Seeing My Husband As A Father Quotes

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I love you, Savannah, and I always will," I breathed. "You're the best thing that's ever happened to me. You were my best friend and my lover, and I dont regret a single moment of it. You made me feel alive again, and most of all, you gave me my father. I'll never forget you for that. You're always going to be the very best part of me. I'm sorry it has to be this way, but I have to leave, and you have to see your husband." As I spoke, I could feel her shaking with sobs, and I continued to hold her for a long time afterward. When we finally seperated, I knew that it would be the last time I ever held her. I backed away, my eyes holding Savannah's. "I love you, too, John," she said. "Good-bye." I raised a hand.
Nicholas Sparks (Dear John)
My father told me to go to bed an hour ago. I don't see why I shouldn't give you the same advice. I always pass on good advice. It is the only thing to do with it. It is never of ant use to oneself.
Oscar Wilde (An Ideal Husband)
A man worth being with is one… That never lies to you Is kind to people that have hurt him A person that respects another’s life That has manners and shows people respect That goes out of his way to help people That feels every person, no matter how difficult, deserves compassion Who believes you are the most beautiful person he has ever met Who brags about your accomplishments with pride Who talks to you about anything and everything because no bad news will make him love you less That is a peacemaker That will see you through illness Who keeps his promises Who doesn’t blame others, but finds the good in them That raises you up and motivates you to reach for the stars That doesn’t need fame, money or anything materialistic to be happy That is gentle and patient with children Who won’t let you lie to yourself; he tells you what you need to hear, in order to help you grow Who lives what he says he believes in Who doesn’t hold a grudge or hold onto the past Who doesn’t ask his family members to deliberately hurt people that have hurt him Who will run with your dreams That makes you laugh at the world and yourself Who forgives and is quick to apologize Who doesn’t betray you by having inappropriate conversations with other women Who doesn’t react when he is angry, decides when he is sad or keep promises he doesn’t plan to keep Who takes his children’s spiritual life very seriously and teaches by example Who never seeks revenge or would ever put another person down Who communicates to solve problems Who doesn’t play games or passive aggressively ignores people to hurt them Who is real and doesn’t pretend to be something he is not Who has the power to free you from yourself through his positive outlook Who has a deep respect for women and treats them like a daughter of God Who doesn’t have an ego or believes he is better than anyone Who is labeled constantly by people as the nicest person they have ever met Who works hard to provide for the family Who doesn’t feel the need to drink alcohol to have a good time, smoke or do drugs Who doesn't have to hang out a bar with his friends, but would rather spend his time with his family Who is morally free from sin Who sees your potential to be great Who doesn't think a woman's place has to be in the home; he supports your life mission, where ever that takes you Who is a gentleman Who is honest and lives with integrity Who never discusses your private business with anyone Who will protect his family Who forgives, forgets, repairs and restores When you find a man that possesses these traits then all the little things you don’t have in common don’t matter. This is the type of man worth being grateful for.
Shannon L. Alder
We don’t know each other, but I know that you must be very special. I can’t be there today, to watch my baby boy promise his love to you, but there are a few things that I think I might say to you if I were. First, thank you for loving my son. Of all my boys, Travis is the most tender hearted. He is also the strongest. He will love you with everything he has for as long as you let him. Tragedies in life sometimes change us, but some things never change. A boy without a mother is a very curious creature. If Travis is anything like his father, and I know that he is, he’s a deep ocean of fragility, protected by a thick wall of swear words and feigned indifference. A Maddox boy will take you all the way to the edge, but if you go with him, he’ll follow you anywhere. I wish more than anything that I could be there today. I wish I could see his face when he takes this step with you, and that I could stand there with my husband and experience this day with all of you. I think that’s one of the things I’ll miss the most. But today isn’t about me. You reading this letter means that my son loves you. And when a Maddox boy falls in love, he loves forever. Please give my baby boy a kiss for me. My wish for both of you is that the biggest fight you have is over who is the most forgiving. Love, Diane
Jamie McGuire (A Beautiful Wedding (Beautiful, #2.5))
Robot Boy Mr. an Mrs. Smith had a wonderful life. They were a normal, happy husband and wife. One day they got news that made Mr. Smith glad. Mrs. Smith would would be a mom which would make him the dad! But something was wrong with their bundle of joy. It wasn't human at all, it was a robot boy! He wasn't warm and cuddly and he didn't have skin. Instead there was a cold, thin layer of tin. There were wires and tubes sticking out of his head. He just lay there and stared, not living or dead. The only time he seemed alive at all was with a long extension cord plugged into the wall. Mr. Smith yelled at the doctor, "What have you done to my boy? He's not flesh and blood, he's aluminum alloy!" The doctor said gently, "What I'm going to say will sound pretty wild. But you're not the father of this strange looking child. You see, there still is some question about the child's gender, but we think that its father is a microwave blender." The Smith's lives were now filled with misery and strife. Mrs. Smith hated her husband, and he hated his wife. He never forgave her unholy alliance: a sexual encounter with a kitchen appliance. And Robot Boy grew to be a young man. Though he was often mistaken for a garbage can.
Tim Burton
Death, there will be death, aye. Your lordship lost a son at the Red Wedding. I lost four upon the Blackwater. And why? Because the Lannisters stole the throne. Go to King’s Landing and look on Tommen with your own eyes, if you doubt me. A blind man could see it. What does Stannis offer you? Vengeance. Vengeance for my sons and yours, for your husbands and your fathers and your brothers. Vengeance for your murdered lord, your murdered king, your butchered princes. Vengeance!
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
When I was a child, an angel came to say, A true friend is coming my warrior to sweep you away, It won’t be easy the path because it leads through hell, But if you’re faithful, it will be the greatest story to tell, You will move God’s daughters to a place of hope, Your story will teach everyone there is nothing they can’t cope, You will suffer a lot, but not one tear will you waste, Because for all that you do for me, you will be graced, For I am bringing you someone that wants to travel your trail, Someone you already met when you passed through heaven’s veil, A warrior, a friend that whispers your heart’s song, Someone that will run with you and pull your spirit along, Don’t you see the timing was love's fated throw, Because I put you both there to help one another grow, I am the writer of all great stories your chapters were written by me, You suffered, you cried because I needed you to see, That your faith in my ending goes far beyond two, It was going to change more hearts than both of you knew, So hush my child and wait for my loving hand, The last chapter is not written and still in the sand, It is up to you to finish, before the tide washes it away, All that is in your heart, I’ve put there for you to say, This is not about winning, loss or pain, I made you the way you are because true love stories are insane, I wrote you in heaven as I sat on its sandy shore, You know with all of my heart I loved you both more, There is no better ending two people seeing each other's heart, Together your spirits will never drift apart, Because two kindred spirits is what I made you to be, The waves and beach crashing together because of-- ME.
Shannon L. Alder
So often, we're told that women's stories are unimportant. After all, what does it matter what happens in the main room, in the kitchen, or in the bedroom? Who cares about the relationships between mother, daughter, and sister? A baby's illness, the sorrows and pains of childbirth, keeping the family together during war, poverty, or even in the best of days are considered small and insignificant compared with the stories of men, who fight against nature to grow their crops, who wage battles to secure their homelands, who struggle to look inward in search of the perfect man. We're told that men are strong and brave, but I think women know how to endure, accept defeat, and bear physical and mental agony much better than men. The men in my life—my father, Z.G., my husband, my father-in-law, my brother-in-law, and my son—faced, to one degree or another, those great male battles, but their hearts—so fragile—wilted, buckled, crippled, corrupted, broke, or shattered when confronted with the losses women face every day...Our men try to act strong, but it is May, Yen-yen, Joy, and I who must steady them and help them bear their pain, anguish, and shame.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
Can we get on with this?" Father Laggan cried out. "In the name of the Father…" "I'm inviting my aunt Millicent and uncle Herbert to come for a visit, Iain, and I'm not going through the council to get permission first." "… and of the Son," the priest continued in a much louder voice. "She'll be wanting King John next," Duncan predicted. "We can't allow that, lass," Owen muttered. "Please join hands now and concentrate on this ceremony," Father Laggan shouted, trying to gain everyone's attention. "I don't want King John to come here," Judith argued. She turned to frown at Owen for making such a shameful suggestion. "I want my aunt and uncle. I'm getting them, too." She turned and had to peek around Graham in order to look up at Iain. "Yes or no, Iain." "We'll see. Graham, I'm marrying Judith, not you. Let go of her hand. Judith, move over here." Father Laggan gave up trying to maintain order. He continued on with the ceremony. Iain was paying some attention. He immediately agreed to take Judith for his wife.She wasn't as cooperative. He felt a little sorry for the sweet woman. She looked thoroughly confused. "Judith, do you take Iain for your husband?" She looked up at Iain before giving her answer. "We'll see." "That won't do, lass. You've got to say I do," he advised. "Do I?" Iain smiled. "Your aunt and uncle will be welcomed here." She smiled back. .... Judith tried not to laugh. She turned her attention back to Father Laggan. "I will say I do," she told him. "Shouldn't we begin now?" "The lass has trouble following along," Vincent remarked. Father Laggan gave the final blessing while Judith argued with the elder about his rude comment. Her concentration was just fine, she told him quite vehemently. She nagged an apology out of Vincent before giving the priest her attention again. "Patrick, would you go and get Frances Catherine? I would like her to stand by my side during the ceremony." "You may kiss the bride," Father Laggan announced.
Julie Garwood (The Secret (Highlands' Lairds, #1))
Can I tell my daughter that I loved her father? This was the man who rubbed my feet at night. He praised the food that I cooked. He cried honestly when I brought out trinkets I had saved for the right day, the day he gave me my daughter, a tiger girl. How could I not love this man? But it was a love of a ghost. Arms that encircled but did not touch. A bowl full of rice but without my appetite to eat it. No hunger. No fullness. Now Saint is a ghost. He and I can now love equally. He knows the things I have been hiding all these years. Now I must tell my daughter everything. That she is a daughter of a ghost. She has no chi . This is my greatest shame. How can I leave this world without leaving her my spirit? So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. The pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and give her my spirit, because this is a way a mother loves her daughter. I hear my daughter speaking to her husband downstairs. They say words that mean nothing. They sit in a room with no life in it. I know a thing before it happens. She will hear the table and vase crashing on the floor. She will come upstairs and into my room. Her eyes will see nothing in the darkness, where I am waiting between the trees.
Amy Tan (The Joy Luck Club)
They said of him, about the city that night, that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic. One of the most remarkable sufferers by the same axe---a woman---had asked at the foot of the same scaffold, not long before, to be allowed to write down the thoughts that were inspiring her. If he had given an utterance to his, and they were prophetic, they would have been these: "I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both. "I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice. "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
Although, fanciful's origin circa 1627 made me still love the word, even if I'd ruined its applicability to my connection with Snarl. (I mean DASH!) Like, I could totally see Mrs. Mary Poppencock returning home to her cobblestone hut with the thatched roof in Thamesburyshire, Jolly Olde England, and saying to her husband, "Good sir Bruce, would it not be wonderful to have a roof that doesn't leak when it rains on our green shires, and stuff?" And Sir Bruce Poppencock would have been like, "I say, missus, you're very fanciful with your ideas today." To which Mrs. P. responded, "Why, Master P., you've made up a word! What year is it? I do believe it's circa 1627! Let's carve the year--we think--on a stone so no one forgets. Fanciful! Dear man, you are a genius. I'm so glad my father forced me to marry you and allow you to impregnate me every year.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
All of the great mythologies and much of the mythic story-telling of the world are from the male point of view. When I was writing The Hero with a Thousand Faces and wanted to bring female heroes in, I had to go to the fairy tales. These were told by women to children, you know, and you get a different perspective. It was the men who got involved in spinning most of the great myths. The women were too busy; they had too damn much to do to sit around thinking about stories. [...] In the Odyssey, you'll see three journeys. One is that of Telemachus, the son, going in quest of his father. The second is that of the father, Odysseus, becoming reconciled and related to the female principle in the sense of male-female relationship, rather than the male mastery of the female that was at the center of the Iliad. And the third is of Penelope herself, whose journey is [...] endurance. Out in Nantucket, you see all those cottages with the widow's walk up on the roof: when my husband comes back from the sea. Two journeys through space and one through time.
Joseph Campbell
Evie touched the surface of Cam’s coat sleeve. “Is my father awake now?” she asked anxiously. “May I go up to see him?” “Of course.” The Gypsy took both her hands in a light grip, the gold rings warmed by the liberal heat of his fingers. “I will see to it that no one interferes.” “Thank you.” Suddenly Sebastian reached between them and plucked one of Evie’s hands away, pulling it decisively to his own arm. Though his manner was casual, the firm pressure of his fingers ensured that she would not try to pull away. Puzzled by the display of possessiveness, Evie frowned. “I have known Cam since childhood,” she said pointedly. “He has always been quite kind to me.” “A husband always likes to hear of kindnesses done for his wife,” Sebastian replied coolly. “Within limits, of course.” “Of course,” Cam said softly.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
My mother could see that as far as my father's relationship with the Party was concerned, she was an outsider. One day, when she ventured some critical comments about the situation and got no response from him, she said bitterly, "You are a good Communist, but a rotten husband!" My father nodded. He said he knew.
Jung Chang (Wild Swans: Three Daughters of China)
I couldn't fathom being with anyone other than Trent- he's the perfect boyfriend, and would make the perfect husband, and someday the perfect father to my children. I can see it. I just can't feel it.
Ashley Wilcox (Summer Rush (Because of Hope #1))
For you, a thousand times over." "Children aren't coloring books. You don't get to fill them with your favorite colors." "...attention shifted to him like sunflowers turning to the sun." "But even when he wasn't around, he was." "When you kill a man, you steal a life. You steal a wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. There is no act more wretched than stealing." "...she had a voice that made me think of warm milk and honey." "My heart stuttered at the thought of her." "...and I would walk by, pretending not to know her, but dying to." "It turned out that, like satan, cancer had many names." "Every woman needed a husband, even if he did silence the song in her." "The first time I saw the Pacific, I almost cried." "Proud. His eyes gleamed when he said that and I liked being on the receiving end of that look." "Make morning into a key and throw it into the well, Go slowly, my lovely moon, go slowly. Let the morning sun forget to rise in the East, Go slowly, lovely moon, go slowly." "Men are easy,... a man's plumbing is like his mind: simple, very few surprises. You ladies, on the other hand... well, God put a lot of thought into making you." "All my life, I'd been around men. That night, I discovered the tenderness of a woman." "And I could almost feel the emptiness in [her] womb, like it was a living, breathing thing. It had seeped into our marriage, that emptiness, into our laughs, and our lovemaking. And late at night, in the darkness of our room, I'd feel it rising from [her] and settling between us. Sleeping between us. Like a newborn child." "America was a river, roaring along unmindful of the past. I could wade into this river, let my sins drown to the bottom, let the waters carry me someplace far. Someplace with no ghosts, no memories, and no sins. If for nothing else, for that I embraced America." "...and every day I thank [God] that I am alive, not because I fear death, but because my wife has a husband and my son is not an orphan." "...lifting him from the certainty of turmoil and dropping him in a turmoil of uncertainty." "...sometimes the dead are luckier." "He walked like he was afraid to leave behind footprints. He moved as if not to stir the air around him." "...and when she locked her arms around my neck, when I smelled apples in her hair, I realized how much I had missed her. 'You're still the morning sun to me...' I whispered." "...there is a God, there always has been. I see him here, in the eys of the people in this [hospital] corridor of desperation. This is the real house of God, this is where those who have lost God will find Him... there is a God, there has to be, and now I will pray, I will pray that He will forgive that I have neglected Him all of these years, forgive that I have betrayed, lied, and sinned with impunity only to turn to Him now in my hour of need. I pray that He is as merciful, benevolent, and gracious as His book says He is.
Khalid Hosseini (The Kite Runner)
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evils of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years’ time enriching them with all he has, and passing tranquilly to his reward. I see that I hold sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other’s soul, than I was in the souls of both. I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place – then fair to look upon, with not a trace of this day’s disfigurement – and I hear him tell the child my story, with a tender and faltering voice. It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
Tonight, no one will rage and cry: "My Kingdom for a horse!" No ghost will come to haunt the battlements of a castle in the kingdom of Denmark where, apparently something is rotten. Nor will anyone wring her hands and murmur: "Leave, I do not despise you." Three still young women will not retreat to a dacha whispering the name of Moscow, their beloved, their lost hope. No sister will await the return of her brother to avenge the death of their father, no son will be forced to avenge an affront to his father, no mother will kill her three children to take revenge on their father. And no husband will see his doll-like wife leave him out of contempt. No one will turn into a rhinoceros. Maids will not plot to assassinate their mistress, after denouncing her lover and having him jailed. No one will fret about "the rain in Spain!" No one will emerge from a garbage pail to tell an absurd story. Italian families will not leave for the seashore. No soldier will return from World War II and bang on his father's bedroom dor protesting the presence of a new wife in his mother's bed. No evanescent blode will drown. No Spanish nobleman will seduce a thousand and three women, nor will an entire family of Spanish women writhe beneath the heel of the fierce Bernarda Alba. You won't see a brute of a man rip his sweat-drenched T-shirt, shouting: "Stella! Stella!" and his sister-in-law will not be doomed the minute she steps off the streetcar named Desire. Nor will you see a stepmother pine away for her new husband's youngest son. The plague will not descend upon the city of Thebes, and the Trojan War will not take place. No king will be betrayed by his ungrateful daughters. There will be no duels, no poisonings, no wracking coughs. No one will die, or, if someone must die, it will become a comic scene. No, there will be none of the usual theatrics. What you will see tonight is a very simple woman, a woman who will simply talk...
Michel Tremblay
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
You see, my father believed he had a gift. He felt that he was able to ascertain a person's entire future based on their faces...the way they looked...and he chose to keep only the children he felt would go on to please him. He chose my husband for me this way as well, did you know that? He said, 'This man has a good face. He will never make any money, but he will never hurt you.' He was right on both counts.' Nick's grandmother leaned in closer to Rachel and stared straight into her eyes, 'I see your face,' she said in a hushed tone.
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
I need to ask, are you afraid of spiders?" Nicholas blinked, suddenly caught off guard, "Yes, I'm afraid of spiders." "Were you always?" "What are you, a psychiatrist?" Pritam took a breath. He could feel Laine's eyes on him, appraising his line of questioning. "Is it possible that the trauma of losing your best friend as a child and the trauma of losing your wife as an adult and the trauma of seeing Laine's husband take his life in front of you just recently..." Pritam shrugged and raised his palms, "You see where I'm going?" Nicholas looked at Laine. She watched back. Her gray eyes missed nothing. "Sure," agreed Nicholas, standing. "And my sister's nuts, too, and we both like imagining that little white dogs are big nasty spiders because our daddy died and we never got enough cuddles." "Your father died?" asked Laine. "When?" "Who cares?" Pritam sighed. "You must see this from our point of - " "I'd love to!" snapped Nicholas. "I'd love to see it from your point of view, because mine is not that much fun! It's insane! It's insane that I see dead people, Pritam! It's insane that this," he flicked out the sardonyx necklace,"stopped me from kidnapping a little girl!" "That's what you believe," Pritam said carefully. "That's what I fucking believe!" Nicholas stabbed his finger through the air at the dead bird talisman lying slack on the coffee table.
Stephen M. Irwin (The Dead Path)
Wine after three glasses solves nothing and the pain of recent discovery remains. Still, I'm feeling a friendly touch of disassociation. I'm already some useful steps removed and see myself revealed some fifteen feet below me, like a fallen climber spreadeagled and supine on a rock. I can begin to comprehend my situation, I can think as well as feel. An unassuming New World white can do this much. So. My mother has preferred my father's brother, cheated her husband, ruined her son. My uncle has stolen his brother's wife, deceived his nephew's father, grossly insulted his sister-in-law's son. My father by nature is defenceless, as I am by circumstance. My uncle - a quarter of my genome, of my father's half, but no more like my father than I to Virgil or Montaigne. What despicable part of myself is Claude and how will I know? I could be my own brother and deceive myself as he deceived his. When I'm born and allowed at last to be alone, there's a quarter I'll want to take a kitchen knife to. But the one who holds the knife will also be my uncle, quartering in my genome. Then we'll see how the knife won't move. And this perception too is somewhat his. And this.
Ian McEwan (Nutshell)
These young-marrying, contemporaries or juniors of the Beat Generation, have often expressed themselves as follows: "My highest aim in life is to achieve a normal healthy marriage and raise healthy [non-neurotic] children." On the face of it, this remark is preposterous. What was always taken as a usual and advantageous life-condition for work in the world and the service of God, is now regarded as an heroic goal to be striven for. Yet we see that it is a hard goal to achieve against the modern obstacles. Also it is a real goal, with objective problems that a man can work at personally, and take responsibility for, and make decisions about—unlike the interpersonal relations of the corporation, or the routine of the factory job for which the worker couldn't care less. But now, suppose the young man is achieving this goal: he has the wife, the small kids, the suburban home, and the labor-saving domestic devices. How is it that it is the same man who uniformly asserts that he is in a Rat Race? Either the goal does not justify itself, or indeed he is not really achieving it. Perhaps the truth is, if marriage and children are the goal, a man cannot really achieve it. It is not easy to conceive of a strong husband and father who does not justified in his work and independent in the world. Correspondingly, his wife feels justified in the small children, but does she have a man, do the children have a father, if he is running a Rat Race? Into what world do the small children grow up in such a home?
Paul Goodman (Growing Up Absurd: Problems of Youth in the Organized System)
Why do you say things like that?” “Like what?” She’s back down crouching in front of me. “You say his family like you’re not a part of that.” I can see the heartbreak in her eyes as she continues. “Like you’re not my best friend just as much as he is. As if you’re not Raine’s father just as much as he is. Like being Jesse’s husband isn’t enough to make you part of this family.
Marley Valentine (What We Broke)
What you do when you git mad? she ast. I think. I can't even remember the last time I felt mad, I say. I used to git mad at my mammy cause she put a lot of work on me. Then I see how sick she is. Couldn't stay mad at her. Couldn't be mad at my daddy cause he my daddy. Bible say, Honor father and mother no matter what. Then after awhile every time I got mad, or start to feel mad, I got sick. Felt like throwing up. Terrible feeling. Then I start to feel nothing at all. Sofia frown. Nothing at all? Well, sometime Mr. —— git on me pretty hard. I have to talk to Old Maker. But he my husband. I shrug my shoulders. This life soon be over, I say. Heaven last all ways. You ought to bash Mr. —— head open, she say. Think about heaven later. Not much funny to me. That funny. I laugh. She laugh. Then us both laugh . . .
Alice Walker (The Color Purple)
I do have a bad habit,” he says. “of falling in love. With regularity and to spectacular effect. You see, it never goes well.” I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He’d only kissed back. “As charming as you are, how can that be?” I say. He laughs again. “That’s what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would be his half brother. But it’s also alarming, because she’s the one who murdered him.” Much as when he spoke about Madoc, it’s strange how fond Oak can sound when he tells me a horrifying thing a member of his family has done. “Whom have you fallen in love with?” I ask. “Well, there was you,” the prince says. “When we were children.” “Me?” I ask incredulously. “You didn’t know?” He appears to be merry in the face of my astonishment. “Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.” I cannot help snorting over the sheer absurdity of his statement. He puts a hand to my heart. “Ah, and now you laugh. It is my curse to adore cruel women. He cannot expect me to believe he had real feelings. “Stop with your games.” “Very well,” he says. “Shall we go to the next? Her name was Lara, a mortal at the school I attended when I lived with my eldest sister and her girlfriend. Sometimes Lara and I would climb into the crook of one of the maple trees and share sandwiches. But she had a villainous friend, who implicated me in a piece of gossip—which resulted in Lara stabbing me with a lead pencil and breaking off our relationship.” “You do like cruel women,” I say. “Then there was Violet, a pixie. I wrote terrible poetry about how I adored her. Unfortunately, she adored duels and would get into trouble so that I would have to fight for her honor. And even more unfortunately, neither my sister nor my father bothered to teach me how to fight for show. I thought of the dead-eyed expression on his face before his bout with the ogre and Tiernan’s angry words. “That resulted in my accidentally killing a person she liked better than me.” “Oh,” I say. “That is three levels of unfortunate.” “Then there was Sibi, who wanted to run away from Court with me, but as soon as we went, hated it and wept until I took her home. And Loana, a mermaid, who found my lack of a tail unbearable but tried to drown me anyway, because she found it equally unbearable that I would ever love another.” The way he tells these stories makes me recall how he’s told me many painful things before. Some people laugh in the face of death. He laughed in the face of despair. “How old were you?” “Fifteen, with the mermaid,” he said. “And nearly three years later, I must surely be wiser.” “Surely,” I say, wondering if he was. Wondering if I wanted him to be.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
My brothers, we have a special and distinct role as Christian men, fathers, husbands, and leaders in the family, in the Church, and in society at large. If we don’t step up, we run the risk of seeing our families overrun and absorbed by the surrounding culture. This is not acceptable. Start with prayer. Be faithful, be consistent, have courage, show humility, and remember . . . we are made for a heavenly home and not this world.
Randy Hain (Journey to Heaven: A Road Map for Catholic Men)
Happy Birthday to my first born(umafungashe wam). No words can fully describe the way I felt when I heard your first cry. The unforgettable joy I felt when I held you in my arms for the first time. I've watched you grow up from the time you were little until you become this compassionate, kind and thoughtful young man. I'm also proud to see you become an amazing husband, father and a great servant of God. I'm blessed beyond to call myself your mom. Happy Birthday son.❤️❤️
Euginia Herlihy
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
Lord Langford," she acknowledged, looking right down her nose at the man. "Penelope," the older man said, unable to keep the surprise from his gaze. "It's Lady Bourne to you." The words were cool and cutting, and Michael was sure she'd never been more beautiful. "Come to think of it, it was always lady to you. And you never referred to me as such." The older man's gaze narrowed in irritation, and Michael had an intense urge to put a fist into the viscount's face for the look. It was not necessary. His wife was more than able to care for herself. "You don't like that, I see. Well, let me tell what I don't like. I don't like insolence. And I don't like cruelty. And I most definitely don't like you. It is time you and I have it out, Langford, because while you might have stolen my husband's lands and funds and reputation, and you might have been a truly horrendous father to my friend, I absolutely refuse to have you take another thing from me, you despicable old man.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
Thank you Doctor Gboco for your help because since i have been married to my husband about 6years now i have not be able to get my own kid and my mother in law wants me out of the house because she think i can't give bath to a baby but since you cast a spell for me and it been five months now since you cast a spell for me and i started seeing changes in me i and my husband are now happy now and we are expecting our baby by June i am very grateful for your help doctor Gboco Email: gbocotemple@yahoo.com you are more than just a father to me.
Shelly Shapiro (Truth Prevails: Demolishing Holocaust Denial : The End of the Leuchter Report)
In a private room down the hall, a tired but delighted Cecily was watching her husband with his brand-new son. Cecily had thought that the expression on Tate’s face at their wedding would never be duplicated. But when they placed the tiny little boy in his father’s gowned arms in the delivery room, and he saw his child for the first time, the look on his face was indescribable. Tears welled in his eyes. He’d taken the tiny little fist in his big, dark hand and smoothed over the perfect little fingers and then the tiny little face, seeking resemblances. “Generations of our families,” he said softly, “all there, in that face.” He’d looked down at his wife with unashamedly wet eyes. “In our son’s face.” She wiped her own tears away with a corner of the sheet and coaxed Tate’s head down so that she could do the same for him where they were, temporarily, by themselves. Now she was cleaned up, like their baby, and drowsy as she lay on clean white sheets and watched her husband get acquainted with his firstborn. “Isn’t he beautiful?” he murmured, still awed by the child. “Next time, we have to have a little girl,” he said with a tender smile, “so that she can look like you.” Her heart felt near to bursting as she stared up at that beloved face, above the equally beloved face of their firstborn. “My heart is happy when I see you,” she whispered in Lakota. He chuckled, having momentarily forgotten that he’d taught her how to say it. “Mine is equally happy when I see you,” he replied in English. She reached out and clasped his big hand with her small one. On the table beside her was a bouquet of roses, red and crisp with a delightful soft perfume. Her eyes traced them, and she remembered the first rose he’d ever given her, when she was seventeen: a beautiful red paper rose that he’d brought her from Japan. Now the roses were real, not imitation. Just as her love for him, and his for her, had become real enough to touch. He frowned slightly at her expression. “What is it?” he asked softly. “I was remembering the paper rose you brought me from Japan, just after I went to live with Leta.” She shrugged and smiled self-consciously. He smiled back. “And now you’re covered in real ones,” he discerned. She nodded, delighted to see that he understood exactly what she was talking about. But, then, they always had seemed to read each others’ thoughts-never more than now, with the baby who was a living, breathing manifestation of their love. “Yes,” she said contentedly. “The roses are real, now.” Outside the window, rain was coming down in torrents, silver droplets shattering on the bright green leaves of the bushes. In the room, no one noticed. The baby was sleeping and his parents were watching him, their eyes full of warm, soft dreams.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I have to let go of all comparison, all rivalry and competition, and surrender to the Father’s love. This requires a leap of faith because I have little experience of non-comparing love. I can only remain in the resentful complaint that results from my comparisons. In the light of God I can finally see my neighbor as my brother, as the one who belongs as much to God as I do. But outside of God’s house, brothers and sisters, husbands and wives, lovers and friends become rivals and even enemies; each perpetually plagued by jealousies, suspicions, and resentments.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
Eider nodded slowly, her eyes never leaving Glokta's face. 'That must have been hard. To come back, after all that time in the darkness, and to find that your friends had no use for you. To see in their faces only guilt, and pity, and disgust. To find yourself alone.' Glokta's eyelid was twitching, and he rubbed at it gently. He had never discussed such things with anyone before. And now here I am, discussing them with a stranger. 'There can be no doubt that I'm a tragic figure. I used to be a shit of a man, now I'm a husk of one. Take your pick.' 'I imagine it makes you sick, to be treated that way. Very sick, and very angry.' If only you knew. 'It still seems a strange decision, though, for the tortured to turn torturer.' 'On the contrary, nothing could be more natural. In my experience, people do as they are done to. You were sold by your father and bought by your husband, and yet you choose to buy and sell.' Eider frowned. Something for her to think about, perhaps? 'I would have thought your pain would give you empathy.' 'Empathy? What's that?' Glokta winced as he rubbed at his aching leg. 'It's a sad fact, but pain only makes you sorry for yourself.
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
We found out that Chris would be deploying very soon after Bubba was due. I was so thrilled about being a mother that doing it on my own for six months or so didn’t scare me. The fact that Chris wouldn’t be there to share his early days weighed on my heart, but otherwise I was confident and ready. Right? You may suspect where this is going. I planned to stay out on maternity leave as long as possible, then get some help once I had to go back to work. I remained on the job until a couple of weeks before my due date. I was as big as a house and twice as hungry. Bubba-Chris’s nickname for our son-would move around every so often. Like most moms-to-be, I wanted to share the sensation with my husband. And like many fathers-to-be, Chris was just a little nervous about that. “He’s moving,” I’d tell Chris. “Want to feel?” “No, no, I’m good.” Here’s a guy who is totally calm under fire, who can deal with all sorts of difficult physical situations, to say nothing of severe wounds-but put a pregnant belly in front of him and he turns to timid mush. Men. “I don’t know what that thing is,” he said, trying to explain his squeamishness. “When the baby’s born, that’s my baby.” There’s a reason women are the ones who have the babies. Though I will admit that seeing my stomach move and poke out on its own did remind me of the movie Alien.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
My mother was the first person you called for a recipe (a cup of onions, garlic, don’t forget the pinch of sugar) and the last one you called at night when you just couldn’t sleep (a cup of hot water with lemon, lavender oil, magnesium pills). She knew the exact ratio of olive oil to garlic in any recipe, and she could whip up dinner from three pantry items, easy. She had all the answers. I, on the other hand, have none of them, and now I no longer have her. “Hi,” I hear Eric say from inside. “Where is everyone?” Eric is my husband, and he is our last guest here today. He shouldn’t be. He should have been with us the entire time, in the hard, low chairs, stuck between noodle casseroles and the ringing phone and the endless lipstick kisses of neighbors and women who call themselves aunties, but instead he is here in the entryway to what is now my father’s house, waiting to be received. I close my eyes. Maybe if I cannot see him, he will stop looking for me. Maybe I will fold into this ostentatious May day, the sun shining like a woman talking loudly on a cell phone at lunch. Who invited you here? I tuck the cigarette into the pocket of my jeans. I cannot yet conceive of a world without her, what that will look like, who I am in her absence. I am incapable of understanding that she will not pick me up for lunch on Tuesdays, parking without a permit on the
Rebecca Serle (One Italian Summer)
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both.
Charles Dickens (A Tale of Two Cities)
And so I didn't go, not even to see my sister . . that father of mine in the Austrian uniform did well not to come see me, now I finally understand myself, why I always carry that feeling of guilt... I assumed it from my mother and Francin and without actually being guilty of anything I bore that guilt, always and endlessly fleeing before that sense of wrongdoing, which was in me even before I was born .. and like I already told you, like Mr. Barthes says . . Although I forge ahead, I point to this mask of mine, which I wear like an actor who has decided to play the clown, the fool... so said my man, kneeling before me, washing my feet, and I knew that he was my husband and I was his wife ..
Bohumil Hrabal (Gaps)
up for it, and I’m sorry. That’s not enough. You’re going to search until you find something, and you’re going to tell me. Right now. Sheri. Please. You do it now or we’re gone. You give me some way to have some sympathy for you as I stand in this nice house, all lovingly redone, and think about the broken house you left us in, with its leaky roof and no heat and no insulation and nothing. Tell your sob story about the fucking war, whatever it was that my mom thought you were so broken about. My grandfather closed his eyes. No story ever explains. But I’ll give you what you want. I think I know the moment you want, because I made a kind of decision. There was some change. But I can’t start the story at the beginning. I’ve never been able to do that. I have to start at the end and then go back, and it doesn’t finish, because you can go back forever. Do it, my mother said. I don’t think Caitlin should hear. She can hear. Okay. You’re her mother. That’s right. So I won’t give the awful details, but I was lying in a pile of bodies. My friends. The closest friends I’ve ever had. Not piled there on purpose, but just the way it ended up because I had been working on the axle, lying on the ground. And the thing is, the war was over. It had been over for days, and we were laughing and a bit drunk, telling jokes. There was something unbearable about the fact that we’d all be going our separate ways now. The truth is that we didn’t want to leave. We wanted the war over, but we didn’t want what we had together to be over. I think we all had some sense that this was the closest we’d ever be to anyone, and that our families might feel like strangers now. So that’s it? You couldn’t be a father and husband because you weren’t done being a buddy? No. No. It’s the way it happened, in a moment that was supposed to be safe. After every moment of every day in fear for years, we were finally safe, and that’s when the slugs came and I watched my friends torn apart and landing on me, dying. That’s the point. We were supposed to be safe. And with your mother, too, I was supposed to be safe. A wife, a family. The story doesn’t make any sense unless you know every moment before it, every time we thought we were going to die, all the times we weren’t safe. You can’t just be told about that. You have to feel it, how long one night can be, and then all of them put together, hundreds of nights and then more, and there’s a kind of deal that’s made, a deal with god. You do certain terrible things, you endure things, because there’s a bargain made. And then when god says the deal’s off later, after you’ve already paid, and you see your friends ripped through, yanked like puppets on a day that was safe, and you find out your wife is going to die young, and you get to watch her dying, something that again is going to be for years, hundreds of nights more, all deals are off.
David Vann (Aquarium)
We are glad to visit your beautiful country. It is prosperous—you all live far from the struggle. Nobody destroys your towns, cities, fields. Nobody kills your citizens, your sisters and mothers, your fathers and brothers. I come from a place where bombs pound villages into ash, where Russian blood oils the treads of German tanks, where innocent civilians die every day.” She caught herself up, exhaled slowly as she marshaled her next words. No one moved, least of all the marksman. “An accurate bullet fired by a sniper like me, Mrs. Roosevelt, is no more than a response to an enemy. My husband lost his life at Sevastopol before my eyes. He died in my arms. As far as I am concerned, any Hitlerite I see through my telescopic sights is the one who killed him.” A frozen silence fell over the room. Only the marksman’s eyes moved as he looked around the table, cataloging responses. The Soviet delegation leader sat clutching his butter knife, looking like he wanted to saw off her head and bowl it through the window into the White House gardens. The smart Washington women in their frills and pearls looked appalled. The First Lady looked . . . Embarrassed? the marksman wondered. Did that horsey presidential bitch look embarrassed? “I’m sorry, Lyudmila dear,” she said quietly, laying down her napkin. “I had no wish to offend you. This conversation is important, and we will continue it in a more suitable setting. But now, unfortunately, it is time to disperse. My duties are calling, and I understand
Kate Quinn (The Diamond Eye)
I hope they understand, my sons, both now and in the future just materializing in the dark, that all these hours their mother has been walking so swiftly away from them I have not been gone, that my spirit, hours ago, slipped back into the house and crept into the room where their early-rising father had already fallen asleep, usually before eight p.m., and that I touched this gentle man whom I love so desperately and somehow fear so much, touched him on the pulse in his temple and felt his dreams, which are too distant for the likes of me; and I climbed the creaking old stairs and at the top split in two, and heading into the boys’ separate rooms, I slid through the crack under the doors and curled myself on the pillows to breathe into me the breath that my children breathed out. Every pause between the end of one breath and the beginning of the next is long; then again, nothing is not always in transition. Soon, tomorrow, the boys will be men, then the men will leave the house, and my husband and I will look at each other crouching under the weight of all that we wouldn’t or couldn’t yell, as well as all those hours outside walking together, my body, my shadow, and the moon. It is terribly true, even if the truth does not comfort, that if you look at the moon for long enough night after night, as I have, you will see that the old cartoons are correct, that the moon is, in fact, laughing. But it is not laughing at us, we lonely humans, who are far too small and our lives far too fleeting for it to give us any notice at all.
Lauren Groff (Florida)
She sat and watched the dockhand when it was sunny and she sat and watched him when it rained. Or when it was foggy, which is what it was nearly every morning at eight o’clock. This morning was none of the above. This morning was cold. The pier smelled of fresh water and of fish. The seagulls screeched overhead, a man’s voice shouted. Where is my brother to help me, my sister, my mother? Pasha, help me, hide in the woods where I know I can find you. Dasha, look what’s happened. Do you even see? Mama, Mama. I want my mother. Where is my family to ask things of me, to weigh on me, to intrude on me, to never let me be silent or alone, where are they to help me through this? Deda, what do I do? I don’t know what to do. This morning the dockhand did not go over to see his friend at the next pier for a smoke and a coffee. Instead, he walked across the road and sat next to her on the bench. This surprised her. But she said nothing, she just wrapped her white nurse’s coat tighter around herself, and fixed the kerchief covering her hair. In Swedish he said to her, “My name is Sven. What’s your name?” After a longish pause, she replied. “Tatiana. I don’t speak Swedish.” In English he said to her, “Do you want a cigarette?” “No,” she replied, also in English. She thought of telling him she spoke little English. She was sure he didn’t speak Russian. He asked her if he could get her a coffee, or something warm to throw over her shoulders. No and no. She did not look at him. Sven was silent a moment. “You want to get on my barge, don’t you?” he asked. “Come. I will take you.” He took her by her arm. Tatiana didn’t move. “I can see you have left something behind,” he said, pulling on her gently. “Go and retrieve it.” Tatiana did not move. “Take my cigarette, take my coffee, or get on my barge. I won’t even turn away. You don’t have to sneak past me. I would have let you on the first time you came. All you had to do was ask. You want to go to Helsinki? Fine. I know you’re not Finnish.” Sven paused. “But you are very pregnant. Two months ago it would have been easier for you. But you need to go back or go forward. How long do you plan to sit here and watch my back?” Tatiana stared into the Baltic Sea. “If I knew, would I be sitting here?” “Don’t sit here anymore. Come,” said the longshoreman. She shook her head. “Where is your husband? Where is the father of your baby?” “Dead in the Soviet Union,” Tatiana breathed out. “Ah, you’re from the Soviet Union.” He nodded. “You’ve escaped somehow? Well, you’re here, so stay. Stay in Sweden. Go to the consulate, get yourself refugee protection. We have hundreds of people getting through from Denmark. Go to the consulate.” Tatiana shook her head. “You’re going to have that baby soon,” Sven said. “Go back, or move forward.” Tatiana’s hands went around her belly. Her eyes glazed over. The dockhand patted her gently and stood up. “What will it be? You want to go back to the Soviet Union? Why?” Tatiana did not reply. How to tell him her soul had been left there? “If you go back, what happens to you?” “I die most likely,” she barely whispered. “If you go forward, what happens to you?” “I live most likely.” He clapped his hands. “What kind of a choice is that? You must go forward.” “Yes,” said Tatiana, “but how do I live like this? Look at me. You think, if I could, I wouldn’t?” “So you’re here in the Stockholm purgatory, watching me move my paper day in and day out, watching me smoke, watching me. What are you going to do? Sit with your baby on the bench? Is that what you want?” Tatiana was silent. The first time she laid eyes on him she was sitting on a bench, eating ice cream. “Go forward.” “I don’t have it in me.” He nodded. “You have it. It’s just covered up. For you it’s winter.” He smiled. “Don’t worry. Summer’s here. The ice will melt.” Tatiana struggled up from the bench. Walking away, she said in Russian, “It’s not the ice anymore, my seagoing philosopher. It’s the pyre.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
if my father had turned up after all we would have gone away without letting him find out we were here. If he’s safe I don’t want to see him. There’s no point, they never forgave me, they didn’t understand the divorce; I don’t think they even understood the marriage, which wasn’t surprising since I didn’t understand it myself. What upset them was the way I did it, so suddenly, and then running off and leaving my husband and child, my attractive full-color magazine illustrations, suitable for framing. Leaving my child, that was the unpardonable sin; it was no use trying to explain to them why it wasn’t really mine. But I admit I was stupid, stupidity is the same as evil if you judge by the results, and I didn’t have any excuses, I was never good at them. My brother was, he used to make them up in advance of the transgressions; that’s the logical way.
Margaret Atwood (Surfacing)
I bend before you like a branch bending towards the earth, pressing my body against your knees. This is the body that your wife gave birth to. Don’t send me to an early death. It is sweet to see the sun’s light. Do not force me down into the darkness of the Underworld. I was the first child to call you father, the first you called your child. I was the first to sit upon your knee while you fondly kissed me. You used to say to me, “Will I see you one day, happy in your husband’s house, bringing honor to your family?” And I would say to you, as I pulled upon your beard, the same beard I now caress, “And what about you, Father? Will I welcome you into my house, when you are an old man, and take care of you in thanks for all the years that you took care of me?” I remember every word we said, but you have forgotten them, and now you are planning to end my life.
Euripides
Mercy and truth are met together; righteousness and peace have kissed each other. —Psalm 85:10 (KJV) When my husband, David, made the heart-wrenching decision to leave his post as senior minister at Hillsboro Presbyterian Church, the church was strong, thriving, and ripe for new leadership. But leaving was complicated. No one has ever loved a congregation more than David, and the congregation responded in kind. So it was infinitely sad when an influential person began working to erase David’s legacy. We had looked forward to returning to Hillsboro after the proper transition period, but now amid the confusion, the outlook was cloudy. Would it work for David to come back? Would we lose our church family forever? Finally, a new minister was chosen. For me, I wasn’t sure how I would feel until I met Chris. My reaction was immediate. I have a pastor! But what about David? I would never go back to Hillsboro without him. Well, it seems God had planned ahead. Chris sent out a letter to the congregation, addressing the misperception that “it’s not possible to love the new pastor if you still love the previous pastor.” He dispelled that notion with five simple words: “It’s okay to love both.” Chris went on to describe his meetings with David and to announce that he had invited him to come back to Hillsboro where the two of them “share a love for the church and its people.” And so it was finished. We had a church home once again, where we could come and worship with our family and friends, a place where there’s enough love for everyone, and a new minister wise enough to know that’s true. Father, I pray for the day when all of us grasp the unlimited reservoir of Your love and can finally see its regenerating power. —Pam Kidd Digging Deeper: Ps 132:7; Eph 4:15–16; Col 3:14–17
Guideposts (Daily Guideposts 2014)
He pulled out a thick iron ring with dozens of keys. He turned it, staring as the keys slid and rang. Arin shut them up inside his fist. “My house,” he said thickly. He looked at Kestrel. “Keys can be copied.” His eyes pleaded with her. “I have no idea how many sets Irex’s family had. Cheat could have had this one, somehow, even before Firstwinter.” She saw how what he said might be true. She didn’t think anyone could fake the horror on Arin’s face when he first saw Kestrel on the floor. Or the way he looked now: as if what had happened to her was happening to him. “Believe me, Kestrel.” She did…and she didn’t. Arin undid the ring, slipped off two keys, and set them in Kestrel’s hand. “These are for your suite. Keep them.” She gazed at the dull metal on her palm. She recognized one key. The other…“Is this one for the garden door?” “Yes, but”--Arin looked away--“you wouldn’t want to use it.” Kestrel had guessed that Arin lived in the west wing suite, and that it had been his father’s as hers had been his mother’s. But it wasn’t until then that she understood what the two gardens were for: a way for husband and wife to visit each other without the entire household knowing. Kestrel stood, because Arin was standing and she had had enough of crouching on the floor. “Krestrel…” Arin’s question was something he clearly hated to ask. “How badly are you hurt?” “As you see.” Her eye was swelling shut, and the carpet had skinned her cheek raw. “My face. Nothing more.” “I could kill him a thousand times and still want to do it again.” She looked at Cheat’s slumped body as it soaked the carpet with blood. “Somebody had better clean that up. It won’t be me. I’m not your slave.” Quietly, he said, “You’re really not.” “I might believe you if you gave me the whole set of keys.” The corner of his mouth twitched. “Ah, but would you have any respect for my intelligence?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I’d like you to come to Kauai with me,” I say. “And Scottie. I think it would be good to get her away from the hospital for a day. We can leave in the morning, find him, and be home tomorrow night. If it takes us a day longer, that’s fine, but we won’t stay more than two nights. That’s our deadline. If we don’t find him, then at least we know we tried.” “And this will make you feel better somehow?” “It’s for her,” I say. “Not for him or me.” “What if he’s a wreck? What if he loses his shit?” “Then I’ll take care of him.” I imagine Brian Speer wailing on my shoulder. I imagine him and my daughters by Joanie’s bed, her lover and his loud sobs shaming us. “Just so you know, I am angry. I’m not this pure and noble guy. I want to do this for her, but I also want to see who he is. I want to ask him a few things.” “Just call him. Tell his office it’s an emergency. They’ll have him call you.” “I want to tell him in person. I haven’t told anyone over the phone, and I don’t want to start now.” “You told Troy.” “Troy doesn’t count. I just need to do this. On the phone he can escape. If I see him in person, he’ll have nowhere to go.” We both look away when our eyes meet. She hasn’t crossed the border into my room. She never does during her nighttime doorway chats. “Were you guys having trouble?” Alex asks. “Is that why she cheated?” “I didn’t think we were having trouble,” I say. “I mean, it was the same as always.” This was the problem, that our marriage was the same as always. Joanie needed bumps. She needed rough terrain. It’s funny that I can get lost in thoughts about her, but when she was right in front of me, I didn’t think much about her at all. “I wasn’t the best husband,” I say. Alex looks out the window to avoid my confession. “If we go on this trip, what will we tell Scottie?” “She’ll think we’re going on a trip of some sort. I want to get her away from here.
Kaui Hart Hemmings (The Descendants)
The day wore on.While yet Rycca slept, Dragon did all the things she had said he would do-paced back and forth, contemplated mayhem,and even honed his blade on the whetstone from the stable.All except being oblivious to her,for that he could never manage. But when she awoke,sitting up heavy-lidded, her mouth so full and soft it was all he could do not to crawl back into bed with her,he put aside such pursuits and controlled himself admirably well,so he thought. Yet in the midst of preparing a meal for them from the provisions in the pantry of the lodge,he was stopped by Rycca's hand settling upon his. "Dragon," she said softly, "if you add any more salt to that stew, we will need a barrel of water and more to drink with it." He looked down, saw that she was right, and cursed under his breath. Dumping out the spoiled stew, he started over. They ate late but they did eat.He was quite determined she would do so,and for once she seemed to have a decent appetite. "I'm glad to see your stomach is better," he said as she was finishing. She looked up,startled. "What makes you say that?" "You haven't seemed able to eat regularly of late." "Oh,well,you know...so many changes...travel...all that." He nodded,reached for his goblet, and damn near knocked it over as a sudden thought roared through him. "Rycca?" She rose quickly,gathering up the dishes. His hand lashed out, closing on her wrist. Gently but inexorably, he returned her to her seat. Without taking his eyes from her,he asked, "Is there something you should tell me?" "Something...?" "I ask myself what sort of changes may cause a woman to be afflicted with an uneasy stomach and it occurs to me I've been a damned idiot." "Not so! You could never be that." "Oh,really? How otherwise would I fail to notice that your courses have not come of late? Or is that also due to travel,wife?" "Some women are not all that regular." "Some women do not concern me.You do,Rycca. I swear,if you are with child and have not told me, I will-" She squared her shoulders,lifted her head,and met his eyes hard on. "Will what?" "What? Will what? Does that mean-" "I'm sorry,Dragon." Truly repentant, Rycca sighed deeply. "I was going to tell you.I was just waiting for a calmer time.I didn't want you to worry more." Still grappling with what she had just revealed,he stared at her in astonishment. "You mean worry that my wife and our child are bait for a murderous traitor?" "I know you're angry and you have a right to be.But if I had told you, we wouldn't be here now." "Damn right we wouldn't be!" He got up from the table so abruptly that his chair toppled over and crashed to the floor.Ignoring it,Dragon paced back and forth,glaring at her. Rycca waited,trusting the storm to pass. As she did,she counted silently, curious to see just how long it would take her husband to grasp fully what he had discovered. Nine...ten... "We're going to have a baby." Not long at all. She nodded happily. "Yes,we are, and you're going to be a wonderful father." He walked back to the table,picked her up out of her chair,held her high against his chest,and stared at her. "My God-" Rycca laughed. "You can't possibly be surprised.It's not as though we haven't been doing our best to make this happen." "True,but still it's absolutely incredible." Very gently,she touched his face. "Perhaps we think of miracles wrongly. They're supposed to be extraordinarily rare but in fact they're as commonplace as a bouquet of wildflowers plucked by a warrior...or a woman having a baby." Dragon sat down with her still in his arms and held her very close.He swallowed several times and said nothing. Both could have remained contentedly like that for a long while, but only a few minutes passed before they were interrupted. The raven lit on the sill of the open window just long enough to catch their attention,then she was gone into the bloodred glare of the dying day.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Andre: You know, in the sexual act there’s that moment of complete forgetting, which is so incredible. Then in the next moment you start to think about things: work on the play, what you’ve got to do tomorrow. I don’t know if this is true of you, but I think it must be quite common. The world comes in quite fast. Now that again may be because we’re afraid to stay in that place of forgetting, because that again is close to death. Like people who are afraid to go to sleep. In other words: you interrelate and you don’t know what the next moment will bring, and to not know what the next moment will bring brings you closer to a perception of death! You see, that’s why I think that people have affairs. Well, I mean, you know, in the theater, if you get good reviews, you feel for a moment that you’ve got your hands on something. You know what I mean? I mean it’s a good feeling. But then that feeling goes quite quickly. And once again you don’t know quite what you should do next. What’ll happen? Well, have an affair and up to a certain point you can really feel that you’re on firm ground. You know, there’s a sexual conquest to be made, there are different questions: does she enjoy the ears being nibbled, how intensely can you talk about Schopenhauer in some elegant French restaurant. Whatever nonsense it is. It’s all, I think, to give you the semblance that there’s firm earth. Well, have a real relationship with a person that goes on for years, that’s completely unpredictable. Then you’ve cut off all your ties to the land and you’re sailing into the unknown, into uncharted seas. I mean, you know, people hold on to these images: father, mother, husband, wife, again for the same reason: ’cause they seem to provide some firm ground. But there’s no wife there. What does that mean, a wife? A husband? A son? A baby holds your hands and then suddenly there’s this huge man lifting you off the ground, and then he’s gone. Where’s that son?
André Gregory (My Dinner With André)
I now pronounce you husband and wife. I hadn’t considered the kiss. Not once. I suppose I’d assumed it would be the way a wedding kiss should be. Restrained. Appropriate. Mild. A nice peck. Save the real kisses for later, when you’re deliciously alone. Country club girls don’t make out in front of others. Like gum chewing, it should always be done in private, where no one else can see. But Marlboro Man wasn’t a country club boy. He’d missed the memo outlining the rules and regulations of proper ways to kiss in public. I found this out when the kiss began--when he wrapped his loving, protective arms around me and kissed me like he meant it right there in my Episcopal church. Right there in front of my family, and his, in front of Father Johnson and Ms. Altar Guild and our wedding party and the entire congregation, half of whom were meeting me for the first time that night. But Marlboro Man didn’t seem to care. He kissed me exactly the way he’d kissed me the night of our first date--the night my high-heeled boot had gotten wedged in a crack in my parents’ sidewalk and had caused me to stumble. The night he’d caught me with his lips. We were making out in church--there was no way around it. And I felt every bit as swept away as I had that first night. The kiss lasted hours, days, weeks…probably ten to twelve seconds in real time, which, in a wedding ceremony setting, is a pretty long kiss. And it might have been longer had the passionate moment not been interrupted by the sudden sound of a person clapping his hands. “Woohoo! All right!” the person shouted. “Yes!” It was Mike. The congregation broke out in laughter as Marlboro Man and I touched our foreheads together, cementing the moment forever in our memory. We were one; this was tangible to me now. It wasn’t just an empty word, a theological concept, wishful thinking. It was an official, you-and-me-against-the-world designation. We’d both left our separateness behind. From that moment forward, nothing either of us did or said or planned would be in a vacuum apart from the other. No holiday would involve our celebrating separately at our respective family homes. No last-minute trips to Mexico with friends, not that either of us was prone to last-minute trips to Mexico with friends. But still. The kiss had sealed the deal in so many ways. I walked proudly out of the church, the new wife of Marlboro Man. When we exited the same doors through which my dad and I had walked thirty minutes earlier, Marlboro Man’s arm wriggled loose from my grasp and instinctively wrapped around my waist, where it belonged. The other arm followed, and before I knew it we were locked in a sweet, solidifying embrace, relishing the instant of solitude before our wedding party--sisters, cousins, brothers, friends--followed closely behind. We were married. I drew a deep, life-giving breath and exhaled. The sweating had finally stopped. And the robust air-conditioning of the church had almost completely dried my lily-white Vera.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
For me, grief is like waking up every day in a different house. I feel as though I ought to know my way around by now. I have been grieving for my father for more than 2 years but find that I am continually losing my bearings, struggling to learn the layout anew. I will walk through a door in my mind that I didn't even notice the day before, trip over a memory I've relived a thousand times, and it's as if I were seeing the space around me, breathing in this hushed loneliness, for the first time. I try to talk to my husband and children about my mother but soon stop. It's too much of an effort. It feels forced. I have to explain so much before they can understand, and even then, there's no way for them to join me in the past. It's the same when I bring up my father or my grandmother. The three people who saw me through my childhood, who remember best what I was like as a baby and a little girl, are gone, and now I carry these stories and memories alone. Three deaths. One composite lump of grief.
Nicole Chung (A Living Remedy: A Memoir)
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both. "I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice. "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
Easing farther inside, he found a woman within who resembled Mariketa. Beside her stood a man who crossed thick arms over his chest, raising his brows at Bowe. At that moment, Bowe realized that he was meeting Mari’s parents—and that, in addition to his bare feet and unshaven, rough appearance, his shirt was on backward. And inside out. “This is the male she’s been seeing?” the man muttered. “He can’t even dress himself.” Bowe just stifled the urge to point out that though he might not be able to dress himself, he sure as hell could perceive when a bairn was on his shoulders. Instead he bit his tongue. This warlock, though arrogant, was Bowe’s future father-in-law. “A werewolf, Jill? Really.” “Hush.” The woman slapped the back of her hand against his stomach, then said, “I’m Jillian. And this is my husband, Warren. We are Mari’s parents. And we know you’re Bowen MacRieve of the Lykae clan.” He gave her a nod. To Bowe, Warren demanded, “Aren’t you a bit old for my daughter?” When Bowe scowled, Jillian blithely continued, “We’ve been waiting for you.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
I wanted to go back and leer at my strange Dickensian mother in the hash joint. I tingled all over from head to foot. It seemed I had a whole host of memories leading back to 1750 in England and that I was in San Francisco now only in another life and in another body. "No," that woman seemed to say with that terrified glance, "don’t come back and plague your honest, hard-working mother. You are no longer like a son to me - and like your father, my first husband. ‘Ere this kindly Greek took pity on me." (The proprietor was a Greek with hairy arms.) "You are no good, inclined to drunkenness and routs and final disgraceful robbery of the fruits of my ‘umble labors in the hashery. O son! did you not ever go on your knees and pray for deliverance for all your sins and scoundrel’s acts? Lost boy! Depart! Do not haunt my soul; I have done well forgetting you. Reopen no old wounds, be as if you had never returned and looked in to me - to see my laboring humilities, my few scrubbed pennies - hungry to grab, quick to deprive, sullen, unloved, mean- minded son of my flesh. Son! Son!
Jack Kerouac (On the Road)
After a careful look up and down the corridor, James ushered Cordelia down the stairs. But their covert escape was not to be: Will appeared suddenly on the landing, in the midst of fixing his cuff links, and beamed with delight to see Cordelia. “My dear,” he said. “A pleasure to see you. Have you come from Cornwall Gardens? How is your mother?” “Oh, very well, thank you,” Cordelia said, then realized that if her mother really were in peak condition, she had little excuse for staying away from James and the Institute. “Well, she has been very tired, and of course we are all concerned that she get her energy back. Risa has been trying to build her back up again with many…soups.” Soups? Cordelia was not at all sure why she’d said that. Perhaps because her mother had always told her that ash-e jo, a sour barley soup, could cure anything. “Soups?” “Soups,” Cordelia said firmly. “Risa’s caretaking is very thorough, though of course, my mother wishes me to be by her side as much as possible. I have been reading to her—” “Oh, anything interesting? I’m always seeking a new book,” said Will, having finished with the cuff links. They were studded with yellow topaz. The color of James’s eyes. “Ah—no,” said Cordelia. “Only very boring things, really. Books about…ornithology.” Will’s eyebrows went up, but James had already thrown himself into the fray. “I really must get Cordelia back home,” he said, laying a hand on her back. It was an entirely ordinary husbandly gesture, not at all remarkable. It felt to Cordelia like being struck by lightning between her shoulder blades. “I’ll see you in a moment, Father.” “Well Cordelia, we all hope you’ll be back before too long,” Will said. “James is positively pining away without you here. Incomplete without his better half, eh, James?” He went away up the stairs and down the corridor, whistling. “Well,” said James after a long silence. “I thought, when I was ten years old and my father showed everyone the drawings I’d made of myself as Jonathan Shadowhunter, slaying a dragon, that was the most my parents would ever humiliate me. But that is no longer the case. There is a new champion.” “Your father is something of a romantic, that’s all.” “So you’ve noticed?
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
I now pronounce you husband and wife. I hadn’t considered the kiss. Not once. I suppose I’d assumed it would be the way a wedding kiss should be. Restrained. Appropriate. Mild. A nice peck. Save the real kisses for later, when you’re deliciously alone. Country club girls don’t make out in front of others. Like gum chewing, it should always be done in private, where no one else can see. But Marlboro Man wasn’t a country club boy. He’d missed the memo outlining the rules and regulations of proper ways to kiss in public. I found this out when the kiss began--when he wrapped his loving, protective arms around me and kissed me like he meant it right there in my Episcopal church. Right there in front of my family, and his, in front of Father Johnson and Ms. Altar Guild and our wedding party and the entire congregation, half of whom were meeting me for the first time that night. But Marlboro Man didn’t seem to care. He kissed me exactly the way he’d kissed me the night of our first date--the night my high-heeled boot had gotten wedged in a crack in my parents’ sidewalk and had caused me to stumble. The night he’d caught me with his lips.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Please don’t go,” Mom said to him. She was generally too proud to ask anyone for anything, including her own husband for support. But she pleaded. “I can’t do this alone.” There were houses to build, though. My uncle was outside honking the horn, and Dad left—believing, to some extent, that it was his job to provide and her job to take care of the kids. There was no paid leave for him either in such a moment. Once Dad was gone, Mom lay in their bed trying to sleep through her pain as Matt cried from his crib. I crawled up a chest of drawers in her bedroom and tipped it over. The dresser crushed me against the carpet. Mom ran from her bed and somehow lifted the chest off me, straining so hard she tore her stitches. Blood ran down her thighs. I don’t think we went back to the hospital. When she told me the story, it was about a day she barely survived because of my dad’s absence. I see it now as a day she barely survived because society valued productivity and autonomy more than it valued women and children. Pregnancy slows you down, so pregnant women lost their jobs; mothers were alone in their nuclear households while fathers worked extra hours to make up the difference.
Sarah Smarsh (Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth)
The bonds of family can be wonderful but there is a time to know when to stand apart." She held out a hand to Rycca on the nearby bench. "Besides, we are your family now, all of us, and we know your worth." Deeply touched, Rycca had to blink several times before she could respond. She knew both women spoke pure truth and loved them for it.After a lifetime of emotional solitude unbroken but for Thurlow, it was still difficult for her to comprehend that she was no longer alone. Yet was she beginning to understand it. Softly,she said, "I worry over Dragon. He refuses to talk of my father or of what will happen now that we are here, but I fear he is planning to take matters into his own hands." Cymbra and Krysta exchanged a glance. Quietly,Cymbra said, "Your instinct is not wrong. Dragon simmers with rage at the harm attempted to you. In Landsende I caught a mere glimpse of it,and it was like peering into one of those mountains that belch fire." Despite the heat of the sauna, Rycca shivered. "He came close to losing his life once because of me.I cannot bear for it to happen again." There was silence for a moment,broken only by the crackling of the fire and the hiss of steam.Finally, Cymbra said, "We are each of us married to an extraordinary man. There is something about them...even now I don't really know how to explain it." She looked at Krysta. "Have you told Rycca about Thorgold and Raven?" Krysta shook her head. "There was no time before." She turned on her side on the bench,facing the other two. "Thorgold and Raven are my...friends. They are somewhat unusual." Cymbra laughed at that,prompting a chiding look from Krysta,who went on to say, "I'm not sure how but I think somehow I called them to me when I was a child and needed them very much." "Krysta has the gift of calling," Cymbra said, "as I do of feeling and you do of truthsaying. Doesn't it strike you as odd that three very unusual women, all bearing special gifts, ccame to be married to three extraordinary men who are united by a common purpose,to bring peace to their peoples?" "I had not really thought about it," said Rycca, who also had not known of Krysta's gift and was looking at her with some surprise. All three of them? That was odd. "I believe," said Cymbra, who clearly had been thinking about it, "that there is a reason for it beyond mere coincidence. I think we are meant to be at their sides, to help them as best we can, the better to transform peace from dream to reality." "It is a good thought," Krysta said. Rycca nodded. Very quietly, she said, "Blessed are the peacemakers." Cymbra grinned. "And poor things, we appear to be their blessings. So worry not for Dragon, Rycca. He will prevail. We will all see to it." They laughed then,the trio of them, ancient and feminine laughter hidden in a chamber held in the palm of the earth. The steam rose around them, half obscuringm half revealing them. In time,when the heat had become too intense,they rose, wrapped themselves in billowing cloths,and ran through the gathering darkness to the river, where they frolicked in cool water and laughed again beneath the stars. The torches had been lit by the time they returned to the stronghold high on the hill. They dressed and hastened to the hall,where they greeted their husbands, who stood as one when they entered,silent and watchful men before beauty and strength, and took their seats at table. Wine was poured, food brought,music played. They lingered over the evening,taking it into night. The moon was high when they found the sweet,languid sanctuary of their beds. Day came too swiftly.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
You’re not meant to be a martyr.” Sighing, she lies back in disappointment. “You wouldn’t see the point to it.” “Oh? Well then, tell me, Eo. What is the point to dying? I’m only a martyr’s son. So tell me what that man accomplished by robbing me of a father. Tell me what good comes of all that bloodydamn sadness. Tell me why it’s better I learned to dance from my uncle than my father.” I go on. “Did his death put food on your table? Did it make any of our lives any better? Dying for a cause doesn’t do a bloodydamn thing. It just robbed us of his laughter.” I feel the tears burning my eyes. “It just stole away a father and a husband. So what if life isn’t fair? If we have family, that is all that should matter.” She licks her lips and takes her time in replying. “Death isn’t empty like you say it is. Emptiness is life without freedom, Darrow. Emptiness is living enchained by fear, fear of loss, of death. I say we break those chains. Break the chains of fear and you break the chains that bind us to the Golds, to the Society. Could you imagine it? Mars could be ours. It could belong to the colonists who slaved here, died here.” Her face is easier to see as night fades through the clear roof. It is alive, on fire. “If you led the others to freedom. The things you could do, Darrow. The things you could make happen.” She pauses and I see her eyes are glistening. “It chills me when I think of the things you could do. You have been given so, so much, but you set your sights so low.” “You repeat the same damn points,” I say bitterly. “You think a dream is worth dying for. I say it isn’t. You say it’s better to die on your feet. I say it’s better to live on our knees.” “You’re not even living!” she snaps. “We are machine men with machine minds, machine lives.…” “And machine hearts?” I ask. “That’s what I am?” “Darrow …” “What do you live for?” I ask her suddenly. “Is it for me? Is it for family and love? Or is it for some dream?” “It’s not just some dream, Darrow. I live for the dream that my children will be born free. That they will be what they like. That they will own the land their father gave them.” “I live for you,” I say sadly. She kisses my cheek. “Then you must live for more.” There’s a long, terrible silence that stretches between us. She does not understand how her words wrench my heart, how she can twist me so easily. Because she does not love me like I love her. Her mind is too high. Mine too low. Am I not enough for her?
Pierce Brown (Red Rising (Red Rising Saga, #1))
Around the glade this pair of woodland nymphs danced. He swept her in a waltz to a duet that was sometimes off tune, sometimes rent with giggling and laughter as they made their own music. A breathless Erienne fell to a sun-dappled hummock of deep, soft moss, and laughing for the pure thrill of the day, she spread her arms, creating a comely yellow-hued flower on the dark green sward while seeming every bit as fragile as a blossom to the man who watched her. With bliss-bedazzled eyes, she gazed through the treetops overhead where swaying branches, bedecked in the first bright green of spring, caressed the underbellies of the freshlet zephyrs, and the fleecy white clouds raced like frolicking sheep across an azure lea. Small birds played courting games, and the earlier ones tended nests with single-minded perseverance. A sprightly squirrel leapt across the spaces, and a larger one followed, bemused at the sudden coyness of his mate. Christopher came to Erienne and sank to his knees on the thick, soft carpet, then bracing his hands on either side of her, slowly lowered himself until his chest touched her bosom. For a long moment he kissed those blushing lips that opened to him and welcomed him with an eagerness that belied the once-cool maid. Then he lifted her arm and lay beside her, keeping her hand in his as he shared her viewpoint of the day. They whispered sweet inanities, talked of dreams, hopes, and other things, as lovers are wont to do. Erienne turned on her side and taking care to keep her hand in the warm nest, ran her other fingers through his tousled hair. “You need a shearing, milord,” she teased. He rolled his head until he could look up into those amethyst eyes. “And does my lady see me as an innocent lamb ready to be clipped?” At her doubtful gaze, he questioned further. “Or rather a lusting, long-maned beast? A zealous suitor come to seduce you?” Erienne’s eyes brightened, and she nodded quickly to his inquiry. “A love-smitten swain? A silver-armored knight upon a white horse charging down to rescue you?” “Aye, all of that,” she agreed through a giggle. She came to her knees and grasped his shirt front with both hands. “All of that and more.” She bent to place a honeyed kiss upon his lips, then sitting back, spoke huskily. “I see you as my husband, as the father of my child, as my succor against the storm, protector of my home, and lord of yonder manse. But most of all, I see you as the love of my life.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
The first movie star I met was Norma Shearer. I was eight years old at the time and going to school with Irving Thalberg Jr. His father, the longtime production chief at Metro-Goldwyn-Mayer, devoted a large part of his creative life to making Norma a star, and he succeeded splendidly. Unfortunately, Thalberg had died suddenly in 1936, and his wife's career had begun to slowly deflate. Just like kids everywhere else, Hollywood kids had playdates at each other's houses, and one day I went to the Thalberg house in Santa Monica, where Irving Sr. had died eighteen months before. Norma was in bed, where, I was given to understand, she spent quite a bit of time so that on those occasions when she worked or went out in public she would look as rested as possible. She was making Marie Antoinette at the time, and to see her in the flesh was overwhelming. She very kindly autographed a picture for me, which I still have: "To Cadet Wagner, with my very best wishes. Norma Shearer." Years later I would be with her and Martin Arrouge, her second husband, at Sun Valley. No matter who the nominal hostess was, Norma was always the queen, and no matter what time the party was to begin, Norma was always late, because she would sit for hours—hours!—to do her makeup, then make the grand entrance. She was always and forever the star. She had to be that way, really, because she became a star by force of will—hers and Thalberg's. Better-looking on the screen than in life, Norma Shearer was certainly not a beauty on the level of Paulette Goddard, who didn't need makeup, didn't need anything. Paulette could simply toss her hair and walk out the front door, and strong men grew weak in the knees. Norma found the perfect husband in Martin. He was a lovely man, a really fine athlete—Martin was a superb skier—and totally devoted to her. In the circles they moved in, there were always backbiting comments when a woman married a younger man—" the stud ski instructor," that sort of thing. But Martin, who was twelve years younger than Norma and was indeed a ski instructor, never acknowledged any of that and was a thorough gentleman all his life. He had a superficial facial resemblance to Irving Thalberg, but Thalberg had a rheumatic heart and was a thin, nonathletic kind of man—intellectually vital, but physically weak. Martin was just the opposite—strong and virile, with a high energy level. Coming after years of being married to Thalberg and having to worry about his health, Martin must have been a delicious change for Norma.
Robert J. Wagner (Pieces of My Heart: A Life)
We’ve had no luck in finding a cure or even a hint of one. Marry. Forge an alliance. Make an heir. Secure the throne and Ravka’s future.” “I will,” he said wearily. “I’ll do all of it. But not tonight. Tonight let’s pretend we’re an old married couple.” If any other man had said such a thing, she would have punched him in the jaw. Or possibly taken him to bed for a few hours. “And what does that entail?” “We’ll tell each other lies as married couples do. It will be a good game. Go on, wife. Tell me I’m a handsome fellow who will never age and who will die with all of his own teeth in his head. Make me believe it.” “I will not.” “I understand. You’ve never had a talent for deception.” Zoya knew he was goading her, but her pride pricked anyway. “How can you be so sure? Perhaps the list of my talents is so long you just haven’t gotten to the end.” “Go on, then, Nazyalensky.” “Dearest husband,” she said, making her voice honey sweet, “did you know the women of my family can see the future in the stars?” He huffed a laugh. “I did not.” “Oh yes. And I’ve seen your fate in the constellations. You will grow old, fat, and happy, father many badly behaved children, and future generations will tell your story in legend and song.” “Very convincing,” Nikolai said. “You’re good at this game.
Leigh Bardugo (King of Scars (King of Scars, #1))
He was immensely sad and immensely bitter and he said we would get married now because married people did it like this and hated each other and felt dead, fucking was like being dead for them; pity the poor husband, he felt dead. He stayed between my legs, resting. I didn't move because there is an anguish that can stop you from moving and I couldn't kill him because there is an anguish that can stop you from killing. Something awful came, a suffering bigger than my life or your life or any life or God's life, the crucifixion God; the nails are hammered in but you don't get to die. It's the cross for ladies, a bed, and you don't get to die; the lucky boy, the favorite child, gets to die. You've been mowed down inside, slaughtered inside, a genocide happened in you, but you don't get to die. You're not God's son, you're His daughter, and He leaves you there nailed because you're some stupid piece of shit who loved someone and you will be there forever, in some bed somewhere for the rest of your life and He will make it a long time, He will make you get old, and He will see to it that you get fucked, and the skin around where you get fucked will be calloused and blistered and enraged and there will be someone climbing on you and getting in you and God your Father will watch; even when you're old He'll watch.
Andrea Dworkin (Mercy)
January 31 The Holy Spirit – Our Helper “And I will ask the Father, and He will give you another Counselor to be with you forever—the Spirit of truth. The world cannot accept Him, because it neither sees Him nor knows Him. But you know Him, for He lives with you and will be in you.”—John 14:16-17 My son played basketball in high school. I enjoyed watching, and could understand the game fairly well. But when my husband said, “He’s got to pick and roll”, I couldn’t understand. I was not fitted with the innate capacity to see it. In decorating, using color I say, “That red is not right. It has yellow in it. We need one with more blue.” My husband stares and says, “What do you mean? Red is red.” Of course, that’s not true! He is not fitted to see it. When Jesus left the earth, God the Father sent His Holy Spirit to be our Counselor. He was the One designated to walk along beside us to help us, show us the way, and reveal truth. As we study scripture, the Holy Spirit is the One who makes us fitted to understand it. He opens our spiritual eyes to see the truth. Jesus said the world (those without Christ) would not see or know Him. They are not able to understand spiritual truths—they are not fitted to see. That’s why they often don’t understand Christians. What a wonderful gift the Holy Spirit is. He is our helper. We don’t have to make it on our own. We have His presence to help us, enable us, and work through us. If you are a believer, you have the Holy Spirit living in you. Thank God today for His fitting you with this blessed gift.
The writers of Encouraging.com (God Moments: A Year in the Word)
Haydée became pale, and lifting her transparent hands to heaven, exclaimed in a voice stifled with tears, “Then you leave me, my lord?” “Haydée, Haydée, you are young and beautiful; forget even my name, and be happy.” “It is well,” said Haydée; “your order shall be executed, my lord; I will forget even your name, and be happy.” And she stepped back to retire. “Oh, heavens,” exclaimed Valentine, who was supporting the head of Morrel on her shoulder, “do you not see how pale she is? Do you not see how she suffers?” Haydée answered with a heartrending expression, “Why should he understand this, my sister? He is my master, and I am his slave; he has the right to notice nothing.” The count shuddered at the tones of a voice which penetrated the inmost recesses of his heart; his eyes met those of the young girl and he could not bear their brilliancy. “Oh, heavens,” exclaimed Monte Cristo, “can my suspicions be correct? Haydée, would it please you not to leave me?” “I am young,” gently replied Haydée; “I love the life you have made so sweet to me, and I should be sorry to die.” “You mean, then, that if I leave you, Haydée——” “I should die; yes, my lord.” “Do you then love me?” “Oh, Valentine, he asks if I love him. Valentine, tell him if you love Maximilian.” The count felt his heart dilate and throb; he opened his arms, and Haydée, uttering a cry, sprang into them. “Oh, yes,” she cried, “I do love you! I love you as one loves a father, brother, husband! I love you as my life, for you are the best, the noblest of created beings!
Alexandre Dumas (The Count of Monte Cristo)
Are you ready, children?” Father Mikhail walked through the church. “Did I keep you waiting?” He took his place in front of them at the altar. The jeweler and Sofia stood nearby. Tatiana thought they might have already finished that bottle of vodka. Father Mikhail smiled. “Your birthday today,” he said to Tatiana. “Nice birthday present for you, no?” She pressed into Alexander. “Sometimes I feel that my powers are limited by the absence of God in the lives of men during these trying times,” Father Mikhail began. “But God is still present in my church, and I can see He is present in you. I am very glad you came to me, children. Your union is meant by God for your mutual joy, for the help and comfort you give one another in prosperity and adversity and, when it is God’s will, for the procreation of children. I want to send you righteously on your way through life. Are you ready to commit yourselves to each other?” “We are,” they said. “The bond and the covenant of marriage was established by God in creation. Christ himself adorned this manner of life by his first miracle at a wedding in Cana of Galilee. A marriage is a symbol of the mystery of the union between Christ and His Church. Do you understand that those whom God has joined together, no man can put asunder?” “We do,” they said. “Do you have the rings?” “We do.” Father Mikhail continued. “Most gracious God,” he said, holding the cross above their heads, “look with favor upon this man and this woman living in a world for which Your Son gave His life. Make their life together a sign of Christ’s love to this sinful and broken world. Defend this man and this woman from every enemy. Lead them into peace. Let their love for each other be a seal upon their hearts, a mantle upon their shoulders, and a crown upon their foreheads. Bless them in their work and in their friendship, in their sleeping and in their waking, in their joys and their sorrows, in their life and in their death.” Tears trickled down Tatiana’s face. She hoped Alexander wouldn’t notice. Father Mikhail certainly had. Turning to Tatiana and taking her hands, Alexander smiled, beaming at her unrestrained happiness. Outside, on the steps of the church, he lifted her off the ground and swung her around as they kissed ecstatically. The jeweler and Sofia clapped apathetically, already down the steps and on the street. “Don’t hug her so tight. You’ll squeeze that child right out of her,” said Sofia to Alexander as she turned around and lifted her clunky camera. “Oh, wait. Hold on. Let me take a picture of the newlyweds.” She clicked once. Twice. “Come to me next week. Maybe I’ll have some paper by then to develop them.” She waved. “So you still think the registry office judge should have married us?” Alexander grinned. “He with his ‘of sound mind’ philosophy on marriage?” Tatiana shook her head. “You were so right. This was perfect. How did you know this all along?” “Because you and I were brought together by God,” Alexander replied. “This was our way of thanking Him.” Tatiana chuckled. “Do you know it took us less time to get married than to make love the first time?” “Much less,” Alexander said, swinging her around in the air. “Besides, getting married is the easy part. Just like making love. It was the getting you to make love to me that was hard. It was the getting you to marry me…” “I’m sorry. I was so nervous.” “I know,” he said. He still hadn’t put her down. “I thought the chances were twenty-eighty you were actually going to go through with it.” “Twenty against?” “Twenty for.” “Got to have a little more faith, my husband,” said Tatiana, kissing his lips.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
People who love are different from everybody else. People who feel are more fortunate than all. Rich men who buy and grab up things are just moving them around. They have bought these things with money, which they can never own. A mother with life in her womb is the one who is truly wealthy. A newborn in the arms is beyond oil in one palm and pure gold in the other. Father says that there is no God, so that I might worship him. But something is moving in the atmosphere… Not for viewing, but for sensing and being changed by. That I can feel. I am certain. My first love was the sky. Who created that? My second love was my mother’s eyes that revealed a reflection of me. My father had a house of great beauty built for us all. But who created the mind, the memory, and the imagination? I’d sit in the soil surrounded with no walls just to talk to that ONE, even without words… Diamonds are lovely, but sound is lovelier. Roller coasters are thrilling. My clitoris clothed in my vagina is more, more, more. Why turn on the lights when we can lie under the glare of the moon? Why listen to the call for war when we can make love? He wants revolution, but I want passion revolving in my soul. A man invented the fan, but who created the wind and caressed it into a breeze Then converted it into a storm? A cloud holds the water, yet both clouds and water were created. Impress me not with castles, cars, or clothes. I’d rather meet the Maker of rain— But would be content with simply being showered while lying in the grass Facing a darkened sky pregnant with thunder and leaking lightning. My husband asks me, Do you love me? So gently, I answer him. “I love the Creator of life. This is why I can love you.” Yet everywhere that I see and feel a trace of the Creator, the Light of life, There is so much love in it for me.
Sister Souljah (Midnight and the Meaning of Love (The Midnight Series Book 2))
Here’s the second way a conversation with an MS employee ends. (MS—oh, God, they’ve got me doing it now!) Let’s say I’m at the playground with my daughter. I’m bleary-eyed, pushing her on the swings, and one swing over there’s an outdoorsy father—because fathers only come in one style here, and that’s outdoorsy. He has seen a diaper bag I’m carrying which isn’t a diaper bag at all, but one of the endless “ship gifts” with the Microsoft logo Elgie brings home. OUTDOORSY DAD: You work at Microsoft? ME: Oh, no, my husband does. (Heading off his next question at the pass) He’s in robotics. OUTDOORSY DAD: I’m at Microsoft, too. ME: (Feigning interest, because really, I could give a shit, but wow, is this guy chatty) Oh? What do you do? OUTDOORSY DAD: I work for Messenger. ME: What’s that? OUTDOORSY DAD: You know Windows Live? ME: Ummm… OUTDOORSY DAD: You know the MSN home page? ME: Kind of… OUTDOORSY DAD: (Losing patience) When you turn on your computer, what comes up? ME: The New York Times. OUTDOORSY DAD: Well, there’s a Windows home page that usually comes up. ME: You mean the thing that’s preloaded when you buy a PC? I’m sorry, I have a Mac. OUTDOORSY DAD: (Getting defensive because everyone there is lusting for an iPhone, but there’s a rumor that if Ballmer sees you with one, you’ll get shitcanned. Even though this hasn’t been proven, it hasn’t been disproven either.) I’m talking about Windows Live. It’s the most-visited home page in the world. ME: I believe you. OUTDOORSY DAD: What’s your search engine? ME: Google. OUTDOORSY DAD: Bing’s better. ME: No one said it wasn’t. OUTDOORSY DAD: If you ever, once, went to Hotmail, Windows Live, Bing, or MSN, you’d see a tab at the top of the page that says “Messenger.” That’s my team. ME: Cool! What do you do for Messenger? OUTDOORSY DAD: My team is working on an end-user, C Sharp interface for HTML5…
Maria Semple (Where'd You Go, Bernadette)
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out “I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years’ time enriching them with all he has, and passing tranquilly to his reward. “I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other’s soul, than I was in the souls of both. I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, fore-most of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place—then fair to look upon, with not a trace of this day’s disfigurement—and I hear him tell the child my story, with a tender and a faltering voice
Charles Dickens (A Tale of Two Cities)
His father looks to Marcus again. “Your brother will come home with us,” he decrees. And since any guts that Marcus now has have been paid for by their father’s money, he won’t have much of a choice. “And me?” Again, his father won’t look at him. “My son was tithed a year ago,” he says. “That’s the son I choose to remember. As for you, you can do as you please. It’s not my concern.” And he says no more. “When Marcus wakes up, tell him I forgive him,” Lev says. “Forgive him for what?” “He’ll know.” And Lev leaves without saying good-bye. Farther down the hallway, he spots his mother again, and other members of his family, in the fourth-floor waiting room. A brother, two sisters, and their husbands. In the end, they came for Marcus. None of them are there for him. He hesitates, wondering if he should go in there. Will they behave like his father, bitter, rigid, and cold—or like his mother, offering a pained hug, yet refusing to look at him? Then, in that moment of indecision, he sees one of his sisters bend down and pick up a baby. It’s a new nephew Lev never even knew he had. And the baby is dressed all in white. Lev races back to his room, but even before he gets there, he feels the eruption begin. It starts deep in his gut, sobs rising with such unexpected fury, his abdomen locks in a cramp. He must struggle the last few feet to his room doubled over, barely able to catch his breath as the tears burst from his eyes. Somewhere deep, deep down in the most irrational corner of Lev’s mind—perhaps the place where childhood dreams go—he held out a secret hope that he might actually be taken back. That he might one day be welcomed home. Marcus had told him to forget about it—that it would never happen, but nothing could wipe out that stubborn hope that hid within him. Until today. He climbs into his hospital bed and forces his face into his pillow as the sobs crescendo into wails. A full year’s worth of suppressed heartache pours forth from his soul like Niagara, and he doesn’t care if he drowns in the killing whiteness of its churning waters.
Neal Shusterman (UnWholly (Unwind, #2))
July 8, 2013 Review of Bargain with the Devil Author: Gloria Gravitt Moulder My interest in the death of Margaret Mitchell was sparked as a young child growing up in Georgia. I was born in 1953, 4 years after her death. Older relatives, neighbors and friends would sit around discussing her death as I was growing up and with the inquisitive mind of a young child; I found what they were saying interesting enough to listen in. They talked about how the taxi cab driver, Hugh Gravitt, (some of which knew him as this was a small southern town where everyone knew everyone) was not a drinker because of his health and how the newspaper articles had written he was drunk and speeding when it wasn’t true. I overheard many things about how the media was wrong regarding the circumstances of her death. Some speculated she committed suicide; others suspected her husband pushed her in front of the car Mr. Gravitt was driving. All commented that both Margaret and John were drunk and jaywalking across Peachtree Street. I read the book (Gone with the Wind) when I was 13 and went to see the movie in 1969 at the Fox theatre with friends. I cannot relate how this impacted me. I became interested in all I heard as a child again and over the years have read many articles on the subject of Margaret Mitchell and John Marsh. I never believed the stories about Hugh Gravitt being at fault in her death as a result of all those conversations I had overheard by my elders as a child. Gloria Gravitt Moulder, the daughter of Hugh Gravitt, has written the perfect book called “Bargain with the Devil” with facts derived from her own father on his death bed. I could not put this book down; I read it in one day. It has confirmed everything I heard from people who suspected in the few years after Margaret Mitchell’s death what actually happened. Thank you Mrs. Moulder, for your courage in bringing your father’s version to light after all his suffering from 1949 to his death. Also, for confirming my beliefs in what I heard growing up as this was only suspicion until I read about your father’s version. Kathy Whiten 621 Brighton Drive Lawrenceville, GA 30043 404-516-0623
Gloria Gravitt Moulder (Bargain With A Devil: The Tragedy Behind Gone With The Wind)
Alexander has nearly completely forgotten what it’s like to play, except when he’s in the water, but there had been no water in Texas, barely any in New Mexico, and now they’re in Arid Zona. Anthony tries land games with his father. He perches on Alexander’s lap, holds the tips of his index fingers together, and says, “Daddy, want to see how strong I am? Hold my fingers in your fist, and I’ll get free.” Alexander stubs out his cigarette. He holds Anthony’s fingers lightly, and the boy wriggles free. The delight of freeing himself from his daunting father is so great that he wants to play the game again and again. They play it two hundred times. And then the reverse. Alexander holds his index fingers together while Anthony clenches his tiny four-year-old fist over them. When Alexander is unable to get free, Anthony’s joy is something to behold. They play that two hundred times while Tatiana either prepares lunch or dinner, or washes or tidies, or just sits and watches them with a gladdening heart. Alexander takes Anthony off his knee and says in a throaty, nicotine-stained voice, “Tatia, want to play? Put your fingers into my fist and see if you can wriggle free. Come.” Not a muscle moves on his face, but her heart is no longer just gladdening. It’s quickening, it’s maddening. She knows she shouldn’t, Anthony is right there, but when Alexander calls, she comes. That’s just how it is. She perches on his lap and touches together the tips of her slightly trembling index fingers. She tries not to look into his face, just at her fingers, over which he now places his enormous fist, squeezes lightly, and says, “Go ahead, wriggle free.” Her whole body weakens. She tries, of course, to get free, but she knows this: while as a father Alexander plays one way with Anthony, as a husband, he plays the opposite way with her. She bites her lip to keep from making a single sound. “Come on, Mommy,” says the uncomprehending child by her side. “You can do it. I did it! Wriggle free.” “Yes, Tatiasha,” whispers Alexander, squeezing her fingers tighter, looking deep into her face as she sits on his lap. “Come on, wriggle free.” And she glimpses the smiling soul peeking out.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Ah, you don’t comprehend, friend John. Do not think that I am not sad, though I laugh. See, I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say, ‘I am here.’ Behold, in example I grieve my heart out for that so sweet young girl; I give my blood for her, though I am old and worn; I give my time, my skill, my sleep; I let my other sufferers want that so she may have all. And yet I can laugh at her very grave—laugh when the clay from the spade of the sexton drop upon her coffin and say ‘Thud! thud!’ to my heart, till it send back the blood from my cheek. My heart bleed for that poor boy—that dear boy, so of the age of mine own boy had I been so blessed that he live, and with his hair and eyes the same. There, you know now why I love him so. And yet when he say things that touch my husband-heart to the quick, and make my father-heart yearn to him as to no other man—not even to you, friend John, for we are more level in experiences than father and son—yet even at such moment King Laugh he come to me and shout and bellow in my ear, ‘Here I am! here I am!’ till the blood come dance back and bring some of the sunshine that he carry with him to my cheek. Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall—all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.
Bram Stoker
Alexander’s intense eyes were only on Tatiana, who smiled and said, Carolyn, can’t you see? He is pushing you out of the way. I see. Tell him to stop. Let him, Carolyn, Tatiana whispered. Let him. Show him how to catch that baby. Tania, no! What are you afraid of? Just look at him. Let him catch his baby. Thank you, Tatiana. And Alexander went on one knee between her legs, as Carolyn was anxiously bent by his side, her hands next to his. The order of the universe, Alexander felt, was restored. The belly tightened, Tatiana clenched up, one soft slippery push, and the purple baby glided out, swam out face down, front down into the waiting, grasping, open hands of his father. It’s a boy, Tania, Alexander breathed out without turning his son over. Hold him, just like that, don’t move, Carolyn was saying as she cleaned out his mouth and Alexander finally heard his first sound all night. “Wah . . . Wah . . . Wah . . . Wah . . .” Like a little wailing warble. And with his first breath he became pink not purple. Alexander let the boy be placed front down on Tatiana’s stomach, keeping his hand over him and over her, and after Carolyn tied up the cord, he picked up his warm sticky infant, holding him in his palms, and brought him close to Tatiana’s face, whispering, Tania, our boy. Look how small he is. He pressed his wet forehead into her wet cheek. Look at him flailing, squirming, wailing. Buddy, what? Been cooped up too long? He held the boy in his fanned-out palms. Oh God, how can he be so blessedly tiny? He is smaller than my hands. Yes, my love, said Tatiana, one hand on her husband, one hand on her child. But then you do have very big hands. Standing up, Alexander walked over to the open French doors so he could take a better look at the baby in the moonbeam light. Charles Gordon Pasha, he whispered. Pasha. The baby stopped squirming, moving, crying; he relaxed all his limbs and lay sticky and small and completely still in Alexander’s open palms, blinking, clearing his eyes, blinking, clearing his eyes, trying to focus on his father’s face so close. Tania, whispered Alexander, pressing his damp son to his bare chest, to his heart. Look, Tania, look, what a small, little, lovely, tiny baby.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
I wanted to be alone.” “I see.” Except she didn’t, exactly. When had this child become a mystery to her own mother? “Why?” Sophie glanced at herself in the mirror, and Esther could only hope her daughter saw the truth: a lovely, poised woman—intelligent, caring, well dowered, and deserving of more than a stolen interlude with a convenient stranger and an inconvenient baby—Sophie’s brothers’ assurances notwithstanding. “I am lonely, that’s why.” Sophie’s posture relaxed with this pronouncement, but Esther’s consternation only increased. “How can you be lonely when you’re surrounded by loving family, for pity’s sake? Your father and I, your sisters, your brothers, even Uncle Tony and your cousins—we’re your family, Sophia.” She nodded, a sad smile playing around her lips that to Esther’s eyes made her daughter look positively beautiful. “You’re the family I was born with, and I love you too, but I’m still lonely, Your Grace. I’ve wished and wished for my own family, for children of my own, for a husband, not just a marital partner…” “You had many offers.” Esther spoke gently, because in Sophie’s words, in her calm, in her use of the present tense—“I am lonely”—there was an insight to be had. “Those offers weren’t from the right man.” “Was Baron Sindal the right man?” It was a chance arrow, but a woman who had raised ten children owned a store of maternal instinct. Sophie’s chin dropped, and she sighed. “I thought he was the right man, but it wasn’t the right offer, or perhaps it was, but I couldn’t hear it as such. And then there was the baby… It wouldn’t be the right marriage.” Esther took her courage in both hands and advanced on her daughter—her sensible daughter—and slipped an arm around Sophie’s waist. “Tell me about this baby. I’ve heard all manner of rumors about him, but you’ve said not one word.” She meant to walk Sophie over to the vanity, so she might drape Oma’s pearls around Sophie’s neck, but Sophie closed her eyes and stiffened. “He’s a good baby. He’s a wonderful baby, and I sent him away. Oh, Mama, I sent my baby away…” And then, for the first time in years, sensible Lady Sophia Windham cried on her mother’s shoulder as if she herself were once again a little, inconsolable baby. ***
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
So your theory is that Nancy plans to marry Samuel, pass off as her own the child he fathered on her maid, and then raise it, assuming it’s a boy, to be heir to the title. That doesn’t gain Nancy much, does it? It’s not her son, and she’s not Samuel’s only lover. He and his mistress and the son get everything; she gets only the privilege of knowing she’s married to a seducer.” Dom ignored the fact that some of what she said made sense. “She gains an exalted rank as mother to the new viscount. She gains a husband she’s always coveted. And she might not even care if Samuel was having an affair with her maid--you said yourself that Nancy wasn’t fond of the intimate side of marriage.” The moment Jane paled, he realized what he’d said. Something highly inappropriate. Something that revealed just how frank he and Jane had been in their conversations. God only knew what Blakeborough would make of that. Bloody hell. Whatever it was, it wouldn’t help Dom’s situation with Jane any. Not that any of this would. Damn Nancy for coming between them yet again. Jane’s gaze turned stormy as she poked him in the chest. “You’ve got it all figured out, don’t you? But as usual, you ignore all the ways that your theory doesn’t fit.” He stared her down. “Such as what?” Again she poked him in the chest. “Why did Samuel mention coming to London to see a doctor if they were sure that Nancy had lost the baby?” Another poke. “Why did she leave York in such strange circumstances that she roused our suspicions?” Poke. “Why did she not even pack bags for the journey?” When she started to poke him once more, he grabbed her hand. “Perhaps she and Barlow worked up the scheme once she got to York.” Jane snatched her hand free. “And she didn’t try to return to Rathmoor Park to allay the servants’ suspicions or pack or even take her dogs?” “Nancy didn’t take her dogs?” Sadler echoed. “That’s not right, not right at all. That girl carries those deuced dogs everywhere. Many is the trip I’ve taken with her when I’ve had to endure the mutts in my lap.” Sadler approached to stand beside Jane. “I tell you, the only way she’d leave them behind is if Barlow abducted her and forced her to do his bidding. That’s what has happened. I know it!” With a smug lift of her eyebrow, Jane crossed her arms over her chest and dared Dom to refute that. He couldn’t. Because until he could investigate more, he simply couldn’t be sure of the truth, damn it.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
When it’s all said and done, how would you like to be remembered? It’s sort of a funny question, isn’t it? Asking how you want to be remembered after you’re gone. No one ever knows how they’re remembered after they’re gone, nor does anyone ever experience it. And yet, for some reason, we still ask ourselves these sorts of questions. It’s a paradox, really; to want something after I’m dead, but only be able to want anything while I’m alive. The question is really more about what I want to imagine while I’m alive then, isn’t it? What I want to convince myself my life can be for beyond my own life; seeing as how I can only imagine beyond my own life while my own life still exists? If I were to humor the question, though, I don’t think I would want to claim any sort of banal, grandiose answers. I don’t think I would want to say that I want to be remembered as significant, or influential, or smart, or famous, or wealthy, or powerful, or successful, or that I changed the world in some way. All of that would suggest that I can know what any of that even means in the bigger picture. In truth, I don’t know what it means to be influential in a world that lacks clear direction. I don’t know what it means to be wealthy in a world filled with poverty. I don’t know what it means to be powerful in a universe that trumps everyone and everything. And I don’t know what it means to be smart or successful or to change the world as a member of a species that’s restricted from understanding what anything might really mean or cause. I suppose I am attracted to these things as much as the next person, but I cannot say with certain honesty that I believe that in the end, any of these things are worth being remembered for. I guess the next answer would be that I want to be remembered as someone who tried. Someone who tried their best to care. To help. To love. To be ok. To air on the side of sympathy and compassion as best I could. To be a good friend, good son, father, and husband. Someone who lived honestly, with both conviction and a willingness to adapt in what they think and believe. Someone who contributed towards something they enjoyed and believed in simply because they could. But the truth is, history is coated with innumerable amounts of people who lived with these qualities, and mostly none of them are remembered by anyone at all. Perhaps being remembered isn’t all that important then, if most people aren’t remembered for what’s important.
Robert Pantano
I think we all collectively have gone a little crazy. We worry about the wrong things. I have an acquaintance, Christy, whose twelve–year–old son managed to get into a very violent PG–13 movie. I don’t know how many machine–gunnings, explosions, and killings this boy wound up witnessing. As I recall, the boy had nightmares for a week afterward. That disturbed his mother—but not as much as if her son had stumbled into a different kind of movie. “At least there wasn’t any sex,” she said with dead–serious concern. “No,” I said, “probably not a single bare breast.” I didn’t add that most societies do not regard the adult female breast as being primarily an object of sexual desire. After all, it’s just a big gland that makes milk in order to feed hungry babies. “You know what I’m talking about,” she snapped. “I mean graphic sex.” We were sitting in a café drinking tea. She cut off the volume of her speech at the end of her sentence, whispering and exaggerating the consonants of S–E–X as if she needed me to read her lips—as if giving voice to this word might disturb our neighbors and brand her as a deviant. “I don’t think children should see that kind of thing,” she added. “What should children see?” I asked her. I am not arguing that we should let our children buy tickets to raunchy movies. I never let my daughters bring home steamy videos or surf the Internet for porn. But something is wrong when sex becomes a dirty word that we don’t even want our children to hear. Why must we regard almost anything sexual as tantamount to obscene? I think many of us are like Christy. We wouldn’t want our children—even our very sexual teenagers—to see certain kinds of movies, even if they happened to be erotic masterpieces, true works of art. It wouldn’t matter if a movie gave us a wonderful scene of a wife and a husband very lovingly making love with the conscious intention of engendering new life. It wouldn’t matter that sex is life, and therefore must be regarded as sacred as anything could possibly be. It wouldn’t even matter that not one of us could have come into the world but for the sexual union of our fathers and our mothers. If a movie portrayed a man and woman in the ecstatic dance of love—actually showed naked bellies and breasts, burning lips and adoring eyes and the glistening, impassioned organs of sex—most people I know would rather their children watch the vile action movie. They would rather their “innocent” sons and daughters behold the images of bloody, blasted bodies, torture, murder, and death.
David Zindell (Splendor)
cotton wool, decided that it was not good to eat, ran all round the table, sat up and put his fur in order, scratched himself, and jumped on the small boy’s shoulder. “Don’t be frightened, Teddy,” said his father. “That’s his way of making friends.” “Ouch! He’s tickling under my chin,” said Teddy. Rikki-tikki looked down between the boy’s collar and neck, snuffed at his ear, and climbed down to the floor, where he sat rubbing his nose. “Good gracious,” said Teddy’s mother, “and that’s a wild creature! I suppose he’s so tame because we’ve been kind to him.” “All mongooses are like that,” said her husband. “If Teddy doesn’t pick him up by the tail, or try to put him in a cage, he’ll run in and out of the house all day long. Let’s give him something to eat.” They gave him a little piece of raw meat. Rikki-tikki liked it immensely, and when it was finished he went out into the veranda and sat in the sunshine and fluffed up his fur to make it dry to the roots. Then he felt better. “There are more things to find out about in this house,” he said to himself, “than all my family could find out in all their lives. I shall certainly stay and find out.” He spent all that day roaming over the house. He nearly drowned himself in the bathtubs, put his nose into the ink on a writing table, and burned it on the end of the big man’s cigar, for he climbed up in the big man’s lap to see how writing was done. At nightfall he ran into Teddy’s nursery to watch how kerosene lamps were lighted, and when Teddy went to bed Rikki-tikki climbed up too. But he was a restless companion, because he had to get up and attend to every noise all through the night, and find out what made it. Teddy’s mother and father came in, the last thing, to look at their boy, and Rikki-tikki was awake on the pillow. “I don’t like that,” said Teddy’s mother. “He may bite the child.” “He’ll do no such thing,” said the father. “Teddy’s safer with that little beast than if he had a bloodhound to watch him. If a snake came into the nursery now–” But Teddy’s mother wouldn’t think of anything so awful. · · · Early in the morning Rikki-tikki came to early breakfast in the veranda riding on Teddy’s shoulder, and they gave him banana and some boiled egg. He sat on all their laps one after the other, because every well-brought-up mongoose always hopes to be a house mongoose some day and have rooms to run about in; and Rikki-tikki’s mother (she used to live in the general’s house at Segowlee) had carefully told Rikki what to do if ever he came across white men.
Rudyard Kipling (Rikki-Tikki-Tavi)
cap to scratch his bald head. ‘Well, you won’t miss the veg because I’ll be bringing you some every week now. I’ve always got plenty left over and I’d rather give it to you than see it waste.’ He gave a rumbling laugh. ‘I caught that young Tommy Barton digging potatoes from Percy’s plot this mornin’. Give ’im a cuff round ’is ear but I let him take what he’d dug. Poor little bugger’s only tryin’ to keep his ma from starvin’; ain’t ’is fault ’is old man got banged up for robbin’, is it?’ Tilly Barton, her two sons Tommy and Sam and her husband, lived almost opposite the Pig & Whistle. Mulberry Lane cut across from Bell Lane and ran adjacent to Spitalfields Market, and the folk of the surrounding lanes were like a small community, almost a village in the heart of London’s busy East End. Tilly and her husband had been good customers for Peggy until he lost his job on the Docks. It had come as a shock when he’d been arrested for trying to rob a little corner post office and Peggy hadn’t seen Tilly to talk to since; she’d assumed it was because the woman was feeling ashamed of what her husband had done. ‘No, of course not.’ Peggy smiled at him. A wisp of her honey-blonde hair had fallen across her face, despite all her efforts to sweep it up under a little white cap she wore for cooking. ‘I didn’t realise Tilly Barton was in such trouble. I’ll take her a pie over later – she won’t be offended, will she?’ ‘No one in their right mind would be offended by you, Peggy love.’ ‘Thank you, Jim. Would you like a cup of coffee and a slice of apple pie?’ ‘Don’t mind a slice of that pie, but I’ll take it for my docky down the allotment if that’s all right?’ Peggy assured him it was and wrapped a generous slice of her freshly cooked pie in greaseproof paper. He took it and left with a smile and a promise to see her next week just as her husband entered the kitchen. ‘Who was that?’ Laurence asked as he saw the back of Jim walking away. ‘Jim Stillman, he brought the last of the stuff from Percy’s allotment.’ Peggy’s eyes brimmed and Laurence frowned. ‘I don’t know what you’re upset for, Peggy. Percy was well over eighty. He’d had a good life – and it wasn’t even as if he was your father…’ ‘I know. He was a lot older than Mum but…Percy was a good stepfather to me, and wonderful to Mum when she was so ill after we lost Walter.’ Peggy’s voice faltered, because it still hurt her that her younger brother had died in the Great War at the tender age of seventeen. The news had almost destroyed their mother and Peggy thought of those dark days as the worst of her
Rosie Clarke (The Girls of Mulberry Lane (Mulberry Lane #1))
The tears gathered and stood without overflowing the red sockets. Ah! if I were rich still, if I had kept my money, if I had not given all to them, they would be with me now; they would fawn on me and cover my cheeks with their kisses! I should be living in a great mansion; I should have grand apartments and servants and a fire in my room; and they would be about me all in tears, and their husbands and their children. I should have had all that; now--I have nothing. Money brings everything to you; even your daughters. My money. Oh! where is my money? If I had plenty of money to leave behind me, they would nurse me and tend me; I should hear their voices, I should see their faces. Ah, God! who knows? They both of them have hearts of stone. I loved them too much; it was not likely that they should love me. A father ought always to be rich; he ought to keep his children well in hand, like unruly horses. I have gone down on my knees to them. Wretches! this is the crowning act that brings the last ten years to a proper close. If you but knew how much they made of me just after they were married. (Oh! this is cruel torture!) I had just given them each eight hundred thousand francs; they were bound to be civil to me after that, and their husbands too were civil. I used to go to their houses: it was 'My kind father' here, 'My dear father' there. There was always a place for me at their tables. I used to dine with their husbands now and then, and they were very respectful to me. I was still worth something, they thought. How should they know? I had not said anything about my affairs. It is worth while to be civil to a man who has given his daughters eight hundred thousand francs apiece; and they showed me every attention then--but it was all for my money. Grand people are not great. I found that out by experience! I went to the theatre with them in their carriage; I might stay as long as I cared to stay at their evening parties. In fact, they acknowledged me their father; publicly they owned that they were my daughters. But I was always a shrewd one, you see, and nothing was lost upon me. Everything went straight to the mark and pierced my heart. I saw quite well that it was all sham and pretence, but there is no help for such things as these. I felt less at my ease at their dinner-table than I did downstairs here. I had nothing to say for myself. So these grand folks would ask in my son-in-law's ear, 'Who may that gentleman be?'-- 'The father-in-law with the money bags; he is very rich.'--'The devil, he is!' they would say, and look again at me with the respect due to my money. Well, if I was in the way sometimes, I paid dearly for my mistakes. And besides, who is perfect? (My head is one sore!) Dear Monsieur Eugene, I am suffering so now, that a man might die of the pain; but it is nothing to be compared with the pain I endured when Anastasie made me feel, for the first time, that I had said something stupid. She looked at me, and that glance of hers opened all my veins. I used to want to know everything, to be learned; and one thing I did learn thoroughly --I knew that I was not wanted here on earth.
Honoré de Balzac (Père Goriot)
Antonia Valleau cast the first shovelful of dirt onto her husband’s fur-shrouded body, lying in the grave she’d dug in their garden plot, the only place where the soil wasn’t still rock hard. I won’t be breakin’ down. For the sake of my children, I must be strong. Pain squeezed her chest like a steel trap. She had to force herself to take a deep breath, inhaling the scent of loam and pine. I must be doing this. She drove the shovel into the soil heaped next to the grave, hefted the laden blade, and dumped the earth over Jean-Claude, trying to block out the thumping sound the soil made as it covered him. Even as Antonia scooped and tossed, her muscles aching from the effort, her heart stayed numb, and her mind kept playing out the last sight of her husband. The memory haunting her, she paused to catch her breath and wipe the sweat off her brow, her face hot from exertion in spite of the cool spring air. Antonia touched the tips of her dirty fingers to her lips. She could still feel the pressure of Jean-Claude’s mouth on hers as he’d kissed her before striding out the door for a day of hunting. She’d held up baby Jacques, and Jean-Claude had tapped his son’s nose. Jacques had let out a belly laugh that made his father respond in kind. Her heart had filled with so much love and pride in her family that she’d chuckled, too. Stepping outside, she’d watched Jean-Claude ruffle the dark hair of their six-year-old, Henri. Then he strode off, whistling, with his rifle carried over his shoulder. She’d thought it would be a good day—a normal day. She assumed her husband would return to their mountain home in the afternoon before dusk as he always did, unless he had a longer hunt planned. As Antonia filled the grave, she denied she was burying her husband. Jean-Claude be gone a checkin’ the trap line, she told herself, flipping the dirt onto his shroud. She moved through the nightmare with leaden limbs, a knotted stomach, burning dry eyes, and a throat that felt as though a log had lodged there. While Antonia shoveled, she kept glancing at her little house, where, inside, Henri watched over the sleeping baby. From the garden, she couldn’t see the doorway. She worried about her son—what the glimpse of his father’s bloody body had done to the boy. Mon Dieu, she couldn’t stop to comfort him. Not yet. Henri had promised to stay inside with the baby, but she didn’t know how long she had before Jacques woke up. Once she finished burying Jean-Claude, Antonia would have to put her sons on a mule and trek to where she’d found her husband’s body clutched in the great arms of the dead grizzly. She wasn’t about to let his last kill lie there for the animals and the elements to claim. Her family needed that meat and the fur. She heard a sleepy wail that meant Jacques had awakened. Just a few more shovelfuls. Antonia forced herself to hurry, despite how her arms, shoulders, and back screamed in pain. When she finished the last shovelful of earth, exhausted, Antonia sank to her knees, facing the cabin, her back to the grave, placing herself between her sons and where their father lay. She should go to them, but she was too depleted to move.
Debra Holland (Healing Montana Sky (Montana Sky, #5))
He wanted somebody to give him a chance of asserting himself. He wanted it so urgently that he fidgeted in his chair, looked at this person, then at that person, tried to break into their talk, opened his mouth and shut it again. They were talking about the fishing industry. Why did no one ask him his opinion? What did they know about the fishing industry? Lily Briscoe knew all that. Sitting opposite him, could she not see, as in an X-ray photograph, the ribs and thigh bones of the young man's desire to impress himself, lying dark in the mist of his flesh--that thin mist which convention had laid over his burning desire to break into the conversation? But, she thought, screwing up her Chinese eyes, and remembering how he sneered at women, "can't paint, can't write," why should I help him to relieve himself? There is a code of behaviour, she knew, whose seventh article (it may be) says that on occasions of this sort it behoves the woman, whatever her own occupation might be, to go to the help of the young man opposite so that he may expose and relieve the thigh bones, the ribs, of his vanity, of his urgent desire to assert himself; as indeed it is their duty, she reflected, in her old maidenly fairness, to help us, suppose the Tube97 were to burst into flames. Then, she thought, I should certainly expect Mr. Tansley to get me out. But how would it be, she thought, if neither of us did either of these things? So she sat there 96 Cheated or frustrated himself. 97 The London subway. 64 smiling. "You're not planning to go to the Lighthouse, are you, Lily," said Mrs. Ramsay. "Remember poor Mr. Langley; he had been round the world dozens of times, but he told me he never suffered as he did when my husband took him there. Are you a good sailor, Mr. Tansley?" she asked. Mr. Tansley raised a hammer: swung it high in air; but realising, as it descended, that he could not smite that butterfly with such an instrument as this, said only that he had never been sick in his life. But in that one sentence lay compact, like gunpowder, that his grandfather was a fisherman; his father a chemist; that he had worked his way up entirely himself; that he was proud of it; that he was Charles Tansley--a fact that nobody there seemed to realise; but one of these days every single person would know it. He scowled ahead of him. He could almost pity these mild cultivated people, who would be blown sky high, like bales of wool and barrels of apples, one of these days by the gunpowder that was in him. "Will you take me, Mr. Tansley?" said Lily, quickly, kindly, for, of course, if Mrs. Ramsay said to her, as in effect she did, "I am drowning, my dear, in seas of fire. Unless you apply some balm to the anguish of this hour and say something nice to that young man there, life will run upon the rocks--indeed I hear the grating and the growling at this minute. My nerves are taut as fiddle strings. Another touch and they will snap"--when Mrs. Ramsay said all this, as the glance in her eyes said it, of course for the hundred and fiftieth time Lily Briscoe had to renounce the experiment--what happens if one is not nice to that young man there--and be nice.
Virgina Woolf (To the Lighthouse)
I no longer require your services." With her head held high, she strode for the door. Hell and blazes, he wouldn't let her do this! Now when he knew what was at stake. "You don't want to hear my report?" he called out after her. She paused near the door. "I don't believe you even have a report." "I certainly do, a very thorough one. I've only been waiting for my aunt to transcribe my scrawl into something decipherable. Give me a day, and I can offer you names and addresses and dates, whatever you require." "A day? Just another excuse to put me off so you can wreak more havoc." She stepped into the doorway, and he hurried to catch her by the arm and drag her around to face him. He ignored the withering glance she cast him. "The viscount is twenty-two years your senior," he said baldly. Her eyes went wide. "You're making that up." "He's aged very well, I'll grant you, but he's still almost twice your age. Like many vain Continental gentlemen, he dyes his hair and beard-which is why he appears younger than you think." That seemed to shake her momentarily. Then she stiffened. "All right, so he's an older man. That doesn't mean he wouldn't make a good husband." "He's an aging roué, with an invalid sister. The advantages in a match are all his. You'd surely end up taking care of them both. That's probably why he wants to marry you." "You can't be sure of that." "No? He's already choosing not to stay here for the house party at night because of his sister. That tells me that he needs help he can't get from servants." Her eyes met his, hot with resentment. "Because it's hard to find ones who speak Portuguese." He snorted. "I found out this information from his Portuguese servants. They also told me that his lavish spending is a façade. He's running low on funds. Why do you think his servants gossip about him? They haven't been paid recently. So he’s definitely got his eye on your fortune.” “Perhaps he does,” she conceded sullenly. “But not the others. Don’t try to claim that of them.” “I wouldn’t. They’re in good financial shape. But Devonmont is estranged from his mother, and no one knows why. I need more time to determine it, though perhaps your sister-in-law could tell you, if you bothered to ask.” “Plenty of people don’t get along with their families,” she said stoutly. “He has a long-established mistress, too.” A troubled expression crossed her face. “Unmarried men often have mistresses. It doesn’t mean he wouldn’t give her up when he marries.” He cast her a hard stare. “Are you saying you have no problem with a man paying court to you while he keeps a mistress?” The sigh that escaped her was all the answer he needed. “I don’t think he’s interested in marriage, anyway.” She tipped up her chin. “That still leaves the duke.” “With his mad family.” “He’s already told me about his father, whom I knew about anyway.” “Ah, but did you know about his great-uncle? He ended his life in an asylum in Belgium, while there to receive some special treatment for his delirium.” Her lower lip trembled. “The duke didn’t mention that, no. But then our conversation was brief. I’m sure he’ll tell me if I ask. He was very forthright on the subject of his family’s madness when he offered-“ As she stopped short, Jackson’s heart dropped into his stomach. “Offered what?” She hesitated, then squared her shoulders. “Marriage, if you must know.” Damn it all. Jackson had no right to resent it, but the thought of her in Lyons’s arms made him want to smash something. “And of course, you accepted his offer,” he said bitterly. “You couldn’t resist the appeal of being a great duchess.” Her eyes glittered at him. “You’re the only person who doesn’t see the advantage in such a match.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Barbara Stanwyck and I began our relationship on Titanic, although we had actually met years before. For a time, my father had an eight-acre ranch in Chatsworth, across from the racetrack. Martha Scott also lived there, and I used to take care of her horse. We'd go riding, and I would see Barbara and her husband, Robert Taylor, riding. I would go trotting along with them, never thinking I'd be involved with her someday. Later, Barbara had a beautiful ranch at the corner of Devonshire and Reseda, with her agent, Zeppo Marx. It's now a shopping center, but when Barbara owned the ranch, it had paddocks that were impeccably maintained and run, like everything Barbara touched.
Robert J. Wagner (Pieces of My Heart: A Life)
If I were to think, as so many think, that now that my beloved wife and my beloved parents are gone, that they have passed out of my life forever and that I shall never see them again, it would deprive me of one of the greatest joys that I have in life: the contemplation of meeting them again, and receiving their welcome and their affection. . . . "But there are many, many millions of our Father's children who do not know that by partaking of certain ordinances prescribed by our Heavenly Father, husbands and wives may be united for time and eternity and enjoy the companionship of their children forever. How thankful we should be for that knowledge
George Albert Smith
We wind our way past Tower Hill and the scaffold that stands there, where my father ended his life, and I bow my head to his memory, and remember his hopeless struggle against Queen Mary. I think how glad he would be to see one daughter, at least, riding from the Tower to freedom, her baby beside her and her noble husband and heir following behind. It’s bitter for me to think of him, and the death that he brought on Jane,
Philippa Gregory (The Last Tudor (The Plantagenet and Tudor Novels, #14))
Now Balna's son was a bright, clever boy, so he said, "Do not fear, dear mother; the first thing to do is to discover how far the Magician's power extends, in order that we may be able to liberate my father and uncles, whom he has imprisoned in the form of rocks and trees. You have spoken to him angrily for twelve long years; now rather speak kindly. Tell him you have given up all hopes of again seeing the husband you have so long mourned, and say you are willing to marry him.
Joseph Jacobs (Indian Fairy Tales)
Then why are you called ‘Lady Holland’?” “Well…” Holly paused and laughed ruefully. “Now we're treading on more complicated territory. I am the daughter of an earl. Therefore, I have had the courtesy title ‘lady’ since birth.” “And you didn't lose it when you married George?” “No, when a peer's daughter marries a man who is not a peer, she is allowed to keep her own courtesy title. After I married, I still derived my rank from my father rather than from George.” Bronson turned his head and stared at her intently. Looking into his fathomless eyes at close range gave Holly a small, warm shock. She could see the glints of brown in the midnight depths. “So your rank was always higher than your husband's,” he said. “In a way, you married down.” “Technically,” she admitted. Bronson seemed to savor the information. Holly had the impression that for some reason the idea pleased him. “What would happen to your rank if you married a commoner?” he asked idly. “Like me, for example.” Flustered by the question, Holly drew away from him and resumed her seat. “Well, I… I would remain ‘Lady Holland,’ but I would take your surname.” “Lady Holland Bronson.” She started a little at the strange sound of her own name being joined with anything other than Taylor. “Yes,” she said softly. “In theory, that is correct.
Lisa Kleypas (Where Dreams Begin)
The next day was Sunday. In Australia we celebrate Father’s Day in September, so it was natural for us to try and get in touch with Steve. I knew he was filming somewhere off the Queensland coast. On board Croc One, along with Steve and Philippe Cousteau, was a toxicologist named Jamie Seymour. They planned to study several species of dangerous sea creatures, with the double goal of understanding their place in the environment and teaching people how to frequent Australia’s waters more safely. We tried to get through to Steve on the phone, but of course he was out filming. I spoke via satellite phone to another Kate, Kate Coulter, a longtime zoo employee, with her husband, Brian. We all took turns talking to her. “Steve captured a huge sea snake,” Kate said. “He said it was the biggest he had ever seen. He said, ‘Thick as my arm, no, thick as my leg.’” Kate knew Steve well, and she conveyed his enthusiasm perfectly. She told us she would pass along our messages. “Tell Daddy how much I love him and miss him,” Bindi said, and Kate told her she would. Robert wanted immediately to go see the big sea snake his father had caught. He didn’t quite grasp that the Cape was thousands of miles away.
Terri Irwin (Steve & Me)
I’ve been trying to think of a solution,” Reinhold said, “and I could come up with only one idea.” “What?” “Marry me.” A burst of laughter tumbled out of her. At the flash of hurt on Reinhold’s face, she cut the laughter short. “You’re serious?” “Yes, why wouldn’t I be?” he responded. “Because that would be really awkward.” “It wouldn’t have to be.” His brows came together in a scowl. “I’d make a good husband, Elise.” Seeing he was, in fact, being serious, all the humor she’d found in his suggestion fell away. She studied his profile for a moment, the rippling muscles of his jaw, the maturity that had developed in his face in recent months. He’d been the man of his house for the past year, shouldering more responsibility than most other young men his age. Not only was he faithful and hardworking, but he was tender and kind. She’d seen the sweet way he treated his younger siblings, the same way he did Nicholas and Olivia and Sophie. He’d not only make a good husband, but he’d make a good father too. But marry him? She couldn’t imagine it. “You’ll make an excellent husband,” she said cautiously. “But you’re my brother and friend. It would seem strange—” “You mean more to me than a sister.” His voice cracked over his raw confession. “Reinhold, please don’t.” She didn’t want to hear that he had feelings for her. If he admitted he liked her beyond friendship, things would become uncomfortable between them, and she couldn’t bear that. “It doesn’t matter how either of us feel,” he said quickly, changing his tone back to the brotherly one she needed. “The fact is, if we get married, then my mother can’t say no to you coming to live with us.
Jody Hedlund (An Awakened Heart (Orphan Train, #0.5))
I now pronounce you husband and wife. I hadn’t considered the kiss. Not once. I suppose I’d assumed it would be the way a wedding kiss should be. Restrained. Appropriate. Mild. A nice peck. Save the real kisses for later, when you’re deliciously alone. Country club girls don’t make out in front of others. Like gum chewing, it should always be done in private, where no one else can see. But Marlboro Man wasn’t a country club boy. He’d missed the memo outlining the rules and regulations of proper ways to kiss in public. I found this out when the kiss began--when he wrapped his loving, protective arms around me and kissed me like he meant it right there in my Episcopal church. Right there in front of my family, and his, in front of Father Johnson and Ms. Altar Guild and our wedding party and the entire congregation, half of whom were meeting me for the first time that night. But Marlboro Man didn’t seem to care. He kissed me exactly the way he’d kissed me the night of our first date--the night my high-heeled boot had gotten wedged in a crack in my parents’ sidewalk and had caused me to stumble. The night he’d caught me with his lips. We were making out in church--there was no way around it. And I felt every bit as swept away as I had that first night. The kiss lasted hours, days, weeks…probably ten to twelve seconds in real time, which, in a wedding ceremony setting, is a pretty long kiss. And it might have been longer had the passionate moment not been interrupted by the sudden sound of a person clapping his hands. “Woohoo! All right!” the person shouted. “Yes!” It was Mike. The congregation broke out in laughter as Marlboro Man and I touched our foreheads together, cementing the moment forever in our memory. We were one; this was tangible to me now. It wasn’t just an empty word, a theological concept, wishful thinking. It was an official, you-and-me-against-the-world designation. We’d both left our separateness behind. From that moment forward, nothing either of us did or said or planned would be in a vacuum apart from the other. No holiday would involve our celebrating separately at our respective family homes. No last-minute trips to Mexico with friends, not that either of us was prone to last-minute trips to Mexico with friends. But still. The kiss had sealed the deal in so many ways.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
She has touched me. My hatred for her has gone the way of the wind. She saved my life.” He quickly related the tale about the rattlesnake and how she had broken her silence to warn him. “You would prefer that she live for always away from you?” Hunter’s gut contracted. In that instant he realized how much he wanted the woman beside him. “I would prefer that my eyes never again fall upon her than to see her die.” His mouth twisted. “She has great heart for one so small. She makes war with nothing, and wins.” Many Horses nodded. “Huh, yes, Warrior and Swift Antelope have already told me.” “I would take my woman back to her land,” Hunter said. “I know the words of the prophecy, eh? And I would not displease the Great Ones, but I see no other path I might walk.” Hunter’s mother rose to her knees. “My husband, I request permission to speak.” Many Horses squinted into the shadows. “Then do it, woman.” She moved forward into the light, her brown eyes fathomless in the flickering amber. “I would but sing part of the song, so we might hear the words and listen.” She tipped her head back and clasped her hands before her. In a singsong voice, she recited, “‘When his hatred for the White Eyes is hot like the summer sun and cold like the winter snow, there will come to him a gentle maiden from tosi tivo land.’” “Yes, wife, I know the words,” Many Horses said impatiently. “But do you listen?” Woman with Many Robes fixed her all-seeing gaze on her eldest son. “Hunter, she did not come to you, as the prophecy foretold. You took her by force.” “Pia, what is it you’re saying? That she would have come freely?” A breath of laughter escaped Hunter’s lips. “The little blue-eyes? Never.” His mother held up a hand. “I say she would have, and that she shall. You must take her to her wooden walls. The Great Ones will lead her in a circle back to you.” Hunter glanced at his father. Many Horses set his pipe aside and gazed for a long while into the flames. “Your mother may be right. Perhaps we have acted wrongly, sending you to fetch her. Perhaps it was meant for her to come of her own free will.” Hunter swallowed back an argument. Though he didn’t believe his little blue-eyes would ever return to Comancheria freely, his parents had agreed that he should take her home, and that was enough. “What will lead her back to me, pia?” Woman with Many Robes smiled. “Fate, Hunter. It guides our footsteps. It will guide hers.
Catherine Anderson (Comanche Moon (Comanche, #1))
Mother, listen to me. Now's your chance, do you hear? I know that when I start to talk about what I really think and want and believe, something comes over you, some terrible fit of impatience, so that your knees twitch and you can't even sit still long enough to hear what I have to say. You listen to other people. Anybody but your own daughter you have all the patience in the world with. I've watched you. You know just what to say and what not to say. With everybody but me you're wonderful. I wish I had a mirror. I wish I could show you what you look like right now, your face flushed and set, and that expression of grim endurance. Why do you have to endure your own daughter? I get furious at you but I don't endure you. What is it you want me to be? Do you want me to be domestic, like Cousin Martha, and worry about meals and whether the cook is in a bad temper and whether my husband is looking at some other woman? I haven't any husband to be jealous of, and I haven't any house, either. So I can't very well be domestic, can I? Or worry about the temper of the cook who doesn't exist? Do you want me to be afraid of you the way the Beach girls are afraid of their mother, so that when you're around all the life and hope goes out of me, and everybody thinks what a pity it is that such a charming delightful woman should have a dull daughter? Well I won't be dull for anybody, not even you. I'm not dull so why should I pretend to be? Or easy going, or self-controlled or anything else...What you are thinking now I know. I can read it in your face. We've been over this a thousand times, you're saying, so why do we have to go over it again? But we haven't been over it a thousand times. I've never really talked to you the way I'm talking now, never in my whole life. Always before I've spared you, spared your feelings, and this time I'm not going to. I don't see any reason to spare your feelings. You're a grown woman and you had enough courage to leave my father and to come back to him, which I wouldn't have been able to do. I'd have died first.
William Maxwell (Time Will Darken It)
Do you want to meet Katherine?” he asked. She lived in Cambridge, her husband a wealthy man. Apparently my father was still chasing the dream of marrying rich, even while being very much married. They’d met at school. Sound familiar? I remember thinking how cruel my grandparents were to judge my father so harshly. But now that I’m an adult, well—I can see that they had their points. Back then, all I knew was that Katherine smelled nice and that she wasn’t crying, and that she gave me Oreos and cold milk and played basketball with me. Her house was big, and there were no bugs in it, at least not that I saw. She showed me her new child, a baby, and I held him.
Isaac Fitzgerald (Dirtbag, Massachusetts: A Confessional)
From the time I was sixteen years my husband surrounded me like a putrid fog, permeating every minute of every day and completely blocking the sun from entering my life. When my husband left us behind in Arizona and moved to Michigan for work I began to see him as he really was, nothing more than a small, evil, isolated creature. I made it my goal to keep my children pure, to keep them from ever becoming like their father.
Mia Odeh (Mia’s Odyssey: Taking Back My Soul)
(Kana has been talking about her Uncles with her friends at school and her teacher, Mr. Yokoyama, has called her dad in because he’s concerned that it’s not an appropriate topic for school children and that she may be bullied for it in the future because “her situation at home is a bit unusual”) Yaichi: Yokoyama-san, are you concerned that she’s being raised by a single father? Yokoyama: Uhhh… Yaichi: I appreciate your concern, but it’s really unnecessary. You don’t need to be concerned about a single parent household. At least, no more so than for any other student. Yokoyama: No, I meant… Yaichi: Also, about Kana, if there is anything that makes her different, I… wouldn’t make her change on account of other people. As for the foreigner staying with us, he is my brother’s husband, and Kana’s Uncle. I see absolutely no reason to stop her from talking about her beloved uncle to her friends. If Kana is ever bullied for any of this, I would hope that, as her teacher, you would reprimand the bullies, and not the bullied child for being different.
Gengoroh Tagame (My Brother's Husband, Volume 2 (Otouto no Otto, #3-4))
After his day of revelation in the garage, he had been back on the upswing, as a scientist, even as a burgeoning entrepreneur. Even as a husband. It was all moving up: meaning, success, our story. For a while here, it looked like we were going to make it. Whatever it is. Whatever making it is. He was going to make it, our family was, my mother and father were going to make it. The world was coming to him, finally. He had made a noise, and the world heard him, and the world was coming. And just as he had always imagined, it was coming with money. Or more accurately, the promise of money. More than money. Prestige. The promise of prestige and a sense of mystery about him, a sense of intellectual mystery that would surround him, inventor, pioneer, scientist. He imagined the prospect of seeing his name in trade journals, rivals and admirers whispering about what he was working on, his method of working, how he got his ideas. He imagined how the people at work would react when he quit, when a month after he quit they realized what they had let slip away, how they could never afford him now, how they had ignored him all those years, put him in the cubicle, let him inch upward, never seeing the quality of his ideas. I am excited. I am hopeful. I know how this all turns out, what happens after today, and still I feel hopeful, looking at myself, remembering how it felt to feel that way. He talks about getting something nice for my mother, about wanting to get a bigger house for us.
Charles Yu (How to Live Safely in a Science Fictional Universe)
I’ve thought of all the times when we could have forestalled damage to the children, but the truth is we were damaged ourselves. Even if we had worked that out, it wouldn’t have been much use. Those early wounds run deep. Eve had been ignored as a child, controlled but neglected; longing for freedom and longing for affection, she was ridiculously generous with both, and I don’t just mean Martin. She trusted everyone. How would she have recognized cruelty when she was determined to love everyone she met? Melly swapped one tyrant for another, her father for her husband; it’s hard to know who caused the most damage, especially as she was hell-bent on damaging herself. When you are anorexic, it actually does something to your vision; you can’t assess what you see properly. I heard that on the radio yesterday and I wanted to tell her, but I’m not sure if that would help; not now. I was damaged by greed: my own. My grandfather told me that anything was possible; it wasn’t his fault that I believed him. I thought I could manage it all – work, marriage, kids, writing, being scared. That was wrong, or worse, half right. He forgot to add that anything is possible, but not on your own. He might have thought that was completely obvious; I grew up in an African village, after all. I should have asked for help when I needed it. He told me to walk slowly and he was right. I might have noticed what was there in front of me. You can’t blame Melly for not seeing things properly, when I wasn’t watching either.
Jane Shemilt (Little Friends)