“
Sam:"Okay, what words would you use then?" I leaned back in the seat, thinking, as Sam looked at me doubtfully. He was right to look doubtful. My head didn't work with words very well- at least not in this abstract, descriptive sort of way.
Grace:"Sensitive" I tried.
Sam translated: "Squishy"
Grace:"Creative"
Sam:"Dangerously emo"
Grace:"Thoughtful"
Sam:"Feng shui."
I laughed so hard I snorted.
Grace:"How did you get feng shui out of thoughtful?"
Sam:"You know, because in feng shui, you arrange funiture and plants and stuff in thoughtful ways.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
When Vishous pushed open the door to the exam room, he got a gander at the kind of seating arrangement that made him think fondly of castration.
”
”
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
“
Female friendship was one-tenth prevention and nine-tenths cleanup.
”
”
Maggie Shipstead (Seating Arrangements)
“
Here is a story that’s stranger than strange.
Before we begin you may want to arrange:
a blanket, a cushion, a comfortable seat,
and maybe some cocoa and something to eat.
I’ll warn you, of course, before we commence,
my story is eerie and full of suspense,
brimming with danger and narrow escapes,
and creatures of many remarkable shapes.
Dragons and ogres and gorgons and more,
and creatures you’ve not even heard of before.
And faraway places? There’s plenty of those!
(And menacing villains to tingle your toes.)
So ready your mettle and steady your heart.
It’s time for my story’s mysterious start...
”
”
Robert Paul Weston (Zorgamazoo)
“
He let go, releasing her into a life of her own making.
”
”
Maggie Shipstead (Seating Arrangements)
“
His shoulders were starting to stop hunching. "It's called sitting down together," he said, dragging the words out exaggeratedly. "At a table. In chairs. Most people can get through lunch without turning it into an act of war."
"I'm not most people," I said. "Also, the seating arrangements are an act of war, and if you haven't noticed, that's just embarrassing. Do you think that everyone is always trying to sit with you for your amazing personality or something?"
"I guess you're just immune," he said.
"Bloody well right I am," I said, but he was grinning at me a little from under his overgrown hair, tentatively, and apparently I was lying.
”
”
Naomi Novik (A Deadly Education (The Scholomance, #1))
“
I bent down over my neighborhood, taking in the people there. At first, they'd just seemed arranged the same way they were everywhere else: in random formations, some in groups, some alone. Then, though, I saw the single figure at the back of my house, walking away from the back door. And another person, a girl, running through the side yard, where the hedge would have been, while someone else, with a badge and flashlight followed. There were three people under the basketball goal, one lying prone on the ground.
I took a breath, then moved in closer. Two people were seated on the curb between Dave's and my houses: a few inches away two more walked up the narrow alley to Luna Blu's back door. A couple stood in the driveway, facing each other. And in that empty building, the old hotel, a tiny set of cellar doors had been added, flung open, a figure standing before them. Whether they were about to go down, or just coming up, was unclear, and the cellar itself was a dark square. But I knew what was down below.
He'd put me everywhere. Every single place I'd been, with him or without, from the first time we'd met to the last conversation. It was all there, laid out as carefully, as real as the buildings and streets around it. I swallowed, hard, then reached forward, touching the girl running through the hedge. Not Liz Sweet. Not anyone, at that moment, not yet. But on her way to someone. To me.
”
”
Sarah Dessen (What Happened to Goodbye)
“
We are now ready to tackle Dickens. We are now ready to embrace Dickens. We are now ready to bask in Dickens. In our dealings with Jane Austen we had to make a certain effort to join the ladies in the drawing room. In the case of Dickens we remain at table with our tawny port. With Dickens we expand. It seems to me that Jane Austen's fiction had been a charming re-arrangement of old-fashioned values. In the case of Dickens, the values are new. Modern authors still get drunk on his vintage. Here, there is no problem of approach as with Austen, no courtship, no dallying. We just surrender ourselves to Dickens' voice--that is all. If it were possible I would like to devote fifty minutes of every class meeting to mute meditation, concentration, and admiration of Dickens. However my job is to direct and rationalize those meditations, that admiration. All we have to do when reading Bleak House is to relax and let our spines take over. Although we read with our minds, the seat of artistic delight is between the shoulder-blades. That little shiver behind is quite certainly the highest form of emotion that humanity has attained when evolving pure art and pure science. Let us worship the spine and its tingle. Let us be proud of being vertebrates, for we are vertebrates tipped at the head with a divine flame. The brain only continues the spine, the wick really runs through the whole length of the candle. If we are not capable of enjoying that shiver, if we cannot enjoy literature, then let us give up the whole thing and concentrate on our comics, our videos, our books-of-the-week. But I think Dickens will prove stronger.
”
”
Vladimir Nabokov (Lectures on Literature)
“
So I focused on myself. See . . . I realized that when I wanted a guy to like me, I had a tendency to mold and shape myself into the person I thought he’d like (while my own likes took a back seat).
”
”
Huda Fahmy (That Can Be Arranged: A Muslim Love Story)
“
The front of the cafe was all open glass, and the seating was arranged so that wherever you sat you faced the beach, as if you were there to watch the sea perform a show. As Jane looked around her, she felt that dissatisfied feeling she often experienced when she was somewhere new and lovely. She couldn't quite articulate it except with the words "If only I were here". This little beachside cafe was so exquisite, she longed to really be there -- except, of course, she was there, so it didn't make any sense.
”
”
Liane Moriarty (Big Little Lies)
“
Marriage is difficult, perhaps the most difficult thing you can ever do, besides being a parent, but I think these two fine young people are up to the challenge. Here are two steady, responsible people who, I believe, understand the dire commitment they are about to make and will choose to keep that commitment. Because it turns out to be a choice, commitment-not some done deal. When you leave the alter tomorrow, there will still be a lifetime of choice and temptation and doubt and uncertainty in front of you. I didn't know that at my wedding. Getting married doesn't change you. Marriage changes you.
”
”
Maggie Shipstead (Seating Arrangements)
“
Wine's terrible for babies." Dorian swept into the sitting room to join me, elegantly arranging himself on a love seat that displayed his purple velvet robes to best effect.
"Well of course it is. I'd never dream of giving wine to an infant! What do you take me for, a barbarian? But for you... well, it might go a long way to make you a little less jumpy. You've been positively unbearable to live around.
"I can't have it either. It affects the babies in utero.
”
”
Richelle Mead (Shadow Heir (Dark Swan, #4))
“
In fact, when some wedding guest inevitably complains about the seating arrangements, you might point out how long it would have taken you to consider every possibility: assuming you spent one second considering each one, it would come to more than half a million years. The unhappy guest will assume, of course, that you are being histrionic.
”
”
Leonard Mlodinow (The Drunkard's Walk: How Randomness Rules Our Lives)
“
a voice that signaled he was being kind but not sincere.
”
”
Maggie Shipstead (Seating Arrangements)
“
An airplane crossed the sky, and she imagined its interior-people packed in rows like eggs in a carton, the chemical smell of the toilets, pretzels in foil pouches, cans hiss-popping open, black oval of night sky embedded in the rattling walls. How strange that something so drab, so confined, so stifling with sour exhalations and the fumes of indifferent machinery might be mistaken for a star.
”
”
Maggie Shipstead (Seating Arrangements)
“
As he lifted his head, he saw a painting on the wall, in a carved and gilded frame. It was a luminous portrait of the Duchess with her children when they were still young. The group was arranged on the settee, with Ivo, still an infant, on his mother's lap. Gabriel, Raphael, and Seraphina were seated on either side of her, while Phoebe leaned over the back of the settee. Her face was close to her mother's, her expression tender and slightly mischievous, as if she were about to tell her a secret or make her laugh.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
People spent their lives searching for something beyond the simple friction of skin on skin, but there was nothing. The void between two people could never be closed, and in trying to close it, they would only learn everything that was to be despised in the other.
”
”
Maggie Shipstead (Seating Arrangements)
“
I was inclined to drift away from the sum to wonder why people would care what time two trains passed each other (spies), be so picky about seating arrangements (recently divorced people), or—which to this day remains incomprehensible—run the bath with no plug in.
”
”
Jo Walton (Among Others)
“
This is so funny,” said Ellen, noticing the seating arrangement. “Isn’t this funny? Tom, come sit next to Robin. Griffin, sit next to Laura.”
I stood up and sat next to Robin while Griffin brought his chair over to Laura.
“That’s better,” said Ellen. “Isn’t that better?
”
”
Daniel Amory (Minor Snobs)
“
Dicky and Maude lived within familiar confines: the Ivy League, the Junior League, The Social Register, Emily Post, Lilly Pulitzer, the Daughters of the American Revolution, Windsor knots, cummerbunds, needlepointed tissue box covers, L.L. Bean, Memorial Day, Labor Day, waterfowl-based décor.
”
”
Maggie Shipstead (Seating Arrangements)
“
You begin to arrange your research in bundles - letters - photos - telegrams. This is that last thing you see before you put on your overcoat:
Robert and Rowena with Meg: Rowena seated astride the pony – Robert holding her in place. On the back is written: 'Look! You can see our breath!' And you can.
”
”
Timothy Findley (The Wars)
“
Do what you can with what you have. Don’t wait for the day when you have the right couch, coffee table, or seating arrangement. Don’t wait until you have an eating area for a sizable dinner party. Don’t delay making memories or sharing your life with your friends. Do what you can to live your life well with what you have.
”
”
Chrystal Evans Hurst (She's Still There: Rescuing the Girl in You)
“
Here’s how it works for Stephen King: There are certain things I do if I sit down to write. I have a glass of water or a cup of tea. There’s a certain time I sit down, from 8:00 to 8:30, somewhere within that half hour every morning. I have my vitamin pill and my music, sit in the same seat, and the papers are all arranged in the same places. The cumulative purpose of doing these things the same way every day seems to be a way of saying to the mind, you’re going to be dreaming soon.1
”
”
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
“
Early in the afternoon she placed Schumann’s concerto in A minor on the desk of the pianoforte, arranged her seat before it, and left the room.
”
”
George Bernard Shaw (Love Among The Artists (Autobiographical Novel): A Story With a Purpose)
“
Hardest of all were those problems about people doing incomprehensible things with no motivation. I was inclined to drift away from the sum to wonder why people would care what time two trains passed each other (spies), be so picky about seating arrangements (recently divorced people), or - which to this day remains incomprehensible - run the bath with no plug in.
”
”
Jo Walton (Among Others)
“
What is the age of the soul of man? As she hath the virtue of the chameleon to change her hue at every new approach, to be gay with the merry and mournful with the downcast, so too is her age changeable as her mood. No longer is Leopold, as he sits there, ruminating, chewing the cud of reminiscence, that staid agent of publicity and holder of a modest substance in the funds. He is young Leopold, as in a retrospective arrangement, a mirror within a mirror (hey, presto!), he beholdeth himself. That young figure of then is seen, precociously manly, walking on a nipping morning from the old house in Clambrassil street to the high school, his booksatchel on him bandolierwise, and in it a goodly hunk of wheaten loaf, a mother's thought. Or it is the same figure, a year or so gone over, in his first hard hat (ah, that was a day!), already on the road, a fullfledged traveller for the family firm, equipped with an orderbook, a scented handkerchief (not for show only), his case of bright trinketware (alas, a thing now of the past!), and a quiverful of compliant smiles for this or that halfwon housewife reckoning it out upon her fingertips or for a budding virgin shyly acknowledging (but the heart? tell me!) his studied baisemoins. The scent, the smile but more than these, the dark eyes and oleaginous address brought home at duskfall many a commission to the head of the firm seated with Jacob's pipe after like labours in the paternal ingle (a meal of noodles, you may be sure, is aheating), reading through round horned spectacles some paper from the Europe of a month before. But hey, presto, the mirror is breathed on and the young knighterrant recedes, shrivels, to a tiny speck within the mist. Now he is himself paternal and these about him might be his sons. Who can say? The wise father knows his own child. He thinks of a drizzling night in Hatch street, hard by the bonded stores there, the first. Together (she is a poor waif, a child of shame, yours and mine and of all for a bare shilling and her luckpenny), together they hear the heavy tread of the watch as two raincaped shadows pass the new royal university. Bridie! Bridie Kelly! He will never forget the name, ever remember the night, first night, the bridenight. They are entwined in nethermost darkness, the willer and the willed, and in an instant (fiat!) light shall flood the world. Did heart leap to heart? Nay, fair reader. In a breath 'twas done but - hold! Back! It must not be! In terror the poor girl flees away through the murk. She is the bride of darkness, a daughter of night. She dare not bear the sunnygolden babe of day. No, Leopold! Name and memory solace thee not. That youthful illusion of thy strength was taken from thee and in vain. No son of thy loins is by thee. There is none to be for Leopold, what Leopold was for Rudolph.
”
”
James Joyce (Ulysses)
“
One central characteristic of the Model T now generally forgotten is that it was the first car of consequence to put the driver’s seat on the left-hand side. Previously, nearly all manufacturers placed the driver on the outer, curb-side of the car so that an alighting driver could step out onto a grassy verge or dry sidewalk rather than into the mud of an unpaved road. Ford reasoned that this convenience might be better appreciated by the lady of the house, and so arranged seating for her benefit. The arrangement also gave the driver a better view down the road, and made it easier for passing drivers to stop and have a conversation out facing windows. Ford was no great thinker, but he did understand human nature. Such, in any case, was the popularity of Ford’s seating plan for the Model T that it soon became the standard adopted by all cars.
”
”
Bill Bryson (One Summer: America, 1927)
“
Then it’s time to don a triangular yellow plastic urine bag by inserting the penis into a rubber receiver built into one corner of it. There are three sizes of receivers (small, medium, large), which are always referred to in more heroic terms: extra large, immense, and unbelievable. One selects based on bitter experience in ground tests, where a poor fit in the feet-above-head Gemini seating arrangement means urine trickling up the spine and pooling in the small of the back. “Wetbacks,” the suit technicians call these neophyte astronauts, with displeasure.
”
”
Michael Collins (Carrying the Fire: An Astronaut's Journey)
“
In the early 1970s, racial and gender discrimination was still prevalent. The easy camaraderie prevailing in the operating room evaporated at the completion of surgical procedures. There was an unspoken pecking order of seating arrangements at lunch among my fellow physicians. At the top were the white male 'primary producers' in prestigious surgical specialties. They were followed by the internists. Next came the general practitioners. Last on the list were the hospital-based physicians: the radiologists, pathologists and anaesthesiologists - especially non-white, female ones like me. Apart from colour, we were shunned because we did not bring in patients ourselves but, like vultures, lived off the patients generated by other doctors. We were also resented because being hospital-based and not having to rent office space or hire nursing staff, we had low overheads. Since a physician's number of admissions to the hospital and referral pattern determined the degree of attention and regard accorded by colleagues, it was safe for our peers to ignore us and target those in position to send over income-producing referrals. This attitude was mirrored from the board of directors all the way down to the orderlies.
”
”
Adeline Yen Mah (Falling Leaves)
“
There is a story that Simonides was dining at the house of a wealthy nobleman named Scopas at Crannon in Thessaly, and chanted a lyric poem which he had composed in honor of his host, in which he followed the custom of the poets by including for decorative purposes a long passage referring to Castor and Pollux; whereupon Scopas with excessive meanness told him he would pay him half the fee agreed on for the poem, and if he liked he might apply for the balance to his sons of Tyndaraus, as they had gone halves in the panegyric.
The story runs that a little later a message was brought to Simonides to go outside, as two young men were standing at the door who earnestly requested him to come out; so he rose from his seat and went out, and could not see anybody; but in the interval of his absence the roof of the hall where Scopas was giving the banquet fell in, crushing Scopas himself and his relations underneath the ruins and killing them; and when their friends wanted to bury them but were altogether unable to know them apart as they had been completely crushed, the story goes that Simonides was enabled by his recollection of the place in which each of them had been reclining at table to identify them for separate interment; and that this circumstance suggested to him the discovery of the truth that the best aid to clearness of memory consists in orderly arrangement.
He inferred that persons desiring to train this faculty must select localities and form mental images of the facts they wish to remember and store those images in the localities, with the result that the arrangement of the localities will preserve the order of the facts, and the images of the facts will designate the facts themselves, and we shall employ the localities and images respectively as a wax writing tablet and the letters written on it.
”
”
Marcus Tullius Cicero
“
Most of the denizens don’t care what the council are doing as long as everything keeps running smoothly from their own perspective, and the only people who get a significant vote anyway are the people who’ve earned a council seat, either by doing something dramatic or because they’ve cleverly arranged to be descended from a founding member.
”
”
Naomi Novik (The Golden Enclaves (The Scholomance #3))
“
She’d tried to arrange it so we were sitting together, but fifteen thirsty and hungry guys jostling for chairs didn’t exactly lend itself to a calm seating arrangement. Chase and I both dropped into the same chair at the same time, and we both popped back up way too fast, like a kid’s jack-in-the-box.
Across from us, Ethan, the center fielder, noticed and laughed so loudly I was afraid everyone would know about the awkward moment. He said something to Tyler, the second baseman, that made him grin. Chase yelled for everyone to move down, because we needed room at our end of the table, only there was no place for anyone to move.
Alan offered me his lap.
I must have turned beet red, because my face felt really hot.
”
”
Rachel Hawthorne (The Boyfriend League)
“
When you are traveling by bus, it is always difficult to decide whether you should sit in a seat by the window, a seat on the aisle, or a seat in the middle. If you take an aisle seat, you have the advantage of being able to stretch your legs whenever you like, but you have the disadvantage of people walking by you and they can accidentally step on your toes or spill something on your clothing. If you take a window seat, you have the advantage of getting a clear view of the scenery, but you have the disadvantage of watching insects die as they hit the glass. If you take a middle seat, you have neither of these advantages, and you have the added disadvantage of people leaning all over you when they fall asleep. You can see at once why you should always arrange to hire a limousine or rent a mule rather than take the bus to your destination.
”
”
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
“
The front of the café was all open glass, and the seating was arranged so that wherever you sat you faced the beach, as if you were there to watch the sea perform a show. As Jane looked around her, she felt that dissatisfied feeling she often experienced when she was somewhere new and lovely. She couldn’t quite articulate it except with the words If only I were here. This little beachside café was so exquisite, she longed to really be there—except, of course, she was there, so it didn’t make sense.
”
”
Liane Moriarty (Big Little Lies)
“
Although he wanted an element of democracy within the group, with players using their initiative, making suggestions and keeping an open mind to new ideas, Guardiola did not delay in imposing a number of strict rules in his first few days in charge: such as insisting upon the use of Castilian and Catalan as the only languages spoken among the group, arranging a seating plan at meal times to encourage the players to mix and to prevent the team forming up into different cultural or national groups and cliques.
”
”
Guillem Balagué (Pep Guardiola: Another Way of Winning: The Biography)
“
In late 1998, the inhabitants were invited to become Australia’s seventh state and roundly rejected the notion in a referendum. It appears they quite like being outsiders. In consequence, an area of 523,000 square miles, or about one-fifth of the country, is in Australia but not entirely of it. This throws up some interesting anomalies. All Australians are required by law to vote in federal elections, including residents of the Northern Territory. However, since the Northern Territory is not a state, it has no seats in Parliament. So the Territorians elect representatives who go to Canberra and attend sessions of Parliament (at least that’s what they say in their letters home) but don’t actually vote or take part or have any consequence at all. Even more interestingly, during national referendums the citizens of the Northern Territory are also required to vote, but the votes don’t actually count towards anything. They’re just put in a drawer or something. Seems a little odd to me, but then, as I say, the people seem content with the arrangement. Personally,
”
”
Bill Bryson (In a Sunburned Country)
“
The greatest masters have only made single statues, groups are always inferior; that is why Carpeaux, big though he was, is less so than Rodin, for he never knew how to make single statues. He did not know how to find his rhythm in the arrangement of the shapes of one body, but obtained it by the disposition of several. The great sculptors are there to prove it. Think of the masterpieces which we like most, all standing or seated, and one at a time, and they are not in the least monotonous. The connoisseur loves one spicy cake, but the glutton requires at least six to stimulate his pleasure.
”
”
H.S. Ede (Savage Messiah)
“
Paco Fuentes," Mrs. Peterson says, pointing to the table behind Mary.
The handsome young man with pale blue eyes like his mother's and smoky black hair like his father's takes his assigned seat.
Mrs. Peterson regards her new student over the glasses perched on her nose. "Mr. Fuentes, don't think this class will be a piece of cake because your parents got lucky and developed a medication to halt the progression of Alzheimer's. Your father never did finish my class and he flunked one of my tests, although I have a feeling your mother was the one who should have failed. But that just means I'll expect extra from you.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
Do you know where we are?” he whispered. “Surely that is Baker Street,” I answered, staring through the dim window. “Exactly. We are in Camden House, which stands opposite to our own old quarters.” “But why are we here?” “Because it commands so excellent a view of that picturesque pile. Might I trouble you, my dear Watson, to draw a little nearer to the window, taking every precaution not to show yourself, and then to look up at our old rooms--the starting-point of so many of your little fairy-tales? We will see if my three years of absence have entirely taken away my power to surprise you.” I crept forward and looked across at the familiar window. As my eyes fell upon it, I gave a gasp and a cry of amazement. The blind was down, and a strong light was burning in the room. The shadow of a man who was seated in a chair within was thrown in hard, black outline upon the luminous screen of the window. There was no mistaking the poise of the head, the squareness of the shoulders, the sharpness of the features. The face was turned half-round, and the effect was that of one of those black silhouettes which our grandparents loved to frame. It was a perfect reproduction of Holmes. So amazed was I that I threw out my hand to make sure that the man himself was standing beside me. He was quivering with silent laughter. “Well?” said he. “Good heavens!” I cried. “It is marvellous.” “I trust that age doth not wither nor custom stale my infinite variety,” said he, and I recognized in his voice the joy and pride which the artist takes in his own creation. “It really is rather like me, is it not?” “I should be prepared to swear that it was you.” “The credit of the execution is due to Monsieur Oscar Meunier, of Grenoble, who spent some days in doing the moulding. It is a bust in wax. The rest I arranged myself during my visit to Baker Street this afternoon.
”
”
Arthur Conan Doyle (The Complete Sherlock Holmes)
“
America’s last step into the Vietnam quagmire came on November 22, 1963, when Lyndon Baines Johnson was sworn in as the thirty-sixth president of the United States. Unlike Kennedy, Johnson was no real veteran. During World War II he used his influence as a congressman to become a naval officer, and, despite an utter lack of military training, he arranged a direct commission as a lieutenant commander. Fully aware that “combat” exposure would make him more electable, the ambitious Johnson managed an appointment to an observation team that was traveling to the Pacific. Once there, he was able to get a seat on a B-26 combat mission near New Guinea. The bomber had to turn back due to mechanical problems and briefly came under attack from Japanese fighters. The pilot got the damaged plane safely back to its base and Johnson left the very next day. This nonevent, which LBJ had absolutely no active part of, turned into his war story. The engine had been “knocked out” by enemy fighters, not simply a routine malfunction; he, LBJ, had been part of a “suicide mission,” not just riding along as baggage. The fabrication grew over time, including, according to LBJ, the nickname of “Raider” Johnson given to him by the awestruck 22nd Bomber Group.
”
”
Dan Hampton (The Hunter Killers: The Extraordinary Story of the First Wild Weasels, the Band of Maverick Aviators Who Flew the Most Dangerous Missions of the Vietnam War)
“
ADVERTISEMENT Shopping at Robinson’s during alert periods. We have roof spotters on duty throughout alert periods to give final ‘take cover’ alarm when danger is near. Until this warning is given we endeavour to continue normal business. Members of our staff carry on and give shoppers cheerful service. We have shelter facilities and seating accommodation in the basement for all persons who are in the building should the spotters give the danger alarm. These arrangements have been made for the protection and convenience of our customers, so you need have no fear regarding shopping arrangements if you are at Robinson’s during an alert period. Straits Times 21, 22, 23 January, 1942
”
”
J.G. Farrell
“
Sandbags caused the fire’s temperature to drop straight away, but radioactive particles in the air increased sharply because more and more dust and debris was kicked into the air from the heavy falling bags’ impact. After the first day, Major General Antoshkin proudly told Shcherbina that 150 tons had been dropped into the reactor. He responded, “150 tons of sand for a reactor like that is like a BB shot to an elephant.”192 The General, taken aback, arranged for far more soldiers and pilots to be brought to the Exclusion Zone. These young pilots each flew many times over the reactor, and soon took to placing lead plates underneath their cockpit seats to minimise radiation exposure. Despite their homemade preventative measures, many pilots were fatally contaminated and died.
”
”
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
“
Matthew and Elspeth knew the Duke of Johannesburg, of course. Matthew had first met him some years earlier when he had gone to a party at Single-Malt House, the Duke’s seat. Most of us have houses or flats, but dukes have seats, which conjures up an altogether more comfortable set of domestic arrangements. Professors have chairs, which are not necessarily as comfortable as seats, but better, perhaps, than the mere benches on which judges have to spend their working hours. Least fortunate, of course, are people who have posts or slots—arrangements suggestive of impermanence and discomfort. To say of somebody that “he occupies the post of” is to imply that he has a place, but that he should not become too ensconced as there are others only too ready to take his place, with all the enthusiasm of the would-be stylite, on that post.
”
”
Alexander McCall Smith (Bertie's Guide to Life and Mothers)
“
The maid deposits a printed, cotton cushion on the floor in front of the alcove-recess, invites the guest to be seated in that place of honor, and then removes herself. Suzuki first inspects the room. He begins by examining the scroll displayed in the alcove: its Chinese characters, allegedly written by Mokuan, that master calligrapher of the Zen sect, are, of course, faked, but they state that flowers are in bloom and that spring is come to all the world. He next turns his attention to some early-flowering cherry-blossoms arranged in one of those celadon vases which they turn out cheap in Kyoto. Then, when his roving glance chances to fall upon the cushion provided for his particular convenience, what should he find but, planted serenely smack in its center, a squatting cat. I need hardly add that the cat in question is my lordly self.
”
”
Natsume Sōseki (I Am A Cat (Tuttle Classics))
“
She arranged the bacon on a platter and then debated what to do with the ten-inch biscuit that had actually been four small biscuits when she’d placed the pan in the oven. Deciding not to break it into irregular chucks, she placed the entire biscuit neatly in the center of the bacon and carried the platter over to the table, were Ian had just seated himself. Returning to the stove, she tried to dig the eggs out of the skillet, but they wouldn’t come loose, so she brought the skillet and spatula to the table. “I-I thought you might like to serve,” she offered formally, to hide her growing trepidation over the things she had prepared.
“Certainly,” Ian replied, accepting the honor with the same grave formality with which she’d offered it: then he looked expectantly at the skillet. “What have we here?” he inquired sociably.
Scrupulously keeping her gaze lowered, Elizabeth sat down across from him. “Eggs,” she answered, making an elaborate production of opening her napkin and placing it on her lap. “I’m afraid the yolks broke.”
“It doesn’t matter.”
When he picked up the spatula Elizabeth pinned a bright, optimistic smile on her face and watched as he first tried to lift, and then began trying to pry the eggs from the skillet. “They’re stuck,” she explained needlessly.
“No, they’re bonded,” he corrected, but at least he didn’t sound angry. After another few moments he finally managed to pry a strip loose, and he placed it on her plate. A few moments more and he was able to gouge another piece loose, which he placed on his own plate.
In keeping with the agreed-upon truce they both began observing all the polite table rituals with scrupulous care. First Ian offered the platter of bacon with the biscuit centerpiece to Elizabeth. “Thank you,” she said, choosing two black strips of bacon.
Ian took three strips of bacon and studied the flat brown object reposing on the center of the platter. “I recognize the bacon,” he said with grave courtesy, “but what is that?” he asked, eyeing the brown object. “It looks quite exotic.”
“It’s a biscuit,” Elizabeth informed him.
“Really?” he said, straight-faced. “Without any shape?”
“I call it a-a pan biscuit,” Elizabeth fabricated hastily.
“Yes, I can see why you might,” he agreed. “It rather resembles the shape of a pan.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
In short, the observer is choked with observations. Only to prevent us from being submerged by chaos, nature and society between them have arranged a system of classification which is simplicity itself; stalls, boxes, amphitheatre, gallery. The moulds are filled nightly. There is no need to distinguish details. But the difficulty remains—one has to choose. For though I have no wish to be Queen of England or only for a moment—I would willingly sit beside her; I would hear the Prime Minister's gossip; the countess whisper, and share her memories of halls and gardens; the massive fronts of the respectable conceal after all their secret code; or why so impermeable? And then, doffing one's own headpiece, how strange to assume for a moment some one's—any one's—to be a man of valour who has ruled the Empire; to refer while Brangaena sings to the fragments of Sophocles, or see in a flash, as the shepherd pipes his tune, bridges and aqueducts. But no—we must choose. Never was there a harsher necessity! or one which entails greater pain, more certain disaster; for wherever I seat myself, I die in exile: Whittaker in his lodging-house; Lady Charles at the Manor.
”
”
Virginia Woolf (Jacob's Room)
“
As soon as Devon left his room, he was overwhelmed by a surplus of unwanted attention. Not one but two footmen accompanied him down the stairs, eagerly pointing out dangers such as the edge of a particular step that wasn’t quite smooth, or a section of the curved balustrade that might be slippery from a recent polishing. After negotiating the apparent perils of the staircase, Devon continued through the main hall and was obligated to stop along the way as a row of housemaids curtsied and uttered a chorus of “Happy Christmas” and “God bless you, milord,” and offered abundant wishes for his good health.
Abashed by the role he seemed to have been cast in, Devon smiled and thanked them. He made his painstaking way to the dining room, which was filled with lavish arrangements of Christmas flowers, and hung with evergreen garlands twined with gold ribbon. Kathleen, West and the twins were all seated, laughing and chatting with relaxed good humor.
“We knew you were approaching,” Pandora said to Devon, “from all the happy voices we could hear in the entrance hall.”
“He’s not accustomed to people exclaiming happily when he arrives,” West said gravely. “Usually they do it when he leaves.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
It was when Maya showed me the benches at Gallaudet University that I started to glimpse sound—the physical structure of it, the elastic bounce of its travel. My friends who are deaf have always told me that sound also belongs to them—that hearing people are forever getting it wrong to imagine deafness as a “silent world”—but the benches were the thing that made this idea vividly real. They were a feature in the design at the scale of rooms at Gallaudet, alongside a dozen other architectural choices that a hearing person could easily miss. Maya had paused for a moment in our campus tour to point them out, standing in the middle of a big, airy common space lined with windows on three sides, the lobby of a dorm where many students study and socialize, alone or in groups. The benches serve as seating for nearby wood tables, sets that are interspersed with soft fabric chairs arranged 360 degrees around for discussion. “Wood is the best material for this kind of group seating,” she told me, and mimed lightly slapping the wood with her palm. The resonance of wood makes it reverberate when struck. Students sometimes tap or slap nearby surfaces to get one another’s attention or to call a group to order, she said, and materials like concrete or thick plastics tend to absorb the sound rather than scatter it productively.
”
”
Sara Hendren (What Can a Body Do?)
“
The idea of personal space, which seems so natural to us now, was a revelation. People couldn’t get enough of it. Soon it wasn’t merely sufficient to live apart from one’s inferiors, it was necessary to have time apart from one’s equals, too. As houses sprouted wings and spread, and domestic arrangements grew more complex, words were created or adapted to describe all the new room types: study, bedchamber, privy chamber, closet, oratory (for a place of prayer), parlour, withdrawing chamber and library (in a domestic as opposed to institutional sense) all date from the fourteenth century or a little earlier. Others followed soon after: gallery, long gallery, presence chamber, tiring (for attiring) chamber, salon or saloon, apartment, lodgings and suite. ‘How widely different is all this from the ancient custom of the whole household living by day and night in the great hall!’ wrote Gotch in a moment of rare exuberance. One new type not mentioned by Gotch was boudoir, literally ‘a room to sulk in’, which from its earliest days was associated with sexual intrigue. Even with the growth of comparative privacy, life remained much more communal and exposed than today. Toilets often had multiple seats, for ease of conversation, and paintings regularly showed couples in bed or a bath in an attitude of casual friskiness while attendants waited on them and their friends sat amiably nearby, playing cards or conversing but comfortably within sight and earshot.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
I hope you don’t mind that we’re crashing,” Wes says. “I’m trying to escape a hunting expedition. No joke. Dad thinks I’ll be more of a man if I can blow a rabbit’s head off. And my response? ‘Sorry, Dad, but as tempting as it is to obliterate Peter Cottontail first thing on a Sunday morning, I promised Camelia I’d swing by her house, because she’s been begging to abuse my body for weeks.’”
“And speaking of being delusional,” Kimmie segues, “did I mention that my plan to reunite my parents was totally dumb?” She leads us into my bedroom and then closes the door behind her. “They could smell the setup before their water glasses were even filled.”
“How’s that?” I ask, taking a seat on my bed.
“The violinist I arranged to serenade them at the table might have been a tip-off,” she begins. “Either that, or the wrist corsage I ordered for my mom. I handpicked the begonias and had the florist deliver it right to the table.”
“Don’t forget about the oyster appetizer you preordered for the occasion,” Wes adds.
“Because, you know what they say about oysters, right?” An evil grin breaks out across her face. ‘I know, I know.” She sighs, before I can even say anything. “I may have gone a little overboard, but what can I say? I’m a dorkus extremus. Hence my outit du jour.” She’s wearing a Catholic schoolgirl’s uniform, a pair of clunky black glasses (with the requisite amount of tape on the bridge), and a cone-shaped dunce cap.
“Yes, but you’re a dorkus extremus with a nice set of begonias,” Wes teases.
”
”
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
“
McMaster said he had been completely in the dark about this. The secretary of state had not consulted or even informed him in advance. He had learned from press reports! In a news conference in Qatar, Tillerson had said the agreement “represents weeks of intensive discussions” between the two governments so it had been in the works for a while. Porter said Tillerson had not gone through the policy process at the White House and had not involved the president either. Clearly Tillerson was going off on his own. “It is more loyal to the president,” McMaster said, “to try to persuade rather the circumvent.” He said he carried out direct orders when the president was clear, and felt duty bound to do so as an Army officer. Tillerson in particular did not. “He’s such a prick,” McMaster said. “He thinks he’s smarter than anyone. So he thinks he can do his own thing.” In his long quest to bring order to the chaos, Priebus arranged for each of the key cabinet members to regularly check in. Tillerson came to his office at 5:15 p.m. on Tuesday, July 18. McMaster had not been invited but joined the meeting anyway. He took a seat at the conference table. The national security adviser’s silent presence was ominous and electric. Tell me, Priebus asked Tillerson, how are things going? Are you on track to achieve your primary objectives? How is the relationship between the State Department and the White House? Between you and the president? “You guys in the White House don’t have your act together,” Tillerson said, and the floodgates gushed open. “The president can’t make a decision. He doesn’t know how to make a decision. He won’t make a decision. He makes a decision and then changes his mind a couple of days later.” McMaster broke his silence and raged at the secretary of state. “You don’t work with the White House,” McMaster said. “You never consult me or anybody on the NSC staff. You blow us off constantly.” He cited examples when he tried to set up calls or meetings or breakfasts with Tillerson. “You are off doing your own thing” and communicate directly with the president, Mattis, Priebus or Porter. “But it’s never with the National Security Council,” and “that’s what we’re here to do.” Then he issued his most dramatic charge. “You’re affirmatively seeking to undermine the national security process.” “That’s not true,” Tillerson replied. “I’m available anytime. I talk to you all the time. We just had a conference call yesterday. We do these morning calls three times a week. What are you talking about, H.R.? I’ve worked with you. I’ll work with anybody.” Tillerson continued, “I’ve also got to be secretary of state. Sometimes I’m traveling. Sometimes I’m in a different time zone. I can’t always take your calls.” McMaster said he consulted with the relevant assistant secretaries of state if the positions were filled. “I don’t have assistant secretaries,” Tillerson said, coldly, “because I haven’t picked them, or the ones that I have, I don’t like and I don’t trust and I don’t work with. So you can check with whoever you want. That has no bearing on me.” The rest of the State Department didn’t matter; if you didn’t go through him, it didn’t count.
”
”
Bob Woodward (Fear: Trump in the White House)
“
Today I've prepared a dish I'm calling 'Sea Bass of Three.' The first is a citrus ceviche with yellow chilies and a hint of preserved lemon, to be eaten with plantain crisps on the left of your plate."
Even from her vantage, Penelope could see Elijah had molded the ceviche into a vague fish shape that pointed to the center of the plate.
"Next, in the center, is a pan-sautéed fillet of sea bass coated in chili de árbol, and paprika potatoes sliced and arranged to resemble fish scales," Elijah continued.
Penelope's mouth watered at the sight of the fillet, which looked perfectly crisp and very much resembled a small fish. It again seemed to point to the third and final part of the dish, thanks to the way he'd arranged it all.
"And for the final phase, you have a sea-bass-and-cod fritter with fresh coriander leaves, serrano chilies, and a pineapple, chili, and lime foam."
The queen and the princess nodded and started to eat the ceviche.
"Will you explain what you've done with the samphire?" Lady Rutland asked, pointing to the green seaweed that resembled very thin asparagus spears.
"The samphire is meant to symbolize the sea, just as the pineapple foam is meant to suggest sea foam. I sautéed the samphire in a spiced butter," Elijah replied.
Penelope grinned from her seat behind the Minstrels' Gallery's open door. He'd almost made it look like the fish (especially the potato-scaled fillet in the center) was still swimming in the sea. From what she could see, he'd dotted the foam in strategic places on the plate, including near the ceviche, so one could take a bite with a plantain crisp and the foam, or try it plain.
”
”
Jennieke Cohen (My Fine Fellow)
“
With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting.
But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall.
And he was a fool.
"I can see how you might find her maddening," Masters said in a low voice.
Jackson stiffened. "Your wife?" he said, deliberately being obtuse.
"Lady Celia."
Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor.
He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness.
Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?"
Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune."
He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you."
She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then.
A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary.
But she'll be an heiress once she marries.
He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that.
Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list.
"Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors."
Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words.
Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but-
"Have you got any news?" Stoneville asked.
Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
I use the following scenario in my classes to illustrate the nature of the moral circle. Imagine, I ask my students, that your best friend just got a job waiting tables at a restaurant. To celebrate with her you arrange with friends to go to the restaurant to eat dinner on her first night. You ask to be seated in her section and look forward to surprising her and, later, leaving her a big tip. Soon your friend arrives at your table, sweating and stressed out. She is having a terrible night. Things are going badly and she is behind getting food and drinks out. So, I ask my students, what do you do? Easily and naturally the students respond, “We’d say, ‘Don’t worry about us. Take care of everyone else first.’” I point out to the students that this response is no great moral struggle. It’s a simple and easy response. Like breathing. It is just natural to extend grace to a suffering friend. Why? Because she is inside our moral circle.
But imagine, I continue with the students, that you go out to eat tonight with some friends. And your server, whom you vaguely notice seems stressed out, performs poorly. You don’t get good service. What do you do in that situation? Well, since this stranger is not a part of our moral circle, we get frustrated and angry. The server is a tool and she is not performing properly. She is inconveniencing us. So, we complain to the manager and refuse to tip. In the end, we fail to treat another human being with mercy and dignity. Why? Because in a deep psychological sense, this server wasn’t really “human” to us. She was a part of the “backdrop” of our lives, part of the teeming anonymous masses toward which I feel indifference, fear, or frustration. The server is on the “outside” of my moral circle.
”
”
Richard Beck (Unclean: Meditations on Purity, Hospitality, and Mortality)
“
Good Morning!” said Bilbo, and he meant it. The sun was shining, and the grass was very green. But Gandalf looked at him from under long bushy eyebrows that stuck out further than the brim of his shady hat. “What do you mean?” he said. “Do you wish me a good morning, or mean that it is a good morning whether I want it or not; or that you feel good this morning; or that it is a morning to be good on?” “All of them at once,” said Bilbo. “And a very fine morning for a pipe of tobacco out of doors, into the bargain. If you have a pipe about you, sit down and have a fill of mine! There’s no hurry, we have all the day before us!” Then Bilbo sat down on a seat by his door, crossed his legs, and blew out a beautiful grey ring of smoke that sailed up into the air without breaking and floated away over The Hill. “Very pretty!” said Gandalf. “But I have no time to blow smoke-rings this morning. I am looking for someone to share in an adventure that I am arranging, and it’s very difficult to find anyone.” “I should think so—in these parts! We are plain quiet folk and have no use for adventures. Nasty disturbing uncomfortable things! Make you late for dinner! I can’t think what anybody sees in them,” said our Mr. Baggins, and stuck one thumb behind his braces, and blew out another even bigger smoke-ring. Then he took out his morning letters, and began to read, pretending to take no more notice of the old man. He had decided that he was not quite his sort, and wanted him to go away. But the old man did not move. He stood leaning on his stick and gazing at the hobbit without saying anything, till Bilbo got quite uncomfortable and even a little cross. “Good morning!” he said at last. “We don’t want any adventures here, thank you! You might try over The Hill or across The Water.” By this he meant that the conversation was at an end.
”
”
J.R.R. Tolkien (The Hobbit)
“
Good luck. For most of my generation, it would just go to student debt and cocktails. If anything came to me (an impossibility), I would dump it into a poorly managed career in edgy luxury items. You can’t make opera money on perfume that smells like cunts and gasoline. At any rate, I didn’t usually make an appearance beyond the gala. Or, I hadn’t until recently. But Joseph Eisner had promised me a fortune, and now he wouldn’t take my calls. He did, however, like his chamber music. It had been an acquired taste for me. In my distant undergraduate past, when circumstance sat me in front of an ensemble, I spent the first five minutes of each concert deciding which musician I would fuck if I had the chance, and the rest shifting minutely in my seat. I still couldn’t stand Chanel. And while I had learned to appreciate—indeed, enjoy—chamber ensembles, orchestras, and on occasion even the opera, I retained my former habit as a dirty amusement to add some private savor to the proceedings. Tonight, it was the violist, weaving and bobbing his way through Dvořák’s Terzetto in C Major like a sinuous dancer. I prefer the romantics—fewer hair-raising harmonies than modern fare, and certainly more engaging than funereal baroque. The intriguing arrangement of the terzetto kept me engaged, in that slightly detached and floating manner engendered by instrumental performance. Moreover, the woman to my left, one row ahead, was wearing Salome by Papillon. The simple fact of anyone wearing such a scent in public pleased me. So few people dared wear anything at all these days, and when they did, it was inevitably staid: an inoffensive classic or antiseptic citrus-and-powder. But this perfume was one I might have worn myself. Jasmine, yes, but more indolic than your average floral. People sometimes say it smells like dirty panties. As the trio wrapped up for intermission, I took a steadying breath of musk and straightened my lapels. The music was only a means to an end, after all.
”
”
Lara Elena Donnelly (Base Notes)
“
I led my portion of the rearguard across the open ground to the right of the prince’s battalion, and surged into the first company of Castilian reinforcements as they tried to arrange into a defensive line. They were well-equipped foot with steel helms and leather jacks, glaives and axes, but demoralised and unwilling to stand against a charge of heavy horse. I skewered a serjeant in the front rank with my lance and rode over him as the men behind him scattered, yelling in fear and hurling their banners away as they ran.
If all the Castilians had behaved in such a manner, we would have had an easy time of it, but now Enrique flung his household knights into the fray. It had started to rain heavily, sheets of water blown by strong winds across the battlefield, and a phalanx of Castilian lancers on destriers came plunging out of the murk, smashing into the front rank of my division. A lance shattered against my cuisse, almost knocking me from the saddle, but I kept my seat and slashed at the knight with my broadsword as he hurtled past, chopping an iron leaf from the chaplet encircling his basinet, but doing no other damage.
My men held together under the Castilian charge, and soon there was a fine swirling mêlée in progress. I was surrounded by visored helms and glittering blades, men yelling and horses screaming, and glimpsed my standard bearer ahead of me, shouting and fending off two Castilians with the butt of his lance. Another Englishman rode in to help him, throwing his arms around one of the Castilians and heaving him out of the saddle with sheer brute strength, and then a fresh wave of steel and horseflesh, thrown up by the violent, shifting eddies of battle, closed over them and shut off my view.
I couldn’t bear to lose my banner again, and charged into the mass of fighting men, clearing a path with the sword’s edge. A mace or similar hammered against my back-plate, sending bolts of agony shooting up my spine, and my foot slipped out of the stirrup as I leaned drunkenly in the saddle, black spots reeling before my eyes.
”
”
David Pilling (The Half-Hanged Man (The Half-Hanged Man, #1-3))
“
dead seem to have been arranged in a hierarchy, like the living, and no doubt the highest seats were assigned to the dead kings and to high priestly officials who had to be taken care of with special sacrifices by such of the deceased as Gilgamesh and Ur-Nammu. There were all kinds of rules and regulations in the nether world, and it was the deified Gilgamesh who saw to it that the denizens of the nether world conducted themselves properly. Although in general one has the feeling that the nether world was dark and dreary, this would seem to be true only of daytime; at night the sun brought light to it, and on the twenty-eighth day of the month the sun was joined by the moon. The deceased were not treated all alike; there was a judgment of the dead by the sun-god, Utu, and to a certain extent by the moon-god, Nanna, and if the judgment was favorable, the dead man's soul would presumably live in happiness and contentment and have
”
”
Samuel Noah Kramer (The Sumerians: Their History, Culture, and Character)
“
We took a short ride on the Oedo line and surfaced near a sashimi-oriented izakaya called Uoshin. The upstairs counter snaked through the room so everyone could have a seat at the bar, and tucked into nooks at various parts of the arrangement were white-coated chefs, each with a knife and a wooden board full of freshly sliced sashimi. We ordered a few selections from the board, and then Mark, who is apparently one of those wiry guys with a boundless appetite, started calling for cooked food; gesoyaki (grilled squid tentacles, one of my favorites), tamagoyaki (seasoned rolled omelet, and yellow-tail teriyaki, all of which were exceptionally good, especially the meaty broiled yellowtail with its sweet and salty glaze.
”
”
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
“
Heath had never pretended that the terms of membership were ideal, for the United Kingdom was a late entrant to a club designed by and for the interests of its existing members. The Common Agricultural Policy (CAP) had been settled in the 1960s, under the shelter of the French veto, as had a budget mechanism that would weigh disproportionately on the UK. In Heath's view, it was simply not realistic to think that Britain could rewrite these arrangements from the outside; the priority was to get a seat at the table, so that it could influence the Community from within.
”
”
Robert Saunders (Yes to Europe!: The 1975 Referendum and Seventies Britain)
“
The walls were painted a robin's-egg blue. Antique wood-and-glass display cases had mottled milk chocolate-brown marble countertops. Antique iron-and-glass stands would make the future little cakes (under their glass domes) pop up and down on the counter like jaunty hats.
From the top of the left wall of the bakery, Gavin had hung a canvas curtain and arranged a display area in front of it. Both the curtain and display would change each month- as would, of course, the colors and flavors we showcased. The idea was to sell not only cakes, but also cake stands, serving pieces, plates, paper napkins, and other goodies, so once your little cakes got home, they'd look as good as they did in my bakery. One-stop shopping.
On the right, Gavin had arranged a seating area with dark bentwood chairs and cafe tables. It looked like a tea salon in Paris.
I sighed with delight.
But I wanted to see where I would spend most of my time.
The work and storage areas were screened off in the back, although I would have been happy to show off my two Vulcan convection-ovens-on-wheels and the big stainless steel worktable with the cool marble slab at one end for chocolate work.
The calm milk-chocolate plaster walls, stainless steel, and white marble made the workspace look like a shrine to the cake baker's art.
”
”
Judith M. Fertig (The Cake Therapist)
“
Seated in the middle of the floor with its back to me was the naked figure of a baby of, perhaps, two years, prattling wordlessly in its sing-song treble as it played with a pile of gleaming white objects arranged about it in a circle. One of these, a globular thing of peculiar configuration, it grasped in its right hand, and banged down noisily among the rest. Opposite, just discernible in the shadowy corner, sat the largest brindled cat I had ever seen, dreamily watching the play through half closed, flame-yellow eyes. I suppose it must have been many minutes that I stood there dumbfounded, staring at this incredible spectacle, before my dazed senses registered its full hideousness, and then a strangled gasp escaped me, for I saw that the toy in the child’s hand was a tiny human skull and that all the other white things were the various bones of an infant skeleton!
”
”
L.A. Lewis (Tales of the Grotesque: A Collection of Uneasy Tales)
“
Thank God they didn't know about it, all those people who feared and needed and sucked up to Palmer Stoat, big-time lobbyist. All those important men and women clogging up his voice mail in Tallahassee... the mayor of Orlando, seeking Stoat's deft hand in obtaining $45 million in federal highway funds--Disney World, demanding yet another exit off Interstate 4; the president of a slot machine company, imploring Stoat to arrange a private dinner with the chief of the Seminole Indian Tribe; a United States Congresswoman from West Palm Beach, begging for box seats to the Marlins home opener (not for her personally, but for five sugar company executives who'd persuaded their Jamaican and Haitian cane pickers to donate generously--well beyond their means, in fact--to the Congresswoman's reelection account).
”
”
Carl Hiaasen (Sick Puppy (Skink, #4))
“
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SOBOFER L
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only person watching them. She’d noticed that before with Colin. At large dinners, people a few seats down would stop eating and lean over to listen to him. Colin left James, and a moment later he appeared beside her with a bottle of wine and glasses for her and her father. He kissed Faye, checked his watch, and said, “When can we ask them all to leave?” “Well,” said Deborah, once the guests were gone. “That was a success.” She had arranged for them to borrow her friend’s house in Provence for their honeymoon. “Actually,” Faye had said, “we’re going to India.” And on their honeymoon a week later, in a coracle spinning on a river in Hampi, Faye gripped the straw edges of the boat and she laughed and laughed and laughed. — AFTER THEY WERE MARRIED, my parents often went on trips abroad with his friends, to rented villas in France, Sardinia, Mallorca. I visited the one in Mallorca when I was twenty-two, after saving for months to buy the ticket. I went in September, when the villa where they’d stayed was empty. A sign for a security system was posted
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Flynn Berry (A Double Life)
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The theme of this exhibition is folk art, and the building, which is usually a typical white-cube space, has been dressed up to look like a circus. The walls are covered in strange murals; level with my head are alligators eating trapeze artists who are, in turn, eating small alligators. In large display cases are arrangements by the famous Victorian taxidermist and artist, Walter Potter. There's a feast being had by little ginger kittens that look like they were once---before dying and being stuffed with hay and then seated on miniature dining chairs and put in front of tiny cakes, pots of tea, and samovars---from the same litter. Their eyes are beautiful, black, glistening marbles. Next to the cat feast is another Walter Potter---rabbits diligently working at desks in a miniature classroom. It's thrilling seeing these works. I've known them for years; I studied them for my A-levels. In photographs, they seem clean and unreal. Up close, I can see the little dimples in the animals' skin where their muscles used to attach; I can smell the tiny, microscopic traces of hundred-year-old-blood inside them.
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Claire Kohda (Woman, Eating)
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Tom boomed at the now-nervous host, “Hello, tiny person. We need a table as presently as can be arranged. As a boon from the owner, Madam, we have been offered a place to eat as often as we are able to find the room in our stomach. I have found the room, have you yet found a table that can seat us?
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Dakota Krout (The Divine Dungeon Complete Series (The Divine Dungeon #1-5))
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but before he can elaborate, that door which separates Emile’s kitchen from the rest of the world swings open. It is Andrey, as prompt as ever, with his Book in hand and a pair of spectacles resting on the top of his head. Like a brigand after a skirmish, Emile slips his chopper under the tie of his apron and then looks expectantly at the door, which a moment later swings again. With the slightest turn of the wrist the shards of glass tumble into a new arrangement. The blue cap of the bellhop is handed from one boy to the next, a dress as yellow as a canary is stowed in a trunk, a little red guidebook is updated with the new names of streets, and through Emile’s swinging door walks Count Alexander Ilyich Rostov—with the white dinner jacket of the Boyarsky draped across his arm. One minute later, sitting at the table in the little office overlooking the kitchen were Emile, Andrey, and the Count—that Triumvirate which met each day at 2:15 to decide the fate of the restaurant’s staff, its customers, its chickens and tomatoes. As was customary, Andrey convened the meeting by resting his reading glasses on the tip of his nose and opening the Book. “There are no parties in the private rooms tonight,” he began, “but every table in the dining room is reserved for two seatings.” “Ah,” said Emile with the grim smile of the commander who prefers to be outnumbered. “But you’re not going to rush them, eh?” “Absolutely not,” assured the Count. “We’ll simply see to it that their menus are delivered promptly and their orders taken directly.” Emile nodded in acknowledgment. “Are there any complications?” asked the Count of the maître d’. “Nothing out of the ordinary.” Andrey spun the Book so that his headwaiter could see for himself.
”
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Amor Towles (A Gentleman in Moscow)
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Thus Sampath was gradually provided with all sorts of comforts and, the more elaborate his living arrangements, the happier he was. He made a lovely picture, seated there amidst the greenery, reclining upon his cot at a slight angle to the world; propped against numerous cushions; tucked up, during chilly evenings, in a glamorous satin quilt covered with leopard-skin spots, chosen by Ammaji in the bazaar. On his head, he sported a tea-cosy-like red woollen hat, also given to him by Ammaji, who had knitted it and raised it to him on a stick.
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Kiran Desai (Hullabaloo in the Guava Orchard)
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This is the Orlando, the city of joy and wonders! If you are out with your family having the time of your life, sourcing for a perfect place to get a feed is part of the fun! Below, I have gathered some of the best restaurants in Orlando suitable for children so that you can narrow down the best restaurant to go eat in with your whole family. Whether it be a simple take away or a sit down meal after an activity filled day, Orlando is filled with excellent restaurants. We are now going to look for some nice places to enjoy some delicious food!
The Qualities to Look for When Searching for Restaurants to Bring You Kids to
Now not every restaurant is primarily super fun for children but there are restaurants that make the effort to make it fun for the children. Here’s what to look for:Here’s what to look for:
Special Menus for Children: Select restaurants that have kids’ menu with a lot of options on the list. This does not refer to just the standard fare of chicken nuggets and french fries; places to eat with healthy and compelling options are marked.
Entertainment and Activities: It is always those restaurants that offer some content that will entertain the children as they wait for the food to cook can be a god send. Imagine, colouring books plane areas or an interactive table game.
Family-friendly Atmosphere: This means the atmosphere of the restaurant should be quite informal and on the same note, children should be encouraged and any restrictions regarding them should be put to a stop. This ensemble involves; patient and understanding staff regarding the children and well arranged sitting arrangements that will easily contain strollers and high chairs.
Convenient Amenities: Facilities concerning the exchange of diapers at restrooms and high chairs and booster seats are quite acceptable in dining for families.
Healthy and Nutritious Options: However, the top kid-friendly restaurants go one step further than ensuring that children like the food, and choose dishes that are also healthy. More desirable products features would be that they are healthy meals that also allow the choice of specific amendments according to ones preference.
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Kidrestaurant
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BARTON CENTRE, 912, 9th Floor, Mahatma Gandhi Rd,
Bengaluru, Karnataka - 560 001
Phone Number +91 8884400919
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surfnxt
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Tree House This jungle tree house build is both fun and rewarding, especially once you get finished in the evening and can watch the sun set from the patio of your new house suspended a hundred feet in the air. Here’s how to get started. Once you locate a jungle biome in your world, pick out a few tall trees that are close to each other: Start by building a platform around one of the trees and adding columns at the corners to support a half-roof: With the columns in place, begin adding on a roof, using stairs as the roof portions. Note that all of the wood I’m using for this build is jungle wood. Add fencing between the columns to keep people from falling out, leaving a space on one side for your patio. Create the patio using bottom stone slabs for a lower portion where a fountain/waterfall will go, then using top stone slabs for the eating area. Once the patio is completed, you can use pressure plates on top of fence posts for tables, stairs for chairs and then use a water bucket to create a nice flow of water through a hole in the patio. Fences around the perimeter keep people safe and a few torches keep things well-lit. Next, find a nearby tree and construct a second platform: Make sure the second platform is surrounded by fending as well, then connect both platforms with stairs and wood planks, adding in fencing on the sides for safety: This new platform will be the sleeping area, and three sets of beds arranged around the tree in the middle look cozy and inviting. Top this platform off with a few torches and you’re set! Adding some jungle leaves above the platform will protect sleepers below from getting wet when it rains, and will help keep things looking natural and open. Go back to the main platform and construct an additional, smaller platform above it: Cut a hole in both platforms and add a tall ladder going from the uppermost platform down to the ground, passing through the main platform on its way. At the bottom, add a landing with torches and stairs leading down to the beach: Clear the upper platform of leaves and then add on fencing for safety, torches for light and use a staircase and wooden slab to create long chairs that people can sit on to watch the sunsets. A pair of stairs on the sides of the upper platform add additional seating for more guests: Wow! This tree house looks amazing! You’ve got all of the basic set up, so now it’s up to you to take it to the next level! Add in more personal touches, expand the tree house with more connected platforms or build even higher into the jungle!
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Markus Bergensten (The Mining Construction Handbook: Your Complete Guide to Minecraft Construction)
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Snow Child, Girlchild, Seating Arrangements.
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Elisabeth Egan (A Window Opens)
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There,” Lucetta proclaimed. “You’re completely buttoned. Now all we have to do is fix your hair, and you’ll be perfect.” “I don’t know how you’re intending to fix my hair, especially since it’s still soaking wet, and . . . stiff with sea salt.” “I’m an actress. Fixing appearances is my specialty.” Lucetta looked a little smug as she adjusted the large hat she’d plopped over her head. “My hair is salt-soaked as well, but no one will notice since I’ve arranged my hat just so, lending me a rather mysterious air.” “You could plop a bowl of fruit on your head and you’d still look mysterious,” Millie said. “I wish I had one of my caps handy. That would solve my hair crisis nicely.” Everett caught Millie’s eye. “I never liked your caps.” “They’re practical.” “And ugly,” Lucetta added, smiling over Millie’s head at him. She pulled a hat from behind her on the seat that was a little squished, and stuck it on Millie’s head, pulling a pin out of the bodice of her dress and sticking it through the hat. “There—you’re adorable.” “I
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Jen Turano (In Good Company (A Class of Their Own Book #2))
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One cannot examine the actions of the Secret Service on November 22, 1963, without concluding that the Service stood down on protecting President Kennedy. Indeed, the 120-degree turn into Dealey Plaza violates Secret Service procedures, because it required the presidential limousine to come to a virtual stop. The reduction of the president’s motorcycle escort from six police motorcycles to two and the order for those two officers to ride behind the presidential limousine also violates standard Secret Service procedure. The failure to empty and secure the tall buildings on either side of the motorcade route through Dealey Plaza likewise violates formal procedure, as does the lack of any agents dispersed through the crowd gathered in Dealey Plaza. Readers who are interested in a comprehensive analysis of the Secret Service’s multiple failures and the conspicuous violation of longstanding Secret Service policies regarding the movement and protection of the president on November 22, 1963, should read Vince Palamara’s Survivor’s Guilt: The Secret Service and the Failure to Protect. The difference in JFK Secret Service protection and its adherence to the services standard required procedures in Chicago and Miami would be starkly different from the arrangements for Dallas. Palamara established that Agent Emory Roberts worked overtime to help both orchestrate the assassination and cover up the unusual actions of the Secret Service in the aftermath. Roberts was commander of the follow-up car trailing the presidential limousine. Roberts covered up the escapades of his fellow secret servicemen at The Cellar, a club in downtown Ft. Worth, where agents, some directly responsible for the safety of President Kennedy during the motorcade, drank until dawn on November 22. He also ordered a perplexed agent Donald Lawton off the back of the presidential limousine while at Love Field, thus giving the assassins clearer, more direct shots and more time to get them off. Also, although Roberts recognized rifle fire being discharged in Dealey Plaza, he neglected to mobilize any of the agents under his watch to act. To mask the inactivity of his agents, Roberts, in sworn testimony, falsely increased the speed of the cars (from 9–11 mph to 20–25 mph) and the distance between them (from five feet to 20–25 feet).85 No analysis of the Secret Service’s actions on the day of the assassination can be complete without mentioning that Secret Service director James Rowley was a former FBI agent and close ally of FBI Director J. Edgar Hoover, as well as a crony of Lyndon Johnson. Hoover was one of Johnson’s closest associates. The FBI Director would take the unusual step of flying to Dallas for a victory celebration in 1948 when Johnson illegally stole his Senate seat through election fraud. Johnson and Hoover were neighbors in the Foxhall Road area of the District of Columbia. Hoover’s budget would virtually triple during the years LBJ dominated the appropriations process as Senate Majority Leader. Rowley was a protégé of the director and one of the few men who left the FBI on good terms with Hoover. Rowley’s first public service job in the Roosevelt administration was arranged for him by LBJ. The neglect of assigning even one Secret Service agent to secure Dealey Plaza, as well as cleaning blood and other relatable pieces of evidence from the presidential limousine immediately following the assassination, seizing Kennedy’s body from Parkland Hospital to prevent a proper, well-documented autopsy, failing to record Oswald’s interrogation—all were important pieces of the assassination deftly executed by Rowley.
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Roger Stone (The Man Who Killed Kennedy: The Case Against LBJ)
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Kestrel set her cup on its saucer. “I didn’t ask to see you,” she said.
“Too bad.” Arin claimed the chair across from her table in the library in a manner unbearably familiar to her. It was as if the chair had always been his.
He slouched in his seat, tipped his head back, and looked at her from beneath lowered lids. The morning light fired his profile. “Worried, Lady Kestrel?” He spoke in Valorian, his accent roughening his voice. He always pronounced his r’s too low in his throat, so that when he spoke in her tongue everything came across as a soft growl. “Dreading what I’ll say…or do?” He smiled a grim little smile. “No need. I’ll be the perfect gentleman.” He tugged at his cuffs. It was only then that Kestrel noticed that they came too short on his arms and showed his wrists.
It pained her to see his self-consciousness, the way it had suddenly revealed itself. In this light, his gray eyes were too clear. His posture had been confident. His words had had an edge. But his eyes were uncertain. Arin fidgeted again with his cuffs as if there was something wrong with them--with him. No, she would have said. You’re perfect, she wanted to say. She imagined it: how she would reach out to touch Arin’s bare wrist.
That could lead nowhere good.
She was nervous, she was cold. Her stomach was a flurry of snow.
She dropped her hands to her lap.
“No one’s here anyway,” Arin said, “and the librarians are in the stacks. You’re safe enough.”
It was too early for courtiers to be in the library. Kestrel had counted on this, and on the fact that if anyone did turn up and saw her with the Herrani minister of agriculture, such a meeting would excite little interest.
One with Arin, however, was an entirely different story. It was frustrating: his uncanny ability to unsettle her plans--and her very sense of self. She said, “Pressing where you’re not invited seems to be a habit with you.”
“And yours is to put people in their place. But people aren’t gaming pieces. You can’t arrange them to suit yourself.”
A librarian coughed.
“Lower your voice,” Kestrel hissed at Arin. “Stop being so--”
“Inconvenient?”
“Frankly, yes.”
His smile came: quick, true, surprised by itself. Then changing, and slow. “I could be worse.”
“I am sure.”
“I could tell you how.”
“Arin, how is it for you here, in the capital?”
He held her gaze. “I would rather talk about what we were talking about.”
“Arin, how is it for you here, in the capital?”
He held her gaze. “I would rather talk about what we were talking about.”
She arranged her fingers along the studs that pinned green leather to the tabletop. She felt each cool, small, hard nail. The silence inside her was like those nails. What it held down was something sheer: a feeling like fragile silk, billowing up at the sound of his voice.
If she and Arin were to talk about what they had been talking about, that silk could tear free. It would float up. It would catch the light, and cast a colored shadow.
What color would it be, Kestrel wondered, the silk of what she felt?
What would it be like to let it go, let it canopy above her?
”
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Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
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Andy remained seated. I chirped, “Sir, please tell me the reason for your visit. My guardian is fully aware of your proposal.” Struck by my candidness, Ozwalt stammered, “Very well, I will tell you the reason I’m here,” he raised his voice in displeasure. “Your counterproposal is deplorable!” My lover remarked aggressively, “What’s deplorable about Young wishing to be kept in the style he is accustomed to?” The Englishman exclaimed, “He’s not even of age to drive, and he wants a Lamborghini or a Ferrari? What is he thinking?!” “You offered him a city car,” my Valet countered. “He has every right to ask for what he desires.” The man repudiated defensively, “I offered him a city car upon his coming of age to drive, not before!” He was seething with anger. “Atop this, he demands a luxury penthouse in Mayfair or Park Lane, not to mention the live-in personal tutor! Is he insane? Most adults wouldn’t be able to afford a luxury flat and experienced educator, let alone an adolescent who is barely out of his teens.” “Sir, if you do not have the financial capabilities to accommodate the boy’s expectations, there are others who are perfectly capable of doing so,” my chaperone asserted. “Andy! Are you telling me that the lad has other well-endowed suitors willing to pay for such frivolousness?” My lover and I sniggered at the Englishman’s comment, but we managed to suppress our mirth. My guardian answered solemnly, “That, Sir, is none of your concern. I presume you’re here to discuss Young’s counterproposal, not the proposals of his other suitors.” He was taken aback by my mentor’s forthrightness. He raised his voice in retaliation. “I’m here to talk to Young. I would like Young to speak for himself.” I spoke unrelentingly, “I have asked Andy to negotiate on my behalf. I have heard everything he has said and challenge none of it. If my terms are not met, I’m afraid our arrangement is over. There is no further need for discussion.” By now, Ozwalt was on fire. He waved his fist at me and shouted, “You rapacious whore! You’re nothing but a self-indulgent sybaritic slut from a third-world country!” Before he could continue lambasting me with further insults, Wilhem entered. “What’s going on here?” my big-brother questioned. Mossey resumed berating my integrity, calling me a barrage of repugnant names while my chaperones carted him off the campus grounds to his waiting chauffeur and Bentley. Groups of students stood gaping at the wild man, speculating about the nature of the ruckus they were witnessing.
”
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Young (Turpitude (A Harem Boy's Saga Book 4))
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When you fly on smaller planes, sometimes the seating arrangement has to be changed because of weight and balance.
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Morgan Carver Richards (Why Your Flight Attendant Hates You)
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I open the door, expecting to find another feeble human whom I have to appease, but my jaw pops open when I see who is sitting behind the desk in the counselor’s room. “So, honey, how was your first day of school?” he asks.
“What are you doing here?” I ask as I quickly shut the door behind me.
“I thought you’d be happier to see your new guidance counselor,” Dax says. He’s wearing a light yellow sweater with brown patches on the elbows and sucking on the end of a . . .
“Is that a pipe?”
He nods. “Not lit, of course. No smoking allowed on campus. I thought it made me look older. What do you think?”
“I think you’re addled. What are you doing here? What if this Mr. Drol comes back?”
“I am Mr. Drol,” he says, raising his eyebrows and biting the end of his pipe. “I am too old to pose as a student like you and Garrick, but I didn’t want to dump you here all on your own, so Simon got me a job instead. His powers of persuasion were quite effective on the administration.”
I nod.
“But the part I didn’t tell him is that this arrangement will give us better opportunities to talk in private. I think I might be recommending twice-weekly counseling sessions for you.” He smiles around the stem of his pipe. “You’re looking quite emotionally disturbed.”
“I feel emotionally disturbed,” I say, sinking into the seat across the desk from him. “You were right; this place is torturous.”
“So what’s this about you picking fights? Do I need to suspend you?
”
”
Bree Despain (The Shadow Prince (Into the Dark, #1))
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Tokyo is so vast, and can be so cruelly impersonal, that the succor provided by its occasional oasis is sweeter than that of any other place I’ve known. There is the quiet of shrines like Hikawa, inducing a somber sort of reflection that for me has always been the same pitch as the reverberation of a temple chime; the solace of tiny nomiya, neighborhood watering holes, with only two or perhaps four seats facing a bar less than half the length of a door, presided over by an ageless mama-san, who can be soothing or stern, depending on the needs of her customer, an arrangement that dispenses more comfort and understanding than any psychiatrist’s couch; the strangely anonymous camaraderie of yatai and tachinomi, the outdoor eating stalls that serve beer in large mugs and grilled food on skewers, stalls that sprout like wild mushrooms on dark corners and in the shadows of elevated train tracks, the laughter of their patrons diffusing into the night air like little pockets of light against the darkness without.
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Barry Eisler (A Lonely Resurrection (John Rain #2))
“
This was truly advanced WASP: how to comfort a wronged wife and mother without acknowledging any misdeeds done or embarrassment caused by loved ones.
”
”
Maggie Shipstead (Seating Arrangements)
“
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WinstonWesley
“
Since Paul wasn’t a big conversationalist—he was the anti-Mac, in other words, and today had been the longest she’d ever heard him speak in consecutive sentences—Jena watched the scenery for a while. Then she decided to study the inside of Paul’s truck to see what she could learn about him.
Technically, it was exactly like hers and Gentry’s. It had a black exterior with a blue light bar across the top and the Louisiana Department of Wildlife and Fisheries Enforcement Division logo on the doors.
It was tech heavy on the front dash, just like theirs, with LDWF, Terrebonne Parish Sheriff’s Office, and Louisiana State Police Troop C radios, a laptop, a GPS unit, and a weather unit.
In her truck and in Gentry’s, the cords and wires were a colorful tangle of plastic and metal, usually with extra plugs dangling around like vines. Paul’s cords were all black, and he had them woven in pairs and tucked underneath the dash, where they neatly disappeared.
She leaned over to see how he’d achieved such a thing, and noticed identical zip ties holding them in place.
“Sinclair, I hate to ask, but what are you doing?”
He sounded more bemused than annoyed, so she said, “I’m psychoanalyzing you based on the interior of your truck.”
He almost ran off the road. “Why?”
“Your scintillating conversation was putting me to sleep.”
His dark brows knit together but he seemed to have no answer to that.
She turned around in her seat, as much as the seat belt allowed, and continued her study. Paul had a 12-gauge shotgun and a .223 carbine mounted right behind the driver’s seat, same as in her own truck. The mounts had hidden release buttons so the agents could get the guns out one-handed and quickly.
But where her truck had a catch-all supply of stuff, from paper towels to zip ties to evidence bags to fast-food wrappers thrown in the back, Paul’s backseat was empty but for a zippered storage container normal people used for shoes. Each space held different things, all neatly arranged. Jena spotted evidence bags in one. Zip ties in another. Notebooks. Citation books. Paperwork. A spare uniform hung over one window, with a dry-cleaner’s tag dangling from the shirt’s top button.
Good Lord. She turned back around.
“What did you learn?” Paul finally asked.
“You’re an obsessive-compulsive neat freak,” she said. “Accent on freak.
”
”
Susannah Sandlin (Black Diamond (Wilds of the Bayou, #2))
“
The cabin in Virgin River might be ready, but Mel sure wasn’t. The baby at Doc’s was keeping her in town for now, but it was impractical to think of her caring for Chloe out at the cabin—there was only the one Plexiglas incubator, no car seat for traveling back and forth, no phone. Of course, it was no punishment to have her living right across the street. But he wanted her in the cabin he’d renovated, he wanted that real bad. Charmaine was so right—he had needs. But somehow when he looked at this young Mel, he knew it would never be like this—an arrangement for sex every couple of weeks. Jack had absolutely no idea what it might become, but he already knew it was going to be more than that. He had a very long history of not getting hooked up, so this disturbed him. The chances were real good he was casting adrift in a sea of sheer loneliness. Because Mel had complications. He had no idea what they were, but that occasional sadness in her eyes came out of the past, something she was trying to get over. But he wanted her. He wanted all of her; he wanted everything with her. “That’s
”
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Robyn Carr (Virgin River (Virgin River #1))
“
Sitting closest to the captain was a man who was clearly Alpha Dog of the group. He was about thirty-five and wore what looked like a very expensive suit, and Matthews had inclined his head toward the man in a way that went beyond deferential and nearly approached reverence. The man looked up at me as I entered, scanned me as if he was memorizing a row of numbers, and then turned impatiently back to Matthews. Sitting next to this charming individual was a woman so startlingly beautiful that for a half moment I forgot I was walking, and I paused in midstep, my right foot dangling in the air, as I gaped at her like a twelve-year-old boy. I simply stared, and I could not have said why. The woman’s hair was the color of old gold, and her features were pleasant and regular, true enough. And her eyes were a startling violet, a color so unlikely and yet so compelling that I felt an urgent need to move near and study her eyes at close range. But there was something beyond the mere arrangement of her features, something unseen and only felt, that made her seem far more attractive than she actually was—a Bright Passenger? Whatever it was, it grabbed my attention and held me helpless. The woman watched me goggle at her with distant amusement, raising an eyebrow and giving me a small smile that said, Of course, but so what? And then she turned back to face the captain, leaving me free to finish my interrupted step and stumble toward the table once more. In a morning of surprises, my reaction to mere Female Pulchritude was a rather large one. I could not remember ever behaving in such an absurdly human way: Dexter does not Drool, not at mere womanly beauty. My tastes are somewhat more refined, generally involving a carefully chosen playmate and a roll of duct tape. But something about this woman had absolutely frozen me, and I could not stop myself from continuing to stare as I lurched into a chair next to my sister. Debs greeted me with a sharp elbow to the ribs and a whisper: “You’re drooling,” she hissed. I wasn’t, of course, but I straightened myself anyway and summoned the shards of my shattered dignity, looking around me with an attempt at regaining my usual composure. There was one last person at the table whom I had not registered yet. He had put a vacant seat between himself and the Irresistible Siren, and he leaned away from her as if afraid he might catch something from her, his head propped up on one elbow, which was planted casually on the table. He wore aviator sunglasses, which did not disguise the fact that he was a ruggedly handsome man of about forty-five, with a perfectly trimmed mustache and a spectacular haircut. It wasn’t possible to be sure with the sunglasses clamped to his face, but it certainly seemed like he hadn’t even glanced at me as I’d come clown-footing into the room and into my chair. Somehow I managed to conceal my crushing disappointment at his negligence, and I turned my steely gaze to the head of the table, where Captain Matthews was once again clearing his throat.
”
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Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
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I will change my expression, and smile.” —Job 9:27 (NIV) When I was arranging a meeting with a woman I’d never met to talk about my nonprofit organization, I sent her a link that had a thumbnail picture of me smiling big. I typed, “I’ll smile, so you’ll recognize me!” On our meeting day, I arrived at the restaurant/bakery fifteen minutes early. I sat down in a seat facing the door. As the door swung open, I tried to gauge the likelihood that the person coming in was the woman I was meeting. This person seemed too old. This one was dressed like she’d just come from the gym. After a while the second-guessing became exhausting, so I gave up and smiled at every stranger who glanced in my direction. They, in turn, smiled back at me. The more I smiled in those fifteen minutes, the more I became aware once again that we're all God's beloved children, deserving of a smile from a stranger. At long last someone asked, “Are you Karen?” I nodded in relief. My fifteen-minute experiment in smiling showed me that it takes more energy to mentally separate people into categories of potential friend versus stranger than it does to briefly acknowledge everyone—all deserving---with a welcoming smile. Dear heavenly Father, may my deliberate act of smiling renew my awareness that we’re all beloved children of Yours. Amen. —Karen Barber Digging Deeper: 2 Cor 6:17--18
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Guideposts (Daily Guideposts 2014)
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The seating arrangements and place cards were designed for the convenience of the leaders, including me. Sincerely believing that we were in an inclusive meeting, we saw nothing amiss because we didn’t feel excluded. Those not sitting at the center of the table, meanwhile, saw quite clearly how it established a pecking order but presumed that we—the leaders—had intended that outcome. Who were they, then, to complain?
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Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
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She had seen too many movies; she did not understand that love was a choice, entered and exited by free will and with careful consideration, not a random thunderbolt sent from above.
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Maggie Shipstead (Seating Arrangements)
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He wouldn’t turn your wife away.” Deene didn’t flatter himself that he was any particular friend of Moreland’s—he was a vote, perhaps, on some of the duke’s pet bills—but Moreland had been generous with advice at a time when Deene was without much wisdom of his own. “Except I have no wife.” This provoked a surprisingly sweet smile from His Grace. “Then you should rectify that poverty posthaste. Because I am the lone male in my household at present, I am more privy to the ladies’ views on your situation than I would be otherwise. I understand you are being stalked by the debutantes and their mamas.” “Of course I am being stalked.” Lest this conversation continue on into the Moreland home itself, Deene gestured to a bench and waited for Moreland to seat himself before doing the same. “I am the highest available title, unless you count some septuagenarian dukes with ample progeny, and I am in need of an heir. When I am riding to hounds, I will never pursue Reynard with quite the same lack of sympathy I have in the past.” “The fox most often escapes the hounds, because he’s running for his life. The wrong wife can make you entirely resent yours.” How honest could one be with a man twice one’s age? “I cannot say my parents’ union escaped such a characterization.” His Grace stretched out long legs and leaned his head back, closing his eyes. “Times were different then. Matches were usually arranged by the parents for dynastic reasons, and expectations of the institution were different. Here is my advice to you, young man, which you may discard or heed at your pleasure: do not marry until you meet that person whom you cannot imagine living the rest of your life without. Call it love, call it affection, call it a fine understanding. Put whatever label you want on it. You will be wed for the rest of your life or perhaps for hers, and that can be a long, long time.” His
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Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
“
I know you’re tired and wish we could stay in tonight, but I can’t say I’m sorry about being forced to attend dinner when you look this incredible. God bless formal seating arrangements, where I get to stare at you from across the table all night.
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Siena Trap (Feuding with the Fashion Princess (The Remington Royals #3))
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Whenever a group decision is to be made — whether it is a business trip, family or school outing, leisure break, or any other form of group travel — one of the common questions asked is whether traveling in a group would cost less than if each individual purchased a ticket on their own. The answer is not as clear-cut when it comes to group airline tickets, which can have substantial benefits. Group flight ticket booking is a process where a certain number of seats for a particular flight are booked for a specific group of people, commonly at least ten people. Some airlines provide provisions such as special rates or group fares for group flight tickets; however, these rates are not necessarily cheaper than those of the individual tickets. Organizations such as SETURTRIP act as middlemen by arranging group flight ticket booking from airlines and organizing travel packages that might be cheaper and come with other bonuses.
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Arpit Gupta
“
You have hardly started living, and yet all is said, all is done. You are only twenty-five, but your path is already mapped out for you. The roles are prepared, and the labels: from the potty of your infancy to the bath-chair of your old age, all the seats are ready and waiting their turn. Your adventures have been so thoroughly described that the most violent revolt would not make anyone turn a hair. Step into the street and knock people's hats off, smear your head with filth, go bare-foot, publish manifestos, shoot at some passing usurper or other, but it won't make any difference: in the dormitory of the asylum your bed is already made up, your place is already laid at the table of the poètes maudits; Rimbaud's drunken boat, what a paltry wonder: Abyssinia is a fairground attraction, a package trip. Everything is arranged, everything is prepared in the minutest detail: the surges of emotion, the frosty irony, the heartbreak, the fullness, the exoticism, the great adventure, the despair. You won't sell your soul to the devil, you won't go clad in sandals to throw yourself into the crater of Mount Etna, you won't destroy the seventh wonder of the world. Everything is ready for your death: the bullet that will end your days was cast long ago, the weeping women who will follow your casket have already been appointed.
Why climb to the peak of the highest hills when you would only have to come back down again, and, when you are down, how would you avoid spending the rest of your life telling the story of how you got up there? Why should you keep up the pretence of living? Why should you carry on? Don't you already know everything that will happen to you? Haven't you already been all that you were meant to be: the worthy son of your mother and father, the brave little boy scout, the good pupil who could have done better, the childhood friend, the distant cousin, the handsome soldier, the impoverished young man? Just a little more effort, not even a little more effort, just a few more years, and you will be the middle manager, the esteemed colleague. Good husband, good father, good citizen. War veteran. One by one, you will climb, like a frog, the rungs on the ladder of success. You'll be able to choose, from an extensive and varied range, the personality that best befits your aspirations, it will be carefully tailored to measure: will you be decorated? cultured? an epicure? a physician of body and soul? an animal lover? will you devote your spare time to massacring, on an out-oftune piano, innocent sonatas that never did you any harm? Or will you smoke a pipe in your rocking chair, telling yourself that, all in all, life's been good to you?
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Georges Perec (Un homme qui dort)
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He had always thought that when sex was over, everything was over between two people. Nothing was taken or left behind with the obvious biological exceptions. Two partners disengaged and went their separate ways. No psychic filaments hung between them, stretching through the miles and days that took them farther and farther from their last encounter. If such things existed the world would be meshed over with them. No one would be able to move. Everyone would be held fast like flies caught in the web. He wanted to think he had taken nothing from Phi and vice versa, but those amorous little filings, that magnetic rust that had responded to her presence might actually be decades old particles of Ophelia Havelland lodged in his inner workings.
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Maggie Shipstead (Seating Arrangements)
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The following day, Netanyahu and I sat down for a meeting at the White House. Downplaying the growing tension, I accepted the fiction that the permit announcement had been just a misunderstanding, and our discussions ran well over the allotted time. Because I had another commitment and Netanyahu still had a few items he wanted to cover, I suggested we pause and resume the conversation in an hour, arranging in the meantime for his delegation to regroup in the Roosevelt Room. He said he was happy to wait, and after that second session, we ended the evening on cordial terms, having met for more than two hours total. The next day, however, Rahm stormed into the office, saying there were media reports that I’d deliberately snubbed Netanyahu by keeping him waiting, leading to accusations that I had allowed a case of personal pique to damage the vital U.S.-Israel relationship. That was a rare instance when I outcursed Rahm. Looking back, I sometimes ponder the age-old question of how much difference the particular characteristics of individual leaders make in the sweep of history—whether those of us who rise to power are mere conduits for the deep, relentless currents of the times or whether we’re at least partly the authors of what’s to come. I wonder whether our insecurities and our hopes, our childhood traumas or memories of unexpected kindness carry as much force as any technological shift or socioeconomic trend. I wonder whether a President Hillary Clinton or President John McCain might have elicited more trust from the two sides; whether things might have played out differently if someone other than Netanyahu had occupied the prime minister’s seat or if Abbas had been a younger man, more intent on making his mark than protecting himself from criticism.
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Barack Obama (A Promised Land)
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As if he were merely one of them, the prince took a seat upon the ground, leaning against the huge root that rose like a chair-back behind Him. Gesturing toward the grassy space at his feet, he indicated they should join him. The instant he sat down, his attendants scurried about, preparing a tasty repast for the visitors and for their lord. This would be the second meal Gabriel had ever eaten. This time, the food was of a more common sort than the cake served in the throne room. Clean white cloths were spread upon the ground, and golden platters, arranged with cheeses and fruits, were set before them. Coarse breads and red wine completed the menu. The instant the meal was served, the mood among the guests changed from one of speechless wonder to one of comfort and camaraderie. Their attention swung back and forth between the joys of the taste palate and the joy of the prince’s company. The host put the guests at ease by addressing them each by name. The very way he said Gabriel, Michael, Raphael and Uriel made them feel he knew them better than they knew themselves.
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Ellen Gunderson Traylor (Gabriel - The War in Heaven, Book I (Gabriel - God's Hero 1))
“
Roommates
...the door opened and the most improbable trio walked in: a tiny dark-haired man, a very tall and big-nosed guy with long hair like a rock star, and a girl in a white nightgown with a toilet seat around her neck. They were Edmondo Zanolini, Michael Laub, and a fifteen-year-old girl named Brigitte—an Italian, a Belgian, and a Swede— and they were the performance-art trio who called themselves Maniac Productions.
They gave themselves this name because, among other things, they would enlist people from their own families to do strange things. For instance, Edmondo’s grandfather was a pyromaniac. And since he was also a bit senile, he was very dangerous—he had set his house on fire a number of times. His family was very careful to keep matches out of his reach at all times, except when Maniac Productions was performing. Then Edmondo would invite his grandfather to the theater and give him a big box of matches; the grandfather would wander around the theater lighting fires while the group performed and pretended not to notice him. This was his maniac thing. It was very original theater, and very satisfying to Edmondo’s grandfather. He didn’t care if the audience was looking at him or not, because he had his box of matches.
Edmondo and Brigitte moved into our flat. Michael came from a family of diamond merchants in Brussels and stayed in five-star hotels.
Another tenant was Piotr from Poland. Piotr had a book of logic—I think it was Wittgenstein translated into Polish—and for reasons best known to himself, he kept it in the freezer. This book was his favorite thing in the world. And every morning he would wake up with this imbecilic smile on his face, take his book out of the freezer, wait patiently until the page he wanted to read unfroze, read to us from it in Polish, then turn the page and put the book back in the freezer for the next day.
Brigitte’s father had started the pornography industry in Sweden—a very big deal; the porn revolution really began there—and she hated her father; she hated everybody. She was a deeply depressed person: she literally never spoke a word. All of us in the flat ate all our meals together, and she would just sit there, completely silent. Then in the middle of the night one night, Edmondo knocked on our door. I opened it and said, “What’s wrong?” “She talks, she talks!” he said. “What did she say?” I asked.
“She said, ‘Boo,’ ” he said.
“That’s not much,” I said.
The next morning, she packed and left.
(...) “I’m so happy,” Michael told us one day, about his pair of girlfriends. “The two of them complement each other perfectly.” Marinka and Ulla knew (and liked) each other, and knew (but didn’t like) the arrangement. Then Ulla got pregnant—not only pregnant, but pregnant with twins. When Michael told Marinka about it, she moved to Australia. And Piotr followed her there, and committed suicide on her birthday.
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”
Marina Abramović
“
His job had been to read intercepts, to categorize them. Someone else, higher up the chain, would decide what they meant. In sixteen years, he must have read over fifty thousand intercepts. While some related to important developments like troop movements along the frontier, or the location of NATO defensive missile systems in former socialist states, the vast majority were exceedingly mundane. They covered topics like the seating arrangement at a formal function in Paris, or the maintenance records for water heaters at a military housing facility in Berlin, or parking permits for visitors at the American embassy in Madrid. Igor read them all, and in sixteen years, no one ever asked his opinion on them.
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Saul Herzog (The Asset (Lance Spector, #1))
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We take off our shoes, or we turn on our ears. We press our hands together in a gesture of prayer, or we remember the full extent of our lungs. Perhaps we even arrange ourselves cross-legged on the ground, or perhaps we dance or walk or swim instead. When we want to escape the surface, we activate our bodies, and they show us a different intelligence, pointing to a mind that resides not just in the head. Our knowing is diffused throughout all of us, distributed through muscle and bone, pulsing through organs and conveyed in the blood. We put our feet to the ground to listen with all of it.
Not all that we know is verbal. Much of it--sometimes I think the vast majority--is somatic, the concern of the body. I learned this most keenly when Bert was a baby, and I used to reach towards him in the back seat on long car journeys and feel his foot press into my palm in reply. There was communication there far beyond words, and far more soothing to both of us. When I used to sit him on my lap and kiss his soft head, I was aware that information was being exchanged between us, transmitted through my lips and received through my nose. I could not even tell you what it said. Our bodies have answers to questions that we don't know how to ask.
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Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
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There are certain things I do if I sit down to write. I have a glass of water or a cup of tea. There’s a certain time I sit down, from 8: 00 to 8: 30, somewhere within that half hour every morning. I have my vitamin pill and my music, sit in the same seat, and the papers are all arranged in the same places. The cumulative purpose of doing these things the same way every day seems to be a way of saying to the mind, you’re going to be dreaming soon.
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Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
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Look, if someone wrote a play just to glorify What’s stronger than hate, would they not arrange the stage To look as if the hero came too late he’s almost in defeat It’s looking like the Evil side will win, so on the Edge Of every seat, from the moment that the whole thing begins It is . . . Love who makes the mortar And it’s love who stacked these stones And it’s love who made the stage here Although it looks like we’re alone In this scene set in shadows Like the night is here to stay There is evil cast around us But it’s love that wrote the play For in this darkness love can show the way.
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John Eldredge (The Sacred Romance / Desire)