Sequel Prequel Quotes

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Our children are our sequels. Our parents are our prequels. All living beings are our equals.
Ashok K. Banker
Remember, the law is history, and history is just another story. Each of these events had a prequel and a sequel - a cause and an effect. Before you answer, put all the facts you know on an imaginary timeline. Find the contradictions, focus on what's missing, and then fill in the blanks the best you can.
Chris Colfer (A Tale of Magic... (A Tale of Magic, #1))
The extraordinary thing is this: that the moment you make a story or create an image that finds favour with an audience, you’ve effectively lost it. It toddles off, the little bastard; it becomes the property of the fans. It’s they who create around it their own mythologies; who make sequels and prequels in their imagination; who point out the inconsistencies in your plotting. I can envisage no greater compliment. What more could a writer or a film maker ever ask, than that their fiction be embraced and become part of the dream-lives of people who it’s likely he’ll never meet?
Clive Barker (Clive Barker's Hellraiser Vol. 1)
The Movie was just a sequel to our war and a prequel to the next one that America was destined to wage.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
The human organization and its inner engineering are cornerstoned and based on the indispensable foundation of collected deeds, which invest energies and outfit actions in their psychological nerves, constantly configuring their functioning updates. Placed and compiled in selected agilities and activities through the goal's stages, they perform mandatory feedback on the scale of upshots and are notified for conviction dimensity. If they crop, demonstrate, and abridge their correct updations and pointed efficiencies amid frequent interoception. The purpose of their acquired doings and all the liabilities will not be wrong and misgiving reinvestment but will be energetic, abridged, controlled, and outfitted with categorised methods at the right pace without any base of inalienable sequel to prequel. There will be accurate introspection in tends of apprehension; that's ultra-rigour, exactly following the aspirant aims of the Karmas evolution and its amenableness path. It will announce the rightness root of the widest sense, not a narrow sense, after wanting outgrown confirmations and the arrival of the unabstract from subsided dogma, quandary, and dread.
Viraaj Sisodiya
Oh god, Ryan loved Star Wars, even the prequels. He was glad the old world ended before anyone could make cash-grab sequels though. They would have sucked. He knew it deep within his bones.
Maxime J. Durand (The Perfect Run)
To make Star Wars, you’ve got to hate Star Wars”—this is a maxim I’ve heard from more than one veteran of Lucasfilm’s design department. What they mean is that if you’re too reverential about what came before, you’re doomed. You’ve got to be rebellious and questing. The franchise must constantly renew itself by pulling incongruous items out of a grab bag of outside influences, as Lucas himself did from the start. Likewise, fandom must constantly renew itself with new generations of viewers brought in by the prequels, by more recent additions to the canon like The Clone Wars and Rebels animated TV shows—and, soon enough, by the sequels to the first two trilogies.
Chris Taylor (How Star Wars Conquered the Universe: The Past, Present, and Future of a Multibillion Dollar Franchise)
For in the sequel to Gilead (which is really a prequel), later-life lovers must contend with the aftershocks of trauma. Love that arrives late can come after great pain, as Shakespeare knew. Yet that pain may not arrest or numb but burn or blister a later-life lover, making her wince at the touch of the hand she wants to hold. Our
Susan Gubar (Late-Life Love)
noting that Moon is what I consider the final installment of a very loose conceptual trilogy of novels that also includes The Kaiju Preservation Society and Starter Villain. The books share no characters, nor do they exist in the same universe, and none of them can be considered a prequel, sequel or sidequel to any of the others. They are standalone novels that can be read by themselves. What they do share, however, is a similar conceit of “Everyday people dealing with an extremely high-concept situation, in contemporary settings,
John Scalzi (When the Moon Hits Your Eye)
And she likes *Star Wars*." Morgan liked *Star Wars* — maybe she and Cassandra would get along with that in common? "Original, Prequel, or Sequel?" Morgan asked. Fuck. I should have considered *how much* Morgan liked *Star Wars*. I shrugged. "I never asked." "You married a girl you know *absolutely nothing* important about?
Daniel Kensington (Warlock: Book 3 (Warlock, #3))