Cavaliers Quotes

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Harrow laughed. It was the first time she had ever heard Harrow really laugh. It was a rather weak and tired sound. "Gideon the Ninth, first flower of my House," she said hoarsely, "you are the greatest cavalier we have ever produced. You are our triumph, The best of all of us. It has been my privilege to be your necromancer.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind...
Ben Hecht
Roller coaster through the atmosphere I'm drowning in this starry serenade Where ecstasy becomes cavalier My imagination's taking me away. Reverie whispered in my ear I'm scared to death that I'll never be afraid Roller coaster through the atmosphere My imagination's taking me away.
Owl City
When I was younger, I think some glib or cavalier part of me always believed that there was no such thing as heartache - that it was simply a case of things getting in past the ribcage and finding there was no way out. I know now, of course, that this was a stupid thing to think, in so far as most things we believe will turn out to be ridiculous in the end.
Julia Armfield (Our Wives Under the Sea)
There is a fire against us. And in the end, the fire could burn us, or ignite us into an unstoppable force.
Israh Azizi (The Cavalier (Heroes of the Empire, #1))
She couldn't believe she was being held at bay by someone who had eaten every cavalier manual and chewed dutifully twenty-five times.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
love as a passion—it is our European specialty—must absolutely be of noble origin; as is well known, its invention is due to the Provencal poet-cavaliers, those brilliant, ingenious men of the "gai saber," to whom Europe owes so much, and almost owes itself.
Friedrich Nietzsche (Beyond Good and Evil)
Don’t be afraid of what lies in the darkness, because sometimes, the things hidden in the dark are our greatest allies.
Israh Azizi (The Cavalier (Heroes of the Empire, #1))
Tell me,” Sebastian said, “why did you do it?” A heavy silence took over, and my chest tightened at Nico’s cavalier tone. “He had something I wanted.
Danielle Lori (The Sweetest Oblivion (Made, #1))
If arrogance were transformed into rope, Natassa could have strangled him with it a thousand times.
Israh Azizi (The Cavalier (Heroes of the Empire, #1))
If they fear you, they won't hesitate to choose your enemy over you. But is they love you, they will do anything for you.
Israh Azizi (The Cavalier (Heroes of the Empire, #1))
Love between a necromancer and cavalier is vital to differentiate them from a soldier’s love of the Emperor: they are carrying out a personal devotion that beautifies both types of adoration.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
Was there to be any end to the gradual improvement in the techniques and artifices used by the replicators to ensure their own continuation in the world? There would be plenty of time for improvement. What weird engines of self-preservation would the millennia bring forth? Four thousand million years on, what was to be the fate of the ancient replicators? They did not die out, for they are past masters of the survival arts. But do not look for them floating loose in the sea; they gave up that cavalier freedom long ago. Now they swarm in huge colonies, safe inside gigantic lumbering robots, sealed off from the outside world, communicating with it by tortuous indirect routes, manipulating it by remote control. They are in you and in me; they created us, body and mind; and their preservation is the ultimate rationale for our existence. They have come a long way, those replicators. Now they go by the name of genes, and we are their survival machines.
Richard Dawkins (The Selfish Gene)
Harrow laughed. It was the first time she had ever heard Harrow really laugh. It was a rather weak and tired sound. "Gideon the Ninth, first flower of my House," she said hoarsely, "you are the greatest cavalier we have ever produced. You are our triumph, The best of all of us. It has been my privilege to be your necromancer.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
The truth of the matter is the people in the Empire are suffering. I am their princess. If they suffer, I should be in anguish. If they are left out in the cold, I should freeze. If they must endure a wound, I should bleed.
Israh Azizi (The Cavalier (Heroes of the Empire, #1))
Tis only in the future you can prove your true worth.
Emmuska Orczy
Sometimes it's good to lose something/someone. Because we get what we deserve, not what we desire for.
M.H. Rakib (The Cavalier ("Story of Lynx"))
The Indians are the Italians of Asia", Didier pronounced with a sage and mischievous grin. "It can be said, certainly, with equal justice, that the Italians are the Indians of Europe, but you do understand me, I think. There is so much Italian in the Indians, and so much Indians in the Italians. They are both people of the Madonna - they demand a goddess, even if the religion does not provide one. Every man in both countries is a singer when he is happy, and every woman is a dancer when she walks to the shop at the corner. For them, food is music inside the body, and music is food inside the heart. The Language of India and the language of Italy, they make every man a poet, and make something beautiful from every banalite. They are nations where love - amore, pyaar - makes a cavalier of a Borsalino on a street corner, and makes a princess of a peasant girl, if only for the second that her eyes meet yours.
Gregory David Roberts (Shantaram)
Now, when their glances met, they understood one another. The power that lay within both their souls had met, and, as it were, clasped hands. They accepted one another's sacrifice. Hers, mayhap, was the more complete of the two, because for her his absence would mean weary waiting, the dull heartache so terrible to bear.
Emmuska Orczy (The Scarlet Pimpernel)
Your conscience troubles you unnecessarily, and you see a deliberate intention in every simple act.
Emmuska Orczy
If trees could scream, would we be so cavalier about cutting them down? We might, if they screamed all the time, for no good reason.
Jack Handy
If you think anything I did, I did to make her love me, then you don't know anything about her and me. I'm her cavalier, dipshit! I'd kill for her! I'd die for her! I did die for her. I'd do anything she needed, anything at all, before she even knew she needed it. I'm her sword, you pasty-faced Coronabeth-looking knock-off.
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
«He grins and straightens, wings high and regal behind him. I glare at his costume. It’s so typical him. A mix of medieval and rock star: brown leather forearm guards with studs over a ruffle-cuffed white shirt, and a cavalier doublet in burgundy with a gold lace overlay. The hem hits above his muscled thighs, so the skintight burgundy hose taper smoothly into knee-high brown boots, leaving nothing to the imagination. Worst of all, he has a crown. He dressed as a fairy king. The irony doesn’t escape me. I scowl. “Problem, luv?” He looks down on me from behind a gold lace half mask while adjusting the ruby-jeweled crown over his blue hair with velvet-clad hands. Tiny moth corpses are suspended in the rubies, like stained-glass fossils. I shake my head. “I’m pretty sure you’ll be the only one wearing anything tight enough to need a codpiece. Always have to be the showstopper, don’t you?” “Oh, I assure you, what I chose to show is only the start.»
A.G. Howard (Unhinged (Splintered, #2))
Why is it that we lose the things we love, and things cavalier cling to us and will be the measure of our worth after we're gone?
Patti Smith (M Train)
They're both a bit cavalier about the whole thing at first; more than anything, they seem to think that it's going to be a lot of fun. Which it is, of course, but mostly in the way a plane crash is fun to reminisce about after you survive it.
Josh Gates (Destination Truth: Memoirs of a Monster Hunter)
I’ve always been suspicious of the assumption that great intelligence would be an unqualified benefit— that the madness that so often accompanies it can be cavalierly dismissed. So I asked the question: Suppose there were an entire subpopulation of extreme geniuses, well beyond anything that would occur naturally. What would that really look like?
Andrew M. Ryan (The Labbitt Halsey Protocol)
He felt ready to face the devil, and strutted in the ballroom with the swagger of a cavalier.
Robert Louis Stevenson (The Suicide Club (Prince Florizel, #1))
I’ll call you Tuesday,” he whispered. I lifted my wineglass his way and invited, “You do that.” He didn’t move. I took another sip of wine. When I lowered my glass, reading me yet again, he noted, “You’re not gonna answer.” “Nope,” I replied, sounding shockingly cavalier considering my insides were bleeding.
Kristen Ashley (Breathe (Colorado Mountain, #4))
With the ascension of Charles I to the throne we come at last to the Central Period of English History (not to be confused with the Middle Ages, of course), consisting in the utterly memorable Struggle between the Cavaliers (Wrong but Wromantic) and the Roundheads (Right but Repulsive).
W.C. Sellar (1066 and All That: A Memorable History of England)
The blades sang like the strokes of a hammer on a blacksmith's anvil echoing in the empty churchyard.
Stanley Goldyn (The Cavalier Club)
How little we really know about the life all around us. Would we be so cavalier and ruthless with it if we understood it better?
William Longgood
It's a bitter truth but we humans are the only creature in this universe who not only fed up with things but also by other human beings.
M.H. Rakib (The Cavalier ("Story of Lynx"))
God wants us to worry about our sins before we sin; the devil wants us to worry after we sin. God wants us to feel free after we repent (for we really are free then); the devil is a deceiver). The devil tempts us to cavalier pride before we sin and worrisome despair afterward, since pride and despair both separate us from God, and anything that separates us from God is the devil's friend and our enemy, while anything that brings us close to God is the devil's enemy and our friend.
Peter Kreeft (Prayer for Beginners)
Cyntherea's eyes locked on Gideon's. 'I meant it,' she said earnestly. ' You were wonderful. You would have made that little nun such a cavalier - I almost wish you'd been mine.' 'You couldn't fucking afford me,' said Gideon.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
My doctors, who are not cavalier with prescriptions, give me this medication because I have earned their trust. And yet, with mounting government and public pressure, my doctors’ hands are becoming increasingly tied. They apologetically explain to me why they are required to make the medication even harder for me to get, against their own medical judgment. If the day ever comes when they aren’t allowed to prescribe Percocet to me at all, it may well be the end of the minimal quality of life I fight so hard to achieve.
Michael Bihovsky
Among the hard lessons which varying Fortune teaches to those whom she most neglects, there is none so useful as self-control.
Emmuska Orczy (The Laughing Cavalier (The Scarlet Pimpernel, #0.4))
He made her laugh always made her taste a strange and exquisite bliss when he held her in his arms.
Emmuska Orczy
I will love you for an infinite moment, and then for a thousand years more. You are the love of my life, and that of my soul; my little sassy vixen.
Stanley Goldyn (The Cavalier's Commission (#2))
How can a man whose eyes are so close together be trusted?
Stanley Goldyn (The Cavalier's Commission (#2))
Bucquoy knew of him, and didn't like him because he took his wine in sips.
Stanley Goldyn (The Cavalier's Commission (#2))
(Harrowhark had forgotten that he was Abigail’s husband, and found the concept of making eyes at one’s cavalier too revolting to bear.)
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
Those who cavalierly reject the Theory of Evolution, as not adequately supported by facts, seem quite to forget that their own theory is supported by no facts at all.
Herbert Spencer
Do you know how one knows a cavalier when one sees him? He always behaves decently when he is drunk.
Erich Maria Remarque (Three Comrades)
Few men had been as cavalier and as debauched as the Président, but completely jaded, utterly torpid, all he was left with now was the depravity and turpitude of libertinage.
Marquis de Sade (The 120 Days of Sodom)
So it went. Bob was increasingly cynical, leery, uneasy; Jesse was increasingly cavalier, merry, moody, fey, unpredictable. If his gross anatomy suggested a strong smith in his twenties, his actual physical constitution was that of a man who was incrementally dying. He was sick with rheums and aches and lung congestions, he tilted against chairs and counters and walls, in cold weather he limped with a cane. He coughed incessantly when lying down, his clever mind was often in conflict, insomnia stained his eye sockets like soot, he seemed in a state of mourning. He counteracted the smell of neglected teeth with licorice and candies, he browned his graying hair with dye, he camouflaged his depressions and derangements with masquerades of extreme cordiality, courtesy, and good will toward others.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
Since then her life had been peaceful and happy. She had allowed herself to be worshipped by that strangely captivating lover of hers, whose passionately willful temperament, tempered by that persistent, sunny gaiety, she had up to now only half understood.
Emmuska Orczy
It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she just began to move in,—glittering like the morning-star, full of life, and splendor, and joy. Oh! what a revolution! and what a heart must I have, to contemplate without emotion that elevation and that fall! Little did I dream that, when she added titles of veneration to those of enthusiastic, distant, respectful love, that she should ever be obliged to carry the sharp antidote against disgrace concealed in that bosom; little did I dream that I should have lived to see such disasters fallen upon her in a nation of gallant men, in a nation of men of honour and of cavaliers. I thought ten thousand swords must have leaped from their scabbards to avenge even a look that threatened her with insult.—But the age of chivalry is gone.—That of sophisters, economists, and calculators, has succeeded; and the glory of Europe is extinguished forever. Never, never more shall we behold that generous loyalty to rank and sex, that proud submission, that dignified obedience, that subordination of the heart which kept alive, even in servitude itself, the spirit of an exalted freedom. The unbought grace of life, the cheap defence of nations, the nurse of manly sentiment and heroic enterprise, is gone! It is gone, that sensibility of principle, that chastity of honour which felt a stain like a wound, which inspired courage whilst it mitigated ferocity, which ennobled whatever it touched, and under which vice itself lost half its evil by losing all its grossness.
Edmund Burke (Reflections on the Revolution in France)
You know, Volkov, your talents as a drinker are only partly utilised. With such a vast wealth of alcoholic experience, you could earn a handsome living by writing drinking songs and become illustriously prosperous.
Stanley Goldyn (The Cavalier Club)
The prisoner's recurrent, sporadic dreams of escape were simply that - spurious vagaries dismissed almost as quickly as they blossomed in Schkirt's feverish mind.
Stanley Goldyn (The Cavalier Club)
Be in limits, life will never limit you.
M.H. Rakib (The Cavalier ("Story of Lynx"))
Sometimes, even pretty simple situations can become tough, when the thing you love the most and the thing you have to sacrifice is the same.
M.H. Rakib (The Cavalier ("Story of Lynx"))
The realisation of where he was suddenly dawned on the youth in chains, who stopped abruptly, recoiling like a fugitive at the edge of a cliff, and swallowed noisily in the obscure silence.
Stanley Goldyn (The Cavalier Club)
Really, on the whole, Christians rarely pay particularly close attention to what the Bible actually says, for the simple reason that the texts defy synthesis in a canon of exact doctrines, and yet most Christians rely on doctrinal canons. Theologians are often the most cavalier in their treatment of texts, chiefly because their first loyalty is usually to the grand systems of belief they have devised or adopted; but the Bible is not a system. A very great deal of theological tradition consists therefore in explaining away those aspects of scripture that contradict the finely wrought structure of this or that orthodoxy.
David Bentley Hart (That All Shall Be Saved: Heaven, Hell, and Universal Salvation)
Such terrifying powers we possess, but what a sorry lot of gods some men are. And the worst of it is not the cruelty but the arrogance, the sheer hubris of those who bring only violence and fear into the animal world, as if it needed any more of either. Their lives entail enough frights and tribulations without the modern fire-makers, now armed with perfected, inescapable weapons, traipsing along for more fun and thrills at their expense even as so many of them die away. It is our fellow creatures' lot in the universe, the place assigned them in creation, to be completely at our mercy, the fiercest wolf or tiger defenseless against the most cowardly man. And to me it has always seemed not only ungenerous and shabby but a kind of supreme snobbery to deal cavalierly with them, as if their little share of the earth's happiness and grief were inconsequential, meaningless, beneath a man's attention, trumped by any and all designs he might have on them, however base, irrational, or wicked.
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
Hers was the perfect love that dwells on the other's happiness, and not on its own. She knew that, though for the time being he would find bliss and oblivion in her arms, he would soon repine in inactivity whilst others fought for that which he held sublime.
Emmuska Orczy
You can be anything, you want to be in this life.
M.H. Rakib (The Cavalier ("Story of Lynx"))
When you say he’s your soulmate, I think what you actually mean is that he’s utterly gorgeous and you’d really like to get him naked. Let’s not get too melodramatic here.
Georgiana Derwent (Oxford Blood (The Cavaliers, #1))
The only person, who can influence your life is YOU and it's never too late to recognize your worth.
M.H. Rakib (The Cavalier ("Story of Lynx"))
And as Napoleon Bonaparte said, “Never interrupt your enemy when he is making a mistake.
Mark Wandrey (Cartwright's Cavaliers (The Revelations Cycle #1))
Inwardly, Mansfeld felt as repentant as a ferret in a rabbit burrow.
Stanley Goldyn (The Cavalier's Commission (#2))
She glanced admiringly at Volkov, a brief but encompassing appraisal. Her furtive scrutiny of Jack lingered longer.
Stanley Goldyn (The Cavalier's Commission (#2))
The rancid, acerbic smell of burning flesh rasped in the throats of the shocked onlookers, an odour once breathed never forgotten.
Stanley Goldyn (The Cavalier's Commission (#2))
As for your instruction here, this is what the First House asks of you.” The room drew breath together—or at least, all the necromancers did, alongside a goodly proportion of their cavaliers. Harrow’s knuckles whitened. Gideon wished that she could flop into a seat or take a sly nap. Everybody was poised in readiness for the outlined syllabus, and scholarship made her want to die.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
Coming so close to death as a young child, only to resurface again into your life, imbued in me for a long time a brand of recklessness, a cavalier or even crazed attitude to risk. It could, I can see, have gone the other way, and made me into a person hindered by fear, hobbled by caution. Instead, I leapt off harbour walls. I walked alone in remote mountains. I took night trains through Europe on my own, arriving in capital cities in the middle of the night with nowhere to stay.
Maggie O'Farrell (I Am, I Am, I Am: Seventeen Brushes with Death)
Perhaps there would have been something in rocking up to the First House with an octogenarian in tow: a sort of wild and confident fuck-you–Oh, your cavaliers are young? And they fight? How classic! So jejune!--but that would not have been the wild and confident fuck-you of the Ninth House. The Ninth House character, she was forced to admit, had always been low on wild and confident fucks.
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
They do not have to enjoy each other’s society; they must simply take their togetherness as assumed. The cavalier who will not sleep in the same room as their necromancer must question themselves as to why. Their love is the love that fears only for the other: the love of service on both sides.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
The widespread willingness to rely on thermonuclear bombs as the ultimate weapon displays a cavalier attitude toward death that has always puzzled me. My impression is that...most of the defenders of these weapons are not suitably horrified at the possibility of a war in which hundreds of millions of people would be killed...I suspect that an important factor may be belief in an afterlife, and that the proporttion of those who think that death is not the end is much higher among the partisans of the bomb than among its opponents.
Thomas Nagel (The View From Nowhere)
Only three routes of upward mobility were available to socially ambitious upstarts such as Columbus: war, the Church, and the sea. Columbus probably contemplated all three: he wanted a clerical career for one of his brothers, and fancied himself as “a captain of cavaliers and conquests.” But seafaring was a natural choice, especially for a boy from a maritime community as single-minded as that of Genoa. Opportunities for employment and profit abounded.
Felipe Fernández-Armesto (1492: The Year the World Began)
Love could scatter my soul but up to these certain limits i could not imagine...!
M.H. Rakib (The Cavalier ("Story of Lynx"))
...and as a result yet today we are unable to distinguish between sympathy and selfishness.
M.H. Rakib (The Cavalier ("Story of Lynx"))
Humanity can withstand each dearth except of love and care.
M.H. Rakib (The Cavalier ("Story of Lynx"))
She had seen them in turmoil all round her--love, hatred, vengeance, treachery--she herself practically the pivot around which they raged. Out of the deadly strife she had emerged pure, happy in the arms of the man whom her wondrous adventures as much as his brilliant personality had taught her to love.
Emmuska Orczy
She said, 'Harrow, I can't keep my promise, because the entire point of me is you. You get that, right? That's what cavaliers sign up for. There is no me without you. One flesh, one end.' A shade of exhausted suspicion flickered over her necromancer's face. 'Nav,' she said, 'what are you doing?' 'The cruellest thing anyone has ever done to you in your whole life, believe me,' said Gideon. 'You'll know what to do, and if you don't do it, what I'm about to do will be no use to anyone.' Gideon turned and squinted, gauged the angle. She judged the distance. It would have been the worst thing in the world to look back, so she didn't.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
My heart beats for him. The man who shares my secret. The man who holds my life in the palm of his hands. Sometimes, I think I could love him. But most of the time, I just hate him. For making me weak. For tempting me to stay. For wondering when he’ll finally make good and kill me too. I don’t know how it’s possible to have feelings that are such polar opposites. I want to slap him. I want to scream in his face and force him to acknowledge me. His cavalier attitude towards me is worse than any of the pain Blaine ever inflicted on me. I’m not even worth his attention. A moment of his time. And yet, when he walks into the room, everything else ceases to exist.
A. Zavarelli (Reaper (Boston Underworld, #2))
The Frenchman sat up with that strange energy which comes often as the harbinger of death. "(...) This I tell you - I, Raoul de la Roche Pierre de Bras, dying upon the field of honour. And now kiss me, sweet friend, and lay me back, for the mists closes round me and I am gone!" With tender hands the squire [Nigel] lowered his comrade's head, but even as he did so there came a choking rush of blood, and the soul had passed. So died a gallant cavalier of France, and Nigel, as he knelt in the ditch beside him, prayed that his own end might be as noble and as debonair.
Arthur Conan Doyle (Sir Nigel (Original Unabridged Version) (Optimized and Formatted Well) (with Active Table of Contents, Navigation Function, Simple User Guide) TOC)
CYRANO à LE BRET : Regarde-moi, mon cher, et dis quelle espérance Pourrait bien me laisser cette protubérance ! Oh ! je ne me fais pas d'illusion ! - Parbleu, Oui, quelquefois, je m'attendris, dans le soir bleu ; J'entre en quelque jardin où l'heure se parfume ; Avec mon pauvre grand diable de nez je hume L'avril, - je suis des yeux, sous un rayon d'argent, Au bras d'un cavalier, quelque femme, en songeant Que pour marcher, à petits pas, dans de la lune, Aussi moi j'aimerais au bras en avoir une, Je m'exalte, j'oublie... et j'aperçois soudain L'ombre de mon profil sur le mur du jardin !
Edmond Rostand (Cyrano de Bergerac)
IN ENGLISH, words of Latin origin tend to carry overtones of intellectual, moral and aesthetic “classiness"—overtones which are not carried, as a rule, by their Anglo-Saxon equivalents. “Maternal,” for instance, means the same as “motherly,” “intoxicated” as “drunk”—but with what subtly important shades of difference! And when Shakespeare needed a name for a comic character, it was Sir Toby Belch that he chose, not Cavalier Tobias Eructation.
Aldous Huxley (The Perennial Philosophy)
Evie stiffened nervously when she felt his hands moving along the line of fasteners on the back of her brown wool. “What are you doing?” “Helping you to change your gown.” “I don’t want to. Not now. I… oh, please don’t!” But he persisted, sliding one hand around her front to keep her in place, while his other continued to release the row of buttons. Rather than resort to an undignified struggle, Evie flushed and held still, goose bumps rising on her exposed skin. “I w-wish you wouldn’t handle me in such a cavalier manner!” “The word ‘cavalier’ implies indifference,” he replied, pushing the gown over her hips. It fell in a scratchy heap to the floor. “And there is nothing indifferent about my reaction to you, love.” “One could wish for a bit of respect,” Evie exclaimed, shivering before him in her underclothes. “Especially after… after…” “You don’t need respect. You need comfort, and holding, and possibly a good long tumble in bed with me.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Tyler Yang was confident and cocky and cavalier. Tyler Yang did not seem like a man with a tragic past. Yet the worst thing that I could imagine happening, the thing that was maybe happening to me right now—losing a sister—had happened to him already. He was a grim testament to a truth I knew but refused to acknowledge: that it was possible to suffer devastating, incomprehensible loss and continue to live, to breathe, to pump blood around your body and supply oxygen to your brain.
Krystal Sutherland (House of Hollow)
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
Gabriel García Márquez (Of Love and Other Demons)
Total independence is a fiction. And in sex, we are all vulnerable. Whoever we are, we turn over vulnerable tissues, organs, sensations, and complex selves to another. We can always get hurt. This is not an argument about being cavalier about the other's inherent vulnerability - for urging anyone to 'toughen up', to take the rough with the smooth, to be resigned to bad sex. It is an argument for resisting the urge to vilify vulnerability. Sex is a risky adventure, and vulnerability can be a form of care.
Katherine Angel (Tomorrow Sex Will Be Good Again: Women and Desire in the Age of Consent)
We are the poem's ancient band of twelve that proceeds through the ages. There were twelve of us, when we ruled the world on the cloud-covered top of Olympus, and twelve when we lived as birds in Ygdrasil's green crown. Wherever poetry went forth, there we followed. Did we not sit, twelve men strong, at King Arthur's round table, and did twelve paladins not go in Charles the Twelfth's great army? On of us has been Thor, another Jupiter, as any man should be able to see in us yet today. The divine splendor can be sensed under the rags, the lion's mane under the donkey hide. Time has treated us badly, but when we are there, the smithy becomes Mount Olympus and the cavalier's wing a Valhalla.
Selma Lagerlöf (Gösta Berling's Saga)
Things are neither good nor bad , all that matters is our thinking....!
M.H. Rakib (The Cavalier ("Story of Lynx"))
So, did you spend the night with the blond rich wanker or the dark haired posh twat?
Georgiana Derwent (Oxford Blood (The Cavaliers, #1))
And all that borrowed magic?” Des continues. “The process is called cobinding, and though Typhus made it sound cavalier and impersonal, it’s not like that,” Des says. I stare down at my fae wine. “Then how is it?” “Remember those horcruxes in Harry Potter?” I begin to smile in spite of myself. “Are you seriously dropping an HP reference right here, right now?” I ask, glancing over at Des. “I have your undivided attention, don’t I?” “And all my love.” I mean, I knew he was soulmate material before, but this pretty much just sealed the deal. Des’s face grows serious. “Essentially, when you exchange magic, you’re transferring more than raw energy. You’re moving a piece of yourself as well.” That’s massively creepy.
Laura Thalassa (Dark Harmony (The Bargainer, #3))
When a man can't sleep, he won't let anybody else sleep either. If he doesn't go off to dreamland the moment his head hits the pillow, he gets frightfully annoyed and won't stay in bed.
Carter Dickson (The Cavalier's Cup (Sir Henry Merrivale, #22))
I’m not building a castle or a monument; I’m building a soul and a family. I’ll tell stories all my life, writing on napkins and on the backs of receipts, or in books if they let me, but this is the promise I make to my God: I will never again be so careless, so cavalier with the body and soul you’ve given me. They are the only things in all the world that have been entrusted entirely to me, and I stewarded them poorly, worshiping for a time at the altars of productivity, capability, busyness, distraction. This body and soul will become again what God intended them to be: living sacrifices, offered only to him. I will spend my life on meaning, on connection, on love, on freedom. I will not waste one more day trapped in comparison, competition, proving, and earning. That’s the currency of a culture that has nothing to offer me. It
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
The room drew breath together—or at least, all the necromancers did, alongside a goodly proportion of their cavaliers. Harrow’s knuckles whitened. Gideon wished that she could flop into a seat or take a sly nap. Everybody was poised in readiness for the outlined syllabus, and scholarship made her want to die. There would be some litany of how breakfast would take place every morning at this time, and then there’d be study with the priests for an hour, and then Skeleton Analysis, and History of Some Blood, and Tomb Studies, and, like, lunchtime, and finally Double Bones with Doctor Skelebone. The most she could hope for was Swords, Swords II, and maybe Swords III.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
Promise me you won't cut your hair." Sara couldn't believe he was being so ridiculous. "If I did, it would grow back." She advanced on him and made a quick grab. His arm shot up in the air, holding the turban well out of her reach. "Promise," he insisted. "If you knew the price that had been paid for that turban, you wouldn't treat it so cavalierly!" "I'll pay it a hundred times over, for your promise." An incredulous smile flitted across her lips. "Why?" she asked, combing a hand through the wild ripples of her hair. "Does my appearance mean so much to you?" "It's not that. It's..." Derek dropped the turban to the floor and circled her slowly. "I like to watch you braid it... and the way you let a few curls on your neck after you've pinned it up... and when you brush it out at night I know I'm the only man who sees it loose and long over your back. It's a part of you that only I can have.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
God help me if I should ever lose my looks." "I wouldn't mind." He gave her a quizzical smile. "What?" "If..." Evie paused, suddenly embarrassed. "If anything happened to your looks... if you became... less handsome. Your appearance wouldn't matter to me.I would still..." She paused and finished hesitantly, "...want you as my husband." Sebastian's smile faded slowly. He gave her a long, intent stare, her wrist still clasped in his hand. Something strange crossed his expression... an undefinable emotion wrought of heat and vulnerability. When he answered, his voice was strained from the effort to sound cavalier. "Without a doubt, you're the first one who's ever said that to me.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
It’s your fault that I’ve been reduced to such behavior,” he continued. “I assure you, I myself find it appalling that the only pleasure I obtain these days is chasing after you like an adolescent lordling with a housemaid.” “Did you chase after the housemaids when you were a boy?” “Good God, of course not. How could you ask such a thing?” Sebastian looked indignant. Just as she felt a twinge of guilt and began to apologize, he said smugly, “They chased after me.” Evie raised a cue stick as if to crown him with it. He caught her wrist easily in one hand and pried the stick from her fingers. “Easy, firebrand. You’ll knock out the few wits I have left—and then of what use would I be to you?” “You would be purely ornamental,” Evie replied, giggling. “Ah, well, I suppose there’s some value in that. God help me if I should ever lose my looks.” “I wouldn’t mind.” He gave her a quizzical smile. “What?” “If…” Evie paused, suddenly embarrassed. “If anything happened to your looks…if you became…less handsome. Your appearance wouldn’t matter to me. I would still…” She paused and finished hesitantly, “…want you as my husband.” Sebastian’s smile faded slowly. He gave her a long, intent stare, her wrist still clasped in his hand. Something strange crossed his expression…an undefinable emotion wrought of heat and vulnerability. When he answered, his voice was strained from the effort to sound cavalier. “Without a doubt, you’re the first one who’s ever said that to me. I hope you won’t be such a pea goose as to endow me with characteristics that I don’t have.” “No, you’re endowed enough as it is,” Evie replied, before the double meaning of the statement occurred to her. She burned a brilliant scarlet. “Th-that is…I didn’t mean…” But Sebastian was laughing quietly, the odd tension passing, and he pulled her against him. As she responded to him eagerly, his amusement dissolved like sugar in hot liquid. He kissed her longer, harder, his breath striking her cheek in rapid drives. “Evie,” he whispered, “you’re so warm, so lovely…oh, hell. I’ve got two months, thirteen days and six hours before I can take you to my bed. Little she-devil. This is going to be the death of me.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Hier j'étais au soleil couchant dans une bruyère pierreuse où croissent des chênes très petits et tordus, dans le fond une ruine sur la colline, et dans le vallon du blé. C'était romantique, on ne peut davantage, à la Monticelli, le soleil versait des rayons très jaunes sur les buissons et le terrain, absolument une pluie d'or. Et toutes les lignes étaient belles, l'ensemble d'une noblesse charmante. On n'aurait pas du tout été surpris de voir surgir soudainement des cavaliers et des dames, revenant d'une chasse au faucon, ou d'entendre la voix d'un vieux troubadour provençal. Les terrains semblaient violets, les lointains bleus. J'en ai rapporté une étude d'ailleurs, mais qui reste bien en dessous de ce que j'avais voulu faire.
Vincent van Gogh (Dear Theo)
The thing you don't realize, my dear girl, is that I have been forced by the economic realities to start taking publishing very seriously. For example, it has been brought to my attention that our ability to continue to pay the hordes of people employed by M&S (God knows how many mouths have to be fed) depends directly on the number of copies of your new book [Life Before Man] that we are able to sell between September and Christmas. In past I have been able to treat this whole thing as a fun game. I have never been troubled by the cavalier explanations about lost manuscripts and fuck-ups of various sorts. Now I have learned that this is a deadly serious game. I don't laugh at jokes about the Canadian postal service. I cry. (in a letter to author Margaret Atwood, dated February, 1979)
Jack McClelland (Imagining Canadian Literature: The Selected Letters)
In the wake of terror, A hero will rise, A just and fairer Ruler in everyone’s eyes. A phoenix at his right, Steel in his left, He will bring the light, That left them bereft. He will end the pain, He will right the wrong, Avenger of the slain, The phoenix beside him, Their reign will be long, The Golden Crown of power, Before him, the evil will cower, His secrets revealed, The phoenix his shield, Against whispers spread, Vitality healed, Though unrest is rampant, The hero will end it, The rider in the field, His destiny sealed
Israh Azizi (The Cavalier (Heroes of the Empire, #1))
His feeling for the South was not so much historic as it was of the core and desire of dark romanticism--that unlimited and inexplicable drunkenness, the magnetism of some men's blood that takes them into the heart of the heat, and beyond that, into the polar and emerald cold of the South as swiftly as it took the heart of that incomparable romanticist who wrote The Rime of the Ancient Mariner, beyond which there is nothing. And this desire of his was unquestionably enhanced by all he had read and visioned, by the romantic halo that his school history cast over the section, by the whole fantastic distortion of that period where people were said to live in "mansions," and slavery was a benevolent institution, conducted to a constant banjo-strumming, the strewn largesses of the colonel and the shuffle-dance of his happy dependents, where all women were pure, gentle, and beautiful, all men chivalrous and brave, and the Rebel horde a company of swagger, death-mocking cavaliers. Years later, when he could no longer think of the barren spiritual wilderness, the hostile and murderous intrenchment against all new life--when their cheap mythology, their legend of the charm of their manner, the aristocratic culture of their lives, the quaint sweetness of their drawl, made him writhe--when he could think of no return to their life and its swarming superstition without weariness and horror, so great was his fear of the legend, his fear of their antagonism, that he still pretended the most fanatic devotion to them, excusing his Northern residence on grounds of necessity rather than desire.
Thomas Wolfe (Look Homeward, Angel)
For nearly a hundred years, psychiatry has been striving to apply medical model thinking to psychiatric disorders. In this model, the symptoms besieging patients are sorted into specific disease entities and the causes then identified and removed. For doctors of internal medicine, this works. In the case of diabetes mellitus, for example, the symptoms of urinary frequency, fatigue, and confusion often lead to suspicion of the underlying cause, which is confirmed by blood sugar monitoring and then treated by insulin replacement. But psychiatric symptoms are much harder to sort into diagnoses. People with depression sometimes become paranoid. People with schizophrenia sometimes become depressed. Some people who hear voices have no other symptoms whatsoever, and others who hear voices also fall victim to terrible mood swings. Thus far, the hope that psychiatry would be able to identify homogeneous disease states, uncover the biological underpinnings, and remedy them has been largely a barren one. Kappler's symptoms, however, evolved when the hope for psychiatry's becoming a true medical specialty was bright to the point of being blinding. Over the years he would collect over a dozen diagnoses and cavalierly take a myriad of medicines, but no one would be able to bring him close to confronting the past he had disowned, to stand a chance of making peace with it and, ultimately, overcoming it. (46)
Keith Ablow
Le développement des connaissances préhistoriques et archéologiques tend à étaler dans l'espace des formes de civilisation que nous étions portés à imaginer comme échelonnées dans le temps. Cela signifie deux choses : d'abord que le "progrès" (si ce terme convient encore pour désigner une réalité très différente de celle à laquelle on l'avait d'abord appliqué) n'est ni nécessaire, ni continue ; il procède par sauts, par bonds, ou, comme diraient les biologistes, par mutations. Ces sauts et ces bonds ne consistent pas à aller toujours plus loin dans la même direction ; ils s'accompagnent de changements d'orientation, un peu à la manière du cavalier des échecs qui a toujours à sa disposition plusieurs progressions mais jamais dans le même sens. L'humanité en progrès ne ressemble guère à un personnage gravissant un escalier, ajoutant par chacun de ses mouvements une marche nouvelle à toutes celles dont la conquête lui est acquise ; elle évoque plutôt le joueur dont la chance est répartie sur plusieurs dés et qui, chaque fois qu'il les jette, les voit s'éparpiller sur le tapis, amenant autant de comptes différents. Ce que l'on gagne sur un, on est toujours exposé à le perdre sur l'autre, et c'est seulement de temps à autre que l'histoire est cumulative, c'est-à-dire que les comptes s'additionnent pour former une combinaison favorable. (p.29-30)
Claude Lévi-Strauss (Race et histoire)
Little girls ought to be taught and brought up with boys, so that they might be always together. A woman ought to be trained so that she may be able, like a man, to recognise when she's wrong, or she always thinks she's in the right. Instil into a little girl from her cradle that a man is not first of all a cavalier or a possible lover, but her neighbour, her equal in everything. Train her to think logically, to generalise, and do not assure her that her brain weighs less than a man's and that therefore she can be indifferent to the sciences, to the arts, to the tasks of culture in general. The apprentice to the shoemaker or the house painter has a brain of smaller size than the grown-up man too, yet he works, suffers, takes his part in the general struggle for existence. We must give up our attitude to the physiological aspect, too -- to pregnancy and childbirth, seeing that in the first place women don't have babies every month; secondly, not all women have babies; and, thirdly, a normal countrywoman works in the fields up to the day of her confinement and it does her no harm. Then there ought to be absolute equality in everyday life. If a man gives a lady his chair or picks up the handkerchief she has dropped, let her repay him in the same way. I have no objection if a girl of good family helps me to put on my coat or hands me a glass of water --
Anton Chekhov
...both Tom and I adore detective stories. Isn't that so, Tom?" [Lady Brace] "Right!" agreed her husband...."But they've got to be proper detective stories. They've got to present a tricky, highly sophisticated problem, which you're given fair opportunity to solve." "And," amplified Virginia, "no saying they're psychological studies when the author can't write for beans." "Correct!" her husband agreed again. "Couldn't care less when you're supposed to get all excited as to whether the innocent man will be hanged or the innocent heroine will be seduced. Heroine ought to be seduced; what's she there for? The thing is the mystery. It's not worth reading if the mystery is simple or easy or no mystery at all.
Carter Dickson (The Cavalier's Cup (Sir Henry Merrivale, #22))
But wait, stop, it’s not supposed to end this way! You’re the fantasy, you’re what I’m leaving behind. I can’t pack you up and take you with me.” “That was the most self-centered thing I’ve ever heard you say.” Jane blinked. “It was?” “Miss Hayes, have you stopped to consider that you might have this all backward? That in fact you are my fantasy?” The jet engines began to whir, the pressure of the cabin stuck invisible fingers into her ears. Henry gripped his armrest and stared ahead as though trying to steady the machine by force of will. Jane laughed at him and settled into her seat. It was a long flight. There would be time to get more answers, and she thought she could wait. Then in that moment when the plane rushed forward as though for its life, and gravity pushed down, and the plane lifted up, and Jane was breathless inside those two forces, she needed to know now. “Henry, tell me which parts were true.” “All of it. Especially this part where I’m going to die…” His knuckles were literally turning white as he held tighter to the armrests, his eyes staring straight ahead. The light gushing through the window was just right, afternoon coming at them with the perfect slant, the sun grazing the horizon of her window, yellow light spilling in. She saw Henry clearly, noticed a chicken pox scar on his forehead, read in the turn down of his upper lip how he must have looked as a pouty little boy and in the faint lines tracing away from the corners of his eyes the old man he’d one day become. Her imagination expanded. She had seen her life like an intricate puzzle, all the boyfriends like dominoes, knocking the next one and the next, an endless succession of falling down. But maybe that wasn’t it at all. She’d been thinking so much about endings, she’d forgotten to allow for the possibility of a last one, one that might stay standing. Jane pried his right hand off the armrest, placed it on the back of her neck and held it there. She lifted the armrest so nothing was between them and held his face with her other hand. It was a fine face, a jaw that fit in her palm. She could feel the whiskers growing back that he’d shaved that morning. He was looking at her again, though his expression couldn’t shake off the terror, which made Jane laugh. “How can you be so cavalier?” he asked. “Tens of thousands of pounds expected to just float in the air?” She kissed him, and he tasted so yummy, not like food or mouthwash or chapstick, but like a man. He moaned once in surrender, his muscles relaxing. “I knew I really liked you,” he said against her lips. His fingers pulled her closer, his other hand reached for her waist. His kisses became hungry, and she guessed that he hadn’t been kissed, not for real, for a long time. Neither had she, as a matter of fact. Maybe this was the very first time. There was little similarity to the empty, lusty making out she’d played at with Martin. Kissing Henry was more than just plain fun. Later, when they would spend straight hours conversing in the dark, Jane would realize that Henry kissed the way he talked--his entire attention taut, focused, intensely hers. His touch was a conversation, telling her again and again that only she in the whole world really mattered. His lips only drifted from hers to touch her face, her hands, her neck. And when he spoke, he called her Jane. Her stomach dropped as they fled higher into the sky, and they kissed recklessly for hundreds of miles, until Henry was no longer afraid of flying.
Shannon Hale (Austenland (Austenland, #1))