Sentiment Love Quotes

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He dug so deeply into her sentiments that in search of interest he found love, because by trying to make her love him he ended up falling in love with her. Petra Cotes, for her part, loved him more and more as she felt his love increasing, and that was how in the ripeness of autumn she began to believe once more in the youthful superstition that poverty was the servitude of love. Both looked back then on the wild revelry, the gaudy wealth, and the unbridled fornication as an annoyance and they lamented that it had cost them so much of their lives to find the paradise of shared solitude. Madly in love after so many years of sterile complicity, they enjoyed the miracle of living each other as much at the table as in bed, and they grew to be so happy that even when they were two worn-out people they kept on blooming like little children and playing together like dogs.
Gabriel García Márquez (One Hundred Years of Solitude)
Irony and cynicism were just what the U.S. hypocrisy of the fifties and sixties called for. That’s what made the early postmodernists great artists. The great thing about irony is that it splits things apart, gets up above them so we can see the flaws and hypocrisies and duplicates. The virtuous always triumph? Ward Cleaver is the prototypical fifties father? "Sure." Sarcasm, parody, absurdism and irony are great ways to strip off stuff’s mask and show the unpleasant reality behind it. The problem is that once the rules of art are debunked, and once the unpleasant realities the irony diagnoses are revealed and diagnosed, "then" what do we do? Irony’s useful for debunking illusions, but most of the illusion-debunking in the U.S. has now been done and redone. Once everybody knows that equality of opportunity is bunk and Mike Brady’s bunk and Just Say No is bunk, now what do we do? All we seem to want to do is keep ridiculing the stuff. Postmodern irony and cynicism’s become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what’s wrong, because they’ll look sentimental and naive to all the weary ironists. Irony’s gone from liberating to enslaving. There’s some great essay somewhere that has a line about irony being the song of the prisoner who’s come to love his cage.
David Foster Wallace
The reason that marriage is so painful and yet wonderful is because it is a reflection of the gospel, which is painful and wonderful at once. The gospel is this: We are more sinful and flawed in ourselves than we ever dared believe, yet at the very same time we are more loved and accepted in Jesus Christ than we ever dared hope. This is the only kind of relationship that will really transform us. Love without truth is sentimentality; it supports and affirms us but keeps us in denial about our flaws. Truth without love is harshness; it gives us information but in such a way that we cannot really hear it. God’s saving love in Christ, however, is marked by both radical truthfulness about who we are and yet also radical, unconditional commitment to us. The merciful commitment strengthens us to see the truth about ourselves and repent. The conviction and repentance moves us to cling to and rest in God’s mercy and grace.
Timothy J. Keller (The Meaning of Marriage: Facing the Complexities of Commitment with the Wisdom of God)
– Dans un certain état toute trace de sentiment est chassée. Je ne vous aime pas quand je me tais d’une certaine façon. Vous avez remarqué ? – J’ai remarqué. Elle s’étire, elle rit. – Et puis je recommence à respirer, dit-elle.
Marguerite Duras (Le ravissement de Lol V. Stein)
– Dans un certain état toute trace de sentiment est chassée. Je ne vous aime pas quand je me tais d’une certaine façon. Vous avez remarqué ? – J’ai remarqué. Elle s’étire, elle rit. – Et puis je recommence à respirer, dit-elle.
DURAS (M.). (The Ravishing of Lol Stein)
– Dans un certain état toute trace de sentiment est chassée. Je ne vous aime pas quand je me tais d’une certaine façon. Vous avez remarqué ? – J’ai remarqué. Elle s’étire, elle rit. – Et puis je recommence à respirer, dit-elle.
Marguerite Duras
Elizabeth knew she loved him. It was impossible for her to pretend any other sentiment. The sense of relief that she had felt upon hearing that he was not engaged to Miss de Bourgh was such as to make it impossible for her to lie to herself.
Timothy Underwood (By Virtue, Not Birth: An Elizabeth and Darcy Story (Mr. Underwood's Elizabeth & Darcy Stories))