β
All that we see or seem is but a dream within a dream.
β
β
Edgar Allan Poe
β
When you are courting a nice girl an hour seems like a second. When you sit on a red-hot cinder a second seems like an hour. That's relativity.
β
β
Albert Einstein
β
Promise me you'll always remember: You're braver than you believe, and stronger than you seem, and smarter than you think.
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β
Carter Crocker
β
When I despair, I remember that all through history the way of truth and love have always won. There have been tyrants and murderers, and for a time, they can seem invincible, but in the end, they always fall. Think of it--always.
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β
Mahatma Gandhi
β
That's always seemed so ridiculous to me, that people want to be around someone because they're pretty. It's like picking your breakfeast cereals based on color instead of taste.
β
β
John Green (Paper Towns)
β
It's really a wonder that I haven't dropped all my ideals, because they seem so absurd and impossible to carry out. Yet I keep them, because in spite of everything, I still believe that people are really good at heart.
β
β
Anne Frank (The Diary of a Young Girl)
β
Saying 'I notice you're a nerd' is like saying, 'Hey, I notice that you'd rather be intelligent than be stupid, that you'd rather be thoughtful than be vapid, that you believe that there are things that matter more than the arrest record of Lindsay Lohan. Why is that?' In fact, it seems to me that most contemporary insults are pretty lame. Even 'lame' is kind of lame. Saying 'You're lame' is like saying 'You walk with a limp.' Yeah, whatever, so does 50 Cent, and he's done all right for himself.
β
β
John Green
β
If ever there is tomorrow when we're not together... there is something you must always remember. You are braver than you believe, stronger than you seem, and smarter than you think. But the most important thing is, even if we're apart... I'll always be with you.
β
β
Carter Crocker
β
Everyone seems to have a clear idea of how other people should lead their lives, but none about his or her own.
β
β
Paulo Coelho (The Alchemist)
β
Love does not begin and end the way we seem to think it does. Love is a battle, love is a war; love is a growing up.
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β
James Baldwin
β
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that youβve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you canβt wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid itβs like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didnβt exist at all. A phone call or two during the day helps to get you through a long dayβs work and always brings a smile to your face. In their presence, thereβs no need for continuous conversation, but you find youβre quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that thereβs a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure thatβs so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
β
β
Bob Marley
β
Sometimes it seems safer to hold it all in, where the only person who can judge is yourself.
β
β
Sarah Dessen
β
What is that you express in your eyes? It seems to me more than all the print I have read in my life.
β
β
Walt Whitman
β
Be clearly aware of the stars and infinity on high. Then life seems almost enchanted after all.
β
β
Vincent van Gogh
β
And then he gives me a smile that just seems so genuinely sweet with just the right touch of shyness that unexpected warmth rushes through me.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Stay gold, Ponyboy. Stay gold . . .β The pillow seemed to sink a little, and Johnny died.
β
β
S.E. Hinton (The Outsiders)
β
It's possible to go on, no matter how impossible it seems, and that in time, the grief . . . lessens. It may not go away completely, but after a while it's not so overwhelming.
β
β
Nicholas Sparks (Dear John)
β
Strange as it may seem, I still hope for the best, even though the best, like an interesting piece of mail, so rarely arrives, and even when it does it can be lost so easily.
β
β
Lemony Snicket (The Beatrice Letters)
β
Very few of us are what we seem.
β
β
Agatha Christie (The Man in the Mist)
β
Cowards die many times before their deaths;
The valiant never taste of death but once.
Of all the wonders that I yet have heard,
It seems to me most strange that men should fear;
Seeing that death, a necessary end,
Will come when it will come.
β
β
William Shakespeare (Julius Caesar)
β
Sometimes when I look at you, I feel I'm gazing at a distant star.
It's dazzling, but the light is from tens of thousands of years ago.
Maybe the star doesn't even exist any more. Yet sometimes that light seems more real to me than anything.
β
β
Haruki Murakami (South of the Border, West of the Sun)
β
I could not tell you if I loved you the first moment I saw you, or if it was the second or third or fourth. But I remember the first moment I looked at you walking toward me and realized that somehow the rest of the world seemed to vanish when I was with you.
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β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
When you consider things like the stars, our affairs don't seem to matter very much, do they?
β
β
Virginia Woolf
β
When I was a child, adults would tell me not to make things up, warning me of what would happen if I did. As far as I can tell so far, it seems to involve lots of foreign travel and not having to get up too early in the morning.
β
β
Neil Gaiman (Smoke and Mirrors: Short Fiction and Illusions)
β
Well, it seems to me that the best relationships - the ones that last - are frequently the ones that are rooted in friendship. You know, one day you look at the person and you see something more than you did the night before. Like a switch has been flicked somewhere. And the person who was just a friend is... suddenly the only person you can ever imagine yourself with.
β
β
Gillian Anderson
β
I believe in being strong when everything seems to be going wrong. I believe that happy girls are the prettiest girls. I believe that tomorrow is another day, and I believe in miracles
β
β
Audrey Hepburn
β
Iβm glad we had the times together just to laugh and sing a song, seems like we just got started and then before you know it, the times we had together were gone.
β
β
Dr. Seuss
β
No matter what happens, or how bad it seems today, life does go on, and it will be better tomorrow.
β
β
Maya Angelou
β
May I see you again?" he asked. There was an endearing nervousness in his voice.
I smiled. "Sure."
"Tomorrow?" he asked.
"Patience, grasshopper," I counseled. "You don't want to seem overeager.
"Right, that's why I said tomorrow," he said. "I want to see you again tonight. But I'm willing to wait all night and much of tomorrow." I rolled my eyes. "I'm serious," he said.
"You don't even know me," I said. I grabbed the book from the center console. "How about I call you when I finish this?"
"But you don't even have my phone number," he said.
"I strongly suspect you wrote it in this book."
He broke out into that goofy smile. "And you say we don't know each other.
β
β
John Green (The Fault in Our Stars)
β
Rachel: You're a half-blood, too?
Annabeth: Shhh! Just announce it to the world, how about?
Rachel: Okay. Hey, everybody! These two aren't human! They're half Greek god!...They don't seem to care.
β
β
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
β
That is all I want in life: for this pain to seem purposeful.
β
β
Elizabeth Wurtzel (Prozac Nation)
β
It always seems impossible until it's done.
β
β
Nelson Mandela
β
Education without values, as useful as it is, seems rather to make man a more clever devil.
β
β
C.S. Lewis
β
It hurts to let go. Sometimes it seems the harder you try to hold on to something or someone the more it wants to get away. You feel like some kind of criminal for having felt, for having wanted. For having wanted to be wanted. It confuses you, because you think that your feelings were wrong and it makes you feel so small because it's so hard to keep it inside when you let it out and it doesn't coma back. You're left so alone that you can't explain. Damn, there's nothing like that, is there? I've been there and you have too. You're nodding your head.
β
β
Henry Rollins (The Portable Henry Rollins)
β
Loneliness does not come from having no people about one, but from being unable to communicate the things that seem important to oneself, or from holding certain views which others find inadmissible.
β
β
C.G. Jung
β
At the time, my life just seemed too complete, and maybe we have to break everything to make something better out of ourselves.
β
β
Chuck Palahniuk (Fight Club)
β
It seemed weird calling a teenager 'sir' but I'd learned to be careful with immortals. They tended to get offended easily. Then, they blew stuff up.
β
β
Rick Riordan
β
I'm lonely. And I'm lonely in some horribly deep way and for a flash of an instant, I can see just how lonely, and how deep this feeling runs. And it scares the shit out of me to be this lonely because it seems catastrophic.
β
β
Augusten Burroughs (Dry)
β
Half of seeming clever is keeping your mouth shut at the right times.
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β
Patrick Rothfuss (The Wise Manβs Fear (The Kingkiller Chronicle, #2))
β
Wasnβt friendship its own miracle, the finding of another person who made the entire lonely world seem somehow less lonely?
β
β
Hanya Yanagihara (A Little Life)
β
She seems so cool, so focused, so quiet, yet her eyes remain fixed upon the horizon. You think you know all there is to know about her immediately upon meeting her, but everything you think you know is wrong. Passion flows through her like a river of blood.
She only looked away for a moment, and the mask slipped, and you fell. All your tomorrows start here.
β
β
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
β
It would seem that you have no useful skill or talent whatsoever," he said. "Have you thought of going into teaching?
β
β
Terry Pratchett (Mort (Discworld, #4; Death, #1))
β
Life seems sometimes like nothing more than a series of losses, from beginning to end. That's the given. How you respond to those losses, what you make of what's left, that's the part you have to make up as you go.
β
β
Katharine Weber (The Music Lesson)
β
If someone isn't what others want them to be, the others become angry. Everyone seems to have a clear idea of how other people should lead their lives, but none about his or her own.
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β
Paulo Coelho (The Alchemist)
β
Dreams are always crushing when they don't come true. But it's the simple dreams that are often the most painful because they seem so personal, so reasonable, so attainable. You're always close enough to touch, but never quite close enough to hold and it's enough to break your heart.
β
β
Nicholas Sparks (Three Weeks with My Brother)
β
At times the world may seem an unfriendly and sinister place, but believe that there is much more good in it than bad. All you have to do is look hard enough. and what might seem to be a series of unfortunate events may in fact be the first steps of a journey.
β
β
Lemony Snicket
β
Some people turn sad awfully young. No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for I'm one of them.
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β
Ray Bradbury (Dandelion Wine)
β
I want to write my own eulogy, and I want to write it in Latin. It seems only fitting to read a dead language at my funeral.
β
β
Jarod Kintz (I Want)
β
I believe that words are strong, that they can overwhelm what we fear when fear seems more awful than life is good.
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β
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
β
Imagine yourself as a living house. God comes in to rebuild that house. At first, perhaps, you can understand what He is doing. He is getting the drains right and stopping the leaks in the roof and so on; you knew that those jobs needed doing and so you are not surprised. But presently He starts knocking the house about in a way that hurts abominably and does not seem to make any sense. What on earth is He up to? The explanation is that He is building quite a different house from the one you thought of - throwing out a new wing here, putting on an extra floor there, running up towers, making courtyards. You thought you were being made into a decent little cottage: but He is building a palace. He intends to come and live in it Himself.
β
β
C.S. Lewis (Mere Christianity)
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Humbling women seems to me a chief pastime of poets. As if there can be no story unless we crawl and weep.
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β
Madeline Miller (Circe)
β
There will be a few times in your life when all your instincts will tell you to do something, something that defies logic, upsets your plans, and may seem crazy to others. When that happens, you do it. Listen to your instincts and ignore everything else. Ignore logic, ignore the odds, ignore the complications, and just go for it.
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β
Judith McNaught (Remember When (Foster Saga, #1))
β
It would seem that Our Lord finds our desires not too strong, but too weak. We are half-hearted creatures, fooling about with drink and sex and ambition when infinite joy is offered us, like an ignorant child who wants to go on making mud pies in a slum because he cannot imagine what is meant by the offer of a holiday at the sea. We are far too easily pleased.
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β
C.S. Lewis (The Weight of Glory, and Other Addresses)
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I have possessed that heart, that noble soul, in whose presence I seemed to be more than I really was, because I was all that I could be.
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β
Johann Wolfgang von Goethe
β
So many people walk around with a meaningless life. They seem half-asleep, even when they're busy doing things they think are important. This is because they're chasing the wrong things. The way you get meaning into your life is to devote yourself to loving others, devote yourself to your community around you, and devote yourself to creating something that gives you purpose and meaning.
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β
Mitch Albom (Tuesdays with Morrie)
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What are the chances youβd ever meet someone like that? he wondered. Someone you could love forever, someone who would forever love you back? And what did you do when that person was born half a world away? The math seemed impossible.
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β
Rainbow Rowell (Eleanor & Park)
β
The most important things are the hardest to say. They are the things you get ashamed of, because words diminish them -- words shrink things that seemed limitless when they were in your head to no more than living size when they're brought out. But it's more than that, isn't it? The most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you've said at all, or why you thought it was so important that you almost cried while you were saying it. That's the worst, I think. When the secret stays locked within not for want of a teller but for want of an understanding ear.
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β
Stephen King
β
Do you take pride in your hurt? Does it make you seem large and tragic? ...Well, think about it. Maybe you're playing a part on a great stage with only yourself as audience.
β
β
John Steinbeck (East of Eden)
β
Sebastian just smiled. βI could hear your heart beating,β he said softly. βWhen you were watching me with Valentine. Did it bother you?β
βThat you seem to be dating my dad?β Jace shrugged. "Youβre a little young for him, to be honest.β
βWhat?β For the first time since Jace had met him, Sebastian seemed flabbergasted.
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β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
Life seems but a quick succession of busy nothings.
β
β
Jane Austen (Mansfield Park)
β
He smiled understandingly-much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced--or seemed to face--the whole eternal world for an instant, and then concentrated on you with an irresistible prejudice in your favor. It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
You know what's weird? Day by day, nothing seems to change, but pretty soon...everything's different.
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β
Bill Watterson
β
Time passes. Even when it seems impossible. Even when each tick of the second hand aches like the pulse of blood behind a bruise. It passes unevenly, in strange lurches and dragging lulls, but pass it does. Even for me.
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β
Stephenie Meyer (New Moon (The Twilight Saga, #2))
β
We sit silently and watch the world around us. This has taken a lifetime to learn. It seems only the old are able to sit next to one another and not say anything and still feel content. The young, brash and impatient, must always break the silence. It is a waste, for silence is pure. Silence is holy. It draws people together because only those who are comfortable with each other can sit without speaking. This is the great paradox.
β
β
Nicholas Sparks (The Notebook)
β
When we hold each other, in the darkness, it doesn't make the darkness go away. The bad things are still out there. The nightmares still walking. When we hold each other we feel not safe, but better. "It's all right" we whisper, "I'm here, I love you." and we lie: "I'll never leave you." For just a moment or two the darkness doesn't seem so bad.
β
β
Neil Gaiman (Neil Gaiman's Midnight Days)
β
Look...at...me..." he whispered. The green eyes found the black, but after a second, something in the depths of the dark pair seemed to vanish, leaving them fixed, blank, and empty. The hand holding Harry thudded to the floor, and Snape moved no more.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
I'm about to make a wild, extreme and severe relationship rule: the word busy is a load of crap and is most often used by assholes. The word "busy" is the relationship Weapon of Mass Destruction. It seems like a good excuse, but in fact in every silo you uncover, all you're going to find is a man who didn't care enough to call. Remember men are never to busy to get what they want.
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β
Greg Behrendt
β
Now, come over here so I can pat you down."
"But you don't have-" Percy stopped. "Uh, sure."
He stood next to the armless statue. Terminus conducted a rigorous mental pat down.
"You seem to be clean," Terminus decided. "Do you have anything to declare?"
"Yes," Percy said. "I declare that this is stupid.
β
β
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
β
Dare to Be
When a new day begins, dare to smile gratefully.
When there is darkness, dare to be the first to shine a light.
When there is injustice, dare to be the first to condemn it.
When something seems difficult, dare to do it anyway.
When life seems to beat you down, dare to fight back.
When there seems to be no hope, dare to find some.
When youβre feeling tired, dare to keep going.
When times are tough, dare to be tougher.
When love hurts you, dare to love again.
When someone is hurting, dare to help them heal.
When another is lost, dare to help them find the way.
When a friend falls, dare to be the first to extend a hand.
When you cross paths with another, dare to make them smile.
When you feel great, dare to help someone else feel great too.
When the day has ended, dare to feel as youβve done your best.
Dare to be the best you can β
At all times, Dare to be!
β
β
Steve Maraboli (Life, the Truth, and Being Free)
β
Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?
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β
Oscar Wilde (The Picture of Dorian Gray)
β
The so-called βpsychotically depressedβ person who tries to kill herself doesnβt do so out of quote βhopelessnessβ or any abstract conviction that lifeβs assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fireβs flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. Itβs not desiring the fall; itβs terror of the flames. And yet nobody down on the sidewalk, looking up and yelling βDonβt!β and βHang on!β, can understand the jump. Not really. Youβd have to have personally been trapped and felt flames to really understand a terror way beyond falling.
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β
David Foster Wallace
β
All warfare is based on deception. Hence, when we are able to attack, we must seem unable; when using our forces, we must appear inactive; when we are near, we must make the enemy believe we are far away; when far away, we must make him believe we are near.
β
β
Sun Tzu (The Art of War)
β
I have learned that if you must leave a place that you have lived in and loved and where all your yesteryears are buried deep, leave it any way except a slow way, leave it the fastest way you can. Never turn back and never believe that an hour you remember is a better hour because it is dead. Passed years seem safe ones, vanquished ones, while the future lives in a cloud, formidable from a distance.
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β
Beryl Markham (West with the Night)
β
Did you hear about the rose that grew from a crack in the concrete? Proving nature's laws wrong, it learned to walk without having feet. Funny, it seems to by keeping it's dreams; it learned to breathe fresh air. Long live the rose that grew from concrete when no one else even cared.
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β
Tupac Shakur (The Rose That Grew from Concrete)
β
Some people, they can't just move on, you know, mourn and cry and be done with it. Or at least seem to be. But for me... I don't know. I didn't want to fix it, to forget. It wasn't something that was broken. It's just...something that happened. And like that hole, I'm just finding ways, every day, of working around it. Respecting and remembering and getting on at the same time.
β
β
Sarah Dessen (The Truth About Forever)
β
Heard joke once: Man goes to doctor. Says he's depressed. Says life seems harsh and cruel. Says he feels all alone in a threatening world where what lies ahead is vague and uncertain. Doctor says, "Treatment is simple. Great clown Pagliacci is in town tonight. Go and see him. That should pick you up." Man bursts into tears. Says, "But doctor...I am Pagliacci.
β
β
Alan Moore (Watchmen)
β
I will never leave him. It will be this, always, for as long as he will let me.
If I had had words to speak such a thing, I would have. But there were none that seemed big enough for it, to hold that swelling truth.
As if he had heard me, he reached for my hand. I did not need to look; his fingers were etched into my memory, slender and petal-veined, strong and quick and never wrong.
βPatroclus,β he said. He was always better with words than I.
β
β
Madeline Miller (The Song of Achilles)
β
The Little Boy and the Old Man
Said the little boy, "Sometimes I drop my spoon."
Said the old man, "I do that too."
The little boy whispered, "I wet my pants."
I do that too," laughed the little old man.
Said the little boy, "I often cry."
The old man nodded, "So do I."
But worst of all," said the boy, "it seems
Grown-ups don't pay attention to me."
And he felt the warmth of a wrinkled old hand.
I know what you mean," said the little old man.
β
β
Shel Silverstein
β
He was gone, and I did not have time to tell him what I had just now realized: that I forgave him, and that she forgave us, and that we had to forgive to survive in the labyrinth. There were so many of us who would have to live with things done and things left undone that day. Things that did not go right, things that seemed okay at the time because we could not see the future. If only we could see the endless string of consequences that result from our smallest actions. But we canβt know better until knowing better is useless. And as I walked back to give Takumiβs note to the Colonel, I saw that I would never know. I would never know her well enough to know her thoughts in those last minutes, would never know if she left us on purpose. But the not-knowing would not keep me from caring, and I would always love Alaska Young, my crooked neighbor, with all my crooked heart.
β
β
John Green (Looking for Alaska)
β
Part of the problem with the word 'disabilities' is that it immediately suggests an inability to see or hear or walk or do other things that many of us take for granted. But what of people who can't feel? Or talk about their feelings? Or manage their feelings in constructive ways? What of people who aren't able to form close and strong relationships? And people who cannot find fulfillment in their lives, or those who have lost hope, who live in disappointment and bitterness and find in life no joy, no love? These, it seems to me, are the real disabilities.
β
β
Fred Rogers (The World According to Mister Rogers: Important Things to Remember)
β
It has always seemed strange to me...The things we admire in men, kindness and generosity, openness, honesty, understanding and feeling, are the concomitants of failure in our system. And those traits we detest, sharpness, greed, acquisitiveness, meanness, egotism and self-interest, are the traits of success. And while men admire the quality of the first they love the produce of the second.
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β
John Steinbeck (Cannery Row (Cannery Row, #1))
β
Ah" said Dumbledore gently, "Yes I thought we might hit that little snag!"
"Snag?" said Fudge, his voice still vibrating with joy. "I see no snag, Dumbledore!"
"Well," said Dumbledore apologetically, "I'm afraid I do."
"Oh, really?"
"Well it's just that you seem to be labouring under the delusion that I am going to -- come quietly. I am afraid I am not going to come quietly at all, Cornelius. I have absolutely no intention of being sent to Azkaban. I could break out, of course -- but what a waste of time, and frankly, I can think of a whole host of things I would rather be doing.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
Perhaps, after all, romance did not come into oneβs life with pomp and blare, like a gay knight riding down; perhaps it crept to oneβs side like an old friend through quiet ways; perhaps it revealed itself in seeming prose, until some sudden shaft of illumination flung athwart its pages betrayed the rhythm and the music, perhaps . . . perhaps . . . love unfolded naturally out of a beautiful friendship, as a golden-hearted rose slipping from its green sheath.
β
β
L.M. Montgomery
β
Perhaps the greatest faculty our minds possess is the ability to cope with pain. Classic thinking teaches us of the four doors of the mind, which everyone moves through according to their need.
First is the door of sleep. Sleep offers us a retreat from the world and all its pain. Sleep marks passing time, giving us distance from the things that have hurt us. When a person is wounded they will often fall unconscious. Similarly, someone who hears traumatic news will often swoon or faint. This is the mind's way of protecting itself from pain by stepping through the first door.
Second is the door of forgetting. Some wounds are too deep to heal, or too deep to heal quickly. In addition, many memories are simply painful, and there is no healing to be done. The saying 'time heals all wounds' is false. Time heals most wounds. The rest are hidden behind this door.
Third is the door of madness. There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.
Last is the door of death. The final resort. Nothing can hurt us after we are dead, or so we have been told.
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Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
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To him she seemed so beautiful, so seductive, so different from ordinary people, that he could not understand why no one was as disturbed as he by the clicking of her heels on the paving stones, why no one else's heart was wild with the breeze stirred by the sighs of her veils, why everyone did not go mad with the movements of her braid, the flight of her hands, the gold of her laughter. He had not missed a single one of her gestures, not one of the indications of her character, but he did not dare approach her for fear of destroying the spell.
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Gabriel GarcΓa MΓ‘rquez (Love in the Time of Cholera)
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The point of marriage is not to create a quick commonality by tearing down all boundaries; on the contrary, a good marriage is one in which each partner appoints the other to be the guardian of his solitude, and thus they show each other the greatest possible trust. A merging of two people is an impossibility, and where it seems to exist, it is a hemming-in, a mutual consent that robs one party or both parties of their fullest freedom and development. But once the realization is accepted that even between the closest people infinite distances exist, a marvelous living side-by-side can grow up for them, if they succeed in loving the expanse between them, which gives them the possibility of always seeing each other as a whole and before an immense sky.
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Rainer Maria Rilke (Letters to a Young Poet)
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I leave Sisyphus at the foot of the mountain. One always finds one's burden again. But Sisyphus teaches the higher fidelity that negates the gods and raises rocks. He too concludes that all is well. This universe henceforth without a master seems to him neither sterile nor futile. Each atom of that stone, each mineral flake of that night-filled mountain, in itself, forms a world. The struggle itself toward the heights is enough to fill a man's heart. One must imagine Sisyphus happy.
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Albert Camus
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Very slowly using two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water.
Octavian made a squeaking sound. "What was that for? I didn't say toss it! That could've been evidence. Or spoils of war!"
Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation.
"You other two..." He pointed his blade a Hazel and Piper. "Put your weapons on the dock. No funny bus--"
All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth's dagger.
"You dropped this," he said, totally poker-faced.
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Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
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Jace?"
"Yeah?"
"How did you know I had Shadowhunter blood? Was there some way you could tell?"
The elevator arrived with a final groan. Jace unlatched the gate and slid it open. The inside reminded Clary of a birdcage, all black metal and decorative bits of gilt. "I guessed," he said, latching the door behind them. "It seemed like the most likely explanation."
"You guessed? You must have been pretty sure, considering you could have killed me."
He pressed a button in the wall, and the elevator lurched into action with a vibrating groan that she felt all through the bones in her feet. "I was ninety percent sure."
"I see," Clary said.
There must have been something in her voice, because he turned to look at her. Her hand cracked across his face, a slap that rocked him back on his heels. He put a hand to his cheek, more in surprise than pain. "What the hell was that for?"
The other ten percent," she said, and they rode the rest of the way down to the street in silence.
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Cassandra Clare (City of Bones (The Mortal Instruments, #1))
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At a few minutes before four, Peeta turns to me again. "Your favorite colour . . . it's green?"
"That's right." Then I think of something to add. "And yours is orange."
"Orange?" He seems unconvinced.
"Not bright orange. But soft. Like the sunset," I say. "At least, that's what you told me once."
"Oh." He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. "Thank you."
But more words tumble out. "You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces."
Then I dive into my tent before I do something stupid like cry.
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Suzanne Collins (Mockingjay (The Hunger Games, #3))
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I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He's always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.
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Emily BrontΓ« (Wuthering Heights)
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What are you going to do with your life?" In one way or another it seemed that people had been asking her this forever; teachers, her parents, friends at three in the morning, but the question had never seemed this pressing and still she was no nearer an answer... "Live each day as if it's your last', that was the conventional advice, but really, who had the energy for that? What if it rained or you felt a bit glandy? It just wasn't practical. Better by far to be good and courageous and bold and to make difference. Not change the world exactly, but the bit around you. Cherish your friends, stay true to your principles, live passionately and fully and well. Experience new things. Love and be loved, if you ever get the chance.
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David Nicholls (One Day)
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Love.
Because of you, in gardens of blossoming
Flowers I ache from the perfumes of spring.
I have forgotten your face, I no longer
Remember your hands; how did your lips
Feel on mine?
Because of you, I love the white statues
Drowsing in the parks, the white statues that
Have neither voice nor sight.
I have forgotten your voice, your happy voice;
I have forgotten your eyes.
Like a flower to its perfume, I am bound to
My vague memory of you. I live with pain
That is like a wound; if you touch me, you will
Make to me an irreperable harm.
Your caresses enfold me, like climbing
Vines on melancholy walls.
I have forgotten your love, yet I seem to
Glimpse you in every window.
Because of you, the heady perfumes of
Summer pain me; because of you, I again
Seek out the signs that precipitate desires:
Shooting stars, falling objects.
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Pablo Neruda
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A towel, [The Hitchhiker's Guide to the Galaxy] says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value. You can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapors; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a miniraft down the slow heavy River Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (such a mind-boggingly stupid animal, it assumes that if you can't see it, it can't see you); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.
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Douglas Adams (The Hitchhikerβs Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
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I am a dreamer. I know so little of real life that I just can't help re-living such moments as these in my dreams, for such moments are something I have very rarely experienced. I am going to dream about you the whole night, the whole week, the whole year. I feel I know you so well that I couldn't have known you better if we'd been friends for twenty years. You won't fail me, will you? Only two minutes, and you've made me happy forever. Yes, happy. Who knows, perhaps you've reconciled me with myself, resolved all my doubts.
When I woke up it seemed to me that some snatch of a tune I had known for a long time, I had heard somewhere before but had forgotten, a melody of great sweetness, was coming back to me now. It seemed to me that it had been trying to emerge from my soul all my life, and only now-
If and when you fall in love, may you be happy with her. I don't need to wish her anything, for she'll be happy with you. May your sky always be clear, may your dear smile always be bright and happy, and may you be for ever blessed for that moment of bliss and happiness which you gave to another lonely and grateful heart. Isn't such a moment sufficient for the whole of one's life?
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Fyodor Dostoevsky (White Nights)
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Admit it. You arenβt like them. Youβre not even close. You may occasionally dress yourself up as one of them, watch the same mindless television shows as they do, maybe even eat the same fast food sometimes. But it seems that the more you try to fit in, the more you feel like an outsider, watching the βnormal peopleβ as they go about their automatic existences. For every time you say club passwords like βHave a nice dayβ and βWeatherβs awful today, eh?β, you yearn inside to say forbidden things like βTell me something that makes you cryβ or βWhat do you think deja vu is for?β. Face it, you even want to talk to that girl in the elevator. But what if that girl in the elevator (and the balding man who walks past your cubicle at work) are thinking the same thing? Who knows what you might learn from taking a chance on conversation with a stranger? Everyone carries a piece of the puzzle. Nobody comes into your life by mere coincidence. Trust your instincts. Do the unexpected. Find the othersβ¦
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Timothy Leary
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For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.
Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.
A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.
A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.
When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.
A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.
So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.
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Hermann Hesse (BΓ€ume: Betrachtungen und Gedichte)
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Dearest, I feel certain that I am going mad again. I feel we can't go through another of those terrible times. And I shan't recover this time. I begin to hear voices, and I can't concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don't think two people could have been happier 'til this terrible disease came. I can't fight any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can't even write this properly. I can't read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that β everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can't go on spoiling your life any longer. I don't think two people could have been happier than we have been. V.
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Virginia Woolf
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Isabelle snorted. 'All the boys are gay. In this truck, anyway. Well, not you, Simon.'
'You noticed' said Simon.
'I think of myself as a freewheeling bisexual,' added Magnus.
'Please never say those words in front of my parents,' said Alec. 'Especially my father.'
'I thought your parents were okay with you, you know, coming out,' Simon said, leaning around Isabelle to look at Alec, who was β as he often was β scowling, and pushing his floppy dark hair out of his eyes. Aside from the occasional exchange, Simon had never talked to Alec much. He wasnβt an easy person to get to know. But, Simon admitted to himself, his own recent estrangement from his mother made him more curious about Alecβs answer than he would have been otherwise.
'My mother seems to have accepted it,' Alec said. 'But my father β no, not really. Once he asked me what I thought had turned me gay.'
Simon felt Isabelle tense next to him. 'Turned you gay?' She sounded incredulous. 'Alec, you didnβt tell me that.'
'I hope you told him you were bitten by a gay spider,' said Simon.
Magnus snorted; Isabelle looked confused. 'Iβve read Magnusβs stash of comics,' said Alec, 'so I actually know what youβre talking about' A small smile played around his mouth. 'So would that give me the proportional gayness of a spider?'
'Only if it was a really gay spider,' said Magnus, and he yelled as Alec punched him in the arm. 'Ow, okay, never mind.
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Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
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Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write.
This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple βI must,β then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose...
...Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, donβt blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the worldβs sounds β wouldnβt you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.
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Rainer Maria Rilke