4))
I feel it, I feel my thin morals dissolving. I feel my flimsy, moth-eaten skin of humanity begin to come apart, and with it, the veil keeping me from complete darkness. There are no lines I won't cross. No illusions of mercy. I wanted to be better for her. For her happiness. For her future. But if she's gone, what good is goodness? - Warner
Tahereh Mafi (Defy Me (Shatter Me, #5))
What's he saying?" Buggy asked, her voice shaky. "That there's something up in the attic that we should be careful of because it could be dangerous. "Oh, uh-uh, I'm not going up there," Buggy said, You can send Shaundelle up there, but I'm keeping my little white ass down here.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
All cats are gray in the dark. And besides, her actions have less to do with her, and everything to do with you.
Jaye Frances (The Kure)
Nonie chewed on her bottom lip for a moment. She'd told Fezzo so much already yet there wasn't a speck of incredulity in his eyes. His expression was serious, and she had his full attention. "I'm not quite sure about what to do with Helen, the ghost that followed me home.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Old dark sleepy pool... Quick unexpected frog Goes plop! Watersplash!
Matsuo Bashō (Japanese Haiku (Japanese Haiku Series I))
Two gasps rang out. The first one came from Clara, the second from Fezzo. One moment they'd been looking at a mound of concrete, and now they were staring at two human feet. They were crossed at the ankle so that tops of the feet faced each other and rested toe to toe.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
He'd died. Plain and simple. And it pissed him off. Left him frustrated and disappointed. Where had all , the guardian angel crap they'd fed him in catechism gone to? He'd seen no angels, seraphim, archangels or pearly gates. No one to show him the ropes now that he was dead. What the hell was he supposed to do?
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Sometimes a woman has experienced too much life to have any blush left in her cheeks, but the man who puts it there is someone not easily forgotten.
Dannika Dark (Five Weeks (Seven, #3; Mageriverse #9))
What good is it to be rich if we canna scrape up the scratch to buy a political prisoner on a whim?
Kresley Cole (MacRieve (Immortals After Dark, #13))
When Shaundelle turned and looked back at Nonie she had her lips pursed. "The man say wear whatever you want. Wear black, girl. It's slimmin', not that you need any slimmin' with your skinny self, but it makes me look like I've been dietin' for a week. I don't want to be the only one wearin' black, so wear black, okay?
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Sometimes an angel is found in the dark.
K. Webster (Alpha & Omega (Alpha & Omega, #1))
Doubt is a disease that infects the mind creating a mistrust of peoples motives and ones own perceptions. Doubt has the ability to call into questions everything you ever believed about someone and reinforce the darkest suspicions of our inner circle.
Emily Thorne
Beauty is in the eye of the beholder. Truth lies in the hands of its editor.
Michael Dobbs (House of Cards: The dark political thriller that inspired the hit Netflix series)
Although this scouting gig sounded like a financial hit, it made Nonie extremely nervous. She feared someone slip--that someone being Buggy--and others would find out Nonie's secret. And if the wrong person caught wind that she could see and speak to the dead, word would spread through Clay Point like ants at a picnic.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
In any case, this is how all our stories begin, in darkness with our eyes closed, and all our stories end the same way, too, with all of us uttering some last words—or perhaps someone else’s—before slipping back into darkness as our series of unfortunate events comes to an end.
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
If there's happiness tucked away in my tragedies, I'll find it no matter what. If the blind can find joy in music, and the deaf can discover it with colors, I will do my best to always find the sun in the darkness because my life isn't one sad ending - it's a series of endless happy beginnings.
Adam Silvera (More Happy Than Not)
Twilight whippoorwill... Whistle on, sweet deepener Of dark loneliness
Matsuo Bashō (Japanese Haiku (Japanese Haiku Series I))
Saturday morning was their unrestricted television time, and they usually took advantage of it to watch a series of cartoon shows that would certainly have been impossible before the discovery of LSD.
Jeff Lindsay (Dexter in the Dark (Dexter, #3))
After a minute he said, "It's like-I don't know how to describe it, but it's like I belong with Jade. She really sees me. I mean, not the outside stuff. She sees me inside, and she likes me. Nobody else has ever done that…except you.
L.J. Smith (Night World, No. 1 (Night World, #1-3))
The phrase "in the dark," as I'm sure you know, can refer not only to one's shadowy surroundings, but also to the shadowy secrets of which one might be unaware. Every day, the sun goes down over all these secrets, and so everyone is in the dark in one way or another. If you are sunbathing in a park, for instance, but you do not know that a locked cabinet is buried fifty feet beneath your blanket, then you are in the dark even though you are not actually in the dark, whereas if you are on a midnight hike, knowing full well that several ballerinas are following close behind you, then you are not in the dark even if you are in fact in the dark. Of course, it is quite possible to be in the dark in the dark, as well as to be not in the dark not in the dark, but there are so many secrets in the world that it is likely that you are always in the dark about one thing or another, whether you are in the dark in the dark or in the dark not in the dark, although the sun can go down so quickly that you may be in the dark about being in the dark in the dark, only to look around and find yourself no longer in the dark about being in the dark in the dark, but in the dark in the dark nonetheless, not only because of the dark, but because of the ballerinas in the dark, who are not in the dark about the dark, but also not in the dark about the locked cabinet, and you may be in the dark about the ballerinas digging up the locked cabinet in the dark, even though you are no longer in the dark about being in the dark, and so you are in fact in the dark about being in the dark, even though you are not in the dark about being in the dark, and so you may fall into the hole that the ballerinas have dug, which is dark, in the dark, and in the park.
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
Don’t worry…three vampire meanies and a horse won’t keep me away from you.” Kalina looked at Jaegar. Jaegar shrugged. “If you don’t get it, it’s before your time.” “And what time is that?” “The Dark Ages…that’s why you’ve never heard of it before. Everything was kept in the dark…
Kailin Gow (The PULSE Papers (Pulse #4.5))
You have the Answer. Just get quiet enough to hear it. ~Pat Obuchowski
Laurie Stevens (The Dark Before Dawn (Gabriel McRay #1))
I swear I won't touch you even with a finger until you ask me yourself.
Olga Goa (Fateful Italian Passion)
Although it was only six o'clock, the night was already dark. The fog, made thicker by its proximity to the Seine, blurred every detail with its ragged veils, punctured at various distances by the reddish glow of lanterns and bars of light escaping from illuminated windows. The road was soaked with rain and glittered under the street-lamps, like a lake reflecting strings of lights. A bitter wind, heavy with icy particles, whipped at my face, its howling forming the high notes of a symphony whose bass was played by swollen waves crashing into the piers of the bridges below. The evening lacked none of winter's rough poetry.
Théophile Gautier (Hashish, wine, opium (Signature series))
I feel the nights stretching away thousands long behind the days till they reach the darkness where all of me is ancestor.
Annie Finch (Spells: New and Selected Poems (Wesleyan Poetry Series))
The words of men cannot be trusted, especially men like you!
Olga Goa (Fateful Italian Passion)
I don't want you to leave. I want you to stay.
Olga Goa (Fateful Italian Passion)
Politics. The word is taken from the Ancient Greek. “Poly” means “many.” And ticks are tiny, bloodsucking insects.
Michael Dobbs (House of Cards: The dark political thriller that inspired the hit Netflix series)
The Man in Black fled across the desert, and the Gunslinger followed
Stephen King (The Gunslinger (The Dark Tower, #1))
But you know, mon petite, what you got is a gift. And when de good Lord gives you a gift you have to use it. Dat's why he put you here on dis earth. Sometime it's gonna be to help a soul cross over to de other side to meet him. If dat's whey you gott do, den dat's what you gotta do. You can't just keep collecting de dead. You gonna have to find a way to take what you got and work wit dat.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
The past is a tricky thing. Sometimes it's etched in stone. And other times, it's rendered in soft memories. But if you meddle too long in deep, dark things... Who knows what monsters you'll awaken?
Emily Thorne
The Doctor: You betrayed me. You betrayed my trust, you betrayed our friendship, you betrayed everything I ever stood for. You let me down! Clara: Then why are you helping me? The Doctor: Why? Do you think I care for you so little that betraying me would make a difference?
Dark Water (Series 8)
A brave girl! And a unique one. The best that I have ever met in my life.
Olga Goa (Fateful Italian Passion)
But, my dear, so few things are fulfilled: what are most lives but a series of incompleted episodes? 'We work in the dark, we do what we can, we give what we have. Our doubt is our passion and our passion is our task...' It is wanting to know the end that makes us believe in God, or witchcraft, believe, at least, in something.
Truman Capote (Other Voices, Other Rooms)
What we’ve got here is a lunatic genius ghost-in-the-computer monorail that likes riddles and goes faster than the speed of sound. Welcome to the fantasy version of One Flew Over the Cuckoo’s Nest.
Stephen King (The Waste Lands (The Dark Tower, #3))
Find my hand in the darkness and if we cannot find the light, we will always make our own.
Tyler Knott Gregson (Chasers of the Light: Poems from the Typewriter Series)
We do not lead others into the Light by stepping into the darkness with them.
Melody Beattie (The Language of Letting Go: Daily Meditations on Codependency (Hazelden Meditation Series))
For the righteous, the revelation is a joyous event, the realization of a divine truth. But for the wicked, revelations can be far more terrifying, when dark secrets are exposed and sinners are punished for their trespasses.
Emily Thorne
The Tower trembles; the worlds shudder in their courses. The rose feels a chill, as of winter.
Stephen King (UR)
Maybe. Maybe is gradations of darkness. The sweetest torture. Maybe is hope.
Emma Scott (Rush (City Lights Series, #3))
The finest thing in the world is knowing how to belong to oneself. Michel de Montaigne
Laurie Stevens (The Dark Before Dawn (Gabriel McRay #1))
One of the most effective forms of industrial or military sabotage limits itself to damage that can never be thoroughly proven - or even proven at all - to be anything deliberate. It is like an invisible political movement; perhaps it isn't there at all. If a bomb is wired to a car's ignition, then obviously there is an enemy; if public building or a political headquarters is blown up, then there is a political enemy. But if an accident, or a series of accidents, occurs, if equipment merely fails to function, if it appears faulty, especially in a slow fashion, over a period of natural time, with numerous small failures and misfiring- then the victim, whether a person or a party or a country, can never marshal itself to defend itself.
Philip K. Dick (A Scanner Darkly)
This isn’t going to be a cute little storybook you can close when you’re done. You open this and you’re going to be letting things out you cannot possibly imagine. And believe me when I tell you this is no fairytale.”–Eli (Darkness Of Light)
Stacey Marie Brown (Darkness of Light (Darkness, #1))
Fairy tales, then, are not responsible for producing in children fear, or any of the shapes of fear; fairy tales do not give the child the idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon. Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear.
G.K. Chesterton (Tremendous Trifles)
Darkness scares us. We yearn for the comfort of light as it provides shape and form, allowing us to recognize and define what's before us. But what is it we're afraid of really? Not the darkness itself, but the truth we know hides within.
Emily Thorne
Who's the young man beside you?" Helen suddenly asked. "Oh, I see, you're one of us." She turned to Nonie. "And you did introduce us before." She tapped a finger against her right temple. "Every once in a while this old clock up here forgets to click to the next second. I apologize for that.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
Kaz had rescued her from that hopelessness, and their lives had been a series of rescues ever since, a string of debts that they never tallied as they saved each other again and again. Lying in the dark, she realized that for all her doubts, she’d believed he would rescue her once more, that he would put aside his greed and his demons and come for her. Now she wasn’t so sure. Because it was not just the sense in the words she’d spoken that had stilled Van Eck’s hand but the truth he’d heard in her voice. He’ll never trade if you break me. She could not pretend those words had been conjured by strategy or even animal cunning. The magic they’d worked had been born of belief. An ugly enchantment.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
It’s not respect but fear that motivates a man; that’s how empires are built and revolutions begin. It is the secret of great men. When a man is afraid you will crush him, utterly destroy him, his respect will always follow. Base fear is intoxicating, overwhelming, liberating. Always stronger than respect. Always.
Michael Dobbs (House of Cards: The dark political thriller that inspired the hit Netflix series)
Back in 2010, I introduced fairies and fantasy creatures as having silver blood in Bitter Frost and then Silver Frost. This silver blood is what makes them fey versus human or any other creatures. Now in Ring of Ice when there is a convergence of the fey and the dark ones (vampires), you the resemblance between these two race of creatures, which is the next Frost books. After the film release of Bitter Frost of course!
Kailin Gow (Bitter Frost (Frost, #1))
I laugh, and it’s laughter, not light, that casts out the darkness building within me, that reminds me I am still alive, even in this strange place where everything I’ve ever known is coming apart. I know some things—I know that I’m not alone, that I have friends, that I’m in love. I know where I came from. I know that I don’t want to die, and for me, that’s something—more than I could have said a few weeks ago.
Veronica Roth (Allegiant (Divergent, #3))
with the night falling we are saying thank you we are stopping on the bridge to bow from the railings we are running out of the glass rooms with our mouths full of food to look at the sky and say thank you we are standing by the water looking out in different directions back from a series of hospitals back from a mugging after funerals we are saying thank you after the news of the dead whether or not we knew them we are saying thank you in a culture up to its chin in shame living in the stench it has chosen we are saying thank you over telephones we are saying thank you in doorways and in the backs of cars and in elevators remembering wars and the police at the back door and the beatings on stairs we are saying thank you in the banks that use us we are saying thank you with the crooks in office with the rich and fashionable unchanged we go on saying thank you thank you with the animals dying around us our lost feelings we are saying thank you with the forests falling faster than the minutes of our lives we are saying thank you with the words going out like cells of a brain with the cities growing over us like the earth we are saying thank you faster and faster with nobody listening we are saying thank you we are saying thank you and waving dark though it is
W.S. Merwin
The intensity in his gaze created a flutter low in my belly. When he spoke, his voice was rough, sending a series of chills up and down my spine. “I don’t know what made you change your sleeping attire, but I just want to let you know that I am a hundred and fifty-five percent behind it.” All I could think was that he liked what he saw and that was a good sign. “Actually, if you want to dress like that whenever we’re alone—to eat dinner, watch the TV, read a book or whatever, I also support that.
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
Kowkosvki? You handling this?” “I am.” The suit turned and stared at me with his dark eyes. “Detective Hayden. I take it you’re the shooter?” “I am.” “And you are?” “Jack Ludefance. I’m a PI hired by Mr. Kingsley to investigate the murder of Professor Zambear.” “Oh, yeah, I heard about you. Who’s in the bedroom?” “Rudy Orkut. My computer tech.” “Computer tech, huh? Any idea who this dead body is?” “Not a clue.
Behcet Kaya (Uncanny Alliance (Jack Ludefance PI Series))
The little island seemed to float on the dark lake-waters. Trees grew on it, and a little hill rose in the middle of it. It was a mysterious island, lonely and beautiful. All the children stood and gazed at it, loving it and longing to go to it. It looked so secret - almost magic. “Well,” said Jack at last. “What do you think? Shall we run away, and live on the secret island?” “Yes!” whispered all the children. “Let’s!
Enid Blyton (The Secret Island (Secret Series, #1))
With painstaking rumination, the tips of his fingers grazed over my neck, a deafening silence. I didn't move as his hand paused at the base of my throat. He listened to the arrhythmic beating of my heart, my pulse thumping beneath his fingers. He kissed me along my neckline and throat. I almost burst apart from the longing. My blood burned for him.
Rae Hachton
Maybe what I told her was a lie. Maybe I could be what she deserved. Maybe I could make the same teeth-clenching, sweat-pouring effort I’d put into my PT, and channel that into living blind, so that she wouldn’t have to constantly be cleaning up after me, or dragging my ass out of the house. My endless black was never going to go away. That was certainty. But kissing Charlotte had been a burst of light streaking across it, like a comet. Maybe. Maybe is gradations of darkness. The sweetest torture. Maybe is hope.
Emma Scott (Rush (City Lights Series, #3))
Mr. Normal stepped forward and offered him a Scotch bottle. "You look like you could use some." Yeah, you think? Butch took a swig. "Thanks." "So can we kill him now?" said the one with the goatee and the baseball hat. Beth's man spoke harshly. "Back off, V." "Why? He's just a human." "And my shellan is half-human. The man doesn't die just because he's not one of us." "Jesus, you've changed your tune." "So you need to catch up, brother." Butch got to his feet. If his death was going to be debated, he wanted in on the discussion. "I appreciate the support," he said to Beth's boy. "But I don't need it." He went over to the guy with the hat, discreetly switching his grip on the bottle's neck in case he had to crack the damn thing over a head. He moved in tight, so their noses were almost touching. He could feel the vampire heating up, priming for a fight. "I'm happy to take you on, asshole," Butch said. "I'll probably end up losing, but I fight dirty, so I'll make you hurt while you kill me." Then he eyed the guy's hat. "Though I hate clocking the shit out of another Red Sox fan." There was a shout of laughter from behind him. Someone said, "This is gonna be fun to watch." The guy in front of Butch narrowed his eyes into slits. "You true about the Sox?" "Born and raised in Southie. Haven't stopped grinning since '04." There was a long pause. The vampire snorted. "I don't like humans." "Yeah, well, I'm not too crazy about you bloodsuckers." Another stretch of silence. The guy stroked his goatee. "What do you call twenty guys watching the World Series?" "The New York Yankees," Butch replied. The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh. Just like that, the tension was broken.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Occasionally, events in one's life become clearer through the prism of experience, a phrase which simply means that things tend to be clearer as time goes on. For instance, when a person is just born, they usually have no idea what curtains are and spend a great deal of their first months wondering why on earth Mommy and Daddy have hung large pieces of cloth over each window in the nursery. But as the person grows older, the idea of curtains becomes clearer through the prism of experience. The person will learn the word "curtains" and notice that they are actually quite handy for keeping a room dark when it is time to sleep, and for decorating an otherwise boring window area. Eventually, they will entirely accept the idea of curtains of their own, or venetian blinds, and it is all due to the prism of experience.
Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
A fourth group of people climbs from ignorance and pretends to possess the rational faculty. They suppose that the highest felicity is the expansion of honor and fame, the spread of reputation, a multiplicity of followers, and the influence of the command that is obeyed. Hence, you see that their only concern is eye service and cultivation of the things upon which observers cast their glance. One of them may go hungry in his house and suffer harm so that he can spend his wealth on clothes with which to adorn himself so that no one will look at him with the eye of contempt when he goes out. The types of these people are beyond count. All of them are veiled from Allah by the sheer darkness that is their own dark souls.
Abu Hamid al-Ghazali (The Niche of Lights (Brigham Young University - Islamic Translation Series))
I'm afraid it's not nonsense," Genghis said, shaking his turbaned head and continuing his story. "As I was saying before the little girl interrupted me, the baby didn't dash off with the other orphans. She just sat there like a sack of flour. So I walked over to her and gave her a kick to get her moving." "Excellent idea!" Nero said. "What a wonderful story this is! And then what happened?" "Well, at first it seemed like I'd kicked a big hole in the baby," Genghis said, his eyes shining, "which seemed lucky, because Sunny was a terrible athlete and it would have been a blessing to put her out of her misery." Nero clapped his hands. "I know just what you mean, Genghis," he said. "She's a terrible secretary as well." "But she did all that stapling," Mr. Remora protested. "Shut up and let the coach finish his story," Nero said. "But when I looked down," Genghis continued, "I saw that I hadn't kicked a hole in a baby. I'd kicked a hole in a bag of flour! I'd been tricked!" "That's terrible!" Nero cried.
Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
A third group of people see the highest felicity in the abundance of property and the extension of ease. After all, property is an instrument to achieve the object of appetite. Through it, the human being attains the ability to achieve wishes. Hence, these people aspire to gather property; to increase estates, land, valuable horses, cattle, and farmland, and to hoard dinars in the earth. Hence, you will see one of them striving throughout life --- embarking on great dangers in the deserts, on journeys, and in the oceans to gather possessions with which he is niggardly toward himself, to say nothing of others. These are the ones meant by the words of The Prophet: "The slave of the dirham is miserable: the slave of the dinar is miserable." What darkness is greater than that which deceives the human being? Gold and silver are two stones that are not desired in themselves. When wishes are not achieved through them and they are not spent, then they are just like pebbles, and pebbles are just like them.
Abu Hamid al-Ghazali (The Niche of Lights (Brigham Young University - Islamic Translation Series))
Then, unprompted, Henry says into the stretching stillness, “Return of the Jedi.” A beat. “What?” “To answer your question,” Henry says. “Yes, I do like Star Wars, and my favorite is Return of the Jedi.” “Oh,” Alex says. “Wow, you’re wrong.” Henry huffs out the tiniest, most poshly indignant puff of air. It smells minty. Alex resists the urge to throw another elbow. “How can I be wrong about my own favorite? It’s a personal truth.” “It’s a personal truth that is wrong and bad.” “Which do you prefer, then? Please show me the error of my ways.” “Okay, Empire.” Henry sniffs. “So dark, though.” “Yeah, which is what makes it good,” Alex says. “It’s the most thematically complex. It’s got the Han and Leia kiss in it, you meet Yoda, Han is at the top of his game, fucking Lando Calrissian, and the best twist in cinematic history. What does Jedi have? Fuckin’ Ewoks.” “Ewoks are iconic.” “Ewoks are stupid.” “But Endor.” “But Hoth. There’s a reason people always call the best, grittiest installment of a trilogy the Empire of the series.” “And I can appreciate that. But isn’t there something to be valued in a happy ending as well?” “Spoken like a true Prince Charming.” “I’m only saying, I like the resolution of Jedi. It ties everything up nicely. And the overall theme you’re intended to take away from the films is hope and love and … er, you know, all that. Which is what Jedi leaves you with a sense of most of all.
Casey McQuiston (Red, White & Royal Blue)
William: What are you looking for in a woman? Reyes: I’ve found my angel, Danika. She’s all I need. William: Really? That’s, like, weird to me. Men should need many girls. No one girl should be so important. Reyes: How sad for you. William: I’m not sad. You’re sad! Reyes: Why are you so defensive about this? William: Let’s move on. Favorite outfit? Reyes: First, you said girls rather than women. Why is that, I wonder? Because you care about one girl in particular? Anyway, clothes are clothes. I don’t have any favorites. William: Go to hell. I care about no one and I’m proud to admit that! Favorite moment in the series so far? Reyes: The first time Danika looked at me with trust and acceptance in her eyes. I’m still reeling. William: And just so you know, girl was a slip of the tongue. Now. Least favorite moment in the series? Reyes: Every time I had to kill Maddox. William: Really? That would have been my favorite. Anyway, hobbies? Reyes: Do you really have to ask? Yes? Fine. Cutting myself. I’ve started to draw shapes. Like hearts. William: You actually admitted that aloud. [snicker] [..] Reyes: Happy for the first time in what seems an eternity. William: Not that you deserve it. Really, I didn’t say girl for any particular reason. So what do you think of the fact that your home has been invaded by women? Reyes: As long as I have Danika, I don’t care who lives with us. William: Who do you think is the smartest Lord? Reyes: Me. Look who I picked to spend eternity with. William: I think you’re the dumbest! Seriously, girl was meant to encompass everyone old enough to be bedded by me. Now, if you knew you only had twenty-four hours before the Hunters found Pandora’s box and killed you, what would you do in the time you had left to live? Reyes: Not even death can keep me away from my angel. I would find a way to change such a fate. Again. William: What kind of underwear are you wearing? Note from William: Bastard flipped me off and left. Final thoughts from William: Reyes’s thoughts about me and my slip of the tongue were ridiculous and unfounded!
Gena Showalter (Into the Dark (Lords of the Underworld, #0.5,3.5; Atlantis #4.5))
Suddenly an unexpected series of sounds began to be heard in this place up against the starry sky. They were the notes of Oak´s flute. It came from the direction of a small dark object under the hedge - a shephard´s hut - now presenting an outline to which an unintiated person might have been puzzled to attach either meaning or use. ... Being a man not without a frequent consciousness that there was some charm in this life he led, he stood still after looking at the sky as a useful instrument, and regarded it in an appreciative spirit, as a work of art superlatively beautiful. For a moment he seemed impressed with the speaking loneliness of the scene, or rather with the complete abstraction from all its compass of the sights and sounds of man. ... Oak´s motions, though they had a quiet energy, were slow, and their deliberateness accorded well with his occupation. Fitness being the basis of beauty, nobody could have denied tha his steady swings and turns in and about the flock had elements of grace. His special power, morally, physically, and mentally, was static. ... Oak was an intensely human man: indee, his humanity tore in pieces any politic intentions of his which bordered on strategy, and carried him on as by gravitation. A shadow in his life had always been that his flock should end in mutton - that a day could find a shepherd an arrant traitor to his gentle sheep.
Thomas Hardy (Far From the Madding Crowd)
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)