Seeing Things Clearer Quotes

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When you're in a room, Maggie, all I see is you. You make everything better. Clearer. You stop the crazy noise in my head. I can think, hell, I can breathe when we're together What you make me feel is the most unbelievable and scary thing I've ever felt.
A. Meredith Walters (Find You in the Dark (Find You in the Dark, #1))
Drawing makes you see things clearer, and clearer, and clearer still. The image is passing through you in a physiological way, into your brain, into your memory - where it stays - it's transmitted by your hands.
Martin Gayford (A Bigger Message: Conversations with David Hockney)
Because I always feel like running Not away, because there is no such place Because if there was, I would have found it by now Because it's easier to run, Easier than staying and finding out you're the only one who didn't run Because running will be the way your life and mine will be described, As in "the long run" Or as in having "given someone a run for his money" Or as in "running out of time" Because running makes me look like everyone else, though I hope there will never be cause for that Because I will be running in the other direction, not running for cover Because if I knew where cover was, I would stay there and never have to run for it Not running for my life, because I have to be running for something of more value to be running and not in fear Because the thing I fear cannot be escaped, eluded, avoided, hidden from, protected from, gotten away from, Not without showing the fear as I see it now Because closer, clearer, no sir, nearer Because of you and because of that nice That you quietly, quickly be causing And because you're going to see me run soon and because you're going to know why I'm running then You'll know then Because I'm not going to tell you now
Gil Scott-Heron (Now and Then...)
So it is written - but so, too, it is crossed out. You can write it over again. You can make notes in the margins. You can cut out the whole page. You can, and you must, edit and rewrite and reshape and pull out the wrong parts like bones and find just the thing and you can forever, forever, write more and more and more, thicker and longer and clearer. Living is a paragraph, constantly rewritten. It is Grown-Up Magic. Children are heartless; their parents hold them still, squirming and shouting, until a heart can get going in their little lawless wilderness. Teenagers crash their hearts into every hard and thrilling thing to see what will give and what will hold. And Grown-Ups, when they are very good, when they are very lucky, and very brave, and their wishes are sharp as scissors, when they are in the fullness of their strength, use their hearts to start their story over again.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Sometimes, what people choose to write down on paper is more important than what they say." Caleb didn't know what Sarah meant. But I knew. I wrote in my journal every night. And when I read what I had written, I could see myself there, clearer than when I looked in the mirror. I could see all of us: Papa, who couldn't always say the things he felt; Caleb, who said everything; and Sarah, who didn't know that she had changed us all.
Patricia MacLachlan (Skylark (Sarah, Plain and Tall #2))
When most I wink, then do mine eyes best see, For all the day they view things unrespected; But when I sleep, in dreams they look on thee, And darkly bright are bright in dark directed. Then thou, whose shadow shadows doth make bright, How would thy shadow's form form happy show To the clear day with thy much clearer light, When to unseeing eyes thy shade shines so! How would, I say, mine eyes be blessed made By looking on thee in the living day, When in dead night thy fair imperfect shade Through heavy sleep on sightless eyes doth stay! All days are nights to see till I see thee, And nights bright days when dreams do show thee me.
William Shakespeare (Shakespeare's Sonnets)
See the exquisite contrast of the types of mind! The pragmatist clings to facts and concreteness, observes truth at its work in particular cases, and generalises. Truth, for him, becomes a class-name for all sorts of definite working-values in experience. For the rationalist it remains a pure abstraction, to the bare name of which we must defer. When the pragmatist undertakes to show in detail just why we must defer, the rationalist is unable to recognise the concretes from which his own abstraction is taken. He accuses us of denying truth; whereas we have only sought to trace exactly why people follow it and always ought to follow it. Your typical ultra-abstractions fairly shudders at concreteness: other things equal, he positively prefers the pale and spectral. If the two universes were offered, he would always choose the skinny outline rather than the rich thicket of reality. It is so much purer, clearer, nobler.
William James (Pragmatism and Other Writings)
I am not angry with anybody. But when I am alone it seems to me that I can see my friends in a clearer and rosier light than when I am with them; and when I loved and felt music best I lived far from it. It would seem that I must have distant perspectives in order that I may think well of things.
Friedrich Nietzsche
Clay, did you ever love me?" I'm studying a billboard and say that I didn't hear what she said. "I asked if you ever loved me?" On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets. "Don't do this, Blair," I tell her. "Just tell me." I don't say anything. "Is it such a hard question to answer?" I look at her straight on. "Yes or no?" "Why?" "Damnit, Clay," she sighs. "Yeah, sure, I guess." "Don't lie to me." "What in the fuck do you want to hear?" "Just tell me," she says, her voice rising. "No," I almost shout. "I never did." I almost start to laugh. She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine. "Did you ever love me?" I ask her back, though by now I can't even care. She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops. I look at her, waiting for her to go on, looking up at the billboard. Disappear Here. "I don't know if any other person I've been with has been really there, either ... but at least they tried." I finger the menu; put the cigarette out. "You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it." I watch the cars pass by on Sunset. "It's hard to feel sorry for someone who doesn't care." "Yeah?" I ask. "What do you care about? What makes you happy?" "Nothing. Nothing makes me happy. I like nothing," I tell her. "Did you ever care about me, Clay?" I don't say anything, look back at the menu. "Did you ever care about me?" she asks again. "I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care." "I cared about you for a little while." I don't say anything. She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up. "Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me. "Have to meet someone for lunch." "But what about us?" "What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?" I look up and put my sunglasses on and try to smile. "Yeah.
Bret Easton Ellis (Less Than Zero)
And then some guy wandering as lost as you would all of a sudden be right before your eyes, his face bigger and clearer than you ever saw a man’s face before in your life. Your eyes were working so hard to see in that fog that when something did come in sight every detail was ten times as clear as usual, so clear both of you had to look away. When a man showed up you didn’t want to look at his face and he didn’t want to look at yours, because it’s painful to see somebody so clear that it’s like looking inside him, but then neither did you want to look away and lose him completely. You had a choice: you could either strain and look at things that appeared in front of you in the fog, painful as it might be, or you could relax and lose yourself.
Ken Kesey (One Flew Over the Cuckoo’s Nest)
But it so happens that everything on this planet is, ultimately, irrational; there is not, and cannot be, any reason for the causal connexion of things, if only because our use of the word "reason" already implies the idea of causal connexion. But, even if we avoid this fundamental difficulty, Hume said that causal connexion was not merely unprovable, but unthinkable; and, in shallower waters still, one cannot assign a true reason why water should flow down hill, or sugar taste sweet in the mouth. Attempts to explain these simple matters always progress into a learned lucidity, and on further analysis retire to a remote stronghold where every thing is irrational and unthinkable. If you cut off a man's head, he dies. Why? Because it kills him. That is really the whole answer. Learned excursions into anatomy and physiology only beg the question; it does not explain why the heart is necessary to life to say that it is a vital organ. Yet that is exactly what is done, the trick that is played on every inquiring mind. Why cannot I see in the dark? Because light is necessary to sight. No confusion of that issue by talk of rods and cones, and optical centres, and foci, and lenses, and vibrations is very different to Edwin Arthwait's treatment of the long-suffering English language. Knowledge is really confined to experience. The laws of Nature are, as Kant said, the laws of our minds, and, as Huxley said, the generalization of observed facts. It is, therefore, no argument against ceremonial magic to say that it is "absurd" to try to raise a thunderstorm by beating a drum; it is not even fair to say that you have tried the experiment, found it would not work, and so perceived it to be "impossible." You might as well claim that, as you had taken paint and canvas, and not produced a Rembrandt, it was evident that the pictures attributed to his painting were really produced in quite a different way. You do not see why the skull of a parricide should help you to raise a dead man, as you do not see why the mercury in a thermometer should rise and fall, though you elaborately pretend that you do; and you could not raise a dead man by the aid of the skull of a parricide, just as you could not play the violin like Kreisler; though in the latter case you might modestly add that you thought you could learn. This is not the special pleading of a professed magician; it boils down to the advice not to judge subjects of which you are perfectly ignorant, and is to be found, stated in clearer and lovelier language, in the Essays of Thomas Henry Huxley.
Aleister Crowley
And if college is all wrong for you, if you really don't like it in the way you fear, well - it won't be a waste to have gone. Having bad experiences sometimes helps; its makes it clearer what it is you should be doing. I know that sounds very Pollyannaish but it's true. People who have had only good experiences aren't very interesting. They may be content, and happy after a fashion, but they aren't very deep. It may seem a misfortune now, and it makes things difficult, but well - it's easy to feel all the happy, simple stuff. Not that happiness is necessarily simple. But I don't think you're going to have a life like that, and I think you'll be the better for it. The difficult thing is to not be overwhelmed by the bad patches. You mustn't let them defeat you. You must see them as a gift - a cruel gift, but a gift nonetheless.
Peter Cameron (Someday This Pain Will Be Useful to You)
Love is the astrolabe of God’s mysteries. A lover may be drawn to this love or that love, but finally he is drawn to the Sovereign of Love. However much we describe and explain love, when we fall in love we are ashamed of our words. Explanation by the tongue makes most things clear, but love unexplained is clearer. When the pen came to the subject of love, it broke. When the discourse reached the topic of love, the pen split and the paper tore. If intellect tries to explain it, it falls helpless as a donkey on a muddy trail; only Love itself can explain love and lovers! The proof of the sun is the sun itself. If you wish to see it, don’t turn away from it.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
Scrubb saw that she wasn't quite herself yet and very sensibly offered her a peppermint. He had one too. Presently, Jill began to see things in a clearer light.
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
These conversations between the Spirits and the Ghosts--were they only the mimicry of choices that had really been made long ago? Or might yet not as well say, anticipations of a choice to be made at the end of all things? But ye'd do better to say neither. Ye saw the choices a bit more clearly than ye could see them on earth: the lens was clearer. But it was still seen through the lens. Do not ask of a vision in a dream more than a vision in a dream can give.
C.S. Lewis (The Great Divorce)
A: But why this solitude? - B: I am not at odds with anyone. But when I am alone I seem to see my friends in a clearer and fairer light than when I am with them; and when I loved and appreciated music the most, I lived far from it. It seems I need a distant perspective if I am to think well of things.
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
You keep pressing me,” he said, “to say that the attacks start with this symptom or that symptom, this phenomenon or that phenomenon, but this is not the way I experience them. It doesn’t start with one symptom, it starts as a whole. You feel the whole thing, quite tiny at first, right from the start.… It’s like glimpsing a point, a familiar point, on the horizon, and gradually getting nearer, seeing it get larger and larger; or glimpsing your destination from far off, in a plane, having it get clearer and clearer as you descend through the clouds.” “The migraine looms,” he added, “but it’s just a change of scale—everything is already there from the start.” This business of “looming,” of huge changes of
Oliver Sacks (Migraine)
Isn’t the world upside down enough without it actually being upside down?” Anadil marveled. “Maybe they see things clearer that way,” Hester said. “Eh, I’d say this group is as blind as the rest,” said Anadil. Hester
Soman Chainani (One True King (The School for Good and Evil: The Camelot Years, #3))
People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists. “…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…” What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me. “The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.” “I know what you mean,” I said. His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.” “I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. “I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.
Wally Lamb (She’s Come Undone)
... Broken people just need piecing back together. For so long I'd carried the pieces of me. Every now and then I'd drop one like a breadcrumb. So I could find my way home. Then Ashley came along and gathered the pieces and somewhere between 11,000 fee and sea level, the picture began taking shape. Dim at first, then clearer. Not yet clear. But these things take time. Maybe each of us was once a complete whole. A clear picture. A single piece. Then something happened to crack and shatter us. Leaving us disconnected, torn and splintered. Some of us lie in a hundred pieces. Some ten thousand. Some are edged with sharp contrast. Some dim shades of gray. Some find they are missing pieces. Some find they have too many. In any case, we are left shaking our heads. It can't be done. Then someone comes along who mends a tattered edge, or returns a lost piece. The process is tedious, painful, and there are no shortcuts. Anything that promises to be one is not. But somehow, as we walk from the crash site - away from he wreckage - whole sections start taking shape, something vague we see out of the corner of our eye. For a second, we stop shaking our heads. We wonder. Maybe...just maybe. It's risky for both of us. You must hope in an image you can't see, and I must trust you with me. That's the piecing.
Charles Martin (The Mountain Between Us)
But, you see, what I like about you is not that you feel foreign. And I don't think you ever did feel entirely foreign. But I like the fact that something about you still resists, refuses to become familiar, remains invincibly foreign. And it means that when I'm with you, I'm always rubbing up against a foreign element, something mysterious, irreducible, ever present, and full of happiness…It makes the way you walk and some of the things you do feel foreign to me for a moment. Your voice, on the end of the phone, from time to time: foreign. Your perfume, its vetiver fragrance, your own delicate smell: both foreign. Your subtly sinuous thought processes are so foreign to my own meanderings, and yet clearer and sharper. Of course you are not a foreigner, but how I value this foreignness in you. Perhaps keeping that foreign element is the secret.
Hervé Le Tellier
Sometimes the clearer picture is so close we look right through it, learn to step back, evaluate, see things for what they are.
Joe Mehl
You’re part of the fabric of my life, Giselle, and our quilt is stronger now. You have to see that. Forgive yourself, and things will be clearer, your heart open, major decisions easier.
Ilsa Madden-Mills (Not My Match (The Game Changers, #2))
<..> Reading makes you see with clearer eyes and understand the world better. When you do that , you become stronger - the feeling you associate with success. But at the same time with pain. Within the pages, there's much suffering, beyond that we've gone through in our finite experience of life. You'll read about suffering you didn't know existed. Having experienced their pain through words, it becomes a lot harder to focus on pursuing individual happiness and success. Reading makes you deviate further from the textbook definition of success because books don't make us go ahead of or above anyone else; they guide us to stand alongside others. <...> <..> We become more compassionate. To read is to see things from someone else's perspective, and that naturally leads you to stop and look out for other people, rather than chase after success in the rat race. If more people read, I think the world would become a better place.
Hwang Bo-Reum (Welcome to the Hyunam-Dong Bookshop)
Und nicht wahr, wenn man ihn zwänge, in das Licht selbst zu sehen, so würde er Schmerzen an den Augen haben, davonlaufen und sich wieder jenen Schattengegenständen zuwenden, die er ansehen kann, und würde dabei bleiben, diese wären wirklich deutlicher als die, welche er gezeigt bekam? And if he is compelled to look straight at the light, will he not have a pain in his eyes which will make him turn away to take and take in the objects of vision which he can see, and which he will conceive to be in reality clearer than the things which are now being shown to him?
Plato (The Republic)
The north smells different from the city: clearer, thinner. You can see farther. A sawmill, a hill of sawdust, the teepee shape of a sawdust burner; the smokestacks of the copper smelters, the rocks around them bare of trees, burnt-looking, the heaps of blackened slag: I’ve forgotten about these things all winter, but here they are again, and when I see them I remember them, I know them, I greet them as if they are home.
Margaret Atwood (Cat’s Eye)
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
What made him most anxious, he told me, was not the big questions -the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he'd become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both -Mr. Pucci, frail and wasted, a talking dead man. And myself with a surgical mask over my mouth, to protect him from me. "The irony," he said, "... is that now that I'm this blind man, it's clearer to me now then it's ever been before. What's the line? 'Was blind but now I see...' " He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. "You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought ...said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed-up phone message... That time we separated was my idea. I thought, well, I'm fifty years old and there might be someone else out there. People waste their happiness -that's what makes me sad. Everyone's so scared to be happy." "I know what you mean," I said. His eyes opened wider. For a second he seemed to see me. "No you don't," he said. "You mustn’t. He keeps wanting to give you his love, a gift out and out and you dismiss it. Shrug it off because you're afraid." "I'm not afraid. It's more like ..." I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. "l'll give you what I learned from all this," he said. "Accept what people offer. Drink their milkshakes. Take their love.
Wally Lamb (She’s Come Undone)
The majority of things in life are about picking your battles. You'll learn that too. And that will never be clearer than when you're at IKEA. You'd have to visit a Danish vacation village after two weeks of pouring rain and no beer to come across as many couples arguing as you'll hear in the IKEA section for changeable sofa covers on any given Tuesday. People take this whole interior design thing really seriously these days. It's become a national pastime to over interpret the symbolism of the fact that "he wants frosted glass, that just proves he never listens to my FEELINGS." "Ahhhhh! She wants beech veneer. Do you hear me? Beech veneer! Sometimes, it feels like I've woken up next to a stranger!" That's how it is, every single time you go there. And I'm not going to lecture you, but if there's just one thing I can get across then let it be this: no one has ever, in the history of the world, had an argument in IKEA that really is about IKEA. People can say whatever they life, but when a couple who has been married for ten years walks around the bookshelves section calling one another words normally only used by alcoholic crime fiction detectives, they might be arguing about a number of things, but trust me: cupboard doors is not one of them. Believe me. You're a Backman. Regardless of how many shortcomings the person you fall in love with might have, I can guarantee that you still come out on top of that bargain. So find someone who doesn't love you for the person you are, but despite the person you are. And when you're standing there, in the storage section at IKEA, don't focus too much on the furniture. Focus on the fact that you've actually found someone who can see themselves storing their crap in the same place as your crap. Because, hand on heart: you have a lot of crap.
Fredrik Backman (Saker min son behöver veta om världen)
I don’t remember when I stopped noticing—stopped noticing every mirror, every window, every scale, every fast-food restaurant, every diet ad, every horrifying model. And I don’t remember when I stopped counting, or when I stopped caring what size my pants were, or when I started ordering what I wanted to eat and not what seemed “safe,” or when I could sit comfortably reading a book in my kitchen without noticing I was in my kitchen until I got hungry—or when I started just eating when I got hungry, instead of questioning it, obsessing about it, dithering and freaking out, as I’d done for nearly my whole life. I don’t remember exactly when recovery took hold, and went from being something I both fought and wanted, to being simply a way of life. A way of life that is, let me tell you, infinitely more peaceful, infinitely happier, and infinitely more free than life with an eating disorder. And I wouldn’t give up this life of freedom for the world. What I know is this: I chose recovery. It was a conscious decision, and not an easy one. That’s the common denominator among people I know who have recovered: they chose recovery, and they worked like hell for it, and they didn’t give up. Recovery isn’t easy, at first. It takes time. It takes more work, sometimes, than you think you’re willing to do. But it is worth every hard day, every tear, every terrified moment. It’s worth it, because the trade-off is this: you let go of your eating disorder, and you get back your life. There are a couple of things I had to keep in mind in early recovery. One was that I was going to recover, even though I didn’t feel “ready.” I realized I was never going to feel ready—I was just going to jump in and do it, ready or not, and I am deeply glad that I did. Another was that symptoms were not an option. Symptoms, as critically necessary and automatic as they feel, are ultimately a choice. You can choose to let the fallacy that you must use symptoms kill you, or you can choose not to use symptoms. Easier said than done? Of course. But it can be done. I had to keep at the forefront of my mind the reasons I wanted to recover so badly, and the biggest one was this: I couldn’t believe in what I was doing anymore. I couldn’t justify committing my life to self-destruction, to appearance, to size, to weight, to food, to obsession, to self-harm. And that was what I had been doing for so long—dedicating all my strength, passion, energy, and intelligence to the pursuit of a warped and vanishing ideal. I just couldn’t believe in it anymore. As scared as I was to recover, to recover fully, to let go of every last symptom, to rid myself of the familiar and comforting compulsions, I wanted to know who I was without the demon of my eating disorder inhabiting my body and mind. And it turned out that I was all right. It turned out it was all right with me to be human, to have hungers, to have needs, to take space. It turned out that I had a self, a voice, a whole range of values and beliefs and passions and goals beyond what I had allowed myself to see when I was sick. There was a person in there, under the thick ice of the illness, a person I found I could respect. Recovery takes time, patience, enormous effort, and strength. We all have those things. It’s a matter of choosing to use them to save our own lives—to survive—but beyond that, to thrive. If you are still teetering on the brink of illness, I invite you to step firmly onto the solid ground of health. Walk back toward the world. Gather strength as you go. Listen to your own inner voice, not the voice of the eating disorder—as you recover, your voice will get clearer and louder, and eventually the voice of the eating disorder will recede. Give it time. Don’t give up. Love yourself absolutely. Take back your life. The value of freedom cannot be overestimated. It’s there for the taking. Find your way toward it, and set yourself free.
Marya Hornbacher
Having bad experiences sometimes helps; it makes it clearer what it is you should be doing. I know that sounds very Pollyannaish but it’s true. People who have had only good experiences aren’t very interesting. They may be content, and happy after a fashion, but they aren’t very deep. It may seem a misfortune now, and it makes things difficult, but well—it’s easy to feel all the happy, simple stuff. Not that happiness is necessarily simple. But I don’t think you’re going to have a life like that, and I think you’ll be the better for it. The difficult thing is to not be overwhelmed by the bad patches. You mustn’t let them defeat you. You must see them as a gift—a cruel gift, but a gift nonetheless.
Peter Cameron (Someday This Pain Will Be Useful to You)
When people talk about falling in love, often they’ll say things clicked into place. I didn’t have that. It was more like things relaxed. Everything I’d been holding onto was suddenly filled with air, and I didn’t feel quite as crowded as I had before. My thoughts get quieter when I’m in love, I guess. It’s like when you’re looking at a picture of a busy street, filled with cars and people and all their lives and worries and thoughts, and at first, it’s overwhelming, it’s too busy for you to see anything but the sum of its parts, but once you zoom in, everything gets clearer. Suddenly the blurs you were looking at aren’t blurs, they’re people, and you feel a connection to it. The bigness doesn’t seem so big anymore.
Ava Bellows (All I Stole From You)
It was a long struggle against invisible foes, or to put it more accurately, against invisible foes that might not have been there at all, but it was a victorious struggle, in the course of which they understood that the victory would only be unconditional if they annihilated or, if he might put it in such old fashioned terms, said Korin, exiled, exiled anything that might have stood against them, or rather, fully absorbed it into the repulsive vulgarity of the world they now ruled, ruled if not exactly commanded, and thereby besmirched whatever was good and transcendent, not by saying a haughty 'no' to good and transcendent things, no, for they understood that the important thing was to say 'yes' from the meanest of motives, to give them their outright support, to display them, to nurture them; it was this that dawned on them and showed them what to do, that their best option was not to crush their enemies, to mock them or wipe them off the face of the earth, but, on the contrary, to embrace them, to take responsibility for them and so to empty them of their content, and in this way to establish a world in which it was precisely these things that would be the most liable to spread the infection so that the only power that had any chance of resisting them, by whose radiant light it might still have been possible to see the degree to which they had taken over people's lives... how could he make himself clearer at this point, Korin hesitated...
László Krasznahorkai (War & War)
Although Katie had this same flair for coloring an incident and Johnny himself lived in a half-dream world, yet they tried to squelch these things in their child. Maybe they had a good reason. Maybe they knew their own gift of imagination colored too rosily the poverty and brutality of their lives and made them able to endure it. Perhaps Katie thought that if they did not have this faculty, they would be clearer-minded; see things as they really were, and seeing them loathe them and somehow find a way to make them better. Francie
Betty Smith (A Tree Grows in Brooklyn)
When the dogma of the Assumption was defined a friend of mine, a very intelligent Mohammedan, congratulated me on the gesture which the Holy Father had made; a gesture (said he) against materialism. And I think he was right. When our Lord took his blessed Mother, soul and body, into heaven, he did honour to the poor clay of which our human bodies are fashioned. It was the first step towards reconciling all things in heaven and earth to his eternal Father, towards making all things new. "The whole of nature", St Paul tells us, "groans in a common travail all the while. And not only do we see that, but we ourselves do the same; we ourselves although we have already begun to reap our spiritual harvest, groan in our hearts, waiting for that adoption which is the ransoming of our bodies from their slavery." That transformation of our material bodies to which we look forward one day has been accomplished—we know it now for certain-in her. When the Son of God came to earth, he came to turn our hearts away from earth, Godwards. And as the traveller, shading his eyes while he contemplates some long vista of scenery, searches about for a human figure that will give him the scale of those distant surroundings, so we, with dazzled eyes looking Godwards, identify and welcome one purely human figure close to his throne. One ship has rounded the headland, one destiny is achieved, one human perfection exists. And as we watch it, we see God clearer, see God greater, through this masterpiece of his dealings with mankind.
Ronald Knox
learning in adulthood that you have been secretly nursing a disability all your life is quite the world-shattering experience. Adjusting your self-concept is a long process. It can involve mourning, rage, embarrassment, and dozens upon dozens of “wait, that was an Autism thing?” revelations. Though many of us come to see Autistic identity as a net positive in our lives, accepting our limitations is an equally important part of the journey. The clearer we are with ourselves about where we excel and where we need help, the more likely we are to eke out an existence that’s richly interdependent, sustainable, and meaningful.
Devon Price (Unmasking Autism: Discovering the New Faces of Neurodiversity)
Generally he knew by instinct the likely length of an investigation, but on this occasion he did not: as he fought to get his breath he suddenly saw himself as others must see him, and he was struck by the impossibility of his task. The event of the boy's death was not simple because it was not unique and if he traced it backwards, running the time slowly in the opposite direction (but did it have a direction?), it became no clearer. The chain of causality might extend as far back as the boy's birth, in a particular place and on a particular date, or even further into the darkness beyond that. And what of the murderer, for what sequence of events had drawn him to wander by this old church? All these events were random and yet connected, part of a pattern so large that it remained inexplicable. He might, then, have to invent a past from the evidence available - and, in that case, would not the future also be an invention? It was as if he were staring at one of those puzzle drawings in which foreground and background create entirely different images: you could not look at such a thing for long.
Peter Ackroyd (Hawksmoor)
Now, what I am, and what I was, I know; I see the seasons in procession go With still increasing speed; while things to come, Unknown, unthought, amid the growing gloom Of long futurity, perplex my soul, While life is posting to its final goal. Mine is the crime, who ought with clearer light To watch the winged years’ incessant flight; And not to slumber on in dull delay
Francesco Petrarca (Petrarch in English)
Stay groovy/To keep the axis turning so that love follows music as the night the day/You hypnotize people to where they go right back to their natural state,like in childhood when you get natural highs.And when they come down off,they see clearer,feel different things.It’s all spiritual/The idea is to get your own self together/What you do is your religion" 《Starting at Zero》
Jimi Hendrix
The future is just a roulette wheel, Darcy. Only every outcome is grey.” “That doesn’t sound so good,” I murmured. “It is good, and bad. That’s life. I guess that’s one thing The Sight makes me see clearer than anything else. It’s all about the choices you make, the actions you take. Cause and effect. If you do nothing, nothing will happen. If you do everything, everything will happen.
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
So it is written-but so, too, it is crossed out. You can write over it again. You can make notes in the margins. You can cut out the whole page. You can, and you must, edit and rewrite and reshape and pull out the wrong parts like bones and find just the thing and you can forever, forever, write more and more and more, thicker and longer and clearer. Living is a paragraph, constantly rewritten. It is Grown-Up Magic. Children are heartless; their parents hold them still, squirming and shouting, until a heart can get going in their little lawless wilderness. Teenagers crash their hearts into every hard and thrilling thing to see what will give and what will hold. And Grown-Ups, when they are very good, when they are very luck, and very brave, and their wishes are sharp as scissors, when they are in the fullness of their strength, use their hearts to start their story over again.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
I x-ray sentences; I claw away a paragraph and reshape it as carefully as I can, and test it again, and peer into the pages to see if things in there are any clearer, any more resolved. Often they are not. But to write a story is to inch backward and forward along a series of planks you are cantilevering out into the darkness, plank by plank, inch by inch, and the best you can hope is that each day you find yourself a little bit farther out over the abyss.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
it would be surprising if I had a clearer grasp of things that I realize are doubtful, unknown and foreign to me—·namely, bodies·—than I have of what is true and known— namely my own self. But I see what the trouble is: I keep drifting towards that error because my mind likes to wander freely, refusing to respect the boundaries that truth lays down. Very well, then; I shall let it run free for a while, so that when the time comes to rein it in it won’t be so resistant to being pulled back.
René Descartes
It’s a huge step forward to realize that the worst thing to happen is never the event, but the event and losing your head. Because then you’ll have two problems (one of them unnecessary and post hoc). The demand on you is this: Once you see the world as it is, for what it is, you must act. The proper perception—objective, rational, ambitious, clean—isolates the obstacle and exposes it for what it is. A clearer head makes for steadier hands. And then those hands must be put to work. Good use.
Ryan Holiday (The Obstacle Is the Way: The Timeless Art of Turning Trials into Triumph)
It’s all so confusing.” “Only to you it is. Wes and I tend to see things a whole lot clearer than you do. And, as luck would have it, he just happens to be here with me, hiding out from his dad. So why don’t you get your confused ass over here, too?” “Why is he hiding out?” “Because his dad paid Helga to come onto him.” “Helga the cleaning lady?” “Believe it. That woman may be sixty years old and carry her teeth around in a Dixie cup, but apparently she still has game.” “Heinous.” “To put it mildly.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
I have already explained to you that what is out of the common is usually a guide rather than a hindrance. In solving a problem of this sort, the grand thing is to be able to reason backwards. That is a very useful accomplishment, and a very easy one, but people do not practise it much. In the every-day affairs of life it is more useful to reason forwards, and so the other comes to be neglected. There are fifty who can reason synthetically for one who can reason analytically." "I confess," said I, "that I do not quite follow you." "I hardly expected that you would. Let me see if I can make it clearer. Most people, if you describe a train of events to them, will tell you what the result would be. They can put those events together in their minds, and argue from them that something will come to pass. There are few people, however, who, if you told them a result, would be able to evolve from their own inner consciousness what the steps were which led up to that result. This power is what I mean when I talk of reasoning backwards, or analytically.
Arthur Conan Doyle
She blushed softly as she viewed herself in the mirror, suddenly aware that he was once more behind her eyes, seeing her just as she did. “You could at least warn me,” she said aloud, cocking a scolding brow at her reflection. And deprive myself of this side of you? I would not dream of it. Legna smiled, moving closer to her looking glass. She gasped when she got a closer look at herself, her hand coming up to her cheek in shock as she looked into her eyes. “My eyes!” she exclaimed. My eyes, he said. He couldn’t have spoken a clearer truth. It was his mercury-colored irises that had become part of her reflection, the multicolored gray and green gone from their familiar place. She sighed with resignation, supposing to herself that since it wasn’t likely she could do anything about it, she would have to get used to it. “I do not suppose you will show up here suddenly sprouting coffee-colored hair?” she asked hopefully. No, sweet, that is not likely. “Well, this is a highly unfair situation!” she cried with exaggerated petulance. “An exchange historically indicates one thing being swapped for another. So far I only see you in me, but none of me in you. It feels terribly high-handed. How typical of you.” He did not respond, only a soft impression of laughter flitting through her mind. Odd, but she realized then that she had hardly ever heard him laugh before. She was surprised by how comfortable it sounded on him. He had always been so serious, so . . . Self-possessed. “If you do not mind, do refrain from editing my personal thoughts,” she scolded, her arching tone taunting and haughty.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Note II.—From all that has been said above it is clear, that we, in many cases, perceive and form our general notions:—(1.) From particular things represented to our intellect fragmentarily, confusedly, and without order through our senses (II. xxix. Coroll.); I have settled to call such perceptions by the name of knowledge from the mere suggestions of experience.4 (2.) From symbols, e.g., from the fact of having read or heard certain words we remember things and form certain ideas concerning them, similar to those through which we imagine things (II. xviii. note). I shall call both these ways of regarding things knowledge of the first kind, opinion, or imagination. (3.) From the fact that we have notions common to all men, and adequate ideas of the properties of things (II. xxxviii. Coroll., xxxix. and Coroll. and xl.); this I call reason and knowledge of the second kind. Besides these two kinds of knowledge, there is, as I will hereafter show, a third kind of knowledge, which we will call intuition. This kind of knowledge proceeds from an adequate idea of the absolute essence of certain attributes of God to the adequate knowledge of the essence of things. I will illustrate all three kinds of knowledge by a single example. Three numbers are given for finding a fourth, which shall be to the third as the second is to the first. Tradesmen without hesitation multiply the second by the third, and divide the product by the first; either because they have not forgotten the rule which they received from a master without any proof, or because they have often made trial of it with simple numbers, or by virtue of the proof of the nineteenth proposition of the seventh book of Euclid, namely, in virtue of the general property of proportionals. But with very simple numbers there is no need of this. For instance, one, two, three, being given, everyone can see that the fourth proportional is six; and this is much clearer, because we infer the fourth number from an intuitive grasping of the ratio, which the first bears to the second.
Baruch Spinoza (The Writings of Spinoza: Ethics, On the Improvement of Understanding, Correspondence, A Theologico-Political Treatise)
What is that other universe?" she said. "One of uncountable billions of parallel worlds. The witches have known about them for centuries, but the first theologians to prove their existence mathematically were excommunicated fifty or more years ago. However, it's true; there's no possible way of denying it. "But no one thought it would ever be possible to cross from one universe to another. That would violate fundamental laws, we thought. Well, we were wrong; we learned to see the world up there. If light can cross, so can we. And we had to learn to see it, Lyra, just as you learned to use the alethiometer. "Now that world, and every other universe, came about as a result of possibility. Take the example of tossing a coin: it can come down heads or tails, and we don't know before it lands which way it's going to fall. If it comes down heads, that means that the possibility of its coming down tails has collapsed. Until that moment the two possibilities were equal. "But on another world, it does come down tails. And when that happens, the two worlds split apart. I'm using the example of tossing a coin to make it clearer. In fact, these possibility collapses happen at the level of elementary particles, but they happen in just the same way: one moment several things are possible, the next moment only one happens, and the rest don't exist. Except that other worlds have sprung into being, on which they did happen. "And I'm going to that world beyond the Aurora," he said, "because I think that's where all the Dust in this universe comes from. You saw those slides I showed the Scholars in the retiring room. You saw Dust pouring into this world from the Aurora. You've seen that city yourself. If light can cross the barrier between the universes, if Dust can, if we can see that city, then we can build a bridge and cross. It needs a phenomenal burst of energy. But I can do it. Somewhere out there is the origin of all the Dust, all the death, the sin, the misery, the destructiveness in the world. Human beings can't see anything without wanting to destroy it, Lyra. That's original sin. And I'm going to destroy it. Death is going to die.
Philip Pullman (The Golden Compass (His Dark Materials, #1))
I know that a brighter view may be taken, and if the sadder has been emphasized in these letters, it is only because we feel you know less about it. For more has been written about the successes than about the failures, and it seems to us that it is more important that you should know about the reverses than about the successes of the war. We shall have all eternity to celebrate the victories, but we have only the few hours before sunset in which to win them. We are not winning them as we should, because the fact of the reverses is so little realized, and the needed reinforcements are not forthcoming, as they would be if the position were thoroughly understood. Reinforcements of men and women are needed, but, far above all, reinforcements of prayer. And so we have tried to tell you the truth the uninteresting, unromantic truth about the heathen as we find them, the work as it is. More workers are needed. No words can tell how much they are needed, how much they are wanted here. But we will never try to allure anyone to think of coming by painting coloured pictures, when the facts are in black and white. What if black and white will never attract like colours ? We care not for it ; our business is to tell the truth. The work is not a pretty thing, to be looked at and admired. It is a fight. And battlefields are not beautiful. But if one is truly called of God, all the difficulties and discouragements only intensify the Call. If things were easier there would be less need. The greater the need, the clearer the Call rings through one, the deeper the conviction grows: it was God s Call. And as one obeys it, there is the joy of obedience, quite apart from the joy of success. There is joy in being with Jesus in a place where His friends are few ; and sometimes, when one would least expect it, coming home tired out and disheartened after a day in an opposing or indifferent town, suddenly how, you can hardly tell such a wave of the joy of Jesus flows over you and through you, that you are stilled with the sense of utter joy. Then, when you see Him winning souls, or hear of your comrades victories, oh ! all that is within you sings, I have more than an overweight of joy !
Amy Carmichael (Things as They Are: Mission Work in Southern India)
I can't remember everything we talked about, but the beginning of that conversation is a lot clearer to me than the end. By the time we came to the last half hour or forty-five minutes, there was so much bourbon in my system that I was actually seeing double. This had never happened to me before, and I had no idea how to bring the world back into focus. Whenever I looked at Sachs, there were two of him. Blinking my eyes didn't help, and shaking my head only made me dizzy. Sachs had turned into a man with two heads and two mouths, and when I finally stood up to leave, I can remember how he caught me in his four arms just as I was about to fall. It was probably a good thing that there were so many of him that afternoon. I was nearly a dead weight by then, and I doubt that one man could have carried me.
Paul Auster (Leviathan)
You're beginning to see, aren't you, Peter? Shall I make it clearer. You've never wanted me to be real. You never wanted anyone to be. But you didn't want to show it. You wanted an act to help your act--a beautiful, complicated act, all twists, trimmings and words. All words. You didn't like what I said about Vincent Knowlton. You liked it when I said the same thing under cover of virtuous sentiments. You didn't want me to believe. You only wanted me to convince you that I believed. My real soul, Peter? It's real only when it's independent--you've discovered that, haven't you? It's real only when it chooses curtains and desserts--you're right about that--curtains, desserts and religions, Peter, and the shapes of buildings. But you've never wanted that. You wanted a mirror. People want nothing but mirrors around them. To reflect them while they're reflecting too. You know, like the senseless infinity you get from two mirrors facing each other across a narrow passage. Usually in the more vulgar kind of hotels. Reflections of reflections and echoes of echoes. No beginning and no end. No center and no purpose. I gave you what you wanted. I became what you are, what your friends are, what most of humanity is so busy being--only with the trimmings. I didn't go around spouting book reviews to hide my emptiness of judgment--I said I had no judgment. I didn't borrow designs to hide my creative impotence--I created nothing. I didn't say that equality is a noble conception and unity the chief goal of mankind--I just agreed with everybody. You call it death, Peter? That kind of death--I've imposed it on you and on everyone around us. But you--you haven't done that. People are comfortable with you, they like you, they enjoy your presence. You've spared them the blank death. Because you've imposed it--on yourself.
Ayn Rand (The Fountainhead)
What is that other universe?” she said. “One of uncountable billions of parallel worlds. The witches have known about them for centuries, but the first theologians to prove their existence mathematically were excommunicated fifty or more years ago. However, it’s true; there’s no possible way of denying it. “But no one thought it would ever be possible to cross from one universe to another. That would violate fundamental laws, we thought. Well, we were wrong; we learned to see the world up there. If light can cross, so can we. And we had to learn to see it, Lyra, just as you learned to use the alethiometer. “Now that world, and every other universe, came about as a result of possibility. Take the example of tossing a coin: it can come down heads or tails, and we don’t know before it lands which way it’s going to fall. If it comes down heads, that means that the possibility of its coming down tails has collapsed. Until that moment the two possibilities were equal. “But on another world, it does come down tails. And when that happens, the two worlds split apart. I’m using the example of tossing a coin to make it clearer. In fact, these possibility collapses happen at the level of elementary particles, but they happen in just the same way: one moment several things are possible, the next moment only one happens, and the rest don’t exist. Except that other worlds have sprung into being, on which they did happen.
Philip Pullman (The Golden Compass (His Dark Materials, #1))
Why do you love your camera, Dylan?" he asks. I sit down and think about it. I could list a million reasons. Gray sits next to me. "It helps me to see." I say. "I appreciate so much more when I have it. It widens my perspective; it makes me want to soak up every detail. It never misses a thing, it never blinks. The Whole word is crisper and brighter and clearer. It sees beauty whithout judging it. It makes me want to take every temporary moment and make it permanent." I stop rambling and look over at Gray. He's smiling. "Exactly," he says. "I'm you camera," I say, stunned. It's the greatest compliment he could ever give me.
Katie Kacvinsky (Finally, Forever (First Comes Love, #3))
If you believe that Jesus, the crucified victim, is God, you stop believing in the gods, you stop believing in weird forces revealing who is “really” to blame, and you get closer and closer to seeing things as they really, humanly, are. What I’m bringing out here is an understanding of progressive revelation. How it is that as the truth emerges more and more richly in our midst we cannot expect the textual effects of that emergence to get nicer and nicer. You would expect them to get nastier and nastier, but clearer and clearer. And finally you see exactly the same story being told from exactly the inverse perspective, so that there are no longer even the remains of any mythical bits at work. It requires no great imagination to think either “The Old Testament is bad and the New Testament is good” or “All word values are the same in both Testaments.” It requires rather more subtlety to imagine a process in which, as the self-manifestation of the innocent victim becomes clearer and clearer, so the understanding of how humans typically are inclined to behave becomes darker and darker, but more and more realistic.
James Alison (Jesus the Forgiving Victim: Listening for the Unheard Voice - An Introduction to Christianity for Adults)
What about you?” Was she trying to kill him? Test him to see if he was a candidate for sainthood? He assessed her, studying her closely. He didn’t see any coyness lurking. No artificial flirtation or feigned innocence. If anything, she looked—he cocked his head, taking in the line of her jaw, the tilt of her chin—curious. He made an impulsive decision and opted for bluntness. “There are a million things I can do to you that don’t include my cock, Maddie.” “Oh.” A gasp. She took an involuntary step backward, then froze in her tracks. The bodice of her dress slipped a little. “But I don’t understand.” “What are you confused about?” There was a razor-sharp edge in his tone. He swallowed to remove the tension choking him. She nibbled her bottom lip, her auburn brows drawing together. “What do you get out of it?” “I get to put my hands and mouth all over you. That’s what I get out of it.” Her expression went blank. Her lips parted, only to snap shut again. Her reasons for climbing out a church window were becoming clearer by the second. He should keep his mouth shut and let her work through her own thoughts, but screw it. “Not all men are selfish pricks in bed.” She stepped back, and the dress faltered, threatening to slip from her grasp. “This conversation is inappropriate, isn’t it?” “No,” he said, watching her precarious hold on the heaps of fabric. He wasn’t sure if he was praying for it to fall or stay up. He cleared his throat. “But it’s still time for you to go to bed.” With a sharp nod, she backed out of the room. “Thanks for helping me.” “Anytime, Princess.” She’d better get out of here fast, or he’d be coming after her. She turned and started to climb the stairs, and he called innocuously, “Sleep well.” “You too,” she said, moving more quickly, until she disappeared with a final swish of white. Fifteen seconds later, he heard the slam of a door. He blew out a deep breath and ran a hand over his day’s worth of stubble. This was going to be a long fucking night.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
President Truman’s message to Stalin could not have been clearer if written in blood. It was a warning not to contemplate starting a new war in Europe trusting in the Red Army’s old-fashioned strength in numbers. And it signaled more concisely than any speech that Truman had accepted the central argument of George Kennan’s famous “Long Telegram,” sent from the U.S. embassy in Moscow six months before the tests: the Soviet Union had to be contained. As Truman himself put it: “If we could just have Stalin and his boys see one of these things, there wouldn’t be any question about another war.
Giles Whittell (Bridge of Spies: A True Story of the Cold War)
JANUARY IN PY7 This can be a difficult month of adjustment for those who have become addicted to continual progress. But we all must learn to accept the things we cannot change, and this is an irrevocable year of consolidation. If it be in disagreement with your wants, then examine them and act wisely, or this could become a year of significant loss for you. FEBRUARY IN PY7 If you have not yet succeeded in accepting the need to focus on stabilising this year, then quiet your mind and body, turn inward and rely on your intuition for guidance. Take time to embrace periods of silence and meditate whenever possible. Be especially attentive to stabilising your love life. MARCH IN PY7 Your level of personal understanding is strengthened during this month when the mind number 3 prevails. Things become clearer and your life becomes more readily understood, unless you refuse to accept the inevitable and choose instead to play the role of the victim. APRIL IN PY7 Those who have refused to slow down and consolidate can expect this to be a month of material sacrifice – financially and, perhaps, in health. How else will the universe teach you? Ideally, it is a month for practical organising and for discarding unwanted aspects of life. MAY IN PY7 Focus on stabilising your love life this month, not only with your partner but also with your children and or close family. Be more free with them in your personal expression – let them see how loving you really are. JUNE IN PY7 When one door closes, look for the one (or maybe two) that opens. But don’t rush in (leave that to the fools). Develop creative patience, take your time and consider all aspects before making your move, for the best might be somewhat camouflaged yet worthy of investigation.
David A. Phillips (The Complete Book of Numerology: Discovering the Inner Self)
What about distant lands and beautiful women?” “So much has become clearer to me now.” “And that would be?” “In distant lands, I am, after all, a lonely stranger. And Irma is beautiful. Maybe not like the women there, but she’s the one I love, and she loves me. I see the same thing in both of you. This is what’s truly important.” “How
Ellin Carsta (The Secret Healer (The Secret Healer #1))
When I was younger I thought going through something rough would be fun, or uplifting somehow. That sounds odd, but it was how everyone portrayed terrible things. You go through this horrid experience, and suddenly you’re a better person. I wanted that; everyone wants to be a better person. Now, though, after all of this, I realized that wasn’t true. Not all the time, at least. Suffering didn’t make a person stronger. It didn’t make character, or mold someone into a better part of themselves. It could—don’t get me wrong, it could. It could make someone see the light, see the world through a clearer vision. It could change everything. It could make people good and courteous, make them spend their lives trying to save others’. Their past could lead them to something brighter in the future, creating the theory that everything happened for a reason. It could make them grateful for their life instead of hateful, scornful, wishing they were never born. But it wasn’t like that for me; I didn’t get better. For me, all pain ever did was hurt.
Lauren Evers
I got lost in love with you, my dear. I can see things so much clearer. In both our hearts we found our faith, our home is in each other.
Matt Buonocore (The Magic of the Moment (Momentary Clarity #1))
And now as I count forward from 1-5, you’ll allow that energy to rise back up in you. And as you walk out the door today, you’ll notice yourself looking for even the smallest signs of success…. you’ll always get what you’re looking for. And success breeds more success. 1. Now, you find yourself feeling physically stronger and fitter. MORE wide-awake, and MORE energetic. MUCH LESS preoccupied with the challenges of yesterday, and MUCH MORE aware of your abilities today. Your nerves stronger and steadier. Your mind calmer and clearer, more composed, more peaceful and at ease. 2. You realize you think MORE clearly, concentrate MORE easily, and you see things in their true perspective, without allowing them to get out of proportion. Every day finding yourself becoming emotionally much calmer. 3. You feel a greater feeling of personal well-being, safety and security. You begin to discover much more confidence in your ability to do what you have to do each day, and MUCH MORE confidence in your ability to do whatever you ought to be able to do, easily, optimistically, and happily. 4. And because you are aware these things are happening, not because I say so, not because of some wonderful words I know to say, but simply because it’s the decision you made for yourself. You begin to feel much more contented. Much more cheerful, optimistic as every day you do better and better. 5. Eyes open, refreshed, alert, feeling good.
Karen Hand (Magic Words and Language Patterns: The Hypnotist's Essential Guide to Crafting Irresistible Suggestions (The Handbook for Scriptless Hypnosis Series))
All Things Working for Good Dr. Octavius Winslow It is palpably clear and emphatically true that all that occurs in the Lord’s government of His people conspires for, and works out, and results in, their highest happiness, their greatest good. The gloomiest and most painful circumstances in the history of the child of God, without a solitary exception, are all conspiring, and all working together, for his real and permanent good. The painful and inexplicable events, which at the present moment may be thickening and deepening around your path, are but so many problems in God’s government, which He is working out to their certain, satisfactory, and happy results. All things under the government of an infinitely great, all wise, righteous, and beneficent Lord God, work together for good. What that good may be, the shape it may assume, the complexion it may wear, the end to which it may be subservient, we cannot tell. To our dim view it may appear an evil, but to God’s far seeing eye it is a positive good. Oh, truth most divine! Oh, words most consolatory! Beloved of God, all these things are for you! Do not be afraid! Will it not be a good, if your present adversity results in . . . the dethronement of some worshiped idol; in the endearing of Christ to your soul; in the closer conformity of your mind to God’s image; in the purification of your heart; in your more thorough fitness for heaven? Will it not be a real good if it ends with: a revival of God’s work within you; a stirring you up to more prayer; in enlarging your heart to all that love the same Savior; in stimulating you to increased activity . . . for the conversion of sinners, for the spreading of the truth, and for the glory of God? Oh yes! good, real good, permanent good must result from all the Divine events in your history. In a little while; oh, how soon! You shall pass away from earth to heaven, and in its clearer, calmer light you shall read the truth, often read with tears before, “And we know that God causes everything to work together for the good of those who love God and are called according to His purpose for them.”1
Todd Friel (Stressed Out: A Practical, Biblical Approach to Anxiety)
Marlee would always tell me that love doesn’t make sense: “It just grabs your heart and pulls you in directions you’ve never been.” She’d say it plays tricks with your mind: “You’ll see things brighter and clearer and feel them harder and deeper.
Rochelle B. Weinstein (Where We Fall)
When I launched my AI career in 1983, I did so by waxing philosophic in my application to the Ph.D. program at Carnegie Mellon. I described AI as “the quantification of the human thinking process, the explication of human behavior,” and our “final step” to understanding ourselves. It was a succinct distillation of the romantic notions in the field at that time and one that inspired me as I pushed the bounds of AI capabilities and human knowledge. Today, thirty-five years older and hopefully a bit wiser, I see things differently. The AI programs that we’ve created have proven capable of mimicking and surpassing human brains at many tasks. As a researcher and scientist, I’m proud of these accomplishments. But if the original goal was to truly understand myself and other human beings, then these decades of “progress” got me nowhere. In effect, I got my sense of anatomy mixed up. Instead of seeking to outperform the human brain, I should have sought to understand the human heart. It’s a lesson that it took me far too long to learn. I have spent much of my adult life obsessively working to optimize my impact, to turn my brain into a finely tuned algorithm for maximizing my own influence. I bounced between countries and worked across time zones for that purpose, never realizing that something far more meaningful and far more human lay in the hearts of the family members, friends, and loved ones who surrounded me. It took a cancer diagnosis and the unselfish love of my family for me to finally connect all these dots into a clearer picture of what separates us from the machines we build. That process changed my life, and in a roundabout way has led me back to my original goal of using AI to reveal our nature as human beings. If AI ever allows us to truly understand ourselves, it will not be because these algorithms captured the mechanical essence of the human mind. It will be because they liberated us to forget about optimizations and to instead focus on what truly makes us human: loving and being loved. Reaching that point will require hard work and conscious choices by all of us. Luckily, as human beings, we possess the free will to choose our own goals that AI still lacks. We can choose to come together, working across class boundaries and national borders to write our own ending to the AI story. Let us choose to let machines be machines, and let humans be humans. Let us choose to simply use our machines, and more importantly, to love one another.
Kai-Fu Lee (AI Superpowers: China, Silicon Valley, and the New World Order)
But at some point in our thirties, or at the latest at forty, this game gets increasingly dull. Up till now everything has worked so well; we can give people the impression that we are “cool” or “witty” or “the serious, reflective student.” Up till now we have fixated on this self-image and led others to fixate on it. It was a help in demarcating our own ego from the environment. But the more such ego boundaries harden and the more anyone identifies with this sort of self-image and tries to maintain it at any price, the more clearly we also see the other side of the coin. If someone has kept busy up to the age of forty cultivating this image, it will be very difficult to change. At the same time it becomes increasingly clearer that the whole thing no longer adds up. What was pleasure becomes a burden. That is why this moment in the middle of life harbors the great opportunity—as difficult as it is—to reflect critically on what has previously been achieved, to change, to become more mature, wiser, and more integrated. Now the following words of Jesus take on a here-and-now flavor: “But when you are old, you will stretch out your hands, and another will gird you and carry you where you do not wish to go” (John 21:18).
Richard Rohr (The Enneagram: A Christian Perspective)
That it may be the only thing the darkness makes clearer: who really matters is whoever you're most desperate to see.
Garth Risk Hallberg (City on Fire)
Whatever he said, I wouldn’t trust a man who is asleep half of the time.” “Maybe that’s why he sees things clearer.” “Meaning?” “We’re always awake. Always alert. Always thinking. Too much information could be the reason why we overlook a few details.
Cameron Jace (Checkmate (Insanity, #6))
Peace. Warm yourself, warrior, while I tell you of peace. History is unerring, and even the least observant mortal can be made to understand, through innumerable repetition. Do you see peace as little more than the absence of war? Perhaps, on a surface level, it is just that. But let me describe the characteristics of peace, my young friend. A pervasive dulling of the senses, a decadence afflicting the culture, evinced by a growing obsession with low entertainment. The virtues of extremity — honour, loyalty, sacrifice — are lifted high as shoddy icons, currency for the cheapest of labours. The longer peace lasts, the more those words are used, and the weaker they become. Sentimentality pervades daily life. All becomes a mockery of itself, and the spirit grows… restless. Is this a singular pessimism? Allow me to continue with a description of what follows a period of peace. Old warriors sit in taverns, telling tales of vigorous youth, their pasts when all things were simpler, clearer cut. They are not blind to the decay all around them, are not immune to the loss of respect for themselves, for all that they gave for their king, their land, their fellow citizens. The young must not be abandoned to forgetfulness. There are always enemies beyond the borders, and if none exist in truth, then one must be fashioned. Old crimes dug out of the indifferent earth. Slights and open insults, or the rumours thereof. A suddenly perceived threat where none existed before. The reasons matter not — what matters is that war is fashioned from peace, and once the journey is begun, an irresistible momentum is born. The old warriors are satisfied. The young are on fire with zeal. The king fears yet is relieved of domestic pressures. the army draws its oil and whetstone. Forges blast with molten iron, the anvils ring like temple bells. Grain-sellers and armourers and clothiers and horse-sellers and countless other suppliers smile with the pleasure of impending wealth. A new energy has gripped the kingdom, and those few voices raised in objection are quickly silenced. Charges of treason and summary execution soon persuade the doubters. Peace, my young warrior, is born of relief, endured in exhaustion, and dies with false remembrance. False? Ah, perhaps I am too cynical. Too old, witness to far too much. Do honour, loyalty and sacrifice truly exist? Are such virtues born only from extremity? What transforms them into empty words, words devalued by their overuse? What are the rules of the economy of the spirit, that civilization repeatedly twists and mocks? Withal of the Third City. You have fought wars. You have forged weapons. You have seen loyalty, and honour. You have seen courage and sacrifice. What say you to all this?" "Nothing," Hacking laughter. "You fear angering me, yes? No need. I give you leave to speak your mind." "I have sat in my share of taverns, in the company of fellow veterans. A select company, perhaps, not grown so blind with sentimentality as to fashion nostalgia from times of horror and terror. Did we spin out those days of our youth? No. Did we speak of war? Not if we could avoid it, and we worked hard at avoiding it." "Why?" "Why? Because the faces come back. So young, one after another. A flash of life, an eternity of death, there in our minds. Because loyalty is not to be spoken of, and honour is to be endured. Whilst courage is to be survived. Those virtues, Chained One, belong to silence." "Indeed. Yet how they proliferate in peace! Crowed again and again, as if solemn pronouncement bestows those very qualities upon the speaker. Do they not make you wince, every time you hear them? Do they not twist in your gut, grip hard your throat? Do you not feel a building rage—" "Aye. When I hear them used to raise a people once more to war.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
Regular meditation enhances our ability to be mindful. Pain is inevitable but suffering is optional. We'll all experience loss, grief and heartache at some point. But whether or not we keep dwelling on it and torturing ourselves with it is something in which we have a choice - although it may not feel that way at the time. It's not our circumstances that make us happy or unhappy, it's whether or not they are an authentic reflection of what matters to us. Your mind is brighter, lighter and clearer in a clean and tidy environment. Speed, distraction and instant gratification are the enemies of nearly everything that matters most in our lives. If you typically wake up feeling resentful about having to get out of bed, go to a job you dislike, or undertake disagreeable tasks, you're immediately setting yourself up for unhappiness. Every day most of us do sensuously enjoyable things. Ironically we rob ourselves of the full pleasure of our sensuous enjoyments because our minds are elsewhere. Most people already possess the causes for many pleasures, but don't stop to enjoy them. If our purpose in life is to be happy, before looking for new causes of happiness, it makes sense first to identify the happiness-creating experiences we already have in our lives and to leverage them using mindfulness. The real voyage of discovery exists not in seeing new landscapes but in having new eyes. Regular meditation practice is the foundation for a calmer, more insightful and contented experience of reality. The self-inflicted pain of attachment: the inability or unwillingness to step away from a spiral of negative interpretations, beliefs and emotions. Exploring your own mind may very well be the most valuable, surprising and liberating undertaking of your life. When we change our mind, we change our reality.
David Michie (Mindfulness is better than chocolate : A practical Guide to Enhanced Focus and Lasting Happiness in a World of Distractions)
In any event, it was not many months later that my wife conceived, unexpectedly. After careful discussion we decided it was not something that should continue. I’m in my fifties. I didn’t want to go through any more child-raising experiences. I’d seen enough. So we came to our conclusion and made the necessary medical appointment. "Then something very strange happened. I’ll never forget it. As we went over the whole decision in detail one last time, there was a kind of dissociation, as though my wife started to recede while we sat there talking. We were looking at each other, talking normally, but it was like those photographs of a rocket just after launching where you see two stages start to separate from each other in space. You think you’re together and then suddenly you see that you’re not together anymore. "I said, 'Wait. Stop. Something’s wrong.' What it was, was unknown, but it was intense and I didn’t want it to continue. It was a really frightening thing, which has since become clearer. It was the larger pattern of Chris, making itself known at last. We reversed our decision, and now realize what a catastrophe it would have been for us if we hadn’t. "So I guess you could say, in this primitive way of looking at things, that Chris got his airplane ticket after all. This time he’s little girl named Nell and our life is back in perspective again. The hole in the pattern is being mended. A thousand memories of Chris will always be at hand, of course, but not a destructive clinging to some material entity that can never be here again. We’re in Sweden now, the home of my mother’s ancestors, and I’m working on a second book which is a sequel to this one. "Nell teaches aspects of parenthood never understood before. If she cries or makes a mess or decides to be contrary (and these are relatively rare), it doesn’t bother. There is always Chris’s silence to compare it to. What is seen now so much more clearly is that although the names keep changing and the bodies keep changing, the larger pattern that holds us all together goes on and on. In terms of this larger pattern the lines at the end of this book still stand. We have won it. Things are better now. You can sort of tell these things. "ooolo99ikl;i.,pyknulmmmmmmmmmm 111 "(This last line is by Nell. She reached around the corner of the machine and banged on the keys and then watched with the same gleam Chris used to have. If the editors preserve it, it will be her first published work.) " ...Robert M. Pirsig Gothenburg, Sweden 1984
Robert Pirsig, Zen and the Art of Motorcycle Maintenance
One becomes aware of the one truth underlying all things There would be a clearer sense of the truth of oneself and things, and a more enlightened approach to opportunities and difficulties of existence There would be a transcendence of the rigid ways of seeing things in the mentality, its perceptions, its attachment to a fixed set of principles, systems and patterns of life Evolution in one's life becomes a graded progression from lesser light to greater light One's existence is no longer ideational; i.e. a life based on the knowledge and perception of things. Instead one simply needs to be One has a clear and intrinsic sense of the reality of one's being and one's fundamental understanding of the stuff has the truth of things. Whereas Intuitive Mind (down to ordinary thinking) sees the object as outside, the object is inside in Supermind, and does not require the object of perception because the object is a part of itself. One is mindful of other realms of being; and understanding of their energies and influences; (e.g., things in the universe will be seen not only in their visible dimension, but in everything that is hidden and that is actually unfolding) One has a triple-time view, continuous knowledge of history, present and future (There are countless examples that prove that the supramental force's intervention will change the past. We experience life in such a way that our normal perceptions of cause and effect, space and time, are defiant. For instance, we can change an attitude or perception, or take action that attracts an instant positive response from life (this defies our normal perception of cause and effect; subjectivity and objectivity; time and space). Or a person might believe that a few minutes have passed and an hour has passed; or have the impression that an hour has passed and that only a few minutes have passed (this defies our usual perception of time). One constantly opens up to the Force to attain the fundamental reality, experience, and understanding of the matter.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
Loving guides soon appear, glowing, radiant, and joyful. They orient you and answer your questions. They teach you. Remind you. Love you. Show you. Everything becomes clearer. You remember the hopes and intentions of your recent life and why you chose it. You review play by play all that happened. You see how things lined up or didn’t, and why. You’re awed by your power, wisdom, and kindness, saddened by what you missed, mistook, and misunderstood, yet inspired to know you can try again, make amends, and move forward with and into even greater love. Past lives come into view, along with the friends, loves, and lessons they contained. Everything starts making sense. It comes together like the most amazing artistic creation, a masterpiece that boggles your mind with its perfection, and you are humbled to find the paintbrush still in your hand.
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
Traveling is an escape from the norm. It’s a suitcase full of surprises and new adventures. It’s an adjustment to new time zones and new cultures. It’s a refreshing treat that makes you see things clearer. Smell better. Taste better. Traveling opens new doors and sometimes closes old ones. It makes you begin to either value what you have back home or realize that maybe life is better lived somewhere else, sometimes even with someone else, or alone. Traveling is a little detour that may lead you to another path and pull you out of old habits, forcing you to experience life, and not simply live by routines and schedules that only limit you and trap you into a cycle. Traveling makes you remember the food you ate, the sight you saw, the man you met a long time ago. Traveling is about meeting people that may change your life, or whose lives you may change. Traveling is a hop, a skip, or a leap toward something or somewhere new. Traveling can change you.
Corey M.P. (High)
University should be a place where innovation, creativity, and critical thinking are developed, promoted, and inspired but shouldn't be a place from where people get certificates, convocation, and medals. Remember education is light through which we see things of the world clearer but after education, if it fails to do so then you know where you have been put in darkness and made you vanilla.
Aiyaz Uddin
The view from below2 There remains an experience of incomparable value. We have for once learnt to see the great events of world history from below, from the perspective of the outcast, the suspects, the maltreated, the powerless, the oppressed, the reviled - in short, from the perspective of those who suffer. The important thing is that neither bitterness nor envy should have gnawed at the heart during this time, that we should have come to look with new eyes at matters great and small, sorrow and joy, strength and weakness, that our perception of generosity, humanity, justice and mercy should have become clearer, freer, less corruptible. We have to learn that personal suffering is a more effective key, a more rewarding principle for exploring the world in thought and action than personal good fortune. This perspective from below must not become the partisan possession of those who are eternally dissatisfied; rather, we must do justice to life in all its dimensions from a higher satisfaction, whose foundation is beyond any talk of ‘from below’ or ‘from above’. This is the way in which we may affirm it.
Dietrich Bonhoeffer (Letters Papers from Prison)
How long do you think it takes for you to start doubting yourself when everyone around you questions your behavior and thoughts? Now imagine you are born inside an asylum, and everyone around you is insane. Then imagine this asylum of souls is the size of a whole planet, and you have a clearer understanding of the meaning of life. I've often been perceived as either mad, courageous, crazy or antisocial for speaking what nobody else can see or understand. But it has nothing to do with those conclusions, based on the same ignorance of the observers. I was simply being sane. Being sane is not a normal thing on a planet full of the insane.
Dan Desmarques
Faith doesn’t keep us from having problems. It just gives a clearer view of how God is responding to them. Doubt is not fatal if we recognize it for what it is: a smudge on the lens. When we realize that, wipe it clear, and put the glasses back on, we’ll be okay. The things we think we know are more like cataracts. They can obscure and blind us to the truth of God’s work around us that is plain to see when our eyes are healthy.
W. Lee Warren (I've Seen the End of You: A Neurosurgeon's Look at Faith, Doubt, and the Things We Think We Know)
October 3 After the earthquake came a fire. . . . And after the fire came a gentle whisper. (1 Kings 19:12) A woman who had made rapid progress in her understanding of the Lord was once asked the secret of her seemingly easy growth. Her brief response was, “Mind the checks.” The reason many of us do not know and understand God better is that we do not heed His gentle “checks”—His delicate restraints and constraints. His voice is “a gentle whisper.” A whisper can hardly be heard, so it must be felt as a faint and steady pressure upon the heart and mind, like the touch of a morning breeze calmly moving across the soul. And when it is heeded, it quietly grows clearer in the inner ear of the heart. God’s voice is directed to the ear of love, and true love is intent upon hearing even the faintest whisper. Yet there comes a time when His love ceases to speak, when we do not respond to or believe His message. “God is love” (1 John 4:8), and if you want to know Him and His voice, you must continually listen to His gentle touches. So when you are about to say something in conversation with others, and you sense a gentle restraint from His quiet whisper, heed the restraint and refrain from speaking. And when you are about to pursue some course of action that seems perfectly clear and right, yet you sense in your spirit another path being suggested with the force of quiet conviction, heed that conviction. Follow the alternate course, even if the change of plans appears to be absolute folly from the perspective of human wisdom. Also learn to wait on God until He unfolds His will before you. Allow Him to develop all the plans of your heart and mind, and then let Him accomplish them. Do not possess any wisdom of your own, for often His performance will appear to contradict the plan He gave you. God will seem to work against Himself, so simply listen, obey, and trust Him, even when it appears to be the greatest absurdity to do so. Ultimately, “we know that in all things God works for the good of those who love him” (Rom. 8:28), but many times, in the initial stages of the performance of His plans: In His own world He is content To play a losing game. Therefore if you desire to know God’s voice, never consider the final outcome or the possible results. Obey Him even when He asks you to move while you still see only darkness, for He Himself will be a glorious light within you. Then there will quickly spring up within your heart a knowledge of God and a fellowship with Him, which will be overpowering enough in themselves to hold you and Him together, even in the most severe tests and under the strongest pressures of life. from Way of Faith
Mrs. Charles E. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
The Days stared down at his mug, knowing he’d said too much, needing to say one thing more. ‘Your Lordship, perhaps it is well that you do not value virtue in your friends. You will know not to trust them. And if you are wise, you will not trust yourself.’ ‘How so?’ Gabon asked wondering. With each Days twinned to another, they were never alone, never had the luxury of trusting themselves. Gabon wondered if this pairing was really an advantage. ‘Men who believe themselves to be good, who do not search their own souls, most often commit the worst atrocities. A man who sees himself as evil will restrain himself. It is only when we do evil in the belief that we do good that we pursue wholeheartedly.’ Gabon grunted, considering. ‘If I may be so bold, Your Lordship, I’m glad you question yourself. Men don’t become good by practicing an occasional good deed. You must constantly reexamine your thoughts and acts, question your virtue.’ Gabon stared at the thin scholar. The man’s eyes were getting glassy, and he could barely hold his head up. His thinking seemed somewhat clearer than the common drunk’s and he offered his advice in a kind tone. No Days had ever offered Gabon advice before. It was a singular experience. At that moment, the inn door opened. Two more men entered, both with dark complexions, both with brown eyes. They were dressed as merchants fresh off the road, but both wore rapiers at their side, and both had long knives strapped at their knees. One man smiled, the other frowned. Gabon remembered something his father had taught him as a child. ‘In the land of Muyyatin, assassins always travel in pairs. They talk with gestures.’ The Gabon’s father had taught him the assassins’ codes. One man smiling, one man frowning – No news, either good or bad. Gabon’s eyes flicked across the room, to the two dark man in the far corner. Like himself, they had chosen a secure position, had put their backs to the wall. One man in the corner scratched his left ear. We have heard nothing. The newcomers sat at a table on the far side of the room from their compatriots. One man put his hands on the table, palms down. We wait.
David Farland (The Runelords (Runelords, #1))
Because it is not wise to trust one's self overmuch. We naturally see our virtues with clearer eyes than we see our defects. We are anxious to do what is right; not necessarily what seems right to us, but what is right, objectively, if such a thing as objective right exists.
Isaac Asimov (Foundation and Earth (Foundation, #5))
Reread your notes, and take notes on them. And again. Take notes on your thoughts. Most of all, take notes on what interests you. Be certain you’ve marked out what interests you. Don’t make an outline from your notes. Don’t turn your notes into a road map for the sentences to come. Reread your notes. No matter how long or short they are. Then think. And think again. Learn to be patient in the presence of your thoughts. Learn to be equally patient in the presence of a new sentence or a phrase you like. Let yourself pause and work on that sentence. In your head. Don’t write it down. Be patient. Pay attention to everything you’re thinking. Notice your thoughts, See if you can feel your awareness illuminating them. If you’re paying attention, you’ll notice that some of your thoughts interest you and some don’t. How can you tell? You’ll stop and rethink the thought, Pause in its presence. Let the thoughts that interest you distract you. Ask yourself about them. Why do they interest you? What were you thinking about before they appeared? Then come back to the main sequence, Unless you’ve discovered a better main sequence By following a thought you’re interested in. Don’t try to distinguish between thinking and making sentences. Pretend they’re the same thing. Don’t rush your thinking. Don’t rush to make sentences. See what happens when you try to put words to a thought that interests you. See what words the thought itself is presenting and try making a sentence out of them, A sentence like the ones we’ve been talking about, with rhythm and clarity and balance. Not a volunteer sentence. See if the thought you’re interested in becomes sharper and clearer by making a sentence from it. It may become more obscure. What does that tell you? Don’t panic, keep working at it. If you make a sentence while thinking, It doesn’t mean you have to make more sentences immediately. You can go back to thinking and see what the business of making a sentence stirred up in you. It may have dislodged other thoughts, other connections. No one will teach you how to wait while you think or what to wait for while you’re thinking. You’ll have to teach yourself. Above all, you’ll have to teach yourself to be patient. Trying this once or twice won’t do.
Verlyn Klinkenborg (Several Short Sentences About Writing)
Sometimes the only way to work things out is to reach deep inside and pull out the muck so you can see a little clearer. If I’m here to dig you out every step of the way, you’ll never want or need to clear the way yourself.
Addison Cole (Promise of a New Beginning (Sweet with Heat: Weston Bradens #5))
I thought briefly of the clichés, about how you were supposed to see your life flash before your eyes. I was so much luckier. Who wanted to see a rerun, anyway? I saw him, and I had no will to fight. It was so clear, so much more defined than any memory. My subconscious had stored Marcel away in flawless detail, saving him for this final moment. I could see his perfect face as if he were there, the exact shade of his icy skin, the shape of his lips, the line of his jaw, the gold glinting in his furious eyes. He was angry, naturally, that I was giving up. His teeth were clenched, and his nostrils flared with rage. ‘No! Bell, no!’ My ears were flooded with the freezing water, but his voice was clearer than ever. I ignored his words and concentrated on the sound of his voice. Why would I fight when I was so happy where I was? Even as my lungs burned for more air and my legs cramped in the icy cold, I was content. I'd forgotten what real happiness felt like. Happiness. It made the whole dying thing bearable. The current one at that moment, shoving me abruptly against something hard, a rock invisible in the gloom. It hit me solidly across the chest, slamming into me like an iron bar, and the breath whooshed out of my lungs, escaping in a thick cloud of silver bubbles. Water flooded down my throat, choking and burning. The iron bar seemed to be dragging me, pulling me away from Marcel, deeper into the dark, to the ocean floor. Goodbye, I love you, was my last thought. PARIS AT THAT MOMENT, MY HEAD BROKE THE SURFACE.
Marcel Ray Duriez (Nevaeh Hard to Let Go)
There’s another familiar lesson in this graph: output metrics—the data we graphed above—are far poorer indicators of trend causes than input metrics. It turned out in this case that the cause of our decelerating growth was a reduction in the rate of acquiring new customers—but nothing in these graphs gives any clue to that cause. With a sizable existing business, if you only pay attention to the output metric “revenue,” you typically won’t see the effects of new customer deceleration for quite some time. However, if you look at input metrics instead—things like “new customers,” “new customer revenue,” and “existing customer revenue”—you will detect the signal much earlier, and with a much clearer call to action.
Colin Bryar (Working Backwards: Insights, Stories, and Secrets from Inside Amazon)
A Tale of Two Parking Requirements The impact of parking requirements becomes clearer when we compare the parking requirements of San Francisco and Los Angeles. San Francisco limits off-street parking, while LA requires it. Take, for example, the different parking requirements for concert halls. For a downtown concert hall, Los Angeles requires, as a minimum, fifty times more parking than San Francisco allows as its maximum. Thus the San Francisco Symphony built its home, Louise Davies Hall, without a parking garage, while Disney Hall, the new home of the Los Angeles Philharmonic, did not open until seven years after its parking garage was built. Disney Hall's six-level, 2,188-space underground garage cost $110 million to build (about $50,000 per space). Financially troubled Los Angeles County, which built the garage, went into debt to finance it, expecting that parking revenues would repay the borrowed money. But the garage was completed in 1996, and Disney Hall—which suffered from a budget less grand than its vision—became knotted in delays and didn't open until late 2003. During the seven years in between, parking revenue fell far short of debt payments (few people park in an underground structure if there is nothing above it) and the county, by that point nearly bankrupt, had to subsidize the garage even as it laid employees off. The money spent on parking shifted Disney Hall's design toward drivers and away from pedestrians. The presence of a six-story subterranean garage means most concert patrons arrive from underneath the hall, rather than from the sidewalk. The hall's designers clearly understood this, and so while the hall has a fairly impressive street entrance, its more magisterial gateway is an "escalator cascade" that flows up from the parking structure and ends in the foyer. This has profound implications for street life. A concertgoer can now drive to Disney Hall, park beneath it, ride up into it, see a show, and then reverse the whole process—and never set foot on a sidewalk in downtown LA. The full experience of an iconic Los Angeles building begins and ends in its parking garage, not in the city itself. Visitors to downtown San Francisco have a different experience. When a concert or theater performance lets out in San Francisco, people stream onto the sidewalks, strolling past the restaurants, bars, bookstores, and flower shops that are open and well-lit. For those who have driven, it is a long walk to the car, which is probably in a public facility unattached to any specific restaurant or shop. The presence of open shops and people on the street encourages other people to be out as well. People want to be on streets with other people on them, and they avoid streets that are empty, because empty streets are eerie and menacing at night. Although the absence of parking requirements does not guarantee a vibrant area, their presence certainly inhibits it. "The more downtown is broken up and interspersed with parking lots and garages," Jane Jacobs argued in 1961, "the duller and deader it becomes ... and there is nothing more repellent than a dead downtown.
Donald C. Shoup (There Ain't No Such Thing as Free Parking (Cato Unbound Book 42011))
When you first suspect that your girlfriend or boyfriend does not love you, you feel nervous and anxious. When you find out that he or she really does not love you, you feel sick and nauseated. Dismantling beliefs about what we are and how we function is not threatening at the level of the body, but it is profoundly threatening to our feeling and conception of what we are and our relations with others. Nervousness arises when we begin to suspect or anticipate that things are not as we had thought. Nausea is a reaction to the realization that we have been emotionally attached to a fiction, the fiction of an autonomous volitional self. Later you will feel ighter and clearer and emotionally alive. What you once resisted you now accept, often with a tinge of sadness because a cherished illusion has been shattered. Intellectual understanding does not have the same effects. While you may have a feeling of confidence in your comprehension, the emotional vitality is not present. The intention of formal meditation practice is to develop sufficient attention to see into the operation of patterns and take them apart, but this is only half of the practice. The other half is to exercise attention in your daily life so that your actions arise from presence rather than from reactive patterns.
Ken McLeod (Wake Up To Your Life: Discovering the Buddhist Path of Attention)
Though I must admit, I’ve come to like the cold.” “Really?” I could feel his skin, like warm velvet, just beneath his fur. “Why?” “The cold makes everything clearer. Crystallized. You can see things you couldn’t see before. The frost on the ground. Your own breath in the air. Even the birds are easier to see in the trees, once the leaves have fallen. When the water has frozen solid, lakes and creeks that used to be barriers become their own kind of pathway.
Miriam Greystone (Winter's Mage (The Outcast Mage, #2))
final, and maybe the most important, aspect of creative thinking that we see in mania is the ability to think broadly; psychologists call this “integrative complexity.” Creative people see farther and wider; their cognitive peripheral vision is clearer; they make connections between seemingly disparate things that many of us miss.
S. Nassir Ghaemi (A First-Rate Madness: Uncovering the Links Between Leadership and Mental Illness)
the animal desires, and the ordinary feelings, emotions, etc., belong to the instinctive mind. All the "feelings" belonging to our passional and emotional nature belong to this plane. All animal desires, such as hunger and thirst, sexual desires (on the physical plane); all passions, such as physical love, hatred, envy, malice, jealousy, revenge, are a part of it. The desire for the physical (unless as a means of reaching higher things), the longing for the material, all belong to this plane. The "lust of the flesh, the lust of the eyes, the pride of life," are on this plane. This principle is the most material of the three mental principles, and is the one which is apt to bind us the closest to the earth and earthly things. Remember, that we are not condemning material or "earthly" things - they are all right in their place; but man in his unfoldment grows to see these things as only a means to an end - only a step in the spiritual evolution. And with clearer vision he ceases to be bound too tightly to the material side of life, and, instead of regarding it as the end and aim of all things, sees that it is, at the best, only a means to a higher end.
William Walker Atkinson (Fourteen Lessons in Yogi Philosophy and Oriental Occultism)
memory challenges have strengthened my faith, even in things I can’t see or feel or touch, because so much in my life is a dream or a memory, fuzzy at the seams, brought into focus only by my imagination. The picture that comes to mind of the earrings I lost as a kid is no clearer to me than the picture of the future I hope for. But I believe in them both. I trust in their existence.
Jessica McCabe (How to ADHD: An Insider's Guide to Working with Your Brain (Not Against It))