Secrets Keep You Sick Quotes

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I can't pretend this isn't important. I can't act like it doesn't exist. It's ironic, but true. There are a lot of things I'm really good at keeping secret. But I've learned I'm not too good at that with you. I can't pull it off. I don't want to just hook up. I don't want a secret relationship." "Well, that's a relief," I said, grabbing for both of his hands and holding on for dear life. Doubt started giving way to recognition, but he needed to hear it. "Why's that?" "Because I'm really sick of secrets.
Diana Peterfreund (Rites of Spring (Break) (Secret Society Girl, #3))
FOR HEAVEN'S SAKE, MY HEART! For heaven's sake, my heart, keep secret your love, and hide the secret from those you see and you will have better fortune. He who reveals secrets is considered a fool; silence and secrecy are much better for him who falls in love. For heaven's sake, my heart, if someone asks, "What has happened?", do not answer. If you are asked, "Who is she?"; Say she is in love with another And pretend that it is of no consequence. For heaven's sake, my love, conceal your passion; your sickness is also your medicine because love to the soul is as wine in a glass - what you see is liquid, what is hidden is its spirit. For heaven's sake, my heart, conceal your troubles; then, should the seas roar and the skies fall, you will be safe.
Kahlil Gibran (Mirrors of the Soul)
I went down not long ago to the Mad River, under the willows I knelt and drank from that crumpled flow, call it what madness you will, there's a sickness worse than the risk of death and that's forgetting what we should never forget. Tecumseh lived here. The wounds of the past are ignored, but hang on like the litter that snags among the yellow branches, newspapers and plastic bags, after the rains. Where are the Shawnee now? Do you know? Or would you have to write to Washington, and even then, whatever they said, would you believe it? Sometimes I would like to paint my body red and go into the glittering snow to die. His name meant Shooting Star. From Mad River country north to the border he gathered the tribes and armed them one more time. He vowed to keep Ohio and it took him over twenty years to fail. After the bloody and final fighting, at Thames, it was over, except his body could not be found, and you can do whatever you want with that, say his people came in the black leaves of the night and hauled him to a secret grave, or that he turned into a little boy again, and leaped into a birch canoe and went rowing home down the rivers. Anyway this much I'm sure of: if we meet him, we'll know it, he will still be so angry.
Mary Oliver
Dear Madam Vorsoisson, I am sorry. This is the eleventh draft of this letter. They’ve all started with those three words, even the horrible version in rhyme, so I guess they stay. You once asked me never to lie to you. All right, so. I’ll tell you the truth now even if it isn’t the best or cleverest thing, and not abject enough either. I tried to be the thief of you, to ambush and take prisoner what I thought I could never earn or be given. You were not a ship to be hijacked, but I couldn’t think of any other plan but subterfuge and surprise. Though not as much of a surprise as what happened at dinner. The revolution started prematurely because the idiot conspirator blew up his secret ammo dump and lit the sky with his intentions. Sometimes these accidents end in new nations, but more often they end badly, in hangings and beheadings. And people running into the night. I can’t be sorry that I asked you to marry me, because that was the one true part in all the smoke and rubble, but I’m sick as hell that I asked you so badly. Even though I’d kept my counsel from you, I should have at least had the courtesy to keep it from others as well, till you’d had the year of grace and rest you’d asked for. But I became terrified that you’d choose another first. So I used the garden as a ploy to get near you. I deliberately and consciously shaped your heart’s desire into a trap. For this I am more than sorry, I am ashamed. You’d earned every chance to grow. I’d like to pretend I didn’t see it would be a conflict of interest for me to be the one to give you some of those chances, but that would be another lie. But it made me crazy to watch you constrained to tiny steps, when you could be outrunning time. There is only a brief moment of apogee to do that, in most lives. I love you. But I lust after and covet so much more than your body. I wanted to possess the power of your eyes, the way they see form and beauty that isn’t even there yet and draw it up out of nothing into the solid world. I wanted to own the honor of your heart, unbowed in the vilest horrors of Komarr. I wanted your courage and your will, your caution and your serenity. I wanted, I suppose, your soul, and that was too much to want. I wanted to give you a victory. But by their essential nature triumphs can’t be given. They must be taken, and the worse the odds and the fiercer the resistance, the greater the honor. Victories can’t be gifts. But gifts can be victories, can’t they. It’s what you said. The garden could have been your gift, a dowry of talent, skill, and vision. I know it’s too late now, but I just wanted to say, it would have been a victory most worthy of our House. Yours to command, Miles Vorkosigan
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
Secrets keep families sick. You never keep secrets in families because even if the child doesn't know what the secret is, they will always know there is a secret.
Ann Fessler (The Girls Who Went Away: The Hidden History of Women Who Surrendered Children for Adoption in the Decades Before Roe v. Wade)
But open secret is a lie we like to tell ourselves. It's a lie we often told ourselves, in sickness and in health. It doesn't work, because if you feel you still have a secret, there is no way to be truly open. In the interest of self-preservation, it is sometimes best to keep something back, keep something hidden. But there usually comes a moment - and Neil is hitting his right now - when you don't want self-preservation to define who you are, or who your family is. Truces may stop the battles, but part of you will always feel like you're at war.
David Levithan (Two Boys Kissing)
There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane. “I’m cold,” Snowden had whimpered. “I’m cold.” “There, there,” Yossarian had tried to comfort him. “There, there.” They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.
Joseph Heller (Catch-22)
Okay, I'm sorry for not turning up yesterday." His feet pounded against the pavement as he ran to catch up with me. "Don't be mad. Even though you're sexy as hell when you are." He grabbed my arm, pulling me to a stop. "Don't touch me," I shouted. "Just leave me alone. Wherever I go, there you are being creepy and pervy. I'm sick of this, Marshall. And, you know what? I don't give a shit about your secrets. Keep them. I hope they make you feel all warm and snugly at night.
C. Gray (My Heart Be Damned)
Every tree, therefore, is valuable to the community and worth keeping around for as long as possible. And that is why even sick individuals are supported and nourished until they recover. Next time, perhaps it will be the other way round, and the supporting tree might be the one in need of assistance. When thick silver-gray beeches behave like this, they remind me of a herd of elephants. Like the herd, they, too, look after their own, and they help their sick and weak back up onto their feet. They are even reluctant to abandon their dead. Every tree is a member of this community, but there are different levels of membership. For example, most stumps rot away into humus and disappear within a couple of hundred years (which is not very long for a tree). Only a few individuals are kept alive over the centuries, like the mossy "stones" I've just described. What's the difference? Do tree societies have second-class citizens just like human societies? It seems they do, though the idea of "class" doesn't quite fit. It is rather the degree of connection-or maybe even affection-that decides how helpful a tree's colleagues will be. You can check this out for yourself simply by looking up into the forest canopy. The average tree grows its branches out until it encounters the branch tips of a neighboring tree of the same height. It doesn't grow any wider because the air and better light in this space are already taken. However, it heavily reinforces the branches it has extended, so you get the impression that there's quite a shoving match going on up there. But a pair of true friends is careful right from the outset not to grow overly thick branches in each other's direction. The trees don't want to take anything away from each other, and so they develop sturdy branches only at the outer edges of their crowns, that is to say, only in the direction of "non-friends." Such partners are often so tightly connected at the roots that sometimes they even die together.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
Sometimes you no longer recognize yourself. You want to overcome it, but it overcomes you. You want to set limits, but it compels you to keep going. You want to elude it, but it comes with you. You want to employ it, but you are its tool; you want to think about it, but your thoughts obey it. Finally the fear of the inescapable seizes you, for it comes after you slowly and invincibly. There is no escape. So it is that you come to know what a real God is. Now you'll think up clever truisms, preventive measures, secret escape routes, excuses, potions capable of inducing forgetfulness, but it's all useless. The fire burns right through you. That which guides forces you onto the way. But the way is my own self, my own life founded upon myself. The God wants my life. He wants to go with me, sit at the table with me, work with me. Above all he wants to be ever present. But I'm ashamed of my God. I don't want to be divine but reasonable. The divine appears to me as irrational craziness. I hate it as an absurd disturbance of my meaningful human activity. It seems an unbecoming sickness which has stolen into the the regular course of my life. Yes, I even find the divine superfluous. ~ Red Book, pg. 291
C.G. Jung (The Red Book: Liber Novus)
I’ve never been with a boy who hasn’t seen me naked. It’s always the squeaky futon, bear-it-all, turn-off-the-lights quickstep. Don’t chalk it up to “daddy issues.” Maybe I’m sick of keeping private parts private. I don’t want rainwater secrets on my lips, tasting of “don’t make too much noise”. October’s dust in my lungs, maybe I don’t want bits of four AM lingering in my subconscious. Smokers breathe in fire, coat their insides in ash. Is that suicide or arson? Listen to me, listen to me. I’m alive. I’M ALIVE. I’m naked and bruised, but I’m alive. I’m not a piece of fruit. Don’t press into my flesh, looking for soft spots. My whole body is tender and rotten, but I’m alive. I’m alive and just because you can see it all, doesn’t mean you know it all
Taylor Rhodes (Sixteenth Notes: the breaking of the rose-colored glasses)
From personal experience, I know for sure that the number one thing that saddens the dead more than our grief — is not being conscious of their existence around us. They do want you to talk to them as if they were still in a physical body. They do want you to play their favorite music, keep their pictures out, and continue living as if they never went away. However, time and "corruption" have blurred the lines between the living and the dead, between man and Nature, and between the physical and the etheric. There was a time when man could communicate with animals, plants, the ether, and the dead. To do so requires one to access higher levels of consciousness, and this knowledge has been hidden from us. Why? Because then the plants would tell us how to cure ourselves. The animals would show us their feelings, and the dead would tell us that good acts do matter. In all, we would come to know that we are all one. And most importantly, we would be alerted of threats and opportunities, good and evil, truth vs. fiction. We would have eyes working for humanity from every angle, and this threatens "the corrupt". Secret societies exist to hide these truths, and to make sure lies are preserved from generation to generation.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Sometimes you no longer recognize yourself. You want to overcome it, but it overcomes you. You want to set limits, but it compels you to keep going. You want to elude it, but it comes with you. You want to employ it, but you are its tool; you want to think about it, but your thoughts obey it. Finally the fear of the inescapable seizes you, for it comes after you slowly and invincibly. There is no escape. So it is that you come to know what a real God is. Now you'll think up clever truisms, preventive measures, secret escape routes, excuses, potions capable of inducing forgetfulness, but it's all useless. The fire burns right through you. That which guides forces you onto the way. But the way is my own self, my own life founded upon myself. The God wants my life. He wants to go with me, sit at the table with me, work with me. Above all he wants to be ever present. But I'm ashamed of my God. I don't want to be divine but reasonable. The divine appears to me as irrational craziness. I hate it as an absurd disturbance of my meaningful human activity. It seems an unbecoming sickness which has stolen into the the regular course of my life. Yes, I even find the divine superfluous.
C.G. Jung (The Red Book: Liber Novus)
He slowed a little so I could hear him better. “No, they’re night people, Ms. Lane. They’ll be up and just as willing to see me, as I am to see them. We like to keep tabs on one another. They, however, don’t have you.” A slow smile curved his lips. He was hugely pleased with the new secret weapon he had in me. I had a sudden dismal view of my future, of being led around and asked incessantly, like one of those Verizon commercials, Do you feel sick now?
Karen Marie Moning (Darkfever (Fever, #1))
The more conscious I was of all the good and of all this "beautiful and lofty," the deeper I kept sinking into my mire, and the more capable I was of getting completely stuck in it. But the main feature was that this was all in me not as if by chance, but as if it had to be so. As if it were my most normal condition and in no way a sickness or a blight, so that finally I lost any wish to struggle against this blight. I ended up almost believing (and maybe indeed believing) that this perhaps was my normal condition. But at first, in the beginning, how much torment I endured in this struggle! I did not believe that such things happened to others, and therefore kept it to myself all my life as a secret. I was ashamed (maybe I am ashamed even now); it reached the point with me where I would feel some secret, abnormal, mean little pleasure in returning to my corner on some nasty Petersburg night and being highly conscious of having once again done a nasty thing that day, and again that what had been done could in no way be undone, and I would gnaw, gnaw at myself with my teeth, inwardly, secretly, tear and suck at myself until the bitterness finally turned into some shameful, accursed sweetness, and finally-into a decided, serious pleasure! Yes, a pleasure, a pleasure! I stand upon it. The reason I've begun to speak is that I keep wanting to find out for certain: do other people have such pleasures? I'll explain it to you: the pleasure here lay precisely in the too vivid consciousness of one's own humiliation; in feeling that one had reached the ultimate wall; that, bad as it is, it cannot be otherwise; that there is no way out for you, that you will never change into a different person; that even if you had enough time and enough faith left to change yourself into something different, you probably would not wish to change; and even if you did wish it, you would still not do anything, because in fact there is perhaps nothing to change into.
Fyodor Dostoevsky
His persistence baffled me. He was known to guard his privacy, and I had no reason to believe he’d ever read any of my books. Maybe someday, I continued to say. But in 2009 his wife, Laurene Powell, said bluntly, “If you’re ever going to do a book on Steve, you’d better do it now.” He had just taken a second medical leave. I confessed to her that when he had first raised the idea, I hadn’t known he was sick. Almost nobody knew, she said. He had called me right before he was going to be operated on for cancer, and he was still keeping it a secret, she explained.
Walter Isaacson (Steve Jobs)
The patient, genderless, bodiless, will tell me of its anguish: I feel like an old, opaque secret. I keep asking to be renewed. I suck on every fad, like mushrooms on a cemetery slab. Everyone’s better than I am; I’m the imprisoned best. No one loves another except as a mirror to a musty guest, to take stingy control. We are all failing, masterfully, because we desire it. Want to see civilizations ruined, want to see our species’ death, our psychic embroidery unraveled. We want to find out who’s left, the impossible perceiver of our demise. I’m hungry, I’m sick, I’m wounded. No shirt. So tired. I want to go home. They’re killing us; can’t remember childhood. The animal, bloodied, fails to hunt again. Our genocides are a cliché, repeated, but there’s no satiety, and further horror is willed. Who will save you? Who wants to be saved . . . I didn’t mean to say . . . I didn’t mean to be born.
Alice Notley (Certain Magical Acts (Penguin Poets))
Marvin thought of his bowel movements as BMs, a phrase he'd heard an army doctor mutter once. His BMs were turning against him, turning violent in a way. He and Eleanor went through the Dolomites and across Austria and nipped into the northwest corner of Hungary and the stuff came crashing out of him, noisy and remarkably dark. But mainly it was the smell that disturbed him. He was afraid Eleanor would notice. He realized this was probably a normal part of every early marriage, smelling the other's smell, getting it over and done with so you can move ahead with your lives, have children, buy a little house, remember everybody's birthday, take a drive on the Blue Ridge Parkway, get sick and die. But in this case the husband had to take extreme precautions because the odor was shameful, it was intense and deeply personal and seemed to say something awful about the bearer. His smell was a secret he had to keep from his wife.
Don DeLillo
OK, if you are like most people, your list of the most valuable things includes your spouse, children, friends, health, money, and of course, time. Highly successful people have a similar list—but they rank time as the most important item of all. Shouldn’t health be number one? You can be healthy, and then get sick, and then regain your health. How about money? You can lose all your money, and then you can make it all back. Friends? Friends are important, and yet, how many friends did you have back in college that you no longer keep in touch with? Or even people who were guests at your wedding, and that was the last day you ever saw them? Yes, friends are prized, yet we lose them and make new ones all the time. Yes, your spouse means the world to you. And 50 percent of married people get a divorce, and many divorced people get a new husband or wife that is suddenly the love of their life. But time… You can never lose time and get it back again. You can’t spend time and go earn more of it. You can’t buy it, rent it, or borrow it. Time
Kevin E. Kruse (15 Secrets Successful People Know About Time Management: The Productivity Habits of 7 Billionaires, 13 Olympic Athletes, 29 Straight-A Students, and 239 Entrepreneurs)
Penetrating the literary inferno, you will come to learn its artifices and its arsenic; shielded from the immediate, that caricature of yourself, you will no longer have any but formal experiences, indirect experiences; you will vanish into the Word. Books will be the sole object of your discussions. As for literary people, you will derive no benefit from them. But you will find this out too late, after having wasted your best years in a milieu without density or substance. The literary man? An indiscreet man, who devaluates his miseries, divulges them, tells them like so many beads: immodesty - the sideshow of second-thoughts - is his rule; he offers himself. Every form of talent involves a certain shamelessness. Only sterility is truly distinguished - the man who effaces himself along with his secret, because he disdains to parade it: sentiments expressed are an agony for irony, a slap at humor. To keep one's secret is the most fruitful of activities. It torments, erodes, threatens you. Even when confession is addressed to God, it is an outrage against ourselves, against the mainspring of our being. The apprehensions, shames, fears from which both religious and profane therapeutics would deliver us constitute a patrimony we should not allow ourselves to be dispossessed of, at any cost. We must defend ourselves against our healers and, even if we die for it, preserve our sickness and our sins. The confessional? a rape of conscience perpetrated in the name of heaven. And that other rape, psychological analysis! Secularized, prostituted, the confessional will soon be installed on our street corners: except for a couple of criminals, everyone aspires to have a public soul, a poster soul.
Emil M. Cioran
her that when he had first raised the idea, I hadn’t known he was sick. Almost nobody knew, she said. He had called me right before he was going to be operated on for cancer, and he was still keeping it a secret, she explained. I decided then to write this book. Jobs surprised me by readily acknowledging that he would have no control over it or even the right to see it in advance. “It’s your book,” he said. “I won’t even read it.” But later that fall he seemed to have second thoughts about cooperating and, though I didn’t know it, was hit by another round of cancer complications. He stopped returning my calls, and I put the project aside for a while. Then, unexpectedly, he phoned me late on the afternoon of New Year’s Eve 2009. He was at home in Palo Alto with only his sister, the writer Mona Simpson. His wife and their three children had taken a quick trip to go skiing, but he was not healthy enough to join them. He was in a reflective mood, and we talked for more than an hour. He began by recalling that he had wanted to build a frequency counter when he was twelve, and he was able to look up Bill Hewlett, the founder of HP, in the phone book and call him to get parts. Jobs said that the past twelve years of his life, since his return to Apple, had been his most productive in terms of creating new products. But his more important goal, he said, was to do what Hewlett and his friend David Packard had done, which was create a company that was so imbued with innovative creativity that it would outlive them. “I always thought of myself as a humanities person as a kid, but I liked electronics,” he said. “Then I read something that one of my heroes, Edwin Land of Polaroid, said about the importance of people who could stand at the intersection of humanities and sciences, and I decided that’s what I wanted to do.” It was as if he were suggesting themes for his biography (and in this instance, at least, the theme turned out to be valid). The creativity that can occur when a feel for both the humanities and the sciences combine in one strong personality was the topic that most interested me in my biographies of Franklin and Einstein, and I believe that it will be a key to creating innovative economies in the twenty-first century. I asked Jobs why he wanted me to be the one to write his biography. “I think you’re good at getting people to talk,” he replied. That was an unexpected answer. I knew that I would have to interview scores of people he had fired, abused, abandoned, or otherwise infuriated, and I feared he would not be comfortable with my getting them to talk. And indeed he did turn out to be skittish when word trickled back to him of people that I was interviewing. But after a couple of months,
Walter Isaacson (Steve Jobs)
Prayer is one great secret of spiritual prosperity. When there is much private communion with God, your soul will grow like the grass after rain; when there is little, all will be at a standstill, you will barely keep your soul alive. Show me a growing Christian, a going forward Christian, a strong Christian, a flourishing Christian, and sure am I, he is one that speaks often with his Lord. He asks much, and he has much. He tells Jesus everything, and so he always knows how to act. Prayer is the mightiest engine God has placed in our hands. It is the best weapon to use in every difficulty, and the surest remedy in every trouble. It is the key that unlocks the treasury of promises, and the hand that draws forth grace and help in time of need. It is the silver trumpet God commands us to sound in all our necessity, and it is the cry He has promised always to attend to, even as a loving mother to the voice of her child. Prayer is the simplest means that man can use in coming to God. It is within reach of all, — the sick, the aged, the infirm, the paralytic, the blind, the poor, the unlearned, — all can pray. It avails you nothing to plead want of memory, and want of learning, and want of books, and want of scholarship in this matter. So long as you have a tongue to tell your soul’s state, you may and ought to pray. Those words, “Ye have not, because ye ask not” (Jas. 4:2), will be a fearful condemnation to many in the day of judgment.
J.C. Ryle (The Duties of Parents)
Secrets keep you sick. Keeping secrets about your shame keeps you stuck in a self-hate cycle. Everything in your spirit is screaming to express this energy, and then you consciously fight against it and push it back down. Then you feel bad about yourself for going against what your spirit wanted; more guilt, more shame, more spirit screaming to unload all that toxic energy.
Rachel D. Greenwell (How To Wear A Crown: A Practical Guide To Knowing Your Worth)
Dark Moon: During the day right before a new moon, most witches won’t work magic. They choose to refresh their energy for the next waxing cycle. There are others who find the dark moon is the best time to work the magic that is related to closure and this will bring things to a full circle. The moon’s energy holds a destructive potential that you can use to release any karma that keeps popping into your life over and over again like things related to betrayal, abandonment, or lack. Some gems you can use during this time are clear quartz, obsidian, and tektite. Waning Moon: This would be the time for you to release energy outwardly and align yourself with inward energy. This will eliminate all negative experiences and energies. Your main goal is to do spells that help you get rid of anything that is causing sickness, resolve conflicts, and overcome obstacles. Some gems you can use during this time are unakite jasper, angelite, obsidian, petalite, black tourmaline, and calcite. Full Moon: This moon phase is the most powerful in the whole lunar cycle. Most Witches consider the day of the full moon the most magically powerful day during the whole month. They usually save their spell work that is related to important goals for this day. All magic is favored when done during a ritual under the full moon. Some gems you could use during this time are quartz, selenite, and moonstone. Waxing Moon: This is the perfect time to take action toward your goals. Beginning these goals during this time will bring you to them faster. This energy is action energy and it will push your intentions out into the Universe. The magical work you do during this time should be related to strengthening or gaining partnerships with other people. It might be a business partner, romantic partner, or making new friends. It is also a time to improve your well-being and physical health. Gems you can use during this time are emerald, rainbow moonstone, citrine, carnelian, and fluorite, and nuumite. New Moon: This is the start of the lunar cycle. This is the time to dream about what you want to create in life. Magic meant to begin new ventures or projects are great to do during this time. Basically, anything that involves increasing or attracting the things you desire would be great. Some gems you can use during this time are the clear quartz, obsidian, tektite, iolite, black moonstone, and labradorite.
Harmony Magick (Wicca 2nd Edition: A Book of Shadows to Learn the Secrets of Witchcraft with Wiccan Spells, Moon Rituals, and Tools Like Runes, and Tarots. Become a Witch by Mastering Crystal, Candle, Herbal Magic)
In the original precise meaning of the word, Sacred Tradition is the tradition which comes from the ancient Church of Apostolic times. In the second to the fourth centuries this was called “the Apostolic Tradition.” One must keep in mind that the ancient Church carefully guarded the inward life of the Church from those outside of her; her Holy Mysteries were secret, being kept from non-Christians. When these Mysteries were performed — Baptism or the Eucharist — those outside the Church were not present; the order of the services was not written down, but was only transmitted orally; and in what was preserved in secret was contained the essential side of the faith. St. Cyril of Jerusalem (4th century) presents this to us especially clearly. In undertaking Christian instruction for those who had not yet expressed a final decision to become Christians, the hierarch precedes his teachings with the following words: “When the catechetical teaching is pronounced, if a catechumen should ask you, ‘What did the instructors say?’ you are to repeat nothing to those who are without (the church). For we are giving to you the mystery and hope of the future age. Keep the Mystery of Him Who is the Giver of rewards. May no one say to you, ‘What harm is it if I shall find out also?’ Sick people also ask for wine, but if it is given at the wrong time it produces disorder to the mind, and there are two evil consequences: the sick one dies, and the physician is slandered” (Prologue to the Catechetical Lectures, chap. 12).
Michael Pomazansky (Orthodox Dogmatic Theology)
He grinned and she couldn’t help but smile back. Until something bumped her hip hard enough to scoot her further into the booth. She registered the shock on Sam’s face first. He was standing to his full height with his fists clenched but held rigidly at his side. He wasn’t going to use them, just yet. Delilah had a flash thought that she admired his restraint, when she registered the voice. “Hey, Lilah, you out picking up men again?” Brandon! What was he doing here? “Brandon?” She looked at him in shock, but he only smiled at her. Somehow a real, genuine smile graced his face, and his cheeks nearly formed dimples. Sam looked back and forth between the two of them. “You know him?” She nodded. But Brandon spoke first. “Does he know what you are?” Delilah blinked. And in that moment, Brandon turned to Sam. “Did you know that she’s sixty? As in, sixty years old. She’s a witch, that’s how she keeps her looks.” “Sixty?” Sam squinched his eyes at them. “Wait—” was the only word she got out. Brandon was talking to her now. “You’re not going to deny that you’re a witch are you, baby?” “No, but—” She practically sputtered it, but sixty? Sam was giving them bizarre looks. “Delilah? Are you okay?” She didn’t get a chance to answer. Brandon smiled and waved his hand indicating her form. “Of course she’s fine. She’s amazing for twenty, let alone sixty! Her secret is that she bathes in virgin’s blood. It’s how she stays so young looking.” Sam looked a little sick to his stomach, but he clearly wondered what was going on. Thing was, Delilah didn’t have an answer for him. Brandon did. He sighed in great theatrics. “And you just would not believe how hard it is to get virgin’s blood these days.” Delilah laughed. Sam asked if she was all right and she could only get out a few words, “Thank you, Sam.” He nodded at her and pulled out a stack of bills to cover the drinks. Brandon waved him away. A look passed between the two men. Delilah could only decipher it as some weird passing of the baton, where she was the baton. Sam smiled at her as he left.
Savannah Kade (WishCraft (Touch of Magick, #1))
Prayer is the peculiarity of all real Christians now. They pray, for they tell God their wants, their feelings, their desires, and their fears; and they mean what they say. The nominal Christian may repeat prayers, and good prayers too, but he goes no further. Prayer is the turning point in a man’s soul. Our ministry is unprofitable, and our labor is vain, until you are brought to your knees. Until then, we have no hope for you. Prayer is one great secret of spiritual prosperity. When there is much private communion with God, your soul will grow like the grass after rain. When there is little, all will be at a standstill, and you will barely keep your soul alive. Show me a growing Christian, a going-forward Christian, a strong Christian, and a flourishing Christian, and I am sure he is one that speaks often with his Lord. He asks much, and he has much. He tells Jesus everything, so he always knows how to act. Prayer is the mightiest engine God has placed in our hands. It is the best weapon to use in every difficulty and the surest remedy in every trouble. Prayer is the key that unlocks the treasury of promises and the hand that draws forth grace and help in time of need. It is the silver trumpet that God commands us to sound in our time of need, and it is the cry He has promised always to attend to, even as a loving mother attends to the voice of her child. Prayer is the simplest means that man can use in coming to God. It is within reach of all – the sick, the aged, the infirm, the paralytic, the blind, the poor, and the unlearned. All can pray. It avails you nothing to plead lack of memory, lack of learning, lack of books, or lack of scholarship in this matter. As long as you have a tongue to tell your soul’s state, you may and ought to pray. Those words, ye have not, because ye ask not (James 4:2), will be a fearful condemnation to many in the day of judgment.
J.C. Ryle (The Duties of Parents: Parenting Your Children God's Way)
Damn it, don’t you have any decent music in this house? Be right back, I’m getting my iPod out of my truck.” “I keep a loaded shotgun under this couch, Toby, and I’m bringing it out if I hear Michael Bolton. And this isn’t a house. It’s a small tin can.” Toby grumbled. “Why the hate, dude? That man’s voice is beautiful. I’m telling you, if he showed up at my door singing a ballad, I’d give him anything he wanted without blinking an eye. My social security number, where I keep the hidden house key, the secret ending to The Crying Game, anything.” “If I pretend to be deaf, will it get me out of a continued discussion about whiny singers? And does my sister know about this sick obsession of yours? ’Cause I imagine the best thing about your taste in music is all the money you save on buying condoms.” “Fine. But I don’t want to hear your head-banging crap, so no music.
Cardeno C. (Wake Me Up Inside (Mates, #1))
But one good thing with your brain being sick is that you’re going to be really good at keeping secrets. That’s a good thing if you’re a grandpa.” Grandpa nods. “That’s true, that’s true . . . what was that?
Fredrik Backman
Cool. I know an awesome spot called Henry’s. They have the absolute best beer selections and the wings are great. They also have darts and pool.” Furi stopped talking when he noticed Syn looking a little pale. “Hey, what’s up?” “Uh, nothing.” They were in Syn’s old faithful truck and Furi sat silently watching the man next to him. “We going or what?” Furi narrowed his eyes, staring at the side of Syn’s face. His jaw was clenched and his neck was flushed. What the hell? “Yeah. Let’s go.” “Okay.” Syn thought he was going to be sick. It was just his goddamn luck that Furi would suggest the one place where half the department liked to hang out. Hell, even his Lieutenants frequented this place. It would be cruel to subject Furi to Day’s inappropriateness so soon. Syn wasn’t necessarily afraid of being with a man; he just wasn’t the type to make his personal life public. Or am I scared? Fuck. Syn didn’t think Furi would go for keeping them a secret. The man had made that quite clear when they were in the alley. Syn gripped the steering wheel and willed his foot to press the accelerator. Maybe … just maybe, there wouldn’t be anyone familiar there. Syn drove under the speed limit and felt Furious’ probing eyes on the side of his face. He tried to smile and keep his jaw from showing his nervous tick. Despite his efforts, they got there in what felt like record time. Furious got out and waited for Syn to slowly make his way toward the entrance. “Are you sure everything is alright?” Furious asked, annoyed. “I’m good. Really. Good. Perfect,” Syn said, mentally kicking himself for sounding like an idiot. Furi took his hand in his and it took every ounce of Syn's willpower not to pull his hand back. Of course he’d be into PDA. Furious pulled open the door and walked in as if he hadn’t a care in the world. It was almost nine p.m. and the though it wasn’t packed, there were quite a few people there. Syn tried not to look around, keeping his eyes on the back of Furious’ head as he led them to a booth; thankfully located in the back of the bar, where it was a little bit darker. Syn made sure to sit so he was facing the door while Furi sat opposite of him. Furi didn’t speak. He picked up one of the menus and started to look through it. “First time out with a man?” Syn's head snapped his up from hiding behind his menu. “Uh. Yeah, but ya know.” “No, I don’t know,” Furi answered quickly. “If you didn’t want to come out, why didn’t you just say so? You look like you're about to pull a disguise out of your coat. Or do you plan to just stay hidden behind your menu all fucking evening?” “Furious.” “Although that’s going to make eating really difficult. Should I be prepared for you to fake a stomach ache?” “Enough,” Syn barked, Furious’ dark eyes widening at his tone. “Look, cut me some slack alright? I am not new to dating men. I’m new to dating: period. Just about all of my adult life I’ve focused on being a cop, a damn good cop. I had little time for anything else in my life including dates. Dating takes time and patience, two things I didn't have. I was prepared to accept being alone the rest of my life until I saw you. I wanted you, and I was more than willing to take the time and effort to be with you. So forgive me if I don’t do everything exactly right on our first date.” “I’m not expecting you to. I haven’t dated in years myself. But one thing I’m not concerned about is being ashamed.” Furi looked Syn dead in the eye. Syn didn’t have a chance to respond, the waitress came to set a pail of peanuts on the table. Speaking in a cheerful voice: “What can I get you guys to drink?
A.E. Via
He watches you, Sinda. Like you’re his best treasure, only he can’t think of a way to slip you into his pocket. Hasn’t he-of-the-throwing-daggers been brave enough to mention it?” “He did, once,” I said. “Right after Melaina sent a storm to try to kill me. He didn’t want me to go look for you. He was scared--well, scared I’d get caught, or hurt. I told him I had to try, and I put a spell on him to keep him from betraying our secret. He kissed me, and then he left. Then the king got sick, and I came looking for you.” I leaned my head back against the barn’s side. “So everything’s…strange, now. And he hasn’t…he hasn’t said anything about it since he found me…” I trailed off, biting my lip. I had spent so much time worrying about how to tell him he couldn’t love me anymore, but it hadn’t escaped my notice that he hadn’t mentioned the subject since finding me. Maybe the things I had worried about in Melaina’s cell were true. Maybe I had hurt him too much, using that spell against him. Maybe he had come after me only because we were friends, because he felt guilty about letting me go off alone. “He hasn’t said anything,” Mika repeated flatly. “While we’ve been racing across the countryside with Melaina’s guards behind us or in front of us, and me sleeping an arm’s length from the both of you each night.” She shook her head in disgust. “For a girl who’s supposedly got all this learning, you can be sort of stupid, Sinda.” “Excuse me?” I said stiffly. Mika leaned forward until her face was close to mine, and then she said, slowly, as you would to a child, “He loves you. It’s plain for anyone to see. He came after you, didn’t he? Admitted he was wrong to abandon you?” I shrugged. “We’ve been friends since I was born, or almost.” “He doesn’t look at you like he thinks you’re just his friend.
Eilis O'Neal (The False Princess)
I keep this my dirty little secret for years, he was my true first, yet it was not the most romantic yet it was something, now looking back now how is the loser, it did it long before, yet it was with him so it was not cool, I never- ever said this to anyone, that he took me. Yet play around like that with a boy that was me, he wanted to know so I said okay. It was the first time seeing all that- you know, at least mine was real, and not like time two at a party. This thing is so high- I get sick of feeling so short at like four-foot, on top that I can see the world by looking down, and they are looking up at me, my mom and grandmother were all the same size also, if not shorter, or so they say. The car is old and dusty and looks like no one has been in it for years on the outside, it is just blacked and crusty, the only car other than the coal car behind the locomotive, and it too is rusted reddish orange. They used to have tripped over this thing and park it on the bridge, and you spent the night up in the stars, and so that is what we did on a big full moon night. In the big bed looking out the one side of all those old windows. The car and train sit here for there was a fire or something on that line, and this becomes the new home of the serving remanences about half a mile in, the train was going over and was near the end on the one said when the wind took it all down, and all the cars but one fall all the many feet to the ground below, yet it never steamed over again. There sits the old Pullman car. It's red and has black, with yellow writing on it, up till now I am not sure what it says. It was a custom car made just for spending the night on top of the linked- mountains. The train is all the same color for what I can make out, dating around the 1800s or so, that what my dad said anyway we and he were up here, oh so long ago. We both walked up to her and me on the left, tacking him on the right hand-woven tight. The grass tall the track worn, and feet sore, from the journey there. Over smaller yet high crossings that have known side rails. Inside you can see it is in touch, and all dark wood, I light one of the old lanterns, I thought down a towel, and we had juice pouches and P-P and J. Romantic- No! It’s all good, he tried. It wasn’t about that anyway. The bed is off to the back and looks like a five-star hotel room to us, there is a living room spot, where ass naked in the big old sofas… or next to it, we were playing house, and loving it. We were young but we feel- we were on the bed all night long. Looking out over… see the tree sway below. it was cold in the car, yet he keeps me warm, I was fogging up the windows, with my breath Moan it out in a sweet- yet sensual way, I was pressed upon it looking out as I was on top, he was looking up at me, yet I was looking out and at his eyes, at definite times. I even kissed the glass to leave something behind, I wonder if it’s still there, and my name is covered in the old wood, next to his.
Marcel Ray Duriez (Nevaeh They Call Out)
Beauty and Bravery I’ll tell you a secret no one wants you to know.   You do not have to be good to be brave. You do not have to be perfect, your mind completely clear, your heart full of joy, everything soft and sacred.   They make it out like the brave never lie, but the truth is, all of us lie at least twice a day and that has no bearing on how much courage you can hold in your heart. “When I set out to save my father, I was not being brave. I was acting out of fear of losing the only parent I ever had. They may want you to believe that I was simply being brave, but anxiety makes more heroes than history would care to repeat. It is better than sitting and waiting, letting the demon claw into your mind with worry. Anxious people are resourceful, they need to know how to keep the sea of panic at bay so they do not drown.   When I chose to stay at the palace in place of my father, I was not being brave. I was acting out of love. The idea of him here, sick, old, in this damp prison, under the care of that beastly creature when I, healthy, young, could take his place, of course I chose to take his place, what would you do? We would all give up even the ashes of ourselves for a parent we love more than this fire of a life.   When I chose to come back for the beast, I was not being brave. I was acting out of devotion and panic at the idea of loss. This being, who had respected my love of books, who was the only one who had ever known the real me and esteemed me for who I am, I came back for him, I could not let them take him from me. We do not abandon those who truly accept us for who we are, and if you could save all the people who accepted you completely, wouldn’t you go back to save them too?   So I’ll tell you a secret no one wants you to know. You do not have to be good to be brave. You just need to know how to love. You just need to unfold your heart and recognize where you stand and who you are.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
What's the matter?" he said. I shook my head. "Tell me what hurts." "I . . ." I felt it coming. I could have stopped it. I didn't. In that moment, I knew what Tariq felt about coming out—the wanting more than anything to utter one secret forbidden sentence but being more terrified of that sentence than any other, and I knew, in my pain, in my sickness, in my wishing I could snap my fingers and cease to be alive, that I had to say my sentence to keep myself from dying. "I . . ." Tariq's eyes were black topaz galaxies, swirling supernovas of love and kindness, boring into me, seeing me, all of me. "I haven't eaten that much food in weeks," I said. "Why n—" He stopped. "Oh." I nodded. "Do you . . . Are you . . . anorexic?" "I don't know," I said. "But I . . . I'm something." I took a breath, a deep deep breath, the deepest breath I'd ever taken. "I— I have an eating disorder." "Oh, baby," he said, and kissed my forehead. He hugged me again, and I realized I had never heard that tenderness in his voice before. I began to sob, and I hugged him back, and we sat on the bitter-cold ground of a mostly empty parking lot, while the whole world celebrated a holiday without us.
Sam J. Miller (The Art of Starving)
Sandy Ridge is an outdoor holding facility where the Fish and Wildlife Service keeps a few captive red wolves beneath a dense canopy of hardwood trees. Wild wolves are brought here temporarily to recuperate from wounds or sickness. The cabin houses a rotating cadre of barely paid interns, usually students seeking wildlife management experience. They live here for twelve weeks at a time with no potable water, plumbing, or electricity and a stipend of a few hundred dollars a month for groceries. They also get access to a government truck. Given the ruggedness of the surrounding woods, the remoteness of the location, and the lack of communications, access to a truck is a huge selling point - as is working directly with the red wolves. The interns feed the wolves of Sandy Ridge and clean their pens. They also administer medicine to its wild visitors. The current caretaker is taking a rare day off, and one of the red wolf biologists, Ryan Nordsven, is tending the animals this morning. I can’t see the holding pens from the clearing by the cabin, but the woods are so dense, they may be only thirty feet past the tree line and I wouldn’t know. I walk down a dirt road leading from the cabin to the wolf pens. Deer flies dart around my bare legs. As I approach a ten-foot-high chain-link fence, a man waves and opens the gate from the inside. As I pass through, I notice a second chain-link fence about six feet inside the perimeter of the first. “I’m Ryan,” the man says. “So you’re the writer who’s here to learn about red wolves?” “Yes, as much as I can,” I reply. He shakes my hand while holding a shovel in his other hand. Ryan has sandy brown hair, a closely trimmed goatee, and blue eyes set in Scandinavian features. He’s six feet tall, well muscled, and looks like he could wrestle a wolf to the ground with each hand and still have strength left over.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
The Golem, The Monster was in love with herself; the Goy was in love with her too. She was in love with Club Golan. A perfect storm was approaching and I could almost feel it. I didn't know what was wrong with my beautiful girlfriend as her face gradually began to look like a monster's and she started treating me like garbage. What was controlling her mind? Who was behind her, making her get so sick again so quickly after meeting some new people at the beach bar? Why did Sabrina say that I would die lonely and sad, and why was Martina's perception of me so wrong and unreal? How was their plan on track, I didn't understand while I was running after Martina and I couldn't understand where our happiness had slipped out of our hands again? I was desperately trying to figure out what had happened to my life, my career, and what had happened to my pretty girlfriend, what had happened to my baby? It was almost like my girlfriend's perceptions were all wrong somehow. She had seen me as a useless homeless bum and she had seen the only value or service in Europe and Barcelona which could make a living or money as, 'short shorts and loose legs'. I felt hopeless and I didn't understand what the spell was. How was my 'Stupid Bunny' a Frankenstein? I could feel it on my skin, and I could see it in Martina's eyes, that the criminals' plans were in play and had been working since the moment Adam arrived in Spain, or maybe even before that somehow. Before I even met Martina. Before we even broke all up with Sabrina. Before the Red Moon, the last date and before the provocation the following night. I felt like 10-20 criminals were trying to bully me and trying to woo Martina and outsmart me with her, but I was so worried for her and was so busy trying to save her every day with her on my mind, as if I too was under spells, under possession and couldn't do anything about it to help her or break the illusions keeping her possessed, even when supposedly she was, we were, rid of the bad people. I felt like I was in a screenplay in the set up stages of a drama. I felt like someone had sat down with a piece of paper and a pen, and was drawing plans against my life. I felt like someone had written a screenplay on how to play this out, how to take the club from me and Martina. Someone must have written a list of characters. Casting. I never called Sabrina a bitch. Adam and Martina both called her “bitch.” Martina said “The Bitch” and Adam said “that Crazy Bitch.” ’The Goy’ ’The Bitch’ ’The Gipsy’ ’The Giants’ ’The Golem’ ’The Lawyer’ ’The Big Boss’ ’My Girlfriend’ ’The False Flag’ ’The Big Brother’ ’The Stupid Bunny’ ’The Big Boss Daddy’ ’The Italian Connection’, etc. I was unable to break any illusion, the secret, the code; I was dumbstruck in love with “my girlfriend” (who I thought was my “stupid bunny”), being the ‘false flag’, and maybe it was actually “the bitch” portrayed by Sabrina who was my true love perhaps, putting me to the tests, with Adam and the rest, using Martina and her brother, playing with strings, with her long pretty fingernails, teaching me a lesson for cheating when I thought she was cheating too and making me unhappy when I thought she was unhappy with me. As if I knew, Sabrina had been behind my new girlfriend, Martina playing roles; I had seen all the signs and jokes. I just couldn't comprehend it having a cover over my eyes. I was unsure what should I do what would be real wise? I didn't think Sabrina would be capable of hurting me at all. Why did Martina keep saying, Tomas you are so nice and tall?
Tomas Adam Nyapi
Recovering alcoholics have a slogan: “You’re only as sick as your secrets.” It means that the severity of a person’s addiction is directly related to their amount of shame. Keeping secrets is a major obstacle to recovery. Confronting those secrets is the first step towards healing the mind and body. Klassman was about to learn the true extent of Holden’s sickness.
Howard Johns (Drowning Sorrows: A True Story of Love, Passion and Betrayal)
These worm-eaten physiological casualties are all men of ressentiment, a whole, vibrating realm of subterranean revenge, inexhaustible and insatiable in its eruptions against the happy, and likewise in masquerades of revenge and pretexts for revenge: when will they actually achieve their ultimate, finest, most sublime triumph of revenge? Doubtless if they succeeded in shoving their own misery, in fact all misery, on to the conscience of the happy: so that the latter eventually start to be ashamed of their happiness and perhaps say to one another: ‘It’s a disgrace to be happy! There is too much misery!’ . . . But there could be no greater or more disastrous mis- understanding than for the happy, the successful, those powerful in body and soul to begin to doubt their right to happiness in this way. Away with this ‘world turned upside down’! Away with this disgraceful molly- coddling of feeling! That the sick should not make the healthy sick – and this would be that kind of mollycoddling – ought to be the chief concern on earth: – but for that, it is essential that the healthy should remain sep- arated from the sick, should even be spared the sight of the sick so that they do not confuse themselves with the sick. Or would it be their task, perhaps, to be nurses and doctors? . . . But they could not be more mis- taken and deceived about their task, – the higher ought not to abase itself as the tool of the lower, the pathos of distance ought to ensure that their tasks are kept separate for all eternity! Their right to be there, the prior- ity of the bell with a clear ring over the discordant and cracked one, is clearly a thousand times greater: they alone are guarantors of the future, they alone have a bounden duty to man’s future. What they can do, what they should do, is something the sick must never do: but so that they can do what only they should, why should they still be free to play doctor, comforter and ‘saviour’ to the sick? . . . And so we need good air! good air! At all events, well away from all madhouses and hospitals of culture! And so we need good company, our company! Or solitude, if need be! But at all events, keep away from the evil fumes of inner corruption and the secret, worm-eaten rottenness of disease! . . . So that we, my friends, can actually defend ourselves, at least for a while yet, against the two worst epidemics that could possibly have been set aside just for us – against great nausea at man! Against deep compassion for man! . . . If you have comprehended in full – and right here I demand profound apprehension, profound comprehension – why it can absolutely not be the task of the healthy to nurse the sick, to make the sick healthy, then another necessity has also been comprehended, – the necessity of doctors and nurses who are sick themselves: and now we have and hold with both hands the meaning of the ascetic priest.
Nietszche
Her father’s sporadic benevolence kept Kate yearning for his love, hoping for a turnaround. This hope kept her bonded to him long after she reached adulthood. As part of that bonding, she believed she had to keep secret the truth of her father’s behavior. A “good” girl would never betray her family. The “family secret” is a further burden for abused children. By not talking about the abuse, the battered child cuts off any hope of emotional help. Here’s Kate: All my life I felt like I’ve been living a lie. It’s horrible not being able to talk freely about something that affected my life so strongly. How do you get over the pain of something if you can’t talk about it? Sure, I can talk about it in therapy, but I still can’t talk about it to the people who held all this power over me all those years. The only person I could ever talk about it with was the maid. I felt she was the only person in the world I could trust. Once, after my dad beat me, she said, “Honey, your dad’s very sick.” I never understood why he didn’t go to the hospital if he was so sick.
Susan Forward (Toxic Parents: Overcoming Their Hurtful Legacy and Reclaiming Your Life)