“
Sam:"Okay, what words would you use then?" I leaned back in the seat, thinking, as Sam looked at me doubtfully. He was right to look doubtful. My head didn't work with words very well- at least not in this abstract, descriptive sort of way.
Grace:"Sensitive" I tried.
Sam translated: "Squishy"
Grace:"Creative"
Sam:"Dangerously emo"
Grace:"Thoughtful"
Sam:"Feng shui."
I laughed so hard I snorted.
Grace:"How did you get feng shui out of thoughtful?"
Sam:"You know, because in feng shui, you arrange funiture and plants and stuff in thoughtful ways.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
Sensitive," I tried.
Sam translated: "Squishy."
"Creative."
"Dangerously emo."
"Thoughtful."
"Feng shui."
I laughed so hard I snorted. "How do you get feng shui out of 'thoughtful'?"
"You know, because in feng shui, you arrange furniture and plants and stuff in thoughtful ways." Sam shrugged. "To make you calm. Zenlike. Or something. I'm not one hundred percent sure how it all works, besides the thoughtful part.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
And why is it, thought Lara, that my fate is to see everything and take it all so much to heart?
”
”
Boris Pasternak
“
In that high place in the darkness the two oddly sensitive human atoms held each other tightly and waited. In the mind of each was the same thought. "I have come to this lonely place and here is this other," was the substance of the thing felt.
”
”
Sherwood Anderson (Winesburg, Ohio)
“
If you lose your integrity, you will also lose your identity, your sensitivity and your dignity. Integrity is honesty, modesty and security in all kinds of weather. It should be our priority!
”
”
Israelmore Ayivor
“
The intelligent poor individual was a much finer observer than the intelligent rich one. The poor individual looks around him at every step, listens suspiciously to every word he hears from the people he meets; thus, every step he takes presents a problem, a task, for his thoughts and feelings. He is alert and sensitive, he is experienced, his soul has been burned...
”
”
Knut Hamsun (Hunger)
“
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
”
”
Peter Craig (Hot Plastic)
“
Life sometimes reminds us that it is sometimes heartless by giving something or someone we really need to someone who does not need or even want them or it.
”
”
Mokokoma Mokhonoana
“
And silence. She liked the silence most of all. The silence in which the body, senses, the instincts, are more alert, more powerful, more sensitized, live a more richly perfumed and intoxication life, instead of transmuting into thoughts, words, into exquisite abstractions, mathematics of emotion in place of violent impact, the volcanic eruptions of fever, lust and delight.
”
”
Anaïs Nin
“
It’s a difficult thing having a heart made of glass; people don’t seem to realize how easily it shatters. How often I’ve swept up the pieces and carefully glued them back together.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
I write, write and write but I can't find words that define what I feel inside.
”
”
Azereth Skivel
“
The Empath is often said to have such a great degree of empathy that they can literally feel what others feel, and thus intuitively know many of the yearnings, sensitivities, tastes and even thought patterns of the people they're around.
”
”
Aletheia Luna (Old Souls: The Sages and Mystics of Our World)
“
And what is ‘sensitivity’? It means two things. Firstly, paying attention to my sensations, emotions and thoughts. Secondly, allowing these sensations, emotions and thoughts to influence me.
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
GO FOR HIS EYES! OR BITE HIM ON THE NOSE! DRAGON NOSES ARE VERY SENSITIVE!"
Oh, very helpful, Camicazi, very helpful...thought Hiccup. What if he doesn't obligingly hold me up to his nose? What if the only part I get close to is the TEETH?
”
”
Cressida Cowell (How to Break a Dragon's Heart (How to Train Your Dragon, #8))
“
But the fact is that writing is the only way in which I am able to cope with the memories which overwhelm me so frequently and so unexpectedly. If they remained locked away, they would become heavier and heavier as time went on, so that in the end I would succumb under their mounting weight. Memories lie slumbering within us for months and years, quietly proliferating, until they are woken by some trifle and in some strange way blind us to life. How often this has caused me to feel that my memories, and the labours expended in writing them down are all part of the same humiliating and, at bottom, contemptible business! And yet, what would we be without memory? We would not be capable of ordering even the simplest thoughts, the most sensitive heart would lose the ability to show affection, our existence would be a mere neverending chain of meaningless moments, and there would not be the faintest trace of a past. How wretched this life of ours is!--so full of false conceits, so futile, that it is little more than the shadow of the chimeras loosed by memory. My sense of estrangement is becoming more and more dreadful.
”
”
W.G. Sebald (The Rings of Saturn)
“
Then I said, “Matt’s got a big mouth.”
“They all got big mouths, girl, learn that quick. These boys talk more than a pack of women. I lost fifty bucks on you.”
I was stunned speechless again, this time it didn’t last as long.
“What?”
“See, Lee nailed Indy the first night they were together. Not nailed her nailed her but she was in his bed. Eddie, with Jet, it took a few days. Hank and Roxie, like, a day. Vance, like three, but Jules was a virgin and he had to interrupt the festivities once to go out and shoot someone.”
I was blinking rapidly and feeling kind of faint at the amount and sensitivity of information Shirleen was imparting, not to mention what it might mean to me.
“So we had a pool. Everyone threw down money on when they thought Luke would nail you. Mace won five hundred dollars.”
Ho-ly crap.
“So,” she went on. “Did he nail you nail you or did you two just sleep?”
For some reason, I answered her unbelievably nosy question. “We just slept.”
“New pool!” she shouted.
”
”
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
“
Shame on the misguided, the blinded, the distracted and the divided. Shame. You have allowed deceptive men to corrupt and desensitize your hearts and minds to unethically fuel their greed.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
My goodness', thought Milo. 'Everybody is so terribly sensitive about the things they know best.
”
”
Norton Juster (The Phantom Tollbooth)
“
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled.
"The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always.
”
”
Margery Williams Bianco (The Velveteen Rabbit)
“
The next day, when I was sober, I thought again about the three of us, and about time's many paradoxes. For instance: that when we are young and sensitive, we are also at our most hurtful; whereas when the blood begins to slow, when we feel less sharply, when we are more armoured and have learnt how to bear hurt, we tread more carefully.
”
”
Julian Barnes (The Sense of an Ending)
“
To keep Velaris safe, to keep Mor and Amren and Cassian and Azriel and… Rhys safe.
I said to Lucien, low and quiet and as vicious as the talons that formed at the tips of my fingers, as vicious as the wondrous weight between my shoulder blades, “When you spend so long trapped in darkness, Lucien, you find that the darkness begins to stare back.”
A pulse of surprise, of wicked delight against my mental shields, at the dark, membranous wings I knew were now poking over my shoulders. Every icy kiss of rain sent jolts of cold through me. Sensitive—so sensitive, these Illryian wings.
Lucien backed up a step. “What did you do to yourself?”
I gave him a little smile. “The human girl you knew died Under the Mountain. I have no interest in spending immortality as a High Lord’s pet.”
Lucien started shaking his head. “Feyre—”
“Tell Tamlin,” I said, choking on his name, on the thought of what he’d done to Rhys, to his family, “if he sends anyone else into these lands, I will hunt each and every one of you down. And I will demonstrate exactly what the darkness taught me.”
There was something like genuine pain on his face.
I didn’t care. I just watched him, unyielding and cold and dark. The creature I might one day have become if I had stayed at the Spring Court, if I had remained broken for decades, centuries… until I learned to quietly direct those shards of pain outward, learned to savor the pain of others.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
sensitive," I tried.
Sam translated, "squishy."
"creative."
"Dangerously Emo."
"thoughtful."
Feng shui.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
Save the world. What a thought. Was this asteroid really speeding
toward Earth on a collision course? Would it really wipe out everything?
Could humans really do anything to stop it? It was just too incredible.
As she considered the circumstances of her life right now, she felt like
she’d just stuck her face into the middle of a tornado. But Jeremy wasn’t
the tornado. He was an anchor for her heart, and a piece of her she knew
she had been missing all her life. He was the kind of guy little girls dream
of when they wish to grow up and marry a wonderful prince— strong,
sensitive, smart, kind, the list just went on.
She smiled at herself. It seems that it’s difficult to focus on the end of the
world when you’ve just found love.
”
”
Jody Summers (The Mayan Legacy)
“
Children will always be afraid of the dark, and men with minds sensitive to hereditary impulse will always tremble at the thought of the hidden and fathomless worlds of strange life which may pulsate in the gulfs beyond the stars, or press hideously upon our own globe in unholy dimensions which only the dead and the moonstruck can glimpse.”
— “Supernatural Horror in Literature
”
”
H.P. Lovecraft
“
I thought you said that after this many years nothing should embarrass him?" Leigh said with gentle amusement.
Lucian grunted. "I guess he's more sensitive than I thought."
"I am NOT sensitive," Cale snapped, irritated by the very suggestion.
"It's probably his mother's fault," Lucian said, ignoring him. "Martine named him after Caliope, the muse of poetry. Between that and his father dying when he was only fifty, he's probably suffered under Martine's namby-pamby influence.
”
”
Lynsay Sands (Hungry for You (Argeneau, #14))
“
Two people don't see same event as opportunity. When one see it a problem; other look to capitalize it for optimum benefit
”
”
Ashish Patel
“
I LOVE YOU SO MANY REASONS '
---
Before i met you
I spent a lot of time
meeting all kinds of people
i had a lot of fun
and learned a lot
Though each person I met
had great characteristics
something was missing
No one person
had all the qualities that
I had hoped a person could have-
someone whose every action
and thought I could respect
someone who was very intelligent
yet could also be fun-loving
someone who was sensitive, yet virile
exciting and sensuous
someone who knew what they wanted
out of life.
a beautiful person inside and out
I could not find a person like this
until i met you
”
”
Susan Polis Schutz
“
Meditation changes your character by a process of sensitization, by making you deeply aware of your own thoughts, words, and deeds.
”
”
Henepola Gunaratana (Mindfulness in Plain English)
“
Keep the body - or keep the mind, and it will keep the body! - in a constructive manner. That is, think the pleasant things, even when the outlook may be the darkest. Do not allow the little things that are hindrances make for irritating, or to hurt the feelings. For naturally the body is sensitive to feelings of others, through the overflow of those activities in the sympathetic system. But know that God is! Know that He protects those who put their trust in Him; that what is necessary will be supplied thee if ye will keep joyous, keep happy, keep in that way of constructive forces throughout!
”
”
Edgar Evans Cayce
“
Coming down off the trail, I am lost in my own thoughts and unprepared when a bear chugs across the path just before it gives out on the gravel road. I am so distracted that I keep walking towards the bear. I only stop when it rears, stands on hind legs, and stares at me, sensitive nose pressed into the air, weak eyes searching. I have never been this close to a wild bear before, but I am not frightened. There is no menace in its stance; it is not even curious. The bear seems to know who or what I am. The bear is not impressed.
”
”
Louise Erdrich (The Painted Drum)
“
In order to survive our youth, many of us became sensitized to which conditions we had to play to, to receive attention. No wonder we mistook this attention for love. We thought love came in finite quantities—it had to be competed for among siblings, or it had to be paid for with exacting dues.
”
”
Maureen Brady
“
It's easy to feel uncared for when people aren't able to communicate and connect with you in the way you need. And it's so hard not to internalize that silence as a reflection on your own worth. But the truth is that the way people operate is not about you. Most people are so caught up in their own responsibilities, struggles, and anxiety that the thought of asking someone else how they're doing doesn't even cross their mind. They aren't inherently bad or uncaring--they're just busy and self-focused. And that's okay. It's not evidence of some fundamental failing on your part. It doesn't make you unloveable or invisible. It just means that those people aren't very good at looking beyond their own world. But the fact that you are--that despite the darkened you feel, you have the ability to share you love and light with others--is a strength. Your work isn't to change who you are; it's to find people who are able to give you the connection you need. Because despite what you feel, you are not too much. You are not too sensitive or too needy. You are thoughtful and empathetic. You are compassionate and kind. And with or without anyone's acknowledgement or affection, you are enough.
”
”
Daniell Koepke
“
She is a rare rose. One which blooms in the night. She hides from the world. She is tender and sensitive. You can only see her from afar. Don't try to go near her. She may disappear forever from this world.
”
”
Avijeet Das
“
I purely came over because I thought you looked extremely lonely. You have an extremely sensitive face.
”
”
J.D. Salinger (For Esme - With Love And Squalor)
“
Advantages never comes free. You have to create it the way you want it!
”
”
Ashish Patel
“
So true it is, and so terrible too, that up to a certain point the thought or sight of misery enlists our best affections; but, in certain special cases, beyond that point it does not. They err who would assert that invariably this is owing to the inherent selfishness of the human heart. It rather proceeds from a certain hopelessness of remedying excessive and organic ill. To a sensitive being, pity is not seldom pain. And when at last it is perceived that such pity cannot lead to effectual succor, common sense bids the soul rid of it.
”
”
Herman Melville (Bartleby the Scrivener)
“
As it is, we are merely bolting our lives—gulping down undigested experiences as fast as we can stuff them in—because awareness of our own existence is so superficial and so narrow that nothing seems to us more boring than simple being. If I ask you what you did, saw, heard, smelled, touched and tasted yesterday, I am likely to get nothing more than the thin, sketchy outline of the few things that you noticed, and of those only what you thought worth remembering. Is it surprising that an existence so experienced seems so empty and bare that its hunger for an infinite future is insatiable? But suppose you could answer, “It would take me forever to tell you, and I am much too interested in what’s happening now.” How is it possible that a being with such sensitive jewels as the eyes, such enchanted musical instruments as the ears, and such a fabulous arabesque of nerves as the brain can experience itself as anything less than a god? And, when you consider that this incalculably subtle organism is inseparable from the still more marvelous patterns of its environment—from the minutest electrical designs to the whole company of the galaxies—how is it conceivable that this incarnation of all eternity can be bored with being?
”
”
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
“
Anger is an assertion of rights and worth. It is communication, equality, and knowledge. It is intimacy, acceptance, fearlessness, embodiment, revolt, and reconciliation. Anger is memory and rage. It is rational thought and irrational pain. Anger is freedom, independence, expansiveness, and entitlement. It is justice, passion, clarity, and motivation. Anger is instrumental, thoughtful, complicated, and resolved. In anger, whether you like it or not, there is truth.
Anger is the demand of accountability, It is evaluation, judgment, and refutation. It is reflective, visionary, and participatory. It's a speech act, a social statement, an intention, and a purpose. It's a risk and a threat. A confirmation and a wish. It is both powerlessness and power, palliative and a provocation. In anger, you will find both ferocity and comfort, vulnerability and hurt. Anger is the expression of hope.
How much anger is too much? Certainly not the anger that, for many of us, is a remembering of a self we learned to hide and quiet. It is willful and disobedient. It is survival, liberation, creativity, urgency, and vibrancy. It is a statement of need. An insistence of acknowledgment. Anger is a boundary. Anger is boundless. An opportunity for contemplation and self-awareness. It is commitment. Empathy. Self-love. Social responsibility. If it is poison, it is also the antidote. The anger we have as women is an act of radical imagination. Angry women burn brighter than the sun.
In the coming years, we will hear, again, that anger is a destructive force, to be controlled. Watch carefully, because not everyone is asked to do this in equal measure. Women, especially, will be told to set our anger aside in favor of a kinder, gentler approach to change. This is a false juxtaposition. Reenvisioned, anger can be the most feminine of virtues: compassionate, fierce, wise, and powerful. The women I admire most—those who have looked to themselves and the limitations and adversities that come with our bodies and the expectations that come with them—have all found ways to transform their anger into meaningful change. In them, anger has moved from debilitation to liberation.
Your anger is a gift you give to yourself and the world that is yours. In anger, I have lived more fully, freely, intensely, sensitively, and politically. If ever there was a time not to silence yourself, to channel your anger into healthy places and choices, this is it.
”
”
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
“
Abandoned.
The word alone sends shudders down a sensitive spine, troubling the thoughts of pained souls as their hurt swells in ripples. It is a sentence of undesired solitude often pronounced on the innocent, the trusting—administered without warning or satisfactory cause.
One day the moon is yours, or so you believe. The next, his countenance transforms from Jekyll to Hyde with no intention of ever turning back, and you are left trampled upon in a deserted street, concealed by dirty fog that squelches all illumination or any hope for future rays of light.
It is the worst of mysteries why a beast considered noble would forsake his duty, exhibiting a heart of stone. And all who once looked on him, now turn down their eyes and suffer, beguiled.
Some poisons have no antidote, but are slow, silent, torturous ends that curl up the broken body swept into a cold, dark corner. There she is left to drown in her tears—a dying heart.
Abandoned.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
Our real calling to be a compassionate Christian came when we stepped out of the waters of baptism… We don’t need a bishop’s assignment to be kind. We don’t need to sign up to be thoughtful. We don’t need to be sustained by our wards to be sensitive.
”
”
Chieko N. Okazaki
“
I suppose next time I come home I shall find you wearing false moustaches—or are you doing so now?'
Poirot winced. His moustaches had always been his sensitive point. He was inordinately proud of them. My words touched him on the raw.
'No, no, indeed, mon ami. That day, I pray the good God, is still far off. The false moustaches! Quelle Horreur!’
He tugged at them vigorously to assure me of their genuine character.
'Well, they are very luxuriant still,' I said.
'N’est-ce pas? Never, in the whole of London, have I seen a pair of moustaches to equal mine.'
A good job too, I thought privately.
”
”
Agatha Christie (The A.B.C. Murders (Hercule Poirot, #13))
“
To be sensitively aware of thought, of feeling, of the world about you, of your office and of nature, is to explode from moment to moment in affection. Without affection, every action becomes burdensome and mechanical and leads to decay.
”
”
J. Krishnamurti
“
Why do you never find anything written about that idiosyncratic thought you advert to, about your fascination with something no one else understands? Because it is up to you. There is something you find interesting, for a reason hard to explain. It is hard to explain because you have never read it on any page; there you begin. You were made and set here to give voice to this, your own astonishment. "The most demanding part of living a lifetimes as an artist is the strict discipline of forcing oneself to work steadfastly along the nerve of one's own most intimate sensitivity." Anne Truitt, the sculptor, said this. Thoreau said it another way: know your own bone. "Pursue, keep up with, circle round and round your life....Know your own bone: gnaw at it, bury it, unearth it, and gnaw at it still.
”
”
Annie Dillard (The Writing Life)
“
One of the things that we admire about porcelain is its delicate fragility. We should learn to appreciate the same in people.
”
”
L.A. Davenport
“
My first emotions had been those of pure melancholy and sincerest pity; but just in proportion as the forlornness of Bartleby grew and grew to my imagination, did that same melancholy merge into fear, that pity into repulsion. So true it is, and so terrible too, that up to a certain point the thought or sight of misery enlists our best affections; but, in certain special cases, beyond that point it does not. They err who would assert that invariably this is owing to the inherent selfishness of the human heart. It rather proceeds from a certain hopelessness of remedying excessive and organic ill. To a sensitive being, pity is not seldom pain. And when at last it is perceived that such pity cannot lead to effectual succor, common sense bids the soul rid of it. What I saw that morning persuaded me that the scrivener was the victim of innate and incurable disorder. I might give alms to his body; but his body did not pain him; it was his soul that suffered, and his soul I could not reach.
”
”
Herman Melville (Bartleby the Scrivener)
“
The world will benefit significantly from talents such as empathy, emotional intensity, certitude, sensitivity, ability to detect details, depth of thought, will to embrace, and many other things that we need in a time where alienation, coldness, superficiality, and emotional hardness are predominating.
”
”
Jenara Nerenberg (Divergent Mind: Thriving in a World That Wasn't Designed for You)
“
At this moment, in this place, the shifting action potential in my neurons cascade into certain arrangements, patterns, thoughts; they flow down my spine, branch into my arms, my fingers, until muscles twitch and thought is translated into motion; mechanical levers are pressed; electrons are rearranged; marks are made on paper.
At another time, in another place, light strikes the marks, reflects into a pair of high-precision optical instruments sculpted by nature after billions of years of random mutations; upside-down images are formed against two screens made up of millions of light-sensitive cells, which translate light into electrical pulses that go up the optic nerves, cross the chiasm, down the optic tracts, and into the visual cortex, where the pulses are reassembled into letters, punctuation marks, words, sentences, vehicles, tenors, thoughts.
The entire system seems fragile, preposterous, science fictional.
”
”
Ken Liu (The Paper Menagerie and Other Stories)
“
We know what it feels like to have our energy drained by too much interaction. It feels like my brain is tired, almost like a muscle would be tired. The more depleted my psychic energy is, the slower my thoughts come, the harder it is to speak full sentences or focus on what’s going on around me. My senses become even more sensitive; noise and fuss are more overwhelming. And I become tense, irritated, cranky. That’s when I know I need to stop, sit down, let my brain relax and put up its metaphorical feet.
”
”
Sophia Dembling (The Introvert's Way: Living a Quiet Life in a Noisy World)
“
Sometimes people with our trait are said to be less happy or less capable of happiness. Of course, we can seem unhappy and moody, at least to non-HSPs, because we spend so much time thinking about things like the meaning of life and death and how complicated everything is—not black-and-white thoughts at all. Since most non-HSPs do not seem to enjoy thinking about such things, they assume we must be unhappy doing all that pondering. And
”
”
Elaine N. Aron (The Highly Sensitive Person)
“
Love is an afternoon of fishing when I'd sooner be at the ballet.
Love is eating burnt toast and lumpy graving with a big smile.
Love is hearing the words 'You're beautiful' as I fail to squeeze into my fat jeans.
Love is refusing to bring up the past, even if doing so would be a slam dunk to prove your point.
Love is your hand wiping away my tears, trying to erase streaks of mascara.
Love is the warm hug that extinguishes an argument.
Love is a humbly-uttered apology, even if not at fault.
Love is easy to recognize but so hard to define; however, I think it boils down to this...
Love is caring so much about the feelings of someone else, you sacrifice whatever it takes to help him or her feel better.
In other words, love is my heart being sensitive to yours.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
Hey! Remember the '90s?
The Clintons were in office, everybody was using AOL, Will Ferrell and Cheri Oteri did "the Cheerleaders" on SNL, and everybody thought Oasis was fantastic.
In hindsight, we were all a bunch of potato-salad-eating jackasses.
”
”
Julie Klausner (I Don't Care About Your Band: Lessons Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated)
“
You are enjoying the gift of genius. When ordinary people are confronted with multiple tragedies, the pain scarcely increases. They simple can't feel the extra burdens. But you have a greater capacity for suffering.
”
”
Vernor Vinge (The Children of the Sky (Zones of Thought, #3))
“
My son used to believe that he could look at a plane in flight and make it explode in midair by simply thinking it. He believed, at thirteen, that the border between himself and the world was thin and porous enough to allow him to affect the course of events. An aircraft in flight was a provocation too strong to ignore. He’d watch a plane gaining altitude after taking off from Sky Harbor and he’d sense an element of catastrophe tacit in the very fact of a flying object filled with people. He was sensitive to the most incidental stimulus and he thought he could feel the object itself yearning to burst. All he had to do was wish the fiery image into his mind and the plane would ignite and shatter. His sister used to tell him, Go ahead, blow it up, let me see you take that plane out of the sky with all two hundred people aboard, and it scared him to hear someone talk this way and it scared her too because she wasn’t completely convinced he could not do it. It’s the special skill of an adolescent to imagine the end of the world as an adjunct to his own discontent. But Jeff got older and lost interest and conviction. He lost the paradoxical gift for being separate and alone and yet intimately connected, mind-wired to distant things.
”
”
Don DeLillo (Underworld)
“
If you're a boy, any display of sensitivity is gay. Compassion is gay. Crying is supergay. Reading is usually gay. Certain songs and types of music are gay. 'Enola Gay' would certainly be thought gay. Love songs are gay. Love itself is incredibly gay, as are any other heartfelt emotions. Singing is gay, but chanting is not gay. Wanking contests are not gay. Neither is all-male cuddling during specially designated periods in football matches, or communal bathing thereafter. (I didn't invent the rules of gay - I'm just telling you what they are.)
”
”
Gavin Extence (The Universe Versus Alex Woods)
“
I thought you married me for my looks, my sensitivity, and my fabulous bedroom stamina."
Carson said, "Lucky for you, beauty is in the eye of the beholder. But I will acknowledge you really do an exhaustive job cleaning the bedroom.
”
”
Dean Koontz (The Dead Town (Dean Koontz's Frankenstein, #5))
“
Let me repeat. I have not read all the work of this present generation of writing. I have not had time yet. So I must speak only of the ones I do know. I am thinking now of what I rate the best one, Salinger's Catcher in the Rye, perhaps because this one expresses so completely what I have tried to say. A youth, father to what will—must—someday be a man, more intelligent than some and more sensitive than most, who—he would not even have called it by instinct because he did not know he possessed it because God perhaps had put it there, loved man and wished to be a part of mankind, humanity, who tried to join the human race and failed. To me, his tragedy was not that he was, as he perhaps thought, not tough enough or brave enough or deserving enough to be accepted into humanity. His tragedy was that when he attempted to enter the human race, there was no human race there. There was nothing for him to do save buzz, frantic and inviolate, inside the glass wall of his tumbler, until he either gave up or was himself, by himself, by his own frantic buzzing, destroyed.
”
”
William Faulkner
“
I fooled myself. I had to. Everybody has to. If the good had been twice as good and the bad only half as bad, I still ought to have see it, all through as I did in the beginning, because I am, as you say, sensitive. But I didn't want to see it, because I would have then had to think about the consequences of seeing it, what followed from seeing it, what I must do to be decent. I wanted my home and family, my job, my career, a place in the community.
”
”
Milton Sanford Mayer (They Thought They Were Free: The Germans, 1933-45)
“
Iam a sensitive, introverted woman, which means that I love humanity but actual human beings are tricky for me. I love people but not in person. For example, I would die for you but not, like…meet you for coffee. I became a writer so I could stay at home alone in my pajamas, reading and writing about the importance of human connection and community. It is an almost perfect existence. Except that every so often, while I’m thinking my thoughts, writing my words, living in my favorite spot—which is deep inside my own head—something stunning happens: A sirenlike noise tears through my home. I freeze. It takes me a solid minute to understand: The siren is the doorbell. A person is ringing my doorbell. I run out of my office to find my children also stunned, frozen, and waiting for direction about how to respond to this imminent home invasion. We stare at each other, count bodies, and collectively cycle through the five stages of doorbell grief: Denial: This cannot be happening. ALL OF THE PEOPLE ALLOWED TO BE IN THIS HOUSE ARE ALREADY IN THIS HOUSE. Maybe it was the TV. IS THE TV ON? Anger: WHO DOES THIS? WHAT KIND OF BOUNDARYLESS AGGRESSOR RINGS SOMEONE’S DOORBELL IN BROAD DAYLIGHT? Bargaining: Don’t move, don’t breathe—maybe they’ll go away. Depression: Why? Why us? Why anyone? Why is life so hard? Acceptance: Damnit to hell. You—the little one—we volunteer you. Put on some pants, act normal, and answer the door. It’s dramatic, but the door always gets answered. If the kids aren’t home, I’ll even answer it myself. Is this because I remember that adulting requires door answering? Of course not. I answer the door because of the sliver of hope in my heart that if I open the door, there might be a package waiting for me. A package!
”
”
Glennon Doyle (Untamed)
“
Losing a belief in free will has not made me a fatalist - in fact, it has increased my feelings of freedom. My hopes, fears, and neuroses seem less personal and indelible. There is no telling how much I might change in the future. Just as one wouldn't draw a lasting conclusion about oneself on the basis of a brief experience of indigestion, one needn't do so on a basis of how one has thought or behaved for vast stretches of time in the past. A creative change of inputs to the system - learning new skills, forming new relationships, adopting new habits of attention - may radically transform one's life. Becoming sensitive to the background causes of one's thoughts and feelings can -paradoxically- allow for greater creative control over one's life. This understanding reveals you to be a biochemical puppet, of course, but it also allows you to grab hold of one of your strings.
”
”
Sam Harris (Free Will)
“
I was terrified of death by the time I was three or four, actively if not lucidly. I had frequent nightmares about snakes and scary neighbors. By the age of four or five, I was terrified by my thoughts. By the time I was five, the migraines began. I was so sensitive about myself and the world that I cried or shriveled up at the slightest hurt. People always told me, "You've got to get a thicker skin," like now they might say, jovially, "Let go and let God." Believe me, if I could, I would, and in the meantime I feel like stabbing you in the forehead. Teachers wrote on my report cards that I was too sensitive, excessively worried, as if this were an easily correctable condition, as if I were wearing too much of the violet toilet water little girls wore then.
”
”
Anne Lamott (Help Thanks Wow: The Three Essential Prayers)
“
if we were organisms so sensitive that a single atom, or even a few atoms, could make a perceptible impression on our senses – Heavens, what would life be like! To stress one point: an organism of that kind would most certainly not be capable of developing the kind of orderly thought which, after passing through a long sequence of earlier stages, ultimately results in forming, among many other ideas, the idea of an atom.
”
”
Erwin Schrödinger (What is Life? (Canto Classics))
“
I do think that it is hard for me to share myself with everyone. My introspection and queer thoughts always make me feel no one will understand – except someone I love. When I love someone, I make myself increasingly vulnerable to them – and give them the power to hurt me by letting them know my sensitive spots
”
”
Sylvia Plath (The Awakening)
“
ALONE
One of my new housemates, Stacy, wants to write a story about an astronaut. In his story the astronaut is wearing a suit that keeps him alive by recycling his fluids. In the story the astronaut is working on a space station when an accident takes place, and he is cast into space to orbit the earth, to spend the rest of his life circling the globe. Stacy says this story is how he imagines hell, a place where a person is completely alone, without others and without God. After Stacy told me about his story, I kept seeing it in my mind. I thought about it before I went to sleep at night. I imagined myself looking out my little bubble helmet at blue earth, reaching toward it, closing it between my puffy white space-suit fingers, wondering if my friends were still there. In my imagination I would call to them, yell for them, but the sound would only come back loud within my helmet. Through the years my hair would grow long in my helmet and gather around my forehead and fall across my eyes. Because of my helmet I would not be able to touch my face with my hands to move my hair out of my eyes, so my view of earth, slowly, over the first two years, would dim to only a thin light through a curtain of thatch and beard.
I would lay there in bed thinking about Stacy's story, putting myself out there in the black. And there came a time, in space, when I could not tell whether I was awake or asleep. All my thoughts mingled together because I had no people to remind me what was real and what was not real. I would punch myself in the side to feel pain, and this way I could be relatively sure I was not dreaming. Within ten years I was beginning to breathe heavy through my hair and my beard as they were pressing tough against my face and had begun to curl into my mouth and up my nose. In space, I forgot that I was human. I did not know whether I was a ghost or an apparition or a demon thing.
After I thought about Stacy's story, I lay there in bed and wanted to be touched, wanted to be talked to. I had the terrifying thought that something like that might happen to me. I thought it was just a terrible story, a painful and ugly story. Stacy had delivered as accurate a description of a hell as could be calculated. And what is sad, what is very sad, is that we are proud people, and because we have sensitive egos and so many of us live our lives in front of our televisions, not having to deal with real people who might hurt us or offend us, we float along on our couches like astronauts moving aimlessly through the Milky Way, hardly interacting with other human beings at all.
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
“
I maintain that cultural sensitivity should be replaced by cultural awareness. Awareness implies research, consideration, thought, and judiciousness....
Sensitivity denies equal access to language. It segregates and censors based on the background of the writer rather than the content of the story. No society can embrace cultural sensitivity and retain full capacity for freedom of speech.
”
”
Scott M. Roberts
“
I prayed for my heart to soften, to forgive her, and love her for what she did give me--life, great values, a lot of tennis lessons, and the best she could do. Unfortunately, the best she could do was terrible, thee the Minister of Silly Walks trying to raise an extremely sensitive young girl, and my heart remained hardened toward her. [p. 46]
”
”
Anne Lamott (Plan B: Further Thoughts on Faith)
“
Glass became suddenly aware of the sound of the river. It was an odd thing to notice, he thought. He had clung to the river for weeks. Yet suddenly he heard the waters with the acute sensitivity of new discovery. He turned from the fire to stare at the river. It struck him as strange that the smooth flow of water would create any sound at all. Or that the wind would, for that matter. It occurred to him that it wasn’t so much the water or the wind that accounted for the noise, but rather the objects in their path.
”
”
Michael Punke (The Revenant)
“
If I’d known having a gay best friend meant I had to go to clubs with names
like Liquid and Bulge and Cockhole, I would’ve had second thoughts about this
whole thing.”
“Liar. I get you more play than you would ever get on your own. Women just
love you for having a gay best friend. It makes them think you’re sensitive. And
there’s no bar called Cockhole. I would know if there was.
”
”
T.J. Klune (Burn (Elementally Evolved, #1))
“
To the mind (Geist), good and evil, above and below, are not skeptical, relative concepts, but terms of a function, values that depend on the context they find themselves in…. It regards nothing as fixed, no personality, no order of things: because our knowledge may change from day to day, it regards nothing as binding: everything has the value it has only until the next act of creation, as a face changes with the words we are speaking to it.
And so the mind or spirit is the great opportunist, itself impossible to pin down, take hold of, anywhere: on is tempted to believe that of all its influence nothing is left but decay. Every advance is a gain in particular and a separation in general; it is an increase in power leading only to a progressive increase in impotence, but there is no way to quit. Ulrich thought of that body of facts and discoveries, growing almost by the hour, out of which the mind must peer today if it wishes to scrutinize any given problem closely. This body grows away from its inner life. Countless views, opinions, systems of ideas from every age and latitude, from all sorts of sick and sound, waking and dreaming brains run through it like thousands of small sensitive nerve strands, but the central nodal point tying them all together is missing. Man feels dangerously close to repeating the fate of those gigantic primeval species that perished because of their size; but he cannot stop himself.
”
”
Robert Musil (The Man Without Qualities: Volume I)
“
We are all antennae for creative thought. Some transmissions come on strong, others are more faint. If your antenna isn’t sensitively tuned, you’re likely to lose the data in the noise. Particularly since the signals coming through are often more subtle than the content we collect through sensory awareness. They are energetic more than tactile, intuitively perceived more than consciously recorded.
”
”
Rick Rubin (The Creative Act: A Way of Being)
“
Anxiety asks you, dear reader, to embrace the gift of who you are. Maybe you’ve been told that you’re too much — too sensitive, too dramatic, too emotional, too analytical — and this message was translated inside your young self to mean that you were wrong or broken in some way. But you must begin to know now, as hopefully you will as you read through this book, that there’s absolutely nothing wrong with you. You’re not broken. You’re not too much. You’re not wrong. In fact, it’s the very qualities that you’ve been shamed for that you now need to wrap up like a hurt animal and hug close to your heart. For it’s when you stop seeing your sensitivity as a burden and instead recognize it as the gift it is that you will begin to heal the hurt places inside you and bring your full presence into the world.
”
”
Sheryl Paul (The Wisdom of Anxiety: How Worry and Intrusive Thoughts Are Gifts to Help You Heal)
“
The first kill would be the hardest, but the next would be easier, and the one after that easier still, because it’s true: Even the most sensitive person can get used to even the most insensitive thing.
Cruelty isn’t a personality trait. Cruelty is a habit.
He pushed that thought away. To call what he was doing cruel implied he had a choice. Choosing between your kind and another species wasn’t cruel. It was necessary. Not easy, especially when you’ve lived the last four years of your life pretending to be no different from them, but necessary.
”
”
Rick Yancey (The 5th Wave (The 5th Wave, #1))
“
His sensitive nature was still smarting under the lashes of an undivided and squalid way of life. His soul was still disquieted and cast down by the dull phenomenon of Dublin. He had emerged from a two years' spell of revery to find himself in the midst of a new scene, every event and figure of which affected him intimately, disheartened him or allured and, whether alluring or disheartening, filled him always with unrest and bitter thoughts. All the leisure which his school life left him was passed in the company of subversive writers whose jibes and violence of speech set up a ferment in his brain before they passed out of it into his crude writings.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
English majors want the joy of seeing the world through the eyes of people who—let us admit it—are more sensitive, more articulate, shrewder, sharper, more alive than they themselves are. The experience of merging minds and hearts with Proust or James or Austen makes you see that there is more to the world than you had ever imagined. You see that life is bigger, sweeter, more tragic and intense—more alive with meaning than you had thought.
Real reading is reincarnation. There is no other way to put it. It is being born again into a higher form of consciousness than we ourselves possess. When we walk the streets of Manhattan with Walt Whitman or contemplate our hopes for eternity with Emily Dickinson, we are reborn into more ample and generous minds. "Life piled on life / Were all too little," says Tennyson's "Ulysses," and he is right. Given the ragged magnificence of the world, who would wish to live only once? The English major lives many times through the astounding transportive magic of words and the welcoming power of his receptive imagination. The economics major? In all probability he lives but once. If the English major has enough energy and openness of heart, he lives not once but hundreds of times. Not all books are worth being reincarnated into, to be sure—but those that are win Keats's sweet phrase: "a joy forever.
”
”
Mark Edmundson
“
Imagination is not, as some poets have thought, simply synonymous with good. It may be either good or evil. As long as art remained primarily mimetic, the evil which imagination could do was limited by nature. Again, as long as it was treated as an amusement, the evil which it could do was limited in scope. But in an age when the connection between imagination and figuration is beginning to be dimly realized, when the fact of the directionally creator relation is beginning to break through into consciousness, both the good and the evil latent in the working of imagination begin to appear unlimited. We have seen in the Romantic movement an instance of the way in which the making of images may react upon the collective representations. It is a fairly rudimentary instance, but even so it has already gone beyond the dreams and responses of a leisured few. The economic and social structure of Switzerland is noticeably affected by its tourist industry, and that is due only in part to increased facilities of travel. It is due not less to the condition that (whatever may be said about their ‘particles’) the mountains which twentieth-century man sees are not the mountains which eighteenth-century man saw.
It may be objected that this is a very small matter, and that it will be a long time before the imagination of man substantially alters those appearances of nature with which his figuration supplies him. But then I am taking the long view. Even so, we need not be too confident. Even if the pace of change remained the same, one who is really sensitive to (for example) the difference between the medieval collective representations and our own will be aware that, without traveling any greater distance than we have come since the fourteenth century, we could very well move forward into a chaotically empty or fantastically hideous world. But the pace of change has not remained the same. It has accelerated and is accelerating.
We should remember this, when appraising the aberrations of the formally representational arts. Of course, in so far as these are due to affectation, they are of no importance. But in so far as they are genuine, they are genuine because the artist has in some way or other experienced the world he represents. And in so far as they are appreciated, they are appreciated by those who are themselves willing to make a move towards seeing the world in that way, and, ultimately therefore, seeing that kind of world. We should remember this, when we see pictures of a dog with six legs emerging from a vegetable marrow or a woman with a motorbicycle substituted for her left breast.
”
”
Owen Barfield
“
Then viselike fingers clenched my throat, the stake was wrenched from my hand, and a sharp stabbing pain shot up my right thigh as I landed on the ground with a thump that knocked the breath out of me.
And as if that wasn’t bad enough, once I landed, something hard and heavy—his knee, I thought—hit me right in the sternum. You know, just in case there was one last breath left in my lungs. The point of the stake scraped the sensitive skin just under my chin. I looked up, wheezing, into Archer’s face.
”
”
Rachel Hawkins (Hex Hall (Hex Hall, #1))
“
The written word is an attempt at completeness when there is no one impatiently awaiting you in a dimly lit bedroom--awaiting your tales of the day, as the healing hands of someone who knew turn to you and touch you, and you lose yourself so completely in another that you are momentarily delivered from yourself. Whispering across the pillow comes a kind voice that might tell you how to get out of certain difficulties, from someone who might mercifully detach you from your complications. When there is no matching of lives, and we live on a strict diet of the self, the most intimate bond can be with the words that we write:
Oh often have I washed and dressed
And what's to show for all my pain?
Let me lie abed and rest:
Ten thousand times I've done my best
And all's to do again.
I ask myself if there is an irresponsible aspect in relaying thoughts of pain as inspiration, and I wonder whether Housman actually infected the sensitives further, and pulled them back into additional darkness. Surely it is true that everything in the imagination seems worse then it actually is--especially when one is alone and horizontal (in bed, as in the coffin). Housman was always alone--thinking himself to death, with no matronly wife to signal to the watching world that Alfred Edward was quite alright--for isn't that partly the aim of scoring a partner: to trumpet the mental all-clear to a world where how things seem is far more important than how things are? Now snugly in eternity, Housman still occupies my mind. His best moments were in Art, and not in the cut and thrust of human relationships. Yet he said more about human relationships than those who manage to feast on them. You see you can't have it both ways
”
”
Morrissey (Autobiography)
“
This is what it means to be a fanatic - but a fanatic, that is to say, in a very special sense. It has little in common with the obsession of the politician or the artist, for instance, for both of these understand in a greater or lesser degree the impulse which drives them. But the sportsman fanatic - that is another matter entirely.
His thoughts fixed solely on a vision of that mounted trophy against the wall, the eyes now dead that were once living, the tremulous nostrils stilled, the sensitive pricked ears closed to sound at the instant when the rifle shot echoed from the naked rocks, this man hunts his quarry through some instinct unknown even to himself.
Stephen was a sportsman of this kind. It was not the skill needed that drove him, nor the delight and excitement of the stalk itself, but a desire, so I told myself, to destroy something beautiful and rare. Hence his obsession with chamois. ("The Chamois")
”
”
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
“
To the extent that propaganda is based on current news, it cannot permit time for thought or reflection. A man caught up in the news must remain on the surface of the event; he is carried along in the current, and can at no time take a respite to judge and appreciate; he can never stop to reflect. There is never any awareness -- of himself, of his condition, of his society -- for the man who lives by current events. Such a man never stops to investigate any one point, any more than he will tie together a series of news events. We already have mentioned man's inability to consider several facts or events simultaneously and to make a synthesis of them in order to face or to oppose them. One thought drives away another; old facts are chased by new ones. Under these conditions there can be no thought. And, in fact, modern man does not think about current problems; he feels them. He reacts, but be does not understand them any more than he takes responsibility for them. He is even less capable of spotting any inconsistency between successive facts; man's capacity to forget is unlimited. This is one of the most important and useful points for the propagandist, who can always be sure that a particular propaganda theme, statement, or event will be forgotten within a few weeks. Moreover, there is a spontaneous defensive reaction in the individual against an excess of information and -- to the extent that he clings (unconsciously) to the unity of his own person -- against inconsistencies. The best defense here is to forget the preceding event. In so doing, man denies his own continuity; to the same extent that he lives on the surface of events and makes today's events his life by obliterating yesterday's news, he refuses to see the contradictions in his own life and condemns himself to a life of successive moments, discontinuous and fragmented.
This situation makes the "current-events man" a ready target for propaganda. Indeed, such a man is highly sensitive to the influence of present-day currents; lacking landmarks, he follows all currents. He is unstable because he runs after what happened today; he relates to the event, and therefore cannot resist any impulse coming from that event. Because he is immersed in current affairs, this man has a psychological weakness that puts him at the mercy of the propagandist. No confrontation ever occurs between the event and the truth; no relationship ever exists between the event and the person. Real information never concerns such a person. What could be more striking, more distressing, more decisive than the splitting of the atom, apart from the bomb itself? And yet this great development is kept in the background, behind the fleeting and spectacular result of some catastrophe or sports event because that is the superficial news the average man wants. Propaganda addresses itself to that man; like him, it can relate only to the most superficial aspect of a spectacular event, which alone can interest man and lead him to make a certain decision or adopt a certain attitude.
But here we must make an important qualification. The news event may be a real fact, existing objectively, or it may be only an item of information, the dissemination of a supposed fact. What makes it news is its dissemination, not its objective reality.
”
”
Jacques Ellul (Propaganda: The Formation of Men's Attitudes)
“
When Ronan was young and didn’t know any better, he thought everyone was like him. He made rules for humanity based upon observation, his idea of the truth only as broad as his world was. Everyone must sleep and eat. Everyone has hands, feet. Everyone’s skin is sensitive; no one’s hair is. Everyone whispers to hide and shouts to be heard. Everyone has pale skin and blue eyes, every man has long dark hair, every woman has long golden hair. Every child knows the stories of Irish heroes, every mother knows songs about weaver women and lonely boatmen. Every house is surrounded by secret fields and ancient barns, every pasture is watched by blue mountains, every narrow drive leads to a hidden world. Everyone sometimes wakes with their dreams still gripped in their hands. Then he crept out of childhood, and suddenly the uniqueness of experience unveiled itself. Not all fathers are wild, charming schemers, wiry, far-eyed gods; and not all mothers are dulcet, soft-spoken friends, patient as buds in spring. There are people who don’t care about cars and there are people who like to live in cities. Some families do not have older and younger brothers; some families don’t have brothers at all. Most men do not go to Mass every Sunday and most men do not fall in love with other men. And no one brings dreams to life. No one brings dreams to life. No one brings dreams to life.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
“
So here we are, in the family planning aisle with a cart full of sports drinks and our hands full of . . . “Trojans, Ramses, Magnum . . . Jeez, these are worse than names for muscle cars,” Jase observes, sliding his finger along the display.
“They do sound sorta, well, forceful.” I flip over the box I’m holding to read the instructions.
Jase glances up to smile at me. “Don’t worry, Sam. It’s just us.”
“I don’t get what half these descriptions mean . . . What’s a vibrating ring?”
“Sounds like the part that breaks on the washing machine. What’s extra-sensitive? That sounds like how we describe George.”
I’m giggling. “Okay, would that be better or worse than ‘ultimate feeling’—and look—there’s ‘shared pleasure’ condoms and ‘her pleasure’ condoms. But there’s no ‘his pleasure.’”
“I’m pretty sure that comes with the territory,” Jase says dryly. “Put down those Technicolor ones. No freaking way.”
“But blue’s my favorite color,” I say, batting my eyelashes at him.
“Put them down. The glow-in-the-dark ones too. Jesus. Why do they even make those?”
“For the visually impaired?” I ask, reshelving the boxes.
We move to the checkout line. “Enjoy the rest of your evening,” the clerk calls as we leave.
“Do you think he knew?” I ask.
“You’re blushing again,” Jase mutters absently. “Did who know what?”
“The sales guy. Why we were buying these?”
A smile pulls at the corners of his mouth. “Of course not. I’m sure it never occurred to him that we were actually buying birth control for ourselves. I bet he thought it was a . . . a . . . housewarming gift.”
Okay, I’m ridiculous.
“Or party favors,” I laugh.
“Or”—he scrutinized the receipt—“supplies for a really expensive water balloon fight.”
“Visual aids for health class?” I slip my hand into the back pocket of Jase’s jeans.
“Or little raincoats for . . .” He pauses, stumped.
“Barbie dolls,” I suggest.
“G.I. Joes,” he corrects, and slips his free hand into the back pocket of my jeans, bumping his hip against mine as we head back to the car.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
This,” Alaric explained to Sarah in what he thought was a kindly voice, “isn’t love you’re feeling. Only dopamine. Because Felix isn’t like anyone else you know. Being a creature of the night, he’s new and exciting and activates a neurotransmitter in your brain that releases feelings of euphoria when you’re around him…especially because you know you can never actually be together, and he seems complicated, and perhaps even sensitive and vulnerable at times. But I can assure you: he’s anything but.”
“How dare you?” Sarah demanded hotly. “It isn’t dopa…whatever! It’s love! Love!
”
”
Meg Cabot (Insatiable (Insatiable, #1))
“
My name is CRPS, or so they say
But I actually go by; a few different names.
I was once called causalgia,
nearly 150 years ago
And then I had a new name It was RSD, apparently so.
I went by that name because the burn lived inside of me.
Now I am called CRPS, because I have so much to say I struggle to be free.
I don't have one symptom and this is where I change, I attack the home of where I live; with shooting/burning pains.
Depression fills the mind of the body I belong, it starts to speak harsh to self, negativity growing strong.
Then I start to annoy them; with the issues with sensitivity,
You'd think the pain enough; but no, it wants to make you aware of its trembling disability.
I silently make my move; but the screams are loud and clear, Because I enter your physical reality and you can't disappear.
I confuse your thoughts; I contain apart of your memory,
I cover your perspective, the fog makes it sometimes unbearable to see.
I play with your temperature levels, I make you nervous all the time -
I take away your independance and take away your pride.
I stay with you by the day & I remind you by the night,
I am an awful journey and you will struggle with this fight.
Then there's a side to me; not many understand,
I have the ability to heal and you can be my friend.
Help yourself find the strength to fight me with all you have, because eventually I'll get tired of making you grow mad.
It will take some time; remember I mainly live inside your brain,
Curing me is hard work but I promise you,
You can beat me if you feed love to my pain.
Find the strength to carry on and feed the fears with light; hold on to the seat because, like I said, it's going to be a fight.
But I hope to meet you, when your healthy and healed, & you will silenty say to me - I did this, I am cured is this real?
That day could possibly come; closer than I want-
After all I am a disease and im fighting for my spot.
I won't deny from my medical angle, I am close to losing the " incurable " battle.
”
”
Nikki Rowe
“
I didn't sleep all night, thinking. I thought about you, about those puppy eyes you give me, when you fake your sadness to make me smile-- and that upper lip of yours that brings life to all of my senses. I thought about your laughter when you get tickled, and that soft mellow place near your arm pit that I wish could be knit into a pillow for me to hug all night long. I thought about your stomach, your soft and sensitive stomach, scared like a baby kitten under the pouring rain. And I remembered the feeling of protection that comes washing over me when I get a glimpse of it, the feeling of covering it with the layers of my very own skin. I remembered your head when it rests on my heart, a rock sheltering itself on the verdure of infinity. I remembered your silky black hair, and how I never imagined that hair curls so thin could twirl, in the way they do, the rigid core of my existence.
”
”
Malak El Halabi
“
Between them all the poor little Rabbit was made to feel himself very insignificant and commonplace, and the only person who was kind to him at all was the Skin Horse.
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept.
Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive.
But the Skin Horse only smiled.
”
”
Margery Williams Bianco (The Velveteen Rabbit (Illustrated))
“
Bolshevik intellectuals did not confine their reading to Marxist works. They knew Russian and European literature and philosophy and kept up with current trends in art and thoughts. Aspects of Nietzsche’s thought were either surprisingly compatible with Marxism or treated issues that Marx and Engels had neglected. Nietzsche sensitized Bolsheviks committed to reason and science to the importance of the nonrational aspects of the human psyche and to the psychpolitical utility of symbol, myth, and cult. His visions of “great politics” (grosse Politik) colored their imaginations. Politik, like the Russian word politika, means both “politics” and “policy”; grosse has also been translated as “grand” or “large scale.” The Soviet obsession with creating a new culture stemmed primarily from Nietzsche, Wagner, and their Russian popularizers. Marx and Engels never developed a detailed theory of culture because they considered it part of the superstructure that would change to follow changes in the economic base.
”
”
Bernice Glatzer Rosenthal (New Myth, New World: From Nietzsche to Stalinism)
“
From Hobbes’s theory of the sovereign ruling by authority to Max Weber 250 years later, defining the state in terms of a monopoly of force is a slow loss of civil sensitivity. The term “democracy” is strictly a constitutional belief about how authority is generated, but today it most commonly commends rather than names a government that serves some particular interest, such as that of “the people.” The drift of these and other confusions of our political talk has always been to transform the subtle and balanced features attributed to the state in the past into an enterprise that facilitates our political preferences. It would be hard to deny that political sophistication has given way to a kind of partisan brutishness, some elements of which Oakeshott thought had already been recognized by Tocqueville in 1848: “… the passions of man, from being political, have now become social.” And this means that men care now far more about “the satisfaction of substantive wants” and the power of government needed to supply them than about freedom and constitutionality.
”
”
Kenneth Minogue
“
Telepathy’ literally means to feel at a distance, just as ‘telephone’ is to hear at a distance and ‘television’ is to see at a distance. The word suggests the communication not of thoughts but of feelings, emotions. Around a quarter of all Americans believe they’ve experienced something like telepathy. People who know each other very well, who live together, who are practised in one another’s feeling tones, associations and thinking styles can often anticipate what the partner will say. This is merely the usual five senses plus human empathy, sensitivity and intelligence in operation. It may feel extrasensory, but it’s not at all what’s intended by the word ‘telepathy’. If something like this were ever conclusively demonstrated, it would, I think, have discernible physical causes -perhaps electrical currents in the brain. Pseudoscience, rightly or wrongly labelled, is by no means the same thing as the supernatural, which is by definition something somehow outside of Nature.
”
”
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
“
He looked at them and saw their faces did not fit. The skin on the skulls crawled and twitched like half-solid paste. All the heads in his angle of vision seemed irregular lumps, like potatoes but without a potato’s repose: potatoes with crawling surfaces punctured by holes which opened and shut, holes blocked with coloured jelly or fringed with bone stumps, elastic holes through which air was sucked or squirted, holes secreting salt, wax, spittle and snot. He grasped a pencil in his trouser pocket, wishing it were a knife he could thrust through his cheek and use to carve his face down to the clean bone. But that was foolish. Nothing clean lay under the face. He thought of sectioned brains, palettes, eyeballs and ears seen in medical diagrams and butcher’s shops. He thought of elastic muscle, pulsing tubes, gland sacks full of lukewarm fluid, the layers of cellular and fibrous and granular tissues inside a head. What was felt as tastes, caresses, dreams and thoughts could be seen as a cleverly articulated mass of garbage.
”
”
Alasdair Gray (Lanark)
“
Somewhere along the line the American love affair with wilderness changed from the thoughtful, sensitive isolationism of Thoreau to the bully, manly, outdoorsman bravado of Teddy Roosevelt. It is not for me, as an outsider, either to bemoan or celebrate this fact, only to observe it. Deep in the male American psyche is a love affair with the backwoods, log-cabin, camping-out life.
There is no living creature here that cannot, in its right season, be hunted or trapped. Deer, moose, bear, squirrel, partridge, beaver, otter, possum, raccoon, you name it, there's someone killing one right now. When I say hunted, I mean, of course, shot at with a high-velocity rifle. I have no particular brief for killing animals with dogs or falcons, but when I hear the word 'hunt' I think of something more than a man in a forage cap and tartan shirt armed with a powerful carbine. In America it is different. Hunting means 'man bonding with man, man bonding with son, man bonding with pickup truck, man bonding with wood cabin, man bonding with rifle, man bonding above all with plaid'.
”
”
Stephen Fry (Stephen Fry in America)
“
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists.
What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard?
There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet.
For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical.
Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
”
”
Théophile Gautier (Mademoiselle de Maupin)
“
It was better to die, like Eugénie and Digby, in the prime of life with all one's faculties about one. But he wasn't like that, she thought, glancing at the press cuttings. 'A man of singularly handsome presence... shot, fished, and played golf.' No, not like that in the least. He had been a curious man; weak; sensitive; liking titles; liking pictures; and often depressed, she guessed , by his wife's exuberance. She pushed the cuttings away and took up her book. It was odd how different the same person seemed to two different people, she thought. There was Martin, liking Eugénie; and she, liking Digby. She began to read.
She had always wanted to know about Christianity - how it began; what it meant, originally. God is love, The kingdom of Heaven is within us, sayings like that she thought, turning over the pages, what did they mean? The actual words were very beautiful. But who said them - when? Then the spout of the tea-kettle puffed steam at her and she moved it away. The wind was rattling the windows in the back room; it was bending the little bushes; they still had no leaves on them. It was what a man said under a fig tree, on a hill, she thought. And then another man wrote it down. But suppose that what that man says is just as false as what this man - she touched the press cuttings with her spoon - says about Digby? And here I am, she thought, looking at the china in the Dutch cabinet, in this drawing-room, getting a little spark from what someone said all those years ago - here it comes (the china was changing from blue to livid) skipping over all those mountains, all those seas. She found her place and began to read.
”
”
Virginia Woolf (The Years)
“
Perhaps we can discuss this further during the dancing portion of the evening. You'll enjoy waltzing with me later this evening, Miss Eversea. I dance very well, despite the height.:
"Your modesty is as appealing as your sensitivity, Lord Moncrieffe. But perhaps a reel other than the waltz? We differ so in height I shall be speaking to your third buttom throughout the dance. Else you will need to look a great distance down and I will need to look a great distance up. I shouldn't like you to end the evening with an aching neck."
Inevitable at your creaky, advanced age, she left eloquently, palpably unspoken.
He looked down at her for a moment, head slightly cocked, as if he could hear that unworthy thought echoing in her mind.
“My third button is so often a wallflower during balls I doubt it will mind your conversation overmuch.”
She blinked. This was so delightfully ... silly... she forgot herself absolutely for a moment. She stole a glance at his third button. It was nacre, of course, as were the rest of them, and looked like an expensive and luminous tiny moon brought down from the sky specifically to button up the duke. A row of snobs, those buttons, all of them.
Lovely gown, it might say to her. But can you trace your ancestry back to the Conqueror?
”
”
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
“
Quotations from
‘“THE STRENGTH IN KNOWING”
***
Convey to others more compassion, sensitivity, understanding rather than judgementalism”
To find pity shall enable forgiveness to surface
There are good bones in everyone’s body, what varies are the number
Cause and effect from the very smallest act by one individual can change mankind for all time
Devastation can be a reward, and a path to regeneration
Emotions May Inhibit our Ability to Find Peace
One must conquer One’s insensitivity to sensitivity
True peace maintains strength and calm in the face of discord and tension
Wisdom is not guranteed to be achieved with age but rather realized with ones sensitiviy to man and the universe
Opposites create duality. The ego creates opposites. Therefore, the ego creates duality
One should not permit his or her life path to be influenced by the expectations of others.
Doubt is the archenemy of the purity of thought and it inhibits the
essence of all that is
Our, emotions and perceptions determine our attitudes and ultimately our choices
Don’t do it later; do it now.
True love is unconditional and everlasting and it cannot cease.
Reframing from negative speech is a path to reduction of negative thought
Uncontaminated understanding and awareness is the purity of essence and the essence of purity
”
”
I. Alan Appt
“
And the day we bargained about the betrothal, and you told me I had something you wanted very badly, what you wanted to do with me…was this?”
“Among other things,” he agreed, tenderly brushing his knuckles over her flushed cheek.
“If I had known all this,” she said with a rueful smile, “I’m certain I would have asked for additional concessions.”
That startled him-the thought that she would have tried to drive a harder bargain if she’d realized exactly how much and what sort of power she really held. “What kind of additional concessions?” he asked, his face carefully expressionless.
She put her cheek against his shoulder, her arms curving around him. “A shorter betrothal,” she whispered. “A shorter courtship, and a shorter ceremony.”
A fresh surge of tenderness and profound pride swept through him at her sweetness and her candor, and he wrapped his arms tightly, protectively around her, smiling with joyous contentment. He had realized within minutes of meeting her that she was rare; he had known within hours that she was everything he wanted. Passionate and gentle, intelligent, sensitive, and witty. He loved all of her qualities, but he hadn’t discovered the one he particularly admired until much later, and that was her courage. He was so proud of the courage that had enabled he to repeatedly confront adversity and adversaries-even when the adversary was him.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
”
”
Bram Stoker (Dracula (Annotated))
“
Not only could he share the memories, and control them, he could keep the link intact as their thoughts moved through time from the past to the present. The men of his clan enjoyed a richer, fuller ceremonial interrelationship than any other clan. But with the trained minds of the mog-urs, he could make the telepathic link from the beginning. Through him, all the mog-urs shared a union far closer and more satisfying than any physical one—it was a touching of spirits. The white liquid from Iza’s bowl that had heightened the perceptions and opened the minds of the magicians to The Mog-ur, had allowed his special ability to create a symbiosis with Ayla’s mind as well. The traumatic birth that damaged the brain of the disfigured man had impaired only a portion of his physical abilities, not the sensitive psychic overdevelopment that enabled his great power. But the crippled man was the ultimate end-product of his kind. Only in him had nature taken the course set for the Clan to its fullest extreme. There could be no further development without radical change, and their characteristics were no longer adaptable. Like the huge creature they venerated, and many others that shared their environment, they were incapable of surviving radical change. The race of men with social conscience enough to care for their weak and wounded, with spiritual awareness enough to bury their dead and venerate their great totem, the race of men with great brains but no frontal lobes, who made no great strides forward, who made almost no progress in nearly a hundred thousand years, was doomed to go the way of the woolly mammoth and the great cave bear. They didn’t know it, but their days on earth were numbered, they were doomed to extinction. In Creb, they had reached the end of their line. Ayla felt a sensation akin to the deep pulsing of a foreign bloodstream superimposed on her own. The powerful mind of the great magician was exploring her alien convolutions, trying to find a way to mesh. The fit was imperfect, but he found channels of similarity, and where none existed, he groped for alternatives and made connections where there were only tendencies. With startling clarity, she suddenly comprehended that it was he who had brought her out of the void; but more, he was keeping the other mog-urs, also linked with him, from knowing she was there. She could just barely sense his connection with them, but she could not sense them at all. They, too, knew he had made a connection with someone—or something—else, but never dreamed it was Ayla.
”
”
Jean M. Auel (The Clan of the Cave Bear (Earth's Children, #1))
“
I fancy my father thought me an odd child, and had little fondness for me; though he was very careful in fulfilling what he regarded as a parent's duties. But he was already past the middle of life, and I was not his only son. My mother had been his second wife, and he was five-and-forty when he married her. He was a firm, unbending, intensely orderly man, in root and stem a banker, but with a flourishing graft of the active landholder, aspiring to county influence: one of those people who are always like themselves from day to day, who are uninfluenced by the weather, and neither know melancholy nor high spirits. I held him in great awe, and appeared more timid and sensitive in his presence than at other times; a circumstance which, perhaps, helped to confirm him in the intention to educate me on a different plan from the prescriptive one with which he had complied in the case of my elder brother, already a tall youth at Eton. My brother was to be his representative and successor; he must go to Eton and Oxford, for the sake of making connexions, of course: my father was not a man to underrate the bearing of Latin satirists or Greek dramatists on the attainment of an aristocratic position. But intrinsically, he had slight esteem for "those dead but sceptred spirits"; having qualified himself for forming an independent opinion by reading Potter's Aeschylus, and dipping into Francis's Horace. To this negative view he added a positive one, derived from a recent connexion with mining speculations; namely, that scientific education was the really useful training for a younger son. Moreover, it was clear that a shy, sensitive boy like me was not fit to encounter the rough experience of a public school. Mr. Letherall had said so very decidedly. Mr. Letherall was a large man in spectacles, who one day took my small head between his large hands, and pressed it here and there in an exploratory, suspicious manner - then placed each of his great thumbs on my temples, and pushed me a little way from him, and stared at me with glittering spectacles. The contemplation appeared to displease him, for he frowned sternly, and said to my father, drawing his thumbs across my eyebrows -
'The deficiency is there, sir-there; and here,' he added, touching the upper sides of my head, 'here is the excess. That must be brought out, sir, and this must be laid to sleep.'
I was in a state of tremor, partly at the vague idea that I was the object of reprobation, partly in the agitation of my first hatred - hatred of this big, spectacled man, who pulled my head about as if he wanted to buy and cheapen it. ("The Lifted Veil")
”
”
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
“
Is this weird?” she asked with a satisfied sigh.
Jay shook his head. “Nah,” he answered, rubbing his hand along the sensitive skin of her arm. “It was gonna happen eventually. I’m just glad it’s finally out there . . . I was getting tired of waiting.”
Violet was confused. Out there? What the hell was that supposed to mean? It was going to happen eventually? How could he have known what was going to happen?
She wiggled out from beneath him. “What do you mean, you were tired of waiting? Waiting for what, exactly?” She propped herself back up on her elbow as she interrogated him, waiting for an answer.
He let the questions linger between them for longer than he needed to, deliberately teasing Violet as she waited impatiently. But when he finally did answer her, it proved to be well worth the minor annoyance. “I was just waiting for you to want me as much as I wanted you.” His words were quiet but carried one hell of an impact. “I knew we were going to be together; it was just a matter of time. I kept hoping that you would figure it out. But for a smart girl, you’re a little dense, Vi. I kept bringing up Lissie Adams, and showing you the notes she was leaving me, hoping that you’d get pissed enough to finally admit how you felt about me.”
“What makes you think I was feeling anything?” she asked him suspiciously, as if he’d somehow read her mind. If she had been the kind of girl who kept a diary, she would have sworn that he’d picked the lock and read it word for word.
He grinned at her. “Because you did,” he stated matter-of-factly. “I know, because I did, and there was just no way that you didn’t feel it too.”
She didn’t bother denying it and instead asked, “So you used Lissie to make me jealous?” She tried to sound indignant, but it was difficult when what she really wanted to do was dance around her room triumphantly. She wondered what Lissie would think if she could see them now, together on Violet’s bed.
“No, I tried to use Lissie. But apparently you’re more pigheaded than I gave you credit for. I thought for sure that would do it. Instead, it backfired on me, and you agreed to go to the dance with . . . someone else.” He gritted his teeth, probably without even realizing it, as he choked out the words, unable to actually say Grady’s name. “And when I realized you were going with him, I figured the only way I was going to get to see you that night was to ask Lissie to go with me. I figured I could sneak in at least one dance with you.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
...it takes great humility to find oneself unjustly condemned and be silent, and to do this is to imitate the Lord Who set us free from all our sins. ... The truly humble person will have a genuine desire to be thought little of, and persecuted, and condemned unjustly, even in serious matters. ... It is a great help to meditate upon the great gain which in any case this is bound to bring us, and to realize how, properly speaking, we can never be blamed unjustly, since we are always full of faults, and a just man falls seven times a day, so that it would be a falsehood for us to say we have no sin. If, then, we are not to blame for the thing that we are accused of, we are never wholly without blame in the way that our good Jesus was. ... Thou knowest, my Good, that if there is anything good in me it comes from no other hands than Thine own. For what is it to Thee, Lord, to give much instead of little? True, I do not deserve it, but neither have I deserved the favors which Thou hast shown me already. Can it be that I should wish a thing so evil as myself to be thought well of by anyone, when they have said such wicked things of Thee, Who art good above all other good? ... Do Thou give me light and make me truly to desire that all should hate me, since I have so often let Thee, Who hast loved me with such faithfulness. ... What does it matter to us if we are blamed by them all, provided we are without blame in the sight of the Lord? ...meditate upon what is real and upon what is not. ... Do you suppose, ... that, if you do not make excuses for yourself, there will not be someone else who will defend you? Remember how the Lord took the Magdalen's part in the Pharisee's house and also when her sister blamed her. He will not treat you as rigorously as He treated Himself: it was not until He was on the Cross that He had even a thief to defend Him. His Majesty, then, will put it into somebody's mind to defend you; if He does not, it will be because there is no need. ...be glad when you are blamed, and in due time you will see what profit you experience in your souls. For it is in this way that you will begin to gain freedom; soon you will not care if they speak ill or well of you; it will seem like someone else's business. ... So here: it becomes such a habit with us not to reply that it seems as if they are not addressing us at all. This may seem impossible to those of us who are very sensitive and not capable of great mortification. It is indeed difficult at first, but I know that, with the Lord's help, the gradual attainment of this freedom, and of renunciation and self-detachment, is quite possible.
”
”
Teresa de Ávila
“
He drew his fingers down over her collarbones drifting closer to her breasts. “The muscles here on our women are often as developed as ours.”
Judging by the heated look in his eyes, he didn’t mind at all that she had breasts instead of muscular pecs. “And here.”
Her pulse picked up as he cupped her breasts. “You’re rounder here. Softer. Fuller.” He squeezed them gently and drew his thumbs across the hard, sensitive peaks. Ava sucked in a breath as sensation shot through her.
“Do that again.”
He brushed his thumbs across the tight buds again., toyed with them and gave an experimental pinch. Ava jerked and arched against him.
“You’re sensitive here,” he murmured.
“Yes.”
His lips captured hers once more, tasting and tempting as he explored her breasts and ratcheted up her need. She and Jak’ri had been nearly bare with each other countless times in their dreams as they swam and cavorted in Rounaka Sea, but they had been out in the open and the dreams had felt so real that she would never have thought of doing her lustful inclinations there for fear of being discovered. Now, however, they were alone. They were free and the cave enclosing them might has well have been a Honeymoon suite at a secluded resort. So there was no reason for her to hold back. She moaned. Jak’ri certainly wasn’t holding back. The women of Purvel might not have breasts like hers, but he sure as hell knew what to do with them, teasing and tweaking and squeezing until she squirmed against him. Her breath shortening.
“Jak’ri,” she whispered, tunneling the fingers of one hand through his thick hair while she slid the other down his back and rocked against the thick, hard ridge concealed by his pants. “I want you.”
Nodding he trailed heated kisses down her neck. “I want you too.” One of his big hands left her breast and cupped her ass, grinding her against him. “Are you ready to release your eggs?”
Sensation shot through her. “Hmmm?”
“Are you ready to release your eggs so I can fertilize them?” he murmured, clutching her closer.
Her eyes flew open. “Wait, what?” She leaned back.
“I assume your reproduce the same way Purveli’s do,” he said, dragging his eyes up from her breasts to meet hers. “You release your eggs, then I fertilize them.”
She stared at him, stunned. Release her eggs? Did he mean like a…like a fish? Her gaze shot to the barely discernable scales that coated his broad chest and handsome face. Did Purveli’s not have sex the way humans and Lasaran’s did?
His lips twitched as his eyes danced with mirth. Relief filled her.
“Oh my gosh,” laughing Ava shoved one of his shoulders. “You are so bad.”
He laughed. “Apologies, I couldn’t resist. My scales seemed to fascinate you.
”
”
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))