Sentiment Card Quotes

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Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like a beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts. The danger is grayout.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
I love him, I truly do. I feel it in my bones, in my soul, with all my heart. It's just like all those sentiments that I've read about in the past in those Hallmark cards.
L. Filloon (The Binding (The Velesi Trilogy, #1))
Eko brushed a tear from her eye, and Immo jeered at her, but father held up a hand. "Never mock a tender heart," he said.
Orson Scott Card (The Lost Gate (Mither Mages, #1))
I had never before been a special fan of that great comedian Phyllis Diller, but she utterly won my heart this week by sending me an envelope that, when opened, contained a torn-off square of brown-bag paper of the kind suitable for latrine duty in an ill-run correctional facility. Duly unfurled, it carried a handwritten salutation reading as follows: Money's scarce Times are hard Here's your f****** Xmas card I could not possibly improve on the sentiment, but I don't think it ought to depend on the current austerities. Isn't Christmas a moral and aesthetic nightmare whether or not the days are prosperous?
Christopher Hitchens
The greatest gift you can give is your time.  Not money, not items, not food, not pretty cards with handwritten sentiment, but time.  People need your presence.  The way you can help a soul the most is to simply be there.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
For the last four years of her life, Mother was in a nursing home called Chateins in St. Louis ... [S]ix months before she died I sent a Mother's Day card. There was a horrible, mushy poem in it. I remember feeling "vaguely guilty.
William S. Burroughs (The Cat Inside)
Please don’t mistake Love for sentimentality or weakness. Real Love is a fierce thing. Love allows things that must end to die, and it looks at suffering without blinking. Love is an extension toward unity, not a prison or something that can be expressed with a greeting card.
John Augustus Newcomb
Pay up." Eve rolled over, rubbed her bare butt, and wondered if she'd have rug burns. Still vibrating from the last orgasm, she closed her eyes again. "Huh?" "Fifty credits." He leaned over, gently kissed the tip of her breast. "You lost, Lieutenant." "I'm naked," she pointed out. "I don't generally keep credits up my -- " "I'm happy to take your IOU." He rose, all graceful, gleaming muscles, and took a memo card from his console. "Here you are." Handed it to her. She stared down at it, knowing dignity was as lost as the fifty credits. "You're really enjoying this." "Oh, more than you can possibly imagine." Scowling at him, she engaged the memo. "I owe you, Roarke, fifty credits, Dallas, Lieutenant Eve." She shoved the memo at him. "Satisfied." "In every possible way." He thought, sentimentally, that he would tuck the memo away with the little gray suit button he'd kept from their very first meeting. "I love you, Dallas, Lieutenant Eve, in every possible way.
J.D. Robb (Ceremony in Death (In Death, #5))
Even worse is the discovery that one has been living out certain greeting-card sentiments, with ribbons of middle-class virtue tied in a bow around one's heart.
Saul Bellow (Humboldt's Gift)
When I was younger, imagining age, I would think, Maybe you appreciate things more when you don't have much time left. I forgot to include the loss of energy. Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like a beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts. The danger is grayout.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
It may seem odd to contemporary readers to think of the natural year as a metaphor by which we live. As individuals, we have become far removed from direct participation in the patterns and particularities of the changing seasons. Insulated, air-conditioned, and jet-propelled, we have come to believe that we are largely independent of the earth’s basic rhythms. If we think of the year metaphorically at all, it is as a source of sentimental song lyrics and greeting card verses, rather than as a vital, ongoing ritual that includes us.
Henry Beston (The Outermost House: A Year of Life on the Great Beach of Cape Cod)
First the mania for confession, then the mania for clarity, issued from you, dark, hypocritical sentiment! Let them now condemn my every passion, let them drag me through the mud, call me twisted, foul pervert, dilettante, perjurer; you keep me apart, give me life’s assurance: I burn at the stake, play the card of fire and win: I win this small, vast possession, my infinite, miserable pity which makes even righteous anger my friend. And I can do this because I’ve endured you too long!
Pier Paolo Pasolini (Selected Poems)
Commodified fantasy takes no risks: it invents nothing, but imitates and trivializes. It proceeds by depriving the old stories of their intellectual and ethical complexity, turning their action into violence, their actors to dolls, and their truth-telling to sentimental platitude.
Karen Haber (Meditations on Middle-Earth: New Writing on the Worlds of J. R. R. Tolkien by Orson Scott Card, Ursula K. Le Guin, Raymond E. Feist, Terry Pratchett, Charles de Lint, George R. R. Martin, and more)
It’s said that sport is the civilised society’s substitute for war, and also that the games we play as children are designed to prepare us for the realities of adult life. Certainly it’s true that my brother thrived in the capitalist kindergarten of the Monopoly board, developing a set of ruthless strategies whose success is reflected in his bank balance even to this day. I, on the other hand, can still be undone by the kind of ridiculous sentimentality that would see me sacrifice anything, anything, in order to have the three matching red-headed cards of Fleet Street, Trafalgar Square and The Strand sitting tidily together on my side of the board.
Danielle Wood (Rosie Little's Cautionary Tales for Girls)
The new venture was a greeting-cards business. The market, he told Roland, was saturated by trash, by sentimental pictures and words. Kitsch.
Ian McEwan (Lessons)
If she captured Tamlin’s power once, who’s to say she can’t do it again?” It was the question I hadn’t yet dared voice. “He won’t be tricked again so easily,” he said, staring up at the ceiling. “Her biggest weapon is that she keeps our powers contained. But she can’t access them, not wholly—though she can control us through them. It’s why I’ve never been able to shatter her mind—why she’s not dead already. The moment you break Amarantha’s curse, Tamlin’s wrath will be so great that no force in the world will keep him from splattering her on the walls.” A chill went through me. “Why do you think I’m doing this?” He waved a hand to me. “Because you’re a monster.” He laughed. “True, but I’m also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool’s bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm … Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.” I didn’t want to think much about his abilities. “Who’s to say he won’t splatter you as well?” “Perhaps he’ll try—but I have a feeling he’ll kill Amarantha first. That’s what it all boils down to, anyway: even your servitude to me can be blamed on her. So he’ll kill her tomorrow, and I’ll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.” He picked at his nails. “And I have a few other cards to play.” I lifted my brows in silent question. “Feyre, for Cauldron’s sake. I drug you, but you don’t wonder why I never touch you beyond your waist or arms?” Until tonight—until that damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared. “It’s the only claim I have to innocence,” he said, “the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It’s the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you—but there are bigger things at stake than taking a human woman to my bed.” I knew, but I still asked, “Like what?” “Like my territory,” he said, and his eyes held a far-off look that I hadn’t yet seen. “Like my remaining people, enslaved to a tyrant queen who can end their lives with a single word. Surely Tamlin expressed similar sentiments to you.” He hadn’t—not entirely. He hadn’t been able to, thanks to the curse. “Why did Amarantha target you?” I dared ask. “Why make you her whore?” “Beyond the obvious?” He gestured to his perfect face. When I didn’t smile, he loosed a breath. “My father killed Tamlin’s father—and his brothers.” I started. Tamlin had never said—never told me the Night Court was responsible for that. “It’s a long story, and I don’t feel like getting into it, but let’s just say that when she stole our lands out from under us, Amarantha decided that she especially wanted to punish the son of her friend’s murderer—decided that she hated me enough for my father’s deeds that I was to suffer.” I might have reached a hand toward him, might have offered my apologies—but every thought had dried up in my head. What Amarantha had done to him … “So,” he said wearily, “here we are, with the fate of our immortal world in the hands of an illiterate human.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
A printed card means nothing except that you are too lazy to write to the woman who has done more for you than anyone in the world. And candy! You take a box to Mother—and then eat most of it yourself. A pretty sentiment. —Anna Jarvis.
Malcolm S. Forbes
Some days I do appreciate things more, eggs, flowers, but then I decide I’m only having an attack of sentimentality, my brain going pastel Technicolor, like the beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
There is no room for sentiment. Everything must go to enable you to combat this manipulative technique. Photographs. Burn all of the photographs that I appear in. Remove them from all social media, mobile phones, PCs, laptops and tablets. Yes, you may look fantastic in that picture with me (I am sure you can alter it so you are preserved and I am not). As you remove the pictures say “I delete you (say my name)” and this process of exorcising me from a visual part of your life will feel uplifting. All gifts, mementos, cards, letters and those little trinkets that we so often send one another must be removed. Burn them, shred them and dispose of them. Where possible, sell certain items and you will gain increased satisfaction from having made some money out of it too. Do
H.G. Tudor (Escape: How to Beat the Narcissist)
Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like the beautiful-sunset greeting cards they used to make so many of in California. High-gloss heart. The danger is greyout.
Margaret Atwood (The Handmaid's Tale)
Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like the beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts. The danger is grayout.   I'd
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Maybe you appreciate things more when you don't have much time left. I forgot to include the loss of energy. Some days I do appreciate things more, eggs, flowers, but then I decide I'm only having an attack of sentimentality, my brain going pastel Technicolor, like the beautiful-sunset greeting cards they used to make so many of in California. High-gloss hearts.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
When it comes to giving thanks to God, there isn’t a card, a sentiment, a picture, or a word that can adequately express the gratitude in my heart. What can I say to the One who not only saved my life but who also adopted me into His family? How can I possibly express my thankfulness for His riches? How can I express my gratitude for His friendship and His healing touch? How does one find the words to thank Him for His unconditional love, unmerited favour, and forgiveness? Dictionaries and thesauruses can’t help me. All I can say is ‘Thank you, God’ with the hope that those humble words convey all that is in my heart.
Katherine J. Walden (Dare to Call Him Friend)
He was talking about hire purchase. precredit cards. A different way of getting the poor into debt, but I think he was right. It was nice when ordinary people could take a holiday in Spain, of course, but easy credit is what started the cultural rot. Tourism depends on lots of people everywhere with loads of disposable wealth, which means all kinds of changes through a place a cultivates it. The real, messy, informative past disappears to be overlaid with bad fiction, with simplified folklore, easy answers. Memory needs to remain complex, debatable. Without those qualities it is mere nostalgic sentimentality. Commodified identity. Souls bough and sold.
Michael Moorcock (The Whispering Swarm (Sanctuary of the White Friars, #1))
The leftist is always a statist. He has all sorts of grievances and animosities against personal initiative and private enterprise. The notion of the state doing everything (until, finally, it replaces all private existence) is the Great Leftist Dream. Thus it is a leftist tendency to have city or state schools—or to have a ministry of education controlling all aspects of education. For example, there is the famous story of the French Minister of Education who pulls out his watch and, glancing at its face, says to his visitor, “At this moment in 5,431 public elementary schools they are writing an essay on the joys of winter.” Church schools, parochial schools, private schools, or personal tutors are not at all in keeping with leftist sentiments. The reasons for this attitude are manifold. Here not only is the delight in statism involved, but the idea of uniformity and equality is also decisive; i.e., the notion that social differences in education should be eliminated and all pupils should be given a chance to acquire the same knowledge, the same type of information in the same fashion and to the same degree. This should help them to think in identical or at least in similar ways. It is only natural that this should be especially true of countries where “democratism” as an ism is being pushed. There efforts will be made to ignore the differences in IQs and in personal efforts. Sometimes marks and report cards will be eliminated and promotion from one grade to the next be made automatic. It is obvious that from a scholastic viewpoint this has disastrous results, but to a true ideologist this hardly matters. When informed that the facts did not tally with his ideas, Hegel once severely replied, “Um so schlimmer für die Tatsachen”—all the worse for the facts. Leftism does not like religion for a variety of causes. Its ideologies, its omnipotent, all-permeating state wants undivided allegiance. With religion at least one other allegiance (to God), if not also allegiance to a Church, is interposed. In dealing with organized religion, leftism knows of two widely divergent procedures. One is a form of separation of Church and State which eliminates religion from the marketplace and tries to atrophy it by not permitting it to exist anywhere outside the sacred precincts. The other is the transformation of the Church into a fully state-controlled establishment. Under these circumstances the Church is asphyxiated, not starved to death. The Nazis and the Soviets used the former method; Czechoslovakia still employs the latter.
Erik von Kuehnelt-Leddihn
The afternoon was wet: a walk the party had proposed to take to see a gipsy camp, lately pitched on a common beyond Hay, was consequently deferred. Some of the gentlemen were gone to the stables: the younger ones, together with the younger ladies, were playing billiards in the billiard-room. The dowagers Ingram and Lynn sought solace in a quiet game at cards. Blanche Ingram, after having repelled, by supercilious taciturnity, some efforts of Mrs. Dent and Mrs. Eshton to draw her into conversation, had first murmured over some sentimental tunes and airs on the piano, and then, having fetched a novel from the library, had flung herself in haughty listlessness on a sofa, and prepared to beguile, by the spell of fiction, the tedious hours of absence. The room and the house were silent: only now and then the merriment of the billiard-players was heard from above.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
Where shall I put…?” A little maid stopped in the doorway, all but hidden behind a large bouquet of bright red carnations. Alas for my heart. Hazlit knew the sentiment associated with red carnations and had had them delivered anyway. He certainly wasn’t going to send the woman roses, for God’s sake. Carnations were durable, and they had a fresh, spicy scent that put Hazlit in mind of his hostess. She didn’t strike him as the type of lady to waste time decoding bouquets in any case. “On the sideboard, Millie.” Miss Windham’s lips turned up in a smile more sweet than any Hazlit had seen on her. “My youngest brother is temporarily returned to Town,” she said, taking the card from the bouquet. “Of all my siblings, Valentine is the one most likely to make the gallant gesture…” She fell silent while she read the card, her smile shifting to something heart-wrenchingly tentative. “This wasn’t necessary, Mr. Hazlit.” Regards, Hazlit. Not exactly poetry, but proof he’d upstaged at least her doting brother. “Perhaps not necessary, but a man can hope his small tokens are appreciated.” He glanced pointedly at the maid while he delivered that flummery, because the girl was lingering over the flowers unnecessarily. “That
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
The Purveyor of Delusion confers upon his wife a certain expression or twist of Phiz I daresay as old as Holy Scripture,— a lengthy range of Sentiment, all comprest into a single melancholick swing of the eyes. From some personal stowage he produces another Flask, containing, not the Spruce Beer ubiquitous in these parts, but that favor’d stupefacient of the jump’d-up tradesman, French claret,— and without offering it to anyone else, including his Wife, begins to drink. “It goes back,” he might have begun, “to the second Day of Creation, when ‘G-d made the Firmament, and divided the Waters which were under the Firmament, from the Waters which were above the Firmament,’— thus the first Boundary Line. All else after that, in all History, is but Sub-Division.” “What Machine is it,” young Cherrycoke later bade himself goodnight, “that bears us along so relentlessly? We go rattling thro’ another Day,— another Year,— as thro’ an empty Town without a Name, in the Midnight . . . we have but Memories of some Pause at the Pleasure-Spas of our younger Day, the Maidens, the Cards, the Claret,— we seek to extend our stay, but now a silent Functionary in dark Livery indicates it is time to re-board the Coach, and resume the Journey. Long before the Destination, moreover, shall this Machine come abruptly to a Stop . . . gather’d dense with Fear, shall we open the Door to confer with the Driver, to discover that there is no Driver, . . . no Horses, . . . only the Machine, fading as we stand, and a Prairie of desperate Immensity. . . .
Thomas Pynchon (Mason & Dixon)
what set the left apart from the right was its unambiguous embrace of the future. The future was to be an improvement over the present in material, social and political terms. By contrast, the forces of the political right were, with a few notable exceptions, defined by their defence of tradition and their essentially reactionary nature.17 This situation was reversed during the rise of neoliberalism, with politicians like Thatcher commanding the rhetoric of modernisation and the future to great effect. Co-opting these terms and mobilising them into a new hegemonic common sense, neoliberalism’s vision of modernity has held sway ever since. Consequently, discussions of the left in terms of the future now seem aberrant, even absurd. With the postmodern moment, the seemingly intrinsic links between the future, modernity and emancipation were prized apart. Philosophers like Simon Critchley can now confidently assert that ‘we have to resist the idea and ideology of the future, which is always the ultimate trump card of capitalist ideas of progress’.18 Such folk-political sentiments blindly accept the neoliberal common sense, preferring to shy away from grand visions and replace them with a posturing resistance. From the radical left’s discomfort with technological modernity to the social democratic left’s inability to envision an alternative world, everywhere today the future has largely been ceded to the right. A skill that the left once excelled at – building enticing visions for a better world – has deteriorated after years of neglect. If
Nick Srnicek (Inventing the Future: Postcapitalism and a World Without Work)
Most Americans are familiar with Warner Sallman’s Head of Christ painting. This picture is commonly found on nursing home walls or memorial cards given out at funeral homes. Sallman’s portrayal is one of an easily caricatured “meek and mild” Jesus. Though perhaps depicting his approachability and kindness toward children, such pictures can often leave us with a lopsided, sentimental impression of Jesus. No, the real Jesus was not only a friend of sinners and a welcomer of children; he was also a radical, a controversialist, a convicting and even frightening character. He is the Lion of the tribe of Judah (Rev. 5:5). The Head of Christ is a far cry from the temple-clearing, storm-calming Jesus, who evokes sometimes troubled, sometimes terrified responses: “Who then is this, that even the wind and the sea obey Him?” (Mark 4:41).7
Paul Copan (Is God a Moral Monster?: Making Sense of the Old Testament God)
Jean Danhong Chen Immigration Lawyer The United States has general immigration and naturalization requirements that must be met by any person who wishes to become a U.S. citizen. Although general immigration is regulated by law, and residents of other countries must go through the naturalization process to become citizens, many rights are extended to foreigners. Jean Danhong Chen To apply for citizenship under the 1790 Naturalization Act, someone must have lived in the country for at least two years and live in the United States for three years before applying for citizenship. In most cases, naturalization applicants must be US citizens or permanent residents, also known as green card holders, in order to apply for citizenship. Jean Danhong Chen The growing anti-immigrant sentiment was manifested in a 1790 law requiring immigrants to live in America for five years to apply for citizenship, and another 1795 law that changed residence requirements to five months, instead of the original three-year period.
Jean Danhong Chen
My surefire, crowd pleasing, thank you card recipe. 1) Select a card that is very you. My cards are floral and bright, most commonly with gold envelopes and I seal each with a glitter heart sticker or a piece of sparkly washi tape. If you see great cards in a store, buy them on the spot it's OK to hoard thank you cards. 2) Begin with your salutation, for example: to my dearest Isabel. 3) Next, write about something you enjoy about the person or about an experience you had together that you were thankful for. You want something that is specific to the receiver and could in no way be mistaken for a stock phrase. “I had such a fantastic time with you at dinner. It's always a treat to laugh with you, and get your opinions on writing, politics, and what kind of handbag I should consider.” But don't say thank you yet, we're getting to that. This third step is all about recreating and memorializing a special moment you shared. 4) Now we are at the actual thanks part. Find something to directly thank your subject for. “Thank you for making it to Soho five months pregnant. Five months, I can't believe it!” “I appreciate that you came out to see me even though your ankles were killing you.” Or, if you are thanking someone for something tangible, a gift let's say, “Thank you for the gorgeous floral notebooks. You know how much I love writing, and notebooks, and florals. You basically nailed it.“ 5) Now tell her how you really feel. Be vulnerable. “You are a part of my heart and every time I see you I feel immediately at peace and ease. There's something about you that makes me feel safe.” 6) Now let's lighten it up shall we? “I look forward to all of the swanky nights we'll be having forever because you are a forever friend. #bust #sorrynotsorry #whydopeopleusehashtags #theyarenotlanguage 7) Sign it like you mean it. “All of my love, T Money. Use this template to get started and just get started now. I once worried that I was writing too many thank you cards and that people would be annoyed with me. Let me tell you this. No one has ever complained about getting too many thank you notes from someone if the sentiment is authentic. I now keep blank cards with me wherever I go, much like one might keep emergency Xanax. You never know when you're going to need the sweet relief of gratitude.
Tara Schuster (Buy Yourself the F*cking Lilies: And Other Rituals to Fix Your Life, from Someone Who's Been There)
Sons love mothers, mothers love their sons? It’s sentimental nonsense uttered only by the fools who purchase greeting cards and, in another and much darker sense, by Freudians.
Dave Appleby (Motherdarling)
¿Por qué desperdiciar la vida buscando un epitafio? «Te recordamos con cariño.» ¿Quién salvo un idiota quiere algo así cincelado sobre su cabeza? No es más que incontinencia sentimental.
Michael Dobbs (House of Cards (Francis Urquhart, #1))
[Re: Valentine's Day cards] On these little visual interpretations, no emblem is so common as the heart, — that little three-cornered exponent of all our hopes and fears, — the bestuck and bleeding heart ; it is twisted and tortured into more allegories and affectations than an opera hat. What authority we have in history or mythology for placing the head-quarters and metropolis of God Cupid in this anatomical seat rather than in any other, is not very clear ; but we have got it, and it will serve as well as any other. Else we might easily imagine, upon some other system which might have prevailed for any thing which our pathology knows to the contrary, a lover addressing his mistress, in perfect simplicity of feeling, " Madam, my liver and fortune are entirely at your disposal," or putting a delicate question, "Amanda, have you a midriff' to bestow?" But custom has settled these things, and awarded the seat of sentiment to the aforesaid triangle, while its less fortunate neighbours wait at animal and anatomical distance.
Charles Lamb (Essays of Elia and Last Essays of Elia)