Sentiment Husband Quotes

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Romance should never begin with sentiment. It should begin with science and end with a settlement.
Oscar Wilde (An Ideal Husband)
Alexia had found pregnancy relatively manageable, up to a point. That point having been some three weeks ago, at which juncture her natural reserves of control gave way to sentimentality. Only yesterday she had ended breakfast sobbing over the fried eggs because they looked at her funny. The pack had spent a good half hour trying to find a way to pacify her. Her husband was so worried he looked to start crying himself.
Gail Carriger (Heartless (Parasol Protectorate, #4))
You may go over the world and you will find that every form of religion which has breathed upon this earth has degraded woman... I have been traveling over the old world during the last few years and have found new food for thought. What power is it that makes the Hindoo woman burn herself upon the funeral pyre of her husband? Her religion. What holds the Turkish woman in the harem? Her religion. By what power do the Mormons perpetuate their system of polygamy? By their religion/ Man, of himself, could not do this; but when he declares, 'Thus saith the Lord,' of course he can do it. So long as ministers stand up and tell us Christ is the head of the church, so is man the head of woman, how are we to break the chains which have held women down through the ages? You Christian women look at the Hindoo, the Turkish, the Mormon women, and wonder how they can be held in such bondage... Now I ask you if our religion teaches the dignity of woman? It teaches us the abominable idea of the sixth century--Augustine's idea--that motherhood is a curse; that woman is the author of sin, and is most corrupt. Can we ever cultivate any proper sense of self-respect as long as women take such sentiments from the mouths of the priesthood?
Elizabeth Cady Stanton
The Vine had no jukebox, but a real stereo continually playing tunes of alcoholic self-pity and sentimental divorce "Nurse," I sobbed. She poured doubles like an angel, right up to the lip of a cocktail glass, no measuring. " You have a lovely pitching arm." You had to go down on them like a hummingbird over a blossom. I saw her much later, not too many years ago, and when I smiled she seemed to believe I was making advances. But it was only that I remembered. I'll never forgot you. Your husband will beat you with an extension cord and the bus will pull away leaving you standing there in tears, but you were my mother.
Denis Johnson (Jesus’ Son)
A woman, if she hates her husband (and many of them do), can make life so sour and obnoxious to him that even death upon the gallows seems sweet by comparison. This hatred, of course, is often, and perhaps almost invariably, quite justified. To be the wife of an ordinary man, indeed, is an experience that must be very hard to bear. The hollowness and vanity of the fellow, his petty meanness and stupidity, his puling sentimentality and credulity, his bombastic air of a cock on a dunghill, his anaesthesia to all whispers and summonings of the spirit, above all, his loathsome clumsiness in amour—all these things must revolt any woman above the lowest.
H.L. Mencken (In Defense of Women)
Le plus monstrueux des monstres est le monstre à nobles sentiments.
Fyodor Dostoevsky (The Eternal Husband)
Romance should never begin with sentiment.  It should begin with science and end with a settlement. 
Oscar Wilde (An Ideal Husband)
Your mother’s not gone, Libby. You’ll see her again one day.” I clung to this belief, even as I cursed its complete and utter inability to offer real comfort. I did not want to hear it, even from my own husband. Nor did I want to hear about God having a plan, or all things happening for a reason, or any other number of Hallmark sentiments that pinged against my heart like pebbles on a thin windowpane.
Camille Pagán (Life and Other Near-Death Experiences)
I want to see the Parthenon by moonlight.' I had my way. They floodlight it now, to great advantage I am told, but it was not so then, and since it was late in the year there were few tourists. My companions were all intelligent men, including my own husband, and they had the sense to stay mute. I suppose, being a woman, I confuse beauty with sentiment, but, as I looked on the Parthenon for the first time in my life, I found myself crying. It had never happened to me before. Your sunset weepers I despise. It was not full moon, or anywhere near it. The half circle put me in mind of the labrys, the Cretan double axe, and the pillars were the most ghostly in consequence. What a shock for the modern aesthete, I thought when my crying was done, if he could see the ruddy glow of colour, the painted eyes, the garish lips, the orange-reds and blues that were there once, and Athene herself a giantess on her pedestal touched by the rising sun. Even in those distant times the exigencies of a state religion had brought their own traffic, the buying and selling of doves, of trinkets: to find himself, a man had to go to the woods, to the hills. "Come on," said Stephen. "It's beautiful and stark, if you like, but so is St. Pancras station at 4 A.M. It depends on your association of ideas." We crammed into Burns's small car, and went back to our hotel. ("The Chamois")
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
By 'stay,' do you mean forever?" I mean to ask but don't. Stay till I die? Till I am too old to take care of myself, like my father? "For now." is my answer, but I don't know, not really. If moving to New York at age forty-eight taught me anything, it is that I am capable of starting over in a new place. And yet, the thought of leaving it, of knowing how much I would miss, is too painful to contemplate. I remember how Wendy once told me she loved New York so much she couldn't bear the thought of it going on without her. It seemed like both the saddest and the most romantic thing one could possibly say—sad because New York can never return the sentiment, and sad because it's the kind of thing said more often about a romantic love—husband, wife, girlfriend, partner, lover. You can't imagine them going on without you. But they do. We do. Every day, we may wake up and say, What's the point? Why go on? And, there is really only one answer: To be alive.
Bill Hayes (Insomniac City: New York, Oliver, and Me)
Mais je n’avais pas le cœur brisé quand Don m’a quittée. J’avais juste le sentiment que mon mariage avait échoué. Et ce sont des choses très différentes.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Mais je ne le regrette pas. Parce que je sais que j'avais mes raisons, et j'ai fait de mon mieux avec chaque pensée et chaque sentiment qui a déclenché ça.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
In 1988, a cave explorer named Véronique Le Guen volunteered for an extreme experiment: to live alone in an underground cavern in southern France without a clock for one hundred and eleven days, monitored by scientists who wished to study the human body's natural rhythms in the absence of time cues. For a while, she settled into a pattern of thirty hours awake and twenty hours asleep. She described herself as being "psychologically completely out of phase, where I no longer know what my values are or what is my purpose in life." When she returned to society, her husband later noted, she seemed to have an emptiness inside her that she was unable to fully express. "While I was alone in my cave I was my own judge," she said. "You are your own most severe judge. You must never lie or all is lost. The strongest sentiment I brought out of the cave is that in my life I will never tolerate lying." A little more than a year later, Le Guen swallowed an overdose of barbiturates and lay down in her car in Paris, a suicide at age thirty-three.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
She didn’t waver or change countenance at all; she continued her grave descent. But in an instant, as though green gelatins had been slid one by one in front of every light in the ballroom, she saw the scene differently. She saw a tawdry mockery of sacred things, a bourgeois riot of expense, with a special touch of vulgar Jewish sentimentality. The gate of roses behind her was comical; the flower-massed canopy ahead was grotesque; the loud whirring of the movie camera was a joke, the scrambling still photographer in the empty aisle, twisting his camera at his eye, a low clown. The huge diamond on her right hand capped the vulgarity; she could feel it there; she slid a finger to cover it. Her husband waiting for her under the canopy wasn’t a prosperous doctor, but he was a prosperous lawyer; he had the mustache Noel had predicted; with macabre luck Noel had even guessed the initials. And she—she was Shirley, going to a Shirley fate, in a Shirley blaze of silly costly glory. All this passed
Herman Wouk (Marjorie Morningstar)
Because Mitch would not have life without his mother and because her cluelessness did not encompass malice, she inspired a tenderness that was not love or even affection. It was instead a sad regard for her congenital incapacity for sentiment. This tenderness had nearly ripened into the pity that he withheld from his father.
Dean Koontz (The Husband)
Dearest that you know I cherish no sentimental rubbish about remarriage—when the right man comes to help you in life you ought to be your happy self again—I wasn’t a very good husband but I hope I shall be a good memory certainly the end is nothing for you to be ashamed of and I like to think that the boy will have a good start in parentage of which he may be proud.
Shaun Usher (Letters of Note: Volume 1: An Eclectic Collection of Correspondence Deserving of a Wider Audience)
Chang-bo took to his bed, or rather to the quilts on the floor that was all they had left. His legs swelled up like balloons with what Mrs. Song had come to recognize as edema — fluid retention brought on by starvation. He talked incessantly about food. He spoke of the tofu soups his mother made him as a child and an unusually delicious meal of steamed crab with ginger that Mrs. Song had cooked for him when they were newlyweds. He had an uncanny ability to remember details of dishes she had cooked decades earlier. He was sweetly sentimental, even romantic, when he spoke about their meals together. He would take her hand in his own, his eyes wet and cloudy with the mist of his memories. “Come, darling. Let’s go to a good restaurant and order a nice bottle of wine,” he told his wife one morning when they were stirring on the blankets. They hadn’t eaten in three days. Mrs. Song looked at her husband with alarm, worried that he was hallucinating. She ran out the door to the market, moving fast and forgetting all about the pain in her back. She was determined to steal, beg — whatever it took — to get some food for her husband. She spotted her older sister selling noodles. Her sister wasn’t faring well — her skin was flaked just like Chang-bo’s from malnutrition — so Mrs. Song had resisted asking her for help, but now she was desperate, and of course, her sister couldn’t refuse. “I’ll pay you back,” Mrs. Song promised as she ran back home, the adrenaline pumping her legs. Chang-bo was curled up on his side under the blanket. Mrs. Song called his name. When he didn’t respond, she went to turn him over — it wasn’t diffcult now that he had lost so much weight, but his legs and arms were stiff and got in the way. Mrs. Song pounded and pounded on his chest, screaming for help even as she knew it was too late.
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
Rachel came carefully downstairs one morning, in a dressing gown that wasn't quite clean, and stood at the brink of the living room as though preparing to make an announcement. She looked around at each member of the double household - at Evan, who was soberly opening the morning paper, at Phil, who'd been home from Costello's for hours but hadn't felt like sleeping yet, and at her mother, who was setting the table for breakfast - and then she came out with it. "I love everybody," she said, stepping into the room with an uncertain smile. And her declaration might have had the generally soothing effect she'd intended if her mother hadn't picked it up and exploited it for all the sentimental weight it would bear. "Oh Rachel," she cried, "What a sweet, lovely thing to say!" and she turned to address Evan and Phil as if both of them might be too crass or numbskulled to appreciate it by themselves. "Isn't that a wonderful thing for this girl to say, on a perfectly ordinary Friday morning? Rachel, I think you've put us all to shame for our petty bickering and our selfish little silences, and it's something I'll never forget. You really do have a marvelous wife, Evan, and I have a marvelous daughter. Oh, and Rachel, you can be sure that everybody in this house loves you, too, and we're all tremendously glad to have you feeling so well." Rachel's embarrassment was now so intense that it seemed almost to prevent her from taking her place at the table; she tried two quick, apologetic looks at her husband and her brother, but they both missed the message in her eyes. And Gloria wasn't yet quite finished. "I honestly believe that was a moment we'll remember all our lives," she said. "Little Rachel coming downstairs - or little big Rachel, rather - and saying 'I love everybody.' You know what I wish though Evan? I only wish your father could've been here this morning to share it with us." But by then even Gloria seemed to sense that the thing had been carried far enough. As soon as she'd stopped talking the four of them took their breakfast in a hunched and businesslike silence, until Phil mumbled "Excuse me" and shoved back his chair. "Where do you think you're going, young man?" Gloria inquired. "I don't think you'd better go anywhere until you finish up all of that egg.
Richard Yates (Cold Spring Harbor)
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
Tatiasha, my wife, I got cookies from you and Janie, anxious medical advice from Gordon Pasha (tell him you gave me a gallon of silver nitrate), some sharp sticks from Harry (nearly cried). I’m saddling up, I’m good to go. From you I got a letter that I could tell you wrote very late at night. It was filled with the sorts of things a wife of twenty-seven years should not write to her far-away and desperate husband, though this husband was glad and grateful to read and re-read them. Tom Richter saw the care package you sent with the preacher cookies and said, “Wow, man. You must still be doing something right.” I leveled a long look at him and said, “It’s good to know nothing’s changed in the army in twenty years.” Imagine what he might have said had he been privy to the fervent sentiments in your letter. No, I have not eaten any poison berries, or poison mushrooms, or poison anything. The U.S. Army feeds its men. Have you seen a C-ration? Franks and beans, beefsteak, crackers, fruit, cheese, peanut butter, coffee, cocoa, sacks of sugar(!). It’s enough to make a Soviet blockade girl cry. We’re going out on a little scoping mission early tomorrow morning. I’ll call when I come back. I tried to call you today, but the phone lines were jammed. It’s unbelievable. No wonder Ant only called once a year. I would’ve liked to hear your voice though: you know, one word from you before battle, that sort of thing . . . Preacher cookies, by the way, BIG success among war-weary soldiers. Say hi to the kids. Stop teaching Janie back flip dives. Do you remember what you’re supposed to do now? Kiss the palm of your hand and press it against your heart.   Alexander   P.S. I’m getting off the boat at Coconut Grove. It’s six and you’re not on the dock. I finish up, and start walking home, thinking you’re tied up making dinner, and then I see you and Ant hurrying down the promenade. He is running and you’re running after him. You’re wearing a yellow dress. He jumps on me, and you stop shyly, and I say to you, come on, tadpole, show me what you got, and you laugh and run and jump into my arms. Such a good memory. I love you, babe.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
She merely wiped the floor with paper towels and said nothing, brushing her free hand against my shoulder blade—my shoulder blade!—as she carried the soaked paper to the trash can, never holding me fast, refraining not out of lack of humanity but out of fear of being drawn into a request for further tenderness, a request that could only bring her face-to-face with some central revulsion, a revulsion of her husband or herself or both, a revulsion that had come from nowhere, or from her, or perhaps from something I’d done or failed to do, who knew, she didn’t want to know, it was too great a disappointment, far better to get on with the chores, with the baby, with the work, far better to leave me to my own devices, as they say, to leave me to resign myself to certain motifs, to leave me to disappear guiltily into a hole of my own digging. When the time came to stop her from leaving, I did not know what to think or wish for, her husband who was now an abandoner, a hole-dweller, a leaver who had left her to fend for herself, as she said, who’d failed to provide her with the support and intimacy she needed, she complained, who was lacking some fundamental wherewithal, who no longer wanted her, who beneath his scrupulous marital motions was angry, whose sentiments had decayed into a mere sense of responsibility, a husband who, when she shouted, “I don’t need to be provided for! I’m a lawyer! I make two hundred and fifty thousand dollars a year! I need to be loved!” had silently picked up the baby and smelled the baby’s sweet hair, and had taken the baby for a crawl in the hotel corridor, and afterward washed the baby’s filthy hands and soft filthy knees, and thought about what his wife had said, and saw the truth in her words and an opening, and decided to make another attempt at kindness, and at nine o’clock, with the baby finally drowsy in his cot, came with a full heart back to his wife to find her asleep, as usual, and beyond waking. In short, I fought off the impulse to tell Rachel to go fuck herself.
Joseph O'Neill (Netherland)
Soon after World War II, a tired-looking woman entered a store and asked the owner for enough food to make a Christmas dinner for her children. When he inquired how much she could afford, she answered, “My husband was killed in the war. Truthfully, I have nothing to offer but a little prayer.” The man was not very sentimental, for a grocery store cannot be run like a breadline. So he said, “Write your prayer on a paper.” To his surprise she plucked a little folded note out of her pocket and handed it to him, saying, “I already did that.” As the grocer took the paper, an idea struck him. Without even reading the prayer, he put it on the weight side of his old-fashioned scales, saying, “We shall see how much food this is worth.” To his surprise, the scale would not go down when he put a loaf of bread on the other side. To his even greater astonishment, it would not balance when he added many more items. Finally he blurted out, “Well, that’s all the scales will hold anyway. Here’s a bag. You’ll have to put them in yourself. I’m busy.” With a tearful “thank you,” the lady went happily on her way. The grocer later found that the mechanism of the scales was out of order, but as the years passed, he often wondered if that really was the answer to what had occurred. Why did the woman have the prayer already written to satisfy his unpremeditated demands? Why did she come at exactly the time the mechanism was broken? Frequently he looked at that slip of paper upon which the woman’s prayer was written, for amazingly enough, it read, “Please, dear Lord, give us this day our daily bread!” —Henry Bosch
Our Daily Bread Ministries (Prayer (Strength for the Soul))
Clementine liked de Gaulle, but, keenly aware of how deeply her husband grieved having to sink the French ships, she now rounded on the general and, in her perfect French, took him to task “for uttering words and sentiments that ill became either an ally or a guest in this country,” as Pamela put it. Churchill, at the far side of the table, sought to dispel the tension. He leaned forward and, in an apologetic tone, in French, said, “You must excuse my wife, my General; she speaks French too well.” Clementine glared at Churchill. “No, Winston,” she snapped. She turned back to de Gaulle and, again in French, said, “That is not the reason. There are certain things that a woman can say to a man that a man cannot say. And I am saying them to you, General de Gaulle.” The next day, by way of apology, de Gaulle sent her a large basket of flowers.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
24. you would rather remain with Christ than with the truth: The same sentiments are expressed in Dostoyevsky’s letter of late January-February 1854 to Natalya Fonvizina (1805–69), wife of the Decembrist Ivan Fonvizin, who followed her husband into exile. She visited Dostoyevsky and other members of the Petrashevsky Circle in the transit prison in Tobolsk, an act of kindness he remembered ever afterwards. Dostoyevsky wrote: ‘That credo is very simple, here it is: to believe that there is nothing more beautiful, more profound, more attractive, more wise, more courageous and more perfect than Christ, and what’s more, I tell myself jealous with love, there cannot be. Moreover, if someone proved to me that Christ were outside the truth, and it really were that the truth lay outside Christ, I would prefer to remain with Christ rather than with the truth’ (Complete Letters, tr. D. Lowe and R. Meyer, vol. 1, p. 195).
Fyodor Dostoevsky (Demons)
In Mrs. Dimble’s hands the task of airing the little house and making the bed for Ivy Maggs and her jailbird husband became something between a game and a ritual. It woke in Jane vague memories of helping at Christmas or Easter decorations in church when she had been a small child. But it also suggested to her literary memory all sorts of things out of sixteenth-century epithalamiums: age-old superstitions, jokes, and sentimentalities about bridal beds and marriage bowers, with omens at the threshold and fairies upon the hearth. It was an atmosphere extraordinarily alien to that in which she had grown up. A few weeks ago she would have disliked it. Was there not something absurd about that stiff, twinkling archaic world—the mixture of prudery and sensuality, the stylised ardours of the groom and the conventional bashfulness of the bride, the religious sanction, the permitted salacities of Fescennine song, and the suggestion that everyone except the principals might be expected to be rather tipsy? How had the human race ever come to imprison in such a ceremony the most unceremonious thing in the world? But she was no longer sure of her reaction.
C.S. Lewis (That Hideous Strength (The Space Trilogy #3))
A man who is the head of his wife is preaching all day about Christ and the Church—his obedience or disobedience will determine whether his preaching is full of lies or not, but the very nature of his relation to his wife means that he is preaching, like it or not. Picture Christ murmuring against His wife to the Father, “The woman Thou gavest . . .” Imagine Christ blaming the Church, pointing an accusing finger. Try to picture Christ wishing that He were with someone else. Every situation we might come up with piles absurdity on absurdity. When a man learns this and begins to treat his wife in a manner consistent with that insight, he soon sees the difference between sentimental attachments and covenantal identity. Christ loved His bride with an efficacious love; He loved the Church in a way which transformed her. In the same way a husband is to assume responsibility for his wife’s increasing loveliness. One man marries a pretty woman and hopes, fingers crossed, that she will manage to stay that way. But a federal husband marries a beautiful woman and vows before God and witnesses that he will nourish and cherish her in such a way that she flourishes in that beauty. Christ bestowed loveliness on His Church through His love. A Christian man is called to do the same. Covenant loving bestows loveliness. Federal commitment imparts beauty.
Douglas Wilson (Federal Husband)
This is from Elizabeth,” it said. “She has sold Havenhurst.” A pang of guilt and shock sent Ian to his feet as he read the rest of the note: “I am to tell you that this is payment in full, plus appropriate interest, for the emeralds she sold, which, she feels, rightfully belonged to you.” Swallowing audibly, Ian picked up the bank draft and the small scrap of paper with it. On it Elizabeth herself had shown her calculation of the interest due him for the exact number of days since she’d sold the gems, until the date of her bank draft a week ago. His eyes ached with unshed tears while his shoulders began to rock with silent laughter-Elizabeth had paid him half a percent less than the usual interest rate. Thirty minutes later Ian presented himself to Jordan’s butler and asked to see Alexandra. She walked into the room with accusation and ire shooting from her blue eyes as she said scornfully, “I wondered if that note would bring you here. Do you have any notion how much Havenhurst means-meant-to her?” “I’ll get it back for her,” he promised with a somber smile. “Where is she?” Alexandra’s mouth fell open at the tenderness in his eyes and voice. “Where is she?” he repeated with calm determination. “I cannot tell you,” Alex said with a twinge of regret. “You know I cannot. I gave my word.” “Would it have the slightest effect,” Ian countered smoothly, “if I were to ask Jordan to exert his husbandly influence to persuade you to tell me anyway?” “I’m afraid not,” Alexandra assured him. She expected him to challenge that; instead a reluctant smile drifted across his handsome face. When he spoke, his voice was gentle. “You’re very like Elizabeth. You remind me of her.” Still slightly mistrustful of his apparent change of heart, Alex said primly, “I deem that a great compliment, my lord.” To her utter disbelief, Ian Thornton reached out and chucked her under the chin. “I meant it as one,” he informed her with a grin. Turning, Ian started for the door, then stopped at the sight of Jordan, who was lounging in the doorway, an amused, knowing smile on his face. “If you’d keep track of your own wife, Ian, you would not have to search for similarities in mine.” When their unexpected guest had left, Jordan asked Alex, “Are you going to send Elizabeth a message to let her know he’s coming for her?” Alex started to nod, then she hesitated. “I-I don’t think so. I’ll tell her that he asked where she is, which is all he really did.” “He’ll go to her as soon as he figures it out.” “Perhaps.” “You still don’t trust him, do you?” Jordan said with a surprised smile. “I do after this last visit-to a certain extent-but not with Elizabeth’s heart. He’s hurt her terribly, and I won’t give her false hopes and, in doing so, help him hurt her again.” Reaching out, Jordan chucked her under the chin as his cousin had done, then he pulled her into his arms. “She’s hurt him, too, you know.” “Perhaps,” Alex admitted reluctantly. Jordan smiled against her hair. “You were more forgiving when I trampled your heart, my love,” he teased. “That’s because I loved you,” she replied as she laid her cheek against his chest, her arms stealing around his waist. “And will you love my cousin just a little if he makes amends to Elizabeth?” “I might find it in my heart,” she admitted, “if he gets Havenhurst back for her.” “It’ll cost him a fortune if he tries,” Jordan chuckled. “Do you know who bought it?” “No, do you?” He nodded. “Philip Demarcus.” She giggled against his chest. “Isn’t he that dreadful man who told the prince he’d have to pay to ride in his new yacht up the Thames?” “The very same.” “Do you suppose Mr. Demarcus cheated Elizabeth?” “Not our Elizabeth,” Jordan laughed. “But I wouldn’t like to be in Ian’s place if Demarcus realizes the place has sentimental value to Ian. The price will soar.
Judith McNaught (Almost Heaven (Sequels, #3))
I glanced across the room at Thaddeus seated at a long table within a group of shop keepers, and I contemplated him strongly. My heart leaped in my chest at the mere sight of him. I felt myself overcome. The acts of kindness and sweet attention and gratifying moments of passion afforded me by this man since the day of our marriage were purely pleasing. To be loved was a desirous affair! It was the aim of every beating heart! I nearly cast aside my concerns and allowed myself to be consumed by these agreeable sentiments except for one thing: I could not forget how stripped of power and dignity I had felt that very morning. Thaddeus had essentially commanded me to sit and stay like a dog. And I had heeded my master without so much as a growl! This was not me. No one stayed me. I watched those at the table grow more intensely involved in the details of a trade agreement I cared nothing about. Such business bartering was always selfishly motivated. When it appeared that my husband’s attention was engrossed on a point of aggressive negotiation, I excused myself from the weaving party and slipped out the back door. I turned down the alleyway and hurried to a crumbling chimney flue that was easy enough to climb. Almost immediately, a fit of anxiety gripped at my chest, and I felt as if a war was being waged in my gut—a battle between my desire to protect what harmony existed in my marriage and the selfish want to reclaim an ounce of the independence I had lost. This painful struggle nearly persuaded me to reconsider my childish act of defiance. Why was I stupidly jeopardizing my marriage? For what purpose? To stand upon a rooftop in sheer rebellion? Was I really that needy? That proud? I could hear my husband’s command echoing in my mind—no kind persuasion, but a strict order to keep my feet on the ground. I understood his cautious reasoning, and I didn’t doubt he was acting out of concern for my safety, but I was not some fragile, incapable, defenseless creature in need of a controlling overseer. What irked me most was how my natural defenses had failed me. And the only way I could see to restore my confidence was to prove I had not lost the courage and ability to make my own choices and carry them out. Perhaps this act of defiance was childish, but it was remedial as well.
Richelle E. Goodrich (The Tarishe Curse)
MY DEAR MISS BROOKE,—I have your guardian's permission to address you on a subject than which I have none more at heart. I am not, I trust, mistaken in the recognition of some deeper correspondence than that of date in the fact that a consciousness of need in my own life had arisen contemporaneously with the possibility of my becoming acquainted with you. For in the first hour of meeting you, I had an impression of your eminent and perhaps exclusive fitness to supply that need (connected, I may say, with such activity of the affections as even the preoccupations of a work too special to be abdicated could not uninterruptedly dissimulate); and each succeeding opportunity for observation has given the impression an added depth by convincing me more emphatically of that fitness which I had preconceived, and thus evoking more decisively those affections to which I have but now referred. Our conversations have, I think, made sufficiently clear to you the tenor of my life and purposes: a tenor unsuited, I am aware, to the commoner order of minds. But I have discerned in you an elevation of thought and a capability of devotedness, which I had hitherto not conceived to be compatible either with the early bloom of youth or with those graces of sex that may be said at once to win and to confer distinction when combined, as they notably are in you, with the mental qualities above indicated. It was, I confess, beyond my hope to meet with this rare combination of elements both solid and attractive, adapted to supply aid in graver labors and to cast a charm over vacant hours; and but for the event of my introduction to you (which, let me again say, I trust not to be superficially coincident with foreshadowing needs, but providentially related thereto as stages towards the completion of a life's plan), I should presumably have gone on to the last without any attempt to lighten my solitariness by a matrimonial union. Such, my dear Miss Brooke, is the accurate statement of my feelings; and I rely on your kind indulgence in venturing now to ask you how far your own are of a nature to confirm my happy presentiment. To be accepted by you as your husband and the earthly guardian of your welfare, I should regard as the highest of providential gifts. In return I can at least offer you an affection hitherto unwasted, and the faithful consecration of a life which, however short in the sequel, has no backward pages whereon, if you choose to turn them, you will find records such as might justly cause you either bitterness or shame. I await the expression of your sentiments with an anxiety which it would be the part of wisdom (were it possible) to divert by a more arduous labor than usual. But in this order of experience I am still young, and in looking forward to an unfavorable possibility I cannot but feel that resignation to solitude will be more difficult after the temporary illumination of hope. In any case, I shall remain,     Yours with sincere devotion,      EDWARD CASAUBON
George Eliot (Middlemarch)
These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977
William H. Gass (The World Within the Word)
Do we need to talk about my kissing you a year ago? I’ve behaved myself for two weeks, Ellen, and hope by action I have reassured you where words would not.” Silence or the summer evening equivalent of it, with crickets chirping, the occasional squeal of a passing bat, and the breeze riffling through the woods nearby. “Ellen?” Val withdrew his hand, which Ellen had been holding for some minutes, and slid his arm around her waist, urging her closer. “A woman gone silent unnerves a man. Talk to me, sweetheart. I would not offend you, but neither will I fare well continuing the pretense we are strangers.” He felt the tension in her, the stiffness against his side, and regretted it. In the past two weeks, he’d all but convinced himself he was recalling a dream of her not a real kiss, and then he’d catch her smiling at Day and Phil or joking with Darius, and the clench in his vitals would assure him that kiss had been very, very real. At least for him. For him, that kiss had been a work of sheer art. “My husband seldom used my name. I was my dear, or my lady, or occasionally, dear wife. I was not Ellen, and I was most assuredly not his sweetheart. And to you I am the next thing to a stranger.” Val’s left hand, the one she’d just held for such long, lovely moments between her own, drifted up to trace slow patterns on her back. “We’re strangers who kissed. Passionately, if memory serves.” “But on only one occasion and that nearly a year ago.” “Should I have written? I did not think to see you again, nor you me, I’m guessing.” Now he wished he’d written, though it would hardly have been proper, even to a widow. That hand Valentine considered so damaged continued its easy caresses on Ellen’s back, intent on stealing the starch from her spine and the resolve from her best intentions. And she must have liked his touch, because the longer he stroked his hand over her back, the more she relaxed and leaned against him. “I did not think to see you again,” Ellen admitted. “It would have been much easier had you kept to your place in my memory and imagination. But here you are.” “Here we are.” Haunting a woman’s imagination had to be a good thing for a man whose own dreams had turned to nightmares. “Sitting on the porch in the moonlight, trying to sort out a single kiss from months ago.” “I shouldn’t have kissed you,” Ellen said, her head coming to rest on Val’s shoulder as if the weight of truth were a wearying thing. “But I’m lonely and sometimes a little desperate, and it seemed safe, to steal a kiss from a handsome stranger.” “It was safe,” Val assured her, seeing the matter from her perspective. In the year since he’d seen Ellen FitzEngle, he’d hardly been celibate. He wasn’t a profligate Philistine, but neither was he a monk. There had been an older maid in Nick’s household, some professional ladies up in York, the rare trip upstairs at David’s brothel, and the frequent occasion of self-gratification. But he surmised Ellen, despite the privileges of widowhood, had not been kissed or cuddled or swived or flirted with in all those days and weeks and months. “And now?” Ellen pressed. “You show up on my porch after dark and think perhaps it’s still safe, and here I am, doing not one thing to dissuade you.” “You are safe with me, Ellen.” He punctuated the sentiment with a kiss to her temple then rested his cheek where his lips had been. “I am a gentleman, if nothing else. I might try to steal a kiss, but you can stop me with a word from even that at any time. The question is, how safe do you want to be?” “Shame
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Since he had no happy, sentimental memories of his childhood, he felt always at odds with the world
Neile Adams McQueen (My Husband, My Friend: A Memoir)
It will produce branches and bear fruit and become a splendid cedar….” —Ezekiel 17:23 (NIV) I e-mailed my siblings: “Prayers appreciated for a talk I’m giving on Thursday afternoon.” Several responded, relaying the sentiment “God is with you, and so are we.” At the appointed hour, I encouraged participants to compare their prayers to trees. I displayed photographs and artists’ renderings of gnarly olive trees, weeping willows, deserted palms, orange-laden orchards…. I handed out colored pencils and suggested they draw a tree that represented their recent prayers. “Imagine Jesus as the trunk—the core ‘vine’—and your prayers as the branches. Then consider the big picture: Whom is your prayer tree shading or protecting? Where is it in the seasonal cycles—producing hopeful spring blossoms or mature fruit? Do your prayer-branches reach for the sky in praise or bend close to the ground with requests? Is your tree in a solitary setting, or do you prefer praying when you’re surrounded by peers, as in a grove?” Eventually I asked them to explain their pictures. A husband had sketched two leafy trees side by side, representing his prayers with his wife. A mother had envisioned a passel of umbrella-shaped twigs, symbolizing parental prayers of protection. When I was packing up, a woman who’d held back earlier showed me a nearly hidden detail of her flourishing tree. At the base of the trunk, underneath grassy cover, she’d outlined deep roots. “They represent the grounding of my family, my upbringing.” “Oh my!” I smiled. “You introduced a whole new dimension.” I drove home with a revitalized prayer—like limbs stretching upward with thanksgiving—for my natal family and many others who have enriched my relationship with God. Lord, thank You for the grounding of my faith through my family and the family of God. —Evelyn Bence Digging Deeper: Ps 103:17–18; Prv 22:6
Guideposts (Daily Guideposts 2014)
Jane shared his sentiment, but was hard-pressed not to laugh at her husband’s inventive turns of phrase—her favourite was “goat-licking amateur,” followed closely by “mongrel’s handmaiden.
Mary Robinette Kowal (Without a Summer (Glamourist Histories, #3))
Daisy has a unique spirit,” Westcliff said. “A warm and romantic nature. If she is forced into a loveless marriage, she will be devastated. She deserves a husband who will cherish her for everything she is, and who will protect her from the harsher realities of the world. A husband who will allow her to dream.” It was surprising to hear such sentiment from Westcliff, who was universally known as a pragmatic and level-headed man. “What is your question, my lord?” Matthew asked. “Will you give me your word that you will not marry my sister-in-law?” Matthew held the earl’s cold black gaze. It would not be wise to cross a man like Westcliff, who was not accustomed to being denied. But Matthew had endured years of Thomas Bowman’s thunder and bluster, standing up to him when other men would flee in fear of his wrath. Although Bowman could be a ruthless, sarcastic bully there was nothing he respected more than a man who was willing to go toe-to-toe with him. And so it had quickly become Matthew’s lot in the company to be the bearer of bad tidings and deliver the hard truths that everyone else was afraid to give him. That had been Matthew’s training, which was why Westcliff’s attempt at domination had no effect on him. “I’m afraid not, my lord,” Matthew said politely. Simon Hunt dropped his cigar. “You won’t give me your word?” Westcliff asked in disbelief. “No.” Matthew bent swiftly to retrieve the fallen cigar and returned it to Hunt, who regarded him with a glint of warning in his eyes as if he were silently trying to prevent him from jumping off a cliff. “Why not?” Westcliff demanded. “Because you don’t want to lose your position with Bowman?” “No, he can’t afford to lose me right now.” Matthew smiled slightly in an attempt to rob the words of arrogance. “I know more about production, administration, and marketing than anyone else at Bowman’s…and I’ve earned the old man’s trust. So I won’t be dismissed even if I refuse to marry his daughter.” “Then it will be quite simple for you to put the entire matter to rest,” the earl said. “I want your word, Swift. Now.” A lesser man would have been intimidated by Westcliff’s authoritative demand. “I might consider it,” Matthew countered coolly, “if you offered the right incentive. For example, if you promise to endorse me as the head of the entire division and guarantee the position for at least, say…three years.” Westcliff gave him an incredulous glance. The tense silence was broken as Simon Hunt roared with laughter. “By God, he has brass ballocks,” he exclaimed. “Mark my words, Westcliff, I’m going to hire him for Consolidated.” “I’m not cheap,” Matthew said, which caused Hunt to laugh so hard that he nearly dropped his cigar again. Even Westcliff smiled, albeit reluctantly. “Damn it,” he muttered. “I’m not going to endorse you so readily—not with so much at stake. Not until I am convinced you’re the right man for the position.” “Then it seems we’re at an impasse.” Matthew made his expression friendly. “For now.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
My husband is everything I’m not when it comes to social skills. He’s naturally compassionate, outgoing, empathetic, and confident. He can walk into a room full of strangers and strike up a conversation with anyone. People gravitate toward him. When it comes to our daughter’s social skills, I give him 100 percent of the credit. He modeled behaviors for her that don’t come naturally to me and that I’ve never learned to fake well. As parents, we haven’t always seen eye to eye. There were times when he thought I was being too cold-hearted and there were times when I thought he was being too sentimental. We’ve had to compromise on some issues and agree to disagree on others. We’ve both made mistakes. But we’ve also come to realize that we have our own strengths. When Jess needs sympathy or relationship advice, she usually talks to her dad. When she needs help filling out forms for a new job or fixing her computer, she calls me. She intuitively worked out what we can each give her as parents long before any of us knew what Asperger’s was.
Cynthia Kim (Nerdy, Shy, and Socially Inappropriate: A User Guide to an Asperger Life)
Mum. No one is coming to collect the rubbish for a while yet. I doubt it’s the council’s first priority,’ said Sarah, hoping the sentiment about turning into your mother wasn’t true and pitying Mark, her husband, if it was. Sally sat in her rocking chair in the living room. She’d been up and ready for the day for a few hours. No silly weather system was about to change her routine,
Darryl Donaghue (A Journal of Sin (Sarah Gladstone, #1))
An incident which meant a great deal to Diana took place in that same hospital away from the cameras, smiling dignitaries and the watchful public. The drama began uneventfully three days earlier in a back yard in Balderton, a village near Newark when housewife Freda Hickling collapsed with a brain haemorrhage. When Diana first saw her behind the screens in the intensive care unit she was on a life-support system. Her husband Peter sat with his wife, holding her hand. Diana, who was visiting patients in the hospital, had been already been told by the consultant that there was little hope of recovery. She quietly asked Peter if she should join him. For the next two hours she sat holding the hands of Peter and Freda Hickling before the specialist informed Peter that his wife was dead. Diana then joined Peter, his stepson Neil and Neil’s girlfriend Sue in a private room. Sue, who was so shocked at seeing Freda Hickling on a life-support machine, did not recognize Diana at first, vaguely thinking she was someone from television. “Just call me Diana,” said the Princess. She chatted about everyday matters; the size of the hospital, Prince Charles’s arm and asked about Neil’s forestry business. Eventually Diana decided that Peter could do with a large gin and asked her detective to find one. When he failed to reappear, the Princess successfully found one herself. Peter, a 53-year-old former council worker, recalls: “She was trying to keep our spirits up. For somebody who didn’t know anything about us she was a real professional at handling people and making quick decisions about them. Diana did a great job to keep Neil calm. By the time we left he was chatting to Diana as though he had known her all his life and gave her a kiss on the cheek as we walked down the steps.” His sentiments are endorsed by his stepson, Neil. He says: “She was a very caring, understanding person, somebody you can rely on. She understood about death and grief.
Andrew Morton (Diana: Her True Story in Her Own Words)
While Diana finds the monarchy as presently organized a crumbling institution, she has a deep respect for the manner in which the Queen has conducted herself for the last forty years. Indeed, much as she would like to leave her husband, Diana has emphasized to her: “I will never let you down.” Before she attended a garden party on a stifling July afternoon last year, a friend offered Diana a fan to take with her. She refused saying: “I can’t do that. My mother-in-law is going to be standing there with her handbag, gloves, stockings and shoes.” It was a sentiment expressed in admiring tones for the Sovereign’s complete self-control in every circumstance, however trying.
Andrew Morton (Diana: Her True Story in Her Own Words)
Sua vida sentimental, numerosa e diversa, pois as múltiplas amantes variavam na idade, na posição social e na cor, decorrera em grande parte nos castelos e cabarés, em xodós com raparigas, amigações, além de umas poucas aventuras com mulheres casadas; sem que nenhum desses laços tivesse a força do amor. Nunca um enrabichamento o fez sentir a vida plena e luminosa, jamais uma ausência feminina, uma briga, o término de um caso, o tornou gris, vazio e suicida. Partia para outro corpo de mulher como mudava de mesa na sala de jogo quando o 17, seu número, fazia-lhe falseta.
Jorge Amado (Dona Flor and Her Two Husbands)
... Christmas... the apotheosis of the bourgeoisie, the season when with shining fable Heaven and Nature, in accord for once, edict and postulate us all husbands and fathers under our skins, when before an altar in the shape of a gold-plated cattle-trough man may with impunity prostrate himself in an orgy of unbridled sentimental obeisance to the fairy tale which conquered the Western world, when for seven days the rich get richer and the poor get poorer in amnesty: the whitewashing of a stipulated week leaving the page blank and pristine again for the chronicling of the fresh...
William Faulkner (The Wild Palms)
Her husband never left her side and he seemed to suffer in his way as greatly as she did, and his tender diligence was so at odds with the man he had seen swaggering about The Unicorn in his silver-laced coat and high hat. It was a revelation, and Felix wondered again at the business and meaning of marriage; of husband and wives and how they were linked by something profounder that the mere vagaries of sentimental love and hot-blooded lust. This connection, so strange and deep between them, was something he did not understand. He wondered if he would ever manage to make such a contract. He did not think he could bear to stand by and see someone he loved suffer as this woman was suffering.
Harriet Smart (The Northminster Mysteries Books 1-3 (The Northminster Mysteries, #1-3))
Six months after Lucien traveled to Australia, Mum left her son, her parents, her brothers and sisters, her work, her friends and her country, sailed over the Atlantic Ocean and the Mediterranean Sea, through the Suez Canal, across the Indian Ocean, into the Pacific and joined her husband in Sydney to start a new life. That's the sort of thing people did back then. Everyone was starting again after the war, after losing mothers and fathers, brothers and sisters, children, husbands and wives. It seems shocking now, but there wasn't such a sentimental attitude towards family or such a fear of death then as we have now. (People who live through wars often develop attachment disorders as protection from loss.)
Viv Albertine (To Throw Away Unopened)
concretizing was also what some relatives did after I used the word if. As in, if she walks. If she talks. People rewrote my sentiment with a single word—when. You mean, when she walks. I understood their intentions: they believed in the power of positive thinking. But plenty of kids with Wolf-Hirschhorn syndrome didn’t walk or talk, and it wasn’t because their parents hadn’t believed. Not concretizing was, instead, like floating in outer space. It meant I stayed with the warm tingle of a face before tears. Not concretizing gave me nothing to hold on to. It was like being suspended amid the cosmos, beholding their vastness, getting a glimpse of my smallness among the Everything. It was awesome and terrifying. I found myself in awe of the painful vulnerability of being human. In awe of the fragility of me, my daughter, my husband—everyone. We were always on this brink, on this edge. Always possibly headed for collision or creation. We just pretended otherwise.
Heather Lanier (Raising a Rare Girl)
This means that our theology of Christ’s love will be determinative of how a Christian wife is loved. How a man understands ultimate covenantal loving will settle how he sets about covenantal loving. How he understands the thing to be imitated will determine how and what he imitates. If his theology is biblical (and thereby federal or covenantal), then his wife will be loved as Christ really did love the Church. If the theology is either sub-federal or anti-covenantal, then a woman, when she is loved at all, will be loved sentimentally, not for very long, or in fits and starts.
Douglas Wilson (Federal Husband)
Louisa dropped her forehead to her husband’s naked chest and, for the dozenth time, silently cursed her female organs for their poor scheduling. “We’ll never get to Kent if we aren’t on our way soon.” Joseph patted her bottom and stepped back. “We will not let your parents serve us breakfast, or your sisters dragoon you into their private lair. I suspect the worst offenders will be your brothers, though. I’ve never met such a lot of mother hens.” He splashed on his cedar-and-spice scent, then started laying out clothing, making trips from the wardrobe to the bed. Joseph continued striding around the bedroom in nothing but riding breeches, as casual as you please. And Louisa did please. Her husband was well endowed with muscle and masculine pulchritude, and he thought her brothers were mother hens. He had listened to her in the dark, and he had held her and rubbed her back when she hadn’t even known she could ask for those considerations. Maybe love was not a matter of ringing declarations and rhyming couplets. Maybe it wasn’t bloodred roses and dramatic sentiments. Maybe love was a pat on the bottom and a tender kiss, a shared good night’s sleep, and a man considerate enough to build a quick stop by the ducal mansion into the start of the wedding journey. ***
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
And in the measured, sonorous lines of sentiment he offered her, in the tenderness of his hand caressing her hair, Louisa found hope that even her husband—her dark, limping, occasionally ridiculous husband—might be a little besotted too. ***
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
El que ha de fer un autor no és tendir a comunicar uns sentiments, sinó sentir que el posseeixen, sentir el desig de desfer-se’n, escriure i alliberar-se’n. Aleshores, potser les idees i els sentiments se sedimentaran en el text, i tornaran a sorgir quan uns altres ulls comprensius s’aferrin a les mateixes línies.
Ludmilla Petrushevskaya (There Once Lived a Girl Who Seduced Her Sister's Husband, and He Hanged Himself: Love Stories)
All these years I thought I was alone with what had befallen me, but I had a friend in you, didn’t I?” “I haven’t always been a friend to you, Evie. When a man finds himself damnably attracted to a woman who has suffered enough at the hands of…” She shut him up with a kiss, a soft, helpful kiss such as a wife bestows on a husband inclined to temporize when he ought to be listening. “I love you, Lucas. I love you for the faith you have in me, for your patience, for your honor, for so many reasons. I love you and I trust you and I love you.” He heaved the biggest sigh ever. “And you won’t feel compelled to ride in any more races to demonstrate these lovely sentiments you hold toward me?” “Not on horseback.” Though
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
Hulking piece of rust,” she grumbled, then gave it a little pat on the wheel well as she scooted out between her truck and Hannah’s car. “Can’t let the car gods hear you dis their minions,” she said when she caught Cooper’s amused look. “They’ll strand you in the desert as sure as look at you. Besides, she might be a hulking piece of rusted metal but she’s my hulking piece.” She stopped when she reached her sister and gave her a one-armed hug. “And to what do I owe this pleasure? Cross-examining my afternoon date, are we?” “Maybe,” Hannah said, hugging her back. “Oh, good.” Kerry grinned, rubbing her hands together. “What did you learn?” “Hey, now,” Cooper said, chuckling. “What makes you think I’d give anything up?” “Oh, she’s good,” Kerry told him. “She once talked a tribal chief in Papua New Guinea, out of marrying me to his youngest son.” Cooper looked at Hannah, who just raised an arched brow but didn’t refute the statement. “Well, then, I suppose I’m even more in your debt,” he told Kerry’s oldest sister. “Unless of course the tribe believes in polygamy.” Kerry looked affronted. “You’d share me? Well, well, good to know.” She folded her arms. “So glad we’re having this little chat.” “Oh, no, Starfish, no such luck. You’d be stuck making do with only me. You see, I know a guy who could fly us out of there on his helicopter, and I’m guessing your erstwhile tribal spouse wouldn’t go anywhere near one of those flying birds. I’d spirit you off and--” “And leave my poor first husband brokenhearted and alone? Do I get a say in this?” She looked to her sister. “You’re drawing up my pre-nup, right?” Cooper brightened and clapped his hands together, which earned him an arched brow from Kerry. “Well, while I’m not too thrilled about your attachment to Number One, speaking as Number Two, I will say I’m happy to hear we’re in the negotiation phase.” “Husband Number One is a lot younger,” she said consideringly. “And while he doesn’t have as many head of cattle as you do, he does come with an entire village, and if something happens to his other six brothers, he’ll be chief one day.” She smiled sweetly. “Just saying.” Cooper flashed her a smile that might have been a little too private with her sister standing right there, but what the hell. “Keep in mind, Number Twos traditionally try harder. So I have that going for me.” Hannah looked from Cooper to Kerry, then at both of them, before finally looking at Kerry. “Seriously, marry him before he wises up.” “Hey,” Kerry replied, mock wounded. “And why do you say that?” “You speak the same language.” “Says the woman who communicates with her husband using old movie quotes that nobody gets but the two of you.” Hannah smiled, really smiled, and it transformed her often more serious expression into something truly radiant. “Yes, that’s exactly who’s saying that.” She looked at Cooper. “I have a feeling you and Calder will become fast friends.” “Thank you,” Cooper said, “for both sentiments.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
The most famous child survivor of the Holocaust in the 1950s was not Anne Frank—after all, she didn’t survive—but a young woman named Hannah Bloch Kohner. NBC television’s This Is Your Life was one of television’s first reality shows, in which host Ralph Edwards surprised a guest, often a celebrity, by reuniting him or her with friends and family members the guest hadn’t heard from in years. The program didn’t shy away from either political controversy or questionable sentimentality, as when guest Reverend Kiyoshi Tanimoto, who had survived the atomic bombing of Hirsohima in 1945, was introduced to the copilot of the Enola Gay. On May 27, 1953, This Is Your Life ambushed a beautiful young woman in the audience, escorted her to the stage, and proceeded, in a matter of minutes, to package, sanitize, and trivialize the Holocaust for a national television audience. Hannah Bloch Kohner’s claim to fame was that she had survived Auschwitz before emigrating, marrying, and settling in Los Angeles. She was the first Holocaust survivor to appear on a national television entertainment program. “Looking at you, it’s hard to believe that during seven short years of a still short life, you lived a lifetime of fear, terror, and tragedy,” host Edwards said to Kohner in his singsong baritone. “You look like a young American girl just out of college, not at all like a survivor of Hitler’s cruel purge of German Jews.” He then reunited a stunned Kohner with Eva, a girl with whom she’d spent eight months in Auschwitz, intoning, “You were each given a cake of soap and a towel, weren’t you, Hannah? You were sent to the so-called showers, and even this was a doubtful procedure, because some of the showers had regular water and some had liquid gas, and you never knew which one you were being sent to. You and Eva were fortunate. Others were not so fortunate, including your father and mother, your husband Carl Benjamin. They all lost their lives in Auschwitz.” It was an extraordinary lapse of sympathy, good taste, and historical accuracy—history that, if not common knowledge, had at least been documented on film. It would be hard to explain how Kohner ever made it on This Is Your Life to be the Holocaust’s beautiful poster girl if you didn’t happen to know that her husband—a childhood sweetheart who had emigrated to the United States in 1938—was host Ralph Edwards’s agent. Hannah Bloch’s appearance was a small, if crass, oasis of public recognition for Holocaust survivors—and child survivors especially—in a vast desert of indifference. It would be decades before the media showed them this much interest again.
R.D. Rosen (Such Good Girls: The Journey of the Holocaust's Hidden Child Survivors)
At one point when I was in the middle of the first season, I asked myself why I would want to watch a conservative Democrat destroy teachers’ unions and have joyless sex with a woman who looks like a very young teenager. I still had not answered the question when Claire pushed things to the next level in a scene so intensely creepy that it might count as the most revolting thing I have ever witnessed on television. A longtime member of the couple’s Secret Service security detail is dying of cancer, and Claire goes to visit him alone. On his deathbed, he reveals that he was always secretly in love with her and thought that Frank wasn’t good enough for her. Her response is almost incomprehensible in its cruelty—she mocks and taunts him for thinking he could ever attain a woman like her, and then puts her hand down his pants and begins to give him a handjob, all the while saying, in true perverse style, “This is what you wanted, right?” Surely Claire doesn’t have to emotionally destroy a man who is dying of cancer—and yet perhaps in a way she does, because she uses it as a way of convincing herself that Frank really is the right man for her. Not only could an average, hardworking, sentimental man never satisfy her, but she would destroy him. By contrast, Frank not only can take her abuse, but actively thrives on it, as she does on his. Few images of marriage as a true partnership of equals are as convincing as this constant power struggle between two perverse creeps. Claire is not the first wife in the “high-quality TV drama” genre to administer a humiliating handjob. In fact, she is not even the first wife to administer a humiliating handjob to a man who is dying of cancer. That distinction belongs to Skyler White of Breaking Bad, who does the honors in the show’s pilot. It is intended as a birthday treat for her husband Walt, who is presumably sexually deprived due to his wife’s advanced pregnancy, and so in contrast to Claire’s, it would count as a generous gesture if not for the fact that Skyler continues to work on her laptop the entire time, barely even acknowledging Walt’s presence in the room. In her own way, Skyler is performing her dominance just as much as Claire was with her cancer patient, but Skyler’s detachment from the act makes it somehow even creepier than Claire’s.
Adam Kotsko (Creepiness)
Sometimes when he would tell me those stories his eyes would fill with tears. People used to say he was sentimental, but it was because he cared. He felt everything deeply. People around here used to call a man like him ‘soft.’ ‘Maybe so,’ he used to say, ‘but I’m always hard when I have to be, you know that.’ He was full of little double meanings like that, my husband.
Alistair MacLeod (No Great Mischief: Adapted from the Novel by Alistair MacLeod (Scirocco Drama))
Mr. Stewbren? That was definitely not a good sign. He wasn’t referred to as William or as Anna’s husband. It had the sentiment of when William would come over for dinner to talk business and
Claire Charlins (West For Love (A Mail Order Romance, #1))
seeing pictures of pretty clothes in Jackie magazine that she’d never be able to buy. She’d hated seeing adverts for summer holidays on the telly, in far off places they’d never be able to visit. She hated seeing the Queen giving her ruddy speech from her golden palace, the likes of which she’d never know. What made them so much better? Soon enough, she’d realised that all those people she envied weren’t better, they were just smarter. They’d educated themselves and taken whatever chances came their way, to get ahead in life. The problem was, she didn’t even have GCEs. That’s when she’d enrolled in night school, and Simon had tagged along too. She’d always been the one to push him on, she thought, with a sad little sigh. “Looks like she’s going to pull through,” Mike said, interrupting her reverie. Everything about her husband was an irritant, and had been since they were children knocking about in the playground. Michael Emerson had been a poser all his life; a flirt, a braggart, a man other men tolerated but did not necessarily like. Living with him had been a penance, and she’d paid it for long enough. “I want a divorce,” she said, very clearly. She heard his shocked intake of breath, and he shifted in the driver’s seat to look at her. “What?” he blustered. “What are you talking about?” “Oh, come on, Mike. You know there’s nothing between us. There hasn’t been for a long time.” Ever. He sat in absolute silence for long, tense seconds as she stared out of the windscreen and watched a light drizzle coat the glass. “You haven’t thought this through,” he said, but didn’t bother to argue with the sentiment. His girlfriend had been asking for him to get a divorce for months, now, but he’d never actually planned to go through with it. Their lives were too entwined. Too dependent. “You need me,” he said, simply. “It’ll look bad for your next campaign.” Sally laughed. “I need you?” she said bitterly, but stopped herself from launching into a tirade, not wanting to go too far. “Listen, Mike. This can work for both of us,” she said, in a placatory tone. “We can sell up and share the proceeds. We can still work together as business partners.” “Oh, aye,” he said. “What about your new partner? What would he have to say about that?” Sally said nothing. “Well, he needs me too. You both do,” Mike said, arrogantly, and turned the
L.J. Ross (Penshaw (DCI Ryan Mysteries, #13))
An attachment to the beloved always signifies much more than a simple attachment to the person; it encompasses all the spheres of interest of the beloved: his family, his friends, all which he 'invests himself in.' In this sense, we can speak of a kind of sexual polymorphism of the woman in love. Tied to a man, she is fatally, through him, tied to everything to which he is attached...She is intertwined in all relations whether she desires to be or not. This interpretation largely surpasses the 'sexual' sphere and turns its attention to a general phenomenon: all human relations radiate; they 'overflow' into their surroundings. There is no relationship of just two people; even the relations between a husband and wife encompass a collection of givens that influence their reciprocal sentiments.
Maurice Merleau-Ponty (Child Psychology and Pedagogy: The Sorbonne Lectures 1949-1952 (Studies in Phenomenology and Existential Philosophy))
As her eyes adjusted to the dark, she peered over the edge of the bed at her husband. When he rolled to one side and then the other and finally settled for lying on his back, she arched an eyebrow. “Comfortable?” He made that Scottish harrumph sound. “Come on up here,” she said, patting the bed. “I promise to keep my hands to myself.” He made no response. Fine. Be that way. She scooted out of bed and unabashedly stretched out alongside her tall Highlander. The burgundy kilt did nothing to disguise the hardness of the floor, and her hip protested when she turned on her side to face him. “What are ye doing, lass?” His voice was so soft and close in the darkness, it made her shiver. She forgot all about the hard floor. “I always imagined that once I got married, I’d finally know what it was like to spend the night in a man’s arms. Will you hold me, so I can feel what that’s like? I won’t ask for more than that. Just hold me.” He rolled to face her and touched her cheek. “Ah, lass,” he sighed. “How can I deny you when you ask so sweetly? If ’tis holding ye want, holding you shall get. But the floor is no place for you and your bairn. Up in the bed with you.” “It’s no place for a married man, either,” she said, smiling at her small victory. He sighed again, a sound heavy with sentiment she could only guess at. She climbed under the blankets and held them up for him, but he was taking his sweet time. “Are you coming?” “Aye, lass. Just donning my plaid.” She bit back a huff of frustration. She determined to enjoy what little affection he would give her and didn’t want to push her luck by asking for more. Her hormones would have to learn patience; this was going to be a painfully slow seduction. When Darcy slipped into bed, bare-chested, but wrapped in layers of wool from the waist down, she cuddled into his open arms. All her frustration drained away as he gathered her in and the heat of his chest turned her into a melty puddle of contentment. She nestled her nose into the tuft of hair between his mounded pectorals and inhaled his scent of saddle leather and faint, masculine musk. Beneath her closed eyelids, her eyes rolled back in her head with bliss.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
Several great men living in the last of the nineteenth and first of the twentieth century saw the splitting up of personality which was occurring. Henrik Ibsen in literature realized what was happening, Paul Cézanne in art, and Sigmund Freud in the science of human nature. Each of these men proclaimed that we must find a new unity for our lives. Ibsen showed in his play A Doll’s House that if the husband simply goes off to business, keeping his work and his family in different compartments like a good nineteenth-century banker, and treats his wife as a doll, the house will collapse. Cézanne attacked the artificial and sentimental art of the nineteenth century and showed that art must deal with the honest realities of life, and that beauty has more to do with integrity than with prettiness. Freud pointed out that if people repress their emotions and try to act as if sex and anger did not exist, they end up neurotic. And he worked out a new technique for bringing out the deeper, unconscious, “irrational” levels in personality which had been suppressed, thus helping the person to become a thinking-feeling-willing unity.
Rollo May (Man's Search for Himself)
our theology of Christ’s love will be determinative of how a Christian wife is loved. How a man understands ultimate covenantal loving will settle how he sets about covenantal loving. How he understands the thing to be imitated will determine how and what he imitates. If his theology is biblical (and thereby federal or covenantal), then his wife will be loved as Christ really did love the Church. If the theology is either sub-federal or anti-covenantal, then a woman, when she is loved at all, will be loved sentimentally, not for very long, or in fits and starts.
Douglas Wilson (Federal Husband)
[83:6.7] Monogamy is the yardstick which measures the advance of social civilization as distinguished from purely biologic evolution. Monogamy is not necessarily biologic or natural, but it is indispensable to the immediate maintenance and further development of social civilization. It contributes to a delicacy of sentiment, a refinement of moral character, and a spiritual growth which are utterly impossible in polygamy. A woman never can become an ideal mother when she is all the while compelled to engage in rivalry for her husband's affections. [83:6.8] Pair marriage favors and fosters that intimate understanding and effective co-operation which is best for parental happiness, child welfare, and social efficiency. Marriage, which began in crude coercion, is gradually evolving into a magnificent institution of self-culture, self-control, self-expression, and self-perpetuation.
Urantia Foundation (The Urantia Book)
hope more white people don’t move here.” My husband isn’t prone to sentimentality of any kind, or to worrying about white people, so I asked him why, and he said, “Because, kids were playing basketball by the school and they had cheerleaders cheering them on, and black men say hello to me on the street, and I love our little fruit market, and I don’t want this place to change.” But this place will probably change, if only because this is not a city where integrated neighborhoods last very long. And we are the people for whom the new coffee shop has opened. And the pet-grooming store. “You know your neighborhood is gentrifying,” my sister observes, “when the pet-grooming store arrives.
Eula Biss (Notes from No Man's Land: American Essays)
Nevertheless, the issue of Catholic marriage deserves some additional theoretical and historical consideration to prevent ambiguity. Naturally in our case it is not the arguments of “free thinkers” that turn us against this kind of marriage. Earlier I mentioned the contamination between the sacred and the profane. It is worth recalling that marriage as a rite and sacrament involving indissolubility took shape late in the history of the Church, and not before the twelfth century. The obligatory nature of the religious rite for every union that wished to be considered more than mere concubinage was later still, declared at the Council of Trent (1563). For our purposes, this does not affect the concept of indissoluble marriage in itself, but its place, significance, and conditions have to be clarified. The consequence here, as in other cases regarding the sacraments, is that the Catholic Church finds itself facing a singular paradox: proposals intending to make the profane sacred have practically ended up making the sacred profane. The true, traditional significance of the marriage rite is outlined by Saint Paul, when he uses not the term “sacrament” but rather “mystery” to indicate it (“it is a great mystery,” taken verbatim—Ephesians 5:31-32). One can indeed allow a higher idea of marriage as a sacred and indissoluble union not in words, but in fact. A union of this type, however, is conceivable only in exceptional cases in which that absolute, almost heroic dedication of two people in life and beyond life is present in principle. This was known in more than one traditional civilization, with examples of wives who even found it natural not to outlive the death of their husbands. In speaking of making the sacred profane, I alluded to the fact that the concept of an indissoluble sacramental union, “written in the heavens” (as opposed to one on the naturalistic plane that is generically sentimental, and even at base merely social), has been applied to, or rather imposed on, every couple who must join themselves in church rather than in civil marriage, only to conform to their social environment. It is pretended that on this exterior and prosaic plane, on this plane of the Nietzschean “human, all too human,” the attributes of truly sacred marriage, of marriage as a “mystery,” can and must be valid. When divorce is not permitted in a society like the present, one can expect this hypocritical regime and the rise of grave personal and social problems. On the other hand, it should be noted that in Catholicism itself the theoretical absoluteness of the marriage rite bears a significant limitation. It is enough to remember that if the Church insists on the indissolubility of the marriage bond in space, denying divorce, it has ceased to observe it in time. The Church that does not allow one to divorce and remarry does permit widows and widowers to remarry, which amounts to a breach of faithfulness, and is at best conceivable within an openly materialistic premise; in other words, only if it is thought that when one who was indissolubly united by the supernatural power of the rite has died, he or she has ceased to exist. This inconsistency shows that Catholic religious law, far from truly having transcendent spiritual values in view, has made the sacrament into a simple, social convenience, an ingredient of the profane life, reducing it to a mere formality, or rather degrading it.
Julius Evola (Ride the Tiger: A Survival Manual for the Aristocrats of the Soul)
He wasn’t a jealous husband, but he was a sentimental one.
Elinor Lipman (The View From Penthouse B)