Secret Crush Quotes

We've searched our database for all the quotes and captions related to Secret Crush. Here they are! All 100 of them:

I had a crush on Percy," Nico spat. "That's the truth. That's the big secret.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
She'd secretly had a crush on him since they were twelve years old. Last summer, she'd fallen for him hard.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
He holds my face in both hands and kisses me back. I press into the distance between us until it is gone, crushing the secrets we have kept and the suspicions we have harbored-for good, I hope.
Veronica Roth (Insurgent (Divergent, #2))
I pledge myself to the Rose Society until the end of my days, to use my eyes to see all that happens, my tongue to woo others to our side, my ears to hear every secret, my hands to crush my enemies. I will do everything in my power to destroy all who stand in my way.
Marie Lu (The Young Elites (The Young Elites, #1))
Every Valentine's Day, the student council sponsered a holiday fundraiser by selling roses that would be delievered in class. The roses came in four colors:white, yellow, red, pink, and the subtleties of thier meaning were parsed and analyzed by the female population to no end. Mimi had always understood it thus:white for love, yellow for friendship, red for passion, and pink for a secret crush.
Melissa de la Cruz (Masquerade (Blue Bloods, #2))
Nico clenched his sword. Sharing his secret crush hadn’t been the worst of it. Eventually he might have done that, in his own time, in his own way. But being forced to talk about Percy, being bullied and harassed and strong-armed simply for Cupid’s amusement … Tendrils of darkness were now spreading out from his feet, killing all the weeds between the cobblestones. Nico tried to rein in his anger.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
she is admired from afar. These admirers court her in secret, in the safety of their dreams.
Whitney Otto (How to Make an American Quilt)
Shigure Sohma: So anyway I was wondering if you could stop by the house and take a look at Tohru's cut. That is if it isn't a problem. Hatori Sohma: No problem. I'll stop by the house this evening. Shigure Sohma: Hmmm What's this Hatori I don't think I ever heard you sound so eager to come over. Could it be you have a secret crush on Tohru [long silence from the other end of the phone] Shigure Sohma: [shouts] I knew it You naughty naughty man you Hatori Sohma: No I was simply too amazed by your stupidity to say anything.
Natsuki Takaya
Today's Valentine's Day. There's a whole day devoted solely to love. Does that make any sense? Nah. Love makes us all crazy. But it's fun too.
Lisa Greenwald (Sweet Treats & Secret Crushes)
The thing no one tells you about surviving, about the mere act of holding out, is how many hours are nothing because nothing happens. They also don’t tell you about how you can share your deepest secrets with someone, kiss them, and the next hour it’s like there’s nothing between you because not everything can mean something all the time or you’d be crushed under the weight of it.
Courtney Summers (This is Not a Test (This is Not a Test, #1))
Carnal apple, Woman filled, burning moon, dark smell of seaweed, crush of mud and light, what secret knowledge is clasped between your pillars? What primal night does Man touch with his senses? Ay, Love is a journey through waters and stars, through suffocating air, sharp tempests of grain: Love is a war of lightning, and two bodies ruined by a single sweetness. Kiss by kiss I cover your tiny infinity, your margins, your rivers, your diminutive villages, and a genital fire, transformed by delight, slips through the narrow channels of blood to precipitate a nocturnal carnation, to be, and be nothing but light in the dark.
Pablo Neruda
The problem with secret crushes: in the absence of requital the love turns bitter.
Paul Monette (Becoming a Man)
Teccam explains there are two types of secrets. There are secrets of the mouth and secrets of the heart. Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. There secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free. Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become. Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. They they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
I have seen that it is not man who is impotent in the struggle against evil, but the power of evil that is impotent in the struggle against man. The powerlessness of kindness, of senseless kindness, is the secret of its immortality. It can never by conquered. The more stupid, the more senseless, the more helpless it may seem, the vaster it is. Evil is impotent before it. The prophets, religious teachers, reformers, social and political leaders are impotent before it. This dumb, blind love is man’s meaning. Human history is not the battle of good struggling to overcome evil. It is a battle fought by a great evil, struggling to crush a small kernel of human kindness. But if what is human in human beings has not been destroyed even now, then evil will never conquer.
Vasily Grossman (Life and Fate)
I wished she'd been smart enough, or loving enough, to realize everybody has burdens that crush them, only they don't give up their children.
Sue Monk Kidd (The Secret Life of Bees)
I press into the distance between us until it is gone, crushing the secrets we have kept and the suspicions we have harbored -- for good, I hope.
Veronica Roth (Insurgent (Divergent, #2))
I especially love the way he moves, like a young god who takes his time walking because he wants mere mortals like me to bask in his perfection.
Marian Tee (Drawn: His Secret Toy)
Secrets of the heart. We swallow hard against them every day, forcing them deep inside us. There they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Koschei smiled. His pale lips sought hers, crushing her into a kiss like dying. She tasted sweetness there, as though he still kissed her with honey and sugar on his tongue. When he pulled away, his eyes shone. "I don't care, Marya Morevna. Kiss him. Take him to your bed, and the vila, too, for all it matters to me. Do you understand me, wife? There need never be any rules between us. Let us be greedy together; let us hoard. Let us hit each other with birch branches and lock each other in dungeons; let us drink each other's blood in the night and betray each other in the sun. Let us lie and lust and take hundreds of lovers; let us dance until snow melts beneath us. Let us steal and eat until we grow fat and roll in the pleasures of life, clutching each other for purchase. Only leave me my death — let me hold this one thing sacred and unmolested and secret — and I will serve you a meal myself, served on a platter of all the world's bounty. Only do not leave me, swear that you will never leave me, and no empress will stand higher. Forget the girls in the factory. Be selfish and cruel and think nothing of them. I am selfish. I am cruel. My mate cannot be less than I. I will have you in my hoard, Marya Morevna, my black mirror.
Catherynne M. Valente (Deathless)
Ryodan doesn’t like Mac. He never has. She got between him and his best boy-bud. I give him a look. “I’ll tell you a secret, Ryodan. You mess with her, Barrons’ll kill you.” I drag a finger across my neck. “Just like that. You aren’t all that. Barrons’ll stomp your ass, hand’s down.” He smiles faintly. “I’ll be damned. You have a crush on Barrons.” “I do not have a crush—“ “You do, too. It’s all over your face. Anybody could see it.” “Sometimes, boss, you’re just wrong.” “I’m never wrong. You might as well take out a billboard. ‘Dani O’Malley thinks Jericho Barrons is hot.’ My offer to teach you is still open. Save you from future embarrassment. If I can see it on your face, he can, too. ” “He never figured it out before,” I grumble then realize I just admitted it. Ryodan has a tricky way of wording things that makes you say things you didn’t mean to say. “Maybe I’ll ask Barrons to teach me,” I mutter and turn away from the stairs, heading for his office. I run smack into his chest. “Dude, move. Trying to get somewhere here.” “No one but me is ever going to teach you, Dani.” He touches me before I see it coming, has his hand under my chin, turning my face up. My shiver is instant and uncontrollable. “That’s non-negotiable. You signed a contract with me that grants exclusivity. You won’t like it if you try to break it.
Karen Marie Moning (Iced (Fever, #6))
I'm going to imprison you in pleasure. Until you're crying. Until you're begging. Until your well kept secrets are on fire and dripping down your thighs. I'm going to crush your sexy resistance with my lips and tongue. And I'm going to be right at your scorching mouth, eating up the sounds of your mind blowing orgasm until you say it-- no, until you scream it. Lucian. Lucian Bane. That's what I want you to scream while I milk the ecstasy from your pretty little soul.
Lucian Bane (Dom Wars: Round One (Dom Wars, #1))
She may resemble a mythical angel, but she moved like an x-rated wet dream
Kelly Moran (Counterbalance)
What would you do if you only had one day left in this world? Spend it with the people you love? Travel to the far corners of the earth to see as many wonders as possible? Eat nothing but chocolate? Would you apologize for all your mistakes? Would you stand up to those you'd never had the courage to face? Would you tell your secret crush that you loved him or her? Why is it that we wait till the last minute to do the things we should be doing all along?
Jodi Picoult (Off the Page (Between the Lines, #2))
Connor Crane was currently the secret crush of half the female HHH population. And a couple of the males, too.
Gemma Halliday (Social Suicide (Deadly Cool, #2))
Veronica ran out to tell Amber the shocking news - and returned in less than a minute with another message for Yo-Yoji: "Amber says she was watching and she knows you got in detention on purpose," she said breathlessly. "Because you have a crush on Cass!" Cass's ears instantly turned red. Max-Ernest looked like he'd been hit by a truck.
Pseudonymous Bosch (If You're Reading This, It's Too Late (Secret, #2))
My family never went skiing. My dad was afraid of heights and my mom felt that a vacation was only a vacation if it involved reading at least two books on the beach.
Lisa Greenwald (Sweet Treats & Secret Crushes)
I feel all agitated, like one of those snow globes you see resting peacefully on shop counters. I was perfectly happy being an ordinary, dull little Swiss village. But now Jack Harper’s come and shaken me up, and there are snowflakes all over the place, whirling around until I don’t know what I think anymore. And bits of glitter, too. Tiny bits of shiny, secret excitement.
Sophie Kinsella (Can You Keep a Secret?)
You’re wrong. I’m just irritated.” “Nah. You’re flattered.” He scooted away before she could shove him. They walked in silence for a minute before Sophie’s eyes dropped to her feet. “Could you really feel that I was irritated or were you guessing?” “You look worried—you wouldn’t have something to hide, would you? A secret crush, maybe?” “Never mind. Forget I asked.” He cracked up. “It’s almost too easy to annoy you, you know that?” She sighed.
Shannon Messenger (Keeper of the Lost Cities (Keeper of the Lost Cities, #1))
Please don't tell your family that I'm here," he says softly. "I want to keep a low profile." "Done," I say, knowing that the story of how I got caught peeping in his back window like a weirdo will be an easy secret to keep.
A.M. Robinson (Vampire Crush)
For so long, it was just my secret. It burned inside me, and I felt like I was carrying something important, something that made me who I was and made me different from everybody else. I took it with me everywhere, and there was never a moment when I wasn't aware of it. It was like I was totally awake, like I could feel every nerve ending in my body. Sometimes my skin would almost hurt from the force of it, that's how strong it was. Like my whole body was buzzing or something. I felt almost, I don't know, noble, like a medieval knight or something, carrying this secret love around with me.
Carolyn Parkhurst (Lost and Found)
A profound sadness washes over me as I watch my friends bond with their moms, sharing everything from secret crushes to their dreams for the future.
Julia Fox (Down the Drain)
However he'd found his way here, it didn't matter. I knew then that the boy under the tree had to be mine. That floppy hair should be mine to touch. That big, knuckly boy hand should be mine to hold. That gruff voice should be mine to hear, and those ears should be mine to tell all my secrets to. Except for the biggest secret. That I loved him. More than the crush I was dealing with for years. More than I should've loved a best friend. More than he would ever love me back. I was gone for him.
Brodi Ashton (Everbound (Everneath, #2))
When he smiles at me, I feel like I'm sitting under a heat lamp. I live for the times when his fingers brush my leg at lunch, or when we pass in the hallways and he raises his eyebrows at me, like we have a secret. I should feel bad--and I do, most of the time--but how can I stop thinking about him when seeing his face makes me feel so alive?
Melissa C. Walker (Unbreak My Heart)
It's my big secret.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
It’s not respect but fear that motivates a man; that’s how empires are built and revolutions begin. It is the secret of great men. When a man is afraid you will crush him, utterly destroy him, his respect will always follow. Base fear is intoxicating, overwhelming, liberating. Always stronger than respect. Always.
Michael Dobbs (House of Cards (House of Cards Series Book 1))
She told me that while my father’s body might be crushed under tons of black earth, the body is nothing but camouflage. She whispered that every soul is a river trying to find its way back to the sea.
Simon Van Booy (The Secret Lives of People in Love)
They lay on their heathery beds and listened to all the sounds of the night. They heard the little grunt of a hedgehog going by. They saw the flicker of bats overhead. They smelt the drifting scent of honeysuckle, and the delicious smell of wild thyme crushed under their bodies. A reed-warbler sang a beautiful little song in the reeds below, and then another answered.
Enid Blyton (The Secret Island (Secret Series, #1))
It's a strange feeling, owning a secret. It's like a stone in my stomach, crushing my insides and making me feel sick every time I think of it.
Fiona Barton (The Widow (Kate Waters, #1))
I need my skull in one piece. Crushing it would be like taking a wrecking ball to some secret museum before anyone ever got to see what's inside it.
Jandy Nelson (I'll Give You the Sun)
Like, this whole Molly thing with the secret crushes that go nowhere. I’m over it.” “Oh, you’re over it?” My throat tightens. “Uh, I’m sorry boys don’t like me.” “That is such bullshit, Molly. You don’t even talk to them.” Here we go. Cassie’s soapbox: the fact that I’ve had twenty-six crushes and exactly zero kisses. Apparently, it’s because I need to woman up. If I like a guy, I’m supposed to tell him. Maybe in Cassie’s world, you can do that and have it end in making out. But I’m not so sure it works that way for fat girls.
Becky Albertalli (The Upside of Unrequited)
But what if the great secret insider-trading truth is that you don't ever get over the biggest losses in your life? Is that good news, bad news, or both? . . . . The pain does grow less acute, but the insidious palace lie that we will get over crushing losses means that our emotional GPS can never find true north, as it is based on maps that no longer mention the most important places we have been to. Pretending that things are nicely boxed up and put away robs us of great riches.
Anne Lamott (Stitches: A Handbook on Meaning, Hope, and Repair)
You like him, Rose. Why don't you just admit that, at least to me?
Louise Rozett (Confessions of an Angry Girl (Confessions, #1))
We always think we want to know secrets, but what we forget is that they come with their own weights, heavy as millstones, and if you aren’t careful this weight can crush you.
Claire McGowan (What You Did)
I should have learned my lesson from Greek myths, really. It so doesn't pay to fall in love with a god. It’s either you get transformed – flower, bull, you name it, the gods can be that petty – or you just get…crushed.
Marian Tee (Drawn: His Secret Toy)
Love is like a man who doesn't know his own strength: he means well, but sometimes he crushes you.
Christy Yorke (The Secret Lives of the Sushi Club)
A pledge,” I say again. “To drive fear into those who will confront us.” Violetta hesitates—only for a moment. “To bind us together.” “I pledge myself to the Rose Society,” I begin. “Until the end of my days.” One by one, the others call out the same thing, murmurs at first that turn into firm words. “To use my eyes to see all that happens,” says Sergio. “My tongue to woo others to our side,” says Magiano, with his savage smile. “My ears to hear every secret,” Violetta continues. “My hands,” I finish. “To crush my enemies.” “I will do everything in my power to destroy all who stand in my way.” Right now, what I want is the throne. Enzo’s power. A perfect revenge. And all the Inquisitors, queens, and Daggers in the world won’t be able to stop me.
Marie Lu
I pledge myself to the Rose Society until the end of my days, to use my eyes to see all that happens, my tongue to woo others to our side, my ears to to hear every secret, my hands to crush my enemies. I will do everything in my power to destroy all who stand in my way. —The Rose Society Official Initiation Pledge, by Adelina Amouteru
Marie Lu (The Young Elites (The Young Elites, #1))
Secrets are what can ease or crush a soul, mend or destroy a heart, and rescue or murder a life.
Alexis Hurley
Can I tell you a secret?” He leaned down and whispered. “I have a crush on you.” I smiled. “It’s about time.
Devney Perry (Timid (Lark Cove, #2))
My faith has been tempered in Hell. My faith has emerged from the flames of the crematoria, from the concrete of the gas chamber. I have seen that it is not man who is impotent in the struggle against evil, but the power of evil that is impotent in the struggle against man. The powerlessness of kindness, of senseless kindness, is the secret of its immortality. It can never be conquered. The more stupid, the more senseless, the more helpless it may seem, the vaster it is. Evil is impotent before it. The prophets, religious teachers, reformers, social and political leaders are impotent before it. This dumb, blind love is man's meaning. Human history is not the battle of good struggling to overcome evil. It is a battle fought by a great evil struggling to crush a small kernel of human kindness. But if what is human in human beings has not been destroyed even now, then evil will never conquer.
Vasily Grossman (Life and Fate)
All their lives Nath had understood, better than anyone, the lexicon of their family, the things they could never truly explain to outsiders: that a book or a dress meant more than something to read or something to wear; that attention came with expectations that—like snow—drifted and settled and crushed you with their weight.
Celeste Ng (Everything I Never Told You)
Girls like me smiled politely and always did the right thing. Girls like me definitely didn't sneak away at night to do things that would crush their fathers. And if they did, girls like me knew how to keep it to themselves.
Robin Talley (Our Own Private Universe)
His brothers could tease him about his height or the number of scars he was collecting on his body. He could take the joke when they said he would die having never won a fair wrestling match. But the topic of Bettin still smarted too much. He'd imagined being with her always. Now when he closed his eyes, he had trouble imagining anything else.
Shannon Hale (River Secrets (The Books of Bayern, #3))
Totalitarian regimes, they declared, all had at least five things in common: a dominant ideology, a single ruling party, a secret police force prepared to use terror, a monopoly on information, and a planned economy. By those criteria, the Soviet and Nazi regimes were not the only totalitarian states. Others—Mao’s China, for example—qualified too.
Anne Applebaum (Iron Curtain: The Crushing of Eastern Europe, 1944-1956)
The Roman genius, and perhaps the Roman flaw was an obsession with order. One sees it in their architecture, their literature, their laws—this fierce denial of darkness, unreason, chaos. Easy to see why the Romans, usually so tolerant of foreign religions, persecuted the Christians mercilessly—how absurd to think a common criminal had risen from the dead, how appalling that his followers celebrated him by drinking his blood. The illogic of it frightened them and they did everything they could to crush it. In fact, I think the reason they took such drastic steps was because they were not only frightened but also terribly attracted to it. Pragmatists are often strangely superstitious. For all their logic, who lived in more abject terror of the supernatural than the Romans? The Greeks were different. They had a passion for order and symmetry, much like the Romans, but they knew how foolish it was to deny the unseen world, the old gods. Emotion, darkness, barbarism.
Donna Tartt (The Secret History)
Shigure Sohma: So, anyway, I was wondering if you could stop by the house and take a look at Tohru's cut. That is, if it isn't a problem. Hatori Sohma: No problem. I'll stop by the house this evening. Shigure Sohma: Hmmm? What's this, Hatori? I don't think I ever heard you sound so eager to come over. Could it be you have a secret crush on Tohru? [long silence from the other end of the phone] Shigure Sohma: [shouts] I knew it! You naughty, naughty man, you! Hatori Sohma: No, I was simply too amazed by your stupidity to say anything.
Natsuki Takaya
Beyond the clouds, above people, beneath the skin, inside people, we’re waiting for you. We see you now, as you read. We’ll see you when you stop thinking about these words. Above and inside your face, we know your secrets. We know what you hide from yourself. You can’t escape us. We hold your heart in the palm of our hand. If we like, we can squeeze it. If we like, we can crush it. There’s nothing you can do to stop us. Our gaze notices your every single move and your every single word. Say a word now. Make a move. We smile at your words, as we smile at your silence. No one will be able to protect you. No one can protect you now. You’re even less than you imagine. We’ve seen a thousand generations of men like you. It was our pleasure to let them walk on the lines of our hands. It was our pleasure to take everything away from them. We guided entire generations of men through tunnels we built that led nowhere. And when they arrived at nothing, we smiled. You’re just like them. We’re waiting for you above and inside your face. Continue on your way. Follow that line of our hand. We know where that tunnel you walk through will end. Keep on walking. We see you and smile. Beyond the clouds, we are fear. Beneath the skin, we are fear.
José Luís Peixoto (Antídoto)
God is not crushing the dreams of parenthood when he deals the card of infertility. God is asking you to crush the idolatry of pregnancy, to be sure. And, he is saying: Dream My dreams, not yours!
Rosaria Champagne Butterfield (The Secret Thoughts of an Unlikely Convert)
I throw my arms around his neck, and press my lips to his. He holds my face in both hands and kisses me back. I press into the distance between us until it is gone, crushing the secrets we have kept and the suspicions we have harbored- for good, I hope.
Veronica Roth (Insurgent (Divergent, #2))
Percy smiled at her—that sarcastic, troublemaker smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he’d just come from a walk on the beach. He looked even better than he had six months ago—tanner and taller, leaner and more muscular. Annabeth was too stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She’d secretly had a crush on him since they were twelve years old. Last summer, she’d fallen for him hard. They’d been a happy couple for four months—and then he’d disappeared.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Julia laughs—one of the greatest sounds he’s ever encountered—and he can’t remember the last time he heard it. Beautiful but also crushing to experience. Like a secret window into the person he used to know.
Blake Crouch (Recursion)
Welcome to the real world of marriage, where hairs are always on the sink and little white spots cover the mirror, where arguments center on which way the toilet paper comes off and whether the lid should be up or down. It is a world where shoes do not walk to the closet and drawers do not close themselves, where coats do not like hangers and socks go AWOL during laundry. In this world, a look can hurt and a word can crush. Intimate lovers can become enemies, and marriage a battlefield.
Gary Chapman (The Five Love Languages: The Secret to Love that Lasts)
What would you do if you only had one day left in this world? Spend it with the people you love? Travel to far corners of the earth? See as many wonders as possible? Would you apologize for your mistakes? Would you stand up to those you'd never had the courage to face? Would you tell your secret crush that you loved him or her? Why is it that we wait until the last minute to do the things we should be doing all along?
Samantha van Leer (Off the Page (Between the Lines, #2))
Slowly what she composed with the new day was her own focus, to bring together body and mind. This was made with an effort, as if all the dissolutions and dispersions of her self the night before were difficult to reassemble. She was like an actress who must compose a face, an attitude to meet the day. The eyebrow pencil was no mere charcoal emphasis on blond eyebrows, but a design necessary to balance a chaotic asymmetry. Make up and powder were not simply applied to heighten a porcelain texture, to efface the uneven swellings caused by sleep, but to smooth out the sharp furrows designed by nightmares, to reform the contours and blurred surfaces of the cheeks, to erase the contradictions and conflicts which strained the clarity of the face’s lines, disturbing the purity of its forms. She must redesign the face, smooth the anxious brows, separate the crushed eyelashes, wash off the traces of secret interior tears, accentuate the mouth as upon a canvas, so it will hold its luxuriant smile. Inner chaos, like those secret volcanoes which suddenly lift the neat furrows of a peacefully ploughed field, awaited behind all disorders of face, hair, and costume, for a fissure through which to explode. What she saw in the mirror now was a flushed, clear-eyed face, smiling, smooth, beautiful. The multiple acts of composure and artifice had merely dissolved her anxieties; now that she felt prepared to meet the day, her true beauty emerged which had been frayed and marred by anxiety.
Anaïs Nin (A Spy in the House of Love (Cities of the Interior, #4))
Not even after I’d told him about my secret life-long crush on Lucius Malfoy from the Harry Potter series. That hair, the voice, that whole uptight baddie/aristocrat thing... It was embarrassing, but the guy was just yum.
Cookie O'Gorman (Adorkable)
Mallory realized this was how the woman was: she at once withheld and invited. The woman fulfilled so many of Mallory’s wants but left so many wants unfulfilled that the feeling of wanting in and of itself became desirable. There was an untouchable intensity, or an intense untouchability, to keeping a secret, to having a continuous crush, that Mallory wanted never to lose.
Michelle Hart (We Do What We Do in the Dark: 'A haunting study of solitude and connection' Meg Wolitzer)
If a snail’s shell gets injured, a repair can be made quickly. New shell material is secreted by the mantle, and where there was once a crack, a scar appears, looking much like a skin scar. Even a missing shell section can be replaced. Oliver Goldsmith described this in 1774: Sometimes these animals are crushed seemingly to pieces, and, to all appearance, utterly destroyed; yet still they set themselves to work, and, in a few days, mend all their numerous breaches . . . to the re-establishment of the ruined habitation. But all the junctures are very easily seen, for they have a fresher colour than the rest; and the whole shell, in some measure, resembles an old coat patched with new pieces.
Elisabeth Tova Bailey (The Sound of a Wild Snail Eating)
Another wish, a secret one, flutters by, and it has Aaron’s name on it. I watch it for a moment, fluttering, floating, and then I grab it tight and crush it before anyone else can see it. I can feel the remnants of the mothy wish wings on my skin.
Katherine Webber (Wing Jones)
But for a long time, and probably far too long, I had a secret wish: the adolescently romantic idea that there was someone out there for me; someone I hadn't met yet who would ask me on a date and make sense of my life. I harbored the hope, I'm now embarrassed to admit, that like a girl in a Lifetime movie, I would look into someone's eyes and find a reflection of my inner life. But sometime between my teenage years and the first years in New York, that idea had pretty well evaporated. I'd grown up.
Diane Meier (The Season of Second Chances)
Winning is great, sure, but if you are really going to do something in life, the secret is learning how to lose. Nobody goes undefeated all the time. If you can pick up after a crushing defeat, and go on to win again, you are going to be a champion someday.
Wilma Rudolph
...the wincing sunlight, the ragged gorse and the slow-blinking wings of the moths were witness to an epic Trade in Exotic Terms. Mosca’s opening offer was a number of cant words she had heard pedlars use, words for the drool hanging from a dog’s jaw, words for the greenish sheen on a mouldering strip of bacon. Eponymous Clent responded with some choice descriptions of ungrateful and treacherous women, culled from ballad and classic myth. Mosca countered with some from her secret hoard of hidden words, the terms used by smugglers for tell-alls, and soldiers’ words for the worst kind of keyholestooping spy. Clent answered with crushing and high-sounding examples from the best essays on the natural depravity of unguided youth. Mosca lowered the bucket deep, and spat out long-winded aspersions which long ago she had discovered in her father’s books, before her uncle had over-zealously burned them all. Clent stared at her. ‘This is absurd. I refuse to believe that you have even the faintest idea what an “ethically pusillanimous compromise” is, let alone how one would...’ Clent’s voice trailed away...
Frances Hardinge (Fly by Night)
Beckendorf walked up with his helmet under his arm. “She likes you, man.” “Sure,” I muttered. “She likes me for target practice.” “Nah, they always do that. A girl starts trying to kill you, you know she’s into you.” “Makes a lot of sense.” Beckendorf shrugged. “I know about these things. You ought to ask her to the fireworks.” I couldn’t tell if he was serious. Beckendorf was lead counselor for Hephaestus. He was this huge dude with a permanent scowl, muscles like a pro ballplayer, and hands calloused from working in the forges. He’d just turned eighteen and was on his way to NYU in the fall. Since he was older, I usually listened to him about stuff, but the idea of asking Annabeth to the Fourth of July fireworks down at the beach—like, the biggest dating event of the summer—made my stomach do somersaults. Then Silena Beauregard, the head counselor for Aphrodite, passed by. Beckendorf had had a not-so-secret crush on her for three years. She had long black hair and big brown eyes, and when she walked, the guys tended to watch. She said, “Good luck, Charlie.” (Nobody ever calls Beckendorf by his first name.) She flashed him a brilliant smile and went to join Annabeth on the red team. “Uh . . .” Beckendorf swallowed like he’d forgotten how to breathe. I patted him on the shoulder. “Thanks for the advice, dude. Glad you’re so wise about girls and all. Come on. Let’s get to the woods.
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
All sex is a form of longing even as it happens. Because it happens against the crush of time. Because the surface of the act is public, a cross-grain of fear and ruin. She wanted her body to remain a secret of the past, untouched by complexity and regret. She was superstitious about talking to doctors in detail. She thought they would take her body over, name all the damaged parts, speak all the awful words. She lay for a long time with her eyes closed, trying to drift into sleep. Then she rubbed the cat’s fur and felt her childhood there. It was complete in a touch, everything intact, carried out of old lost houses and fields and summer days into the river of her hand.
Don DeLillo (Mao II)
You work that you may keep pace with the earth and the soul of the earth. For to be idle is to become a stranger unto the seasons, and to step out of life's procession, that marches in majesty and proud submission towards the infinite. When you work you are a flute through whose heart the whispering of the hours turns to music. Which of you would be a reed, dumb and silent, when all else sings together in unison? Always you have been told that work is a curse and labour a misfortune. But I say to you that when you work you fulfil a part of earth's furthest dream, assigned to you when that dream was born, And in keeping yourself with labour you are in truth loving life, And to love life through labour is to be intimate with life's inmost secret. But if you in your pain call birth an affliction and the support of the flesh a curse written upon your brow, then I answer that naught but the sweat of your brow shall wash away that which is written. You have been told also that life is darkness, and in your weariness you echo what was said by the weary. And I say that life is indeed darkness save when there is urge, And all urge is blind save when there is knowledge, And all knowledge is vain save when there is work, And all work is empty save when there is love; And when you work with love you bind yourself to yourself, and to one another, and to God. And what is it to work with love? It is to weave the cloth with threads drawn from your heart, even as if your beloved were to wear that cloth. It is to build a house with affection, even as if your beloved were to dwell in that house. It is to sow seeds with tenderness and reap the harvest with joy, even as if your beloved were to eat the fruit. It is to charge all things you fashion with a breath of your own spirit, And to know that all the blessed dead are standing about you and watching. Often have I heard you say, as if speaking in sleep, "He who works in marble, and finds the shape of his own soul in the stone, is nobler than he who ploughs the soil. And he who seizes the rainbow to lay it on a cloth in the likeness of man, is more than he who makes the sandals for our feet." But I say, not in sleep but in the overwakefulness of noontide, that the wind speaks not more sweetly to the giant oaks than to the least of all the blades of grass; And he alone is great who turns the voice of the wind into a song made sweeter by his own loving. Work is love made visible. And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy. For if you bake bread with indifference, you bake a bitter bread that feeds but half man's hunger. And if you grudge the crushing of the grapes, your grudge distils a poison in the wine. And if you sing though as angels, and love not the singing, you muffle man's ears to the voices of the day and the voices of the night.
Kahlil Gibran (The Prophet)
Savannah’s breath caught in her chest at the realization of how close they were standing. He brushed a strand of hair off her face, his finger leaving a line of heat across her cheek. If they hadn’t been surrounded by people, she would have thought he was about to kiss her. Or maybe he was about to kiss her. Right here, in front of everyone.
Michelle Madow (The Secret Diamond Sisters (The Secret Diamond Sisters, #1))
Then someone else appeared from the crowd, and Annabeth's vision tunneled. Percy smiled at her-that sarcastic, troublemaker's smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago-tanner and taller, leaner and more muscular. Annabeth was to stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She'd secretly had a crush on him sonar they were twelve years old. Last summer, she'd fallen for him hard. They'd been a happy couple together for four months-and then he'd disappeared. During their separation, something had happened to Annabeth's feelings. They'd grown painfully intense-like she'd been forced to withdraw from a life-saving medication. Now she wasn't sure which was more excruciating-living with that horrible absence, or being with him again... Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowds tensed. Some reach d for swords that weren't there. Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, Annabeth wouldn't have cared. Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily. Percy pulled away and studied her face. "Gods, I never thought-" Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!" Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest-a tumor of worry and bitterness that she'd been carrying around since last autumn. "Of you ever leave me again," she said, her eyes stinging, "I swear to all the gods-" Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth. "Consider me warned," Percy said. "I missed you, too." Annabeth rose and helped him to his feet. She wanted to kiss him again SO badly, but she managed to restrain herself. Jason cleared his throat. "So, yeah…It's good to be back…" "And this is Annabeth," Jason said. "Uh, normally she doesn't judo-flip people.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
early development of the region’s secret police. Through both reading and conversations, I sought to understand how ordinary people learned to cope with the new regimes; how they collaborated, willingly or reluctantly; how and why they joined the party and other state institutions; how they resisted, actively or passively; how they came to make terrible choices that most of us in the West, nowadays, never have to face.
Anne Applebaum (Iron Curtain: The Crushing of Eastern Europe, 1944-1956)
The science shows that . . . typical twentieth-century carrot-and-stick motivators—things we consider somehow a “natural” part of human enterprise—can sometimes work. But they’re effective in only a surprisingly narrow band of circumstances. The science shows that “if-then” rewards . . . are not only ineffective in many situations, but can also crush the high-level, creative, conceptual abilities that are central to current and future economic and social progress. The science shows that the secret to high performance isn’t our biological drive (our survival needs) or our reward-and-punishment drive, but our third drive—our deep-seated desire to direct our own lives, to extend and expand our abilities, and to fill our life with purpose.
Peter H. Diamandis (Bold: How to Go Big, Create Wealth and Impact the World (Exponential Technology Series))
There were usually not nearly as many sick people inside the hospital as Yossarian saw outside the hospital, and there were generally fewer people inside the hospital who were seriously sick. There was a much lower death rate inside the hospital than outside the hospital, and a much healthier death rate. Few people died unnecessarily. People knew a lot more about dying inside the hospital and made a much neater job of it. They couldn’t dominate Death inside the hospital, but they certainly made her behave. They had taught her manners. They couldn’t keep Death out, but while she was there she had to act like a lady. People gave up the ghost with delicacy and taste inside the hospital. There was none of that crude, ugly ostentation about dying that was so common outside of the hospital. They did not blow-up in mid-air like Kraft or the dead man in Yossarian’s tent, or freeze to death in the blazing summertime the way Snowden had frozen to death after spilling his secret to Yossarian in the back of the plane. “I’m cold,” Snowden had whimpered. “I’m cold.” “There, there,” Yossarian had tried to comfort him. “There, there.” They didn’t take it on the lam weirdly inside a cloud the way Clevinger had done. They didn’t explode into blood and clotted matter. They didn’t drown or get struck by lightning, mangled by machinery or crushed in landslides. They didn’t get shot to death in hold-ups, strangled to death in rapes, stabbed to death in saloons, blugeoned to death with axes by parents or children, or die summarily by some other act of God. Nobody choked to death. People bled to death like gentlemen in an operating room or expired without comment in an oxygen tent. There was none of that tricky now-you-see-me-now-you-don’t business so much in vogue outside the hospital, none of that now-I-am-and-now-I-ain’t. There were no famines or floods. Children didn’t suffocate in cradles or iceboxes or fall under trucks. No one was beaten to death. People didn’t stick their heads into ovens with the gas on, jump in front of subway trains or come plummeting like dead weights out of hotel windows with a whoosh!, accelerating at the rate of thirty-two feet per second to land with a hideous plop! on the sidewalk and die disgustingly there in public like an alpaca sack full of hairy strawberry ice cream, bleeding, pink toes awry.
Joseph Heller (Catch-22)
Here's what I think: when you're born, you're assigned a brain like you're assigned a desk, a nice desk, with plenty of pigeonholes and drawers and secret compartments. At the start, it's empty, and then you spend your life filling it up. You're the only one who understands the filing system, you amass some clutter, sure, but somehow it works: you're asked the capital of Oregon, and you say Salem; you want to remember your first-grade teacher's name, and there it is, Miss Fox. Then suddenly you're old, and though everything's still in your brain, it's crammed so tight that when you try to remember the name of the guy who does the upkeep on your lawn, your first childhood crush comes fluttering out, or the persistent smell of tomato soup in a certain Des Moines neighborhood.
Elizabeth McCracken (Niagara Falls All Over Again)
My first crush was a sarcastic know-it-all Immortal named Methos, a character from Highlander. To this day I am convinced he is my perfect soulmate. And the focus of my sexual awakening. Lots of people cite the boiler room scene from My So-Called Life, Jareth in Labyrinth, Colin Firth in Pride & Prejudice, or any/all members of the Fellowship of the Ring. But mine happened when Methos rolled out of bed in nothing but boxers to defend his life with a Roman short sword. Unf.
J.M. Frey (The Secret Loves of Geek Girls)
So far, all those who have tried to impose their version of what's right on others have failed. After a few years, or even longer, people always want their freedom and their own rights back. This is because having to obey one concept of right is inherently unjust. God has given each of us a unique sense of right, so when we are forced to live under someone else's for years and years, we run the risk of losing our own. But not everyone can be crushed. Sooner or later the longing for freedom is bound to assert itself. “Without realizing it, I've gone from justice to freedom, but I believe that it is only when these two are combined that something great will happen. “Who knows, perhaps one day people will listen more to that ‘little bit of God—known as a conscience—than to their own desires!
Anne Frank (Anne Frank's Tales from the Secret Annex: A Collection of Her Short Stories, Fables, and Lesser-Known Writings, Revised Edition)
The universe is forever falling apart -- No need to push the button, It collapses at a finger's touch: Why, it barely hangs on the tail of a sparrow's eye. The universe is so much eye secretion, Hordes leap from the tips Of your nostril hairs. Lift your right hand: It's in your palm. There's room enough On the sparrow's eyelash for the whole. A paltry thing, the universe: Here is all the strength, here the greatest strength. You and the sparrow are one And, should he wish, he can crush you. The universe trembles before him.
Shinkichi Takahashi
I focus on my favorite daydream, the one where I return from London at the end of the summer and am all glamorous and drop-dead gorgeous and every girl in my school is completely jealous when Quinn McKeyan asks me to Fall Homecoming because he can’t resist my charm. Hey, it’s my daydream. I can dream what I want to. The thing is, Quinn’s face keeps getting replaced in my head by Dante’s. Since I’ve had a mad crush on Quinn from the time we started kindergarten all the way through our junior year last year, that’s saying something. Every daydream I’ve had for eleven years has been of him. I’m a very loyal daydreamer. And I suddenly feel like I’m cheating on my imaginary boyfriend, a boy who happens to be real, but who has been dating my best friend Becca for the past two years. And no. Becca has no idea that I’m secretly in love with her boyfriend. It’s the one secret that I’ve kept from her.
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
A valley full of genuine suffering, and of joys that often turn out to be false, and so incredibly tumultuous that it takes something God only knows how outrageous to cause a lasting stir. But here and there some immense heaping up of vices and virtues turns mere sorrow grand and solemn, and their very sight makes even selfishness and personal advantage stop and feel pity - though that notion of pity is much like some tasty fruit that gets gobbled right up. Civilization's high-riding chariot, like the believer-crushing car of the idol Juggernaut, barely slows down when it comes to a heart a bit harder to crack, and if such a heart gets in the way it's pretty quickly smashed, and on goes the glorious march.[...] After you've read all about Pere Goriot's miserable secrets, you'll have yourself a good dinner and blame your indifference on the author, scolding him for exaggeration, accusing him of having waxed poetic. Ah, but let me tell you: this drama is not fictional, it's not a novel. All is true - so true you'll be able to recognize everything that goes into it in your own life, perhaps even in your heart.
Honoré de Balzac (Père Goriot)
Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. These secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you're barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free. Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become. Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. There they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
If a snail’s shell gets injured, a repair can be made quickly. New shell material is secreted by the mantle, and where there was once a crack, a scar appears, looking much like a skin scar. Even a missing shell section can be replaced. Oliver Goldsmith described this in 1774: Sometimes these animals are crushed seemingly to pieces, and, to all appearance, utterly destroyed; yet still they set themselves to work, and, in a few days, mend all their numerous breaches … to the re-establishment of the ruined habitation. But all the junctures are very easily seen, for they have a fresher colour than the rest; and the whole shell, in some measure, resembles an old coat patched with new pieces.
Elisabeth Tova Bailey (The Sound of a Wild Snail Eating)
I’ve been in your skin,” he taunted. “I know you inside and out. There’s nothing there. Do us all a favor and die so we can start working on another plan and quit thinking maybe you’ll grow the fuck up and be capable of something.” Okay, enough! “You don’t know me inside and out,” I snarled. “You may have gotten in my skin, but you have never gotten inside my heart. Go ahead, Barrons, make me slice and dice myself. Go ahead, play games with me. Push me around. Lie to me. Bully me. Be your usual constant jackass self. Stalk around all broody and pissy and secretive, but you’re wrong about me. There’s something inside me you’d better be afraid of. And you can’t touch my soul. You will never touch my soul!” I raised my hand, drew back the knife, and let it fly. It sliced through the air, straight for his head. He avoided it with preternatural grace, a mere whisper of a movement, precisely and only as much as was required to not get hit. The hilt vibrated in the wood of the ornate mantel next to his head. “So, fuck you, Jericho Barrons, and not the way you like it. Fuck you—as in, you can’t touch me. Nobody can.” I kicked the table at him. It crashed into his shins. I picked up a lamp from the end table. Flung it straight at his head. He ducked again. I grabbed a book. It thumped off his chest. He laughed, dark eyes glittering with exhilaration. I launched myself at him, slammed a fist into his face. I heard a satisfying crunch and felt something in his nose give. He didn’t try to hit me back or push me away. Merely wrapped his arms around me and crushed me tight to his body, trapping my arms against his chest. Then, when I thought he might just squeeze me to death, he dropped his head forward, into the hollow where my shoulder met my neck. “Do you miss fucking me, Ms. Lane?” he purred against my ear. Voice resonated in my skull, pressuring a reply. I was tall and strong and proud inside myself. Nobody owned me. I didn’t have to answer any questions I didn’t want to, ever again. “Wouldn’t you just love to know?” I purred back. “You want more of me, don’t you, Barrons? I got under your skin deep. I hope you got addicted to me. I was a wild one, wasn’t I? I bet you never had sex like that in your entire existence, huh, O Ancient One? I bet I rocked your perfectly disciplined little world. I hope wanting me hurts like hell!” His hands were suddenly cruelly tight on my waist. “There’s only one question that matters, Ms. Lane, and it’s the one you never get around to asking. People are capable of varying degrees of truth. The majority spend their entire lives fabricating an elaborate skein of lies, immersing themselves in the faith of bad faith, doing whatever it takes to feel safe. The person who truly lives has precious few moments of safety, learns to thrive in any kind of storm. It’s the truth you can stare down stone-cold that makes you what you are. Weak or strong. Live or die. Prove yourself. How much truth can you take, Ms. Lane?” Dreamfever
Karen Marie Moning
And do not try to be so brave. I am your lifemate.You cannot hide from me something as powerful as fear." "Trepidation," she corrected, nibbling at the pad of his thumb. "Is there a difference?" His pale eyes had warmed to molten mercury. Just that fast, her body ent liquid in answer. "You know very well there is." She laughed again, and the sound traveled down from his heart to pool in his groin, a heavy,familiar ache. "Slight, perhaps, but very important." "I will try to make you happy, Savannah," he promised gravely. Her fingers went up to brush at the thick mane of hair falling around his face. "You are my lifemate, Gregori. I have no doubt you will make me happy." He had to look away,out the window into the night. She was so good, with so much beauty in her, while he was so dark, his goodness drained into the ground with the blood of all the lives he had taken while he waited for her. But now,faced with the reality of her, Gregori could not bear her to witness the blackness within him, the hideous stain across his soul. For beyond his killing and law-breaking, he had committed the gravest crime of all. And he deserved the ultimate penalty, the forfeit of his life. He had deliberately tempered with nature.He knew he was powerful enough, knew his knowledge exeeded the boundaries of Carpathian law. He had taken Savannah's free will, manipulated the chemistry between them so that she would believe he was her true lifemate. And so she was with him-less than a quarter of a century of innocence pitted against his thousand years of hard study.Perhaps that was his punishment, he mused-being sentenced to an eternity of knowing Savannah could never really love him, never really accept his black soul.That she would be ever near yet so far away. If she ever found out the extent of his manipulation, she would despise him. Yet he could never,ever, allow her to leave him. Not if mortals and immortals alike were to be safe. His jaw hardened, and he stared out the window, turning slightly away from her. His mind firmly left hers, not wanting to alert her to the grave crime he had committed.He could bear torture and centuries of isolation, he could bear his own great sins, but he could not endure her loathing him. Unconsciously, he took her hand in his and tightened his grip until it threatened to crush her fragile bones. Savannah glanced at him, let out a breath slowly to keep from wincing, and kept her hand passively in his.He thought his mind closed to her.Didn't believe she was his true lifemate. He truly believed he had manipulated the outcome of their joining unfairly and that somewhere another Carpathian male with the chemistry to match hers might be waiting.Though he had offered her free access to his mind, had himself given her the power,to meld her mind with his,both as her wolf and as her healer before she was born,he likely didn't think a woman,a fledging, and one who was not his true lifemate, could possibly have the skill to read his innermost secrets.But Savannah could. And completing the ancient ritual of lifemates had only strengthened the bond.
Christine Feehan (Dark Magic (Dark, #4))
If the intellectuals in the plays of Chekhov, who spent all their time guessing what would happen in twenty, thirty, or forty years, had been told that in forty years interrogation by torture would be practiced in Russia; that prisoners would have their skulls squeezed with iron rings; that a human being would be lowered into an acid bath; that they would be trussed up naked to be bitten by ants and bedbugs; that a ramrod heated over a primus stove would be thrust up their anal canal (the ‘secret brand’); that a man’s genitals would be slowly crushed beneath the toe of a jackboot; and that, in the luckiest possible circumstances, prisoners would be tortured by being kept from sleeping for a week, by thirst, and by being beaten to a bloody pulp, not one of Chekhov’s plays would have gotten to its end because all the heroes would have gone off to insane asylums.
Aleksandr Solzhenitsyn (The Gulag Archipelago)
But she merely lifted her chin. “I am going, Rowan. I will gather the rest of my court—our court—and then we will raise the greatest army the world has ever witnessed. I will call in every favor, every debt owed to Celaena Sardothien, to my parents, to my bloodline. And then…” She looked toward the sea, toward home. “And then I am going to rattle the stars.” She put her arms around him—a promise. “Soon. I will send for you soon, when the time is right. Until then, try to make yourself useful.” He shook his head, but gripped her in a bone-crushing embrace. He pulled back far enough to look at her. “Perhaps I’ll go help repair Mistward.” She nodded. “You never told me,” she said, “what you were praying to Mala for that morning before we entered Doranelle.” For a moment, it looked like he wouldn’t tell her. But then he quietly said, “I prayed for two things. I asked her to ensure you survived the encounter with Maeve—to guide you and give you the strength you needed.” That strange, comforting warmth, that presence that had reassured her … the setting sun kissed her cheeks as if in confirmation, and a shiver went down her spine. “And the second?” “It was a selfish wish, and a fool’s hope.” She read the rest of it in his eyes. But it came true. “Dangerous, for a prince of ice and wind to pray to the Fire-Bringer,” she managed to say. Rowan shrugged, a secret smile on his face as he wiped away the tear that escaped down her cheek. “For some reason, Mala likes me, and agreed that you and I make a formidable pair.” But she didn’t want to know—didn’t want to think about the Sun Goddess and her agenda as she flung herself on Rowan, breathing in his scent, memorizing the feel of him. The first member of her court—the court that would change the world. The court that would rebuild it. Together.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
This is why it is not true that culture can be, even temporarily, suspended in order to make way for a new culture. Man’s unbroken testimony as to his suffering and his nobility cannot be suspended; the act of breathing cannot be suspended. There is no culture without legacy, and we cannot and must not reject anything of ours, the legacy of the West. Whatever the works of the future may be, they will bear the same secret, made up of courage and freedom, nourished by the daring of thousands of artists of all times and all nations. Yes, when modern tyranny shows us that, even when confined to his calling, the artist is a public enemy, it is right. But in this way tyranny pays its respects, through the artist, to an image of man that nothing has ever been able to crush. My conclusion will be simple. It will consist of saying, in the very midst of the sound and the fury of our history: “Let us rejoice.
Albert Camus
By that tomb grows Gibran's sorrow together with the cypress trees, and above the tomb his spirit flickers every night commemorating Selma, joining the branches of the trees in sorrowful wailing, mourning and lamenting the going of Selma, who, yesterday was a beautiful tune on the lips of life and today is a silent secret in the bosom of the earth. . Solitude has soft, silky hands, but with strong fingers it grasps the heart and makes it ache with sorrow. Solitude is the ally of sorrow as well as a companion of spiritual exaltation. . He lives spiritually in the past because the present passes swiftly, and the future seems to him an approach to the oblivion of the grave. . Now I know that there is something higher than heaven and deeper than the ocean and stranger than life and death and time. I know now what I did not know before. . When I walked in the fields, I saw the token of Eternity in the awakening of nature, and when I sat by the seashore I heard the waves singing the song of Eternity. . We were three people, gathered and crushed by the hands of destiny; and all of us were toys in the hands of fate. . Be happy because I shall live in you after my death. . This is the only friend I shall have after you are gone, but how can he console me when he is suffering also? How can a broken heart find consolation in a disappointed soul? A sorrowful woman cannot be comforted by her neighbour's sorrow, nor can a bird fly with broken wings. . It is hard to write down in words the memories of those hours when I met Selma −−those heavenly hours, filled with pain, happiness, sorrow, hope, and misery. . A bird with broken wings cannot fly in the spacious sky. . He was born like a thought and died like a sigh and disappeared like a shadow. . His life began at the end of the night and ended at the beginning of the day.
Kahlil Gibran (The Broken Wings)
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
Stephanie Garber (Legendary (Caraval, #2))
Ah, I believe Schacht. Only too willingly; that’s to say, I think what he says is absolutely true, for the world is incomprehensibly crass, tyrannical, moody, and cruel to sickly and sensitive people. Well, Schacht will stay here for the time being. We laughed at him a bit, when he arrived, that can’t be helped either, Schacht is young and after all can’t be allowed to think there are special degrees, advantages, methods, and considerations for him. He has now had his first disappointment, and I’m convinced that he’ll have twenty disappointments, one after the other. Life with its savage laws is in any case for certain people a succession of discouragements and terrifying bad impressions. People like Schacht are born to feel and suffer a continuous sense of aversion. He would like to admit and welcome things, but he just can’t. Hardness and lack of compassion strike him with tenfold force, he just feels them more acutely. Poor Schacht. He’s a child and he should be able to revel in melodies and bed himself in kind, soft, carefree things. For him there should be secret splashings and birdsong. Pale and delicate evening clouds should waft him away in the kingdom of Ah, What’s Happening to Me? His hands are made for light gestures, not for work. Before him breezes should blow, and behind him sweet, friendly voices should be whispering. His eyes should be allowed to remain blissfully closed, and Schacht should be allowed to go quietly to sleep again, after being wakened in the morning in the warm, sensuous cushions. For him there is, at root, no proper activity, for every activity is for him, the way he is, improper, unnatural, and unsuitable. Compared with Schacht I’m the trueblue rawboned laborer. Ah, he’ll be crushed, and one day he’ll die in a hospital. or he’ll perish, ruined in body and soul, inside one of our modern prisons.
Robert Walser (Jakob von Gunten)
His instinct of a successful man had taught him long ago that, as a general rule, a reputation is built on manner as much as on achievement. And he felt that his manner when confronted with the telegram had not been impressive. He had opened his eyes widely, and had exclaimed 'Impossible!' exposing himself thereby to the unanswerable retort of a finger-tip laid forcibly on the telegram which the Assistant Commissioner, after reading it aloud had flung on the desk. To be crushed, as it were, under the tip of a forefinger was an unpleasant experience. Very damaging too! Furthermore, Chief Inspector Heat was conscious of not having mended matters by allowing himself to express a conviction. 'One thing I can tell you at once: none of our lot had anything to do with this.' He was strong in his integrity of a good detective, but he saw now that an impenetrably attentive reserve towards this incident would have served his reputation better. On the other hand, he admitted to himself that it was difficult to preserve one's reputation if rank outsiders were going to take a hand in the business. Outsiders are the bane of the police as of other professions.
Joseph Conrad (The Secret Agent)
In a world dominated by violent and passive-aggressive men, and by male institutions dispensing violence, it is extraordinary to note how often women are represented as the perpetrators of violence, most of all when we are simply fighting in self-defense or for our children, or when we collectively attempt to change the institutions that are making war on us and on our children. In reality, the feminist movement could be said to be trying to visualize and make way for a world in which abortion would not be necessary; a world free from poverty and rape, in which young girls would grow up with intelligent regard for and knowledge of their bodies and respect for their minds, in which the socialization of women into heterosexual romance and marriage would no longer be the primary lesson of culture; in which single women could raise children with a less crushing cost to themselves, in which female creativity might or might not choose to express itself in motherhood. Yet, when radical feminists and lesbian/feminists begin to speak of such a world, when we begin to sketch the conditions of a life we have collectively envisioned, the first charge we are likely to hear is a charge of violence: that we are “man-haters.” We hear that the women’s movement is provoking men to rape; that it has caused an increase in violent crimes by women; and when we demand the right to rear our children in circumstances where they have a chance for more than mere physical survival, we are called fetus-killers. The beating of women in homes across this country, the rape of daughters by fathers and brothers, the fear of rape that keeps old—as well as young—women off the streets, the casual male violence that can use a car to run two jogging women off a country road, the sadistic exploitation of women’s bodies to furnish a multibillion-dollar empire of pornography, the decision taken by powerful white males that one-quarter of the world’s women shall be sterilized or that certain selected women—poor and Third World—shall be used as subjects for psychosurgery and contraceptive experiments—these ordinary, everyday events inevitably must lead us to ask: who indeed hates whom, who is killing whom, whose interest is served, and whose fantasies expressed, by representing abortion as the selfish, willful, morally contagious expression of woman’s predilection for violence?
Adrienne Rich (On Lies, Secrets, and Silence: Selected Prose 1966-1978)
THE THEOPHANY, TECCAM writes of secrets, calling them painful treasures of the mind. He explains that what most people think of as secrets are really nothing of the sort. Mysteries, for example, are not secrets. Neither are little-known facts or forgotten truths. A secret, Teccam explains, is true knowledge actively concealed. Philosophers have quibbled over his definition for centuries. They point out the logical problems with it, the loopholes, the exceptions. But in all this time none of them has managed to come up with a better definition. That, perhaps, tells us more than all the quibbling combined. In a later chapter, less argued over and less well-known, Teccam explains that there are two types of secrets. There are secrets of the mouth and secrets of the heart. Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. These secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free. Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become. Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. There they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them. Modern philosophers scorn Teccam, but they are vultures picking at the bones of a giant. Quibble all you like, Teccam understood the shape of the world.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
About the time that I reentered the Bruce family, an event occurred of disastrous import to the colored people. The slave Hamlin, the first fugitive that came under the new law, was given up by the blood-hounds of the north to the bloodhounds of the south. It was the beginning of a reign of terror to the colored population. The great city rushed on its whirl of excitement, taking no note of the "short and simple annals of the Poor." But while fashionables were listening to the thrilling voice of Jenny Lind in Metropolitan Hall, the thrilling voices of poor hunted colored people went up, in an agony of supplication, to the Lord, from Zion's church. Many families, who had lived in the city for twenty years, fled from it now. Many a poor washerwoman, who, by hard labor, had made herself a comfortable home, was obliged to sacrifice her furniture, bid a hurried farewell to friends, and seek her fortune among strangers in Canada. Many a wife discovered a secret she had never known before—that her husband was a fugitive, and must leave her to insure his own safety. Worse still, many a husband discovered that his wife had fled from slavery years ago, and as "the child follows the condition of its mother," the children of his love were liable to be seized and carried into slavery. Every where, in those humble homes, there was consternation and anguish. But what cared the legislators of the "dominant race" for the blood they were crushing out of trampled hearts?
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
I never wanted it to end. I wondered if it felt like this the first time. Seeing him. Really seeing him. He wiped his eyes. “You really want to know, don’t you.” “Yeah.” “Why?” I gave in. I couldn’t not. I reached over and put my hand on his knee. He tensed briefly but settled when I curled my fingers over his leg, just letting my hand rest there. I couldn’t look at him. I thought my face was on fire. He said, “That’s….” His voice broke. He cleared his throat. “After the hunters came, something shifted. Between us. I don’t know how or why exactly. You stopped being weird around me.” “Seems like I’ve picked that right up again.” He chuckled. “A little. It’s okay, though. It’s like… a beginning. You came to me one day. You were sweating. I remember thinking something bad had happened because you kept wringing your hands until I thought you were going to break your bones. I asked you what was wrong. And you know what you said? “Probably something stupid.” “You said that you didn’t think you could ever give up on me. That no matter how long it took, you would be there until I told you otherwise. That you weren’t going to push me for anything but you thought I should know that you had… intentions.” “Oh dear god,” I said in horror. “And that worked?” Kelly snorted, and I felt his hand on the back of mine. “Not quite. But what you said next did.” I looked over at him. “What did I say?” He was watching me with human eyes, and I thought I could love him. I saw how easy it could be. I didn’t, not yet, but oh, I wanted to. “You said you thought the world of me. That we’d been through so much and you couldn’t stand another day if I didn’t know that. You told me that you were a good wolf, a strong wolf, and if I’d only give you a chance, you’d make sure I’d never regret it.” I had to know. “Have you?” “No,” he whispered. “Not once. Not ever.” He looked away. “It was good between us. We took it slow. You smiled all the time. You brought me flowers once. Mom was pissed because you ripped them up from her flower bed and there were still roots and dirt hanging from the bottom, but you were so damn proud of yourself. You said it was romantic. And I believed you.” He plucked a blade of grass and held it in the palm of his hand. “There was something… I don’t know. Endless. About you and me.” He took my hand off his knee and turned it over. He set the blade of grass in my palm and closed his hand over mine. He looked toward the sky and the stars through the canopy of leaves. “We came here sometimes. Just the two of us. And you would pretend to know all the stars. You would make up stories that absolutely weren’t true, and I remember looking at you, thinking how wonderful it was to be by your side. And if we were lucky, there’d be—ah. Look. Again.” His voice was wet and soft, and it cracked me right down the middle. Fireflies rose around us, pulsing slowly. At first there were only two or three, but then more began to hang heavy in the air. They were yellow-green, and I wondered how this could be real. Here. Now. This moment. How I ever could have forgotten this. Forgotten him. It had to have been the strongest magic the world had ever known. That was the only way I’d have ever left his side. He reached out with his other hand, quick and light, and snatched a firefly out of the air. He was careful not to crush it. He leaned his head toward mine like he was about to tell me a great secret. Instead he opened his hand between us. The firefly lay near the bottom of his ring finger. Its shell was black with a stripe down the middle. It barely moved. “Just wait,” Kelly whispered. I did. It only took a moment. The firefly pulsed in his hand. “There it is,” he said. He pulled away and lifted his hand. The firefly took to its wings, lifting off and flying away. He stared after it. I only had eyes for him.
T.J. Klune (Heartsong (Green Creek, #3))