Finest Moments Quotes

Passion. It lies in all of us. Sleeping... waiting... and though unwanted, unbidden, it will stir... open its jaws and howl. It speaks to us... guides us. Passion rules us all. And we obey. What other choice do we have? Passion is the source of our finest moments. The joy of love... the clarity of hatred... the ecstasy of grief. It hurts sometimes more than we can bear. If we could live without passion, maybe we'd know some kind of peace. But we would be hollow. Empty rooms, shuttered and dank. Without passion, we'd be truly dead.

The truth is that our finest moments are most likely to occur when we are feeling deeply uncomfortable, unhappy, or unfulfilled. For it is only in such moments, propelled by our discomfort, that we are likely to step out of our ruts and start searching for different ways or truer answers.

To each there comes in their lifetime a special moment when they are figuratively tapped on the shoulder and offered the chance to do a very special thing, unique to them and fitted to their talents. What a tragedy if that moment finds them unprepared or unqualified for that which could have been their finest hour.

6 months, 2 weeks, 4 days, and I still don’t know which month it was then or what day it is now. Blurred out lines from hangovers to coffee Another vagabond lost to love. 4am alone and on my way. These are my finest moments. I scrub my skin to rid me from you and I still don’t know why I cried. It was just something in the way you took my heart and rearranged my insides and I couldn’t recognise the emptiness you left me with when you were done. Maybe you thought my insides would fit better this way, look better this way, to you and us and all the rest. But then you must have changed your mind or made a wrong because why did you leave? 6 months, 2 weeks, 4 days, and I still don’t know which month it was then or what day it is now. I replace cafés with crowded bars and empty roads with broken bottles and this town is healing me slowly but still not slow or fast enough because there’s no right way to do this. There is no right way to do this. There is no right way to do this.

I firmly believe that any man's finest hour, the greatest fulfillment of all that he holds dear, is that moment when he has worked his heart out in a good cause and lies exhausted on the field of battle - victorious."

They say that Caliph Omar, when consulted about what had to be done with the library of Alexandria, answered as follows: 'If the books of this library contain matters opposed to the Koran, they are bad and must be burned. If they contain only the doctrine of the Koran, burn them anyway, for they are superfluous.' Our learned men have cited this reasoning as the height of absurdity. However, suppose Gregory the Great was there instead of Omar and the Gospel instead of the Koran. The library would still have been burned, and that might well have been the finest moment in the life of this illustrious pontiff.

It wasn’t Leo’s finest moment. Panic seized him, and he took off. His only comfort was that his friends did, too – and they weren’t the cowardly type.

Lily and James only made you Secret-Keeper because I suggested it,” Black hissed, so venomously that Pettigrew took a step backward. “I thought it was the perfect plan... a bluff... Voldemort would be sure to come after me, would never dream they’d use a weak, talentless thing like you... It must have been the finest moment of your miserable life, telling Voldemort you could hand him the Potters.

The fatal errors of life are not due to man's being unreasonable: an unreasonable moment may be one's finest moment. They are due to man's being logical.

If a woman is given only a limited amount of time to spend with the man she loves, she endures the separation by constantly recalling and reliving every moment down to the finest detail.

Laurent stopped. Damen could see the moment when Laurent decided to continue. It was deliberate, his eyes meeting Damen's, his tone subtly changed. 'Damianos of Akielos was commanding troops at seventeen. At nineteen, he rode onto the field, cut a path through our finest men, and took my brother's life. They say--they said--he was the best fighter in Akielos. I thought, if I was going to kill someone like that, I would have to be very, very good.

Countless writers express countless ideas on so many bits of paper, and at some unknown moment some specific book, even some specific sentence, will be the right one for the right person. We never know when some scrap of literature will have its finest hour.

To survive, humans will work together. Accept each other. For a moment, we are all equal. Backs against the wall, human beings are at their finest.

... It wasn't my finest moment, but I rolled my eyes and actually huffed. "Fine, don't answer. I don't even know why I asked." "No, I am not having sex with anyone." "Oh." I shrugged nonchalantly, but for some reason his response filled me with glee. It was as if a unicorn had appeared beneath a double rainbow and started tap dancing.

Zaid's finest moment, however, comes in his second paragraph, when he says that "the truly cultured are capable of owning thousands of unread books without losing their composure or their desire for more." That's me! And you, probably! That's us!

One of the rarest and most beautiful things in this world is to meet someone who has the ability to intoxicate you. Every moment with her was exhilarating, and every moment without her was spent captivated by thoughts about her. She was like the finest of wines. And I was getting drunk.

Ah, Meese has brought us her finest goblets! A moment, whilst Kruppe sweeps out cobwebs, insect husks and other assorted proofs of said goblets' treasured value.

They were all dressed in their finest as though life really were some magical stage play in which every moment ought to be illuminated with its own bright spotlight.

For himself... He could rarely think of how to respond when immersed in that heady back-and-forth. Sometimes he thought of clever things to say... hours later. Usually, he committed the worst sin possible: He said what he was really thinking. That was why he came out with gems like, I like your tits. Not one of his finest moments, that.

To each,” Winston Churchill would say, “there comes in their lifetime a special moment when they are figuratively tapped on the shoulder and offered the chance to do a very special thing, unique to them and fitted to their talents. What a tragedy if that moment finds them unprepared or unqualified for that which could have been their finest hour.

Getting sliced up by a Jimmy Choo knockoff hadn’t exactly been my finest moment as Cadogan Sentinel.

Your finest moment, Potter. How'd it feel to peak at thirteen?'' ''Fantastic,'' Harry said.

Accepting is most valuable when we are powerless to make a difference. Yet our ineffectuality is precisely the condition we are most loath to accept. It triggers our finest moments of counterproductive behavior.

THE ONE THING YOU MUST DO There is one thing in this world you must never forget to do. If you forget everything else and not this, there's nothing to worry about, but if you remember everything else and forget this, then you will have done nothing in your life. It's as if a king has sent you to some country to do a task, and you perform a hundred other services, but not the one he sent you to do. So human being come to this world to do particular work. That work is the purpose, and each is specific to the person. If you don't do it, it's as though a priceless Indian sword were used to slice rotten meat. It's a golden bowl being used to cook turnips, when one filing from the bowl could buy a hundred suitable pots. It's like a knife of the finest tempering nailed into a wall to hang things on. You say, "But look, I'm using the dagger. It's not lying idle." Do you hear how ludicrous that sounds? For a penny an iron nail could be bought to serve for that. You say, "But I spend my energies on lofty enterprises. I study jurisprudence and philosophy and logic and astronomy and medicine and the rest." But consider why you do those things. They are all branches of yourself. Remember the deep root of your being, the presence of your lord. Give yourself to the one who already owns your breath and your moments. If you don't, you will be like the man who takes a precious dagger and hammers it into his kitchen wall for a peg to hold his dipper gourd. You'll be wasting valuable keenness and forgetting your dignity and purpose.

The true measure of character is what someone takes away from their far-from-finest moments.

It is difficult to predict what our finest moments will be, but we know when they happen.

When the mouth cries, I want to see God, the heart has reached its finest moment. Once we have sought and seen God, all other things have a way of finding us.

How strange! This bed on which I shall lie has been slept on by more than one dying man, but today it does not repel me! Who knows what corpses have lain on it and for how long? But is a corpse any worse than I? A corpse too knows nothing of its father, mother or sisters or Titus. Nor has a corpse a sweetheart. A corpse, too, is pale, like me. A corpse is cold, just as I am cold and indifferent to everything. A corpse has ceased to live, and I too have had enough of life…. Why do we live on through this wretched life which only devours us and serves to turn us into corpses? The clocks in the Stuttgart belfries strike the midnight hour. Oh how many people have become corpses at this moment! Mothers have been torn from their children, children from their mothers - how many plans have come to nothing, how much sorrow has sprung from these depths, and how much relief!… Virtue and vice have come in the end to the same thing! It seems that to die is man’s finest action - and what might be his worst? To be born, since that is the exact opposite of his best deed. It is therefore right of me to be angry that I was ever born into this world! Why was I not prevented from remaining in a world where I am utterly useless? What good can my existence bring to anyone? … But wait, wait! What’s this? Tears? How long it is since they flowed! How is this, seeing that an arid melancholy has held me for so long in its grip? How good it feels - and sorrowful. Sad but kindly tears! What a strange emotion! Sad but blessed. It is not good for one to be sad, and yet how pleasant it is - a strange state…

And that is how a self-seeking hotchpotch distorts and debases the very finest social schemes. It is the black vein in white marble; it gets everywhere, appears under your chisel at any moment without warning. Your statue has to be redone.

THE ONE THING YOU MUST DO There is one thing in this world you must never forget to do. If you forget everything else and not this, there's nothing to worry about, but if you remember everything else and forget this, then you will have done nothing in your life. It's as if a king has sent you to some country to do a task, and you perform a hundred other services, but not the one he sent you to do. So human being come to this world to do particular work. That work is the purpose, and each is specific to the person. If you don't do it, it's as though a priceless Indian sword were used to slice rotten meat. It's a golden bowl being used to cook turnips, when one filing from the bowl could buy a hundred suitable pots. It's like a knife of the finest tempering nailed into a wall to hang things on. You say, "But look, I'm using the dagger. It's not lying idle." Do you hear how ludicrous that sounds? For a penny an iron nail could be bought to serve for that. You say, "But I spend my energies on lofty enterprises. I study jurisprudence and philosophy and logic and astronomy and medicine and the rest." But consider why you do those things. They are all branches of yourself. Remember the deep root of your being, the presence of your lord. Give yourself to the one who already owns your breath and your moments. If you don't, you will be like the man who takes a precious dagger and hammers it into his kitchen wall for a peg to hold his dipper gourd. You'll be wasting valuable keenness and forgetting your dignity and purpose.

It was funny the way memory obliged the heart. His happy recollections were always afloat in his soupy subconscious where so many of his darker memories had sunk to the underbelly of his past and been as good as lost forever. But without conscious instruction, memory had edited and enlarged the finest moments of his life and stored them like masterpieces in the private gallery of his personal history.

The truth is that our finest moments are most likely to occur when we are feeling deeply uncomfortable, unhappy, or unfulfilled. For it is only in such moments, propelled by our discomfort, that we are likely to step out of our ruts and start searching for different ways or truer answers. M. Scott Peck

Think of yourself, during your earliest childhood memory. As a teenager. The first time you fell in love. Your first job. Your finest moment. Your most painful moment. Your last day at work. Yesterday. Today. Now. Thru all of this- You are still the same person. No EVENT or PERSON can change the core of who you are. You are still the same person; wiser, much stronger and more beautiful than you imagine...

You love because you want to need someone the way you did when you were a child, and have them need you too. You eat well because the intensity of taste reminds you of a need satisfied, a pain relieved. The finest paintings are nothing more than the red head of a flower, nodding in the breeze, when you were two years old; the most exciting film is just the way everything was, back in the days when you stared goggle-eyed at the whirling chaos all around you. All these things do is get the adult to shut up for a while, to open for just a moment a tiny sliding window in the cell deep inside, letting the pallid child peep hungrily out and drink the world in before darkness falls again.

Double Indemnity, Gaslight, Saboteur, The Big Clock . . . We lived in monochrome those nights. For me, it was a chance to revisit old friends; for Ed, it was an opportunity to make new ones. And we’d make lists. The Thin Man franchise, ranked from best (the original) to worst (Song of the Thin Man). Top movies from the bumper crop of 1944. Joseph Cotten’s finest moments. I can do lists on my own, of course. For instance: best Hitchcock films not made by Hitchcock. Here we go: Le Boucher, the early Claude Chabrol that Hitch, according to lore, wished he’d directed. Dark Passage, with Humphrey Bogart and Lauren Bacall—a San Francisco valentine, all velveteen with fog, and antecedent to any movie in which a character goes under the knife to disguise himself. Niagara, starring Marilyn Monroe; Charade, starring Audrey Hepburn; Sudden Fear!, starring Joan Crawford’s eyebrows. Wait Until Dark: Hepburn again, a blind woman stranded in her basement apartment. I’d go berserk in a basement apartment.

Some seek the comfort of their therapist’s office, others head for the corner pub and dive into a pint, but I choose running as my therapy. It was the best source of renewal there was. I couldn’t recall a single time that I felt worse after a run than before. What drug could compete? As Lily Tomlin said, “Exercise is for people who can’t handle drugs and alcohol.” I’d also come to recognize that the simplicity of running was quite liberating. Modern man has virtually everything one could desire, but too often we’re still not fulfilled. “Things” don’t bring happiness. Some of my finest moments came while running down the open road, little more than a pair of shoes and shorts to my name. A runner doesn’t need much. Thoreau once said that a man’s riches are based on what he can do without. Perhaps in needing less, you’re actually getting more.

In Memoriam, Louis Anglesey, Earl of Upnor, finest swordsman in England, beaten to death with a stick by an Irishman.’ ” Teague considered it for a moment, then nodded. “In Connaught,” he added. “In Connaught,” Bob agreed, then eyed the ditch.

I must have had some high object in life, for I feel unbounded strength within me. But I never discovered it and was carried away by the allurements of empty, un-rewarding passions. I was tempered in their flames and came out cold and hard as steel, but I'd lost forever that fire of noble endeavour, that finest flower of life. How many time since then have I been an axe in the hands of fate? Like an engine of execution, I've descended on the heads of the condemned, often without malice, but always without pity. My love has brought no one happiness, for I've never sacrificed a thing for those I've loved. I've loved for myself, for my own pleasure, I've only tried to satisfy a strange inner need. I've fed on their feelings, love, joys and sufferings, and always wanted more. I'm like a starving man who falls asleep exhausted and sees rich food and sparkling wines before him. He rapturously falls on these phantom gifts of the imagination and feels better, but the moment he wakes up his dream disappears and he's left more hungry and desperate than before.

On my mental instant replay, I realized that obliquely comparing his family to the Nazis was maybe not my finest moment. He was quiet a second, and then he said, 'Did you know that Hitler anted to be an artist, but since he couldn't get into art school, he turned into a Nazi?' 'Yes, I remember that.' 'Just imagine if he got into art school, the whole world would be different.' I said, 'It just shows that people should be allowed to be who they are. If they can't, then they turn into nasty, sad people.' He started to laugh. 'What if you went to the art gallery, and the guy was like, "Here you see a beautiful Monet, and here on your left is an early Hitler." Wouldn't that be weird?' I couldn't think of any subtle way to turn it back around again. He said, 'You would go to the gift shop and buy Hitler postcards, and you'd go, "Oh, look at this beautiful Hitler. I'm going to hang it in my room!" And people would wear Hitler t-shirts.' 'Yes,' I said. 'That would have been better.

There comes a special moment in everyone’s life, a moment for which that person was born.… When he seizes it… it is his finest hour.

The fatal errors of life are not due to man’s being unreasonable. An unreasonable moment may be one’s finest moment. They are due to man’s being logical.

Billy tries to imagine the vast systems that support these athletes. They are among the best-cared for creatures in the history of the planet, beneficiaries of the best nutrition, the latest technologies, the finest medical care, they live at the very pinnacle of American innovation and abundance, which inspires an extraordinary thought - send them to fight the war! Send them just as they are this moment, well rested, suited up, psyched for brutal combat, send the entire NFL! Attack with all our bears and raiders, our ferocious redskins, our jets, eagles, falcons, chiefs, patriots, cowboys - how could a bunch of skinny hajjis in man-skits and sandals stand a chance against these all-Americans? Resistance is futile, oh Arab foes. Surrender now and save yourself a world of hurt, for our mighty football players cannot be stopped, they are so huge, so strong, so fearsomely ripped that mere bombs and bullets bounce off their bones of steel. Submit, lest our awesome NFL show you straight to the flaming gates of hell!

And then it developed that Campbell was not going to go unanswered after all. Poor old Derby, the doomed high school teacher, lumbered to his feet for what was probably the finest moment in his life. There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters. But old Derby was a character now.

To each,” Winston Churchill would say, “there comes in their lifetime a special moment when they are figuratively tapped on the shoulder and offered the chance to do a very special thing, unique to them and fitted to their talents. What a tragedy if that moment finds them unprepared or unqualified for that which could have been their finest hour.” It’s more accurate to say that life has many of these moments, many such taps on the shoulder.

The machine seemed to understand time and space, but it didn’t, not as we do. We are analog, fluid, swimming in a flowing sea of events, where one moment contains the next, is the next, since the notion of “moment” itself is the illusion. The machine—it—is digital, and digital is the decision to forget the idea of the infinitely moving wave, and just take snapshots, convincing yourself that if you take enough pictures, it won’t matter that you’ve left out the flowing, continuous aspect of things. You take the mimic for the thing mimicked and say, Good enough. But now I knew that between one pixel and the next—no matter how densely together you packed them—the world still existed, down to the finest grain of the stuff of the universe. And no matter how frequently that mouse located itself, sample after sample, snapshot after snapshot—here, now here, now here—something was always happening between the here’s. The mouse was still moving—was somewhere, but where? It couldn’t say. Time, invisible, was slipping through its digital now’s.

The true significance, then, of absolute music is that it expresses human personality at its finest moments, adequately, beautifully and spiritually, by the medium of sound. And therefore our finest music is one of the supreme possessions of the world ; for there is nothing greater than great personality.

I have many dead people who talk to me, whisper advice into my ears in the finest of moments. I take their advice in the moments where life shouldn't allow you to make your own business. This is one of those moments. The dead whisperer, Eleanor Roosevelt. The advice, "Do one thing every day that scares you." Here goes!

scarab. It’s made of silver, tarnished at the moment, and adorned with some of the finest sapphires, rubies, and emeralds

You are the forward edge of life's advancement; in this moment in time you are the finest expression of life's brilliance.

The flake of snow grew larger and larger; and at last it was like a young lady, dressed in the finest white gauze, made of a million little flakes like stars. She was so beautiful and delicate, but she was of ice, of dazzling, sparkling ice; yet she lived; her eyes gazed fixedly, like two stars; but there was neither quiet nor repose in them. She nodded towards the window, and beckoned with her hand. The little boy was frightened, and jumped down from the chair; it seemed to him as if, at the same moment, a large bird flew past the window.

The sun is setting, Ona reminds us, and our light is fading. We should light the kerosene lamp. But what of your question? asks Greta. Should we consider asking the men to leave? None of us have ever asked the men for anything, Agatha states. Not a single thing, not even for the salt to be passed, not even for a penny or a moment alone or to take the washing in or to open a curtain or to go easy on the small yearlings or to put your hand on the small of my back as I try, again, for the twelfth or thirteenth time, to push a baby out of my body. Isn't it interesting, she says, that the one and only request the women would make of the men would be to leave? The women break out laughing again. They simply can't stop laughing, and if one of them stops for a moment she will quickly resume laughing with a loud burst, and off they'll all go again. It's not an option, says Agata, at last. No, the others (finally in complete accord!) agree. Asking the men to leave is not an option. Greta asks the women to imagine her team, Ruth and Cheryl (Agata yelps in exasperation at the mention of their names), requesting that Greta leave them alone for the day to graze in the field and do nothing. Imagine my hens, adds Agata, telling me to turn around and leave the premises when I show up to gather the eggs. Ona begs the women to stop making her laugh, she's afraid she'll go into premature labour. This makes them laugh harder! They even find it uproariously funny that I continue to write during all of this. Ona's laughter is the finest, the most exquisite sound in all of nature, filled with breath and promise, and the only sound she releases into the world that she doesn't also try to retrieve.

And if I'd once fallen hard for my husband, I fell even harder for my child. It was as if my entire life had been building to this one moment, my finest work, my greatest accomplishment, this tiny bundle of precious life.

The small Japanese immortal sat cross-legged, his two swords resting flat on the ground before him. He folded his hands in his lap, closed his eyes and breathing through his nose, forcing the chill night air deep into his chest. He held it for a count of five, then shaped his lips into an O and blew it out again, puncturing a tiny hole in the swirling fog before his face. Even though he would never admit it to anyone, Niten loved this moment. He had no affection for what was to come, but this brief time, when all preparations for battle were made and there was nothing left to do but wait, when the world felt still, as if it was holding its breath, was special. This moment, when he was facing death, was when he felt completely, fully alive. He’d still been called Miyamoto Musashi and had been a teenager when he’d first discovered the genuine beauty of the quiet moment before a fight. Every breath suddenly tasted like the finest food, every sound was distinct and divine, and even on the foulest battlefields, his eyes would be drawn to something simple and elegant: a flower, the shape of a branch, the curl of a cloud. A hundred years ago, Aoife had given him a book as a birthday present. He hadn’t had the heart to tell her that she’d missed his birthday by a month, but he had treasured the book, the first edition of The Professor by Charlotte Bronte. It included a line he had never forgotten: In the midst of life we are in death. Years later, he’d heard Ghandi take the same words and shift them around to create something that resonated deeply within him: In the midst of death life persists.

Soon you catch your first glimpse of a vineyard basking in the sun, its broad leaves silently turning sunlight into sugar, ripening vitis vinifera, the European grapes that make the world’s finest wines. For a moment you might imagine you’ve been mysteriously wafted to the French countryside, but no, this is the East End of Long Island, the most exciting new wine region in North America. You’ve reached your destination, but your journey of discovery has barely begun

Being 100 percent in the moment and focusing on the person you’re with is one of the finest compliments you can offer. One of the most respectful and considerate things you can do for another is to truly be with them in the here and now.

Several friends told stories, boasting about how much Marcia had meant to them, how deeply she'd touched their lives. Marcia would have liked it, John thought - all these people discussing her, pointing out her best qualities, remembering her finest moments. She'd have eaten it up. But what did these people really know about her? What could one know about a person? John had known her best of all, had been able to predict her every move, the arc of her sighs, her laughs, the twists of her shadow as it crossed a room. In the days since her death, he'd felt her drifting through the apartment. He'd done double takes the way you do when you think you see your own cat or dog begging for food under the table at a restaurant. Nobody would understand, John thought, how well he knew the sound of Marcia's coffee spoon hitting the saucer, how the sheets rustled around her when she turned over in bed. But were those things significant enough, he wondered, to boast about?

Damianos of Akielos was commanding troops at seventeen. At nineteen, he rode onto the field, cut a path through our finest men, and took my brother’s life. They say—they said—he was the best fighter in Akielos. I thought, if I was going to kill someone like that, I would have to be very, very good.’ Damen was silent after that. The impulse to talk flickered out, like the candles in the moment before they were snuffed into darkness, like the last dying warmth of the embers in the brazier. *

This new concept of the "finest, highest achievement of art" had no sooner entered my mind than it located the imperfect enjoyment I had had at the theater, and added to it a little of what it lacked; this made such a heady mixture that I exclaimed, "What a great artiste she is!" It may be thought I was not altogether sincere. Think, however, of so many writers who, in a moment of dissatisfaction with a piece they have just written, may read a eulogy of the genius of Chateaubriand, or who may think of some other great artist whom they have dreamed of equaling, who hum to themselves a phrase of Beethoven for instance, comparing the sadness of it to the mood they have tried to capture in their prose, and are then so carried away by the perception of genius that they let it affect the way they read their own piece, no longer seeing it as they first saw it, but going so far as to hazard an act of faith in the value of it, by telling themselves "It's not bad you know!" without realizing that the sum total which determines their ultimate satisfaction includes the memory of Chateaubriand's brilliant pages, which they have assimilated to their own, but which, of course, they did not write. Think of all the men who go on believing in the love of a mistress in whom nothing is more flagrant than her infidelities; of all those torn between the hope of something beyond this life (such as the bereft widower who remembers a beloved wife, or the artist who indulges in dreams of posthumous fame, each of them looking forward to an afterlife which he knows is inconceivable) and the desire for a reassuring oblivion, when their better judgement reminds them of the faults they might otherwise have to expiate after death; or think of the travelers who are uplifted by the general beauty of a journey they have just completed, although during it their main impression, day after day, was that it was a chore--think of them before deciding whether, given the promiscuity of the ideas that lurk within us, a single one of those that affords us our greatest happiness has not begun life by parasitically attaching itself to a foreign idea with which it happened to come into contact, and by drawing from it much of the power of pleasing which it once lacked.

Even when I was a boy I could never walk in a wood without feeling that at any moment I might find before me somebody or something I had long looked for without knowing what I looked for. And now I will at times explore every little nook of some poor coppice with almost anxious footsteps, so deep a hold has this imagination upon me. You too meet with a like imagination, doubtless, somewhere, wherever your ruling stars will have it, Saturn driving you to the woods, or the Moon, it may be, to the edges of the sea. I will not of a certainty believe that there is nothing in the sunset, where our forefathers imagined the dead following their shepherd the sun, or nothing but some vague presence as little moving as nothing. If beauty is not a gateway out of the net we were taken in at our birth, it will not long be beauty, and we will find it better to sit at home by the fire and fatten a lazy body or to run hither and thither in some foolish sport than to look at the finest show that light and shadow ever made among green leaves. I say to myself, when I am well out of that thicket of argument, that they are surely there, the divine people, for only we who have neither simplicity nor wisdom have denied them, and the simple of all times and the wise men of ancient times have seen them and even spoken to them.

Relationships were built on small moments, not grand gestures. Since we started dating, we hiked the Blue Ridge Mountains, gone bungee jumping and skydiving in New Zealand, and dined at the finest restaurants, but we didn't need any of that to be happy. We just needed each other.

If tough breaks have not soured me, neither have my glory-moments caused me to build any altars to myself where I can burn incense before God’s best job of work. My sense of humor will always stand in the way of my seeing myself, my family, my race or my nation as the whole intent of the universe. When I see what we really are like, I know that God is too great an artist for we folks on my side of the creek to be all of His best works. Some of His finest touches are among us, without doubt, but some more of His masterpieces are among those folks who live over the creek.

This is called a piqué machine, it sews that finest stitch, called piqué, requires far more skill than the other stitches.... This is called a polishing machine and that is called a stretcher and you are called honey and I am called Daddy and this is called living and the other is called dying and this is called madness and this is called mourning and this is called hell, pure hell, and you have to have strong ties to be able to stick it out, this is called trying-to-go-on-as-though-nothing-has-happened and this is called paying-the-full-price-but-in-God's-name-for-what, this is called wanting-to-be-dead-and-wanting-to-find-her-and-to-kill-her-and-to-save-her-from-whatever-she-is-going-through-wherever-on-earth-she-may-be-at-this-moment, this unbridled outpouring is called blotting-out-everything and it does not work, I am half insane, the shattering force of that bomb is too great ... And then they were back at his office again.

Gold when first struck is crowded with ‘dirt’, uncertain, might not be flashy enough to be noticed. However, if you are alert in your senses, you’d see that little glitter; if you’re persistent enough, it’ll be polished to be one of the finest ‘possessions’ you could ever acquire. The beauty about gold, though, is that in all states from uncertainty to conviction, it never for once gives up its lustre. We’re sometimes too hasty and ‘fly searching’ that we miss the little uncertain glitters that sparkle in the corners of our eyes. In such rare moments, stop for a while, and hold on to it with the best grip you could muster.

But you cannot preserve the memory of applause; it is too volatile, too perishable. Later it would astonish me that I could not satisfactorily summon back that moment[...]No, I would remember the towel...Bo Maybank's towel. Precisely and completely and for the rest of my life. I do not know how he got to know me, but I felt his light leaps up to my face and felt the towel warm against my brow. And his face, I would remember his face as he wiped the sweat from mine, transfigured with joy for me - his face vulnerable and febrile and anonymous - as he danced on the floor below me, as he tried to reach me, as he tried to be a part of the finest moment of my life.

The finest SF comes to grips with life's mysteries, with our resentments against our own natures and our limited societies. It does so by asking basic questions in the artful, liberating way that is unique to this form of writing. Echoes of it are found in other forms of fiction - in the novel of ideas, in the historical novel, in the writings of the great philosophers and scientists; but the best SF does this all more searchingly, by taking what is in most people only a moment of wonder and rebellion against the arbitrariness of existence and making of it an art enriched by knowledge and possibility, expressing our deepest human longing to penetrate into the dark heart of the unknown.

The most carefully crafted language in our culture tends to be poetry. And poetry at its finest moments subverts our best attempts at hiding from reality... The poetry of liturgy has just this power. The liturgy contains words that have been shaped and crafted over the centuries. It is formal speech. It is public poetry. As such it reaches into us to reveal not only the unnamed reality of our lives but the God who created us... But even when the words of the liturgy are not literally biblical words, the words, like all truthful words, work on us over time, like a steady, unrelenting stream slowly reshapes the banks of a river. The words do something to us even when we're not paying attention.

I’ve never known a man worth his salt who in the long run, deep down in his heart, didn’t appreciate the grind, the discipline,” said Vince Lombardi. “I firmly believe that any man’s finest hour—this greatest fulfillment to all he holds dear—is that moment when he has worked his heart out in a good cause and lies exhausted on the field of battle—victorious.

He stared at me, unreadable for a moment. "I've had women try to save me before," he said idly. "Then that means I'll be yesterday's trash soon on that part of the equation, but we will still be friends." He smiled with a far truer lift of his cheeks. "Don't be foolish. I told you before. I'd never let you go." He touched my chin, tilting it up toward him. "I could remove the danger, you know. Lock you in a room—a tower—" "My hair isn't long enough," I said automatically. "But you would spin me gold. So many things better than gold. Truer." His gaze dropped to my lips. "I would keep you in the finest of materials, handcrafted with only you in mind. The finest paints, in a tower so high that you would have no cares.

Every moment some form grows perfect in hand or face; some tone on the hills or the sea is choicer than the rest; some mood of passion or insight or intellectual excitement is irresistibly real and attractive to us—for that moment only. Not the fruit of experience, but experience itself, is the end. A counted number of pulses only is given to us of a variegated, dramatic life. How may we see in them all that is to be seen in them by the finest senses? How shall we pass most swiftly from point to point, and be present always at the focus where the greatest number of vital forces unite in their purest energy? To burn always with this hard, gemlike flame, to maintain this ecstasy, is success in life. —Walter Pater, Studies in the History of the Renaissance (1873)

Her head rolled but a little way from her body, and I could see her lips still moving in silent prayer for a few moments while the blood pumped outward from the body and from the head. I was stuck firm in my place by the horror of it, jarred loose only by the clattering of Nan Zouche and Alice as they ran up the stairs with linen. I quickly leaned down and picked up her head, eyes still open and aware as the linen slipped from them, as they looked at me. I willed the bile back down my throat and forced myself to look into those eyes with love for the few moments before awareness dimmed from them. Within seconds, she slipped away. I took the head into the smallest and finest of linens and carefully wrapped it, her blood running thickly between my fingers, under my nails, and staining my forearms as I sought to save her from any indignity.

To say that the farmer laughed would be to express the matter feebly. That his young opponent, who had been irritating him unspeakably since the beginning of the game with advice and criticism, should have done exactly what he had cautioned him, the farmer, against a moment before, struck him as being the finest example of poetic justice he had ever heard of, and he signalized his appreciation of the same by nearly dying of apoplexy.

It was a moment of despair, it was a moment of dream when one chapter ended, so another could begin....It was a moment of darkness, it was a moment of light when the night ended so dawn could show its face...It was the finest of emotions, it was the coarsest of feelings when you released what tormented you yet delighted you at the same time....It was a moment of tearing, it was a moment of meeting when the old self fell into pieces so the new self could reveal its light....

Truth is, we’re a lot better off, and a lot closer to experiencing real, feel-good moments, when we’re wringing ourselves out for the glory of God and fulfilling our daily tasks—at work, at home, in ministry, anywhere. What did Vince Lombardi say in that famous speech: “I firmly believe that any man’s finest hour—his greatest fulfillment to all he holds dear—is that moment when he has worked his heart out in a good cause and lies exhausted on the field of battle—victorious.

Don hits rock bottom in the series’ finest hour, “The Suitcase,” which is essentially a two-character play about Don and Peggy stuck in the office through a tumultuous night. She wants to leave for a birthday dinner with her boyfriend, while he needs company to avoid placing the phone call that will tell him that Anna Draper — the widow of the real Don, and the one person on Earth with whom this Don feels truly comfortable and safe — has died of cancer. Over the course of the episode, Jon Hamm and Elisabeth Moss are asked to play every emotion possible: rage and despair, joy and humiliation, companionship and absolute contempt. In the most iconic moment, Peggy complains that Don took all the credit for an award-winning campaign she helped conceive. “It’s your job,” he tells her, his voice dripping with condescension. “I give you money. You give me ideas.” “And you never say, ‘Thank you,’” she complains, fighting back tears. “That’s what the money is for!” he screams.

Back in Moscow our finest minds are working on the bread supply system, and yet there are such long queues in every bakery and grocery store. Here in London live millions of people, and we have passed today in front of many shops and supermarkets, yet I haven’t seen a single bread queue. Please take me to meet the person in charge of supplying bread to London. I must learn his secret.’ The hosts scratched their heads, thought for a moment, and said: ‘Nobody is in charge of supplying bread to London.

I woke a few moments ago from a fever and a host of interlocking fever dreams, one after the next. There was one where I was in London, walking through old abandoned formerly beautiful buildings, all of them about to be demolished. Sometimes I'd find myself walking past the enormous line of people waiting to attend the television memorial for a dead author friend of mine, but his memorial was a television spectacular with comedians and big band music. There was the one where I had accidentally connected my bank card to a portable printer and the little printer kept printing cash but on the wrong paper and at the wrong size, so my money had huge, incredibly detailed faces on it, works of art that could not be spent. Then I woke from one dream into another: I was asleep in the passenger seat of the car, and saw that we were driving through a densely populated town, and that the driver was also asleep. I tried hard to wake her up and failed, and knew that no one was in control, no one was at the wheel, and soon someone was going to be killed, and I was shouting and calling without effect; but I whimpered and snuffled enough in the real world that my wife stroked my face and said, "Honey? You're having a nightmare," and, finally, I woke for real. But I woke into a world in which, somewhere, I am still being driven through my life by a sleeping driver, in which money is only good as art, in which we can write the finest books but at the end the crowds will come out and say good-bye for the entertainment, in which the buildings and cities we inhabit will relentlessly be destroyed by progress and time: a world colored by dreams and illuminated by them, too.

Magic. It was worse than feline logic. Leave it to magic to re-fracture and re-herniate his vertebrae in the middle of a battle. A powerful sigh forced itself through the controlled exhale of his Ki breathing, decimating the thin slow line of smoke curling up from the incense. It reformed itself a moment later, right before Bruce’s eyes, and he glared at it with Batman’s most malevolent stare. What a metaphor. A few seconds’ disruption and all was set right again. That was magic’s attitude. No harm done. As if it was as simple as a few seconds’ paralysis.

They say that with the ancients dreaming was a perfectly ordinary, normal occurrence. But of course, their whole life was a dreadful whirling carousel—green, orange, Buddhas, sap. We, however, know that dreams are a serious psychic disease. And I know that until this moment my brain has been a chronometrically exact gleaming mechanism without a single speck of dust. But now . . . Yes, precisely: I feel some alien body in my brain, like the finest eyelash in the eye. You do not feel your body, but that eye with the lash in it—you can't forget it for a second. . . .

Something was wrong. I felt a cold shiver. I didn’t know what at first. Something was just… wrong. I thought of Azrael for some reason, the Imposter, in that cowl, pretending he was Batman. It was that same sick feeling, a crazy kind of panic sparking deep beneath the surface, ready to erupt any second but held in check for the moment by the cold shiver getting colder by the minute. My fingers were so cold… against the warmth of Bruce’s chest… and then the realization came, right underneath those cold fingertips, I knew what was wrong. “When did these heal?” I whispered.

Wind now Sweeping over my Bare Back I wish I could wrap up the glitter star-green of this moment and hand it to you like an angel gift. Give you the heat lightning flying in jagged silence over the distant mountains. And the smell of September prairie grass and the even fainter scent of October pine now descending . . . Give you the invisible sage wind whisking past your cheeks. And the cricket quartets and frog symphonies that play near the creek’s edge. To collect these sensations like a scientist of the soul and give them to you in their finest hour of coincidence and destiny.

The next morning I showed up at dad’s house at eight, with a hangover. All my brothers’ trucks were parked in front. What are they all doing here? When I opened the front door, Dad, Alan, Jase, and Willie looked at me. They were sitting around the living room, waiting. No one smiled, and the air felt really heavy. I looked to my left, where Mom was usually working in the kitchen, but this time she was still, leaning over the counter and looking at me too. Dad spoke first. “Son, are you ready to change?” Everything else seemed to go silent and fade away, and all I heard was my dad’s voice. “I just want you to know we’ve come to a decision as a family. You’ve got two choices. You keep doing what you’re doing--maybe you’ll live through it--but we don’t want nothin’ to do with you. Somebody can drop you off at the highway, and then you’ll be on your own. You can go live your life; we’ll pray for you and hope that you come back one day. And good luck to you in this world.” He paused for a second then went on, a little quieter. “Your other choice is that you can join this family and follow God. You know what we stand for. We’re not going to let you visit our home while you’re carrying on like this. You give it all up, give up all those friends, and those drugs, and come home. Those are your two choices.” I struggled to breathe, my head down and my chest tight. No matter what happened, I knew I would never forget this moment. My breath left me in a rush, and I fell to my knees in front of them all and started crying. “Dad, what took y’all so long?” I burst out. I felt broken, and I began to tell them about the sorry and dangerous road I’d been traveling down. I could see my brothers’ eyes starting to fill with tears too. I didn’t dare look at my mom’s face although I could feel her presence behind me. I knew she’d already been through the hell of addiction with her own mother, with my dad, with her brother-in-law Si, and with my oldest brother, Alan. And now me, her baby. I remembered the letters she’d been writing to me over the last few months, reaching out with words of love from her heart and from the heart of the Lord. Suddenly, I felt guilty. “Dad, I don’t deserve to come back. I’ve been horrible. Let me tell you some more.” “No, son,” he answered. “You’ve told me enough.” I’ve seen my dad cry maybe three times, and that was one of them. To see my dad that upset hit me right in the gut. He took me by my shoulders and said, “I want you to know that God loves you, and we love you, but you just can’t live like that anymore.” “I know. I want to come back home,” I said. I realized my dad understood. He’d been down this road before and come back home. He, too, had been lost and then found. By this time my brothers were crying, and they got around me, and we were on our knees, crying. I prayed out loud to God, “Thank You for getting me out of this because I am done living the way I’ve been living.” “My prodigal son has returned,” Dad said, with tears of joy streaming down his face. It was the best day of my life. I could finally look over at my mom, and she was hanging on to the counter for dear life, crying, and shaking with happiness. A little later I felt I had to go use the bathroom. My stomach was a mess from the stress and the emotions. But when I was in the bathroom with the door shut, my dad thought I might be in there doing one last hit of something or drinking one last drop, so he got up, came over, and started banging on the bathroom door. Before I could do anything, he kicked in the door. All he saw was me sitting on the pot and looking up at him while I about had a heart attack. It was not our finest moment. That afternoon after my brothers had left, we went into town and packed up and moved my stuff out of my apartment. “Hey bro,” I said to my roommate. “I’m changing my life. I’ll see ya later.” I meant it.

Is there any more cruel inadvertence or ordeal in na­ture Picture the tragedy of that longing, the inac­cessible so nearly attained, the transparent fatality, the impossible with not a visible obstacle! . . . It would be insoluble, like our own tragedy upon this earth, were it not that an unex­pected element is mingled with it. Did the males foresee the disillusion to which they would be sub­jected? One thing is certain, that they have locked up in their hearts a bubble of air, even as we lock up in our souls a thought of desperate deliverance. It is as though they hesitated for a moment; then, with a magnificent effort, the finest, the most supernatural that I know of in the annals of the insects and the flowers, in order to rise to happiness they deliberately break the bond that attaches them to life. They tear themselves from their peduncle and, with an incomparable flight, amid pearly beads of glad­ness, their petals dart up and break the surface of the water. Wounded to death, but radiant and free, they float for a moment beside their heedless brides and the union is accom­plished, whereupon the victims drift away to perish, while the wife, already a mother, closes her corolla, in which lives their last breath, rolls up her spiral and descends to the depths, there to ripen the fruit of the heroic kiss.

one of the finest sights that I have ever seen, was an albatross asleep upon the water, during a calm, off Cape Horn, when a heavy sea was running. There being no breeze, the surface of the water was unbroken, but a long, heavy swell was rolling, and we saw the fellow, all white, directly ahead of us, asleep upon the waves, with his head under his wing; now rising on the top of a huge billow, and then falling slowly until he was lost in the hollow between. He was undisturbed for some time, until the noise of our bows, gradually approaching, roused him, when, lifting his head, he stared upon us for a moment, and then spread his wide wings and took his flight.

Appomattox was not preordained. There were no established rules or well-worn script. If anything, retribution had been the larger and longer precedent. So, if these moments teemed with hope—and they did—it was largely due to two men, who rose to the occasion, to Grant’s and Lee’s respective actions: one general, magnanimous in victory, the other, gracious and equally dignified in defeat, the two of them, for their own reasons and in their own ways, fervently interested in beginning the process to bind up the wounds of the last four years. And yes, if, paradoxically, these were among Lee’s finest hours, and they were, so, too, were they Grant’s greatest moments.

Consider for a few moments the enormous aesthetic claim of its chief contemporary rival—what we may loosely call the Scientific Outlook, 1 the picture of Mr. [H. G.] Wells and the rest. Supposing this to be a myth, is it not one of the finest myths which human imagination has yet produced? The play is preceded by the most austere of all preludes: the infinite void, and matter restlessly moving to bring forth it knows not what. Then, by the millionth millionth chance—what tragic irony—the conditions at one point of space and time bubble up into that tiny fermentation which is the beginning of life. Everything seems to be against the infant hero of our drama—just as everything seems against the youngest son or ill-used stepdaughter at the opening of a fairy tale. But life somehow wins through. With infinite suffering, against all but insuperable obstacles, it spreads, it breeds, it complicates itself, from the amoeba up to the plant, up to the reptile, up to the mammal. We glance briefly at the age of monsters. Dragons prowl the earth, devour one another, and die. Then comes the theme of the younger son and the ugly duckling once more. As the weak, tiny spark of life began amidst the huge hostilities of the inanimate, so now again, amidst the beasts that are far larger and stronger than he, there comes forth a little naked, shivering, cowering creature, shuffling, not yet erect, promising nothing, the product of another millionth millionth chance. Yet somehow he thrives. He becomes the Cave Man with his club and his flints, muttering and growling over his enemies’ bones, dragging his screaming mate by her hair (I never could quite make out why), tearing his children to pieces in fierce jealousy till one of them is old enough to tear him, cowering before the horrible gods whom he created in his own image. But these are only growing pains. Wait till the next act. There he is becoming true Man. He learns to master Nature. Science comes and dissipates the superstitions of his infancy. More and more he becomes the controller of his own fate. Passing hastily over the present (for it is a mere nothing by the time scale we are using), you follow him on into the future. See him in the last act, though not the last scene, of this great mystery. A race of demigods now rules the planet—and perhaps more than the planet—for eugenics have made certain that only demigods will be born, and psychoanalysis that none of them shall lose or smirch his divinity, and communism that all which divinity requires shall be ready to their hands. Man has ascended his throne. Henceforward he has nothing to do but to practise virtue, to grow in wisdom, to be happy. And now, mark the final stroke of genius. If the myth stopped at that point, it might be a little bathetic.

At last she's through, her baskets are full. In the meantime the sun has set. Krista lies down in the grass, with her hands cupped behind her head and her eyes open, and looks at what's left of the pale-blue sky. This is the finest fifteen minutes of her day. You mustn't think that the little flower girl, who's worked so hard, is unhappy. She's never unhappy, and as long as she has these few moments every day, she never will be. There in the meadow, among the flowers and the grass, beneath the wide-open sky, Krista is content. Gone is her exhaustion, gone are the market and the people; she thinks and dreams only of the present. If only she can have this every day, a whole fifteen minutes of doing nothing, alone with God and nature.

It doesn’t matter what they think. Dance with me.” He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance. Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.” The memory of Arin’s hands in her hair made her stiffen. “Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.” She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.” “You know it’s not mere flirtation,” Ronan said. “You’ve always known.” And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread. “Marry me, Kestrel.” She held her breath. “I know things have been hard lately,” Ronan continued, “and that you don’t deserve it. You’ve had to be so strong, so proud, so cunning. But all of this unpleasantness will go away the instant we announce our engagement. You can be yourself again.” But she was strong. Proud. Cunning. Who did he think she was, if not the person who mercilessly beat him at every Bite and Sting game, who gave him Irex’s death-price and told him exactly what to do with it? Yet Kestrel bit back her words. She leaned into the curve of his arm. It was easy to dance with him. It would be easy to say yes. “Your father will be happy. My wedding gift to you will be the finest piano the capital can offer.” Kestrel glanced into his eyes. “Or keep yours,” he said hastily. “I know you’re attached to it.” “It’s just…you are very kind.” He gave a short, nervous laugh. “Kindness has little to do with it.” The dance slowed. It would end soon. “So?” Ronan had stopped, even though the music continued and dancers swirled around them. “What…well, what do you think?” Kestrel didn’t know what to think. Ronan was offering everything she could want. Why, then, did his words sadden her? Why did she feel like something had been lost? Carefully, she said, “The reasons you’ve given aren’t reasons to marry.” “I love you. Is that reason enough?

My thanks for your hospitality, Roran Stronghammer,” he said, raising his voice so that his entire troop could hear. “Mayhap I will soon have the honor of entertaining you within the walls of Aroughs. If so, I promise to serve you the finest wines from my family’s estate, and perhaps with them I will be able to wean you off such barbaric milk as you have there. I think you will find our wine has much to recommend it. We let it age in oaken casks for months or sometimes even years. It would be a pity if all that work were wasted and the casks were knocked open and the wine were allowed to run out into the streets and paint them red with the blood of our grapes.” “That would indeed be a shame,” Roran replied, “but sometimes you cannot avoid spilling a bit of wine when cleaning your table.” Holding the horn out to one side, he tipped it over and poured what little mead remained onto the grass below. Tharos was utterly still for a moment--even the feathers on his helm were motionless--then, with an angry snarl, he yanked his horse around and shouted at his men, “Form up! Form up, I say…Yah!” And with that final yell, he spurred his horse away from Roran, and the rest of the soldiers followed, urging their steeds to a gallop as they retraced their steps to Aroughs. Roran maintained his pretense of arrogance and indifference until the soldiers were well away, then he slowly released his breath and rested his elbows on his knees. His hands were trembling slightly. It worked, he thought, amazed.

The carciofini were good at the moment, no doubt about it, particularly the romagnolo, a variety of artichoke exclusive to the region, so sweet and tender it could even be eaten raw. Puntarelle, a local bitter chicory, would make a heavenly salad. In the Vini e Olio he found a rare Torre Ercolana, a wine that combined Cabernet and Merlot with the local Cesanese grape. The latter had been paired with the flavors of Roman cuisine for over a thousand years: they went together like an old married couple. There was spring lamb in abundance, and he was able to track down some good abbachio, suckling lamb that had been slaughtered even before it had tasted grass. From opportunities like these, he began to fashion a menu, letting the theme develop in his mind. A Roman meal, yes, but more than that. A springtime feast, in which every morsel spoke of resurgence and renewal, old flavors restated with tenderness and delicacy, just as they had been every spring since time began. He bought a bottle of oil that came from a tiny estate he knew of, a fresh pressing whose green, youthful flavors tasted like a bowl of olives just off the tree. He hesitated before a stall full of fat white asparagus from Bassano del Grappa, on the banks of the fast-flowing river Brenta. It was outrageously expensive, but worth it for such quality, he decided, as the stallholder wrapped a dozen of the pale spears in damp paper and handed it to Bruno with a flourish, like a bouquet of the finest flowers. His theme clarified itself the more he thought about it. It was to be a celebration of youth---youth cut short, youth triumphant, youth that must be seized and celebrated.

longer; it cannot deceive them too much." Madame Defarge looked superciliously at the client, and nodded in confirmation. "As to you," said she, "you would shout and shed tears for anything, if it made a show and a noise. Say! Would you not?" "Truly, madame, I think so. For the moment." "If you were shown a great heap of dolls, and were set upon them to pluck them to pieces and despoil them for your own advantage, you would pick out the richest and gayest. Say! Would you not?" "Truly yes, madame." "Yes. And if you were shown a flock of birds, unable to fly, and were set upon them to strip them of their feathers for your own advantage, you would set upon the birds of the finest feathers; would you not?" "It is true, madame." "You have seen both dolls and birds to-day," said Madame Defarge, with a wave of her hand towards the place where they had last been apparent; "now, go home!" XVI. Still Knitting Madame Defarge and monsieur her husband returned amicably to the bosom of Saint Antoine, while a speck in a blue cap toiled through the darkness, and through the dust, and down the weary miles of avenue by the wayside, slowly tending towards that point of the compass where the chateau of Monsieur the Marquis, now in his grave, listened to the whispering trees. Such ample leisure had the stone faces, now, for listening to the trees and to the fountain, that the few village scarecrows who, in their quest for herbs to eat and fragments of dead stick to burn, strayed within sight of the great stone courtyard and terrace staircase, had it borne in upon their starved fancy that the expression of the faces was altered. A rumour just lived in the village—had a faint and bare existence there, as its people had—that when the knife struck home, the faces changed, from faces of pride to faces of anger and pain; also, that when that dangling figure was hauled up forty feet above the fountain, they changed again, and bore a cruel look of being avenged, which they would henceforth bear for ever. In the stone face over the great window of the bed-chamber where the murder was done, two fine dints were pointed out in the sculptured nose, which everybody recognised, and which nobody had seen of old; and on the scarce occasions when two or three ragged peasants emerged from the crowd to take a hurried peep at Monsieur the Marquis petrified, a skinny finger would not have pointed to it for a minute, before they all started away among the moss and leaves, like the more fortunate hares who could find a living there. Chateau and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well—thousands of acres of land—a whole province of France—all France itself—lay under the night sky, concentrated into a faint hair-breadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible

It was a damned near-run thing, I must admit,' said Jack, modestly; then after a pause he laughed and said, 'I remember your using those very words in the old Bellerophon, before we had our battle.' 'So I did,' cried Dundas. 'So I did. Lord, that was a great while ago.' 'I still bear the scar,' said Jack. He pushed up his sleeve, and there on his brown forearm was a long white line. 'How it comes back,' said Dundas; and between them, drinking port, they retold the tale, with minute details coming fresh to their minds. As youngsters, under the charge of the gunner of the Bellerophon, 74, in the West Indies, they had played the same game. Jack, with his infernal luck, had won on that occasion too: Dundas claimed his revenge, and lost again, again on a throw of double six. Harsh words, such as cheat, liar, sodomite, booby and God-damned lubber flew about; and since fighting over a chest, the usual way of settling such disagreements in many ships, was strictly forbidden in the Bellemphon, it was agreed that as gentlemen could not possibly tolerate such language they should fight a duel. During the afternoon watch the first lieutenant, who dearly loved a white-scoured deck, found that the ship was almost out of the best kind of sand, and he sent Mr Aubrey away in the blue cutter to fetch some from an island at the convergence of two currents where the finest and most even grain was found. Mr Dundas accompanied him, carrying two newly sharpened cutlasses in a sailcloth parcel, and when the hands had been set to work with shovels the two little boys retired behind a dune, unwrapped the parcel, saluted gravely, and set about each other. Half a dozen passes, the blades clashing, and when Jack cried out 'Oh Hen, what have you done?' Dundas gazed for a moment at the spurting blood, burst into tears, whipped off his shirt and bound up the wound as best he could. When they crept aboard a most unfortunately idle, becalmed and staring Bellerophon, their explanations, widely different and in both cases so weak that they could not be attempted to be believed, were brushed aside, and their captain flogged them severely on the bare breech. 'How we howled,' said Dundas. 'You were shriller than I was,' said Jack. 'Very like a hyena.

Josephson had died just north of Abd al-Kuri Island, an uninhabited, mountainous desert with, on its eastern side, perhaps the world’s wildest and finest beach. To mollify Holworthy, in a moment of weakness not long after they had departed Lemonnier, Rensselaer had considered leaving a few SEALs there on the way south, to observe traffic, as on occasion irregular forces were ordered to do. But he had decided then that rather than mollify Holworthy, he would keep him down. The rendezvous point with the Puller wasn’t far, and, arriving first, Athena waited. The Puller was out of sight but in radio contact. Eventually they saw her to the west, and she came even with Athena at dusk, although in that latitude, as Josephson had learned, dusk is so short it hardly exists. With the lights of the Puller blazing despite wartime conditions, her vast superstructure, hollow and beamed like a box-girder bridge, was cast in flares and shadows. A brow was extended from a door in the side and fixed to Athena’s main deck. As a gentle swell moved the two ships up and down at different rates, the hinged brow tilted slightly one way and then another. The Iranian prisoners were escorted over the brow and to the brig in the Puller, which would take them very close to their own country, but then to the United States. They were bitter and depressed. The huge ship into the darkness of which they were swallowed seemed like an alien craft from another civilization, which, for them, it was. A gray metal coffin was carried to Athena by a detail from the Puller. This was a sad thing to see, sadder than struggle, sadder than blood. It disappeared below. Josephson’s body was placed inside it and the flag draped over it. Six of Athena’s crew in dress uniform carried it slowly to the brow and set it on deck. After a long silence, Rensselaer spoke a few words. “Our shipmates Speight and Josephson are no longer with us—Speight committed to the deep, lost except to God. And Josephson, who will go home. Neither of these men is unique in death. They are still very much like us, and we are like them: it’s only a matter of time—however long, however short. If upon gazing at this coffin you feel a gulf between you, the living, and him, one of the dead, remember that our fates are the same, and he isn’t as far from us as we may imagine. “At times like this I question our profession. I question the enterprise of war. And then I go on, as we shall, and as we must. In this spirit we bid goodbye to Ensign Josephson, to whom you might have been brothers, and I and the chiefs, perhaps, fathers. May God bless and keep him.” Then the captain read the 23rd Psalm, a salute was fired, and Josephson’s coffin was lifted to the shoulders of its bearers and slowly carried into the depths of the Puller. When he died, he was very young.

The clearest signs of Hakodate's current greatness, though, can be found clustered around its central train station, in the morning market, where blocks and blocks of pristine seafood explode onto the sidewalks like an edible aquarium, showcasing the might of the Japanese fishing industry. Hokkaido is ground zero for the world's high-end sushi culture. The cold waters off the island have long been home to Japan's A-list of seafood: hairy crab, salmon, scallops, squid, and, of course, uni. The word "Hokkaido" attached to any of these creatures commands a premium at market, one that the finest sushi chefs around the world are all too happy to pay. Most of the Hokkaido haul is shipped off to the Tsukiji market in Tokyo, where it's auctioned and scattered piece by piece around Japan and the big cities of the world. But the island keeps a small portion of the good stuff for itself, most of which seems to be concentrated in a two-hundred-meter stretch in Hakodate. Everything here glistens with that sparkly sea essence, and nearly everything is meant to be consumed in the moment. Live sea urchins, piled high in hillocks of purple spikes, are split with scissors and scraped out raw with chopsticks. Scallops are blowtorched in their shells until their edges char and their sweet liquor concentrates. Somewhere, surely, a young fishmonger will spoon salmon roe directly into your mouth for the right price.

If our young men miscarry in their first enterprises, they lose all heart. If the young merchant fails, men say he is ruined. If the finest genius studies at one of our colleges, and is not installed in an office within one year afterwards in the cities or suburbs of Boston or New York, it seems to his friends and to himself that he is right in being disheartened, and in complaining the rest of his life. A sturdy lad from New Hampshire or Vermont, who in turn tries all the professions, who  teams it, farms it, peddles, keeps a school, preaches, edits  a newspaper, goes to Congress, buys a township, and so forth, in successive years, and always, like a cat, falls on his feet, is worth a hundred of these city dolls. He walks abreast with his days, and feels no shame in not ‘studying a profession,’ for he does not postpone his life, but lives already. He has not one chance, but a hundred chances. Let a Stoic open the resources of man, and tell men they are not leaning willows, but can and must detach themselves; that with the exercise of self-trust, new powers shall appear; that a man is the word made flesh, born to shed healing to the nations, that he should  be ashamed of our compassion, and that the moment he acts from himself, tossing the laws, the books, idolatries, and customs out of the window, we pity him no more, but thank and revere him, — and that teacher shall restore the life of man to splendor, and make his name dear to all history.

It doesn’t matter what they think. Dance with me.” He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance. Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.” The memory of Arin’s hands in her hair made her stiffen. “Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.” She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.” “You know it’s not mere flirtation,” Ronan said. “You’ve always known.” And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread. “Marry me, Kestrel.” She held her breath. “I know things have been hard lately,” Ronan continued, “and that you don’t deserve it. You’ve had to be so strong, so proud, so cunning. But all of this unpleasantness will go away the instant we announce our engagement. You can be yourself again.” But she was strong. Proud. Cunning. Who did he think she was, if not the person who mercilessly beat him at every Bite and Sting game, who gave him Irex’s death-price and told him exactly what to do with it? Yet Kestrel bit back her words. She leaned into the curve of his arm. It was easy to dance with him. It would be easy to say yes. “Your father will be happy. My wedding gift to you will be the finest piano the capital can offer.” Kestrel glanced into his eyes. “Or keep yours,” he said hastily. “I know you’re attached to it.” “It’s just…you are very kind.” He gave a short, nervous laugh. “Kindness has little to do with it.” The dance slowed. It would end soon. “So?” Ronan had stopped, even though the music continued and dancers swirled around them. “What…well, what do you think?” Kestrel didn’t know what to think. Ronan was offering everything she could want. Why, then, did his words sadden her? Why did she feel like something had been lost? Carefully, she said, “The reasons you’ve given aren’t reasons to marry.” “I love you. Is that reason enough?” Maybe. Maybe it would have been. But as the music drained from the air, Kestrel saw Arin on the fringes of the crowd. He watched her, his expression oddly desperate. As if he, too, were losing something, or it was already lost. She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow. “No,” Kestrel whispered. “What?” Ronan’s voice cut into the quiet. “I’m sorry.” Ronan swiveled to find the target of Kestrel’s gaze. He swore. Kestrel walked away, pushing past slaves bearing trays laden with glasses of pale gold wine. The lights and people blurred in her stinging eyes. She walked through the doors, down a hall, out of the palace, and into the cold night, knowing without seeing or hearing or touching him that Arin was at her side.

The man glared at the sphere, then a gleam entered his eye. “All right, you hunk of junk, come get me.” He sounded elated, like he was having fun. A man who had fun fighting an assassin bot? He led the bot backward, step by step. It followed him, and he laughed, one of the finest sounds Nella had ever heard. A woman could fall in love with that laugh. But any moment now, he’d fall over Nella’s hiding place, and the bot would get them both, which meant death for her. She held her breath. At the last minute, the man stepped through a narrow doorway into an empty warehouse. The bot skittered into the shadowed opening, then it stopped, confused. The man ducked out and slapped his hand against the wall. A huge metal door slammed down, carrying the startled bot with it. The heavy slab of metal smashed the bot into the floor. Plastic and metal and gold bits flew every which way, clattering against the rusting walls. Then with hiss and a pop, the pieces disintegrated. The man laughed again. “There. See how   you   like it.” But the bot was programmed to kill, no matter what. At the last moment, it released one of its darts, lightning fast, straight at Nella, programmed to seek and find her DNA signature. Nella felt the sting in her bare leg. The poison acted swiftly, and her vision blurred. Through a fog, she saw the big man standing over her, concern in the bluest eyes she’d ever seen. He pulled out the dart and stood holding it in one large hand. She heard him say, “Shit, are you all . . . ?” and then, there was nothing.

The artillery and mortars had been silent for at least the past few hours. After awhile the rabbi stopped initiating new songs. He took a few more sips of wine and sat for a time, almost shining in obvious pleasure, and yet reflective and silent. All watched him, and after a few minutes he spoke again in his odd Moroccan/Brooklyn accent. "The weapons of a Jew are prayer and mitzvot. Tonight we are arming ourselves with mitzvot like the finest suit of armor ever made. Better than a ceramica," he said, referring to the bullet-proof flak vests worn by many Israeli soldiers by their street name. "By the mere act of sitting and eating and drinking, because we are doing so in a sukkah at the time that our Creator told us to do so, we acquire for ourselves a heavenly shield more powerful than any missile or tank." He let those words settle in as he beamed at all present at the table and standing in the sukkah. "A mitzvah—carrying out HaShem's commandment or doing a good deed, such as an act of kindness towards your fellow human being—creates a heavenly smell, a wonderful odor that is both spiritual and physical. When the Creator of the whole universe commanded the Jewish people to bring sacrifices upon His holy altar, and they did so exactly as he had instructed them, the Torah says that it created a Re-ach Tov, a good and wonderful scent, that pleased the Ribbono Shel-Olam. And in those moments when the Jewish people acted on the instructions of their Creator, there was a kesher and a devekus, a tie and a drawing closer, between the Jewish people and their Creator.

„The air was saturated with the finest flour of a silence so nourishing, so succulent, that I could move through it only with a sort of greed, especially on those first mornings of Easter week, still cold, when I tasted it more keenly because I had only just arrived in Combray: before I went in to say good morning to my aunt, they made me wait for a moment, in the first room where the sun, still wintry, had come to warm itself before the fire, already lit between the two bricks and coating the whole room with an odour of soot, having the same effect as one of those great country ‘front-of-the-ovens’, or one of those château mantelpieces, beneath which one sits hoping that outdoors there will be an onset of rain, snow, even some catastrophic deluge so as to add, to the comfort of reclusion, the poetry of hibernation; I would take a few steps from the prayer stool to the armchairs of stamped velvet always covered with a crocheted antimacassar; and as the fire baked like a dough the appetizing smells with which the air of the room was all curdled and which had already been kneaded and made to ‘rise’ by the damp and sunny coolness of the morning, it flaked them, gilded them, puckered them, puffed them, making them into an invisible, palpable country pastry, an immense ‘turnover’ in which, having barely tasted the crisper, more delicate, more highly regarded but also drier aromas of the cupboard, the chest of drawers, the floral wallpaper, I would always come back with an unavowed covetousness to snare myself in the central, sticky, stale, indigestible and fruity smell of the flowered coverlet.

The period stretching between the middle of the third and the middle of the seventeenth century is certainly the worst humanity has ever known : blood-lust, ignominy, lies. I don't consider that what has been should necessarily exist for the simple reason that it has been. Providence has endowed man with intelligence precisely to enable him to act with discernment. My discernment tells me that an end must be put to the reign of lies. It likewise tells me that the moment is not opportune. To avoid making myself an accomplice to the lies, I've kept the shavelings out of the Party. I'm not afraid of the struggle. It will take place, if really we must go so far. And I shall make up my mind to it as soon as I think it possible. It's against my own inclinations that I devoted myself to politics. I don't see anything in politics, anyway, but a means to an end. Some people suppose it would deeply grieve me to give up the activity that occupies me at this moment. They are deeply mistaken, for the finest day of my life will be that on which I leave politics behind me, with its griefs and torments. When the war's over, and I have the sense of having accomplished my duties, I shall retire. Then I would like to devote five or ten years to clarifying my thought and setting it down on paper. Wars pass by. The only things that exist are the works of human genius. If somebody else had one day been found to accomplish the work to which I've devoted myself, I would never have entered on the path of politics. I'd have chosen the arts or philosophy. The care I feel for the existence of the German people compelled me to this activity. It's only when the conditions for living are assured that culture can blossom.

In the entire endless evening his serenity received a jolt only a few times. The first was when someone who didn’t know who he was confided that only two months ago Lady Elizabeth’s uncle had sent out invitations to all her former suitors offering her hand in marriage. Suppressing his shock and loathing for her uncle, Ian had pinned an amused smile on his face and confided, “I’m acquainted with the lady’s uncle, and I regret to say he’s a little mad. As you know, that sort of thing runs,” Ian had finished smoothly, “in our finest families.” The reference to England’s hopeless King George was unmistakable, and the man had laughed uproariously at the joke. “True,” he agreed. “Lamentably true.” Then he went off to spread the word that Elizabeth’s uncle was a confirmed loose screw. Ian’s method of dealing with Sir Francis Belhaven-who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him-was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight. The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?” Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are-are you trying to force a-duel?” “Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!” “A duel, with you?” he gasped. “Why, it would be no contest-none at all. Everyone knows what sort of marksman you are. It would be murder.” Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.” At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.” “Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over this ballroom!” “Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman sad. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.” “Her what?” Ian said, caught between fury and amusement. “Her Aunt Berta. Stout little woman who doesn’t say much.” “See that you follow her example,” Ian warned darkly. John Marchman, who had been privileged to fish at Ian’s marvelous stream in Scotland, gave his friend an offended look. “I daresay you’ve no business challenging my honor. I was considering marrying Elizabeth to keep her out of Belhaven’s clutches; you were only going to shoot him. It seems to me that my sacrifice was-“ “You were what?” Ian said, feeling as if he’d walked in on a play in the middle of the second act and couldn’t seem to hold onto the thread of the plot or the identity of the players. “Her uncle turned me down. Got a better offer.” “Your life will be more peaceful, believe me,” Ian said dryly, and he left to find a footman with a tray of drinks.