Pick Up Trucks Quotes

We've searched our database for all the quotes and captions related to Pick Up Trucks. Here they are! All 100 of them:

Amanda, still thinking more about Harry Mize than the issues before the committee, lunged forward and snatched the note from Kershing’s hand. After reading it, she stood up and walked out of the hearing, leaving the receipt on her chair. Rick glanced up as she walked out. Then, he picked up his receipt and read Kershing’s words. Get the trucks in position. It’s time to go.
Chad Boudreaux (Scavenger Hunt)
We literally have three “pickup trucks” in all of England, but here they’re everywhere. What is it that Americans have to pick up that the rest of the world doesn’t?
Rainbow Rowell (Wayward Son (Simon Snow, #2))
Reading is human contact, and the range of our human contacts is what makes us what we are. Just imagine you live the life of a long-distance truck driver. The books that you read are like the travelers you take into your cab. If you give lifts to people who are cultured and profound, you'll learn a lot from them. If you pick up fools, you'll turn into a fool yourself.
Victor Pelevin (The Sacred Book of the Werewolf)
Sometimes we’re on a collision course, and we just don’t know it. Whether it’s by accident or by design, there’s not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she’d stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who’d stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn’t been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot. When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater. And if only one thing had happened differently: if that shoelace hadn’t broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn’t broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn’t stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would’ve crossed the street, and the taxi would’ve driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone’s control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
Eric Roth (The Curious Case of Benjamin Button Screenplay)
When my now-adult daughter was a child, another child once hit her on the head with a metal toy truck. I watched that same child, one year later, viciously push his younger sister backwards over a fragile glass-surfaced coffee table. His mother picked him up, immediately afterward (but not her frightened daughter), and told him in hushed tones not to do such things, while she patted him comfortingly in a manner clearly indicative of approval. She was out to produce a little God-Emperor of the Universe. That’s the unstated goal of many a mother, including many who consider themselves advocates for full gender equality. Such women will object vociferously to any command uttered by an adult male, but will trot off in seconds to make their progeny a peanut-butter sandwich if he demands it while immersed self-importantly in a video game. The future mates of such boys have every reason to hate their mothers-in-law. Respect for women? That’s for other boys, other men—not for their dear sons.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
I’ve been thinking about the way, when you walk down a crowded aisle, people pull in their legs to let you by. Or how strangers still say “bless you” when someone sneezes, a leftover from the Bubonic plague. “Don’t die,” we are saying. And sometimes, when you spill lemons from your grocery bag, someone else will help you pick them up. Mostly, we don’t want to harm each other. We want to be handed our cup of coffee hot, and to say thank you to the person handing it. To smile at them and for them to smile back. For the waitress to call us honey when she sets down the bowl of clam chowder, and for the driver in the red pick-up truck to let us pass. We have so little of each other, now. So far from tribe and fire. Only these brief moments of exchange. What if they are the true dwelling of the holy, these fleeting temples we make together when we say, “Here, have my seat,” “Go ahead—you first,” “I like your hat.
Danusha Laméris (The Moons of August)
Do you need me to come pick you up? (Janine) No. I appreciate the thought, but I have to wait on the tow truck, which seems to be the only thing moving slower than my DOA Firebird. (Taryn)
Sherrilyn Kenyon (In Other Worlds (The League: Nemesis Rising, #3.5; Were-Hunter, #0.5; The League: Nemesis Legacy, #2))
He comes over to pick me up and help me into the truck. “Yeah no homeboy, I’ll walk. I don’t want to hurt you.” He stops and looks down to me, “Vicky, don’t be stubborn and let me help you into the truck.” I pull myself up into my seat. “See, no help. Save the caveman bullshit for Barbie sluts that need it. I’m a strong independent woma—“he cuts me off by slamming the door. “Well, that was rude,” I mumble to myself as he gets back into the truck.
Amo Jones (Intricate Love (Sinful Souls MC #2))
Garbage Is, always. We will die, civilization will crumble, life as we know it will cease to exist, but trash will endure, and there it was on the street, our ceaselessly erected, ceaselessly broken cenotaphs to ephemera and disconnection and unquenchable want.
Robin Nagle (Picking Up: On the Streets and Behind the Trucks with the Sanitation Workers of New York City)
I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely. “He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers. I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.” I’m so suave. I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father. This is silly. Brushing through my embarrassment, I walk up, put my hand on his shoulder. He straightens up with a wide grin. “Am I glad to see you!” “Oh, really?” “Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.” “Maybe you should have gotten more sleep,” I offer. “No way,” he says. Then we just gaze at each other for a long moment. For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also. “That was the best study session I ever had,” I tell him. “Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.” “This thumb?” I reach for one of his callused hands, kiss the thumb. “It was the left one.” Jase’s face creases into a smile as I pick up his other hand. “I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.” I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt. “Feeling better?” His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.” My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.” Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.
Huntley Fitzpatrick (My Life Next Door)
I want to tell you a story. I'm going to ask you all to close your eyes while I tell you the story. I want you to listen to me. I want you to listen to yourselves. Go ahead. Close your eyes, please. This is a story about a little girl walking home from the grocery store one sunny afternoon. I want you to picture this little girl. Suddenly a truck races up. Two men jump out and grab her. They drag her into a nearby field and they tie her up and they rip her clothes from her body. Now they climb on. First one, then the other, raping her, shattering everything innocent and pure with a vicious thrust in a fog of drunken breath and sweat. And when they're done, after they've killed her tiny womb, murdered any chance for her to have children, to have life beyond her own, they decide to use her for target practice. They start throwing full beer cans at her. They throw them so hard that it tears the flesh all the way to her bones. Then they urinate on her. Now comes the hanging. They have a rope. They tie a noose. Imagine the noose going tight around her neck and with a sudden blinding jerk she's pulled into the air and her feet and legs go kicking. They don't find the ground. The hanging branch isn't strong enough. It snaps and she falls back to the earth. So they pick her up, throw her in the back of the truck and drive out to Foggy Creek Bridge. Pitch her over the edge. And she drops some thirty feet down to the creek bottom below. Can you see her? Her raped, beaten, broken body soaked in their urine, soaked in their semen, soaked in her blood, left to die. Can you see her? I want you to picture that little girl. Now imagine she's white.
John Grisham (A Time to Kill (Jake Brigance, #1))
Like That" Love me like a wrong turn on a bad road late at night, with no moon and no town anywhere and a large hungry animal moving heavily through the brush in the ditch. Love me with a blindfold over your eyes and the sound of rusty water blurting from the faucet in the kitchen, leaking down through the floorboards to hot cement. Do it without asking, without wondering or thinking anything, while the machinery’s shut down and the watchman’s slumped asleep before his small TV showing the empty garage, the deserted hallways, while the thieves slice through the fence with steel clippers. Love me when you can’t find a decent restaurant open anywhere, when you’re alone in a glaring diner with two nuns arguing in the back booth, when your eggs are greasy and your hash browns underdone. Snick the buttons off the front of my dress and toss them one by one into the pond where carp lurk just beneath the surface, their cold fins waving. Love me on the hood of a truck no one’s driven in years, sunk to its fenders in weeds and dead sunflowers; and in the lilies, your mouth on my white throat, while turtles drag their bellies through slick mud, through the footprints of coots and ducks. Do it when no one’s looking, when the riots begin and the planes open up, when the bus leaps the curb and the driver hits the brakes and the pedal sinks to the floor, while someone hurls a plate against the wall and picks up another, love me like a freezing shot of vodka, like pure agave, love me when you’re lonely, when we’re both too tired to speak, when you don’t believe in anything, listen, there isn’t anything, it doesn’t matter; lie down with me and close your eyes, the road curves here, I’m cranking up the radio and we’re going, we won’t turn back as long as you love me, as long as you keep on doing it exactly like that.
Kim Addonizio (Tell Me)
Later, at the sink in our van, Mama rinsed the blue stain and the odd spiders, caterpillars, and stems from the bucket. "Not what we usually start with, but we can go again tomorrow. And this will set up nicely in about six, eight jars." The berries were beginning to simmer in the big pot on the back burner. Mama pushed her dark wooden spoon into the foaming berries and cicrcled the wall of the pot slowly. I leaned my hot arms on the table and said, "Iphy better not go tomorrow. She got tired today." I was smelling the berries and Mamaa's sweat, and watching the flex of the blue veins behind her knees. "Does them good. The twins always loved picking berries, even more than eating them. Though Elly likes her jam." "Elly doesn't like anything anymore." The knees stiffened and I looked up. The spoon was motionless. Mama stared at the pot. "Mama, Elly isn't there anymore. Iphy's changed. Everything's changed. This whole berry business, cooking big meals that nobody comes for, birthday cakes for Arty. It's dumb, Mama. Stop pretending. There isn't any family anymore, Mama." Then she cracked me with the big spoon. It smacked wet and hard across my ear, and the purple-black juice spayed across the table. She started at me, terrified, her mouth and eyes gaping with fear. I stared gaping at her. I broke and ran. I went to the generator truck and climbed up to sit by Grandpa. That's the only time Mama ever hit me and I knew I deserved it. I also knew that Mama was too far gone to understand why I deserved it. She'd swung that spoon in a tigerish reflex at blasphemy. But I believed that Arty had turned his back on us, that the twins were broken, that the Chick was lost, that Papa was weak and scared, that Mama was spinning fog, and that I was an adolescent crone sitting in the ruins, watching the beams crumble, and warming myself in the smoke from the funeral pyre. That was how I felt, and I wanted company. I hated Mama for refusing to see enough to be miserable with me. Maybe, too, enough of my child heart was still with me to think that if she would only open her eyes she could fix it all back up like a busted toy.
Katherine Dunn (Geek Love)
There is a feeling that I had Friday night after the homecoming game that I don't know if I will ever be able to describe except to say that it is warm. Sam and Patrick drove me to the party that night, and I sat in the middle of Sam's pickup truck. Sam loves her pick up truck because I think it reminds her of her dad.The feeling I had happened when Sam told Patrick to find a station on the radio. And kept getting commercials. And commercials. And a really bad song about love that had the word "baby" in it. And then more commercials. And finally he found this really amazing song about this boy, and we all got quiet. Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. And I just sat between them. After the song finished I said something. "I feel infinite" And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was the greatest and we all paid attention to it.Five minutes of a lifetime were truly spent,and we felt young in a good way. I have since bought the record, and I would tell you what it is, but truthfully, it's not the same unless you're driving to your first real part, and you're sitting in the middle seat of a pickup with two nice people when it starts to rain.
Stephen Chbosky (The Perks of Being a Wallflower)
In Loving Memory Winifred Foster Jackson Dear Wife Dear Mother 1870--1948 “So,” said Tuck to himself. “Two years. She’s been gone two years.” He stood up and looked around, embarrassed, trying to clear the lump from his throat. But there was no one to see him. The cemetery was very quiet. In the branches of a willow behind him, a red-winged blackbird chirped. Tuck wiped his eyes hastily. Then he straightened his jacket again and drew up his hand in a brief salute. “Good girl,” he said aloud. And then he turned and left the cemetery, walking quickly. Later, as he and Mae rolled out of Treegap, Mae said softly, without looking at him, “She’s gone?” Tuck nodded. “She’s gone,” he answered. There was a long moment of silence between them, and then Mae said, “Poor Jesse.” “He knowed it, though,” said Tuck. “At least, he knowed she wasn’t coming. We all knowed that, long time ago.” “Just the same,” said Mae. She sighed. And then she sat up a little straighter. “Well, where to now, Tuck? No need to come back here no more.” “That’s so,” said Tuck. “Let’s just head on out this way. We’ll locate something.” “All right,” said Mae. And then she put a hand on his arm and pointed. “Look out for that toad.” Tuck had seen it, too. He reined in the horse and climbed down from the wagon. The toad was squatting in the middle of the road, quite unconcerned. In the other lane, a pickup truck rattled by, and against the breeze it made, the toad shut its eyes tightly. But it did not move. Tuck waited till the truck had passed, and then he picked up the toad and carried it to the weeds along the road’s edge. “Durn fool thing must think it’s going to live forever,” he said to Mae. And soon they were rolling on again, leaving Treegap behind, and as they went, the tinkling little melody of a music box drifted out behind them and was lost at last far down the road.
Natalie Babbitt (Tuck Everlasting)
(Samson is talking to a bum on the street.) "A guy stops near here every morning with a truck-picks up guys to do yard work, but he only takes Mexicans. Says whites are too lazy....I'm not lazy," the bum said. "I earned a degree in philosophy." "I'll give you a dollar," Samson said "I'm having trouble finding work in my field." (The bum replied)
Christopher Moore (Coyote Blue)
We all have hearts that wanna be old pick-up trucks permanently parked in someone's front yard.
Andrea Gibson (Pansy)
But the engine started, eventually, after a bunch of popping and churning, and then it idled, wet and lumpy. The transmission was slower than the postal service. She rattled the selector into reverse, and all the mechanical parts inside called the roll and counted a quorum and set about deciding what to do. Which required a lengthy debate, apparently, because it was whole seconds before the truck lurched backward. She turned the wheel, which looked like hard work, and then she jammed the selector into a forward gear, and first of all the reversing committee wound up its business and approved its minutes and exited the room, and then the forward crew signed on and got comfortable, and a motion was tabled and seconded and discussed. More whole seconds passed, and then the truck slouched forward, slow and stuttering at first, before picking up its pace and rolling implacably toward the exit gate.
Lee Child (Personal (Jack Reacher, #19))
Imagine if we were capable of a form of empathy that lets us know one another by savoring the aura we leave on the things we have touched. We would go to a dump to get drunk on one another's souls.
Robin Nagle (Picking Up: On the Streets and Behind the Trucks with the Sanitation Workers of New York City)
Emma Garcia gripped the steering wheel of the stolen pick-up truck she wished she wasn’t driving. In the entirety of her twenty-six years, she hadn’t taken as much as a piece of gum without paying for it, until today…
Katie Reus (Running from the Past)
We'll remove the nose airlock, the windows, and Hull Panel 19.” Venkat blinked. “You're taking the front of the ship off?” “Sure,” Bruce said. “The nose airlock alone is 400kg. The windows are pretty damn heavy, too. And they're connected by Hull Panel 19 so may as well take that, too.” “So he's going to launch with a big hole in the front of the ship?” “We'll have him cover it with Hab canvas.” “Hab canvas? For a launch to orbit!?” Bruce shrugged. “The hull's mostly there to keep the air in. Mars's atmosphere is so thin you don't need a lot of streamlining. By the time the ship's going fast enough for air resistance to matter, it'll be high enough that there's practically no air. We've run all the simulations. Should be good.” “You're sending him to space under a tarp.” “Pretty much, yeah.” “Like a hastily loaded pick up truck.” “Yeah. Can I go on?” “Sure, can't wait.
Andy Weir (The Martian)
Picking oranges in Florida. Pushing a broom in New Orleans. Mucking out horse-stalls in Lufkin, Texas. Handing out real estate brochures on street corners in Phoenix, Arizona. Working jobs that pay cash. ... The faces on the currency don't matter. What matters is the sight of a weathervane against a violent pink sunset, the sound of his heels on an empty road in Utah, the sound of the wind in the New Mexico desert, the sight of a child skipping rope beside a junked-out Chevrolet Caprice in Fossil, Oregon. What matters is the whine of the powerlines beside Highway 50 west of Elko, Nevada, and a dead crow in a ditch outside Rainbarrel Springs. Sometimes he's sober and sometimes he gets drunk. Once he lays up in an abandoned shed-this is just over the California state line from Nevada-and drinks for four days straight. It ends with seven hours of off-and-on vomiting. For the first hour or so, the puking is so constant and so violent he is convinced it will kill him. Later on, he can only wish it would. And when it's over, he swears to himself that he's done, no more booze for him, he’s finally learned his lesson, and a week later lies drunk again and staring up at the strange stars behind the restaurant where he has hired on as a dishwasher. He is an animal in a trap and he doesn't care. ... Sometimes he asks himself what he thinks he's doing, where the hell he's going, and such questions are apt to send him in search of the next bottle in a hurry. Because he's really not going anywhere. He's just following the highways in hiding and dragging his trap along behind him, he's just listening to the call of those roads and going from one to the next. Trapped or not, sometimes he is happy; sometimes he sings in his chains like the sea. He wants to see the next weathervane standing against the next pink sunset. He wants to see the next silo crumbling at the end of some disappeared farmer's long-abandoned north field and see the next droning truck with TONOPAH GRAVEL or ASPLUNDH HEAVY CONSTRUCTION written on the side. He's in hobo heaven, lost in the split personalities of America. He wants to hear the wind in canyons and know that he's the only one who hears it. He wants to scream and hear the echoes run away.
Stephen King
The greatest ride in my life was about to come up, a truck, with a flatboard at the back, with about six or seven boys sprawled out on it, and the drivers, two young blond farmers from Minnesota, were picking up every single soul they found on that road—the most smiling, cheerful couple of handsome bumpkins you could ever wish to see, both wearing cotton shirts and overalls, nothing else; both thick-wristed and earnest, with broad howareyou smiles for anybody and anything that came across their path. I ran up, said “Is there room?” They said, “Sure, hop on, ’sroom for everybody.” I
Jack Kerouac (On the Road)
I went to the room in Great Jones Street, a small crooked room, cold as a penny, looking out on warehouses, trucks and rubble. There was snow on the windowledge. Some rags and an unloved ruffled shirt of mine had been stuffed into places where the window frame was warped and cold air entered. The refrigerator was unplugged, full of record albums, tapes, and old magazines. I went to the sink and turned on both taps all the way, drawing an intermittent trickle. Least is best. I tried the radio, picking up AM only at the top of the dial, FM not at all." The industrial loft buildings along Great Jones seemed misproportioned, broad structures half as tall as they should have been, as if deprived of light by the great skyscraper ranges to the north and south." Transparanoia owns this building," he said. She wanted to be lead singer in a coke-snorting hard-rock band but was prepared to be content beating a tambourine at studio parties. Her mind was exceptional, a fact she preferred to ignore. All she desired was the brute electricity of that sound. To make the men who made it. To keep moving. To forget everything. To be that sound. That was the only tide she heeded. She wanted to exist as music does, nowhere, beyond maps of language. Opal knew almost every important figure in the business, in the culture, in the various subcultures. But she had no talent as a performer, not the slightest, and so drifted along the jet trajectories from band to band, keeping near the fervers of her love, that obliterating sound, until we met eventually in Mexico, in somebody's sister's bed, where the tiny surprise of her name, dropping like a pebble on chrome, brought our incoherent night to proper conclusion, the first of all the rest, transactions in reciprocal tourism. She was beautiful in a neutral way, emitting no light, defining herself in terms of attrition, a skinny thing, near blond, far beyond recall from the hard-edged rhythms of her life, Southwestern woman, hard to remember and forget...There was never a moment between us that did not measure the extent of our true connection. To go harder, take more, die first.
Don DeLillo (Great Jones Street)
One year, on vacation in Hawaii, I was relaxing at a beach, watching whales in the distance, when a fisherman, obviously a local, drove up in his pick-up truck. He got out with a dozen fishing rods. Not one. A dozen. He baited each hook, cast all the lines into the ocean, and set the rods in the sand. Intrigued, I wandered over and asked him for an explanation. “It’s simple,” he said. “I love fish but I hate fishin’. I like eatin’, not catchn’. So I cast out 12 lines. By sunset, some of them will have caught a fish. Never all of ’em. So if I only cast one or two I might go hungry. But 12 is enough so some always catch. Usually there’s enough for me and extras to sell to local restaurants. This way, I live the life I want.” The simple fellow had unwittingly put his finger on a powerful secret. The flaw in most businesses, that keeps them always in desperate need—which suppresses prices—is: too few lines cast in the ocean.
Dan S. Kennedy (No B.S. Price Strategy: The Ultimate No Holds Barred Kick Butt Take No Prisoner Guide to Profits, Power, and Prosperity)
He demands that his mother pick him up so he can see the soldiers better; so he will be more visible to them. All this enters the bridge, resounds through its wood and stone, and enters Virginia’s body. Her face, pressed sideways to the piling, absorbs it all: the truck and the soldiers, the mother and the child.
Michael Cunningham (The Hours)
One final thought. In the years leading up to my trial, whenever I was caught in bumper-to-bumper traffic on the highway leading to my cottage, creeping along behind a battered, rust eaten pick-up truck with a sticker on its rear bumper that read JESUS SAVES, I used to think don't count on it, buster. Now I am no longer sure.
Mordecai Richler (Barney's Version)
Mostly, they were ashamed of us. Our floppy straw hats and threadbare clothes. Our heavy accents. Every sing oh righ? Our cracked, callused palms. Our deeply lined faces black from years of picking peaches and staking grape plants in the sun. They longed for real fathers with briefcases who went to work in a suit and tie and only mowed the grass on Sundays. They wanted different and better mothers who did not look so worn out. Can't you put on a little lipstick? They dreaded rainy days in the country when we came to pick them up after school in our battered old farm trucks. They never invited over friends to our crowded homes in J-town. We live like beggars. They would not be seen with us at the temple on the Emperor's birthday. They would not celebrate the annual Freeing of the Insects with us at the end of summer in the park. They refused to join hands and dance with us in the streets on the Festival of the Autumnal Equinox. They laughed at us whenever we insisted that they bow to us first thing in the morning and with each passing day they seemed to slip further and further from our grasp.
Julie Otsuka (The Buddha in the Attic)
That even if Winnie and I could have faked a tornado, we could never have shoved that boat motor through the door of the truck and down through the passenger seat. And even if we could have managed to pick that boat up and drive it nose-first down into the dirt several inches deep, we could never have managed to get that body up into that tree. Have you taken a good look at where he is?
Loulou Harrington (Murder Most Thorny (Myrtle Grove Garden Club Mystery, #2))
Jaxson, I’m fine really, and I won’t be home alone. God is living with me now… remember?” Day tried to reason with his stubborn big brother. Jaxson maneuvered the small sedan into Day’s driveway and Day’s heart rate picked up at the sight of God’s truck already there. “Oh and when did Cashel get a medical degree?” Jaxson huffed. “You may require medical attention in the middle of the night, and I won’t be there.” Day smirked. “The only attention I’ll require in the middle of the night won’t require you being there to give it to me.” Day winked. “The right man for the job will be there.” “You’re a perv.” Jaxson laughed. “Okay, okay. Just take it easy for the next few days and call me tomorrow.” “All right.” Day leaned over and gave Jaxson a wet, sloppy kiss on the cheek until the man was pushing at him to get away. Day
A.E. Via (Nothing Special)
It is not for us to know who does and does not manage to accept forgiveness, but if the love really never stops, if God really does long for every lost soul, then in principle God regards as forgivable a whole load of stuff we really don’t want forgiven, thank you. People who use airliners to murder thousands of office workers, people who strut about Norwegian summer camps stealing the lives of teenagers with careful shots to the head, people who drive over their gay neighbor in their pick-up truck and then reverse and do it again, people who torture children for sexual pleasure: God is apparently ready to rush right in there and give them all a hug, the bastard. We don’t want that. We want justice, dammit, if not in this world then in the next. We want God’s extra-niceness confined to deserving cases such as, for example, us, and a reliable process of judgment put in place which will ensure that the child-murderers are ripped apart with red-hot tongs.
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
It was stupid and dangerous, but I decided to get in my truck and drive out to the tidal pools. I wanted to creep up on all of that hidden life and try to surprise it somehow. I had gotten it into my mind that the tidal pools changed during the night when no one watched. This is what happens, perhaps, if you have been studying something so long that you can tell one sea anemone from another in an instant, could have picked out any denizen of those tidal pools from a lineup if it had committed a crime.
Jeff Vandermeer (Annihilation (Southern Reach, #1))
He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.
Nicole Krauss
Two men, I think. A driver and a passenger.” Reacher didn’t want to turn around to look. Didn’t want to show either guy the pale flash of a concerned face in the rear window. So he hunched down a little and moved sideways until he could see the image in Chang’s door mirror. A pick-up truck, about a hundred yards back. A Ford, he thought. A serious machine, big and obvious, keeping pace. It was dull red, like the general store. There were two guys in it, side by side, but far from each other, because of the vehicle’s extravagant width.
Lee Child (Make Me (Jack Reacher, #20))
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage. God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way. “Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.” And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her. “I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.” Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her. That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her. “The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.” She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah. “I’d need to change clothes.” His gaze flickered over her short jeans skirt, her T-shirt. “That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.” No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers. “Bare legs and motorcycles don’t exactly go together,” she pointed out. He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.” She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him. “Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup? He looked around. “I haven’t seen a pickup.” “It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.” He grinned. He was so proud of that damned pickup. “Where did something so little come up with a truck that big?” he teased her then. She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening. “You drive it?” “All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.” Did he swallow tighter? “It’s pinged then?” She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?” Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror. The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
Lora Leigh (Wild Card (Elite Ops, #1))
Also, Nick’s stomach was rumbling uncomfortably. No one had showed up from the truck-stop down the road, and he looked at the telephone, more with disgust than with longing. He was quite fond of science fiction, picking up falling-apart paperbacks from time to time on the dusty back shelves of antique barns for a nickel or a dime, and he found himself thinking, not for the first time, that it was going to be a great day for the deaf-mutes of the world when the telephone viewscreens the science fiction novels were always predicting finally came into general use.
Stephen King (The Stand)
Outside the basement door was a covered pen that housed a rooster and a seagull. The rooster had been on his way to Colonel Sanders' when he fell off a truck and broke a drumstick. Someone called Carol, as people often do, and she took the rooster into her care. He was hard of moving, but she had hopes for him. He was so new there he did not even have a name. The seagull, on the other hand, had been with her for years. He had one wing. She had picked him up on a beach three hundred miles away. His name was Garbage Belly. --John McPhee, Travels in Georgia (1973)
David Remnick (Life Stories: Profiles from The New Yorker)
I’m really sorry, Nathan.” Her accent thickened as she stared up at him, biting her lip nervously as she wondered how much he would pout. Nathan could go all quiet, somber, and answer her in monosyllables that drove her insane. He would glare at her. He would watch ball games. He would come to bed late. Late. After she went to sleep. And wouldn’t give her any until the next morning. It really wasn’t fair. “Nathan, please don’t be mad at me . . .” “How did you hit my truck? How? It was sitting in plain view. Plain view, Sabella.” He was getting angry. He only said her full name when he was really getting angry or really, really horny. And he was not horny. Okay, this wasn’t good. She could do without for days. But she didn’t like it. She stomped her foot, glaring back at him in irritation. “If it weren’t for you, I would have never hit it.” “Me?” He stepped back, shaking his head fiercely. “How the hell was this my fault?” “Because you were cutting the grass, with no shirt, in sexy jeans and boots, and seeing your tight ass striding across the lawn made me horny. You distracted me. It’s all your fault. If you dress properly things like this just would not happen, Nathan . . .” He kissed her. It wasn’t a gentle, easy kiss. It was rough and ready and smack full of lust as he jerked her against him, pressing his cock into her belly as she gasped in pleasure. “You are so spanked.” He picked her up, striding across the lawn, leaving her car door open, his truck abused. “Spanked, Sabella. I’m going to watch every inch of that pretty ass turn red.” He slammed the door behind him, locking it quickly before heading for the stairs. “Oh, spank me, Nathan,” she breathed teasingly into his ear. “Make me beg.” He shuddered against her, threw her on the bed and proceeded to make her beg.
Lora Leigh (Wild Card (Elite Ops, #1))
Tell you what,” A.J. offered. “I’ve got some errands to run today. We’ll hijack the truck and pick up a new one together.” “You askin’ me on a date?” Chester asked wolfishly. “I suppose I am.” “You buyin’ or am I?” “If you’re talking about the wheelbarrow, I am,” Devlin interjected. “But what about food? If it’s a date, ya need food.” “Probably not a lot of that at the local hardware store,” A.J. said with a grin. “Considering your days of eating nails are over with.” “Well, I’ll pay for lunch if we go to the Pick a’ the Chicken.” “Okay, but you should know, I don’t kiss on the first date.” “Neither do I.
J.R. Ward (Leaping Hearts)
Suddenly the skies became dark purple with flashes of light and the wind picked up and made waves on the river. It was a typical prairie storm, angry with the dryness it had been forced to endure, and everyone around me ran to take cover from the hail. I crawled under the bench and lay there, very still, and listened to the giant balls of ice pummel the wood above me. I saw gum and graffiti, even there, on the underside of the bench. Initials and hearts and curses. I thought about my aunt and my mother sliding unscathed under that massive semi truck on their bikes, coming up on the other side laughing and breathless. It must have felt amazing.
Miriam Toews (All My Puny Sorrows)
For the first few weeks in Santa Fe, Oppenheimer and his key staff worked out of the office at 109 East Palace Avenue in the early mornings and made daily trips up to Los Alamos to inspect the progress of the construction. "The laboratories at the site were in a sketchy state, but that did not deter the workers," Dorothy wrote of those hectic early days. "In the morning buses, consisting of station wagons, sedans, or trucks, would leave 109 and pick up the men at the ranches and take them up the Hill. Occasionally, a driver would forget to stop at one or another of the ranches and the stranded and frustrated scientists would call in a white heat.
Jennet Conant (109 East Palace: Robert Oppenheimer and the Secret City of Los Alamos)
This city is one place where a person who goes out for a peaceful walk is liable to come home with a shiner or bloody nose, and he’s almost as likely to get it from a cop’s nightstick as from a couple of squareheads who haven’t got the few dimes to chase pussy on the high rides in Riverview and so hang around the alley and plot to jump someone. Because you know it’s not the city salary the cops live on now, not with all the syndicate money there is to pick up. There isn’t a single bootleg alky truck that goes a mile without being convoyed by a squad car. So they don’t care what they do. I’ve heard of them almost killing guys who didn’t know enough English to answer questions.
Saul Bellow (The Adventures Of Augie March)
Chang said, “You OK?” Reacher said, “Top of the world. Except my head still hurts.” “No reaction?” “To what?” She pointed at the screen. “All that.” “My ears are still ringing a bit.” “That’s not what I mean.” “I leave people alone if they leave me alone. Their risk, not mine.” “You’re not upset?” “Are you?” “What was the machine you saw at the farm at midnight?” “It was a dot in the distance. It had a light bar. Like a bull bar, but above the cab. Four rectangular lights, very bright. Could have been a jacked-up pick-up truck. More likely a tractor. It was working hard. I could see exhaust smoke in the lights.” “Could it have been a backhoe?” “Why?” “That was the day Keever disappeared.” Reacher said, “It could have been a backhoe.
Lee Child (Make Me (Jack Reacher, #20))
Girls spend slightly more time playing with the doll than with the truck. Boys on the other hand typically spend great deal more time playing with the truck rather than with the doll. We were taught that the social construction of gender is the appropriate framework in which to understand these results [..] We give girls a fairly consistent message that girls are supposed to play with dolls and not with trucks. So when offered a choice girls will be more likely to play with dolls rather than trucks. But if a girl picks up a truck it's not a catastrophe. WIth boys the stakes are higher, we send boys a much stronger message what a boy is and is not supposed to do. Boys are not supposed to play with dolls. Boys get that message loud and clear.
Leonard Sax (Why Gender Matters: What Parents and Teachers Need to Know about the Emerging Science of Sex Differences)
The next day the German police picked them up, loaded them onto an armored truck and took them back to Colditz. Alexander was badly beaten by the German guards and taken to solitary, where he spent so long he lost track of time. With Pasha’s death came the death of faith. Release me, Tatiana, release me, forgive me, forget me, let me forget you. I want to be free of you, free of your face, free of your freedom, free of your fire, free, free, free. The flight across the ocean was over, and with it all the warmth of his imagination. A numbness encroached on him, freezing him from the heart out, the anesthetic of despair creeping its tentacles over his ten-dons and his arteries, over his nerves and his veins until he was stiff inside and bereft of hope and bereft of Tatiana. Finally. But not quite.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
You could drive around the island of Tahiti in two hours, in a day, in two days. You could pass the slower cars, the pick-up trucks with their loads of mothers and kids in ragged T-shirts, the bicycles turning in lazy circles by the side of the road, the bony yellow dogs trying to cross – if you never stopped, the drive could take less than two hours, provided that you weren't entering or leaving Papeete during the morning or late afternoon traffic jams. At the other extreme, you could visit every relative living around the island – your aunt who ran the general store in Papeari, your uncle who worked at the gas station in Mahina, your countless cousins who were expecting babies or who had just given birth, your grandmother who lived with your aunt who lived with your great-aunt...this type of tour de l'ile could take an entire day or two or three days.
Lillian Howan (The Charm Buyers)
The cars and trucks that passed this way threw their trash out into the forest without pause, faster than the gleaners could pick them up and find new uses for them. The waste had always struck Maceo as a disgusting mystery, but now, it made sense. The indestructible plastic bottles and wrappers that rained on the ground were not merely trash, but seeds—diabolical harbingers of the alien ecology of metal and plastic and advertising that had already swallowed the coast. It was a hostile invader that no one else seemed to want to fight. The dead-eyed souvenir-hawkers at Coba sold the products the signs foretold; beside the road to the ruins of the once-sacred ceremonial city, a looming image of golden arches promised a still-greater ritual awaiting them in Valladolid—the devouring of machine-made ghost-food. Maceo could not read the words on the billboards, but he knew that they sought to infect their victims with the virus of desire.
Cody Goodfellow (Strategies Against Nature)
Ironically, in spite of all the care and attention my grandparents devoted to their land, all the food they grew each year ultimately became anonymous, and it ended up eaten by complete strangers. Young calves were sent to feed lots in the Midwest to be fattened on grain. Apples, their skins never perfect enough to be sold as fresh fruit, were transformed into juice, or sauce, or apple pies. The corn, like most grain raised in America, was destined for animal feed. It was, perhaps, fed to the very calves that they had sold, now 1000 miles away. Once the food left the farm, the entire system was turned on its head. The freshness they had worked so hard to attain, picking the fruit at the peak of harvest was replaced with shelf life… their harvest was trucked all across America. It was processed, boxed, frozen, and then shipped again. Their food was trucked down the interstate in 18 wheelers, and hauled away by trains while they slept. Their apples might end up in the filling of a donut in Chicago, or their beef in a taco in Alabama. They had no way of ever really knowing.
Forrest Pritchard (Gaining Ground: A Story Of Farmers' Markets, Local Food, And Saving The Family Farm)
At a crossroads station somewhere on the other side of Paredon they picked up five farmworkers who climbed up on the bed of the truck and nodded and spoke to him with great circumspection and courtesy. It was almost dark and it was raining lightly and they were wet and their faces were wet in the yellow light from the station. They huddled forward of the chained engine and he offered them his cigarettes and they thanked him each and took one and they cupped their hands over the small flame against the falling rain and thanked him again. De Donde viene? they said. De Tejas. Tejas, they said. Y donde va? He drew on his cigarette. He looked at their faces. One of them older than the rest nodded at his cheap new clothes. El va a ver a su novia, he said. They looked at him earnestly and he nodded and said that it was true. Ah, they said. Que bueno. And after and for a long time to come he'd have reason to evoke the recollection of those smiles and to reflect upon the goodwill which provoked them for it had power to protect and to confer honor and to strengthen resolve and it had power to heal men and to bring them to safety long after all other resources were exhausted.
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
Much like his birth, Cole’s first hunting experience was a little more traumatic. He was give years old and we were getting ready to have our Christmas party at Phil’s house in 2002. Because we hunt on private land, we’re allowed to shoot deer from our vehicles. Cole and I climbed into my truck right before dark, and I drove next to the woods. As I was explaining safety and other things about hunting to him, a deer walked right into the middle of a trail. We hadn’t been there for five minutes before the deer showed up! I looked at Cole and pointed toward the front of the truck. Without saying anything, I leaned my gun out the driver’s-side window of my truck and shot the deer. The deer did a double backflip and hit the ground. I looked at Cole and his mouth was wide open. I could have picked his jaw up from the floorboard. “That’s how you do it, son,” I told him. Cole didn’t say anything. I figured his ears were still ringing, and I instantly regretted not telling him to cover them. It ended up being a pretty traumatic experience for him, and I feared he’d never want to go hunting again. In hindsight, he might have been a little too young to witness something like that.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
On our second date, I picked up Missy at her house and told her we had to make a pit stop to pick up crawfish bait at the fish market. We’d figured out a way to speed up the process by using the fish market’s gutbuckets instead of running nets ourselves. Through trial and error, we determined that the best crawfish bait was buffalo-fish heads. Unfortunately, when I pulled up to the market to get the garbage cans full of fish heads, I realized they had been outside for a couple of days. It was a warm day, and I could tell from the buzzing of hundreds of flies it was going to be nasty! I knew it was going to be the ultimate test of our relationship. The tubs were too heavy for one man to carry, so I told Missy, “I’m going to need your help on this.” She crawled out the window, and I led her to the trash cans filled with buffalo heads waiting for us. Like an idiot, the first thing she did was open the lid of a trash can. Immediately, she started gagging and dry-heaving in the parking lot. “Rule number two,” I said. “Never pop the lid on a trash can.” Much to my surprise, Missy regained her composure and helped me load the trash cans into the back of my truck. Right then, I realized our relationship might work out. She was climbing through windows and hauling fish heads.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
The other thing preferable about the weekday services is that no one is there against his will. That’s another distraction on Sundays. Who hasn’t suffered the experience of having an entire family seated in the pew in front of you, the children at war with each other and sandwiched between the mother and father who are forcing them to go to church? An aura of stale arguments almost visibly clings to the hasty clothing of the children. “This is the one morning I can sleep in!” the daughter’s linty sweater says. “I get so bored!” says the upturned collar of the son’s suit jacket. Indeed, the children imprisoned between their parents move constantly and restlessly in the pew; they are so crazy with self-pity, they seem ready to scream. The stern-looking father who occupies the aisle seat has his attention interrupted by fits of vacancy—an expression so perfectly empty accompanies his sternness and his concentration that I think I glimpse an underlying truth to the man’s churchgoing: that he is doing it only for the children, in the manner that some men with much vacancy of expression are committed to a marriage. When the children are old enough to decide about church for themselves, this man will stay home on Sundays. The frazzled mother, who is the lesser piece of bread to this family sandwich—and who is holding down that part of the pew from which the most unflattering view of the preacher in the pulpit is possible (directly under the preacher’s jowls)—is trying to keep her hand off her daughter’s lap. If she smooths out her daughter’s skirt only one more time, both of them know that the daughter will start to cry. The son takes from his suit jacket pocket a tiny, purple truck; the father snatches this away—with considerable bending and crushing of the boy’s fingers in the process. “Just one more obnoxious bit of behavior from you,” the father whispers harshly, “and you will be grounded—for the rest of the day.” “The whole rest of the day?” the boy says, incredulous. The apparent impossibility of sustaining unobnoxious behavior for even part of the day weighs heavily on the lad, and overwhelms him with a claustrophobia as impenetrable as the claustrophobia of church itself. The daughter has begun to cry. “Why is she crying?” the boy asks his father, who doesn’t answer. “Are you having your period?” the boy asks his sister, and the mother leans across the daughter’s lap and pinches the son’s thigh—a prolonged, twisting sort of pinch. Now he is crying, too. Time to pray! The kneeling pads flop down, the family flops forward. The son manages the old hymnal trick; he slides a hymnal along the pew, placing it where his sister will sit when she’s through praying. “Just one more thing,” the father mutters in his prayers. But how can you pray, thinking about the daughter’s period? She looks old enough to be having her period, and young enough for it to be the first time. Should you move the hymnal before she’s through praying and sits on it? Should you pick up the hymnal and bash the boy with it? But the father is the one you’d like to hit; and you’d like to pinch the mother’s thigh, exactly as she pinched her son. How can you pray?
John Irving (A Prayer for Owen Meany)
He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here. He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before. His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days. The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank. A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay. Nobody was okay. And that was what made me not okay. “Hey,” I said, standing in front of him. He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?” The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.” His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.” I stared at him. He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.” He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced. “I’m doing this for you,” I whispered. “Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.” I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment. But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.” He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.” My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles. I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.” My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.” Hands came up under my elbows, and his touch radiated through me. “Kristen, stop.” I spun on him. “Fuck you, Josh! You need help, and I need to help you!” And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh. I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
What in the world happened?” Phil asked me. “Did you flip your truck?” “It’s a long story,” I said. “Let’s go duck-hunting.” We ended up having one of our best duck hunts of the season. When we returned to Phil’s house, I filled up about twenty bottles of water. My busted radiator leaked the entire way home, and I had to stop every couple of miles to fill it up with water. There was a body shop close to our house, so I pulled in there before going home. “Well, whatcha think?” I asked the mechanic. “Well, we can fix it,” he said. “I can get you a radiator.” “What’s it going to cost me?” I asked. “Well, what are you going to do with the deer?” he said. “I can get you a radiator for the deer.” About that time, the mechanic’s assistant walked up to my truck. “What are you going to do with the rack of horns?” the assistant asked me. “Hey, if you can fix my door so it will close, you can have the horns,” I told him. There’s nothing quite like good, old-fashioned redneck bartering. Unfortunately, I didn’t get off so easy with the damage to Missy’s car. In all the excitement of the day, I’d completely forgotten to tell her that I’d wrecked her car. When I got home, she told me somebody pulled in the driveway and sideswiped it. I couldn’t tell a lie. “You remember how you scolded me about forgetting to turn out the carport light?” I said. “Yeah,” she said. “Well, this is what happens when you start worrying about small things like that,” I said. A big argument ensued, but Missy took her car to the body shop, and it cost us several hundred dollars to fix it. Two days after we picked up her car, I was driving it to Phil’s house. Wouldn’t you know it? Another deer jumped in front of me in the road. I totaled Missy’s car. We had to buy her a new car, and my truck never drove the same after it was wrecked, either. I sold it for—you guessed it—a thousand bucks.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Katie!” he yelled, gripping my shoulder and leaning in to look into my eyes. “Stay with me.” The distant sound of sirens filled the air, and I knew within minutes the place would be swarming with police officers and firefighters. It was minutes I wouldn’t have had. If Holt hadn’t gotten here when he did, I would likely be dead right now. That had me looking up. “What are you doing here?” I asked. “I came by to check on you. I was worried.” “How did you know where I was?” I said, suspicion leaking into my tone. He crouched down in front of me, my feet between his legs. “I saw your car in the lot,” he explained. “I knew you worked at the library nearby, so I thought you might pick somewhere close to stay.” My shoulders sagged. He put a hand under my chin and lifted my face. “Look at me,” he demanded. I looked up. “Do you think this was me?” “No,” I said, ashamed of the catch in my voice. I really didn’t think he did this, but I was scared and I was so very tired. “Can I touch you?” he asked, his voice calm. I looked up, surprised that he didn’t sound angry. I nodded. He yanked me forward, folding his arms around me and standing up, bringing me with him. My feet touched the ground, but they didn’t support me. His arms, his body kept me up. He wrapped himself around me like I was a hand and he was a glove. I clung to the front of his shirt, praying he wouldn’t let me go. When his grip tightened, I sighed in relief. His clean scent encompassed me, pushing away some of the smoke, and tears prickled my eyes. When the emergency trucks swerved into the lot, my muscles tensed at the thought he would release me, that he would push me away and deal with the fire. But he didn’t. He didn’t let go. Not once. Even when some of the men he must work with came running up—addressing him by his last name and exclaiming over what happened. He spoke calmly over my head, telling them everything he knew and telling them I wasn’t ready to talk. He didn’t seem embarrassed to be holding me so close in the center of a parking lot. He didn’t act like being seen in a vulnerable position like this wounded his pride at all.
Cambria Hebert (Torch (Take It Off, #1))
She is pissed off all the time,” he mumbled and I remained silent, letting him ramble. “She wants chocolate ice cream, I go in search of chocolate, but the time I get back she’s pissed because she wants strawberry instead. I can’t win.” He looked me straight in the eyes and I swear his expression was one of desperation. “It wasn’t like this before. With Liam she was so sweet. But I swear the damn devil has possessed my wife and she might kill me in my sleep one night.” It was then I laughed. “What the hell is so funny?” he asked. “I sleep with one eye open and one leg hanging off the bed touching the floor at my side. This way if I have to move fast I feel I’m one step closer.” He didn’t smile. There was absolutely no humor in his words. “Weren’t you the one that said you wanted five kids?” I asked. “I changed my mind. After this one, we’re done. I want Trinity back.” Again, complete seriousness. Poor guy looked lost. And it was the best damn thing to witness. Within four months of having Liam, Trinity was pregnant again. And this time she was cranky as hell. Everyone noticed it, but she directed all that aggravation toward the man she said was to blame. And the rest of us loved to witness his hell. “Go home, Chase,” I told him and he looked as if he wanted to argue. “Stop at the store and pick up every flavor of ice cream they got,” I told him. “Tell her she’s beautiful and rub her feet.” “I do that already,” he whined. “I tell her she’s beautiful, and no other woman has ever looked as amazing as her. I tell her I love her and that she is my world, but she is like the exorcist.” “Well it’s your job to take it. Let her growl and complain and just take it,” I told him. “Because at the end of the day you just need to remember one thing.” He looked at me like I was about to give him the best piece of advice. I almost felt bad about the fact that I had nothing reassuring to say. “What?” he asked and I cracked a smile, almost talking myself out of taking the chance at being an asshole. Then I thought about the fact that had the roles been reversed he would have jumped at the chance. “You are to blame for the state she is in.” He narrowed his eyes at me. “And the rest of us guys are loving that it’s you and not us being tortured.” “You’re an asshole,” he mumbled as he turned around and walked off toward his truck. I laughed the entire drive home.
C.A. Harms (Trinity's Trust (Sawyer Brothers #5))
Loosing $275,000 was like watching my dreams go up in ashes. That kind of money was supposed to finance my second food truck—a milestone towards growing my small taco business. But instead, with a careless click, it was gone. It started with what seemed like an ordinary SMS. It was Coinbase, telling me about suspicious action on my Bitcoin wallet. I was racing in my heart. I panicked. I clicked without thinking and supplied them with information. Within minutes, my wallet was drained—$275,000, every penny I'd earned in six years, stolen. I was sick. Ashamed. Angry with myself. I thought I was safe on the net, but I got caught. I didn't even tell my family at first—I couldn't bear their disillusionment. That day, doing tacos from my food truck, I was half-awake. I got a couple orders mixed up, I guess, because one of my regular customers—a nice, affable man I called "Professor Mike"—picked up that something was amiss. After I finally, explosively exclaimed what occurred, he didn't tease or reprimand me. He only nodded and responded, "Call HACKATHON TECH SOLUTIONS. Trust me." It just so happened that Professor Mike was a cyber security expert. He informed me that such scams were now more prevalent than ever before, and HACKATHON TECH SOLUTIONS was indeed one of those few teams who knew what they were doing. I phoned them that evening. From the first call, their customer service was calm, professional, and—most importantly—they did not make me feel stupid. They explained each step and comforted me that they would do whatever they could to get back my money. They worked fast. Within a couple of days, they followed the scam to a burner phone scam ring. I have no idea what all of the technical work was that they did, but this I know—my Bitcoin was recovered. My wallet within 10 days, all my cents restored to where they ought to be. I gazed upon that balance look, I cried. Over there in the truck, near the salsa booth. HACKATHON TECH SOLUTIONS not only got my money back—they got my business, my future, my dream back. If you ever get scammed, don't lose hope. Call them. And if you ever come through my taco truck, tacos are on me. Reach out to HACKATHON TECH SOLUTIONS  via below contact details Email: info (@) hackathon tech solution (.) com Website: www (.) hackathon tech solutions (.) com Whatsapp: + 3 . 1 . 6 . 4 . 7 . 9 . 9 . 9 . 2 . 5 . 6 Telegram: (@) hackathon tech solutions
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The Israeli border police guarding the central region near the Jordanian border had been told to take all measures necessary to keep order that evening. The local colonel, Issachar Shadmi, decided that this meant setting a curfew for Palestinian Arab villages, from five p.m. to six a.m. The news of the curfew was broadcast over the radio the same day it went into force. The border police unit commanders in the region were informed of the order by their commanding officer, Major Shmuel Malinki. Malinki implied that, in the event of anyone breaking the curfew, the police could shoot to kill. Several platoons were charged with informing villagers in person. At the village of Kfar Kassem (or Kafr Qasim), close to the border with the Jordanian-controlled West Bank, a platoon arrived to announce the news—but too late in the day. They were told that many of the village’s agricultural workers were already out at work, mostly picking olives. After five p.m., the villagers returned as expected: a mixed crowd of men and women, boys and girls, riding on bicycles, wagons, and trucks. Even though he knew these civilians would not have heard about the curfew through no fault of their own, the unit commander Lieutenant Gabriel Dahan determined that they were in violation of it and therefore should be shot. Out of all the unit commanders given this order, Dahan was the only one to enforce it.16 As each small group of villagers arrived, the border police opened fire. Forty-three civilians were killed and thirteen injured. The dead were mostly children aged between eight and seventeen: twenty-three of them, plus fourteen men and six women. It was said that one nine-year-old girl was shot twenty-eight times. Another little girl watched as her eleven-year-old cousin was shot. He was dragged indoors and died in his grandfather’s arms, blood pouring from the bullet wound in his chest. Laborers were ordered off their trucks in small groups, lined up, and executed. There were clashes between Arabs and border police that evening in which six more Arabs were killed. The order to kill had not come from the top. It was traced back conclusively only as far as Major Malinki. When Ben-Gurion heard about the massacre, he was furious, telling his cabinet that the officers who had shot civilians should be hanged in Kfar Kassem’s town square.17 Yet the Israeli government covered the incident up with a press blackout lasting two months.
Alex von Tunzelmann (Blood and Sand: Suez, Hungary, and Eisenhower's Campaign for Peace)
The only thing I knew about pickups was this: growing up, I always inwardly mocked the couples I saw who drove around in them. The girl would be sitting in the middle seat right next to the boy, and the boy’s right arm would be around her shoulders, and his left arm would be on the wheel. I’m not sure why, but there was something about my golf course upbringing that had always caused me to recoil at this sight. Why is she sitting in the middle seat? I’d wonder. Why is it important that they press against each other as they drive down the road? Can’t they wait until they get home? I looked at it as a sign of weakness--something pitiable. They need to get a life may have even crossed my mind once or twice, as if their specific brand of public affection was somehow directly harming me. But that’s what happens to people who, by virtue of the geography of their childhood, are deprived of the opportunity to ride in pickup trucks. They become really, really judgmental about otherwise benign things. Still, every now and then, as Marlboro Man showed me the beauty of the country in his white Ford F250, I couldn’t help but wonder…had he been one of those boys in high school? I knew he’d had a serious girlfriend back in his teenage years. Julie. A beautiful girl and the love of his adolescent life, in the same way Kev had been mine. And I wondered: had Julie scooched over to the middle seat when Marlboro Man picked her up every Friday night? Had he hooked his right arm around her neck, and had she then reached her left hand up and clasped his right hand with hers? Had they then dragged Main in this position? Our hometowns had been only forty miles apart; maybe he’d brought her to my city to see a movie. Was it remotely possible I’d actually seen Marlboro Man and Julie riding around in his pickup, sitting side by side? Was it possible this man, this beautiful, miraculous, perfect man who’d dropped so magically into my life, had actually been one of the innocent recipients of my intolerant, shallow pickup-related condemnation? And if he had done it, was it something he’d merely grown out of? How come I wasn’t riding around in his middle seat? Was I supposed to initiate this? Was this expected of me? Because I probably should know early on. But wouldn’t he have gestured in that direction if he’d wanted me to move over and sit next to him? Maybe, just maybe, he’d liked those girls better than he liked me. Maybe they’d had a closeness that warranted their riding side by side in a pickup, a closeness that he and I just don’t share? Please don’t let that be the reason. I don’t like that reason. I had to ask him. I had to know.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Then I heard it--the voice over the CB radio. “You’re on fire! You’re on fire!” The voice repeated, this time with more urgency, “Charlie! Get out! You’re on fire!” I sat there, frozen, unable to process the reality of what I’d just heard. “Oh, shit!” sweet little Charlie yelled, grabbing his door handle. “We’ve got to get out, darlin’--get outta here!” He opened his door, swung his feeble knees around, and let gravity pull him out of the pickup; I, in turn, did the same. Covering my head instinctively as I ditched, I darted away from the vehicle, running smack-dab into Marlboro Man’s brother, Tim, in the process. He was spraying the side of Charlie’s pickup, which, by now, was engulfed in flames. I kept running until I was sure I was out of the path of danger. “Ree! Where’d you come from?!?” Tim yelled, barely taking his eyes off the fire on the truck, which, by then, was almost extinguished. Tim hadn’t known I was on the scene. “You okay?” he yelled, glancing over to make sure I wasn’t on fire, too. A cowboy rushed to Charlie’s aid on the other side of the truck. He was fine, too, bless his heart. By now Marlboro Man had become aware of the commotion, not because he’d seen it happen through the smoke, but because his hose had reached the end of its slack and Charlie’s truck was no longer following behind. Another spray truck had already rushed over to Marlboro Man’s spot and resumed chasing the fire--the same fire that might have gobbled up a rickety, old spray truck, an equally rickety man named Charlie, and me. Luckily Tim had been nearby when a wind gust blew the flames over Charlie’s truck, and had acted quickly. The fire on the truck was out by now, and Marlboro Man rushed over, grabbed my shoulders, and looked me over--trying, in all the confusion, to make sure I was in one piece. And I was. Physically, I was perfectly fine. My nervous system, on the other hand, was a shambles. “You okay?” he shouted over the crackling sounds of the fire. All I could do was nod and bite my lip to keep from losing it. Can I go home now? was the only thing going through my mind. That, and I want my mommy. The fire was farther away by now, but it seemed to be growing in intensity. Even I could tell the wind had picked up. Marlboro Man and Tim looked at each other…and burst out in nervous laughter--the kind of laugh you laugh when you almost fall but don’t; when your car almost goes off a cliff but comes to a stop right at the edge; when your winning team almost misses the winning pass but doesn’t; or when your fiancée and a local cowboy are almost burned alive…but aren’t. I might have laughed, too, if I could muster any breath.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I thought we were meeting by the field house,” I call out as I make my way over. He doesn’t even turn around. “Nah, I’m pretty sure I said the parking lot.” “You definitely said the field house,” I argue. Why can’t he ever just admit that he’s wrong? “Geez, field house, parking lot. What difference does it make?” Mason asks. “Give it a rest, why don’t you.” I shoot him a glare. “Oh, hey, Mason. Remember when your hair was long and everyone thought you were a girl?” Ryder chuckles as he releases a perfect spiral in Mason’s direction. “She’s got you there.” “Hey, whose side are you on, anyway?” Mason catches the ball and cradles it against his chest, then launches it toward Ben. I just stand there watching as they continue to toss it back and forth between the three of them. Haven’t they had enough football for one day? I pull out my cell to check the time. “We should probably get going.” “I guess,” Ryder says with an exaggerated sigh, like I’m putting him out or something. Which is particularly annoying since he’s the one who insisted on going with me. Ben jogs up beside me, the football tucked beneath his arm. “Where are you two off to? Whoa, you’re sweaty.” I fold my arms across my damp chest. “Hey, southern girls don’t sweat. We glow.” Ben snorts at that. “Says who?” “Says Ryder’s mom,” I say with a grin. It’s one of Laura Grace’s favorite sayings--one that always makes Ryder wince. “The hardware store,” Ryder answers, snatching the ball back from Ben. “Gotta pick up some things for the storm--sandbags and stuff like that. Y’all want to come?” “Nah, I think I’ll pass.” Mason wrinkles his nose. “Pretty sure I don’t want to be cooped up in the truck with Jemma glowing like she is right now.” “Everybody thought you and Morgan were identical twin girls,” I say with a smirk. “Remember, Mason? Isn’t that just so cute?” “I’ll go,” Ben chimes in. “If you’re getting sandbags, you’ll need some help carrying them out to the truck.” “Thanks, Ben. See, someone’s a gentleman.” “Don’t look now, Ryder, but your one-woman fan club is over there.” Mason tips his head toward the school building in the distance. “I think she’s scented you out. Quick. You better run.” I glance over my shoulder to find Rosie standing on the sidewalk by the building’s double doors, looking around hopefully. “Hey!” Mason calls out, waving both arms above his head. “He’s over here.” Ryder’s cheeks turn beet-red. He just stares at the ground, his jaw working furiously. “C’mon, man,” Ben says, throwing an elbow into Mason’s side. “Don’t be a dick.” He grabs the football and heads toward Ryder’s Durango. “We better get going. The hardware store probably closes at six.” Silently, Ryder and I hurry after him and hop inside the truck--Ben up front, me in the backseat. We don’t look back to see if Rosie’s following.
Kristi Cook (Magnolia (Magnolia Branch, #1))
The captain? Sophia stood staring numbly after him. Had he just said he’d introduce her to the captain? Of someone else was the captain, then who on earth was this man? One thing was clear. Whoever he was, he had her trunks. And he was walking away. Cursing under her breath, Sophia picked up her skirts and trotted after him, dodging boatmen and barrels and coils of tarred rope as she pursued him down the quay. A forest of tall masts loomed overhead, striping the dock with shadow. Breathless, she regained his side just as he neared the dock’s edge. “But…aren’t you Captain Grayson?” “I,” he said, pitching her smaller trunk into a waiting rowboat, “am Mr. Grayson, owner of the Aphrodite and principle investor in her cargo.” The owner. Well, that was some relief. The tavern-keeper must have been confused. The porter deposited her larger truck alongside the first, and Mr. Grayson dismissed him with a word and a coin. He plunked one polished Hessian on the rowboat’s seat and shifted his weight to it, straddling the gap between boat and dock. Hand outstretched, he beckoned her with an impatient twitch of his fingers. “Miss Turner?” Sophia inched closer to the dock’s edge and reached one gloved hand toward his, considering how best to board the bobbing craft without losing her dignity overboard. The moment her fingers grazed his palm, his grin tightened over her hand. He pulled swiftly, wrenching her feet from the dock and a gasp from her throat. A moment of weightlessness-and then she was aboard. Somehow his arm had whipped around her waist, binding her to his solid chest. He released her just as quickly, but a lilt of the rowboat pitched Sophia back into his arms. “Steady there,” he murmured through a small smile. “I have you.” A sudden gust of wind absconded with his hat. He took no notice, but Sophia did. She noticed everything. Never in her life had she felt so acutely aware. Her nerves were draw taut as harp strings, and her senses hummed. The man radiated heat. From exertion, most likely. Or perhaps from a sheer surplus of simmering male vigor. The air around them was cold, but he was hot. And as he held her tight against his chest, Sophia felt that delicious, enticing heat burn through every layer of her clothing-cloak, gown, stays, chemise, petticoat, stockings, drawers-igniting desire in her belly. And sparking a flare of alarm. This was a precarious position indeed. The further her torso melted into his, the more certainly he would detect her secret: the cold, hard bundle of notes and coin lashed beneath her stays. She pushed away from him, dropping onto the seat and crossing her arms over her chest. Behind him, the breeze dropped his hat into a foamy eddy. He still hadn’t noticed its loss. What he noticed was her gesture of modesty, and he gave her a patronizing smile. “Don’t concern yourself, Miss Turner. You’ve nothing in there I haven’t seen before.” Just for that, she would not tell him. Farewell, hat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
The next morning, September 26, two members of the resistance network picked him up in a truck. They drove toward neutral Sweden, a hundred miles away. An hour’s hike from the border, they got out and set off on foot through the woods.
Neal Bascomb (The Winter Fortress: The Epic Mission to Sabotage Hitler's Atomic Bomb)
I’m gonna pull my hair out,” I say, “and I don’t have much left.” I run my hand through the remnants of my curls, and then it happens: I have one of those all-too-rare epiphany moments. It seems like everything happens at once: The sun comes out of the clouds, and it stops drizzling. The sand truck wheezes to life and merges into the proper lane, and traffic starts to move. It feels like I can see for miles, down into the clogged heart of San Jose: houses, office buildings, treetops waving in the breeze. We pick up speed, and the redwoods fall away behind us, and in the distance I see Mount Hamilton, its crest sparkling with fresh snow. And then it comes to me. The idea that will finally work. “Personalized shampoo by mail,” I say.
Marc Randolph (That Will Never Work: The Birth of Netflix and the Amazing Life of an Idea)
There is something about the first frost that brings out the caveman--- one might even say the vampire--- in me. I want to wear fur and suck the meat off lamb bones, and on comes my annual craving for boudin noir, otherwise known as blood sausage. You know you've been in France for nearly a decade when the idea of eating congealed blood sounds not only normal, but positively delightful. When I was pregnant, my body craved iron in silly amounts. I could have eaten a skyscraper. It's a shame that it's not on the French pregnancy diet--- forbidden along with charcuterie, liver, and steak tartare. It's true that boudin noir is not the sort of thing I'd buy at any old supermarket. Ideally, you want a butcher who prepares his own. I bought mine from the mustached man with the little truck in Apt market, the same one I'd spotted during our first picnic in Provence. Since our first visit, I'd returned many times to buy his delicious, very lean, saucisses fraîches and his handmade andouillettes, which I sauté with onions, Dijon mustard, and a bit of cream. I serve my boudin with roasted apples--- this time, some Golden Delicious we picked up from a farm stand by the side of the road. I toasted the apple slices with olive oil, sprinkled the whole lot with sea salt, and added a cinnamon stick and a star anise to ground the dish with cozy autumn spices. Boudin is already cooked through when you buy it, but twenty minutes or so in a hot oven gives it time to blister, even burst. I'm an adventurous eater, but the idea of boiled (or cold) boudin makes me think about moving back to New Jersey. No, not really. I admit, when you first take it out of the oven, there are some visual hurdles. There's always a brief moment--- particularly when I serve the dish to guests--- that I think, But that looks like large Labrador shit on a plate. True enough. But once you get past the aesthetics, you have one of the richest savory tastes I can imagine. Good boudin has a velveteen consistency that marries perfectly with the slight tartness of the roasted apples. Add mashed potatoes (with skin and lumps), a bottle of Châteauneuf-du-Pape, and wake me in the spring.
Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
inside the truck the radio rattles and clicks with the constant clucking of vulgar hens, a sewing circle of truckers and crane operators nagging at each other in a constant stream of bilious invective. It spills out of the speakers and fills the cab with scab picking and snark. Dressed up as jokes—with all the plausible deniability that provides—the operators compete relentlessly to get under each other’s skin.
Michael Patrick F. Smith (The Good Hand: A Memoir of Work, Brotherhood, and Transformation in an American Boomtown)
TAKE ONE STORY, viewed from two different angles. Take a rainy Sunday morning in July, in the late 1920s, when Eddie and his friends are tossing a baseball Eddie got for his birthday nearly a year ago. Take a moment when that ball flies over Eddie’s head and out into the street. Eddie, wearing tawny pants and a wool cap, chases after it, and runs in front of an automobile, a Ford Model A. The car screeches, veers, and just misses him. He shivers, exhales, gets the ball, and races back to his friends. The game soon ends and the children run to the arcade to play the Erie Digger machine, with its claw-like mechanism that picks up small toys. Now take that same story from a different angle. A man is behind the wheel of a Ford Model A, which he has borrowed from a friend to practice his driving. The road is wet from the morning rain. Suddenly, a baseball bounces across the street, and a boy comes racing after it. The driver slams on the brakes and yanks the wheel. The car skids, the tires screech. The man somehow regains control, and the Model A rolls on. The child has disappeared in the rearview mirror, but the man’s body is still affected, thinking of how close he came to tragedy. The jolt of adrenaline has forced his heart to pump furiously and this heart is not a strong one and the pumping leaves him drained. The man feels dizzy and his head drops momentarily. His automobile nearly collides with another. The second driver honks, the man veers again, spinning the wheel, pushing on the brake pedal. He skids along an avenue then turns down an alley. His vehicle rolls until it collides with the rear of a parked truck. There is a small crashing noise. The headlights shatter. The impact smacks the man into the steering wheel. His forehead bleeds. He steps from the Model A, sees the damage, then collapses onto the wet pavement. His arm throbs. His chest hurts. It is Sunday morning. The alley is empty. He remains there, unnoticed, slumped against the side of the car. The blood from his coronary arteries no longer flows to his heart. An hour passes. A policeman finds him. A medical examiner pronounces him dead. The cause of death is listed as “heart attack.” There are no known relatives. Take one story, viewed from two different angles. It is the same day, the same moment, but one angle ends happily, at an arcade, with the little boy in tawny pants dropping pennies into the Erie Digger machine, and the other ends badly, in a city morgue, where one worker calls another worker over to marvel at the blue skin of the newest arrival.
Mitch Albom (The Five People You Meet in Heaven (The Five People You Meet in Heaven, #1))
Let’s go, I’ll walk you down and get you cleaned up.” “You will?” He slanted me a look before picking up his trekking poles and backpack, slipping the straps on, then maneuvering the two sticks through crisscrossing cords on his back, leaving his arms free. Finally aiming his body back up the trail toward me, he held out his hand. I hesitated but set my forearm into his open palm, and I watched as some emotion I didn’t initially recognize slid over his face. “I meant your backpack, angel. I’ll take it for you. The trail’s not wide enough for both of us to go down at the same time,” he said, his voice sounding oddly hoarse. Maybe if I hadn’t been in so much pain, and been so damn cranky, I would’ve been embarrassed. But I wasn’t, so I nodded, shrugged, and gingerly tried to take my backpack off. Luckily, I just started to shimmy a strap off when I felt the weight leave my shoulders as he tugged it away. “Are you sure?” “Positive” was all he replied with. “Come on. We’ve got half an hour to get back to the trailhead.” My whole body slumped. “Half an hour?” I’d thought I had… ten minutes max. My landlord pressed his lips together and nodded. Was he trying not to laugh? I wasn’t sure because he turned around and started heading down the path ahead of me. But I was pretty sure I saw his shoulders shaking a little. “Let me know when you want water” was one of the only two things he said on the way down. The other being, “Are you humming what I think you’re humming?” And me replying with “Yes.” “Big Girls Don’t Cry.” I had no shame. I tripped twice, and he turned around both times, but I gave him a tight smile and acted like nothing had happened. Like he predicted, thirty minutes later, when I was basically wheezing and he was acting like this was a stroll down a paved path, I spotted the parking lot and almost cried. We’d made it. I’d made it. And my hands hurt even worse from how dry the cuts were, and my elbows felt the same way, and I was sure my knees would too, but their joints were so bad, they didn’t have room to wonder about any other pain. But just as I started heading toward my car, Rhodes slipped his fingers around my biceps and steered me toward his work truck. He didn’t say another word as he unlocked it and dropped the tailgate, shooting me a look over his shoulder as he patted it briefly before heading around to the passenger door. I went straight for the tailgate and eyed it, trying to figure out how to sit on it without using my hands to boost myself up. That was how he found me: staring at it and trying to decide if I went face-first and shimmied up on my stomach, I could wiggle around and sit up on my butt eventually. “I’m trying to figure out how to—okay.” He scooped me up, one arm under the backs of my knees, the other around my lower back, and planted me on the truck. In a sitting position. Like it was no big deal. I smiled at him. “Thanks.” I would’ve figured it out, but it was the thought that counted.
Mariana Zapata (All Rhodes Lead Here)
December 21 Trust your instinct to the end, though you can render no reason. Ralph Waldo Emerson The warrior has to trust his instinct, even if it goes against what everyone else thinks is right. Warriors must be able to count on their own sense of right and wrong, and be able to choose the right course of action. This only comes with time. You have to develop confidence in your own intuition. Your intuition will not lead you in the wrong direction, but you do have to learn how to listen to it. A few years back my wife and I were both teaching school in a small school district in Missouri. We were not happy there and wanted to get back to the Rocky Mountains, but couldn’t find teaching positions for the both of us in the same area. The choice was for us to stay where we were or just pick up, pack a truck, and move back to Colorado without any jobs. Now this would seem like an obvious choice to most people – keep your job. But we decided to listen to our instinct instead and stepped out on a limb. Our instinct told us it was time to go, so we packed a truck and moved to Colorado with no job prospects. Everyone who knew us thought that this was a ridiculous decision, but we felt it was right. In the end, we both found great jobs and everything worked out for the best. We listened to that inner voice instead of all the outside voices and outside reasoning, even though what our intuition was telling us seemed to be the unwise move to make. Always trust your instinct, even when you can’t figure out the logic behind it. I trust my intuition and it always guides me right.
Bohdi Sanders (BUSHIDO: The Way of the Warrior)
an hour or so, his sore muscles seemed to loosen up a little bit. He grunted as he tried to stick his shovel into the dirt. His cap slipped out from under his fingers, and the shovel fell free. He let it lie there. He took a drink from his canteen. He guessed that the water truck should be coming soon, but he didn’t finish all the water, just in case he was wrong. He’d learned to wait until he saw the truck, before drinking the last drop. The sun wasn’t yet up, but its rays arced over the horizon and brought light to the sky. He reached down to pick up his cap, and there next to it he saw a wide flat rock. As he put his cap on his head, he
Louis Sachar (Holes (Holes Series Book 1))
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During this and the next six sittings, starting with a quavering voice that grew stronger with time, Jacqueline unburdened herself as the tape machine also picked up the sounds of her lighting cigarettes, of ice cubes in glasses, dogs barking in the distance, trucks rumbling down N Street, and jets roaring overhead.
Caroline Kennedy (Jacqueline Kennedy: Historic Conversations on Life with John F. Kennedy)
That was when he knew he had to get a job somehow on the Powell estate to allow him to be there without arousing suspicion. He drove past Powell’s property and observed the oversized truck with the PERFECT ESTATES sign on it. He looked up the company and applied for a job. As a kid he had worked for a landscaper and picked up everything he needed to know about the job. It didn’t take a genius to mow a lawn or clip hedges and bushes or to plant flowers in the places pointed out by the boss.
Mary Higgins Clark (I've Got You Under My Skin (Under Suspicion, #1))
He crushed the pieces of ash in his palms, picked up the gas can, and loped across the lawn to his truck. Too late. They were too late. They were always too late. And soon, he would have his revenge. Ashes, Ashes, They All Fall Dead.
Lena Diaz (Ashes, Ashes, They All Fall Dead (Deadly Games #3))
What have you got in the truck? What’s that awful smell?” “A bear. Wanna see?” he asked, smiling. “A bear? Why on earth…?” “He was really pissed,” Jack said. “Come and see—he’s huge.” “Who shot him?” she asked. “Who’s taking credit or who actually shot him? Because I think everyone is taking credit.” He slipped an arm around her waist and walked her the rest of the way. She began to pick up the voices. “I swear, I heard Preacher scream,” someone said. “I didn’t scream, jag-off. That was a battle cry.” “Sounded like a little girl.” “More holes in that bear than in my head.” “He didn’t like that repellant so much, did he?” “I never saw one go through that stuff before. They usually just rub their little punkin eyes and run back in the woods.” “I’m telling you, Preacher screamed. Thought he was gonna cry like a baby.” “You wanna eat, jag-off?” There
Robyn Carr (Virgin River (Virgin River #1))
What have you got in the truck? What’s that awful smell?” “A bear. Wanna see?” he asked, smiling. “A bear? Why on earth…?” “He was really pissed,” Jack said. “Come and see—he’s huge.” “Who shot him?” she asked. “Who’s taking credit or who actually shot him? Because I think everyone is taking credit.” He slipped an arm around her waist and walked her the rest of the way. She began to pick up the voices. “I swear, I heard Preacher scream,” someone said. “I didn’t scream, jag-off. That was a battle cry.” “Sounded like a little girl.” “More holes in that bear than in my head.” “He didn’t like that repellant so much, did he?” “I never saw one go through that stuff before. They usually just rub their little punkin eyes and run back in the woods.” “I’m telling you, Preacher screamed. Thought he was gonna cry like a baby.” “You wanna eat, jag-off?” There was laughter all around. A carnival-like atmosphere ensued. The serious group that had left town in the morning had come back like soldiers from war, elated, victorious. Except this war turned out to be with a bear. Mel glanced in the back of the truck and jumped back. The bear not only filled the bed, he hung out the end. The claws on his paws were terrifying. He was tied in, tied down, even though he was dead. His eyes were open but sightless and his tongue hung out of his mouth. And he stunk to high heaven. “Who’s calling Fish and Game?” “Aw, do we have to call them? You know they’re gonna take the frickin’ bear. That’s my bear!” “It ain’t your bear, jag-off. I shot the bear,” Preacher insisted loudly. “You screamed like a girl and the rest of us shot the bear.” “Who really shot the bear?” Mel asked Jack. “I think Preacher shot the bear when he came at him. Then so did everybody else. And yeah, I think he screamed. I would have. That bear got so damn close.” But as he said this, he grinned like a boy who had just made a touchdown. Preacher stomped over to Jack and Mel. He bent down and whispered to Mel, “I did not scream.” He turned and stomped off. “Honey,
Robyn Carr (Virgin River (Virgin River #1))
I get up and go to check on Friday and Hayley, but I stumble to a stop when I turn the corner into Hayley’s room. They’re both asleep on the bed on their stomachs with an open book in front of them. Friday has changed into her pajamas and it looks as though she was reading to Hayley when they both fell asleep. But what kills me is that their noses are turned toward one another, so close they’re sharing breaths, and my daughter’s hand is tucked into Friday’s. I take a mental picture, because I never, ever want to forget what this feels like. Click! Click! Click! I cement it in my head, because my heart is so happy it’s ready to burst, and I don’t want to let this moment go. I don’t wake them up. Instead, I pick up some of the toys Hayley has left lying around the room. I put her dolls on the top shelf, and her trucks and matchbox cars go in the bucket at the foot of her bed. I laugh when I see they built a big house out of building blocks and they put one of her male actions figures in there with Barbie. I look closer. Are their faces pressed together? It looks almost like they’re kissing. Leave it to Friday… Friday sat and played with my daughter for two hours, and then she read to her and she fell asleep on her bed. I want to see this every night for the rest of my life.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
I have real feelings for you, Reagan,” I say quietly. “I can’t explain them. And I don’t want to. But don’t try to push what happened between us tonight off as common. Because it wasn’t. It was big. And I want to keep doing it. I want to learn all about you and have you learn all about me. I want you to meet my family. I want to go on a date with you.” I look around. “This place is nice, but…seriously?” She laughs. “You want me to meet your family?” she asks. “If you think you can stand it. There are five of us. All men.” “I’m not afraid of men in general,” she explains. “Just the ones that touch you.” I run my crooked finger along her cheekbone, and she turns into my hand to kiss my palm. “Your brothers look like you,” she says. “How do you know that?” I ask. “I saw them when you got out of prison,” she says quietly. “You were there?” She nods. “My dad made me sit in the truck while he talked to you about camp.” She draws her lower lip between her teeth and bites down like she’s anxious about my response. “Sorry. I should have told you sooner.” She groans. “I kind of asked for you to be here. So I could see you.” “I’m glad you did.” Never been happier about anything. “Your brothers all have tattoos, too,” she says. She looks at the tattoo on my arm that’s for my mom. She picks up my hand and traces the tats that go up my forearm to my sleeve. “I want to look at all of them so I can find out what makes you tick.” She draws a circle around the American flag. “That one’s for my buddy who died in Afghanistan.” Her silky fingertips slide up the dragon on my inner arm. “And this one?” she asks softly. “That one was a little too much courage one night,” I say with a laugh.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
A bang pounded through the air. Lex jumped, a fresh batch of goose bumps breaking out across her skin as she considered the possibilities of what could have made that noise. Seconds later it rang out again, followed by a series of slightly quieter staccato bursts of sound, like a machine gun. Then, oddly, a dry, wheezing noise, as if the machine gun were having an asthma attack. Lex squinted across the dark field and finally saw it—a tall puff of smoke slowly coming toward them. The worried line of Uncle Mort’s mouth crinkled into a smirk. “That crafty old bag.” “Crafty old what now?” Lex watched the slow-moving cloud, which was now weaving back and forth in wide, erratic curves. “What is that? A car?” “No,” said Uncle Mort, standing up. “That, my friend, is far too fine a contraption to be called a mere car.” “What then, a truck? A tank?” “Is it—” Driggs stopped himself, looking embarrassed. Lex looked at him. “Were you going to say Batmobile?” “I was maybe going to say Batmobile. What of it?” The townspeople didn’t seem to know what to make of the phenomenon either. They scrambled to get out of its way as it plowed toward them, some of them diving into the snow. Yet as the smoke picked up speed, something arose out of the murkiness—a glint of metal, a reflective glass surface—all the pieces eventually coming together to form something that was decidedly not even close to a Batmobile: a giant black hearse. Uncle Mort grinned. “The Stiff
Gina Damico (Rogue (Croak, #3))
I mean, he asked for the keys to the truck last night and brought them back earlier this morning.  Truck’s fixed.  I checked myself.  So, I’m wondering what you said to him.” My mouth popped open.  I couldn’t believe he’d actually listened to me.  A silly smile tugged at my mouth.  Did this really mean he’d let me go?  My barely formed smile faded.  Or would I just wake up back in this apartment tomorrow morning if I tried to leave? Sam continued to remake the bed with the clean sheets from the hidden compartment in the matching sofa ottoman. There had to be a catch.  Sam had told me a tied pair didn’t part until completing the Claim.  When Clay had scented me, and I’d recognized him openly, the Elders saw us as a pair.  They, in turn, announced it to everyone over their mental link.  Every werewolf, whether in a pack or Forlorn, recognized our tie.  If my words truly changed Clay’s mind, great—but Sam’s question caused me to begin to doubt that possibility, and I struggled to come up with what I’d overlooked. “The truth,” I said answering Sam’s question.  “Let’s say he is my Mate.  He’s an uneducated man from the backwoods.  How are we going to live?  I can’t turn on the fur like you guys can and live as a wolf like he’s done for most of his life.  Where does that leave us?  I just pointed out that I had to go to school to get the education I needed to land a good job to support myself because he can’t.” Sam had stopped remaking the bed and looked at me in disbelief. “Well, I said it nicer than that.” He gave me a disappointed look. “You don’t know anything about him, Gabby.  He may have lived most of his life in his fur, but it doesn’t mean he isn’t intelligent or that he’s more wolf than man.  You may have caused yourself more trouble than you intended.” I shifted against the door.  “Hold on, I didn’t say either of those things to him.”  Granted, I did tell him he needed to bathe.  “And what do you mean ‘more trouble’?” “He said that you suggested he live with you so you could get to know each other better.” I froze in disbelief.  That is not what I said. “Wait.  Did he actually talk to you?” “Well, I had to put on my fur to understand him since he was in his, but yes.” Sam’s kind communicated in several ways when in their fur—typically, through body language or howls.  Claimed and Mated pairs shared a special bond using an intuitive, mental link.  Once establishing a Claim, the pair could sense strong emotions as well as each other’s location.  Mated pairs had the same ability to communicate with each other as the Elders had with everyone in the pack. I closed my eyes and thought back to my exact wording. “I didn’t say we should live together, but that he should come back with me to get an education.”  Fine, I hadn’t worded it well, but how did he get “hey, we should live together” out of that? “Like I said, you’ve got trouble.”  He gave me another disappointed look, folded the bed back into the sofa, then picked up his bag from the floor.  He strode to the bathroom and closed the door on any further conversation. Crap.  I needed to talk to Clay again and find out what he intended.  I’d been counting on his feral upbringing and his need for freedom to cause him to reject my suggestion—a suggestion that hadn’t included him living with me.  I’d meant he should find a place nearby so we could go through the motions of human dating, which was the extent of my willingness to compromise.  I hadn’t thought he’d take any of it seriously but that, instead, he would just let me go. I
Melissa Haag (Hope(less) (Judgement of the Six #1))
Nearby, towers of bottled water were staged near the runway awaiting distribution. Sure, some bottled water is necessary after a natural disaster, but in general I think it’s one of the least sustainable methods of addressing a water crisis. Once that water was consumed, the bottles simply became mountains of litter covering the already trashed streets of the capital. Without enough bottled water to go around, many earthquake survivors resorted to drinking water from the street gutters. More than one million folks were being exposed to deadly waterborne diseases such as cholera and typhoid. Reusable water filters were what the Haitians needed most. That was exactly where I chose to direct Wine to Water’s response. We partnered with FilterPure, a nonprofit organization out of the Dominican Republic that builds water filters. The filters were ceramic, simple things made much like clay flowerpots. Before the firing process, the clay is mixed with sawdust and a small amount of fine-grain silver. The sawdust burns in the kiln, leaving tiny porous holes for the water to trickle through. The silver mixed throughout kills any bacteria making it through the tiny pores. These pot filters, sitting inside a simple five-gallon plastic bucket, are capable of filtering water for a family of eight to ten people for up to five years. Some folks from FilterPure picked me up at the airport in a truck loaded with filters. Together we started handing them out throughout the city, in refugee camps and at orphanages in the area.
Doc Hendley (Wine to Water: How One Man Saved Himself While Trying to Save the World)
There was a ruffling in the grass as the wind picked up, and Bambino sidestepped to the right and shook his head, rolling his eyes back to me. I countered: “You know, my grandfather had a horse with a nervous disposition, and whenever he acted up he’d reach out and slap the living daylights out of the back of his head.” We rode along, and I looked down, longing for Dog’s companionship, but having realized that the presence of a strange animal might give Bambino more of a motivation to misbehave, I had left him in the truck—besides, Lucian was using him as a pillow. “Good thing we live in more enlightened times, huh?” Bambino made no comment.
Craig Johnson (Dry Bones (Walt Longmire, #11))
I only see people taking their pickup trucks to Cracker Barrel. My brother Mike, like many other pickup owners, never seems to be picking anything up with his pickup. I find this confusing. It's like walking around with a big empty piece of luggage: 'Are you about to travel somewhere?' 'No, but I'm the type of guy who would.
Jim Gaffigan (Food: A Love Story)
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So where are you two headed?” Linc put the kitten down. Tiny tail waving, it sauntered between Truck’s furry legs. The dog didn’t seem to mind. “Oh--out and about,” Kenzie said. She and Linc exchanged a look. “You tell him,” he said. “We stopped by to see Christine first. You were next on the list.” “Beg pardon? What list?” “Friends and family.” Kenzie stretched out her left hand and wiggled her fingers. An oval diamond set in platinum caught the sun. Jim’s eyes widened. “Way to go.” He beamed at both of them. “That’s one hell of a rock. You didn’t waste any time.” He gave Linc a nod of masculine approval. “So when’s the big day?” “We haven’t decided,” Kenzie answered. She didn’t want to say that they were keeping a low profile for as long as possible. The media furor over SKC had died down, but they were helping with the ongoing investigation. Life went on. Love had amazing power to heal. Truck picked up on the excitement and edged between the three of them, blocking the hug about to happen. “Routine stuff, Linc. He has final say,” Jim teased. The black-and-white dog took his time about it. Then he sat down in front of Linc, brushing his tail across the floor in wide waves. “He approves,” Kenzie said. “Never argue with a good dog.” Jim laughed. “All right, you two. Get out of here. I have work to do.” Kenzie got a hug in before he went back to his desk. “Congratulations.” He nodded toward the picture of his wife. “From me and Josie. She’ll be over the moon when she hears.
Janet Dailey (Honor (Bannon Brothers, #2))
Cool. I know an awesome spot called Henry’s. They have the absolute best beer selections and the wings are great. They also have darts and pool.” Furi stopped talking when he noticed Syn looking a little pale. “Hey, what’s up?” “Uh, nothing.” They were in Syn’s old faithful truck and Furi sat silently watching the man next to him. “We going or what?” Furi narrowed his eyes, staring at the side of Syn’s face. His jaw was clenched and his neck was flushed. What the hell? “Yeah. Let’s go.” “Okay.” Syn thought he was going to be sick. It was just his goddamn luck that Furi would suggest the one place where half the department liked to hang out. Hell, even his Lieutenants frequented this place. It would be cruel to subject Furi to Day’s inappropriateness so soon. Syn wasn’t necessarily afraid of being with a man; he just wasn’t the type to make his personal life public. Or am I scared? Fuck. Syn didn’t think Furi would go for keeping them a secret. The man had made that quite clear when they were in the alley. Syn gripped the steering wheel and willed his foot to press the accelerator. Maybe … just maybe, there wouldn’t be anyone familiar there. Syn drove under the speed limit and felt Furious’ probing eyes on the side of his face. He tried to smile and keep his jaw from showing his nervous tick. Despite his efforts, they got there in what felt like record time. Furious got out and waited for Syn to slowly make his way toward the entrance. “Are you sure everything is alright?” Furious asked, annoyed. “I’m good. Really. Good. Perfect,” Syn said, mentally kicking himself for sounding like an idiot. Furi took his hand in his and it took every ounce of Syn's willpower not to pull his hand back. Of course he’d be into PDA. Furious pulled open the door and walked in as if he hadn’t a care in the world. It was almost nine p.m. and the though it wasn’t packed, there were quite a few people there. Syn tried not to look around, keeping his eyes on the back of Furious’ head as he led them to a booth; thankfully located in the back of the bar, where it was a little bit darker. Syn made sure to sit so he was facing the door while Furi sat opposite of him. Furi didn’t speak. He picked up one of the menus and started to look through it. “First time out with a man?” Syn's head snapped his up from hiding behind his menu. “Uh. Yeah, but ya know.” “No, I don’t know,” Furi answered quickly. “If you didn’t want to come out, why didn’t you just say so? You look like you're about to pull a disguise out of your coat. Or do you plan to just stay hidden behind your menu all fucking evening?” “Furious.” “Although that’s going to make eating really difficult. Should I be prepared for you to fake a stomach ache?” “Enough,” Syn barked, Furious’ dark eyes widening at his tone. “Look, cut me some slack alright? I am not new to dating men. I’m new to dating: period. Just about all of my adult life I’ve focused on being a cop, a damn good cop. I had little time for anything else in my life including dates. Dating takes time and patience, two things I didn't have. I was prepared to accept being alone the rest of my life until I saw you. I wanted you, and I was more than willing to take the time and effort to be with you. So forgive me if I don’t do everything exactly right on our first date.” “I’m not expecting you to. I haven’t dated in years myself. But one thing I’m not concerned about is being ashamed.” Furi looked Syn dead in the eye. Syn didn’t have a chance to respond, the waitress came to set a pail of peanuts on the table. Speaking in a cheerful voice: “What can I get you guys to drink?
A.E. Via
a moment later the second of Sverdlov’s men leapt out from behind the truck with his automatic raised. He was about take the shot at Maria, but Cris snapped off two rounds. Both buried themselves in his chest, and he collapsed to the sidewalk in a welter of blood. Bystanders were running, and a woman was screaming. He ignored them, reached the table, and stuck his gun in Sverdlov’s face. "Keep your hands in view, and don't move. Maria, we're leaving. You’ve seen the deal they were about to make with you. All they wanted was to get you here to kill you. Isn't that right, Major?" The Russian didn't reply, but his silence was eloquent. They raced across the street back to the Dodge and leapt inside. Sirens were starting to wail, and they had to get out of the city. He drove away fast and out of town, heading north. “Use your phone. Call March, and tell him we’re heading his way. You’ll be able to ask him about Alexander, and see if he can fix us up somewhere remote to stay. Like before, but not his place, an address with no connection to him, and nowhere near Alexander. They could use him again to reach you.” She made the call. It was brief, and she relayed it to him when she’d finished the call. “March said he’d do what he can to find us a place. Cris, what are you planning?” Her voice sounded different, not frightened, but hollow, empty of hope. He spoke as he weaved through the traffic to get away before someone came after them. The Russians, Chicago PD, U.S. Immigration, and maybe a couple more agencies he wasn’t yet aware of. "We need to go back to where it all started, where these bastards first picked us up. I’ll drive to the floatplane base, and if Warner is still there, I'll get him to fly us back to Vermont. It’s time to get ahead of them and make preparations for when they try again." "Why Vermont?" He frowned; annoyed he’d got it so wrong before. "I made a mistake coming here. I thought we could lose ourselves in the city, but the Russians have the same technical resources as U.S. Law Enforcement. Which means wherever we go, they'll find us. We have to go back to somewhere remote. Where there are no cameras.” “And what then? More shooting, more killing?” It didn’t sound like Maria. More like a frightened girl, frightened for the safety of her son.
Eric Meyer (The Kremlin Assassins (Black Operator #2))
The town was relatively small. Beyond the sad side was a side maybe five years from going sad. Maybe more. Maybe ten. There was hope. There were some boarded-up enterprises, but not many. Most stores were still doing business, at a leisurely rural pace. Big pick-up trucks rolled through, slowly. There was a billiard hall. Not many street lights. It was getting dark. Something about the architecture made it clear it was dairy country. The shape of the stores looked like old-fashioned milking barns. The same DNA was in there somewhere.
Lee Child (The Midnight Line (Jack Reacher, #22))
The pick-up truck belonged to his boss's boss; a real pompous ass of a man named Alex Hudson. No one was quite sure what exactly his responsibilities were, but whatever they were, he never seemed to be doing them. Incapable of running a transaction, and unable to open or do simple maintenance on an account, the arrogant man was about as useful as a tauntaun on Mustafar.
Hew J. La France (End Turn (John Becmane, #1))
Dawn is breaking, sending pale fingers of cold light across the hills that surround the Harrisons’ farmyard. Jess is being difficult, rearing and trying to bolt away from the truck, and we’ve been at it for some time when Liam comes out of the house and sees our predicament. He marches across the yard, picks up a piece of cut-off hosepipe and walks up behind the pony. I see the look on Alec’s face as his dad approaches, and he’s not happy. Liam tells his son to “walk her up” and then cracks the mare around the rump with the piece of pipe when she plants her feet. The sound of the pipe hitting the pony echoes across the hills and rings in my ears. Jess starts to rear but earns another whack around the backside, so scrambles up the ramp and stands trembling in the truck. Alec quickly ties her up, his expression unreadable.
Kate Lattey (Flying Changes (Clearwater Bay, #1))
The next thing that happened was a shock to everyone. Rose attacked the younger of the two. She full-on attacked him. Her teeth ripped into his neck, her nails clawed into his skin, and she took him to the ground. The momentary chaos gave Cage a chance to hit the other guy, holding the gun, in the face with his elbow. We all scrambled to get back to the truck at that point. Cage picked up the gun and pointed it at the others standing on the side of the road. We had to walk past Rose’s victim. She was proudly standing with her foot on his chest, knowing that she had brought him down. Cage yelled at the girl from the gas station, who was frozen in fear, and she, finally, snapped to attention and ran towards the truck. “That could have been really bad.” Trent took the driver’s seat this time and took off towards the camp again. Cage hung his head out the window as we drove off. “You just got infected, buddy, have a nice day!
Isobelle Cate (Darlings of Paranormal Romance)
Gypsy cabs jostled and honked...Dollar vans lined the sidewalk and people piled in and out. As I walked down the slope, the buildings grew smaller and squalid. Trees vanished...and the heat picked up. Beyond the brick wall of the Navy Yard, the silver skyline of Manhattan glimmered in the distance like a mirage. The industrial remains of the flats were low and decrepit and mostly abandoned, though a few beeping forklifts unloaded trucks here and there. The storefronts were shuttered except for a bank busy with Orthodox Jews. The funk of a chicken processing plant contaminated the air. I walked along the high brick wall that separated the Navy Yard from the street, frequently stepping over pulverized vials that sparkled like jewels on the sidewalk. There was no shade. I blinked away the dust.
Andrew Cotto (Outerborough Blues: A Brooklyn Mystery)
Busy in a bus or lacking luck you poke to pluck a pick-up truck. Utterly shocked you choke in the lock and check if you chuck a buck or if you are stuck in the muck. So you should lurk in a day like this in such a murky lucky way. In a day when you don't know if you laugh or cry... Errands wait for those who are late in the busiest day. Such day that defies all your senses and makes you want to fly... To fly away!
Ana Claudia Antunes (ACross Tic)
Winter turns my mind to journeys those taken and those never done. Especially to a fantasy one I have always wanted to make: along the Grand Trunk Road from Calcutta to Peshawar. For the Road is a river. It may not be as sacred as the Ganga, which it greets at Kanpur and Varanasi, but it is just as permanent. It’s a river of life, an unending stream of humanity going places, intent on arriving and getting there most of the time. A long day’s journey into night that’s how I would describe the saga of the truck driver, that knight errant, or rather errant knight, of India’s Via Appia. Undervalued, underpaid and often disparaged, he drives all day and sometimes all night, carrying the country’s goods and produce for hundreds of miles, across state borders, through lawless tracts, at all seasons and in all weathers. We blame him for hogging the middle of the road, but he is usually overloaded and if he veers too much to the left or right he is quite likely to topple over, burying himself and crew under bricks or gas cylinders, sugarcane or TV sets. More than the railwayman, the truck driver is modern India’s lifeline, and yet his life is held cheap. He drinks, he swears, occasionally he picks up HIV, and frequently he is killed or badly injured. And we hate him for hogging the road. But we cannot do without him.
Ruskin Bond (Landour Days: A Writer's Journal)
What do you want to show me?” “Well, right now I want to show you what it’s like to disembark from a truck, Maggie,” he said. “First tell me what we’re doing here,” she said. “You know you weigh less than a bag of squirrels, right?” he asked. “I can pick you up.” Maggie
Dawn Lee McKenna (Dead Wake (The Forgotten Coast, #5))
His latest job [My Dad] had been as a truck driver, picking up and delivering diapers. For months, he had complained bitterly about the odor and the mess, saying it was the worst job in the world. But now that he had lost it, he seemed to want it back.
Howard Schultz (Pour Your Heart Into It - How Starbucks Built A Company One Cup At A Time)
We pulled into the parking lot of the bar, which looked like a repurposed Pizza Hut, with brick walls and a flaking red roof. A few motorcycles sat outside, along with more than one dingy pick-up truck decorated with the Confederate flag. The bar looked like a place where meth-addicted rats went to die.
J.L. Bryan (Ellie Jordan, Ghost Trapper (Ellie Jordan, Ghost Trapper, #1))