Secret Weapon Quotes

We've searched our database for all the quotes and captions related to Secret Weapon. Here they are! All 100 of them:

Our fearlessness shall be our secret weapon.
John Green (The Fault in Our Stars)
We now play a permanent game of I-am-crazier-and-scarier-than-you. And in that game, my mother is our secret weapon.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
that was her edge. her secret weapon. she didnt give a shit.
Janet Fitch (Paint it Black)
Our secret weapon, Khione! We're not just a bunch of demigods. We're a team.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
I smiled at the giant. “Actually, Cacus, I have another secret weapon.” The giant’s eyes lit up with greed. “Another weapon? I will steal it! I will copy it and sell the knockoffs for a profit! What is this secret weapon?” “Her name is Annabeth,” I said. “And she’s one of a kind.
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
Maybe we should develop a Crayola bomb as our next secret weapon. A happiness weapon. A beauty bomb. And every time a crisis developed, we would launch one. It would explode high in the air - explode softly - and send thousands, millions, of little parachutes into the air. Floating down to earth - boxes of Crayolas. And we wouldn't go cheap, either - not little boxes of eight. Boxes of sixty-four, with the sharpener built right in. With silver and gold and copper, magenta and peach and lime, amber and umber and all the rest. And people would smile and get a little funny look on their faces and cover the world with imagination.
Robert Fulghum
Worry is the secret weapon perpetrated upon us by the dark forces of the world that lurk in the shape of fear, uncertainty, confusion, and loss. We, on the other hand, have our own secret weapon against these incorporeal fiends. It is laughter.
Vera Nazarian (The Perpetual Calendar of Inspiration)
There are things we never tell anyone. We want to but we can’t. So we write them down. Or we paint them. Or we sing about them. It’s our only option. To remember. To attempt to discover the truth. Sometimes we do it to stay alive. These things, they live inside of us. They are the secrets we stash in our pockets and the weapons we carry like guns across our backs. And in the end we have to decide for ourselves when these things are worth fighting for, and when it’s time to throw in the towel. Sometimes a person has to die in order to live. Deep down, I know you know this. You just can’t seem to do anything about it. I guess it’s a sad fact of life that some of us move on and some of us inevitably stay behind. Only in this case I’m not sure which one of us is doing which. You were right about one thing though. It’s not fate. It’s a choice. And who knows, maybe we’ll meet again someday, somewhere up above all the noise. Until then, when you think of me, try and remember the good stuff. Try and remember the love.
Tiffanie DeBartolo (How to Kill a Rock Star)
You and the Germans, you have your super- soldiers, your secret weapons... but we Russians, we have nothing but our winter.
Vasily Karpov
People stared. Maybe because they were giants compared to everyone else, both in height and muscle mass. Maybe because of the telltale bulge of weapons at their waist. Or maybe because William opened a bag of Doritos and ate while he shopped. Hard to tell.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
They were holding their weapons but could not risk opening a window or exiting the vehicle to return fire. Then they saw one of their attackers pull out a grenade.
Jeffrey S. Stephens (Enemies Among Us (Nick Reagan, #2))
The secret weapon is cucumber.' Solange sat all the way up. 'Jasmine, cover your ears.' MaryAnn, Juliette and Jasmine burst out laughing. 'Sheesh, Solange. Get your mind out of the gutter.' 'MY mind is just fine, thank you. It's MaryAnn's I'm concerned about.' 'You put them on your eyes,' MaryAnn said, laughing even harder.
Christine Feehan (Dark Possession (Dark, #15))
It has been said by many great Christians that prayer is our secret weapon. If we desire to be free from every enemy stronghold over our lives and fully fortified to live the superhuman existences God intended us to live, then we must learn how to pray.
Leslie Ludy (Set-Apart Femininity: God's Sacred Intent for Every Young Woman)
If we want to use forests as a weapon in the fight against climate change, then we must allow them to grow old, which is exactly what large conservation groups are asking us to do.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
It was a great story and I admired her. And I also felt a little envious. Because that bloody tampon had been a secret weapon. And every woman had one. But only a woman like Debby would be brave enough to use it.
Augusten Burroughs (Possible Side Effects)
The greatest weapon anyone can use against us is our own mind. By preying upon the doubts and uncertainities that already lurk there. Are we true to ourselves or do we live to the expectations of others? And if we are open and honest, can we ever truly be loved? Can we find the courage to release our deepest secrets? Or in the end are we all unknowable even to ourselves.
Emily Thorne
Police are bureaucrats with weapons.
David Graeber (The Utopia of Rules: On Technology, Stupidity, and the Secret Joys of Bureaucracy)
The sirens were getting louder as Damino ran to him, handcuffing Khalizad from behind and putting her in the vehicle. Together they lifted the inert Afnan and his cart into the van’s cargo space.
Karl Braungart (Triple Deception (Remmich/Miller, #4))
I really am Super Emmet, and like the comic book Superman, I have a powerful secret weapon. My mom.
Heidi Cullinan (Carry the Ocean (The Roosevelt, #1))
What the American people didn’t know was how aggressive the government was in protecting our defenses and creating weapons. FDR had already secretly approved the Manhattan Project to build an atomic bomb. And the government saw the waterfront as vital to our defenses. They feared that spies or other saboteurs would infiltrate the docks and interrupt the shipments of supplies or somehow obtain vital information about America’s secrets. They made a deal with the Mafia, specifically gangster Charles “Lucky” Luciano.
A.G. Russo (O'SHAUGHNESSY INVESTIGATIONS, INC.: The Cases Nobody Wanted)
Strider's bedroom "The only thing hanging on the wall that wasn't a weapon was the portrait just over the bed. No. Not true, he thought then. The portrait was a weapon, too. Of seduction. In it Strider was utterly naked and whisking through the cloads like an avenging angel. He was holding a teddy bear in one hand and a stream of pink ribbons in the other. Anya had given him the nearly life-size monstrasity as a joke. But the joke was on her. He loved the thing.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
That kiss up on the mountain sealed our fate, John. When I was wearing Strode’s jacket and Handley’s pants and not much else. From that moment on, we were doomed.
Donald Montano (Drink Deep from the Well of Good Intentions (The Return To Charleston Book 1))
...Incest is rape by extortion. Thus the child's very childhood becomes a weapon used to control her.
E. Sue Blume (Secret Survivors: Uncovering Incest and Its Aftereffects in Women)
He won't hurt me. I have a secret weapon.
Sandra Brown (The Switch)
It’s always a game, isn’t it, Rand? That’s who we are. Two improbable people playing a game. But I already told you, -not tonight.
Donald Montano (Drink Deep from the Well of Good Intentions (The Return To Charleston Book 1))
This is Mat's secret weapon, his passport, his get-out-of-jail-free card: Mat makes things that are beautiful.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
I saw what I had been fighting for: It was for me, a scared child, who had run away a long time ago to what I had imagined was a safer place. And hiding in this place, behind my invisible barriers, I knew what lay on the other side: Her side attacks. Her secret weapons. Her uncanny ability to find my weakest spots. But in the brief instant that I had peered over the barriers I could finally see what was finally there: an old woman, a wok for her armor, a knitting needle for her sword, getting a little crabby as she waited patiently for her daughter to invite her in.
Amy Tan (The Joy Luck Club)
In Tereza’s eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the novels. She had read any number of them, from Fielding to Thomas Mann. They not only offered the possibility of an imaginary escape from a life she found unsatisfying; they also had a meaning for her as physical objects: she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane from the dandy a century ago. It differentiated her from others.
Milan Kundera (The Unbearable Lightness of Being)
Ladies, stress shows on your face. Happiness is the true beauty weapon." As quoted in The Black Book of Hollywood Beauty Secrets ( Kym Douglas / Cindy Pearlman, 2006)
Susan Sarandon
Henry watched her go. And then he looked down at the sword he was carrying. When it came to weapons, he thought sadly, sometimes words could be just as hurtful, and just as forbidden.
Violet Haberdasher (The Secret Prince (Knightley Academy, #2))
Secrets are weapons, and silence is the trigger. – V. S. H. I
Amo Jones (The Silver Swan (Elite Kings Club, #1))
Impatience and stupidity claim more victims than any weapon.
Michael Scott (The Sorceress (The Secrets of the Immortal Nicholas Flamel, #3))
She’s their secret weapon! They call her Trasha, and she’s eight years old. I hear they discovered her at the Pacific Mall arcade, playing Drum-Mania. She has so much A.D.D., it’s not even funny.
Bryan Lee O'Malley (Scott Pilgrim's Precious Little Life (Scott Pilgrim, #1))
Are there any Nazis left that I could hunt down and bring to justice?” Augustus asked while we leaned over the vitrines reading Otto’s letters and the gutting replies that no, no one had seen his children after the liberation. “I think they’re all dead. But it’s not like the Nazis had a monopoly on evil.” “True,” he said. “That’s what we should do, Hazel Grace: We should team up and be this disabled vigilante duo roaring through the world, righting wrongs, defending the weak, protecting the endangered.” Although it was his dream and not mine, I indulged it. He’d indulged mine, after all. “Our fearlessness shall be our secret weapon,” I said. “The tales of our exploits will survive as long as the human voice itself,” he said. “And even after that, when the robots recall the human absurdities of sacrifice and compassion, they will remember us.” “They will robot-laugh at our courageous folly,” he said. “But something in their iron robot hearts will yearn to have lived and died as we did: on the hero’s errand.
John Green (The Fault in Our Stars)
Mr. Schoenbrun, we have a secret weapon ... don't smile when I tell you this. Our secret weapon is nationalism. To have nationhood, which is a sign of maturity, is greater than any weapons in the world.
Hồ Chí Minh
Sometimes secrets have the power to kill. The power to destroy. We each hold nuclear weapons inside of us.
J.M. Darhower (Torture to Her Soul (Monster in His Eyes, #2))
There are things spies often carry with them: pocket litter, fake IDs, and the occasional weapon-slash-camera-slash-hair accessory. But the heaviest things, I think, are the secrets. They can drown you if you let them. As I sat inside Sublevel Two that day, I knew the one I held was so heavy I might never see the surface again.
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
Perspective was my secret weapon, and books gave me plenty of ammunition.
Ian McNulty
I have met only a very few people - and most of these were not Americans - who had any real desire to be free. Freedom is hard to bear. It can be objected that I am speaking of political freedom in spiritual terms, but the political institutions of any nation are always menaced and are ultimately controlled by the spiritual state of that nation. We are controlled here by our confusion, far more than we know, and the American dream has therefore become something much more closely resembling a nightmare, on the private, domestic, and international levels. Privately, we cannot stand our lives and dare not examine them; domestically, we take no responsibility for (and no pride in) what goes on in our country; and, internationally, for many millions of people, we are an unmitigated disaster. Whoever doubts this last statement has only to open his ears, his heart, his mind, to the testimony of - for example - any Cuban peasant or any Spanish poet, and ask himself what he would feel about us if he were the victim of our performance in pre-Castro Cuba or in Spain. We defend our curious role in Spain by referring to the Russian menace and the necessity of protecting the free world. It has not occurred to us that we have simply been mesmerized by Russia, and that the only real advantage Russia has in what we think of as a struggle between the East and the West is the moral history of the Western world. Russia's secret weapon is the bewilderment and despair and hunger of millions of people of whose existence we are scarecely aware. The Russian Communists are not in the least concerned about these people. But our ignorance and indecision have had the effect, if not of delivering them into Russian hands, of plunging them very deeply in the Russian shadow, for which effect - and it is hard to blame them - the most articulate among them, and the most oppressed as well, distrust us all the more... We are capable of bearing a great burden, once we discover that the burden is reality and arrive where reality is. Anyway, the point here is that we are living in an age of revolution, whether we will or no, and that America is the only Western nation with both the power, and, as I hope to suggest, the experience that may help to make these revolutions real and minimize the human damage.
James Baldwin (The Fire Next Time)
Kaia tossed Strider a shut-your-mouth frown before bouncing in her seat. "Do I get to help? Can I? You may not know this, but I'm very handy with a blade of any kind, a hacksaw, a whip, a-" "Hey! Someone went through my bag," William said. "So?" Kaia continued, as if William hadn't spoken. "Whatever the weapon, I'm good with it." He would not be impressed. "We won't be using weapons. We'll be smashing jugulars." "Oh, oh! We can play Who Can Smash More!" "No, we can't because you can't help," Stider said at the same time William blurted out, "I'd be disappointed if you didn't help.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
He's never fired a gun in his life," Palamedes said. "He abhors weapons." As Palamedes spoke,the group could see Shakespeare put the tonbogiri to his shoulder,then jerk three times. Two of the attacking vimanas spun out of control,both of them crashing into two more. The flour flaming craft spiraled into the sea. "But then he's always been full of surprises," Palamedes added.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
My secret weapon is my anger. That's what stimulates me as an artist. I want change. I want it yesterday. I'm pissed off at America. Society. American movies. American TV. American culture. American politicians. Capitalism. I'm a little like my old man in that way only I'm a recovered drunk. He wasn't. I should have been dead years ago like my brother but somehow I dodged the bullet and it gave me something to say. Impatience and rage are always just beneath the surface for me.
Dan Fante
The next day she carried her secret weapon to school in her satchel. She was tingling with excitement. She was longing to tell matilda about her plan of battle. In fact, she wanted to tell the whole class. But she finally decided to tell nobody. It was better that way, because then no one, even when put under the most severe torture, would be able to name her as a culprit.
Roald Dahl (Matilda)
I learned from them that genuine decency and professional competitiveness weren't mutually exclusive. In fact, true integrity, a sense of knowing who you are and being guided by your own clear sense of right and wrong is a kind of secret weapon. They trusted in their own instincts. They treated people with respect. And over time, the company came to represent the values they live by.
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
I advise my graduate students to pick a research problem that is important (so that it will matter if it is solved), but one for which they have a secret weapon that gives some prospect of success. Why a secret weapon? Because if the problem is important, other researchers as intelligent as my students will be trying to solve it; my students are likely to come in first only by having access to some knowledge or research methods the others do not have.
Herbert A. Simon (Models of My Life (The MIT Press))
His pager beeped, and he looked at the readout. “I have to get back to Deal. Do you have any secret weapons in your arsenal? You want to make any last-ditch efforts at apprehension?” Ugh. He was so smug! “I hate you,” I said. “No, you don’t,” Ranger said, kissing me lightly on the lips. “Why did you agree to meet me?” Our eyes locked for a moment. And then he cuffed me. Both hands behind my back.
Janet Evanovich (Hot Six (Stephanie Plum, #6))
It would be, like all of Pammy's parties, hot and crowded and filled with impossibly glamorous people with hip bones so sharp they could qualify as concealed weapons.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
They were confident and cunning. They weren't mucking around looking for nuclear weapon secret sloppy seconds in America. They could care less about America. They were busy with the whole world domination thing.
Ira Levin (The Boys from Brazil)
But here’s the secret to success when you possess a much-larger-than-average-size cock. You can’t just wave it around like a big bat. You’ve got to treat it like a baseball manager does a closer. A cock with firepower is your secret weapon, and it’s worth its weight in gold if you know what to do with the rest of the lineup. Meaning, the dick should never be the star of the show. The woman’s name should be the one in lights, and you need to make her feel that way from start to finish. Warm her up right. Use all your tools—hands, fingers, mouth, tongue, words.
Lauren Blakely (Big Rock (Big Rock, #1))
We hear the world governments talking about peace but we know each government is busy secretly making weapons capable of destroying the entire planet.
Paul Bamikole
My worry is that they will look down on our enemies. They have seen the Arabs in these mud towns and think the Dervishes are the same quality. That can’t be true. These are the people that wiped out Billy Hicks and his column. He had modern weapons and they had sticks and swords. That speaks to a rare sort of courage and determination.
Nigel Seed (No Road to Khartoum (Michael McGuire Trilogy 1))
In Tereza's eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the books she took out of the municipal library, and above all, the novels.
Milan Kundera (The Unbearable Lightness of Being)
The Perfect Weapon It's what men both long for and yet....secretly pray we never find. A woman with equal parts passion and reason.
Michael Xavier
The bistro was his secret weapon in tracking down murderers. Not just in Three Pines, but in every town and village in Quebec. First he found a comfortable café or brasserie, or bistro, then he found the murderer. Because Armand Gamache knew something many of his colleagues never figured out. Murder was deeply human, the murdered and the murderer. To describe the murderer as a monstrosity, a grotesque, was to give him an unfair advantage. No. Murderers were human, and at the root of each murder was an emotion. Warped, no doubt. Twisted and ugly. But an emotion. And one so powerful it had driven a man to make a ghost. Gamache's job was to collect the evidence, but also to collect the emotions. And the only way he knew to do that was do get to know the people. To watch and listen. To pay attention, and the best way to do that was in a deceptively casual way in a deceptively casual setting. Like the bistro.
Louise Penny (A Fatal Grace (Chief Inspector Armand Gamache, #2))
Rousseau already observed that this form of government is more accurately an ‘elective aristocracy’ because in practice the people are not in power at all. Instead we’re allowed to decide who holds power over us. It’s also important to realise this model was originally designed to exclude society’s rank and file. Take the American Constitution: historians agree it ‘was intrinsically an aristocratic document designed to check the democratic tendencies of the period’. It was never the American Founding Fathers’ intention for the general populace to play an active role in politics. Even now, though any citizen can run for public office, it’s tough to win an election without access to an aristocratic network of donors and lobbyists. It’s not surprising that American ‘democracy’ exhibits dynastic tendencies—think of the Kennedys, the Clintons, the Bushes. Time and again we hope for better leaders, but all too often those hopes are dashed. The reason, says Professor Keltner, is that power causes people to lose the kindness and modesty that got them elected, or they never possessed those sterling qualities in the first place. In a hierarchically organised society, the Machiavellis are one step ahead. They have the ultimate secret weapon to defeat their competition. They’re shameless.
Rutger Bregman (De meeste mensen deugen. Een nieuwe geschiedenis van de mens)
Rhiannon Anna Maria Reyes, (Strength 10, Dexterity 14, Stamina 12, Will 17, IQ 16 and Charisma 15 -- Geek 7 / Barista 3 / Screenwriter 2 / Gamer Girl 2) was Bryan’s secret weapon. Rhiannon (known to practically everyone as “Ree”) kept the café in fabulous baked goods, talked authoritatively about subjects from Aliens to Zork, and drew the attentions of countless lovelorn geeks.
Michael R. Underwood (Geekomancy (Ree Reyes, #1))
This is of course why violence is so often the preferred weapon of the stupid. One might even call it the trump card of the stupid, since (and this is surely one of the tragedies of human existence) it is the one form of stupidity to which it is most difficult to come up with an intelligent response.
David Graeber (The Utopia of Rules: On Technology, Stupidity, and the Secret Joys of Bureaucracy)
But we are pledged to set the world free. Our toil must be in silence, and our efforts all in secret. For in this enlightened age, when men believe not even what they see, the doubting of wise men would be his greatest strength. It would be at once his sheath and his armor, and his weapons to destroy us, his enemies, who are willing to peril even our own souls for the safety of one we love. For the good of mankind, and for the honor and glory of God.
Bram Stoker (Dracula)
Secrets are like bullets. Ditto the dark, personal stuff. Folks say they'll take'em off yer hands, share the burden, but really they just load 'em into their own weapons so they can use 'em against you later.
Erin Bowman (Retribution Rails (Vengeance Road, #2))
Standing there, I had the feeling of putting on armour, taking up secret weapons, becoming like a dreamer, invulnerable for the moment—safe in my dream. Now I could face the world, having no part in life; the presence of waiting phantoms could be forgotten. I was outside everything, surrendered unconditionally to my dream, giving no thought to my next move, prepared to obey whatever impulse next reaches me from the unseen.
Anna Kavan (Eagle's Nest)
Who we loved wasn’t always a choice. Sometimes it was an irresistible pull, a gravitational force, something we couldn’t see or control that drew us toward another. Sure, we could try to fight it. But in the end, love always won because it didn’t fight fair. It had a secret weapon, a tool of sheer force to use against us—our heart. And once that son of a bitch got involved, you could kiss away all options you thought might exist.
J. Sterling (Dear Heart, I Hate You)
That's what we should do, Hazel Grace: We should team up and be this disabled vigilante duo roaring through the world, righting wrongs, defending the weak, protecting the endangered. Our fearlessness shall be our secret weapon, the tales of our exploits will survive as long as the human voice itself, and even after that, when the robots recall the human absurdities of sacrifice and compassion, they will remember us. They will robot-laugh at our courageous folly, but something in their iron robot hearts will yearn to have lived and died as we did: on the hero's errand.
John Green (The Fault in Our Stars)
You’ve told me repeatedly now that you find me blindingly attractive.” “That doesn’t mean I like you. Besides, your brand of pretty is like a weapon. You reel victims in with it, just like a vampire does. I wouldn’t be surprised if you sparkle in the sun.” “I cannot believe I’m arguing with a woman who references Twilight.” “The fact that you know I’m referencing Twilight betrays you as a secret Edward-loving fanboy.” His snort is loud and scathing. “Team Jacob all the way.” I can’t help it, my eyes fly open, and I lift a corner of my mask to glare at him. “That’s it. We can never be friends.
Kristen Callihan (Managed (VIP, #2))
And if someone were to ask, Noah, what’s the most important aspect of story? I would most likely answer, character, but I’m not sure that’s true, because my favorite books contain my favorite places. I do not say, I love Harry Potter, or I love Frodo Baggins; I say, I love Hogwarts, and I love Middle-earth. Thoreau’s Walden is less about the book, more about the pond. The woods. And so setting, I think, is the secret weapon of storytelling. I always want to meet new people until I’ve met them. I think if I spend enough time with a person so we get woven together like an old basket, eventually we’ll think in similar patterns until our various histories are apples and oranges spilling over the edge of the basket, and I think this kind of shared history is dangerous. I think it’s okay to recognize a thing’s faults and still like that thing. Because apples and oranges spilling from a basket can be beautiful too. I think I’m whatever personality hates personality tests. I think nostalgia is just a soul’s way of missing a thing, and like long-distance love, nostalgia grows deeper with time until the reality of what a thing actually was gets blurred to the point you miss the idea of the thing more than the thing itself. I like the idea of hot cocoa more than drinking
David Arnold (The Strange Fascinations of Noah Hypnotik)
1. Bangladesh.... In 1971 ... Kissinger overrode all advice in order to support the Pakistani generals in both their civilian massacre policy in East Bengal and their armed attack on India from West Pakistan.... This led to a moral and political catastrophe the effects of which are still sorely felt. Kissinger’s undisclosed reason for the ‘tilt’ was the supposed but never materialised ‘brokerage’ offered by the dictator Yahya Khan in the course of secret diplomacy between Nixon and China.... Of the new state of Bangladesh, Kissinger remarked coldly that it was ‘a basket case’ before turning his unsolicited expertise elsewhere. 2. Chile.... Kissinger had direct personal knowledge of the CIA’s plan to kidnap and murder General René Schneider, the head of the Chilean Armed Forces ... who refused to countenance military intervention in politics. In his hatred for the Allende Government, Kissinger even outdid Richard Helms ... who warned him that a coup in such a stable democracy would be hard to procure. The murder of Schneider nonetheless went ahead, at Kissinger’s urging and with American financing, just between Allende’s election and his confirmation.... This was one of the relatively few times that Mr Kissinger (his success in getting people to call him ‘Doctor’ is greater than that of most PhDs) involved himself in the assassination of a single named individual rather than the slaughter of anonymous thousands. His jocular remark on this occasion—‘I don’t see why we have to let a country go Marxist just because its people are irresponsible’—suggests he may have been having the best of times.... 3. Cyprus.... Kissinger approved of the preparations by Greek Cypriot fascists for the murder of President Makarios, and sanctioned the coup which tried to extend the rule of the Athens junta (a favoured client of his) to the island. When despite great waste of life this coup failed in its objective, which was also Kissinger’s, of enforced partition, Kissinger promiscuously switched sides to support an even bloodier intervention by Turkey. Thomas Boyatt ... went to Kissinger in advance of the anti-Makarios putsch and warned him that it could lead to a civil war. ‘Spare me the civics lecture,’ replied Kissinger, who as you can readily see had an aphorism for all occasions. 4. Kurdistan. Having endorsed the covert policy of supporting a Kurdish revolt in northern Iraq between 1974 and 1975, with ‘deniable’ assistance also provided by Israel and the Shah of Iran, Kissinger made it plain to his subordinates that the Kurds were not to be allowed to win, but were to be employed for their nuisance value alone. They were not to be told that this was the case, but soon found out when the Shah and Saddam Hussein composed their differences, and American aid to Kurdistan was cut off. Hardened CIA hands went to Kissinger ... for an aid programme for the many thousands of Kurdish refugees who were thus abruptly created.... The apercu of the day was: ‘foreign policy should not he confused with missionary work.’ Saddam Hussein heartily concurred. 5. East Timor. The day after Kissinger left Djakarta in 1975, the Armed Forces of Indonesia employed American weapons to invade and subjugate the independent former Portuguese colony of East Timor. Isaacson gives a figure of 100,000 deaths resulting from the occupation, or one-seventh of the population, and there are good judges who put this estimate on the low side. Kissinger was furious when news of his own collusion was leaked, because as well as breaking international law the Indonesians were also violating an agreement with the United States.... Monroe Leigh ... pointed out this awkward latter fact. Kissinger snapped: ‘The Israelis when they go into Lebanon—when was the last time we protested that?’ A good question, even if it did not and does not lie especially well in his mouth. It goes on and on and on until one cannot eat enough to vomit enough.
Christopher Hitchens
As Lynn writes: "What angers me is the loss of control. At any moment someone could come to me, be dressed the right way and use the right code, and I no longer have free will. I will do anything that person requests. I hate them for that. Nothing else is as bad as known that I am always out of control; knowing that I am still a laboratory experiment, a puppet whose strings are hidden from ever but my handlers, and I don't yet know how to break free. p216
Lynn Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
By the time Cheryl Hersha came to the facility, knowledge of multiple personality was so complete that doctors understood how the mind separated into distinct ego states, each unaware of the other. First, the person traumatized had to be both extremely intelligent and under the age of seven, two conditions not yet understood though remaining consistent as factors. The trauma was almost always of a sexual nature… (p52)
Cheryl Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
Cheryl's growing awareness of her emotional difficulties was leading her to research multiple personality. As she had learned more about dissociation, she realised just how severe the abuse had been and how much she had been hurt. Her mind had dissociated to assure survival during the abuse by her father and it had been forced to dissociate by various researchers in government programmes.
Cheryl Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
Threatening others with physical harm allows the possibility of cutting through all this. It makes possible relations of a far more simple and schematic kind (“cross this line and I will shoot you,” “one more word out of any of you and you’re going to jail”). This is of course why violence is so often the preferred weapon of the stupid.
David Graeber (The Utopia of Rules: On Technology, Stupidity, and the Secret Joys of Bureaucracy)
Ultimately, a culture of levity creates a safe place for employees. When you feel safe and feel like you’re being led through levity versus fear, you’re much more apt to take chances. You’re more likely to try things without worrying about being ridiculed, or ostracized. You’re more willing to innovate—to push new ideas and to push against old ideas.
Jennifer Aaker (Humor, Seriously: Why Humor Is a Secret Weapon in Business and Life (And how anyone can harness it. Even you.))
Other personalities are created to handle new traumas, their existence usually occurring one at a time. Each has a singular purpose and is totally focused on that task. The important aspect of the mind's extreme dissociation is that each ego state is totally without knowledge of the other. Because of this, the researchers for the CIA and the Department of Defense believed they could take a personality, train him or her to be a killer and no other ego stares would be aware of the violence that was taking place. The personality running the body would be genuinely unaware of the deaths another personality was causing. Even torture could not expose the with, because the personality experiencing the torture would have no awareness of the information being sought. Earlier, such knowledge was gained from therapists working with adults who had multiple personalities. The earliest pioneers in the field, such as Dr. Ralph Alison, a psychiatrist then living in Santa Cruz, California, were helping victims of severe early childhood trauma. Because there were no protocols for treatment, the pioneers made careful notes, publishing their discoveries so other therapists would understand how to help these rare cases. By 1965, the information was fairly extensive, including the knowledge that only unusually intelligent children become multiple personalities and that sexual trauma endured by a restrained child under the age of seven is the most common way to induce hysteric dissociation.
Lynn Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
Dr. Talbon was struck by another very important thing. It all hung together. The stories Cheryl told — even though it was upsetting to think people could do stuff like that — they were not disjointed They were not repetitive in terms of "I've heard this before". It was not just she'd someone trying consciously or unconsciously to get attention. really processed them out and was done with them. She didn't come up with them again [after telling the story once and dealing with it]. Once it was done, it was done. And I think that was probably the biggest factor for me in her believability. I got no sense that she was using these stories to make herself a really interesting person to me so I'd really want to work with her, or something. Or that she was just living in this stuff like it was her life. Once she dealt with it and processed it, it was gone. We just went on to other things. 'Throughout the whole thing, emotionally Cheryl was getting her life together. Parts of her were integrating where she could say,"I have a sense that some particular alter has folded in with some basic alter", and she didn't bring it up again. She didn't say that this alter has reappeared to cause more problems. That just didn't happen. The therapist had learned from training and experience that when real integration occurs, it is permanent and the patient moves on.
Cheryl Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
here are the main lessons to make each challenge into a source of growth. 1. Don’t avoid conflict, which is your family’s opportunity to learn and grow if you understand where it originates and manage it appropriately. 2. You naturally think compatibility is key to relationship success, and difference brings conflict. In truth, you need enough compatibility to function, but not all that much. What you really need is complementarity to complete you as a person. 3. The culture of a family can get sick from the virus of negativity. This is a basic emotional-management issue, but applied to a group instead of to you as an individual. 4. The secret weapon in all families is forgiveness. Almost all unresolved conflict comes down to unresolved resentment, so a practice of forgiving each other explicitly and implicitly is extremely important. 5. Explicit forgiveness and almost all difficult communication require a policy of honesty. When families withhold the truth, they cannot be close.
Arthur C. Brooks (Build the Life You Want: The Art and Science of Getting Happier)
I know a charm that can cure pain and sickness, and lift the grief from the heart of the grieving. I know a charm that will heal with a touch. I know a charm that will turn aside the weapons of an enemy. I know another charm to free myself from all bonds and locks. A fifth charm: I can catch an arrow in flight and take no harm from it. A sixth: spells sent to hurt me will hurt only the sender. A seventh charm I know: I can quench a fire simply by looking at it. An eighth: if any man hates me, I can win his friendship. A ninth: I can sing the wind to sleep and calm a storm for long enough to bring a ship to shore. For a tenth charm, I learned to dispel witches, to spin them around in the skies so that they will never find their way back to their own doors again. An eleventh: if I sing it when a battle rages it can take warriors through the tumult unscathed and unhurt, and bring them safely back to their hearths and their homes. A twelfth charm I know: if I see a hanged man I can bring him down from the gallows to whisper to us all he remembers. A thirteenth: if I sprinkle water on a child’s head, that child will not fall in battle. A fourteenth: I know the names of all the gods. Every damned one of them. A fifteenth: I had a dream of power, of glory, and of wisdom, and I can make people believe in my dreams. A sixteenth charm I know: if I need love I can turn the mind and heart of any woman. A seventeenth, that no woman I want will ever want another. And I know an eighteenth charm, and that charm is the greatest of all, and that charm I can tell to no man, for a secret that no one know but you is the most powerful secret there can ever be.
Neil Gaiman (American Gods)
I’ll do whatever you say, Cassie,” he says helplessly. His eyes shine brighter than the stars overhead. “I understand why you have to go. If it were you inside that camp, I would go. A hundred thousand Silencers couldn’t stop me.” He presses his lips against my ear and whispers low and fierce, as if he’s sharing the most important secret in the world, which maybe he is. “It’s hopeless. And it’s stupid. It’s suicidal. But love is a weapon they have no answer for. They know how you think, but they can’t know what you feel.” Not we. They. A threshold has been crossed, and he isn’t stupid. He knows it’s the kind you can’t cross back over.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you? And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone. And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water. But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked. Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing. And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
Cheryl was aided in her search by the Internet. Each time she remembered a name that seemed to be important in her life, she tried to look up that person on the World Wide Web. The names and pictures Cheryl found were at once familiar and yet not part of her conscious memory: Dr. Sidney Gottlieb, Dr. Louis 'Jolly' West, Dr. Ewen Cameron, Dr. Martin Orne and others had information by and about them on the Web. Soon, she began looking up sites related to childhood incest and found that some of the survivor sites mentioned the same names, though in the context of experiments performed on small children. Again, some names were familiar. Then Cheryl began remembering what turned out to be triggers from old programmes. 'The song, "The Green, Green Grass of home" kept running through my mind. I remembered that my father sang it as well. It all made no sense until I remembered that the last line of the song tells of being buried six feet under that green, green grass. Suddenly, it came to me that this was a suicide programme of the government. 'I went crazy. I felt that my body would explode unless I released some of the pressure I felt within, so I grabbed a [pair ofl scissors and cut myself with the blade so I bled. In my distracted state, I was certain that the bleeding would let the pressure out. I didn't know Lynn had felt the same way years earlier. I just knew I had to do it Cheryl says. She had some barbiturates and other medicine in the house. 'One particularly despondent night, I took several pills. It wasn't exactly a suicide try, though the pills could have killed me. Instead, I kept thinking that I would give myself a fifty-fifty chance of waking up the next morning. Maybe the pills would kill me. Maybe the dose would not be lethal. It was all up to God. I began taking pills each night. Each-morning I kept awakening.
Cheryl Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
It's about the ways in which girls deal with anger and aggression, as opposed to the ways in which boys do. The premise is that boys tend to be more direct in their aggression - physical confrontation - while in contrast, girls use an indirect approach known as relational aggression. Relational aggression is a form of aggression where the group is used as a weapon to assault others and others' relationships. It uses lies, secrets, betrayals and a host of other two-faced tactics to destroy or damage the relationships and social standing of others in the group.
Anonymous
Large quantities of fine graphite were also used to build the chain-reaction piles at the Los Alamos atomic weapons programme and within 48 hours of the capture of the island's capital, and while the opposing forces were still fighting, arrangements were made to ship 8,000 tons of graphite from Madagascar to the USA and UK. Little can the Japanese have realized that their failure to capture Madagascar before the Allies could intervene in 1942 would lead to the cataclysmic events at Hiroshima and Nagasaki in 1945 which brought the Second World War to such a violent and dramatic conclusion.
John Grehan (Churchill's Secret Invasion: Britains First Large Scale Combined Offensive 1942)
Sooner or later it must come out, even if other men rediscover it. And then...Governments and powers will struggle to get hither, they will fight against one another and against these moon people. It will only spread warfare and multiply the occasions of war. In a little while, in a very little while if I tell my secret, this planet to it's deepest galleries will be strewn with human dead. Other things are doubtful, but this is certain...It is not as though man had any use for the moon. What good would the moon be to men? Even of their own planet what have they made but a battleground and theatre of infinite folly? Small as his world is, and short as his time, he has still in his little life down there far more than he can do. No! Science has toiled too long forging weapons for fools to use. It is time she held her hand. Let him find it out for himself again-in a thousand years' time.
H.G. Wells (The First Men in the Moon)
All of this evokes the dicta of successful historic propagandists described earlier. From Alinsky's Rules for Radicals: >"Ridicule is man's most potent weapon." >"Keep the pressure on. Never let up." > "development of operations that will keep a constant pressure on the opposition." >"Pick the target, freeze it, personalize it, and polarize it." >"Not every item of news should be published. Rather must those who control news policies endeavor to make every item of news serve a certain purpose." >"Propaganda must facilitate the displacement of aggression by specifying the targets for hatred.
Sharyl Attkisson (The Smear: How the Secret Art of Character Assassination Controls What You Think, What You Read, and How You Vote)
As they entered November, the weather turned very cold. The mountains around the school became icy gray and the lake like chilled steel. Every morning the ground was covered in frost. Hagrid could be seen from the upstairs windows defrosting broomsticks on the Quidditch field, bundled up in a long moleskin overcoat, rabbit fur gloves, and enormous beaverskin boots. The Quidditch season had begun. On Saturday, Harry would be playing in his first match after weeks of training: Gryffindor versus Slytherin. If Gryffindor won, they would move up into second place in the House Championship. Hardly anyone had seen Harry play because Wood had decided that, as their secret weapon, Harry should be kept, well, secret. But the news that he was playing Seeker had leaked out somehow, and Harry didn’t know which was worse — people telling him he’d be brilliant or people telling him they’d be running around underneath him holding a mattress. It was really lucky that Harry now had Hermione as a friend. He didn’t know how he’d have gotten through all his homework without her, what with all the last-minute Quidditch practice Wood was making them do. She had also lent him Quidditch Through the Ages, which turned out to be a very interesting read.
J.K. Rowling (Harry Potter and the Philosopher’s Stone (Harry Potter, #1))
There is a spate of prime-time documentaries about "psychological weapons." One is The Call of the Void. It features secret service men who inform the audience about the psychic weapons they have developed. The Russian military has "sleepers," psychics who can go into a trance and enter the world's collective uncounscious, its deeper soul, and from thence penetrate the minds of foreign statesmen to uncover their nefarious designs. One has entered the mind of the US president and then reconfigured the intentions of one of his advisers so that whatever hideous plan the US had hatched has failed to come off. The message is clear: if the secret services can see into the US president's mind, they could definitely see into yours; the state is everywhere, watching your every thought.
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
And the secrets of the Titan II had recently been compromised. Christopher M. Cooke, a young deputy commander at a Titan II complex in Kansas, had been arrested after making three unauthorized visits and multiple phone calls to the Soviet embassy in Washington, D.C. Inexplicably, Cooke had been allowed to serve as a Titan II officer on alerts for five months after his first contact with the Soviet embassy was detected. An Air Force memo later said the information that Cooke gave the Soviets—about launch codes, attack options, and the missile’s vulnerabilities—was “a major security breach . . . the worst perhaps in the history of the Air Force.
Eric Schlosser (Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety)
Then the woman in the bed sat up and looked about her with wild eyes; and the oldest of the old men said: 'Lady, we have come to write down the names of the immortals,’ and at his words a look of great joy came into her face. Presently she, began to speak slowly, and yet eagerly, as though she knew she had but a little while to live, and, in English, with the accent of their own country; and she told them the secret names of the immortals of many lands, and of the colours, and odours, and weapons, and instruments of music and instruments of handicraft they held dearest; but most about the immortals of Ireland and of their love for the cauldron, and the whetstone, and the sword, and the spear, and the hills of the Shee, and the horns of the moon, and the Grey Wind, and the Yellow Wind, and the Black Wind, and the Red Wind. ("The Adoration of the Magi")
W.B. Yeats
Just as that puzzled savage who has picked up - a strange cast-up from the ocean? - something unearthed from the sands? - or an obscure object fallen down from the sky? - intricate in curves, it gleams first dully and then with a bright thrust of light. Just as he turns it this way and that, turns it over, trying to discover what to do with it, trying to discover some mundane function within his own grasp, never dreaming of its higher function. So also we, holding Art in our hands, confidently consider ourselves to be its masters; boldly we direct it, we renew, reform and manifest it; we sell it for money, use it to please those in power; turn to it at one moment for amusement - right down to popular songs and night-clubs, and at another - grabbing the nearest weapon, cork or cudgel - for the passing needs of politics and for narrow-minded social ends. But art is not defiled by our efforts, neither does it thereby depart from its true nature, but on each occasion and in each application it gives to us a part of its secret inner light.
Aleksandr Solzhenitsyn (Nobel Lecture (Bilingual Edition) (English and Russian Edition))
Two against thirty two,” Niten said. “Good odds.” “I’ve never fought the Spartoi before,” Prometheus admitted. “I only know of them by their reputation—and it’s fearsome.” “We have an equal reputation,” Niten said. “Well, you do,” the Elder said. “I was never that much of a fighter. And after the fall of the island, I rarely took up weapons again.” “Fighting is a skill you never forget,” Niten said, a touch of sadness in his voice. “I fought my first duel when I was thirteen. I’ve been fighting ever since.” “But you are more than just a swordsman,” Prometheus said. “You are an artist, a sculptor and a writer.” “No man is ever just one thing,” Niten answered. His shoulder dropped and his short sword appeared in his left hand, water droplets sparkling from the blade. “But first and foremost, I was always a warrior.” He jabbed his sword into the fog and stirred it like liquid.
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
Odinism is an ancient religion that acknowledges the gods by fostering thought, courage, honor, light, and beauty. Older than history, Odinism is all that was called wisdom when the world was new and fresh.” “…when the gods made man, they made a weapon.” “And a godlike man–a man who is pure force–inaccessible to any compromise–is called a hero.” “In any combat, the hero is the one who renounces advantages.” “Most mortals can wish–only extraordinary mortals can will.” “A man without gods has a desert in his heart.” “Omnipotence is humbuggery. In this universe of hazard and adventure, the gods implement their wills through struggle-not fiat.” “Beware of gods who cannot laugh.” “In the eyes of gods, there are no chosen peoples and no master races.” “Magic is the technology of gods.” “…if you knew the secret of the runes, the knowledge would surprise and terrify.” “Mysteries should not be explained–they should be experienced. That is the way of Odin.” “The future will be a return to the past.” ” When the world is pregnant with lies, a secret long hidden will be revealed.
Mark Mirabello (The Odin Brotherhood: A Non-Fiction Account of Contact with a Pagan Secret Society, With a New Epilogue A Statement on the Odin Brotherhood)
The only consolation we have is that few of those will have active weapons either," Prometheus told them. Palamedes looked over at Scathach. "When you say 'few...,'" she began. "Some will be armed," Prometheus clarified. "Incoming!" Saint-Germain yelled. "Two of them have launched missiles." "Sit down and strap yourselves in," Prometheus commanded. The group scrambled to get into the seats behind him, and he added, "We're too slow to outrun them, and the smaller ones are infinitely more maneuverable." "Is there good news?" Scathach demanded. "I am the finest flier in Danu Talis," The Elder said. Scathach smiled. "If anyone else said that I would think they were boasting. But not you,Uncle." Prometheus glanced quickly at the Warrior. "How many times do I have to tell you-I'm not your uncle." "Not yet,anyway," she muttered under her breath. "Everyone strapped in?" Prometheus asked. Without waiting for an answer, he brought the triangular vimana straight up into the air, then flipped it back, so that the ground was directly overhead and the sky below them, before he leveled it off and the earth and sky resumed their normal positions. "I'm going to throw up," Scatty muttered.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
The State has taken the place of God; that is why, seen from this angle, the socialist dictatorships are religions and State slavery is a form of worship. But the religious function cannot be dislocated and falsified in this way without giving rise to secret doubts, which are immediately repressed so as to avoid conflict with the prevailing trend towards mass-mindedness. The result, as always in such cases, is overcompensation in the form of fanaticism, which in its turn is used as a weapon for stamping out the least flicker of opposition. Free opinion is stifled and moral decision ruthlessly suppressed, on the plea that the end justifies the means, even the vilest. The policy of the State is exalted to a creed, the leader or party boss becomes a demigod beyond good and evil, and his votaries are honored as heroes, martyrs, apostles, missionaries. There is only one truth and beside it no other. It is sacrosanct and above criticism. Anyone who thinks differently is a heretic, who, as we know from history, is threatened with all manner of unpleasant things. Only the party boss, who holds the political power in his hands, can interpret the State doctrine authentically, and he does so just as suits him.
C.G. Jung (The Undiscovered Self)
There are two types of memory frequently experienced by individuals who have had overwhelming trauma that has been suppressed psychologically or chemically. The first is general memory, experienced as an adult, in which there is a natural recall of early events. The other is the memory that is often associated with post traumatic stress syndrome (PTSS). The person suddenly smells, sees and feels as though he or she is actually living the event that took place months or years earlier. Many soldiers who survived horrifying combat experiences have PTSS. This has frequently been discussed in terms of Vietnam veterans who suddenly mentally find themselves in the jungle, hiding from the enemy or assaulting people they see as a threat. The fact that they have not been in Vietnam for decades and that they are experiencing the flashbacks in shopping malls, at home or at work does not change what they are mentally reliving. But PTSS has existed for centuries and has affected men, women and children in the midst of all wars, horrifying natural disasters and other traumatic experiences. This includes physical and sexual abuse when growing up. the PTSS Cheryl was experiencing more and more frequently, in which she found herself seeing, feeling and re-experiencing events from her childhood and adolescence had become overwhelming. She knew she needed to get help.
Cheryl Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
In contemporary industrialized democracies, the legitimate administration of violence is turned over to what is euphemistically referred to as “criminal law enforcement”—particularly, to police officers. I say “euphemistically” because generations of police sociologists have pointed out that only a very small proportion of what police actually do has anything to do with enforcing criminal law—or with criminal matters of any kind. Most of it has to do with regulations, or, to put it slightly more technically, with the scientific application of physical force, or the threat of physical force, to aid in the resolution of administrative problems.62 In other words they spend most of their time enforcing all those endless rules and regulations about who can buy or smoke or sell or build or eat or drink what where that don’t exist in places like small-town or rural Madagascar. So: Police are bureaucrats with weapons.
David Graeber (The Utopia of Rules: On Technology, Stupidity, and the Secret Joys of Bureaucracy)
Oh God, my chin. I have a cluster of five hairs on the left side of my chin. They’re coarse and wiry, like boar hair, and for the past couple of years, they’ve been my hideous secret and my sworn enemies. They sprout up every couple of days, and so I have to be vigilant. I keep my weapons—Revlon tweezers and a 10X magnifying mirror—at home, in my Sherpa bag, and in my desk drawer at work, so in theory, I can be anywhere, and if one of those evil little weeds pokes through the surface, I can yank it. I’ve been in meetings with CEOs, some of the most powerful men in the world, and could barely stay focused on what they were saying because I’d inadvertently touched my chin and become obsessed with the idea of destroying five microscopic hairs. I hate them, and I’m terrified of someone else noticing them before I do, but I have to admit, there is almost nothing more satisfying than pulling them out.I stroke my chin, expecting to feel my Little Pig beard, but touch only smooth skin. My leg feels like a farm animal, which suggests I haven’t shaved in at least a week, but my chin is bare, which would put me in this bed for less than two days. My body hair isn’t making any sense.
Lisa Genova (Left Neglected)
The novel’s merit, then—or its offence, depending where you stood—was not that it was authentic, but that it was credible. The bad dream turned out to be one that a lot of people in the world were sharing, since it asked the same old question that we are asking ourselves fifty years later: How far can we go in the rightful defence of our Western values without abandoning them along the way? My fictional chief of the British Service—I called him Control—had no doubt of the answer: “I mean, you can’t be less ruthless than the opposition simply because your government’s policy is benevolent, can you now?” Today, the same man, with better teeth and hair and a much smarter suit, can be heard explaining away the catastrophic illegal war in Iraq, or justifying medieval torture techniques as the preferred means of interrogation in the twenty-first century, or defending the inalienable right of closet psychopaths to bear semi-automatic weapons, and the use of unmanned drones as a risk-free method of assassinating one’s perceived enemies and anybody who has the bad luck to be standing near them. Or, as a loyal servant of his corporation, assuring us that smoking is harmless to the health of the Third World, and great banks are there to serve the public. What have I learned over the last fifty years? Come to think of it, not much. Just that the morals of the secret world are very like our own.
John le Carré (The Spy Who Came in from the Cold (George Smiley Book 3))
Ten thousand years ago, her husband, Abraham the Mage, had presented her with the weapons and armor. “To keep you safe,” he said, his speech a slurred mumble. “Now and always. When you wear it, think of me.” “I’ll think of you even when I’m not wearing it,” she promised, and never a day went by when she did not think of the man who had worked so hard and sacrificed so much to make and save the world. The memory of him was vivid. Abraham stood tall and slender in a darkened room at the top of the crystal tower, the Tor Ri. He was wrapped in shadow, turned away from her so she wouldn’t see the Change that had almost completely claimed his flesh, transforming it to solid gold. She remembered turning him to the light so she could look at him for what she knew might be the very last time. Then she had held him, pressing his flesh and metal against her skin, and wept against his shoulder. And when she looked into his face, a single tear, a solid bead of gold, rolled down his cheek. Rising up on her toes, she had kissed the tear off his face, swallowing it. Tsagaglalal pressed her hands to her stomach. It nestled within her still.
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
It was the Rothschilds who funded the early ‘Jewish’ settlers in Palestine; it was the Rothschilds who helped to create and fund Hitler and the Nazis in the Second World War which included the sickening treatment of Jews, gypsies, communists, and others; it was the Rothschilds who used the understandable post-war sympathy for the ‘Jews’ they had mercilessly exploited to press through their demands for a take-over of Arab Palestine; it was the Rothschilds who funded the ‘Jewish’ terrorist groups in Palestine which bombed, murdered, and terrorised Israel into existence; and it was the Rothschilds who funded and manipulated these terrorists into the key positions in Israel, among them the Prime Ministers, Ben-Gurion, Shamir, Begin, and Rabin. These men would spend the rest of their lives condemning the terrorism of others with an hypocrisy which beggars belief; it was Lord Victor Rothschild, the controller of British Intelligence, who provided the know-how for Israel’s nuclear weapons; it was the Rothschilds who owned and controlled Israel from the start and have continued ever since to dictate its policy; it was the Rothschilds and the rest of the Brotherhood network which has hidden and suppressed the fact, confirmed by Jewish historians, that the overwhelming majority of ‘Jewish’ people in Israel originate genetically from the Caucasus Mountains, not from the lands they now occupy. The Jewish people have been sacrificed on the Rothschild altar of greed and lust for power, but even the Rothschilds take their orders from a higher authority which, I believe, is probably based in Asia, and the Far East dictates to the operational headquarters in London.
David Icke (The Biggest Secret: The book that will change the World)
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Perched upon the stones of a bridge The soldiers had the eyes of ravens Their weapons hung black as talons Their eyes gloried in the smoke of murder To the shock of iron-heeled sticks I drew closer in the cripple’s bitter patience And before them I finally tottered Grasping to capture my elusive breath With the cockerel and swift of their knowing They watched and waited for me ‘I have come,’ said I, ‘from this road’s birth, I have come,’ said I, ‘seeking the best in us.’ The sergeant among them had red in his beard Glistening wet as he showed his teeth ‘There are few roads on this earth,’ said he, ‘that will lead you to the best in us, old one.’ ‘But you have seen all the tracks of men,’ said I ‘And where the mothers and children have fled Before your advance. Is there naught among them That you might set an old man upon?’ The surgeon among this rook had bones Under her vellum skin like a maker of limbs ‘Old one,’ said she, ‘I have dwelt In the heat of chests, among heart and lungs, And slid like a serpent between muscles, Swum the currents of slowing blood, And all these roads lead into the darkness Where the broken will at last rest. ‘Dare say I,’ she went on,‘there is no Place waiting inside where you might find In slithering exploration of mysteries All that you so boldly call the best in us.’ And then the man with shovel and pick, Who could raise fort and berm in a day Timbered of thought and measured in all things Set the gauge of his eyes upon the sun And said, ‘Look not in temples proud, Or in the palaces of the rich highborn, We have razed each in turn in our time To melt gold from icon and shrine And of all the treasures weeping in fire There was naught but the smile of greed And the thick power of possession. Know then this: all roads before you From the beginning of the ages past And those now upon us, yield no clue To the secret equations you seek, For each was built of bone and blood And the backs of the slave did bow To the laboured sentence of a life In chains of dire need and little worth. All that we build one day echoes hollow.’ ‘Where then, good soldiers, will I Ever find all that is best in us? If not in flesh or in temple bound Or wretched road of cobbled stone?’ ‘Could we answer you,’ said the sergeant, ‘This blood would cease its fatal flow, And my surgeon could seal wounds with a touch, All labours will ease before temple and road, Could we answer you,’ said the sergeant, ‘Crows might starve in our company And our talons we would cast in bogs For the gods to fight over as they will. But we have not found in all our years The best in us, until this very day.’ ‘How so?’ asked I, so lost now on the road, And said he, ‘Upon this bridge we sat Since the dawn’s bleak arrival, Our perch of despond so weary and worn, And you we watched, at first a speck Upon the strife-painted horizon So tortured in your tread as to soak our faces In the wonder of your will, yet on you came Upon two sticks so bowed in weight Seeking, say you, the best in us And now we have seen in your gift The best in us, and were treasures at hand We would set them humbly before you, A man without feet who walked a road.’ Now, soldiers with kind words are rare Enough, and I welcomed their regard As I moved among them, ’cross the bridge And onward to the long road beyond I travel seeking the best in us And one day it shall rise before me To bless this journey of mine, and this road I began upon long ago shall now end Where waits for all the best in us. ―Avas Didion Flicker Where Ravens Perch
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
1)    The woman has intuitive feelings that she is at risk. 2)    At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3)    He resolves conflict with intimidation, bullying, and violence. 4)    He is verbally abusive. 5)    He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6)    He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7)    He has battered in prior relationships. 8)    He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9)    He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10)   His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11)   There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12)   He uses money to control the activities, purchase, and behavior of his wife/partner. 13)   He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14)   He refuses to accept rejection. 15)   He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16)   He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17)   He minimizes incidents of abuse. 18)   He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19)   He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship. 20)   He has inappropriately surveilled or followed his wife/partner. 21)   He believes others are out to get him. He believes that those around his wife/partner dislike him and encourage her to leave. 22)   He resists change and is described as inflexible, unwilling to compromise. 23)   He identifies with or compares himself to violent people in films, news stories, fiction, or history. He characterizes the violence of others as justified. 24)   He suffers mood swings or is sullen, angry, or depressed. 25)   He consistently blames others for problems of his own making; he refuses to take responsibility for the results of his actions. 26)   He refers to weapons as instruments of power, control, or revenge. 27)   Weapons are a substantial part of his persona; he has a gun or he talks about, jokes about, reads about, or collects weapons. 28)   He uses “male privilege” as a justification for his conduct (treats her like a servant, makes all the big decisions, acts like the “master of the house”). 29)   He experienced or witnessed violence as a child. 30)   His wife/partner fears he will injure or kill her. She has discussed this with others or has made plans to be carried out in the event of her death (e.g., designating someone to care for children).
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
[ Dr. Lois Jolyon West was cleared at Top Secret for his work on MKULTRA. ] Dr. Michael Persinger [235], another FSMF Board Member, is the author of a paper entitled “Elicitation of 'Childhood Memories' in Hypnosis-Like Settings Is Associated With Complex Partial Epileptic-Like Signs For Women But Not for Men: the False Memory Syndrome.” In the paper Perceptual and Motor Skills,In the paper, Dr. Persinger writes: On the day of the experiment each subject (not more than two were tested per day) was asked to sit quietly in an acoustic chamber and was told that the procedure was an experiment in relaxation. The subject wore goggles and a modified motorcycle helmet through which 10-milligauss (1 microTesla) magnetic fields were applied through the temporal plane. Except for a weak red (photographic developing) light, the room was dark. Dr. Persinger's research on the ability of magnetic fields to facilitate the creation of false memories and altered states of consciousness is apparently funded by the Defense Intelligence Agency through the project cryptonym SLEEPING BEAUTY. Freedom of Information Act requests concerning SLEEPING BEAUTY with a number of different intelligence agencies including the CIA and DEA has yielded denial that such a program exists. Certainly, such work would be of direct interest to BLUEBIRD, ARTICHOKE, MKULTRA and other non-lethal weapons programs. Schnabel [280] lists Dr. Persinger as an Interview Source in his book on remote viewing operations conducted under Stargate, Grill Flame and other cryptonyms at Fort Meade and on contract to the Stanford Research Institute. Schnabel states (p. 220) that, “As one of the Pentagon's top scientists, Vorona was privy to some of the strangest, most secret research projects ever conceived. Grill Flame was just one. Another was code-named Sleeping Beauty; it was a Defense Department study of remote microwave mind-influencing techniques ... [...] It appears from Schnabel's well-documented investigations that Sleeping Beauty is a real, but still classified mind control program. Schnabel [280] lists Dr. West as an Interview Source and says that West was a, “Member of medical oversight board for Science Applications International Corp. remote-viewing research in early 1990s.
Colin A. Ross (The CIA Doctors: Human Rights Violations by American Psychiatrists)