Secretly Missing Someone Quotes

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Your memory feels like home to me. So whenever my mind wanders, it always finds it’s way back to you.
Ranata Suzuki
…the sad part is, that I will probably end up loving you without you for much longer than I loved you when I knew you. Some people might find that strange. But the truth of it is that the amount of love you feel for someone and the impact they have on you as a person, is in no way relative to the amount of time you have known them.
Ranata Suzuki
If you cannot hold me in your arms, then hold my memory in high regard. And if I cannot be in your life, then at least let me live in your heart.
Ranata Suzuki
I had someone once who made every day mean something. And now…. I am lost…. And nothing means anything anymore.
Ranata Suzuki
I think perhaps I will always hold a candle for you – even until it burns my hand. And when the light has long since gone …. I will be there in the darkness holding what remains, quite simply because I cannot let go.
Ranata Suzuki
If you’re searching for a quote that puts your feelings into words – you won’t find it. You can learn every language and read every word ever written – but you’ll never find what’s in your heart. How can you? He has it.
Ranata Suzuki
He was both everything I could ever want… And nothing I could ever have…
Ranata Suzuki
I raised you so high that every other man on earth is now doomed to live in your shadow.
Ranata Suzuki
Though these words will never find you, I hope that you knew I was thinking of you today….. and that I was wishing you every happiness. Love Always, The girl you loved once.
Ranata Suzuki
It’s difficult for me to imagine the rest of my life without you. But I suppose I don’t have to imagine it... I just have to live it
Ranata Suzuki
The last time I felt alive – I was looking into your eyes. Breathing your air…. touching your skin… … Saying goodbye…. The last time I felt alive…. I was dying.
Ranata Suzuki
It’s painful, loving someone from afar. Watching them – from the outside. The once familiar elements of their life reduced to nothing more than occasional mentions in conversations and faces changing in photographs….. They exist to you now as nothing more than living proof that something can still hurt you … with no contact at all.
Ranata Suzuki
Your smile and your laughter lit my whole world.
Ranata Suzuki
I didn’t love you to seek revenge. I didn’t love you out of loneliness or unhappiness. I didn’t love you for any of the misguided reasons that time might convince you I did. I just loved you because you’re you.
Ranata Suzuki
I would have followed you to hell and back... if only you'd lead me back.
Ranata Suzuki
Our parting was like a stalemate…. Neither of us won. Yet both of us lost. And worse still … that unshakable feeling that nothing was ever really finished.
Ranata Suzuki
Though I never really had you…. … to me you will always be the one that got away.
Ranata Suzuki
Though life has fated that we never cross paths again, don’t ever feel alone. For we are parallel …. and I will always be by your side.
Ranata Suzuki
My heart’s been empty since you left - but still I refuse to put up a vacancy sign. I’m just not ready for anybody else to move in yet.
Ranata Suzuki
I don’t think you ever really understood…. …. All the love I had in the world went to you.
Ranata Suzuki
I need to stop running back to you in my mind all the time.
Ranata Suzuki
Here's a secret: Everyone, if they live long enough, will lose their way at some point. You will lose your way, you will wake up one morning and find yourself lost. This is a hard, simple truth. If it hasn't happened to you yet, consider yourself lucky. When it does, when one day you look around and nothing is recognizable, when you find yourself alone in a dark wood having lost the way, you may find it easier to blame it on someone else -- an errant lover, a missing father, a bad childhood -- or it may be easier to blame the map you were given -- folded too many times, out-of-date, tiny print -- but mostly, if you are honest, you will only be able to blame yourself. One day I'll tell my daughter a story about a dark time, the dark days before she was born, and how her coming was a ray of light. We got lost for a while, the story will begin, but then we found our way.
Nick Flynn (The Best American Nonrequired Reading 2009)
You’re everything to me. But at best, I’m just a memory to you.
Ranata Suzuki
It hurts that I was just one page in the book of your life… But what hurts more is knowing you’ll revise that chapter someday…. ….. and you’ll erase me completely.
Ranata Suzuki
I’d never dreamed anybody could love me the way he did. And even when he proved it to me time and again – I still could hardly believe it was true.
Ranata Suzuki
I write what I love. I will not stop – even when my hand hurts…. …. because I cannot stop – even though my heart hurts….
Ranata Suzuki
And after years of hearing the heart-cry of women, I am convinced beyond a doubt of this: God wants to be loved. He wants to be a priority to someone. How could we have missed this? From cover to cover, from beginning to end, the cry of God's heart is, "Why won't you choose Me?" It is amazing to me how humble, how vulnerable God is on this point. "You will . . . find me," says the Lord, "when you seek me with all your heart" (Jer. 29:13). In other words, "Look for me, pursue me -- I want you to pursue me." Amazing. As Tozer says, "God waits to be wanted.
John Eldredge (Wild at Heart: Discovering the Secret of a Man's Soul)
A kiss…. ….. is just a kiss…. Until it’s all you reminisce. (Then the memory becomes your most treasured possession.)
Ranata Suzuki
Sometimes she wished for someone she could tell about her problems, just to be able to say, ‘I’m in love with a man and I can’t have him.’ But that would only lead to questions she couldn’t answer, so she kept the secret and the pain inside, hoping someday she would no longer feel as if half of her were missing.
Abigail Reynolds (The Man Who Loved Pride & Prejudice: A Modern Love Story with a Jane Austen Twist (The Woods Hole Quartet #1))
The beauty of the sea is that it never shows any weakness and never tires of the countless souls that unleash their broken voices into its secret depths.
Zeina Kassem (Crossing)
Love shouldn’t hinge solely on exposing your physical body to another person. Love was intangible. Universal. It was whatever someone wanted it to be and should be respected as such. For Alice, it was staying up late and talking about nothing and everything and anything because you didn’t want to sleep—you’d miss them too much. It was catching yourself smiling at them because wow, how does this person exist?? before they caught you. It was the intimacy of shared secrets. The comfort of unconditional acceptance. It was a confidence in knowing no matter what happened that person would always be there for you.
Claire Kann (Let's Talk About Love)
The old Amy, the girl of the big laugh and the easy ways, literally shed herself, a pile of skin and soul on the floor, and stepped this new, brittle, bitter Amy ... a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of 'solving Amy'. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebooks on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings.
Gillian Flynn (Gone Girl)
The Ache That Would Not Leave Behind the hum and routine of daily living, there lay a persistent and wild longing for something she could not easily put into words. It felt like impulsive adventures and watching the sun rise over unfamiliar mountains, or coffee in a street café, set to the background music of a foreign language. It was the smell of the ocean, with dizzying seagulls whirling in a cobalt sky; exotic foods and strange faces, in a city where no one knew her name. She wanted secrets whispered at midnight, and road trips without a map, but most of all, she ached for someone who desired to explore the mysteries that lay sleeping within her. The truly heartbreaking part was that she could feel the remaining days of her life falling away, like leaves from an autumn tree, but still this mysterious person who held the key to unlock her secrets did not arrive; they were missing, and she knew not where to find them.
John Mark Green
Falling asleep with hopes and wishes that I rarely get to hold in my hand for long…go me. All I’ve got are memories and secrets.
Alyse M. Gardner (Slayers)
...She said we can't save everyone, but we can damned sure as hell fight to save those we love. ... She taught me that we can only do our best. You've done your best. ...not beat yourself up because you missed something or someone. It makes you weak.
Lora Leigh (Killer Secrets (Tempting SEALs, #5))
You will go through your life thinking there was a day in second grade that you must have missed, when the grown-ups came in and explained, everything important to other kids. they said, 'Look, you're human, you're going to feel isolated and afraid a lot of the time, nad have bad self-esteem, and feel uniquely ruined, but here is the magic phrase that will take this feeling away. It will be like a feather that will lift you out of that fear and self-consciousness every single time, all through your life.' And then they told the cildren who were there that day the magic phrase that everyone else in the world knows about and uses when feeling blue, which only you don't know, because you were home sick the day the grown-ups told the children the way the whole world works. But there was not such a day in school. No one got the instructions. That is the secret of life. Everyone is flailing around, winging it most of the time, trying to find the way out, or through, or up, without a map. This lack of instruction manual is how most people develop compassion, and how they figure out to show up, care, help and serve, as the only way of filling up and being free. Otherwise you gorw up to be someone who needs to dominate and shame others so no one will know that you weren't there the day the instructions were passed out.
Anne Lamott
I was just so afraid.... So afraid of being seen through, of being caught, that I missed the point. I missed the most important fact of it all, which is quite simply...they want to believe in you up there.... The audience wants to forget who's under the mask. But they don't want to forget because of obfuscation...no, they want to forget it's you by virtue of the passion of your performance. They want to be transported.... Transported to a world where bigger truths are at work, and anything--anything--can happen. A world where the impossible is possible. Batman can be someone like that for them, Bruce. Someone who defies every damn rule of logic that governs their lives.
Scott Snyder (Batman, Volume 4: Zero Year – Secret City)
Miss Peyton,” Lillian Bowman asked, “what kind of man would be the ideal husband for you?” “Oh,” Annabelle said with irreverent lightness, “any peer will do.” “Any peer?” Lillian asked skeptically. “What about good looks?” Annabelle shrugged. “Welcome, but not necessary.” “What about passion?” Daisy inquired. “Decidedly unwelcome.” “Intelligence?” Evangeline suggested. Annabelle shrugged. “Negotiable.” “Charm?” Lillian asked. “Also negotiable.” “You don’t want much,” Lillian remarked dryly. “As for me, I would have to add a few conditions. My peer would have to be dark-haired and handsome, a wonderful dancer…and he would never ask permission before he kissed me.” “I want to marry a man who has read the entire collected works of Shakespeare,” Daisy said. “Someone quiet and romantic—better yet if he wears spectacles— and he should like poetry and nature, and I shouldn’t like him to be too experienced with women.” Her older sister lifted her eyes heavenward. “We won’t be competing for the same men, apparently.” Annabelle looked at Evangeline Jenner. “What kind of husband would suit you, Miss Jenner?” “Evie,” the girl murmured, her blush deepening until it clashed with her fiery hair. She struggled with her reply, extreme bashfulness warring with a strong instinct for privacy. “I suppose…I would like s-s-someone who was kind and…” Stopping, she shook her head with a self-deprecating smile. “I don’t know. Just someone who would l-love me. Really love me.” The words touched Annabelle, and filled her with sudden melancholy. Love was a luxury she had never allowed herself to hope for—a distinctly superfluous issue when her very survival was so much in question. However, she reached out and touched the girl’s gloved hand with her own. “I hope you find him,” she said sincerely. “Perhaps you won’t have to wait for long.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
For someone with so many books and such desire to obtain new copies, you seem awfully ambivalent about them.” “I know their power and impact. It is all about perception, is it not, Miss Chase?” She studied him. “I like to think it is about content, Lord Downing. But perception does lay a gloss on the surface. A finger must but swirl beneath.
Anne Mallory (Seven Secrets of Seduction (Secrets, #1))
Forgotten Stars. Time in the Flame. Missing Shard. The Only Rain. Door of the Memory. Waves in the Silk. Silent Birch. Thoughts of Lunatics. Secret of the Flowers. Soaring of the Souls. Heart in the Night. And a Kiss Unfolds. Forgotten Voyager. Voyage in the Words. Nothing of the World. Someone of the Hemisphere. Trembling Stones. Sucking Tears. The Next Gift. The World in the Kisses. Missing Angels. The Woman of the Girl. Guardian of the Rings. Thorn in the Pearl. Whispering Sword. Touching exclaim. Soul in the Truth. Heat in the Flame. Thy name, my name, Thy name! Came. Became. To Remain.
Jasleen Kaur Gumber (Ginger and Honey)
Then someone else appeared from the crowd, and Annabeth's vision tunneled. Percy smiled at her-that sarcastic, troublemaker's smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago-tanner and taller, leaner and more muscular. Annabeth was to stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She'd secretly had a crush on him sonar they were twelve years old. Last summer, she'd fallen for him hard. They'd been a happy couple together for four months-and then he'd disappeared. During their separation, something had happened to Annabeth's feelings. They'd grown painfully intense-like she'd been forced to withdraw from a life-saving medication. Now she wasn't sure which was more excruciating-living with that horrible absence, or being with him again... Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowds tensed. Some reach d for swords that weren't there. Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, Annabeth wouldn't have cared. Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily. Percy pulled away and studied her face. "Gods, I never thought-" Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!" Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest-a tumor of worry and bitterness that she'd been carrying around since last autumn. "Of you ever leave me again," she said, her eyes stinging, "I swear to all the gods-" Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth. "Consider me warned," Percy said. "I missed you, too." Annabeth rose and helped him to his feet. She wanted to kiss him again SO badly, but she managed to restrain herself. Jason cleared his throat. "So, yeah…It's good to be back…" "And this is Annabeth," Jason said. "Uh, normally she doesn't judo-flip people.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Forgiving someone only absolves you from holding them accountable. When that person has not truly met that accountability, it is a weakness on your end, Miss Rachael. To forgive when they are unrepentant only relieves you of that responsibility.
Deidre Huesmann (Secrets in the Fade)
And if someone were to ask, Noah, what’s the most important aspect of story? I would most likely answer, character, but I’m not sure that’s true, because my favorite books contain my favorite places. I do not say, I love Harry Potter, or I love Frodo Baggins; I say, I love Hogwarts, and I love Middle-earth. Thoreau’s Walden is less about the book, more about the pond. The woods. And so setting, I think, is the secret weapon of storytelling. I always want to meet new people until I’ve met them. I think if I spend enough time with a person so we get woven together like an old basket, eventually we’ll think in similar patterns until our various histories are apples and oranges spilling over the edge of the basket, and I think this kind of shared history is dangerous. I think it’s okay to recognize a thing’s faults and still like that thing. Because apples and oranges spilling from a basket can be beautiful too. I think I’m whatever personality hates personality tests. I think nostalgia is just a soul’s way of missing a thing, and like long-distance love, nostalgia grows deeper with time until the reality of what a thing actually was gets blurred to the point you miss the idea of the thing more than the thing itself. I like the idea of hot cocoa more than drinking
David Arnold (The Strange Fascinations of Noah Hypnotik)
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me. 'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.' Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.' She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build. I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right. I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.' Someone knocks, I ignore it. 'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth. 'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.' Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink. Never again. Those eyes will never reflect hurt I've inflicted ever again. 'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.' I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them. 'And if it's not possible?' 'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
I'd been missing this, the ease of being with someone without speaking, without suppressing speech. I'd grown up with it in Karachi, where groups of men will congregate in the smallest spaces -- the grass between houses, a roundabout -- spaces made more generous through companionable silence. It existed between women too, this bond. My sister and her friends could spend hours reclining together on a bed, or a carpet. If secrets were murmured, it happened in a style so intuited it was pre-verbal. I hadn't experienced this very much in the West, where it seemed people had a reason for everything, including intimacy.
Uzma Aslam Khan
I hit Crash's button and we heard the phone inside start to ring. After four, he answered. "Hey, PsyPig." His voice was husky. "I'd normally tell you not to call me at this ungodly hour, but evidently someone's running a cockfghting ring in the hall, so I wasn't actually asleep...." "It's me. Open up." He was actually silent for a second. "Aren't /you/ butch?" "Don't fuck around. I need to see Miss Mattie." "Okay, okay, don't get your handcuffs in a twist. I can't find my pants." I wondered if he could say the word "pants" without making something dirty out of it. "Unless, of course, this visit is clothing-optional." And there it was. I rolled my eyes, even though he couldn't see me since the door was still shut.
Jordan Castillo Price (Secrets (PsyCop, #4))
If someone had told Shang he'd be happily married with a son he adored, another bun in the oven, a restaurant he could call his own, and a team he'd do anything for, he would have rolled his eyes. He thinks about all the different choices that brought him here, all the different steps he took like those of a complicated recipe. He's a different man than he was a few years ago, and he suspects it's all thanks to her. In the end, it didn't matter how much he sharpened his knives or how well he seasoned his dishes. He realizes now that he was missing a secret ingredient all along: a little dash of love.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
I know that ostensibly I’ve been teaching you in our period together, but on the other hand I genuinely believe that you’ve been teaching me too. I’ve taught you all about good clothes and fine wines and foreign languages and nuclear bombs…but you’ve taught me what was missing from my life. I love my job and it brings me enormous satisfaction, but at the same time I’ve been very lonely over the years too...Thank you for bringing some warmth to my life and please don’t use my death as an excuse to quit or wallow in self-pity...I hope I’ve proven that a man is capable of anything in life. All we need is a little opportunity and someone who believes in us.
Mark Millar (Kingsman: The Secret Service)
Well.” Jenna swallows. “I don’t know if you can miss someone you can barely remember, but that’s how I feel. I used to make up stories about why you hadn’t been able to come back to me. You were captured by pirates, and you had to sail around the Caribbean looking for gold, but every night you looked at the stars and thought, At least Jenna’s seeing them, too. Or you had amnesia, and you lived every day trying to find clues about your past, like all these tiny arrows that would point you back to me. Or you were on a secret mission for the country, and you couldn’t reveal who you were without blowing your cover, and when you finally came home and flags were waving and crowds were cheering I’d get to see you as a hero. My English teachers said I had the most amazing imagination, but they didn’t understand, it wasn’t make-believe to me. It was so real that sometimes it hurt, like a stitch in your side when you run too hard, or the ache in your legs when you have growing pains. But I guess it turns out that maybe you couldn’t come to me. So I’m trying to get to you.
Jodi Picoult (Leaving Time)
It was normal, then, that he should be missed, even mourned—for it’s a hard thing when someone dies at a school like Hampden, where we were all so isolated, and thrown so much together. But I was surprised at the wanton display of grief which spewed forth once his death became official. It seemed not only gratuitous, but rather shameful given the circumstances.
Donna Tartt (The Secret History)
Me: It will get better, right? Eventually, it will get better. Scarlett: I’m sorry I’m not the type to lower our discourse to emoji use since you totally deserve a smiley face right now. Yes, it will get better. Me: Ha. It’s just. Whatever. Sorry to keep whining. Scarlett: That’s what I’m here for. BTW, that email you forwarded? My guess: TOTALLY A SECRET ADMIRER. Me: You’ve read too many books. I’m being set up. And stop YELLING AT ME. Scarlett: No way. I didn’t say he was a vampire. I said he was a secret admirer. Most def. Me: Wanna take bets? Scarlett: You should just know by now that I’m always right. It’s my one magic power. Me: What’s mine? Scarlett: TBD. Me: Thanks a lot. Scarlett: Kidding. You are strong. That’s your power, girl. Me: My arms are v. toned from stress-eating ALL the cookies. Hand to mouth. Repeat 323 times. Hard-core workout. Scarlett: Seriously, for a second, J? Just because you’re strong doesn’t mean you shouldn’t ask for help sometimes. Remember that. I’m here, ALWAYS, but you might want to take up that offer from someone local. Me: Whatever. Ugh. Thanks, Dr. Phil. I miss you! Scarlett: Miss you too! Go write back to SN. NOW. NOW. NOW. Now tell me the truth? Anyone at your school unusually pale?
Julie Buxbaum (Tell Me Three Things)
The three thousand miles in distance he put between himself and Emma tonight is nothing compared with the enormous chasm separating them when they sit next to each other in calculus. Emma's ability to overlook his existence is a gift-but not one that Poseidon handed down. Rachel insists this gift is uniquely a female trait, regardless of the species. Since their breakup, Emma seems to be the only female utilizing this particular gift. Even Rayna could learn a few lessons from Emma in the art of torturing a smitten male. Smitten? More like fanatical. He shakes his head in disgust. Why couldn't I just sift when I turned of age? Why couldn't I find a suitable mild-tempered female to mate with? Live a peaceful life, produce offspring, grow old, and watch my own fingerlings have fingerlings someday? He searches through his mind for someone he might have missed in the past. For a face he overlooked before but could now look forward to every day. For a docile female who would be honored to mate with a Triton prince-instead of a temperamental siren who mocks his title at every opportunity. He scours his memory for a sweet-natured Syrena who would take care of him, who would do whatever he asked, who would never argue with him. Not some human-raised snippet who stomps her foot when she doesn't get her way, listens to him only when it suits some secret purpose she has, or shoves a handful of chocolate mints down his throat if he lets his guard down. Not some white-haired angelfish whose eyes melt him into a puddle, whose blush is more beautiful than sunrise, and whose lips send heat ripping through him like a mine explosion. He sighs as Emma's face eclipses hundreds of mate-worthy Syrena. That's just one more quality I'll have to add to the list: someone who won't mind being second best. His just locks as he catches a glimpse of his shadow beneath him, cast by slithers of sterling moonlight. Since it's close to three a.m. here, he's comfortable walking around without the inconvenience of clothes, but sitting on the rocky shore in the raw is less than appealing. And it doesn't matter which Jersey shore he sits on, he can't escape the moon that connects them both-and reminds him of Emma's hair. Hovering in the shallows, he stares up at it in resentment, knowing the moon reminds him of something else he can' escape-his conscience. If only he could shirk his responsibilities, his loyalty to his family, his loyalty to his people. If only he could change everything about himself, he could steal Emma away and never look back-that is, if she'll ever talk to him again.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.
Maggie Callanan (Final Gifts: Understanding the Special Awareness, Needs, and Co)
Anyway how are you doing, crybaby? You’re fifteen now right? Crazy huh? How is school going? If you ask someone out, don’t make her kiss you right away. Also, don’t make her keep it a secret. It will make her feel bad. Are you still watching too many cartoons? What do you do in your free time? Jake does karate. I think it’s very manly. Not like someone like me needs protecting, but it’s nice to know he could, you know? My teachers say I’m good at English. My aunt thinks I should be a writer, like her of course. What do they even do? I miss you. I haven’t had a friend as good as you. Remember how scared you were I would lose your address? I showed you. Well I don’t have anything else to say. I love you. Yours, Nicole
Opal Mellon (To Be with You (Sunset, #1))
Valuing names as they do, Realists are sparing with them. They are likely to be known only as Joe or Bill or Plato. And they don't smile much. Nominalists have more fun. They are known as Aristotle or Decimus-et-Ultimus Barziza, or as Edward John Barrington Douglas-Scott-Montague, or perhaps by one name in childhood and several others in the course of life. A firm Realist misses out on one of the most satisfying of all human activities -- the assumption of secret identities. A man who has lived and never been someone else has never lived. It is true that occasionally there can be embarrassment in secret identities, but only a Realist will take the whole thing seriously enough to hit you. So have your fun, and avoid Realists.
Alexei Panshin (The Thurb Revolution)
After they hung up, Hunter took aside Renaat Van den Hooff, who was in charge of the pilot on the Walgreens side, and told him something just wasn’t right. The red flags were piling up. First, Elizabeth had denied him access to their lab. Then she’d rejected his proposal to embed someone with them in Palo Alto. And now she was refusing to do a simple comparison study. To top it all off, Theranos had drawn the blood of the president of Walgreens’s pharmacy business, one of the company’s most senior executives, and failed to give him a test result! Van den Hooff listened with a pained look on his face. “We can’t not pursue this,” he said. “We can’t risk a scenario where CVS has a deal with them in six months and it ends up being real.” Walgreens’s rivalry with CVS, which was based in Rhode Island and one-third bigger in terms of revenues, colored virtually everything the drugstore chain did. It was a myopic view of the world that was hard to understand for an outsider like Hunter who wasn’t a Walgreens company man. Theranos had cleverly played on this insecurity. As a result, Walgreens suffered from a severe case of FoMO—the fear of missing out.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
American Baseball It's for real, not for practice, and it's televised, not secret, the way you'd expect a civilized country to handle delicate things, it's in color, it's happening now in Florida, "This Is American Baseball" the announcer announces as the batter enters the box, we are watching, and it could be either of us standing there waiting for the pitch, avoiding the eye of the pitcher as we take a few practice cuts, turning to him and his tiny friends in the outfield, facing the situation, knowing that someone behind our backs is making terrible gestures, standing there to swing and miss the way I miss you, wanting to be out of uniform, out of breath, in your car, in love again, learning all the signals for the first time, they way we learned the rules of night baseball as high-school freshman: first base, you kiss her, second base, her breasts, third, you're in her pants, and home is where the heart wants to be all the time, but seldom can reach past the obstacle course of space, the home in our perfect future we wanted so badly, and want more than ever since we learned we won't live there, which happens to lovers in civilized countries all the time, and happens too in American baseball when you strike out and remember what the game really meant.
Tim Dlugos (A Fast Life: The Collected Poems)
It was normal, then, that he should be missed, even mourned—for it’s a hard thing when someone dies at a school like Hampden, where we were all so isolated, and thrown so much together. But I was surprised at the wanton display of grief which spewed forth once his death became official. It seemed not only gratuitous, but rather shameful given the circumstances. No one had seemed very torn up by his disappearance, even in those grim final days when it seemed that the news when it came must certainly be bad; nor, in the public eye, had the search seemed much besides a massive inconvenience. But now, at news of his death, people were strangely frantic. Everyone, suddenly, had known him; everyone was deranged with grief; everyone was just going to have to try and get on as well as they could without him. “He would have wanted it that way.” That was a phrase I heard many times that week on the lips of people who had absolutely no idea what Bunny wanted; college officials, anonymous weepers, strangers who clutched and sobbed outside the dining halls; from the Board of Trustees, who, in a defensive and carefully worded statement, said that “in harmony with the unique spirit of Bunny Corcoran, as well as the humane and progressive ideals of Hampden College,” a large gift was being made in his name to the American Civil Liberties Union—an organization Bunny would certainly have abhorred, had he been aware of its existence.
Donna Tartt (The Secret History)
Mrs. Hamilton gave him a pitying look. She didn’t believe it any more than her brother did. “We’ve all heard the stories.” “Well, they died here, or died running from here. Who do you think does the killing? It’s them. They come to work every day like killing people is nothing. How can they do that? How can they kill kids and nobody does anything?” Mrs. Hamilton strained to think of a good answer, or maybe another lie, but she couldn’t reply to him for a time. “It’s wrong,” she said. “As wrong as anything I’ve ever seen.” Hearing the truth made Robert’s bones heavy. He sobbed into Mrs. Hamilton’s arms. If she’d been Mama, she would have hugged him for a long while, patting the back of his neck, saying, All right, try to be brave like your papa, and then let him lie down and miss his chores. But she wasn’t Mama, so when the hug was cut short, he could barely stand. “Listen to me,” Mrs. Hamilton said, her words steadying him. “I know.” She’d spoken as if she’d seen it all: the dead boys in the photographs, Gloria’s map, the haint at the church. Every secret thing that only Redbone knew—had known. Robert felt dizzy when he remembered Redbone was dead. “I know what it is to have someone killed by violence—the injustice of it. It’s the worst feeling there is. My late husband, he didn’t die in the war: he got pulled off a train and beaten to death after he got back home. He never made it back to me. I carry that, Robert.” Her eyes were bright with tears. “This is yours to carry. There’s lots of people working to get you out of here, but you won’t find justice in here. If there’s any kind of justice, and I do mean if, it’s waiting outside. After
Tananarive Due (The Reformatory)
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that?? 'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back. 'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.' 'He only wins if you let him.' 'What can I do about it?' she asked. 'From listening to your podcast, sounds to me like there's not much you can't do.' 'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -' 'Do you care?' Charlie asked. 'Do you care what people think, if you know you're right?' She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true. And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life. 'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that." 'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
Try as she might, Annabelle could think of no subtle way to ask him. After grappling silently with a variety of phrases, she finally settled for a blunt question. “Were you responsible for the boots?” His expression gave nothing away. “Boots? I’m afraid I don’t take your meaning, Miss Peyton. Are you speaking in metaphor, or are we talking about actual footwear?” “Ankle boots,” Annabelle said, staring at him with open suspicion. “A new pair that was left inside the door of my room yesterday.” “Delighted as I am to discuss any part of your wardrobe, Miss Peyton, I’m afraid I know nothing about a pair of boots. However, I am relieved that you have managed to acquire some. Unless, of course, you wished to continue acting as a strolling buffet to the wildlife of Hampshire.” Annabelle regarded him for a long moment. Despite his denial, there was something lurking behind his neutral facade…some playful spark in his eyes…“Then you deny having given the boots to me?” “Most emphatically I deny it.” “But I wonder…if some one wished to have a pair of boots made up for a lady without her knowledge…how would he be able to learn the precise size of her feet?” “That would be a relatively simple task…” he mused. “I imagine that some enterprising person would simply ask a housemaid to trace the soles of the lady’s discarded slippers. Then he could take the pattern to the local cobbler. And make it worth the cobbler’s while to delay his other work in favor of crafting the new shoes immediately.” “That is quite a lot of trouble for someone to go through,” Annabelle murmured. Hunt’s gaze was lit with sudden mischief. “Rather less trouble than having to haul an injured woman up three flights of stairs every time she goes out walking in her slippers.” Annabelle realized that he would never admit to giving her the boots—which would allow her to keep them, but would also ensure that she would never be able to thank him. And she knew he had—she could see it in his face.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Maybe they’d give her everything she wanted. All it would cost was her secrets. Charlie pasted a smile on her face. Glanced at the old “fear less” tattoo looping across the skin of her inner arm. “Fine,” she said through gritted teeth. “In that case, I’d like to confess.” “Confess?” Vicereine echoed, puzzled. “Do you remember when Brayan Araya had his secrets written with a laser on grains of rice and kept them in a glass jar under his pillow? I snatched that like I was the tooth fairy. Or remember when Eshe Goodwin got that book with all the detailed illustrations and no one could make head or tail of it? The secrets were written in the artwork, so I cut those pages straight out. I’m not sure she’s opened it up to know they’re missing. I took Owain Cadwallader’s eighteenth-century memoir and discovered a whole pile of notes stitched into the interior binding of another book—I forget the title, but it had these cool metal catches on the side—and took those without letting anyone be the wiser. Oh, and I grabbed Jaden Coffey’s whole collection of seventies shadow magic zines. Want me to go on? I’ve been doing this for years.” She felt giddy, like she was sliding down a hill, no way to stop now. All the exultation of finally admitting to something. “You cut out pages from Eshe’s book?” Vicereine sounded pissed. “I’m a bad person.” Charlie reached into the pocket of her jeans, took something out, and threw it to Malik. Startled, he caught it. When he looked at what was in his hands, his brows drew together. “I also grabbed your wallet when I brushed by you. Sorry.” “You are making some very dangerous enemies,” Vicereine told her. “What’s this all about?” Malik was tight-jawed. “What are you doing?” “Punish me,” Charlie said. “I’m loads worse than Adeline.” “You want it tied to you?” Bellamy asked. The idea of someone inside her head, someone she couldn’t hide her worst thoughts from, someone she loved, made her feel a little queasy. “Yes. Reward or punishment, give him to me. I’ll be the Hierophant.
Holly Black (Book of Night (Book of Night, #1))
CHANGING YOUR LIFE TO ACCOMMODATE THE SIXTH SECRET The sixth secret is about the choiceless life. Since we all take our choices very seriously, adopting this new attitude requires a major shift. Today, you can begin with a simple exercise. Sit down for a few minutes and reassess some of the important choices you’ve made over the years. Take a piece of paper and make two columns labeled “Good Choice” and “Bad Choice.” Under each column, list at least five choices relating to those moments you consider the most memorable and decisive in your life so far—you’ll probably start with turning points shared by most people (the serious relationship that collapsed, the job you turned down or didn’t get, the decision to pick one profession or another), but be sure to include private choices that no one knows about except you (the fight you walked away from, the person you were too afraid to confront, the courageous moment when you overcame a deep fear). Once you have your list, think of at least one good thing that came out of the bad choices and one bad thing that came out of the good choices. This is an exercise in breaking down labels, getting more in touch with how flexible reality really is. If you pay attention, you may be able to see that not one but many good things came from your bad decisions while many bad ones are tangled up in your good decisions. For example, you might have a wonderful job but wound up in a terrible relationship at work or crashed your car while commuting. You might love being a mother but know that it has drastically curtailed your personal freedom. You may be single and very happy at how much you’ve grown on your own, yet you have also missed the growth that comes from being married to someone you deeply love. No single decision you ever made has led in a straight line to where you find yourself now. You peeked down some roads and took a few steps before turning back. You followed some roads that came to a dead end and others that got lost at too many intersections. Ultimately, all roads are connected to all other roads. So break out of the mindset that your life consists of good and bad choices that set your destiny on an unswerving course. Your life is the product of your awareness. Every choice follows from that, and so does every step of growth.
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
...it's too bad bad you're not like the Suriel, spouting any information I want if I'm clever enough to snare you.' For a moment, he blinked at me. Then his mouth twisted to the side and that metal eye whizzed and narrowed on me. 'I suppose you won't tell me what you want to know.' 'You have your secrets, and I have mine,' I said carefully. I couldn't tell whether he would try to convince me otherwise if I told him the truth. 'But if you were a Suriel,' I added with deliberate slowness, in case he hadn't caught my meaning, 'how, exactly, would I trap you?' Lucien set down the knife and picked at his nails. For a moment, I wondered if he would tell me anything at all. Wondered if he would go right to Tamlin and tattle. But then he said. 'I'd probably have a weakness for groves of young birch trees in the western woods, and freshly slaughtered chickens, and would probably be so greedy that I wouldn't notice the double-loop snare rigged around the grove to pin my legs in place.' 'Hmm,' I didn't dare ask why he had decided to be so accommodating. There was still a good chance he wouldn't mind seeing me dead, but I would risk it. 'I somehow prefer you as a High Fae.' He smirked, but the amusement was short-lived. 'If I were insane and stupid enough to go after a Suriel, I'd also take a bow and quiver, and maybe a knife just like this one.' He sheathed the knife he'd cleaned and set it down on the edge of the table- an offering. 'And I'd be prepared to run like hell when I freed it- to the nearest running water, which they hate crossing.' 'But you're not insane, so you'll be here, safe and sound?' 'I'll be conveniently hunting on the grounds, and with my superior hearing, I might be feeling generous enough to listen if someone screams from the western woods. But it's a good thing I had no role in telling you to go out today, since Tam would eviscerate anyone who told you how to trap a Suriel; and it's a good thing I had planned to hunt anyway, because if anyone caught me helping you, there would be trouble of a whole other hell awaiting us. I hope your secrets are worth it.' He said it with his usual grin, but there was an edge to it- a warning I didn't miss. Another riddle- and another bit of information. I said, 'It's a good thing that while you have superior hearing, I possess superior abilities to keep my mouth shut.' He snorted as I took the knife from the table and turned to procure the bow from my room. 'I think I'm starting to like you- for a murdering human.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
She faced her pretend Arin. His scar was healed. His gray eyes were startlingly clear. “You’re not real,” she reminded him. “I feel real.” He brushed one finger across her lower lip. It suddenly seemed that there were no clouds in the sky, and that she sat in full sunshine. “You feel real,” he said. The puppy yawned, her jaws closing with a snap. The sound brought Kestrel to herself. She felt a little embarrassed. Her pulse was high. But she couldn’t stop pretending. Kestrel reached beneath her skirts to pull down a knee-high stocking. Arin made a sound. “I want to feel the grass beneath my feet,” Kestrel told him. “Someone’s going to see you.” “I don’t care.” “But that someone is me, and you should have a care, Kestrel, for my poor heart.” He reached under the hem of her dress to catch her hand in the act of pulling down the second stocking. “You’re treating me quite badly,” he said, and slid the stocking free, his palm skimming along the path of her calf. He looked at her. His hand wrapped around her bare ankle. Kestrel became shy…though she had known full well what she was doing. Arin grinned. With his free hand, he plucked a blade of grass. He tickled it against the sole of her foot. She laughed, jerking away. He let her go. He settled down beside her, lying on his stomach on the grass, propped up by his elbow. Kestrel lay on her back. She heard birdsong: high and long, with a trill at the end. She gazed up at the sky. It was blue enough for summer. “Perfect,” she said. “Almost.” She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream. “Don’t wake up,” he said. The air smelled like new leaves. “You said you trusted me.” “I did.” He added, “I do.” “You are a dream.” He smiled. “I lied to you,” Kestrel said. “I kept secrets. I thought it was for the best. But it was because I didn’t trust you.” Arin shifted onto his side. He caressed her cheek lightly with the back of his hand. That trailing sensation felt like the last note of the bird’s song. “No,” he agreed, his voice gentle. “You didn’t.” Kestrel woke. The puppy was draped across her feet, sleeping. Her stockings lay in a small heap beside her. The sun had climbed in the sky. Her cheek was flushed, the skin tight: a little sunburned. The puppy twitched, still lost in sleep. Kestrel envied her. She rested her head again on the grass. She closed her eyes, and tried to find her way back into her dream.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
The captain? Sophia stood staring numbly after him. Had he just said he’d introduce her to the captain? Of someone else was the captain, then who on earth was this man? One thing was clear. Whoever he was, he had her trunks. And he was walking away. Cursing under her breath, Sophia picked up her skirts and trotted after him, dodging boatmen and barrels and coils of tarred rope as she pursued him down the quay. A forest of tall masts loomed overhead, striping the dock with shadow. Breathless, she regained his side just as he neared the dock’s edge. “But…aren’t you Captain Grayson?” “I,” he said, pitching her smaller trunk into a waiting rowboat, “am Mr. Grayson, owner of the Aphrodite and principle investor in her cargo.” The owner. Well, that was some relief. The tavern-keeper must have been confused. The porter deposited her larger truck alongside the first, and Mr. Grayson dismissed him with a word and a coin. He plunked one polished Hessian on the rowboat’s seat and shifted his weight to it, straddling the gap between boat and dock. Hand outstretched, he beckoned her with an impatient twitch of his fingers. “Miss Turner?” Sophia inched closer to the dock’s edge and reached one gloved hand toward his, considering how best to board the bobbing craft without losing her dignity overboard. The moment her fingers grazed his palm, his grin tightened over her hand. He pulled swiftly, wrenching her feet from the dock and a gasp from her throat. A moment of weightlessness-and then she was aboard. Somehow his arm had whipped around her waist, binding her to his solid chest. He released her just as quickly, but a lilt of the rowboat pitched Sophia back into his arms. “Steady there,” he murmured through a small smile. “I have you.” A sudden gust of wind absconded with his hat. He took no notice, but Sophia did. She noticed everything. Never in her life had she felt so acutely aware. Her nerves were draw taut as harp strings, and her senses hummed. The man radiated heat. From exertion, most likely. Or perhaps from a sheer surplus of simmering male vigor. The air around them was cold, but he was hot. And as he held her tight against his chest, Sophia felt that delicious, enticing heat burn through every layer of her clothing-cloak, gown, stays, chemise, petticoat, stockings, drawers-igniting desire in her belly. And sparking a flare of alarm. This was a precarious position indeed. The further her torso melted into his, the more certainly he would detect her secret: the cold, hard bundle of notes and coin lashed beneath her stays. She pushed away from him, dropping onto the seat and crossing her arms over her chest. Behind him, the breeze dropped his hat into a foamy eddy. He still hadn’t noticed its loss. What he noticed was her gesture of modesty, and he gave her a patronizing smile. “Don’t concern yourself, Miss Turner. You’ve nothing in there I haven’t seen before.” Just for that, she would not tell him. Farewell, hat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
only the dead keep secrets." "it is not easy. Taking a life, even when we knew it was required." "most people want only to be cared for. If I had no softness, I'd get nowhere at all." "a flaw of humanity. The compulsion to be unique, which is at war with the desire to belong to a single identifiable sameness." "someone always gains, just like someone always loses." "most women are less in love with the partners they choose than they are simply desperate for their approval, starving for their devotion. They want most often to be touched as no one else can touch them, and most of them inaccurately assume this requires romance. But the moment we realize we can feel fulfilled without carrying the burdens of belonging to another, that we can experience rapture without being someone's other half, and therefore beholden to their weaknesses, to their faults and failures and their many insufferable fractures, then we're free, aren't we? " " enough, for once, to feel, and nothing else. " " there was no stopping what one person could believe. " " I noticed that if I did certain things, said things in certain way, or held her eye contact while I did them, I could make her... Soften toward me. " " I think I've already decided what I'm going to do, and I just hope it's the right thing. But it isn't, or maybe it is. But I suppose it doesn't matter, because I've already started, and looking back won't help. " " luck is a matter of probabilities. " "you want to believe that your hesitation makes you good, make you feel better? It doesn't. Every single one of us is missing something. We are all too powerful, too extraordinary, and don't you see it's because we're riddled with vacancies? We are empty and trying to fill, lighting ourselves on fire just to prove that we are normal, that we are ordinary. That we, like anything, can burn. " " ask yourself where power comes from, if you can't see the source, don't trust it. " " an assassin acting on his own internal compass. Whether he lived or died as a result of his own choice? Unimportant. He didn't raise an army didn't fight for good, didn't interfere much with the queen's other evils. It was whether or not he could live with his own decision because life was the only thing that truly matters. " " the truest truth : mortal lifetimes were short, inconsequential. Convictions were death sentences. Money couldn't buy happiness, but nothing could buy happiness, so at least money could buy everything else. In term of finding satisfaction, all a person was capable of controlling was himself. " " humans were mostly sensible animals. They knew the dangers of erratic behavior. It was a chronic condition, survival. My intention is as same as others. Stand taller, think smarter, be better. " " she couldn't remember what version of her had put herself into that relationship, into that life, or somehow into this shape, which still looked and felt as it always had but wasn't anymore. " " conservative of energy meant that there must be dozens of people in the world who didn't exist because of she did. " " what replace feelings when there were none to be had? " " the absence of something was never as effective as the present of something. " "To be suspended in nothing, he said, was to lack all motivation, all desire. It was not numbness which was pleasurable in fits, but functional paralysis. Neither to want to live nor to die, but to never exist. Impossible to fight." "apology accepted. Forgiveness, however, declined." "there cannot be success without failure. No luck without unluck." "no life without death?" "Everything collapse, you will, too. You will, soon.
Olivie Blake (The Atlas Six (The Atlas, #1))
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that?? 'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back. 'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.' 'He only wins if you let him.' 'What can I do about it?' she asked. 'From listening to your podcast, sounds to me like there's not much you can't do.' 'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -' 'Do you care?' Charlie asked. 'Do you care what people think, if you know you're right?' She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true. And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life. 'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that." 'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might not believe in you but, for what it's worth, your neighbour from four doors down does.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
As a younger man, I burned with enthusiasm for my work: I was to be a warrior, the champion of reviled or exiled passions. I would assail the forces marshaled to enslave these passions, the tyrannies imposed in the name of factitious moralities, the sadistic compulsions disguised as highest law. I would be, in my silent, expensive way, the apostle of a thrilling freedom. When did it abandon me, that faith? How often have I heard it repeated, nearly verbatim, that commonplace of every educated, sophisticated patient: I don’t believe in judgment, in divine judgment; I don’t believe that someone is sitting up in the sky frowning down at me. In the past I would have thought: Yes, you do— and that is your problem. In the fullness of time I would assist them in shaking free of this secret conviction. Now, though, my calling has deserted me. The premise wasn’t wrong: most patients suffer more than they know from obscure inner persecutions. What I did not realize, however, was how deeply I myself believed in such a judgment, how along with my patients I embraced with inalienable fidelity that very conviction. This conviction did not presume a personified judge— bearded, severe, enthroned. It presumed instead a law, inhuman, abstract, and implacable, the law to which we owed our lives, the law to which we owed our reckoning. Failure, worth, crisis, potential, fulfillment. Every patient returns to these words again and again. They are the words from which my profession is made, and each of these words presumes a judgment, a mark attained or missed. No one enters my office who does not believe in his very marrow that judgment, some judgment, is absolute and fixed. The person I am meant to be: that mythical creature, that being whom each patient longs and dreads to become, is itself a judgment, a standard one does not devise but to which one must account. What or who set the standard? What or who measured the body for its soul? What or who meant them to be the people they were meant to be? I am certain: belief in judgment is not what my patients reject or grow out of. The belief in judgment is what they cling to. Beneath their affections and afflictions, judgment is their one true love.
DeSales Harrison (The Waters & The Wild)
How strange it was to miss someone when they were standing right in front of you.
RoAnna Sylver (Arc 1: The Secret Ingredient Is Love. No, Really (Stake Sauce))
A servant would come down for more wine eventually. Or someone would notice she was missing. Wouldn’t they? No. She had spent her whole life depending on others. Maybe now was the time for her to start depending on herself.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Josephine!" A stentorian bellow shook the candles in their sconces. Unconsciously, Amy grabbed Richard’s arm, looking about anxiously for the source of the roar. About the room, people went on chatting as before. "Steady there." Richard patted the delicate hand clutching the material of his coat. "It’s just the First Consul." Snatching her hand away as though his coat were made of live coals, Amy snapped, "You would know." "Josephine!" The dreadful noise repeated itself, cutting off any further remarks. Out of an adjoining room charged a blur of red velvet, closely followed by the scurrying form of a young man. Amy sidestepped just in time, swaying on her slippers to avoid toppling into Lord Richard. The red velvet came to an abrupt stop beside Mme Bonaparte’s chair. "Oh. Visitors." Once still, the red velvet resolved into a man of slightly less than medium height, clad in a long red velvet coat with breeches that must once have been white, but which now bore assorted stains that proclaimed as clearly as a menu what the wearer had eaten for supper. "I do wish you wouldn’t shout so, Bonaparte." Mme Bonaparte lifted one white hand and touched him gently on the cheek. Bonaparte grabbed her hand and planted a resounding kiss on the palm. "How else am I to make myself heard?" Affectionately tweaking one of her curls, he demanded, "Well? Who is it tonight?" "We have some visitors from England, sir,"his stepdaughter responded. "I should like to present…" Hortense began listing their names. Bonaparte stood, legs slightly apart, eyes hooded with apparent boredom, and one arm thrust into the opposite side of his jacket, as though in a sling. Bonaparte inclined his head, looked down at his wife, and demanded, "Are we done yet?" Thwap! Everyone within earshot jumped at the sound of Miss Gwen’s reticule connecting with Bonaparte’s arm. "Sir! Take that hand out of your jacket! It is rude and it ruins your posture. A man of your diminutive stature needs to stand up straight." Something suspiciously like a chuckle emerged from Lord Richard’s lips, but when Amy glanced sharply up at him, his expression was studiedly bland. A dangerous hush fell over the room. Flirtations in the far corners of the room were abandoned. Business deals were dropped. The non-English speakers among the assemblage tugged at the sleeves of those who had the language, and instant translations began to be whispered about the room – suitably embellished, of course. "It’s an assassination attempt!" a woman next to Amy cried dramatically, swooning back into the arms of an officer who looked as though he didn’t quite know what to do with her, but would really be happiest just dropping her. "No, it’s not, it’s just Miss Gwen," Amy tried to explain. Meanwhile, Miss Gwen was advancing on Bonaparte, backing him up so that he was nearly sitting on Josephine’s lap. "While we are speaking, sir, this habit you have of barging into other people’s countries without invitation – it is most rude. I will not have it! You should apologise to the Italians and the Dutch at the first opportunity!" "Mais zee Italians, zey invited me!" Bonaparte exclaimed indignantly. Miss Gwen cast Bonaparte the severe look of a governess listening to substandard excuses from a wayward child. "That may well be," she pronounced in a tone that implied she thought it highly unlikely. "But your behaviour upon entering their country was inexcusable! If you were to be invited to someone’s home for a weekend, sirrah, would you reorganise their domestic arrangements and seize the artwork from their walls? Would you countenance any guest who behaved so? I thought not." Amy wondered if Bonaparte could declare war on Miss Gwen alone without breaking his peace with England. "So much for the Peace of Amiens!" she started to whisper to Jane, but Jane was no longer beside her.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
When are you going to do something about those feelings of yours?” His eyes darted to Mama Jo. Her blue eyes studied him over the ridge of her bifocals. Heat rose on his neck. “What do you mean?” She pinned him with a look. “I think you know what I mean.” There was something in her eyes that made the blood rush to his face. Cacophony erupted on the court as PJ sank another shot, the others groaning. Daniel watched them blindly, his heart in his throat. First Madison, now Mama Jo. His secret wasn’t a secret anymore. His heart raced. “How long have you known?” “Since about five seconds after your feelings changed.” He scratched his neck, wishing twilight would fall faster. “I understood why you held back at first.” Mama Jo flipped another page. “She was so young. She was with Aaron, and they were so—” She stopped before saying the hurtful words. He’d stayed away a lot during those four years. It was too hard seeing Jade so in love with someone who wasn’t him. “The secret admirer notes.” She looked at him over her glasses. “They were from you?” His lips parted as his eyes shot to her. This was getting out of hand. “Please don’t tell her.” She removed her glasses, folded them, and set them on the paper, looking down. “At first, when she came home, I thought maybe the time was finally right. That you’d finally tell her how you felt.” She waved her hand. “I know I’m butting in here.” She looked toward Jade and Cody, then back to him. “But I see things moving forward, and I worry you’re missing your open window. Maybe the last one you’ll get.” He
Denise Hunter (Dancing with Fireflies (Chapel Springs, #2))
They read a little bit, write a little, and especially agree with themselves on important moves, important information, important awards, important writers that they plan to enthrone forever in history through a variety of memberships and numerous prizes awarded under the influence of top bureaucrats who know everything, not only about literature, but also about secret conspiracies, the Masons that lurk in every corner to crucify someone, steal someone’s soul and sell it to an unknown devil, about whom only the chief bureaucrat possesses secret knowledge that he doesn’t share; about history, ghosts, missing continents; about who said what to whom in confidence.
Dejan Stojanovic (Serbian Satire and Aphorisms)
It seems like fairly minor stuff, but when the leader goes out of their way to make someone feel listened to, or starts a meeting by saying ‘I might miss something, so I need all of you to watch for my mistakes,’ or says ‘Jim, you haven’t spoken in a while, what do you think?,’ that makes a huge difference.
Charles Duhigg (Smarter Faster Better: The Secrets of Being Productive in Life and Business)
I dream and drift, a double self, me and that woman … A great weariness becomes a black fire that consumes me … A great, passive yearning becomes the false life embracing me … Such a dull happiness! Being eternally at a point where two paths fork! I dream and behind me someone else is dreaming with me … Perhaps I am only the dream of that nonexistent Someone … Outside, the ever-distant dawn! The forest so intensely present to those other eyes of mine! When I’m far from that landscape, I almost forget it, and only when I have it here before me do I miss it, and only when I walk through it do I weep and long for it … The trees, the flowers, the secret, tree-thick paths! We would sometimes walk together, arm in arm, beneath the cedars and the Judas trees, and neither of us even gave a thought to living. Our flesh was a vague perfume and our life the echo of a bubbling spring. We would hold hands, and our eyes would wonder what it would be like to be a sensual being and to want to make flesh the illusion of love … In our garden there were flowers of every beautiful kind — roses with curled petals, white lilies tinged with yellow, poppies that would have been hidden had their red blush not betrayed their presence, a few violets on the crowded edges of the flower beds, tiny forget-me-nots, camellias barren of scent … And, erect above the tall grasses, the wide eyes of lone sunflowers would watch us.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
At first, the Other Side will use what I call default signs to communicate with us: objects, animals, or events that jolt us into seeing a meaning that might otherwise escape us. Default signs might be coins, birds, butterflies, deer, numbers, and electrical disturbances, such as empty cellphone messages, among other things. You find a dime standing on its edge in the dryer just as you are thinking of and missing someone (this very thing happened to me). A butterfly lands on your arm for an instant on your birthday. A car drives past with a license plate that has the birthdate of a loved one who has crossed, who was just on your mind. You get blank cellphone messages on the anniversary of a loved one’s crossing.
Laura Lynne Jackson (Signs: The Secret Language of the Universe)
Hey.” A lopsided smirk offers chagrin as he turns my way. “Sorry about that,” he says, and I’m struck by how much I’ve missed his voice. He opens the door and unfolds himself from the tiny car, and then I realize how much I’ve missed him. “You made it.” It’s tough to keep my emotions in check, but I know I need to. “You look tired.” “I took the long way home.” And just like that, he reaches out and pulls me into a hug. Not a shoulder hug, but the real thing, the kind you give to someone you thought of while you were away. I’m surprised at first. I wasn’t expecting…well…that. I was prepared for more of the uncertain off-and-on awkward dance we usually do. Friends…or two people who want something more? We’re never quite sure. But this feels different. I slip my arms under his and hang on. “Tough few days?” I whisper, and he rests his chin on my head. I listen to his heartbeat, feel the sultry warmth of skin against skin. My gaze lingers on the tangle of wisteria vines and crape myrtle branches hiding the ancient structures of Goswood Grove’s once spectacular gardens, concealing whatever secrets they know. “Tough few days all around, it sounds like,” Nathan says finally. “We should go in.” But he hangs on a minute longer. We part slowly, and the next step suddenly seems uncharted. I don’t know how to catalog it. One moment, we’re as natural as breathing. The next, we’re at arm’s length—or retreating to our separate safety zones. He stops halfway across the porch, turns, widens his stance a little like he’s about to pick up something heavy. Crossing his arms, he tilts his head and looks at me, one eye squeezing almost shut. “What are we to each other?” I stand there a moment with my mouth agape before words dribble out in a halting string. “In…in…what way?” I’m terrified, that’s why I don’t give a straight answer. Relationships require truth telling, and that requires risk. An old, insecure part of me says, You’re damaged goods, Benny Silva. Someone like Nathan would never understand. He’ll never see you in the same way again. “Just like it sounds,” he says. “I missed you, Benny, and I promised myself I’d just put it out there this time. Because…well…you’re hard to read.” “I’m hard to read?” Nathan has been largely a mystery I’ve pieced together in fragments. “Me?” He doesn’t fall for the turnabout, or he ignores it. “So, Benny Silva, are we…friends or are we…” The sentence shifts in the wind, unfinished—a fill-in-the-blank question. Those are harder than multiple-choice. “Friends…” I search for the right answer, one not too presumptuous, but accurate. “Going somewhere…at our own pace? I hope.” I feel naked standing there. Scared. Vulnerable. And potentially unworthy of his investment in me. I can’t make the same mistake I’ve made before. There are things he needs to know. It’s only fair, but this isn’t the right moment for it, or the right place. He braces his hands on his hips, lets his head rock forward, exhales a breath he seems to have been holding. “Okay,” he says with a note of approval. His cheek twitches, one corner of his mouth rising. I think he might be blushing a little. “I’ll take that.” “Me, too,” I agree.
Lisa Wingate (The Book of Lost Friends)
I’d been blessed with the right physique, right bank account, right smirk, and right amount of charm. With only one invisible thing missing—a soul. The thing about not having a soul was that I wasn’t even aware of it. It took someone special to show me what I’d been missing. Someone like Emmabelle Penrose. She cut me open and tar spilled out. Sticky, dark, and never-ending. This is the true royal rake’s secret. My blood never ran blue. It was like my heart, pure black.
L.J. Shen (The Rake (Boston Belles, #4))
But maybe there was nothing more intimate than someone knowing all your secrets, every one of them, and sitting beside you anyway, buying your favorite food, running his fingers absently through your hair so you can sleep.
Megan Miranda (All the Missing Girls)
It’s a very strange feeling,” Theo said, “a secret I’ve been holding all these years being out in the open at last. What you did last night was impressive. It’s . . . so strange. I feel like something’s missing. Of course, something—someone—is missing.
Maureen Johnson (Nine Liars (Truly Devious, #5))
You can love someone whose cruelty you could not bear otherwise,” she murmured. “Every time you leave, you think you won’t want back into hell, yet there’s something about those fires you miss. As if there was a secret to them you never truly understood. But you wanted to understand it, enough to burn for the comprehension.
Joey W. Hill (The Vampire Queen's Servant (Vampire Queen, #1))
The female official was full of praises. "The empress dowager is someone who adheres to Buddhist teaching. She is benevolent and kind, Miss does not have to worry." Aiya, the fact that she practiced Buddhist teaching scared me even more! I secretly sighed. The female official was so dim-witted. In order to be able to sit in the esteemed position of an empress dowager, she must have committed a lot of atrocities in her younger days. That was why she had been practicing Buddhist lifestyle, to put her heart at ease.
Refusing to Serve Me? Then Off With Your Head
Vasana is determinism that feels like free will. I’m reminded of my friend Jean, whom I’ve known for almost twenty years. Jean considers himself very spiritual and went so far in the early nineties as to walk way from his job with a newspaper in Denver to live in an ashram in western Massachusetts. But he found the atmosphere choking. “They’re all crypto Hindus,” he complained. “They don’t do anything but pray and chant and meditate.” So Jean decided to move on with his life. He’s fallen in love with a couple of women but has never married. He doesn’t like the notion of settling down and tends to move to a new state every four years or so. (He once told me that he counted up and discovered that he’s lived in forty different houses since he was born.) One day Jean called me with a story. He was on a date with a woman who had taken a sudden interest in Sufism, and while they were driving home, she told Jean that according to her Sufi teacher, everyone has a prevailing characteristic. “You mean the thing that is most prominent about them, like being extroverted or introverted?” he asked. “No, not prominent,” she said. “Your prevailing characteristic is hidden. You act on it without seeing that you’re acting on it.” The minute he heard this, Jean became excited. “I looked out the car window, and it hit me,” he said. “I sit on the fence. I am only comfortable if I can have both sides of a situation without committing to either.” All at once a great many pieces fell into place. Jean could see why he went into an ashram but didn’t feel like he was one of the group. He saw why he fell in love with women but always saw their faults. Much more came to light. Jean complains about his family yet never misses a Christmas with them. He considers himself an expert on every subject he’s studied—there have been many—but he doesn’t earn his living pursuing any of them. He is indeed an inveterate fence-sitter. And as his date suggested, Jean had no idea that his Vasana, for that’s what we’re talking about, made him enter into one situation after another without ever falling off the fence. “Just think,” he said with obvious surprise, “the thing that’s the most me is the thing I never saw.” If unconscious tendencies kept working in the dark, they wouldn’t be a problem. The genetic software in a penguin or wildebeest guides it to act without any knowledge that it is behaving much like every other penguin or wildebeest. But human beings, unique among all living creatures, want to break down Vasana. It’s not good enough to be a pawn who thinks he’s a king. We crave the assurance of absolute freedom and its result—a totally open future. Is this reasonable? Is it even possible? In his classic text, the Yoga Sutras, the sage Patanjali informs us that there are three types of Vasana. The kind that drives pleasant behavior he calls white Vasana; the kind that drives unpleasant behavior he calls dark Vasana; the kind that mixes the two he calls mixed Vasana. I would say Jean had mixed Vasana—he liked fence-sitting but he missed the reward of lasting love for another person, a driving aspiration, or a shared vision that would bond him with a community. He displayed the positives and negatives of someone who must keep every option open. The goal of the spiritual aspirant is to wear down Vasana so that clarity can be achieved. In clarity you know that you are not a puppet—you have released yourself from the unconscious drives that once fooled you into thinking that you were acting spontaneously.
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
Dear Miss Independent, I’ve decided that of all the women I’ve ever known, you are the only one I will ever love more than hunting, fishing, football, and power tools. You may not know this, but the other time I asked you to marry me, the night I put the crib together, I meant it. Even though I knew you weren’t ready. God, I hope you’re ready now. Marry me, Ella. Because no matter where you go or what you do, I’ll love you every day for the rest of my life. —Jack I felt no fear, reading those words. Only wonder, that so much happiness could be within my reach. Noticing something else in the cup, I reached in and pulled out a diamond ring, the stone round and glittering. My breath caught as I turned it in the light. I tried on the ring, and it slid neatly onto my finger. Picking up a nearby pen, I turned over the paper and wrote my answer in a flourishing scrawl. I poured my coffee, added cream and sweetener, and went back into the bedroom with the note. Jack was sitting on the edge of the bed, his head tilted slightly as he watched me. His simmering gaze took me in from head to toe, lingering at the diamond sparkling on my hand. I saw his chest rise and fall with a quick breath. Sipping my coffee, I approached him and handed him the note. Dear Jack, I love you, too. And I think I know the secret to a long and happy marriage— just choose someone you can’t live without. For me, that would be you. So if you insist on being traditional . . . Yes. —Ella Jack let out a pent-up sigh. He took my hips in his hands as I stood before him. “Thank God,” he murmured, drawing me between his thighs. “I was afraid you were going to give me an argument.” Taking care not to spill my coffee, I leaned forward and pressed my lips against his, letting our tongues touch. “When have I ever said no to you, Jack Travis?” His lashes lowered as he glanced at my damp lower lip. His accent was as thick as sorghum. “Well, I sure as hell didn’t want you to start sayin’ it now.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
The night of the theatrical, Jane and Mr. Nobley secreted themselves behind the house for the final brush-up. The mood of late had let a bit of Bohemia into Regency England, the usual strict social observances bending, the rehearsals allowing the couples to slip away alone and enjoy the exhilarating intimacy of the unobserved. Mr. Nobley sat on the gravel path, leaning back on his elbow in a reluctant recline. “Oh, to die here, alone and unloved…” “That was pretty good,” Jane said. “You genuinely sounded in pain as you said it, but I think you could add a groan or two.” Mr. Nobley groaned, though perhaps not as part of the theatrical. “Perfect!” said Jane. Mr. Nobley rested his head on his knee and laughed. “I cannot believe I let you railroad me into this. I have always avoided doing a theatrical.” “Oh, you don’t seem that sorry. I mean, you certainly are sorry, just not regretful…” “Just do your part, please, Miss Erstwhile.” “Oh, yes, of course, forgive me. I can’t imagine why I’m taking so long, it’s just that there’s something so appealing about you there on the ground, at my feet--” He tackled her. He actually leaped up, grabbed her around the waist, and pulled her to the ground. She screeched as she thudded down on top of him. His hands stiffened. “Whoops,” he said. “You did not just do that.” He looked around for witnesses. “You are right, I did not just do that. But if I had, I was driven to it; no jury in the world would convict me. We had better keep rehearsing, someone might come by.” “I would, but you’re still holding me.” His hands were on her waist. They were gorgeous, thick-fingered, large. She liked them there. “So they are,” he said. Then he looked at her. He breathed in. His forehead tensed as if he were trying to think of words for his thoughts, as if he were engaged in some gorgeous inner battle that was provoked by how perfectly beautiful she was. (That last part was purely Jane’s romantic speculation and can’t be taken as literal.) Nevertheless, they were on the ground, touching, frozen, staring at each other, and even the trees were holding their breath. “I--” Jane started to say, but Mr. Nobley shook his head. He apologized and helped her to her feet, then plopped back onto the ground, as his character was still in the throes of death. “Shall we resume?” “Right, okay,” she said, shaking gravel from her skirt, “we were near the end…Oh, Antonio!” She knelt carefully beside him to keep her skirt from wrinkling and patted his chest. “You are gravely wounded. And groaning so impressively! Let me hold you and you can die in my arms, because traditionally, death and unrequited love are a romantic pairing.” “Those aren’t the lines,” he said through his teeth, as though an actual audience might overhear their practice. “They’re better than. It’s hardly Shakespeare.” “Right. So, your love revives my soul, my wounds heal…etcetera, etcetera, and I stand up and we exclaim our love dramatically. I cherish you more than farms love rain, than night loves the moon, and so on…” He pulled her upright and they stood facing each other, her hands in his. Again with the held breaths, the locked gazes. Twice in a row. It was almost too much! And Jane wanted to stay in that moment with him so much, her belly ached with the desire. “Your hands are cold,” he said, looking at her fingers. She waited. They had never practiced this part and the flimsy play gave no directions, such as, Kiss the girl, you fool. She leaned in a tiny bit. He warmed her hands. “So…” she said. “I suppose we know our scene, more or less,” he said. Was he going to kiss her? No, it seemed nobody ever kissed in Regency England. So what was happening? And what did it mean to fall in love in Austenland anyway? Jane stepped back, the weird anxiety of his nearness suddenly making her heart beat so hard it hurt.
Shannon Hale (Austenland (Austenland, #1))
Mr. Douglas dearly love to play chess and he played anyone anywhere anytime. His favorite games were against mrs. Robinson, who was a Deft and masterful player and Who as a girl had been County Champion. Where was that? Mr Douglas had asked when that little tidbit slipped out one day. Oh, long ago and far away, she said, smiling, and mr. Robinson laughed aloud in the kitchen, and missed your Douglas had thought Dash not for the first time, either - that someday, if he was very lucky, he too would be able to speak in complex secret affectionate amused code with someone in such a way that people who heard you would not know what you meant but would understand full well that you were speaking a dual language of your own made of sweat and laughter and tears and work and time and arguments and lust and labor and respect and annoyance and witness and some sort of reverence that has nothing whatsoever to do with religion and everything to do with love. from Martin Marten by Brian Doyle
Martin Marten by Brian Doyle
And yet...Stevie had suddenly touched a piece of my heart that hadn't been touched in so long that I didn't realize how hard I had been working to numb the pain of its inactivity. A place of true, unlimited, joy. A place of true love. It hadn't gone anywhere. I can't even claim to have forgotten about it. I just covered it up with as much emotional dirt and misery as I could so I could convince myself that it didn't affect me anymore. But it did...didn't it? Of all the hearts that I've tried to align myself with in the past...Brandon was the first, maybe even the only, one who knew how to accept, appreciate, and give it back to me, in excess. It took Stevie's little surprise visit to remind me of that. And you know what? I'm sorta pissed at him for that. I didn't WANT to remember! Did Stevie ever think of that? Did he ever stop and think that maybe it would just be better if I denied the whole thing ever happened? Let it go? Start over from scratch and just...find someone who wouldn't hurt me the way he did? Who wouldn't hurt him the way that I did? There have got to be couples out there who don't go through this kind of life altering heartache just to be together. Can't I be a part of one of them? Just once? Am I not worthy? Am I not welcome into that elite club of people who actually LIKE being in love? Sighhh...I just wish that was as easy a question to answer as it sounds. But it isn't. Because love is pain. They go hand in hand. If I was too happy with another person, something would still be missing. Just because it wasn't my Brandon. Not even Sam and I could pull that distraction off for more than a week or two at a time. How crazy is that? It makes NO fucking sense at all! Is
Comicality (The Secret Life Of Billy Chase (Book Eight))
Anyway, I pushed past Dirk the Jerk, and rushed toward the library. I needed to find an ultimate Minecraft guide with tips and tricks, shortcuts and secrets. My plan was simple. I’d buy the game, study the book, and start playing. It couldn’t be that hard, right? I was determined to beat Dirk the Jerk at something, even if it killed me!   I headed to the library’s computer books section.  I quickly scanned for game guides. They had books on popular games such as Candy Crusher, Angry Birdbrains, and Minion Marathon. But none about Minecraft?   Then, I spotted a thin book crammed way at the back of the shelf. It was covered with a thick layer of dust and spiderwebs. (Yuck! I hate spiders!) I yanked it out: Minecraft: Surviving the First Night: An Insider’s Guide.   It was more like a journal. Not exactly what I was looking for but it was better than nothing. I looked closer at the book and noticed that there wasn’t a library sticker on it. The best I could figure was that it must be someone’s personal copy. Maybe he was hiding it from his mom who didn’t approve of computer games. (I knew all about that.)   At that point, I was really desperate. And since there wasn’t any way for me to check it out, I decided to take it. I was sure the owner wouldn’t miss it because it hadn’t been touched in forever. Maybe he’d forgotten all about it. And anyway, I’d return it after I crushed Dirk the Jerk in the survival challenge.   When I got home, I was faced with the hardest part of my whole plan, convincing Mom to buy Minecraft. She thinks computer and video games are a waste of time, except for educational ones. (She grew up back when Pac Man was hi-tech.)   I knew I’d need help coming up with reasons to convince Mom. So I checked with my good friend, Google, and I found a ton of information on why Minecraft was considered educational.     Once I explained to Mom that Minecraft taught everything from spatial relationships to electrical circuitry to complex machines, she caved in, and bought it. Now that the hard part was over, all I needed to do was learn the game.   I sat down in front of the computer in my room, and launched the game. I opened the Minecraft journal, and there was a bright flash of light!   That’s the last thing I remember.   The next thing I knew, I was sitting in the middle of a strange library. It took me a minute to figure out what the heck was going on. I looked around. Everything was made of blocks.   I looked down at my arms... rectangles. I looked down at my legs... Rectangles! I looked down at my body... a RECTANGLE!   Then it hit me... I was literally a blockhead IN Minecraft! *gulp*     That’s when I flipped out a little bit. For about ten minutes straight. I probably would have freaked out for longer, but it’s exhausting screaming, flapping my arms, and running in circles on stumpy little legs.   After I calmed down a bit and caught my breath, I thought of
Minecrafty Family Books (Trapped in Minecraft! (Diary of a Wimpy Steve, #1))
Communication appears to be deceptively easy. However, most of us carry a major misconception about the process: that communication is primarily message sending. Communication does not take place until someone receives the message and understands it as the sender intended. The most eloquent speech or the most beautifully composed letter isn't a successful communication if it misses the mark.
Pat MacMillan (The Performance Factor: Unlocking the Secrets of Teamwork)
Nel explained that he’d been finding—and cleaning—semen-and lipstick-stained towels for weeks. I was shocked. If the stains didn’t rinse out, he’d carefully remove them by hand. He was terrified that if he passed them on to other Navy laundry personnel downstairs he’d not only reveal Bill Clinton’s affairs, he’d embarrass the presidency itself. Sure, they might have missed the semen stains—but not the lipstick. A Navy senior chief petty officer was washing those towels by hand: that’s how much Nel cared for protecting the office of the president. Upon seeing the fluid, I instantly thought, “F—ing Monica!” But that lipstick… no. Among White House women, fashion and especially lipstick were like trademarks. This wasn’t Monica’s lipstick. Someone else was entertaining the president late at night. As I testified in the Ken Starr investigation, I believed that this particular lipstick belonged to the current West Wing receptionist. I just knew it. I sighed. But I kept it to myself and didn’t tell Nel or anyone else. I mentally filed that piece of knowledge under “Please forget.
Gary J. Byrne (Crisis of Character: A White House Secret Service Officer Discloses His Firsthand Experience with Hillary, Bill, and How They Operate)
For psychological safety to emerge among a group, teammates don’t have to be friends. They do, however, need to be socially sensitive and ensure everyone feels heard. “The best tactic for establishing psychological safety is demonstration by a team leader,” as Amy Edmondson, who is now a professor at Harvard Business School, told me. “It seems like fairly minor stuff, but when the leader goes out of their way to make someone feel listened to, or starts a meeting by saying ‘I might miss something, so I need all of you to watch for my mistakes,’ or says ‘Jim, you haven’t spoken in a while, what do you think?,’ that makes a huge difference.
Charles Duhigg (Smarter Faster Better: The Secrets of Being Productive in Life and Business)
What good will raking over the past do? We have to move forward. We have no choice.
Alison Walsh (All That I Leave Behind: A powerful, heart-breaking story of family secrets)
Put some paint on the emptiness. Color-correct your perspective. Forget the cravings for comfort zones. Trade your comfort for compassion. Don’t welcome hardness of heart as easiness of life. Get wet with paint. Put the brush to the canvas. Own it. Declare yourself a painter. And when someone steals all the lines from your coloring book, determine to color the world anyhow with the same generosity of compassion that God offers every day. Be like Him. The Creator, the Master Artist. Don’t be like them. The hard-hearted haters. The ones who refuse to admit that their coloring books are missing lines too. The ones who refuse to break secrets with their fellow humans. The ones who would rather criticize than comfort. The ones who are loud with their opinions but who have never suffered with a blank canvas.
Lysa TerKeurst (It's Not Supposed to Be This Way: Finding Unexpected Strength When Disappointments Leave You Shattered)
Statements that someone with a dismissive attachment style might make: My autonomy, independence and self-sufficiency are very important to me. I am generally comfortable without close relationships and do well on my own. I want to be in relationships and have some closeness with people, but I can only tolerate closeness to a limit and then I need space. I prefer not to share my feelings or show a partner how I feel deep down. I frequently don’t know what I’m feeling or needing and/or I can miss cues from others about what they are feeling or needing. I feel uncomfortable relying on partners and having partners depend or rely on me. I either struggle with making relationship commitments or if I do commit, I may secretly have one foot out the door (or at least have the back door unlocked). I am very sensitive to any signs that my partner is trying to control me or interfere with my freedom in any way (and I don’t like the word “sensitive”). I see myself or others as weak for having needs or wanting comfort, help or reassurance. During disagreements or in conflict I tend to withdraw, shut down, shut out or stonewall. I do well with the transition from being together with people to then being alone again, but once I’ve been alone for a while I can be slow to warm up to others or struggle with the transition from being alone to entering back into connection with someone.
Jessica Fern (Polysecure: Attachment, Trauma and Consensual Nonmonogamy)
Have you ever wanted to change someone’s opinion of you, Miss Neven?” “Not really,” I replied. “You care very much for what others think of you.” “Don’t you?” “Does it look like I care?” I said, opening my arms. His eyes searched mine, as if my secrets hid within them. “If you don’t, then I wish you would bestow such magic upon me. I would like to not care as much as I do.” I approached him, ignoring how he tensed when I moved to face him, when only a slender space of air remained between us. Rain began to tap on the windowpanes. The night felt heavy and swollen with the storm; the shadows gathered knee deep in the corners of the library. “If you want to learn,” I murmured, “then it begins here.” I laid my hand over his heart. “It begins when you acknowledge and respect who you are—scars and mistakes and victories and accomplishments all accounted for.
Rebecca Ross (Dreams Lie Beneath)
Have you ever wanted to change someone’s opinion of you, Miss Neven?” “Not really,” I replied. “You care very much for what others think of you.” “Don’t you?” “Does it look like I care?” I said, opening my arms. His eyes searched mine, as if my secrets hid within them. “If you don’t, then I wish you would bestow such magic upon me. I would like to not care as much as I do.
Rebecca Ross (Dreams Lie Beneath)
must remember to tell Peter that. I’ll go to the station on Saturday morning, and watch for someone to describe perfectly. I won’t miss a thing – not even the colour of his tie! I’ll just show the others how good I am at noticing every single thing about somebody I see just for a minute.’ Peter was thinking about what he and Jack could do too, as he lay in
Enid Blyton (The Secret Seven Collection 2: Books 4-6 (Secret Seven Collections and Gift books))
All together, someone would always be missing and I could feel the pull of that longing in my chest, in the pit of my stomach.
Margaret Kimball (And Now I Spill the Family Secrets: An Illustrated Memoir)
get to the door. Anyway, they’ve stuck it on a poster on the wall now so I can’t miss it. Colm O’Flynn. Stay in yer fecking bed, ya eejit. I dictated that to Mike, the nurse on night shift, and he wrote it up for me. He says if anyone asks me, I’ve to deny it was him. That’s not such a tough ask – I forget who did it at least half a dozen times a day. That thought ends and it takes me a moment to get to the next one. The gaps are the worst bit, because sometimes I get the fear that another one won’t come. That’s why I have to get these videos finished. Don’t get me wrong – I’m not giving up. They can tell me I’m a dying man all they like, but I still think the treatment will work, it’ll buy me some time and then someone, somewhere will come up with an even better treatment or cure for this thing. It’s got to happen because I’m not ready to go yet. Nope, not at all. But
Shari Low (The Story of Our Secrets)