Soundtrack Of Your Life Quotes

Elsa is the sort of child who learned early in life that it's easier to make your way if you get to choose your own soundtrack.

Music can be your friend when you have none, your lover when you’re needy. Your rage, your sorrow, your joy, your pain. Your voice when you’ve lost your own. To be a part of that, to be the soundtrack of someone’s life, is a beautiful thing. —Killian James, lead singer and guitarist, Kill John

believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it. I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting. The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it. I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look. Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted. Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is. You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural. You are more than dust and bones. You are spirit and power and image of God. And you have been given Today.

Come here and take off your clothes and with them every single worry you have ever carried. My fingertips on your back will be the very last thing you will feel before sleeping and the sound of my smile will be the alarm clock to your morning ears. Come here and take off your clothes and with them the weight of every yesterday that snuck atop your shoulders and declared them home. My whispers will be the soundtrack to your secret dreams and my hand the anchor to the life you will open your eyes to. Come here and take off your clothes.

...the first thing you do at the end is reflect on the beginning. Maybe it's some form of reverse closure, or just the basic human impulse toward sentimentality, or masochism, but as you stand there shell-shocked in the charred ruins of your life, your mind will invariably go back to the time when it all started. And even if you didn't fall in love in the eighties, in your mind it will fee like the eighties, all innocent and airbrushed, with bright colors and shoulder pads and Pat Benatar or The Cure on the soundtrack.

I believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without even realizing it.

Wouldn't it help you to realize that you really do live in an epic if your life had a soundtrack?

The movies, I thought, have got the soundtrack to war all wrong. War isn't rock 'n' roll. It's got nothing to do with Jimi Hendrix or Richard Wagner. War is nursery rhymes and early Madonna tracks. War is the music from your childhood. Because war, when it's not making you kill or be killed, turns you into an infant. For the past eight days, I'd been living like a five-year-old — a nonexistence of daytime naps, mushy food, and lavatory breaks. My adult life was back in Los Angeles with my dirty dishes and credit card bills.

I was always fishing for something on the radio. Just like trains and bells, it was part of the soundtrack of my life. I moved the dial up and down and Roy Orbison's voice came blasting out of the small speakers. His new song, "Running Scared," exploded into the room. Orbison, though, transcended all the genres - folk, country, rock and roll or just about anything. His stuff mixed all the styles and some that hadn't even been invented yet. He could sound mean and nasty on one line and then sing in a falsetto voice like Frankie Valli in the next. With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood. He sounded like he was singing from an Olympian mountaintop and he meant business. One of his previous songs, "Ooby Dooby" was deceptively simple, but Roy had progressed. He was now singing his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. Typically, he'd start out in some low, barely audible range, stay there a while and then astonishingly slip into histrionics. His voice could jar a corpse, always leave you muttring to yourself something like, "Man, I don't believe it." His songs had songs within songs. They shifted from major to minor key without any logic. Orbison was deadly serious - no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him.

There are some who relish the quiet life. Free of the frantic and discord. I used to be one of them; until my life got loud and dramatic, down right unbearable at moments. And now I love the volumes of my life. The adagio of my heart’s beating or the metronome of the rainfall. How can one expect to live without the welcome of the bird’s chirp in the morning or the night’s vehement winds pounding our window pane? The sound of joy, heartbreak, ecstasy. It is all for the fine tuning of our soul. We learn to calibrate the sounds of life. No more sensitivity, but making it all music. Go ahead, appreciate the soundtrack of your life. It makes for good dancing too.

The most uplifting music in the world is that of Mother Natures orchestra. Sit atop a hill or mountain, with a fabulous view and listen..... Hear the winds song, the birds chorus, and the far off sound of childrens laughter and song and the sounds of life that you can soundtrack to your own playlists.

That was exactly what Tabucchi was suggesting with his title ("La Nostalgie du Possible") --that we can pass right by something very important: love, a job, moving to another city or another country. Or another life. 'Pass by' and at the same time be 'so close' that sometimes, while in that state of melancholy that is akin to hypnosis, we can, in spite of everything, manage to grab little fragments of what might have been. Like catching snatches of a far-off radio frequency. The message is obscure, yet by listening carefully you can still catch snippets of the soundtrack of the life that never was. You hear sentences that were never actually said, you hear footsteps echoing in places you've never been to, you can make out the surf on a beach whose sand you have never touched. You hear the laughter and loving words of a woman though nothing ever happened between you. The idea of an affiar with her had crossed your mind. Perhaps she would have liked that --probably, in fact-- but nothing every happened. For some unknown reason, we never gave in to the exquisite vertigo that you feel when you move those few centimeters towards the face of the other for the first kiss.

What would you give to remember everything? I have this power. I absorb your memories; when you hear me, you relive them. A first dance. A wedding. The song that played when you got the big news. No other talent gives your life a soundtrack. I am Music. I mark time.

Now that I’ve owned up to being a collector, I’ll say that what really gets me off is knowing I have this personal library of everything that appeals to me, and that I can pull any of it out whenever I want to. That’s the wonderful thing, customizing the soundtrack of your life.

But so far, this was the third-worst day of my life, and that January was probably buried wherever they put the old Taylor Swift, so what I actually said was "Could you turn off your sad-boy-angsting soundtrack?

What if all the transcendent moments of your life, the sound-track moments, the radiant detail, the gleaming thing at the center of life that loves you, that loves beauty—God or whatever you call it—what if all this were part of your illness?

Do you have a soundtrack for your life? I do. My assistant carries it around and hits play for specific moments of musical interest." lol :)

One of the greatest mistakes you can make in life is assuming all your thoughts are true.

Your brain is waiting for you each day. It's waiting to be told what to think. It's waiting to see what kind of soundtracks you'll choose. It's waiting to see if you really want to build a different life

Music can be your friend when you have none, your lover when you’re needy. Your rage, your sorrow, your joy, your pain. Your voice when you’ve lost your own. To be a part of that, to be the soundtrack of someone’s life, is a beautiful thing.

If the name of your hurricane is Love, And the soundtrack to your life is Hurt, Write.

Life is either the same song you sing day in and day out, or you go out into the world and devise your own soundtrack.

Without action to back them, your affirmations become the soundtrack of your personal imprisonment; the creed of your stagnancy.

There is nothing so bracing as planning a murder. I recommend it to the weak-willed and those with a leaky sense of self. It is fortifying as a drop of coagulant in a solution. I had planned (The word is too strong. Imagined. Anticipated?) this particular murder for so many years that it had taken on an air of performance and respectability. To understand how a murder can be domesticated and even humdrum may be hard for fans of the pounce of the soundtrack, the streak of scarlet, the gunky skeleton jiggling in the flashlight beam. But I am convinced that if murder is horrible, its for the overflow into the ordinary: severed heads in Ziploc bags, the dead baby in the dumpster behind Chubby’s. Anyone who has eaten a pork chop has all the information she needs for murder…It takes a special kind of person, a criminal, to commit a crime? You know better; in your dreams you’ve already tried it…

That was exactly what Tabucchi was suggesting in his title – that we can pass right by something very important: love, a job, moving to another city or another country. Or another life. ‘Pass by’ and at the same time be ‘so close’ that sometimes, while in that state of melancholy that is akin to hypnosis, we can, in spite of everything, manage to grab little fragments of what might have been. Like catching snatches of a far-off radio frequency. The message is obscure, yet by listening carefully you can still catch snippets of the soundtrack of the life that never was. You hear sentences that were never actually said, you hear footsteps echoing in places you’ve never been to, you can make out the surf on a beach whose sand you have never touched. You hear the laughter and loving words of a woman though nothing ever happened between you. The idea of an affair with her had crossed your mind. Perhaps she would have liked that – probably in fact – but nothing ever happened. For some unknown reason, we never gave in to the exquisite vertigo that you feel when you move those few centimetres towards the face of the other for the first kiss. We passed by, we passed so close that something of the experience remains.

Vic didn't have a car and probably spent a hundred and sixty hours a week at home. The house smelled of piss-soaked diapers and engine parts, and the sink was always full. In retrospect Vic was only surprised she didn't go crazy sooner. She was surprised that more young mothers didn't lose it. When your tits had become canteens and the soundtrack to your life was hysterical tears and mad laughter, how could anyone expect you to remain sane?

Can’t you see my world begins and ends with you? Without you, I’m only half complete. You are what makes my life worth living. Your words complete my sentences. Your voice filters through my dreams. Your laughter is the soundtrack to my life.

He’s brought a sleeping bag, one of those big green bulky L.L. Bean ones. I look at it questioningly. Following my gaze, he turns red. “I told my parents I was going to help you study, then we might watch a movie, and if it got late enough, I’d crash on your living room floor.” “And they said?” “Mom said, ‘Have a nice time, dear.’ Dad just looked at me.” “Embarrassing much?” “Worth it.” He walks slowly over, his eyes locked on mine, then puts his hands around my waist. “Um. So . . . are we going to study?” My tone’s deliberately casual. Jase slides his thumbs behind my ears, rubbing the hollow at their base. He’s only inches from my face, still looking into my eyes. “You bet. I’m studying you.” He scans over me, slowly, then returns to my eyes. “You have little flecks of gold in the middle of the blue.” He bends forward and touches his lips to one eyelid, then the other, then moves back. “And your eyelashes aren’t blond at all, they’re brown. And . . .” He steps back a little, smiling slowly at me. “You’re already blushing—here”—his lips touch the pulse at the hollow of my throat—“and probably here . . .” The thumb that brushes against my breast feels warm even through my T-shirt. In the movies, clothes just melt away when the couple is ready to make love. They’re all golden and backlit with the soundtrack soaring. In real life, it just isn’t like that. Jase has to take off his shirt and fumbles with his belt buckle and I hop around the room pulling off my socks, wondering just how unsexy that is. People in movies don’t even have socks. When Jase pulls off his jeans, change he has in his pocket slips out and clatters and rolls across the floor. “Sorry!” he says, and we both freeze, even though no one’s home to hear the sound. In movies, no one ever gets self-conscious at this point, thinking they should have brushed their teeth. In movies, it’s all beautifully choreographed, set to an increasingly dramatic soundtrack. In movies, when the boy pulls the girl to him when they are both finally undressed, they never bump their teeth together and get embarrassed and have to laugh and try again. But here’s the truth: In movies, it’s never half so lovely as it is here and now with Jase.

If you love rock ’n’ roll, your favorite bands give your life continuity. They keep your memories alive and accessible. They bond you to your friends. They link who you are to who you were. They endure even as the rest of your life fades into the past.

Music can be your friend when you have none, your lover when you’re needy. Your rage, your sorrow, your joy, your pain. Your voice when you’ve lost your own. To be a part of that, to be the soundtrack of someone’s life, is a beautiful thing. —Killian James,

No one has a plan for you and your life doesn't have a soundtrack, it's just a series of . . . accidents and split-second decisions and coincidences and demographics, where you live and when you were born and who your parents were and how much money they had.

I’m going to tell you something, there’s country poor, and there’s city poor. As much of my life as I’d spent in front of a TV thinking Oh, man, city’s where the money trees grow, I was seeing more to the picture now. I mean yes, that is where they all grow, but plenty of people are sitting in that shade with nothing falling on them. Chartrain was always discussing “hustle,” and it took me awhile to understand he grew up hungry for money like it was food. Because for him, they’re one and the same. Not to run the man down, but he wouldn’t know a cow from a steer, or which of them gave milk. No desperate men Chartrain ever knew went out and shot venison if they were hungry. They shot liquor store cashiers. Living in the big woods made of steel and cement, without cash, is a hungrier life than I knew how to think about. I made my peace with the place, but never went a day without feeling around for things that weren’t there, the way your tongue pushes into the holes where you’ve lost teeth. I don’t just mean cows, or apple trees, it runs deeper. Weather, for instance. Air, the way it smells from having live things breathing into it, grass and trees and I don’t know what, creatures of the soil. Sounds, I missed most of all. There was noise, but nothing behind it. I couldn’t get used to the blankness where there should have been bird gossip morning and evening, crickets at night, the buzz saw of cicadas in August. A rooster always sounding off somewhere, even dead in the middle of Jonesville. It’s like the movie background music. Notice it or don’t, but if the volume goes out, the movie has no heart. I’d oftentimes have to stop and ask myself what season it was. I never realized what was holding me to my place on the planet of earth: that soundtrack. That, and leaf colors and what’s blooming in the roadside ditches this week, wild sweet peas or purple ironweed or goldenrod. And stars. A sky as dark as sleep, not this hazy pinkish business, I’m saying blind man’s black. For a lot of us, that’s medicine. Required for the daily reboot.

If someone keeps disappointing you again and again, that's on you. Once someone shows they’re all about themselves, it’s time to stop hoping they’ll suddenly morph into a saint. People don’t change just because you want them to. So, stop hitting replay on the disappointment soundtrack and start looking out for yourself. Fool me once, shame on you. Fool me twice—well, you know the rest. Set those boundaries and let them live their self-centered lives while you protect your peace.

1. Choose to love each other even in those moments when you struggle to like each other. Love is a commitment, not a feeling. 2. Always answer the phone when your husband/wife is calling and, when possible, try to keep your phone off when you’re together with your spouse. 3. Make time together a priority. Budget for a consistent date night. Time is the currency of relationships, so consistently invest time in your marriage. 4. Surround yourself with friends who will strengthen your marriage, and remove yourself from people who may tempt you to compromise your character. 5. Make laughter the soundtrack of your marriage. Share moments of joy, and even in the hard times find reasons to laugh. 6. In every argument, remember that there won’t be a winner and a loser. You are partners in everything, so you’ll either win together or lose together. Work together to find a solution. 7. Remember that a strong marriage rarely has two strong people at the same time. It’s usually a husband and wife taking turns being strong for each other in the moments when the other feels weak. 8. Prioritize what happens in the bedroom. It takes more than sex to build a strong marriage, but it’s nearly impossible to build a strong marriage without it. 9. Remember that marriage isn’t 50–50; divorce is 50–50. Marriage has to be 100–100. It’s not splitting everything in half but both partners giving everything they’ve got. 10. Give your best to each other, not your leftovers after you’ve given your best to everyone else. 11. Learn from other people, but don’t feel the need to compare your life or your marriage to anyone else’s. God’s plan for your life is masterfully unique. 12. Don’t put your marriage on hold while you’re raising your kids, or else you’ll end up with an empty nest and an empty marriage. 13. Never keep secrets from each other. Secrecy is the enemy of intimacy. 14. Never lie to each other. Lies break trust, and trust is the foundation of a strong marriage. 15. When you’ve made a mistake, admit it and humbly seek forgiveness. You should be quick to say, “I was wrong. I’m sorry. Please forgive me.” 16. When your husband/wife breaks your trust, give them your forgiveness instantly, which will promote healing and create the opportunity for trust to be rebuilt. You should be quick to say, “I love you. I forgive you. Let’s move forward.” 17. Be patient with each other. Your spouse is always more important than your schedule. 18. Model the kind of marriage that will make your sons want to grow up to be good husbands and your daughters want to grow up to be good wives. 19. Be your spouse’s biggest encourager, not his/her biggest critic. Be the one who wipes away your spouse’s tears, not the one who causes them. 20. Never talk badly about your spouse to other people or vent about them online. Protect your spouse at all times and in all places. 21. Always wear your wedding ring. It will remind you that you’re always connected to your spouse, and it will remind the rest of the world that you’re off limits. 22. Connect with a community of faith. A good church can make a world of difference in your marriage and family. 23. Pray together. Every marriage is stronger with God in the middle of it. 24. When you have to choose between saying nothing or saying something mean to your spouse, say nothing every time. 25. Never consider divorce as an option. Remember that a perfect marriage is just two imperfect people who refuse to give up on each other. FINAL

My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.

She clicks on the last slide, and that’s when it happens. “Me So Horny” blasts out of the speakers and my video, mine and Peter’s, flashes on the projector screen. Someone has taken the video from Anonybitch’s Instagram and put their own soundtrack to it. They’ve edited it too, so I bop up and down on Peter’s lap at triple speed to the beat. Oh no no no no. Please, no. Everything happens at once. People are shrieking and laughing and pointing and going “Oooh!” Mr. Vasquez is jumping up to unplug the projector, and then Peter’s running onstage, grabbing the microphone out of a stunned Reena’s hand. “Whoever did that is a piece of garbage. And not that it’s anybody’s fucking business, but Lara Jean and I did not have sex in the hot tub.” My ears are ringing, and people are twisting around in their seats to look at me and then shifting back around to look at Peter. “All we did was kiss, so fuck off!” Mr. Vasquez, the junior class advisor, is trying to grab the mic back from Peter, but Peter manages to maintain control of it. He holds the mic up high and yells out, “I’m gonna find whoever did this and kick their ass!” In the scuffle, he drops the mic. People are cheering and laughing. Peter’s being frog-marched off the stage, and he frantically looks out into the audience. He’s looking for me. The assembly breaks up then, and everyone starts filing out the doors, but I stay low in my seat. Chris comes and finds me, face alight. She grabs me by the shoulders. “Ummm, that was crazy! He freaking dropped the F bomb twice!” I am still in a state of shock, maybe. A video of me and Peter hot and heavy was just on the projector screen, and everyone saw Mr. Vasquez, seventy-year-old Mr. Glebe who doesn’t even know what Instagram is. The only passionate kiss of my life and everybody saw. Chris shakes my shoulders. “Lara Jean! Are you okay?” I nod mutely, and she releases me. “He’s kicking whoever did it’s ass? I’d love to see that!” She snorts and throws her head back like a wild pony. “I mean, the boy’s an idiot if he thinks for one second it wasn’t Gen who posted that video. Like, wow, those are some serious blinders, y’know?” Chris stops short and examines my face. “Are you sure you’re okay?” “Everybody saw us.” “Yeah…that sucked. I’m sure that was Gen’s handiwork. She must’ve gotten one of her little minions to sneak it onto Reena’s PowerPoint.” Chris shakes her head in disgust. “She’s such a bitch. I’m glad Peter set the record straight, though. Like, I hate to give him credit, but that was an act of chivalry. No guy has ever set the record straight for me.

When you're standing in the moment-every life has a soundtrack.

People, I want to tell you Just how your friend will do They will wait to get your secret And dig a pit for you

We’re sorry to bother you at a time like this,” Drebin says. “We would have come earlier, but your husband wasn’t dead then.

The nature of art is that you take real life and exaggerate and heighten it. You do this to make reality more dramatic and cathartic, and also to remove that toxicity from your head so that it can finally exist outside you as a sovereign entity.

Standing here I realize You are just like me Trying to make history But who's to judge The right from wrong? When our guard is down I think we'll both agree That violence breeds violence But in the end it has to be this way I've carved my own path You followed your wrath But maybe we're both the same The world has turned And so many have burned But nobody is to blame Yet staring across this barren wasted land I feel new life will be born Beneath the blood-stained sand Beneath the blood-stained sand

No one has a plan for you and your life doesn’t have a soundtrack, it’s just a series of” -she shrugged- “accidents and split-second decisions and coincidences and demographics, where you live and when you were born and who your parents were and how much money they had.” … I remember thinking that if she was in some ways correct she was, however, not right. That of course life is random, a series of coincidences, etc., but that to live you must attempt to make sense if it, and that’s what narrative’s for. I believe this, people of a certain sensibility believe this. Mostly it’s harmless. Though perhaps sometimes you find yourself doing things because you think your narrative arc calls for it, or because you’ve grown bored with your own plot, things you shouldn’t do because they will, these things, hurt the other characters in your story, who are not characters after all, but people. But then people do evil often and with less elaborate justifications.

There’s a reason “dissertation” shares so many letters with “desert.” Both are lonely, boring places where dreams go to die. (Sorry, Arizona. You know I’m right. Turquoise jewelry can only do so much.) The first part of a doctoral program isn’t as isolating. There are more people involved in the coursework for the degree. You have professors, classmates, and a support network that moves you along. But once you’re finished with that part of your degree, you head out into the wasteland of your dissertation. Those can drag on for years and years because you’re the only one pulling yourself toward the finish line. How do you know it’s done? How do you stay motivated? How do you make it a priority when the rest of life gets loud?

I’m trying to learn that in my Christian walk as well. If I’ll move to the beat of the Spirit and relinquish control of my life to Him, I’ll be able to dance to the music God has playing in His head rather than movin’ and agroovin’ to the catchy little tunes I’ve got going in my own. For when I allow the Lord to provide the accompaniment to my life, I discover a richly layered soundtrack more beautiful than anything I could compose myself. But following God’s beat, dancing to His rhythm, trusting in His sovereignty—all that can be hard for a rhythmically challenged, control-loving person like me. Because when it comes right down to it, I’m a headstrong little girl who wants her own way in pretty much every area of life. Fortunately, I have a Father who loves me in spite of that. But while He loves me as I am, He also loves me too much to leave me that way. So He insists I follow His lead in order to “grow up” in my salvation (1 Peter 2:2). Becoming more like Jesus and less like me.

Whenever Mum and Granny start arguing, Elsa turns up the volume and pretends they’re both actresses in a silent movie. Elsa is the sort of child who learned early in life that it’s easier to make your way if you get to choose your own soundtrack.

Life changes in an instant, with no soundtrack to be your guide.

Embrace the rhythm of your heartbeat; it's the soundtrack of your journey to positivity.

Minerva’s heart sank as she realized just how far out of her depth she actually was. In less than an hour she had crossed over to a world of darkness and cruelty. And her own arrogance had led her to it. ‘Please,’ she said. She struggled to maintain her composure. ‘Please.’ Kong adjusted his grip on the knife. ‘Don’t look away now, little girl. Watch and remember who’s boss.’ Minerva could not avert her eyes. Her gaze was trapped by this terrible tableau. It was like a scene from a scary movie, complete with its own soundtrack. Minerva frowned. Real life did not have a soundtrack. There was music coming from somewhere. The somewhere proved to be Kong’s trouser pocket. His polyphonic phone was playing ‘The Toreador Song’ from Carmen. Kong pulled the phone from his pocket. ‘Who is this?’ he snapped. ‘My name is not important,’ said a youthful voice. ‘The important thing is that I have something you want.’ ‘How did you get this number?’ ‘I have a friend,’ replied the mystery caller. ‘He knows all the numbers. Now, to business. I believe you’re in the market for a demon?

Finally, empathy and perspective are everything, and neither should be taken for granted. After all, there’s always someone out there who thinks you’re the monster. Remember that the ground beneath your feet can always shift and that it should always be questioned. Even the things that seem still are still changing —From “Still,” Over The Hedge soundtrack, 2004

The lightness and darkness and static electricity, the light/dark stasis, the electricity. The grime-ification, the cleansing, the cleansing grime. Shocks. This is how the road gets you lost and found, over and over and over again: hey, I have no needs. Which affords you a fresh opportunity for decency, for empathetic listening, compassionate alertness; for observation, for disappearing into the woodwork. That kind of noisy quiet suits a songwriter. Invisibility and interest complement each other when you have a soundtrack in your head reminding you that nothing needs to be brought to life, it all just is life.

Your heartbeat is the unacknowledged soundtrack of your life,

Reality TV enacts the various self-delusions of the emotionally immature: the dream that you are being closely watched, assessed, and categorized; the dream that your life itself is movie material, and that you deserve your own carefully soundtracked montage when you’re walking down the street.

But there was a fly in the ointment. Because of his inexperience, Litchfield did not realize that U-matic tape was the wrong medium for a proper documentary. “You couldn’t edit the stuff,” he explained. “It was totally wild. You couldn’t sync it. The only thing it had going for it was that you could put a soundtrack down, so the quality of the sound on all the stuff that I did with him is absolutely brilliant, but the quality of the vision is shit. I had to [transfer the material] from video to film to edit it, and once you’ve gone down one generation, the quality just disappears. “But he was happy to experiment if I was, and I was. Neither of us knew what the fuck we were doing. We had a disagreement one day over the direction the video was taking, when we were editing it, and Paul said, ‘You don’t know what you’re talking about.’ I said, ‘Neither do you,’ and he said, ‘No, I know—it’s sort of our private film school, really, isn’t it?’”30

They can keep you away from me forever, but they will never silence my love for you. Through my iconic music, my heart will always speak your name, echoing across time—unstoppable, untouchable, eternal. Every note I create is a whisper of my soul calling out to you, a melody that carries the weight of emotions words could never express. Distance, fate, or even time itself can never erase what I feel. My music is my voice, my love, my truth—it will find its way to you no matter where you are. You are the inspiration behind every harmony, every rhythm, every symphony I bring to life. And even if the world separates us, my soundtracks will forever tell our story, a love beyond limits, beyond reality, beyond forever.” — Sami Abouzid

Meeting you in this life and spending time with you might be something ordinary, something that could happen by chance. But the impossible—the miracle that already came true—is you becoming my happiness, my inspiration, my unwavering motivation. You are the force that drives me, the muse behind every soundtrack I create, a melody that never fades. Your endless beauty deserves endless music, and I am blessed beyond words to have you in my heart forever.” — Sami Abouzid

[talking about joy versus happiness] It's more like a quiet undercurrent that slowly accumulates at the base of your soul, increasingly welling up like a soft melody that over years becomes the soundtrack of your life.

I could listen to him laugh for hours. It used to be the soundtrack of my life, the thing that would brighten even my worst days. It’s like the sound of birds chirping on a warm spring day when the sun is shining, and there’s a slight breeze that kisses your skin. It was the house that I built for myself, the place I felt the safest. Even after all these years, hearing it makes me feel like I’m coming home again.