Second Fiddle Quotes

And I know I’m about to play second fiddle to another woman, as I should. But my love for you will never change, Maxon.

Music is my mistress, and she plays second fiddle to no one.

I think the issue of female friendship really resonates well with women, ... So many women have a friend like Darcy or can relate to the feeling of being second-fiddle to a friend.

I’ve gotten used to playing second fiddle in the orchestra of us,

Morpheus grunts, low in his chest. “I am not going to wait around and play second fiddle to Jebediah while your mortal side grows to understand and trust me.” “You’re not second best. You and I get to have forever. Forever . Jeb has one life. It’s only fair I spend it with him.” I dance around the truth, as close as I’m willing to get. “ Fair? All this time, he’s been with you during your waking hours. I’ve ever only had you in your dreams. I want you in reality. I’ve waited for what feels like a thousand years already. It is time for our forever to begin.”

Ah, selfish. There’s that word again.” Sherry smirked. “It’s been hurled at me many a time, because being a mother and wife is all about selflessness, see?” She imitated a perky, syrupy-sweet voice. “Giving up every molecule of your soul. If you want anything for yourself, you’re accused of being selfish. Marriage and especially motherhood mean being condemned to play second fiddle your entire life.

Fully compliant, accommodating, and happy to continually play second fiddle, the codependent will put himself out if the net result is some form of gratitude or meaningful approval.

In choosing, moreover, for his father an amiable man of fifty-two, who had already lost an only son, and for his mother a woman of thirty-eight, whose first and only child he was, little Jon had done well and wisely. What had saved him from becoming a cross between a lap dog and a little prig, had been his father's adoration of his mother, for even little Jon could see that she was not merely just his mother, and that he played second fiddle to her in his father's heart: What he played in his mother's heart he knew not yet.

I am tired of playing second fiddle to your dick, your senior year, and your life in general; it's about time I get a life of my own.

Now we were doomed to play second fiddle to the sperm-shooters for all eternity; a feminine footnote to the macho main event.

Even if we married, I might always be second fiddle to his cello, his mistress as he devoted himself more to his music.

It's not a bad thing to play second fiddle if the first chair is a virtuoso.

I wonder if you have any idea, my darling Will, what it’s been like having to play second fiddle every day of my life to such an amazing, beautiful, perfectly wonderful sister.” Will

To Jung, the purpose of life was to realize one's own potential, to follow one's own perception of the truth, and to become a whole person in one's own right. This was the goal of individuation, as he later called it. If he was to keep faith with himself, he had to go his own way: it would have been impossible for him to spend his life playing second fiddle in a two-man band.

If we had known it would eventually involve the KGB, the French National Police, and the Supreme Allied Commander in Europe, we would have left that body in the river and called the Polizei like any normal German citizen; but we were Americans and addicted to solving other people’s problems, so naturally, we got involved.

spirit. These rich curves feel crafted by hand, not computer. Dashing — maybe even exuberant — Baskerville has been known to steal the show, so be sure the content fits it (or doesn’t mind playing second fiddle). Good for: Debonair swagger.

It was altogether a different story now. Abhilasha started coming out of the cold aloofness which had become her second nature, while for Arvind, it was like ‘fiddle found a melody’. He was in love with his life again. With their growing intimacy, came the desire to meet each other. And at last it materialised when they fixed a date for meeting. The long awaited day came. A sleepless night of nervous apprehension, culminated at dawn, as Abhilasha could no longer lie down. While there was much excitement at the prospect of meeting him but the possibility of a probable mismatch between the real Arvind and the virtual one, loomed large on her mind, making her feel nervous.

At dawn, a ray of sunlight slanted from the steeple of St. Antoine's church, glanced off a window on Grant Street and finally alighted on a beer can lying in the middle of the pavement.

As we strolled into the hospital, I couldn’t help thinking about Maroon 5’s “Harder to Breathe” because I was having a difficult time staying calm. I had been kidnapped and beaten senseless by an agent of Lucifer, and yet the white coats the doctors wore scared me just as badly. The men who had taken me from my mother wore those same damned lab coats. Every time I saw one, it awakened a dormant fear inside me—fear that I’d be dragged away from someone I loved again, fear that I’d be placed into the waiting hands of another horrible person. It would never truly go away. Michael’s shoulder bumped mine, which shook me out of my thoughts. I glanced at him. “What?” “You’re frowning.” “Am I supposed to be smiling right now?” He faced forward, looking at our reflection in the elevator doors. “No, but you look like you’re about to bolt at any second.” I watched the digital numbers change one by one as we rose up to the right floor, fiddling with the rosary in the pocket of my leather jacket. Somehow, the beads had a calming effect on me. “I’m fine.” “Hard ass.” A tiny smirk touched my lips. “Stop thinking about my butt. You’re an archangel.” He grinned, but didn’t reply.

New elements, she thought, pleased with the challenge. Roarke had been fiddling, adding some elements and upgrades. When she engaged in hand-to-hand with the second thief, she knew he’d fiddled with the programming with her in mind.

Come on,” I said. “Let’s reconnect this bad boy.” Getting the dragon’s head to the bottom was easy. It tumbled right down the slope and hit the neck with a loud, metallic BONK! Reconnecting it was harder. We had no tools and no experience. Annabeth fiddled with the wires and cursed in Ancient Greek. “We need Beckendorf. He could do this in seconds.” “Isn’t your mom the goddess of inventors?” I asked. Annabeth glared at me. “Yes, but this is different. I’m good with ideas. Not mechanics.” “If I was going to pick one person in the world to reattach my head,” I said, “I’d pick you.” I just blurted it out—to give her confidence, I guess— but immediately I realized it sounded pretty stupid. “Awww. . .” Silena sniffled and wiped her eyes. “Percy, that is so sweet!

Grandma did not pretend to be sorry; she said, “Poor Bertha,” but she said it with the humor she was a crackerjack at, as thin and full of play as fiddle wire, and she took much credit for not going in for that kind of second marriage. I quit thinking long ago that all old people came to rest from the things they were out for in their younger years. But that was what she wanted us to believe—“an old baba like me”—and accordingly we took her at her word to be old disinterested wisdom who had put by her vanity.

I'm going to imagine that converstion now. 'Hi, Mom, it's me. I ran away to Paris with a stranger I met under a bridge. He's really old, too, like twenty-five or something, and a soldier, so I helped him desert from his army, and, oh, did I mention he's a Communist'...

By the end of the second day a very fine head was revealed. Yes, a very fine head indeed, sharp beard, drooped mustache, heavy-lidded eyes outlined black. And no cinnabar on the lips; that was a measure of my painter’s caliber: excitingly as cinnabar first comes over, he’d known that, given twenty years, lime would blacken it. And, as the first tinges of garment appeared, that prince of blues, ultramarine ground from lapis lazuli, began to show—that really confirmed his class—he must have fiddled it from a monastic job—no village church could have run to such expense. (And abbeys only took on the top men.) But it was the head, the face, which set a seal on his quality. For my money, the Italian masters could have learned a thing or two from that head. This was no catalogue Christ, insufferably ethereal. This was a wintry hardliner. Justice, yes there would be justice. But not mercy. That was writ large on each feature for when, by the week’s end, I reached his raised right hand, it had not been made perfect: it was still pierced. This was the Oxgodby Christ, uncompromising… no, more—threatening. “This is my hand. This is what you did to me. And, for this, man shall suffer the torment, for thus it was with me.

My bottom is itchy so I stop in the middle of the landing and scratch it lightly. The fiddling merely tantalises the itch, and it becomes more aggressive. I respond in kind, dragging my fingernails across my fundament in a frenzied jerking motion. With one hand braced against the wall, I’m now grabbing and clawing at the angry aperture, slashing and scraping in a bid to ease the sensation. It’s a delicious relief but I know it’s merely stoking the irritation. And so after a final flurry – scrit, scrit, scrit, scrit, scit, scrit, scrit, scrit, scrit, scrit, scrit, scrit, scrit, scrit, scrit, scrit, scrit, scrit – I stop scratching. My backside pleads with me to continue but I resist, and in a few seconds the itch subsides on its own, as I knew it would.10 I

He gave him a second, then in a bright tone said, “How is it we never had king and emperor on our list of potential careers? When you think about it, it beats the heck out of winemakers, actors, and fishermen.” “You always think everything is so easy,” Royce replied, wiping his eyes. “I’m just a glass-half-full kinda guy. How’s your glass looking these days?” “I have no idea. I’m still trying to get over the sheer size of it.” Hadrian nodded. “Speaking of glasses…” He lifted his head when he heard the sound of a fiddle and pipe. He put his arm around Royce’s shoulder and led him off the bridge. “How about a nice pint of Armigil’s brew?” “You know I hate beer.” “Well, I’m not sure you can really call what she brews beer. Think of it more as… an experience.

Some people write by day, others by night. Some people need silence, others turn on the radio. Some write by hand, some by typewriter or word processor, some by talking into a tape recorder. Some people write their first draft in one long burst and the revise; others can't write the second paragraph until they have fiddled endlessly with the first. But all of them are vulnerable and all of them are tense.

The fiddle game was a con. The way they’d explained it to Ben, a guy goes into a restaurant carrying a fiddle, orders food, eats, and then claims he can’t pay because he left his wallet somewhere else. So he offers to leave his fiddle behind as collateral while he goes to get his money. The restaurant owner agrees, and the guy leaves. After that, a second guy, who’s in on the game, comes up and tells the restaurant owner that the fiddle is special, it’s worth a lot of money, and he wants to buy it. Then, all of a sudden, the second guy has to go to an appointment or something, but he leaves his business card behind. So now the restaurant owner starts thinking he’s got something really valuable on his hands, this fiddle, and when the owner of the instrument comes back, the restaurant owner offers to buy it. The guy says he couldn’t possibly part with it, it’s his livelihood, so the restaurant owner offers more money, knowing he can make it back when he sells it. They haggle, and finally agree on a price, and the fiddle owner leaves with the money. Trouble is, when the restaurant owner goes to call the fake buyer, he can’t find him. The two guys split the money, and the restaurant owner is left with a piece-of-crap fiddle.

She gave me her limp hand. It felt damp and unresponsive and small and I could not continue the gesture into an embrace. She withdrew her hand and began to fiddle in her handbag. She brought out a fragment of the mirror which had been broken by Rosina’s kick, then a small white handkerchief. As soon as she had the handkerchief in her hand she began very quietly to cry. I felt so touched and sad, and yet so oddly proudly detached and somehow sentimental, as I seemed to see in a second, all rolled up into a ball and all vanishing, some life that I might have had with Lizzie, my Cherubino, my Ariel, my Puck, my son: some life we might have had together if I had been different, and she had been different. Now it was gone, whatever happened next, and the world was changed.

I beg your pardon?" says Howard. Freddie clears his throat, and forces himself to look Howard in the eye. "I said, I'm God." He folds his arms very tightly, and looks away over Howard's shoulder. He is plainly embarrassed. So is Howard. He is embarrassed to have embarrassed Freddie. "I'm terribly sorry," says Howard. "Can't be helped," says Freddie. "Just one of those things." "I mean, I'm sorry not to have known." "Not at all. I'm sorry I had to spring it on you like that." There is an awkward silence. Freddie fiddles with his biscuit, breaking it into small pieces, and dropping crumbs which catch in the hairy surface of his trousers. "Well," says Howard. "Congratulations." "Oh," says Freddie. "Thanks." ---------- The more Howard thinks about it, the less he knows where to look or what to do with his hands. He tries putting them behind his back and looking at the floor, smiling reflectively. Freddie is having difficulties, too. He puts his dry biscuit down, and with his left hand seizes his right elbow. With his right hand he takes hold of his chin. Then he, too, examines the floor. "On second thoughts," he says, "I don't know about congratulations. Not like being elected to a fellowship, or whatever. Wasn't open to other candidates, you see.

Honestly, I'm relieved. Finally someone's calling Athena out on her bullshit, on her deliberately confusing sentence structures and cultural allusions. Athena likes to make her audience "work for it." On the topic of cultural exposition, she's written that she doesn't "see the need to move the text closer to the reader, when the reader has Google, and is perfectly capable of moving closer to the text." She drops in entire phrases in Chinese without adding any translations—her typewriter doesn't have Chinese characters, so she left spaces and wrote them out by hand. It took me hours of fiddling with an OCR to search them online, and even then I had to strike out about half of them. She refers to family members in Chinese terms instead of English, so you're left wondering if a given character is an uncle or a second cousin. (I've read dozens of guides to the Chinese kinship nomenclature system by now. It makes no goddamn sense.) She's done this in all her other novels. Her fans praise such tactics as brilliant and authentic—a diaspora writer's necessary intervention against the whiteness of English. But it's not good craft. It makes the prose frustrating and inaccessible. I am convinced it is all in service of making Athena, and her readers, feel smarter than they are. "Quirky, aloof, and erudite" is Athena's brand. "Commercial and compulsively readable yet still exquisitely literary," I've decided, will be mine.

Miss Bronson,” Jason said to Elizabeth with extreme casualness, “are you enjoying the evening so far?” Elizabeth fiddled with the silver dance card and made a show of adjusting the ribbon around her wrist. “Very much, Mr. Somers.” Staring at Elizabeth's down-bent head, with all the silky dark curls confined with pins, Jason spoke a bit gruffly. “I thought I should approach you before every place on your dance card was filled—or is it already too late?” “Hmmm… let me see…” Elizabeth flipped back the silver lid and consulted the tiny pages, deliberately drawing out the moment. Holly bit back a smile, knowing that Elizabeth had followed her advice and saved a few spaces for just an occasion such as this. “I suppose I could squeeze you in somewhere,” Elizabeth said, pursing her lips thoughtfully. “The second waltz, perhaps?” “The second waltz it is,” he said. “I'll be interested to discover if your dancing skills are more advanced than your architectural taste.” Elizabeth responded to the little jab by turning to Holly and adopting a look of round-eyed puzzlement. “Is that an example of witty repartee, my lady?” she asked, “or is he by chance saving that for later?” “I believe,” Holly said with a soft laugh, “that Mr. Somers is attempting to provoke you.” “Really.” Elizabeth turned back to Jason. “Does that technique usually attract many girls, Mr. Somers?” “I'm not trying to attract all that many,” he said with a sudden grin. “Only one, in fact.

Years later I saw a film - poignantly sad, and for me unbearably so - about a scientist who had invented a kind of total sense recorder, not just video but audio and smellio and touchio and the rest, which he set to play every afternoon in a given place a given time, for as long as the mechanism lasted. The scene he projected was that of a dozen or so young couples dancing on a terrace in the same holiday house, on the same island, where the recorder itself was kept. Then this young man comes across it while it is playing and at first is convinced he is watching a real occurrence: he sees this beautiful girl, in her slinky 1930s outfit, dancing and laughing and chattering with her friends, and he falls in love with her on the spot. Second day, same time around, he comes to the island at a slightly different time so he sees a slightly different excerpt, and still doesn't twig and falls deeper in love. And so on and so forth for various days until he happens on a duplicate bit and realises something is wrong. But by then, of course, he is irretrievably hooked. So what does he do? He digs out the machine, fiddles with its insides until he has grasped its workings, and then sets it up in recording mode and records himself into the scene in a desperate last-ditch attempt to join the dancers. Which works, and there he stays: trapped there amongst them in a virtual dimension, forever young, forever re-enacting the same little loop of life, over and over.

In an internal panic, I picked up the phone and hurriedly pushed redial. I had to catch Rhonda the Realtor, had to tell her wait, hold off, don’t let it go, I’m not sure, hang on, give me another day…or two…or three. But when the numbers finished dialing, I heard no ringing; instead, in a perfect moment of irony, coincidence, and serendipity, I heard Marlboro Man’s voice on the other end. “Hello?” he asked. “Oh,” I replied. “Hello?” “Hey, you,” he replied. So much for calling Rhonda the Realtor. Three seconds into the phone call, Marlboro Man’s voice had already taken hold. His voice. It weakened my knees, destroyed my focus, ruined my resolve. When I heard his voice, I could think of nothing but wanting to see him again, to be in his presence, to drink him in, to melt like butter in his impossibly strong arms. When I heard his voice, Chicago became nothing but a distant memory. “What’re you up to?” he continued. I could hear cattle in the background. “Oh, just getting a few things done,” I said. “Just tying up a few loose ends.” “You’re not moving to Chicago today, are you?” he said with a chuckle. He was only halfway joking. I laughed, rolling over in my bed and fiddling with the eyelet ruffle on my comforter. “Nope, not today,” I answered. “What are you doing?” “Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on.

A pirate! A black patch covered her rescuer's left eye. The elastic holding it in place drew a thin line between his dark brows and across his forehead. His dark hair was wet, and slicked back off his lean face. His strong jaw was hazed with dark bristle. His face bore the austere lines of a man hounded by demons and comfortable with danger. He looked scruffy, unkempt, and strangely appealing. Tally attributed her reaction to being delirious with shock. "Seen enough?" he asked dryly as she continued to stare. "Or do you want me to turn around?" By all means, do. "Sorry. I wasn't really looking looking-I zoned out there for a second." Very smooth, Tallulah. "I wasn't looking looking"? Oh, brother. She blew out a sigh. He wasn't quite a giant, but he was solidly built, and towered over her own not insubstantial five foot nine by a good five or six inches. Six foot four of sheer power, hard muscle, and sex appeal. His broad, darkly tanned shoulders gleamed with moisture. Salt water glittered like tiny diamonds in the hair on his chest and on the silky dark hair on his thickly muscled legs. His hands and feet were enormous. "Understandable." His mocking and enigmatic gaze took in her clinging clothes, bare feet, and grim hold on the railing as his boat rode the swells. There wasn't a thing she could do about her appearance, so she didn't bother fiddling. Besides, she didn't want to draw attention to the wet transparency of her blouse. Not that he looked the type to be crazed by lust. Especially for a woman like her. Perversely disappointed, she realized that far from being crazed with lust at the sight of her size A boobs, the pirate hadn't even noticed he could see right through her shirt. That one, piercing, whiskey-colored eye locked onto her, and Tally's stomach did a weird little somersault. Adrenaline still raced through her body at a furious clip. She took a deep, shuddering breath. "Tally Cruise." Pleased she sounded coherent under the circumstances, she thrust out her hand and smiled. "Michael Wright." He took her hand, not with his right, but his left. His thumb brushed the back of her knuckles. Little zings of electricity shot up her arm.

You’re…you’re what? Where?” I stood up and glimpsed myself in the mirror. I was a vision, having changed into satin pajama pants, a torn USC sweatshirt, and polka-dotted toe socks, and to top it off, my hair was fastened in a haphazard knot on the top of my head with a no. 2 Ticonderoga pencil. Who wouldn’t want me? “I’m outside,” he repeated, throwing in a trademark chuckle just to be extra mean. “Get out here.” “But…but…,” I stalled, hurriedly sliding the pencil out of my hair and running around the room, stripping off my pathetic house clothes and searching in vain for my favorite faded jeans. “But…but…I’m in my pajamas.” Another trademark chuckle. “So?” he asked. “You’d better get out here or I’m comin’ in…” “Okay, okay…,” I replied. “I’ll be right down.” Panting, I settled for my second-favorite jeans and my favorite sweater of all time, a faded light blue turtleneck I’d worn so much, it was almost part of my anatomy. Brushing my teeth in ten seconds flat, I scurried down the stairs and out the front door. Marlboro Man was standing outside his pickup, hands inside his pockets, his back resting against the driver-side door. He grinned, and as I walked toward him, he stood up and walked toward me, too. We met in the middle--in between his vehicle and the front door--and without a moment of hesitation, greeted each other with a long, emotional kiss. There was nothing funny or lighthearted about it. That kiss meant business. Our lips separated for a short moment. “I like your sweater,” he said, looking at the light blue cotton rib as if he’d seen it before. I’d hurriedly thrown it on the night we’d met a few months earlier. “I think I wore this to the J-bar that night…,” I said. “Do you remember?” “Ummm, yeah,” he said, pulling me even closer. “I remember.” Maybe the sweater had magical powers. I’d have to be sure to hold on to it. We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?” “Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen. “I’ve got this problem,” he continued, in between kisses. “Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind. “I’m crazy about you,” he said. By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.

During the season, they saw each other and played together almost every day. At the aunt's request, seconded by Professor Valérius, Daaé consented to give the young viscount some violin lessons. In this way, Raoul learned to love the same airs that had charmed Christine's childhood. They also both had the same calm and dreamy little cast of mind. They delighted in stories, in old Breton legends; and their favorite sport was to go and ask for them at the cottage-doors, like beggars: "Ma'am..." or, "Kind gentleman... have you a little story to tell us, please?" And it seldom happened that they did not have one "given" them; for nearly every old Breton grandame has, at least once in her life, seen the "korrigans" dance by moonlight on the heather. But their great treat was, in the twilight, in the great silence of the evening, after the sun had set in the sea, when Daaé came and sat down by them on the roadside and in a low voice, as though fearing lest he should frighten the ghosts whom he loved, told them the legends of the land of the North. And, the moment he stopped, the children would ask for more. There was one story that began: "A king sat in a little boat on one of those deep still lakes that open like a bright eye in the midst of the Norwegian mountains..." And another: "Little Lotte thought of everything and nothing. Her hair was golden as the sun's rays and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her little red shoes and her fiddle, but most of all loved, when she went to sleep, to hear the Angel of Music." While the old man told this story, Raoul looked at Christine's blue eyes and golden hair; and Christine thought that Lotte was very lucky to hear the Angel of Music when she went to sleep. The Angel of Music played a part in all Daddy Daaé's tales; and he maintained that every great musician, every great artist received a visit from the Angel at least once in his life. Sometimes the Angel leans over their cradle, as happened to Lotte, and that is how their are little prodigies who play the fiddle at six better than fifty, which, you must admit, is very wonderful. Sometimes, the Angel comes much later, because the children are naughty and won't learn their lessons or practice their scales. And, sometimes, he does not come at all, because the children have a bad heart or a bad conscience. No one ever sees the Angel; but he is heard by those who are meant to hear him. He often comes when they least expect him, when they are sad or disheartened. Then their ears suddenly perceive celestial harmonies, a divine voice, which they remember all their lives. Persons who are visited by the Angel quiver with a thrill unknown to the rest of mankind. And they can not touch an instrument, or open their mouths to sing, without producing sounds that put all other human sounds to shame. Then people who do not know that the Angel has visited those persons say that they have genius. Little Christine asked her father if he had heard the Angel of Music. But Daddy Daaé shook his head sadly; and then his eyes lit up, as he said: "You will hear him one day, my child! When I am in Heaven, I will send him to you!" Daddy was beginning to cough at that time.

A phrase Max had used bothered me. I was not to be surprised if my work underwent a change. I might find it becoming more creative. What the hell had Max meant by that? What was wrong with my work as it was? Fiddling journalism; nothing sustained about it; conventional, facile, all on the sound old traditional lines? No doubt that was how he saw it: did he suppose I had not seen that too? Why else had I undertaken the book? And what was the book, anyway, but a compilation, a re-hash of old newspaper articles better forgotten – no more ‘creative’ than Pamela’s scrap-books. And even that I hadn’t the capacity to finish. It would never be finished. I saw that now. It would not be finished because I had nothing to say. What I had mistaken for talent had been no more than the afflatus which makes every second swelled-headed adolescent suppose he has a vocation to write. It was a folly which had made me turn my back on the chance of a solid profession, got me as far as a sub-editor’s desk on a London weekly, and led me to walk out from that into the blue. I had imagined that I had something to say, and behold, without the drive of a play to report on, a book to review, or a controversy to join in, I was empty: I dredged into my own mind and found nothing there. My youthful energy was already exhausted. I was finished: finished at thirty. And Max had seen that. I

Can I have just a moment with the priest?” “For why?” “Just to ask him something.” Hunter’s grip on her arm relaxed. “Namiso, hurry.” Loretta cupped a hand over the priest’s ear and quickly whispered her request, then stepped back to Hunter’s side. The priest considered what she had said, then nodded. A moment later he blessed the young couple before him, and the ceremony began. The words bounced off the walls of Loretta’s mind, making no sense. Numbly she made her responses when she was instructed to. Then it came Hunter’s turn. The priest asked the usual question, adding at the end, “Forsaking all others, taking one wife and only one wife, forever with no horizon?” Hunter, eyes narrowed suspiciously, shot Loretta a knowing look. For several long seconds he made no response, and she held her breath, her gaze locked with his. Then, with solemn sincerity, he inclined his head and replied, “I have spoken it.” The priest, momentarily confused by the unusual response when he had expected an “I do,” sputtered a moment, seemed to consider, then nodded his assent and finished the ceremony. Loretta and Hunter were married, according to his beliefs and hers. Hunter instructed his friends to return the priest to his mission, stressing that he would have their heads if the man didn’t arrive there unharmed. Then he sent Amy to his mother’s lodge. When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter. “One wife and only one wife, forever with no horizon?” Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.” He smiled--a slow, dangerous smile that made her nerves leap. His heated gaze drifted slowly down the length of her. He grasped her arm and led her toward his lodge. “Now you will show this Comanche how good you play number one fiddle, yes?

You are angry?” Her reply was frigid silence. “Blue Eyes, what wrong words have I said?” “What have you said?” Hunter frowned. “It would not please you to marry with me? Better a wife than a slave, yes?” “I will never play second fiddle, never!” Hunter studied her, trying to figure out why she had switched the topic of conversation from marriage to making music. “How dare you!” she cried. “Of all the-- You arrogant, simple-- Oh, never mind! Just you understand this! Amongst my people, a man has one wife, only one, and he looks at no other, thinks of no other, touches no other, until death do they part. I wouldn’t marry you if you got on your knees and begged me!” Hunter sat up slowly, feeling a little dazed by her fury and wondering what had sparked it. Would he never understand her? She leaned toward him, her blue eyes flashing. “Even if I would marry you, an announcement by a central fire would not constitute a marriage in my books.” She thumped her chest. “I must make my vows before a priest! And furthermore, when I take a husband, he won’t be a Comanche. You couldn’t be chief husband, second husband, any husband, to me. You’re a barbarian who treats women like chattel!” Very calmly Hunter inserted, “You are my woman. You will sure enough marry no other.” “Well, if you think I’m going to marry you, you have another think coming! Never, do you hear me?” With that, she wrapped her arms around herself and glared at him. Hunter sighed and flopped onto his back, staring upward sightlessly. Minutes passed. When at last he felt her curl up at the foot of the bed, as far away from him as possible, a knowing smile touched his lips. No woman could possibly get that angry over another woman unless she was jealous. And a woman didn’t get jealous unless she was in love. Perhaps he wasn’t the only one with another think coming.

When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter. “One wife and only one wife, forever with no horizon?” Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.” He smiled--a slow, dangerous smile that made her nerves leap. His heated gaze drifted slowly down the length of her. He grasped her arm and led her toward his lodge. “Now you will show this Comanche how good you play number one fiddle, yes?” “I--” Loretta’s mouth went as dry as dust as she tripped along beside him, her arm vised in his grip. “Surely you don’t mean right now.” Her startled gaze focused on the lodge door. “It’s not even dark yet. People are still awake. You haven’t eaten. There’s no fire built. We can’t just--” He lifted the door flap and drew her into the dark lodge. “Blue Eyes, I have no hunger for food,” he said huskily. “But I will make a fire if you wish for one.” Any delay, no matter how short, appealed to Loretta. “Oh, yes, it’s sort of chilly, don’t you think?” It was a particularly muggy evening, the kind that made clothing stick to the skin, but that hardly seemed important. “Yes, a fire would be lovely.” He left her standing alone in the shadows to haul in some wood, which he quickly arranged in the firepit. Moments later golden flames lit the room, the light dancing and flickering on the tan walls. Remaining crouched by the flames, he tipped his head back and gave her a lazy perusal, his eyes touching on her dress, eyebrows lifting in a silent question. “Do you hunger for food?” he asked her softly.

When at last she scooted over to him, Hunter experienced a feeling like none he had ever felt. It went beyond satisfaction, beyond contentment. Having her fair head on his shoulder felt perfectly right, as if the Great Ones had hollowed the spot for her long ago, and he had been waiting all his life for her to fill it. He curled his arm around her, his hand on her back. “It is good, eh?” She placed a palm lightly on his chest. In a dubious tone she replied, “Yes, it is good.” Another silence settled over them. He measured the thrums of her heart beneath his hand, pleased that the rhythm no longer reminded him of the frantic wing beats of a trapped bird. Staring at the conical roof, he longed for the weariness he had pretended. It didn’t come. He was relieved when she broke the silence. “Hunter, what did you mean when you said you had made no talk of marriage because I’m a White Eyes?” He brushed his lips across the top of her head, loving the flower smell that still clung to her hair. He would never again smell springtime and not think of her. “My chief wife will be a woman of my own blood.” He felt her stiffen and, seeking to mollify her, added, “You can be second wife, eh? Or third?” To his surprise she bolted upright, shaking again, this time in anger. With an indignant lift of her small chin, she flung herself away from him. “You are angry?” Her reply was frigid silence. “Blue Eyes, what wrong words have I said?” “What have you said?” Hunter frowned. “It would not please you to marry with me? Better a wife than a slave, yes?” “I will never play second fiddle, never!” Hunter studied her, trying to figure out why she had switched the topic of conversation from marriage to making music. “How dare you!” she cried. “Of all the-- You arrogant, simple-- Oh, never mind! Just you understand this! Amongst my people, a man has one wife, only one, and he looks at no other, thinks of no other, touches no other, until death do they part. I wouldn’t marry you if you got on your knees and begged me!

When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter. “One wife and only one wife, forever with no horizon?” Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.

When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter. “One wife and only one wife, forever with no horizon?” Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.” He smiled--a slow, dangerous smile that made her nerves leap. His heated gaze drifted slowly down the length of her. He grasped her arm and led her toward his lodge. “Now you will show this Comanche how good you play number one fiddle, yes?

I got used to playing second fiddle in the orchestra of us

She’d spent her entire life playing second fiddle to perfection. She’d spent her life never being loved for being herself. She’d be damned if she accepted a lifetime of the same.

Multitasking, in short, is not only not thinking; it impairs your ability to think. Thinking means concentrating on one thing long enough to develop an idea about it. Not learning other people’s ideas, or memorizing information, however much those may sometimes be useful. Developing your own ideas: thinking for yourself. Which is something that you simply cannot do in bursts of twenty seconds at a time, interrupted constantly by Facebook messages or Twitter tweets or fiddling with your iPod or watching YouTube.

Every man looks at it in his own way, of course. I’m not the sort of chap to knuckle under to my wife; and there isn’t one woman in a thousand, if she gave her husband a start, could help reminding him of it. It’s the wrong way about. Let women be as independent as they like as long as they’re not married. I never think the worse of them, whatever they do that’s honest. But a wife must play second fiddle, and think her husband a small god almighty — that’s my way of looking at the question.

Equally distasteful was that it would both have to learn from, and play second fiddle to, the United States Navy. These though were facts and, as the second President of the Republic had put it in 1770, ‘facts are stubborn things’.

Runcorn was second fiddle, never first, but he had played the more beautiful tune.

Second Fiddle [10w] Friends play a second fiddle in the orchestra of love.

By the second course, he was beginning to suspect their proximity was no coincidence. Attending to Griffin’s talk was growing steadily more challenging with Alexandra in his peripheral vision. From her coy looks to her peals of feminine laughter, every action seemed calculated to attract his attention. Even her habit of fiddling with the necklace that dangled enticingly near the swell of her— He froze with a forkful halfway to his lips. She was wearing the cameo he’d sent her from Jamaica. And he felt entirely too pleased to see it on her. Candlelight glinted off the three little diamonds and the planes of the pearly face. He

Two years after Midnight’s Children he published Shame, the second part of the diptych in which he examined the world of his origins, a work deliberately conceived to be the formal opposite of its precursor, dealing for the most part not with India but with Pakistan, shorter, more tightly plotted, written in the third person rather than the first, with a series of characters occupying the center of the stage one after the other instead of a single dominant narrator-antihero. Nor was this a book written with love; his feelings toward Pakistan were ferocious, satirical, personal. Pakistan was that place where the crooked few ruled the impotent many, where bent civilian politicians and unscrupulous generals allied with one another, supplanted one another, and executed one another, echoing the Rome of the Caesars, where mad tyrants bedded their sisters and made their horses into senators and fiddled while their city burned. But, for the ordinary Roman—and so also for the ordinary Pakistani—the murderous, psychotic mayhem inside the palace changed nothing. The palace was still the palace. The ruling class continued to rule.

Shrieking Brooke’s name as loudly as I could, out in the corridor, I brought her running quickly to my room. ‘What’s happened, what’s wrong?’ she immediately cried concerned, legging it up the stairs two at a time. She appeared breathless outside the kitchen door. Brian appeared sleepily at his door too, awoken by the noise, and watched us. ‘She’s moving,’ I cried. ‘What? Flutters like before?’ ‘No more, here feel.’ I grabbed her hand and pushed it down onto my exposed belly. Brian averted his eyes as I stood, belly out and top up over my bra, in the middle of the corridor. ‘I can’t push you that hard,’ she exclaimed, pulling back her fingers surprised. ‘It will hurt you, or her, I can’t do that.’ ‘Yes, you can,’ I insisted. ‘You won’t hurt us.’ I pulled her hand back and pushed her long fingers into my belly and we stood waiting, hardly daring to breathe. You kicked again, hard into my side, under Brooke’s long pink fingernails. Brooke jumped away from me in shock and then burst out laughing. She clapped her hands together delighted. ‘Well?’ I asked her. ‘She kicked me,’ Brooke shrieked still jumping up and down clapping. ‘She kicked me. That was amazing, let me do it again.’ She came back over towards me slowly. Cautiously she pushed her fingers into the same spot on my side. We waited again in silence and I saw her face slightly drop as the seconds ticked by. ‘Ah it works,’ she yelled, as again she jumped back shocked as the tiny little feet thudded from my insides at her hand. ‘I love it. Do it again.’ I laughed and then Brian stepped forward. ‘Can I have a go?’ he asked quietly, fiddling with his hands and stepping out of his room towards us. ‘Of course you can, come here.’ And that is how we spent the next few minutes out in the corridor by the kitchen, shrieking, whooping, and jumping around. If anyone had been in the house, I know they would probably have thought we were all mad. Mad, no. Thrilled and excited, most definitely. Baby girl, you did that to us. Thank you.

My chief wife will be a woman of my own blood.” He felt her stiffen and, seeking to mollify her, added, “You can be second wife, eh? Or third?” To his surprise she bolted upright, shaking again, this time in anger. With an indignant lift of her small chin, she flung herself away from him. “You are angry?” Her reply was frigid silence. “Blue Eyes, what wrong words have I said?” “What have you said?” Hunter frowned. “It would not please you to marry with me? Better a wife than a slave, yes?” “I will never play second fiddle, never!” Hunter studied her, trying to figure out why she had switched the topic of conversation from marriage to making music.

The mindset of the Champions is All of it or None of it; they don't play second- fiddle.

You underrate yourself so shockingly, Camilla. You’re not to play second fiddle any more. Understand?’ ‘Yes.’ He hesitated, and then said rather abruptly, ‘You made a discovery yesterday; remember? ‘No man is an Island.’ It’s true in more ways than one. Don’t go on hating yourself because there are some things you can’t do and can’t face on your own. None of us can. You seem to think you ought to be able to deal with anything that comes along, much as I might, or someone like me. That’s absurd; and it’s time you stopped despising yourself for not being something you were never meant to be. You’ll do as you are, Camilla; believe me, you will.

You underrate yourself so shockingly, Camilla. You’re not to play second fiddle any more. Understand?’ ‘Yes.’ He hesitated, and then said rather abruptly, ‘You made a discovery yesterday; remember? ‘No man is an Island.’ It’s true in more ways than one. Don’t go on hating yourself because there are some things you can’t do and can’t face on your own. None of us can. You seem to think you ought to be able to deal with anything that comes along, much as I might, or someone like me. That’s absurd; and it’s time you stopped despising yourself for not being something you were never meant to be. You’ll do as you are, Camilla; believe me, you will.

Mr. Walker, Well, you needn't to waste a stamp and two hours of Poke Sanford's time--think of that poor fellow having to carry a letter from your box down to the P.O. and back out the same road again to mine! I'm right next door. You could knock. That's what I meant to do today. I had a letter written up to give you in case I couldn't think of everything [. . . and here the note continued onto the second receipt] or if you weren't in the mood to chat, but really I hoped to say most of this in person. But now you aren't home. Oh, fiddle. Your truck is here. Where are you? I'll just leave you the pie and the letter. Cheer up, Mr. Walker. I hope you enjoy them both. Your neighbor, Nannie Rawley

I am part of the first generation of women who can really truly have financial independence and choose whom I marry and choose if and when I have children and somehow I have ended up here, playing second fiddle to a man whose idea of good art is to flaunt his adultery.

I guess if I am being honest, I was better at playing second fiddle – my life seems to have borne that out – with occasional bursts of first fiddle (The Big Issue, the Amazon, Riding across the Gran Chaco) – a slightly second-rate Ranulph Fiennes or even Pen Hadow. Nothing I have ever done had the benefit of planning – more based on ignorance than risk.

I guess if I am being honest, I was better at playing second fiddle – my life seems to have borne that out – with occasional bursts of first fiddle (The Big Issue, the Amazon, Riding across the Gran Chaco) – a slightly second-rate Ranulph Fiennes or even Pen Hadow. Nothing I have ever done had the benefit of planning – more based on ignorance than risk.

Junior partnerships within authoritarian regimes proved disastrous for fascist movements. Playing second fiddle fit badly with fascists’ extravagant claims to transform their peoples and redirect history. For their part, the authoritarian senior partners took a dim view of the fascists’ impatient violence and disdain for established interests, for these cases often involved fascist movements that retained much of the social radicalism of the early movement stage.

Jamie nodded back. ‘Ms Cartwright—’ ‘It’s Mrs,’ she said automatically, the colour still drained from her cheeks. Her hand had moved from her mouth to her collarbones now as she processed it. ‘Would you mind if I took a look at those files?’  She shook her head, her eyes vacant. ‘No, no — there’s nothing much to see, but… Of course—’ She cut off, squeezing her face into a frown. ‘He’s… dead? But how? What happened? My God,’ she muttered. ‘He was… My God.’ Jamie stepped around her, leaving Roper to the interview. He was better at that sort of thing anyway. She rarely found interviewees easy to deal with. They always got emotional, blathered.  ‘Do you mind if I record this conversation?’ Roper asked behind her as she walked towards the back room. ‘No,’ Mary said quietly. ‘Great, thanks.’ He exhaled slowly, fiddling with the buttons, adding the audio file to the case. ‘What can you tell me about Ollie?’  The voices faded away as she reached the door and pushed on the handle. Inside looked to be a rehearsal room. On the left there were two steps leading up to a red door that opened onto the side of the stage, and the floor was bare concrete painted red. The paint had been chipped from years of use and the blue paint job underneath was showing through. Mary had a desk set up with two chairs in front of it, but no computer. In fact there was nothing of any value in the room.  On the right there was an old filing cabinet, and laid against it were rusted music stands as well as a mop and bucket and a couple of bottles of bargain cleaning supplies that had the word ‘Value’ written across them.  At the back of the room there was an old bookcase filled with second-hand literature — mostly children’s books and charity shop novels. Next to that an old plastic covered doctor’s examination bed was pushed against the wall. Sponge and felt were showing through the ripped brown covering.  Stood on the floor was a trifold cotton privacy screen that looked new, if not cheap. On the cracked beige walls, there was also a brand new hand-sanitiser dispenser and wide paper roll holder. She approached and checked the screws. They were still shiny. Brass. They had been put up recently. At least more recently than anything else in there.  The dispenser looked like it had come straight out of a doctor’s office, the roll holder too. Paper could be pulled out and laid over the bed so patients didn’t have to sit on the bare covering. Jamie stared at them for a second and then reached out, squirting sanitiser onto her hands.  She massaged it in before moving on.

Born on June 3, 1931, Raúl Castro was Fidel’s younger brother. In many ways, the two brothers are very different from each other in both appearance and deportment. Although Ángel Castro is officially listed as the father on Raúl’s birth certificate, there have been consistent rumors that his birth father may have been a Cuban Rural Guard commander named Felipe Miraval, a Batista army loyalist nicknamed “el Chino,” for obvious reasons considering his Asian appearance. Raúl was purportedly his mother’s favorite child and was endearingly called “Muso” by her. Incidentally, Musou is an Asian word that means, “The Only One.” Living in his brother’s shadow Raúl usually found himself playing second fiddle to Fidel, which made Raúl seem less threatening. However, this was only an illusion. As revolutionaries bivouacking in the Sierra Maestra Mountains, he was always loyal to the mission and knew how to get his thoughts across to his older brother. Although he could, Fidel did not really like to execute anyone, especially one of his own troops. However, when he felt he had to set an example, it was easy enough for Fidel to make the rules, such as capital punishment for rape, but he would call on his younger brother Raúl to carry out the sentence. Fidel ideologically was very liberal, perhaps even to the point of being a Socialist, but he wasn’t ready to embrace communism, knowing that the United States, just to their north promised greater rewards, or could become their worst nightmare. It was Raúl’s influence that persuaded Fidel to finally accept a communistic form of government.

Bill Monroe’s earliest paid music work was thanks to Shultz, who asked Bill to “second him” on guitar when he fiddled for square dances.

I'm glad you see that; and I'm glad you did it. You don't believe me, of course. Why do men think life can be only the one thing to women? And if you come to the selfish view, who are the happy women? I'm sure that if work doesn't fail me, health won't, and happiness won't." "But you could work on with me—" "Second fiddle. Do you suppose I shouldn't be woman enough to wish my work always less and lower than yours? At least I've heart enough for that!" "You've heart enough for anything, Alma. I was a fool to say you hadn't." "I think the women who keep their hearts have an even chance, at least, of having heart—" "Ah, there's where you're wrong!" "But mine isn't mine to give you, anyhow. And now I don't want you ever to speak to me about this again." "Oh, there's no danger!" he cried, bitterly. "I shall never willingly see you again." "That's as you like, Mr. Beaton. We've had to be very frank, but I don't see why we shouldn't be friends. Still, we needn't, if you don't like." "And I may come—I may come here—as—as usual?" "Why, if you can consistently," she said, with a smile, and she held out her hand to him.

She kept him close to herself. She wanted me to be near her as well, only on a longer leash. What madness it was, to see her from so close and not to have her!

Not surprisingly, accuracy plays a distant second fiddle when elevating a man into a god.

It’s Okey-Dokey to play the Hokey Pokey in Cahokia Poem You cannot play the Oompa-pah in Galaxy Andromeda. You cannot do the Can-can in Afghanistan. You cannot play ping-pong while sounding a gong. You cannot tick a tock when your name’s Mum to tick-a-lock. Gainsay or naysay to play the Cha-Cha in Panama. Nix beatnik tricks playing Second Fiddle doing a Paradiddle. Try not to play off-key when you know you have bats in your belfry. But it is Okey-Dokey to play the Hokey Pokey in Cahokia. --Poems that Will Never See the Light of Day, vol. I

When Robert brought to the table a covered plate and lifted the lid with an excited flourish, Tim played second fiddle to a cake for the first time in his life.

I don’t want to play second fiddle to your rising star. I want to burn everything to the ground, Dorian.

When the last piece of drywall is hung, you won’t even be able to tell this skeleton is there. But it’s what makes a cabin, a cabin; so essential that when God started fiddling around with his second human being he didn’t start with a heart, muscle, or brain. He started with a part of the skeleton: the rib.