Seas Catch Fire Quotes

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Trust your heart if the seas catch fire, live by love though the stars walk backward.
E.E. Cummings
What's going on down there, Katniss? Have they all joined hands? Taken a vow of nonviolence? Tossed the weapons in the sea in defiance of the Capitol?' Finnick asks. No,' I say. No,' Finnick repeats. 'Because whatever happened in the past is in the past. And no one in this arena was a victor by chance.' He eyes Peeta for a moment. 'Except maybe Peeta.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Trust your heart if the seas catch fire and live by love though the stars walk backwards.
Ben Sherwood (The Death and Life of Charlie St. Cloud)
dive for dreams or a slogan may topple you (trees are their roots and wind is wind) trust your heart if the seas catch fire (and live by love though the stars walk backward) honour the past but welcome the future (and dance your death away at this wedding) never mind a world with its villains or heroes (for god likes girls and tomorrow and the earth)
E.E. Cummings
sinceramente, a mí nunca me ha resultado atractivo. Quizá sea demasiado guapo o demasiado fácil de obtener, o quizá, simplemente, sea demasiado fácil perderlo.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
The night wears on; the fire dwindles; the wind shifts and my heart aches with nostalgia - summer camps and catching lightning bugs and August skies aflame with stars. The way the desert smells and the long, wistful sigh of wind rushing down from the mountains as the sun dips beneath the horizon.
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
I saw the sunset-colored sands, The Nile like flowing fire between, Where Rameses stares forth serene, And Ammon's heavy temple stands. I saw the rocks where long ago, Above the sea that cries and breaks, Swift Perseus with Medusa's snakes Set free the maiden white like snow. And many skies have covered me, And many winds have blown me forth, And I have loved the green, bright north, And I have loved the cold, sweet sea. But what to me are north and south, And what the lure of many lands, Since you have leaned to catch my hands And lay a kiss upon my mouth.
Sara Teasdale
Trust your heart if the sea catch fire, live by love though the stars walk backwards. -I feel like, Charlie the main character can only communicate his bother who past away through nature and that he needs to move on and find love evn if his brother is not there physically.
Ben Sherwood (Charlie St. Cloud)
when it is but it ain't Some of us love badly. Sometimes the love is the type of love that implodes. Folds in on itself. Eats its insides. Turns wine to poison. Behaves poorly in restaurants. Drinks. Kisses other people. Comes back to your bed at 4am smelling like everything outside. Asks about your ex. Is jealous of your ex. Thinks everyone a rival. Some of us love others badly, love ourselves worse. Some of us love horrid, love beastly. Love sick love anti light. Sometimes the love can’t go home at night, can’t sleep with itself, cannot contain itself, catches fire, destroys the stomach, strips buildings, goes missing. Punches. Smashes heirlooms. Tells lies. The best lies. F*s around. Writes poems, impresses people. Chases lovers into corners. Leaves them longing. Sea sick. Says yes. Means anything but. Tricks the body. Kills the body. Dances wild and walks away, smiling.
Yrsa Daley-Ward
I hate the small looking-glass on the stairs," said Jinny. "It shows our heads only; it cuts off our heads...So I skip up the stairs past them, to the next landing, where the long glass hangs, and I see myself entire. I see my body and head in one now; for even in this serge frock they are one, my body and my head. Look, when I move my head I ripple all down my narrow body; even my thin legs rippled like a stalk in the wind. I flicker between the set face of Susan and Rhoda's vagueness; I leap like one of those flames that run between the cracks of the earth; I move, I dance, I never cease to move and dance. I move like the leaf that moved in the hedge as a child and frightened me. i dance over these streaked, these impersonal, distempered walls with their yellow skirting as firelight dances over teapots. i catch fire even from women's cold eyes. when I read, a purple rim runs around the black edge of the textbook. yet I cannot follow any word through its changes. I cannot follow any thought from present to past. I do not stand lost, like Susan, with tears in my eyes remembering home; or lie, like Rhoda, crumpled among the ferns, staining my pink cotton green, while I dream of plants that flower under the sea, and rocks through which the fish swim slowly. I do not dream.
Virginia Woolf (The Waves)
Swifts, flushed from chimneys, catch fire and swoop like blown sparks out over the ramparts and extinguish themselves in the sea.
Anthony Doerr (All the Light We Cannot See)
I want you. I’m supposed to want you dead, but I just want you. Dom
L.A. Witt (If the Seas Catch Fire)
They got ninjas working as strippers in this town or something? Well.
L.A. Witt (If the Seas Catch Fire)
Sap?” asks Finnick. They don’t have the right kind of trees by the sea, either.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Finnick Odair’s famous sea green eyes are only inches from mine. He pops a sugar cube in his mouth and leans against my horse.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
They spoke three languages between them, and there weren’t enough words to convey what they’d take to the grave, what they’d had a chance to taste before fate inevitably closed in. Dom
L.A. Witt (If the Seas Catch Fire)
In Views of Nature Humboldt conjured up the quiet solitude of Andean mountaintops and the fertility of the rainforest, as well as the magic of a meteor shower and the gruesome spectacle of catching the electric eels in the Llanos. He wrote of the ‘glowing womb of the earth’ and ‘bejewelled’ riverbanks. Here a desert became a ‘sea of sands’, leaves unfolded ‘to greet the rising sun’, and apes filled the jungle with ‘melancholy howlings’. In the mists at the rapids of the Orinoco, rainbows danced in a game of hide-and-seek – ‘optical magic’, as he called it. Humboldt created poetic vignettes when he wrote of strange insects that ‘poured their red phosphoric light on the herb-covered ground, which glowed with living fire as if the starry canopy of heaven had sunk upon the turf’.
Andrea Wulf (The Invention of Nature: Alexander von Humboldt's New World)
Freedom is the right to question and change the established way of doing things. It is the continuing revolution of the marketplace. It is the understanding that allows us to recognize shortcomings and seek solutions. It is the right to put forth an idea, scoffed at by the experts, and watch it catch fire among the people. It is the right to dream—to follow your dream or stick to your conscience, even if you’re the only one in a sea of doubters. Freedom is the recognition that no single person, no single authority or government has a monopoly on the truth, but that every individual life is infinitely precious, that every one of us put on this world has been put there for a reason and has something to offer.
Bret Baier (Three Days in Moscow: Ronald Reagan and the Fall of the Soviet Empire (Three Days Series))
I dream about a kind of criticism that would try not to judge but to bring an oeuvre, a book, a sentence, an idea to life; it would light fires, watch the grass grow, listen to the wind, and catch the sea foam in the breeze and scatter it.
Michel Foucault
The sea may catch fire, the planets may collide in space, the sun may quench off its heat, but what we understand is that our peace is like a river in our souls; it's surface may wave about in turbulence, but it's bottom is cool and gently calm!
Israelmore Ayivor (Daily Drive 365)
If I was going to shoot you, we wouldn’t be having this conversation. What’s your name?” The Italian lifted his head enough to meet Sergei’s gaze. “Who wants to know?” Sergei rolled his eyes. “The guy who’s going to decide whether you wake up tomorrow in a hospital, a jail cell, or a morgue.” He
L.A. Witt (If the Seas Catch Fire)
What else do you assess during these test drives?" He felt electricity, every nerve in his body firing at once, this attraction raw and unexpected. "Tires?" As one, they slowed a few feet before the sidewalk, stopping in the shadows as if neither of them wanted to step into the glare of the lights. She turned to face him, her gaze dipping to his shoes. "They do seem to be in good working order." "Suspension?" He took a step closer and heard her breath catch in her throat. "A little bit stiff." She licked her lips. "I think we're in for a rough ride." "Acceleration?" Jay shoved the warning voice out of his head and cupped her jaw, brushing his thumb over her soft cheek. Her gaze grew heavy and she sighed. Or was it a whimper? He could barely hear over the rush of blood through his ears. "A little too fast," she whispered, leaning in. She pressed one palm against his chest, and in that moment he knew she wanted him, too. "Maybe I should test the handling." Dropping his head, he brushed soft kisses along her jaw, feathering a path to the bow of her mouth as he slid one hand under her soft hair to cup her nape. He felt like he'd just trapped a butterfly. If he didn't hold on tight, she might fly away. "Or the navigation." She moaned, the soft sound making him tense inside. His free hand slid over her curves to her hip and she ground up against him, a deliciously painful pressure on his already-hard shaft. "Navigation it is." He breathed in the scent of her. Wildflowers. A thunderstorm. The rolling sea.
Sara Desai (The Singles Table (Marriage Game, #3))
(This is from a tribute poem to Ronnie James Dio: Former lead vocalist of the band Rainbow, Black Sabbath. This is written with all the titles of the hit songs of DIO. The titles are all in upper case) You can “CATCH THE RAINBOW” – “A RAINBOW IN THE DARK” Through “ROCK & ROLL CHILDREN” “HOLY DIVER” will lurk “BEFORE THE FALL” of “ELECTRA” “ALL THE FOOLS SAILED AWAY” “JESUS,MARY AND THE HOLY GHOST”- “LORD OF THE LAST DAY” “MASTER OF THE MOON” you are When my “ONE FOOT IN THE GRAVE” With our “BLACK”, “COLD FEET”, “MYSTERY” of “PAIN” you crave You’re “CAUGHT IN THE MIDDLE”, “BETWEEN TWO HEARTS” When “HUNGRY FOR HEAVEN” “HUNTER OF THE HEART” hurts “FALLEN ANGELS” “FEED MY HEART” “FEVER DREAMS” “FEED MY HEAD” “I AM” “ANOTHER LIE” “AFTER ALL (THE DEAD)” Not “GUILTY” if you “HIDE IN THE RAINBOW’’ With your perfect “GUITAR SOLO” “DON’T TELL THE KIDS” to “DREAM EVIL” Don’t “GIVE HER THE GUN” to follow “DON’T TALK TO STRANGERS” Those “EVIL EYES” can see “LORD OF THE NIGHT” “MISTREATED”; “MY EYES” hate to fancy “SHAME ON THE NIGHT” “TURN UP THE NIGHT” Now it’s “TIME TO BURN” “TWISTED” “VOODOO” does “WALK ON WATER” And today its our turn “BLOOD FROM A STONE” “BORN ON THE SUN” I’m “BETTER IN THE DARK” “BREATHLESS” The “PRISONER OF PARADISE” you are! Forever you are deathless “SACRED HEART” “SHIVERS” Laying “NAKED IN THE RAIN” “THIS IS YOUR LIFE”- “ WILD ONE”! Your “GOLDEN RULES” we gain “IN DREAMS” “I SPEED AT NIGHT” I’m “LOSING MY INSANITY” “ANOTHER LIE”: “COMPUTER GOD” Your “HEAVEN AND HELL”- my vanity! By “KILLING THE DRAGON” “I COULD HAVE BEEN A DREAMER” I’m “THE LAST IN LINE” To “SCREAM” Like an “INVISIBLE” screamer Now that you are gone “THE END OF THE WORLD” is here “STRAIGHT THROUGH THE HEART” “PUSH” “JUST ANOTHER DAY” in fear “CHILDREN OF THE SEA” “ DYING IN AMERICA” Is it “DEATH BY LOVE”? “FACES IN THE WINDOW” looking for A “GYPSY” from above Dear “STARGAZER” from “STRANGE HIGHWAYS” Our love “HERE’S TO YOU” “WE ROCK” “ONE MORE FOR THE ROAD” The “OTHER WORLD” anew “ONE NIGHT IN THE CITY” with “NEON KNIGHTS” “THE EYES” “STAY OUT OF MY MIND” The “STARSTRUCK” “SUNSET SUPERMAN” Is what we long to find “THE MAN WHO WOULD BE KING” Is the “INSTITUTIONAL MAN” “SHOOT SHOOT” to “TURN TO STONE” “WHEN A WOMAN CRIES” to plan To “STAND UP AND SHOUT” before “ THE KING OF ROCK AND ROLL” Though “GOD HATES HEAVY METAL” “EAT YOUR HEART OUT” to reach the goal. From the poem- Holy Dio: the Diver (A tribute to Ronnie James Dio)
Munia Khan
C’mon,” I said, like Moses parting the sea, “move aside so I can get in there.” They did, and I crawled into bed. They didn’t cuddle against me, but they kind of bunched up so they were almost touching me. “Good night,” I said, thinking maybe I could slide out of bed after they had fallen asleep, and then I could do whatever I wanted downstairs. And then I thought of the entire day, Bessie biting my hand, falling into the pool, watching them catch on fire, watching them catch on fire again, waiting for them to maybe catch on fire again. I was tired, I realized. I touched the places on my face where Bessie had scratched me. I felt like I couldn’t breathe; the children were so close, burning up all the available air. I kind of gasped a little, and Bessie asked, “Are you okay?” and I said, “Go to sleep,” and then I just closed my eyes and tried to imagine a world where everything worked out. And then I really was asleep, dead asleep, for maybe ten minutes, and then I heard them talking. “Is she asleep?” Roland asked. “I think so,” Bessie said. I kept my breathing steady, my eyes closed. “What do you think?” Roland asked. “She’s okay,” Bessie said, “I guess.” “What about Dad?” Roland asked. “What a jerk,” Bessie said, “just like Mom said.” “I kind of like it here,” Roland said. There was a moment of silence and then Bessie replied, “It might be okay. For a little while.” “She’s nice,” Roland said. “Maybe,” Bessie said. “She’s weird.” “So what do we do?” he asked. “We just wait and see,” Bessie said. “And if it’s bad?” Roland said. “Like at Gran-Gran and Pop-Pop’s?” “We’ll just burn it all down,” Bessie said. “Everything. Everyone. We’ll set it on fire.” “Okay,” Roland said. “Good night, Roland,” Bessie said. “Good night, Bessie,” Roland said.
Kevin Wilson (Nothing to See Here)
Each day it’s the same. Wake up. Get dressed. Ride through cheering crowds. Listen to a speech in our honour. Give a thank-you speech in return, but only the one the Capitol gave us, never any personal additions now. Sometimes a brief tour: a glimpse of the sea in one district, towering forests in another, ugly factories, fields of wheat, stinking refineries. Dress in evening clothes. Attend dinner. Train. During ceremonies, we are solemn and respectful but always linked together, by our hands, our arms. At dinners, we are borderline delirious in our love for each other. We kiss, we dance, we get caught trying to sneak away to be alone.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Because the maximum safe level of protein intake for humans is around 50 percent of total calories, the rest must come from fat, such as blubber, or carbohydrates, such as in fruits and roots. Fat is an excellent source of calories in high-latitude sites like the Arctic or Tierra del Fuego, where sea mammals have evolved thick layers of blubber to protect themselves from the cold. However, fat levels are much lower in the meat of tropical mammals, averaging around 4 percent, and high-fat tissues like marrow and brain are always in limited supply. The critical extra calories for our equatorial ancestors therefore must have come from plants, which are vital for all tropical hunter-gatherers.
Richard W. Wrangham (Catching Fire: How Cooking Made Us Human)
He’d never had sex like this before. Usually it was sweat and panting and driving each other insane until they came. And then maybe they’d collapse together if they liked each other well enough, and maybe they’d catch their breath and do it all over again until sleep took over and tomorrow hurt. This… this was all that and more. Every touch, every kiss, every frantic, trembling movement, added up to something he’d never imagined. This wasn’t the cooperative pursuit of pleasure and orgasms. They held each other, clawed at each other, like they thought they might actually start fusing together. Molecule by molecule, cell by cell, not just getting under each other’s skin but becoming part of each other. One thing that could only become two again if it was broken.
L.A. Witt (If the Seas Catch Fire)
The hatch, removed from the top of the works, now afforded a wide hearth in front of them. Standing on this were the Tartarean shapes of the pagan harpooneers, always the whale-ship's stokers. With huge pronged poles they pitched hissing masses of blubber into the scalding pots, or stirred up the fires beneath, till the snaky flames darted, curling, out of the doors to catch them by the feet. The smoke rolled away in sullen heaps. To every pitch of the ship there was a pitch of the boiling oil, which seemed all eagerness to leap into their faces. Opposite the mouth of the works, on the further side of the wide wooden hearth, was the windlass. This served for a sea-sofa. Here lounged the watch, when not otherwise employed, looking into the red heat of the fire, till their eyes felt scorched in their heads. Their tawny features, now all begrimed with smoke and sweat, their matted beards, and the contrasting barbaric brilliancy of their teeth, all these were strangely revealed in the capricious emblazonings of the works. As they narrated to each other their unholy adventures, their tales of terror told in words of mirth; as their uncivilized laughter forked upwards out of them, like the flames from the furnace; as to and fro, in their front, the harpooneers wildly gesticulated with their huge pronged forks and dippers; as the wind howled on, and the sea leaped, and the ship groaned and dived, and yet steadfastly shot her red hell further and further into the blackness of the sea and the night, and scornfully champed the white bone in her mouth, and viciously spat round her on all sides; then the rushing Pequod, freighted with savages, and laden with fire, and burning a corpse, and plunging into that blackness of darkness, seemed the material counterpart of her monomaniac commander's soul.
Herman Melville (Moby Dick: or, the White Whale)
Ahoy!” a seaman called out. “The English frigate Polaris, ten days out from Antigua, bound for Portsmouth.” “Ahoy, yerself!” It was O’Shea’s rough brogue. She’d never heard sweeter music. “This be the clipper Sophia, of no particular country at the moment. Seven days out from Tortola, bound for…well, bound for here. Captain requests permission to board.” Gray. It had to be Gray. The officers of the Polaris exchanged wary looks. “Oh, for Heaven’s sake.” Sophia pushed forward to the ship’s rail and cupped her hands around her mouth, calling, “Permission to board granted!” A cheer rose up from the other ship’s deck. “It’s her, all right!” a voice called. Stubb’s, Sophia thought. Oh, but she hardly cared who was on the other deck. She cared only for the strong figure swinging across the watery divide as the two ships came abreast. Turning back toward the center of the ship, she pushed her way through the sweaty throng of sailors, desperate to get to him. Her foot caught on a rope, and she tripped- But it didn’t matter. Gray was there to catch her. And he was still wearing those sea-weathered, fire-scarred boots. No doubt for sentimental reasons. “Steady there,” he murmured, catching her by the elbows. She looked up to meet his beautiful blue-green eyes. “I have you.” “Oh, Gray.” She launched herself into his arms, clinging to his neck as he laughed and spun her around. “You’re here.” “I’m here.” And he was. Every strong, solid, handsome inch of him. Sophia buried her face in his throat, breathing in his scent. Lord, how she’d missed him. She pulled away, bracing her hands on his shoulders to study his face. “I can’t believe you came after me.” “I can’t believe you actually left.” He lowered her to the deck, and her hands slid to his arms. “I thought you were bluffing with that bit. I’d have never allowed you to go.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
The hatch, removed from the top of the works, now afforded a wide hearth in front of them. Standing on this were the Tartarean shapes of the pagan harpooneers, always the whale-ship’s stokers. With huge pronged poles they pitched hissing masses of blubber into the scalding pots, or stirred up the fires beneath, till the snaky flames darted, curling, out of the doors to catch them by the feet. The smoke rolled away in sullen heaps. To every pitch of the ship there was a pitch of the boiling oil, which seemed all eagerness to leap into their faces. Opposite the mouth of the works, on the further side of the wide wooden hearth, was the windlass. This served for a sea-sofa. Here lounged the watch, when not otherwise employed, looking into the red heat of the fire, till their eyes felt scorched in their heads. Their tawny features, now all begrimed with smoke and sweat, their matted beards, and the contrasting barbaric brilliancy of their teeth, all these were strangely revealed in the capricious emblazonings of the works. As they narrated to each other their unholy adventures, their tales of terror told in words of mirth; as their uncivilized laughter forked upwards out of them, like the flames from the furnace; as to and fro, in their front, the harpooneers wildly gesticulated with their huge pronged forks and dippers; as the wind howled on, and the sea leaped, and the ship groaned and dived, and yet steadfastly shot her red hell further and further into the blackness of the sea and the night, and scornfully champed the white bone in her mouth, and viciously spat round her on all sides; then the rushing Pequod, freighted with savages, and laden with fire, and burning a corpse, and plunging into that blackness of darkness, seemed the material counterpart of her monomaniac commander’s soul.
Herman Melville
I splash enough water in Chloe's face to put out a small house fire. I don't want to drown her, just exfoliate her eyeballs with sea salt. When she thinks I'm done, she opens her eyes-and her mouth. Big mistake. The next wave rinses off the hangy ball in the back of her throat and makes it to her lungs before she can swallow. She chokes and coughs and rubs her eyes as if she's been maced. "Great, Emma! You got my new hair wet!" she sputters. "Happy now?" "Nope." "I said I was sorry." She blows her nose in her hand, then sets the snot to sea. "Gross. And sorry's not good enough." "Fine. I'll make it up to you. What do you want?" "Let me hold your head underwater until I feel better," I say. I cross my arms, which is tricky when straddling a surfboard being pitched around in the wake of a passing speedboat. Chloe knows I'm nervous being this far out, but holding on would be a sign of weakness. "I'll let you do that because I love you. But it won't make you feel better." "I won't know for sure until I try it." I keep eye contact, sit a little straighter. "Fine. But you'll still look albino when you let me back up." She rocks the board and makes me grab it for balance. "Get your snotty hands off the surfboard. And I'm not albino. Just white." I want to cross my arms again, but we almost tipped over that time. Swallowing my pride is a lot easier than swallowing the Gulf of Mexico. "White than most," she grins. "People would think you're naked if you wore my swimsuit." I glance down at the white string bikini, offset beautifully against her chocolate-milk skin. She catches me and laughs. "Well, maybe I could get a tan while we're here," I say, blushing. I feel myself cracking and I hate it. Just this once, I want to stay mad at Chloe. "Maybe you could get a burn while we're here, you mean. Matterfact, did you put sunblock on?" I shake my head. She shakes her head too, and makes a tsking sound identical to her mother's. "Didn't think so. If you did, you would've slipped right off that guy's chest instead of sticking to it like that." "I know," I groan. "Got to be the hottest guy I've ever seen," she says, fanning herself for emphasis. "Yeah, I know. Smacked into him, remember? Without my helmet, remember?" She laughs. "Hate to break it to you, but he's still staring at you. Him and his mean-ass sister." "Shut up." She snickers. "But seriously, which one of them do you think would win a staring contest? I was gonna tell him to meet us at Baytowne tonight, but he might be one of those clingy stalker types. That's too bad, too. There's a million dark little corners in Baytowne for you two to snuggle-" "Ohmysweetgoodness, Chloe, stop!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
She spoke so passionately that some of the Historians believed her, even the ones like Dr. Karuna who had been passed over for promotion when Crome put Valentine in charge of their Guild. As for Bevis Pod, he watched her with shining eyes, filled with a feeling that he couldn’t even name; something that they had never taught him about in the Learning Labs. It made him shiver all over. Pomeroy was the first to speak. “I hope you’re right, Miss Valentine,” he said. “Because he is the only man who can hope to challenge the Lord Mayor. We must wait for his return.” “But …” “In the meantime, we have agreed to keep Mr. Pod safe, here at the Museum. He can sleep up in the old Transport Gallery, and help Dr. Nancarrow catalogue the art collection, and if the Engineers come hunting for him we’ll find a hiding place. It isn’t much of a blow against Crome, I know. But please understand, Katherine: We are old, and frightened, and there really is nothing more that we can do.” The world was changing. That was nothing new, of course; the first thing an Apprentice Historian learned was that the world was always changing, but now it was changing so fast that you could actually see it happening. Looking down from the flight deck of the Jenny Haniver, Tom saw the wide plains of the eastern Hunting Ground speckled with speeding towns, spurred into flight by whatever it was that had bruised the northern sky, heading away from it as fast as their tracks or wheels could carry them, too preoccupied to try and catch one another. “MEDUSA,” he heard Miss Fang whisper to herself, staring toward the far-off, flame-flecked smoke. “What is a MEDUSA?” asked Hester. “You know something, don’t you? About what my mum and dad were killed for?” “I’m afraid not,” the aviatrix replied. “I wish I did. But I heard the name once. Six years ago another League agent managed to get into London, posing as a crewman on a licensed airship. He had heard something that must have intrigued him, but we never learned what it was. The League had only one message from him, just two words: Beware MEDUSA. The Engineers caught him and killed him.” “How do you know?” asked Tom. “Because they sent us back his head,” said Miss Fang. “Cash on Delivery.” That evening she set the Jenny Haniver down on one of the fleeing towns, a respectable four-decker called Peripatetiapolis that was steering south to lair in the mountains beyond the Sea of Khazak. At the air-harbor there they heard more news of what had happened to Panzerstadt-Bayreuth. “I saw it!” said an aviator. “I was a hundred miles away, but I still saw it. A tongue of fire, reaching out from London’s Top Tier and bringing death to everything
Philip Reeve (Mortal Engines (The Hungry City Chronicles, #1))
Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.
William H. Gass (Middle C)
He kept thinking about Uncle Austin, how he taught him to build a fire in the rain, to sharpen a knife, to regard ten cords of wood as money in the bank, to read the wind and tides with intention, to catch a fish, to build a snare, to live off the land and sea and not just survive, but thrive; to know a thousand things with animal senses—to be smart, strong, sensual, alive, more alive than you’ll ever be indoors.
Kim Heacox (Jimmy Bluefeather)
Don't give me anything Even if it's your attention Even if it's your love Even if it's your tears Don't give me your sadness Don't give me your anger Don't give me your thirst Don't give me anything Because I still scramble the sky to find all traces of you, Mother." But son, how can you say something like that? Have I not given you flowers? I have given you the sun. I have given you grass and leaves. I have given you the sea and the sand of the beach. Why still? Isn't it enough for you to drink milk from my loneliness? You taste the pain from my wound, as you used to feel the happiness under my stomach like the scratch of a knife that welcomes your presence. How everything is still, I give you a warm fire, I give you a touch of the morning, I give you a gentle song from my heart that you know holds a million worries. How do you still say things like that? I still give you a light until half of my age. I give you laughter from half of my death. I give you eternal memories and eternal dreams at the same time. I give it all, even if it's just a simple box of lunch that you may receive to sate your hunger. How I always wanted to be there for you, son. Because my only request is nothing more. Let me be your traveling companion, a friend in your troubled times. As I used to rock you and put you in my lap. Let me be the bread that fills your hunger, the consolation of your heart when you are tight, the heat when you are sick. Wasn't I there when you were learning to stand and I was there when you fell? I faithfully wait for you while you run after the moon and sun. And even though time creeps up on me with the strains of age that I may no longer be able to stand up straight as I used to. I will never give up on you son. No, mother will never give up. Because for me, you are enough just yourself. However, can you fill yourself with all the pride? Be content with what you have. Suffice yourself with all the prayers I never stop saying from the corner of my heart which may be the most heavenly hope. Your heaven, son. Even though I know it will disturb your restful sleep. Although it will add to your restless working time. Because I know how hard you struggle. For every drop of sweat that you shed when you have to run to catch the bus that comes to pick you up. When your mind can't escape from your laptop screen that keeps flashing. When morning comes and busy work comes like rain that never ends whacking. Suffice yourself with Mother's love. Even though later, there will be no more cynical words rolling from Mother's lips which are starting to wrinkle. Rest assured, the door to the house of Mother's heart will always be open for you, whenever you want to go home.
Titon Rahmawan
now, they should have been in bed, making out and groping until one of them finally came up for air long enough to put on a condom. But they didn’t move. They stood in the middle of the room, skin to skin, arms around each other and kissing like… like… Like this. It was as if no one had ever given Dom the memo about the difference between fucking and making love. About how to kiss a one-night stand versus how to kiss a boyfriend. Sergei
L.A. Witt (If the Seas Catch Fire)
Sergei knew as many ways to tease a man as he did to kill him. Tonight, he didn’t care about impressing him with any hip-centric sex voodoo. The only thing that mattered was getting as deep inside him as he could, fast and hard. Sex wasn’t an art form tonight—Dom had tapped into some primal, animalistic side of Sergei, and there was no reining it back in. Not until he came. And Dom came. And they both came again.
L.A. Witt (If the Seas Catch Fire)
There’d be no sirens. No flashing lights. The police weren’t needed and neither was an ambulance. The coroner would, as always, be discreet—his balls were in the same vise as anyone else in this town whose services a family might require. While
L.A. Witt (If the Seas Catch Fire)
Eyes closed, he let his head fall forward so the water rushed through his hair and down his neck. He didn’t feel anything yet. No grief. No fear. The adrenaline had settled, and now he was just… numb. The rest would be along once the truth settled in, but at the moment, he felt nothing. Now what? Death was part of this life, but the body count had been rising at an alarming rate for the last few months. And bullets were coming unnervingly close, hitting not just the family, but his family. His uncle and cousins were all he had left, and any of them—hell, Dom himself—could be in the crosshairs at any moment. Without Biaggio, Corrado was the closest thing Dom still had to a father. He was a brutal man. He’d traumatized Dom, taken people and safety and sanity away from him, but he’d also been the man who’d taken Dom in and raised him, even after he’d been the one to calmly end Papa’s life. “It’s business, Domenico,” Corrado had told him while they’d watched men dump dirt on Papa’s still-warm body. “It’s business, and it’s family, and families and businesses are only as strong as their weakest members.” “But…” Dom had been too young to make sense of any of that. Much too young to have seen the things he’d seen. “Papa wasn’t weak.” “No.” Corrado had squeezed his shoulder, grimacing with sympathy. “But he did things that weakened all of us. He had to go, son, because if he stayed, many other men would have died. Do you understand?” More
L.A. Witt (If the Seas Catch Fire)
He didn’t want to leave, and yet his chest hurt because this felt like goodbye. Like a real goodbye. The kind people said when they knew they’d never resurface. The kind that happened in this brutal, unforgiving world where a man, upon realizing there was a price on his head and a red dot on his chest, would often just surrender. Perhaps out of honor, perhaps out of the realization that there was no escape, so why run? Perhaps out of relief, as if this were the closest to suicide their god would allow. Make it quick. Make it count. Ciao. Why the hell did this feel like that? But
L.A. Witt (If the Seas Catch Fire)
Sergei took off his seatbelt and climbed between the seats into the back. “What are you doing?” “Putting myself where I can shoot them. Obviously.” “You might want a seatbelt.” “Can’t shoot with one.” “And if I wreck?” “Don’t wreck.” “Sergei,
L.A. Witt (If the Seas Catch Fire)
Tangling up in bed like this, naked and hard with a predator’s mouth against his and a killer’s hands all over his skin, was deliciously dangerous—if this was what it was like to dance with the devil, then Dom hoped the music never stopped playing. He
L.A. Witt (If the Seas Catch Fire)
He’d never been this close to someone, this wrapped up in something so needy and honest and raw. Death was waiting outside for both of them, but at least they finally got to know what it was like to feel this alive.
L.A. Witt (If the Seas Catch Fire)
He didn’t need to tell his uncle he’d sworn off clothing forever. There was no way it would be any less painful to dress than it had been to undress, and dressing meant eventually undressing anyway, so he was going to be a nudist for the rest of his life.
L.A. Witt (If the Seas Catch Fire)
Sergei stalked the pristine motherfucker for three days before he found a weakness he could exploit. Every man had one, and Nicolá was no exception. In his case, a god and a girl. One he was devoted to as publicly as possible, no doubt to impress the boss. The other, a closely guarded secret, probably because the boss would be decidedly unimpressed. As
L.A. Witt (If the Seas Catch Fire)
Swifts,flushed from chimneys, catch fire and swoop like blown sparks out over the ramparts and extinguish themselves in the sea.
Anthony Duerr
The wind stirred his loose hair and Sorasa assessed him for the first time since her memory failed. Since the deck of the Tyri ship caught fire, and someone seized her around the middle, plunging them both into the dark waves. She did not need to guess to know who. Dom’s clothing was torn but long dry. He still wore the leather jerkin with the undershirt, but his borrowed cloak had been left to feed the sea serpents. The rest of him looked intact. He had only a few fresh cuts across the backs of his hands, like a terrible rope burn. Scales, Sorasa knew. The sea serpent coiled in her head, bigger than the mast, its scales flashing a dark rainbow. Her breath caught when she realized he wore no sword belt, nor sheath. Nor sword. “Dom,” she bit out, reaching between them. Only her instincts caught her, her hand freezing inches above his hip. His brow furrowed again, carving a line of concern. “Your sword.” The line deepened, and Sorasa understood. She mourned her own dagger, earned so many decades ago, now lost to a burning palace. She could not imagine what Dom felt for a blade centuries old. “It is done,” he finally said, fishing into his shirt. The collar pulled, showing a line of white flesh, the planes of hard muscle rippling beneath. Sorasa dropped her eyes, letting him fuss. Only when something soft touched her temple did she look up again. Her heart thumped. Dom did not meet her gaze, focused on his work, cleaning her wound with a length of cloth. It was the fabric that made her breath catch. Little more than a scrap of gray green. Thin but finely made by master hands. Embroidered with silver antlers. It was a piece of Dom’s old cloak, the last remnant of Iona. It survived a kraken, an undead army, a dragon, and the dungeons of a mad queen. But it would not survive Sorasa Sarn. She let him work, her skin aflame beneath his fingers. Until the last bits of blood were gone, and the last piece of his home tossed away. “Thank you,” she finally said to no reply.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
If you catch a fish and roast it over a fire you yourself have made, it tastes better than if it’s served to you at a fancy restaurant. That’s because, without effort, enjoyment is corrupted into nothing.
Mark Helprin (The Oceans and the Stars: A Sea Story, A War Story, A Love Story (A Novel))
Mombasah-city, with her brave array of sumptuous palace, proudest edifice, defaced, deformed by fire and steel shall pay in kind the tale of byegone malefice. Thence on those Indian shores which proud display their hostile fleets, and warlike artifice 'gainst the Lusians, with his sail and oar shall young Lourenço work th' extremes of war. What mighty vessels Sam'orim's orders own covering Ocean, with his iron hail poured from hot copper-tube in thunder-tone all shall he shatter, rudder, mast and sail; then with his grapples boldly, deftly thrown, the hostile Ammiral he shall assail, board her, and only with the lance and sword shall slay four hecatombs of Moors abhor'd. But God's prevision 'scaping human sight, alone who knows what good best serves His end, shall place the Hero where ne toil ne might his lost young life availeth to forfend. In Cháúl-bay, where fierce and furious fight with fire and steel shall fervid seas offend, th' Infidel so shall deal that end his days where Egypt's navy doth conjoin Cambay's. There shall the pow'er of man'ifold enemies, — for only stronger force strong force can tire,— and Winds defaulting and fierce injuries of Ocean, 'gainst a single life conspire : Here let all olden men from death arise to see his Valour, catch his noble fire : A second Scæva see who, hackt and torn, laughs at surrender, quarter holds in scorn. With the fierce torture of a mangled thigh, torn off by bullet which at random past, his stalwart arms he ceaseth not to ply, that fiery Spirit flaming to the last : Until another ball clean cuts the tie so frail that linkèd Soul and Body fast ;— the Soul which loosed from her prison fleets whither the prize eterne such Conqueror greets. Go, Soul! to Peace from Warfare turbulent wherein thou meritedst sweet Peace serene ! for those torn tortured limbs, that life so rent who gave thee life prepareth vengeance keen : I hear een now the furious storm ferment, threating the terrible eternal teen, of Chamber, Basilisco, Saker-fire, to Mameluke cruel and Cambayan dire. See with stupendous heart the war to wage, driven by rage and grief the Father flies, paternal fondness urging battle-gage, fire in his heart and water in his eyes : Promise the sire's distress, the soldier's rage, a bloody deluge o'er the knees shall rise on ev'ry hostile deck: This Nyle shall fear, Indus shall sight it, and the Gange shall hear.
Richard Francis Burton (The Lusiads)
AYA HAD TOLD OF the beginning of the world. She had been as fire in the void, twisting, churning, wanting to form. Over time she had taken shape, and it had hurt. Nemours knew how much, but Mother described it also as a joy. To become. From particles burning and melding she had grown into a great dragon, rough-hewn by the collisions of time. Sharp eyes watching the darkness, fire now her breath. The fire, raging alone, had made clouds, and the clouds made rain. The rain had fallen, sweet, and made a sea. The rain had turned salty with her tears and made more seas. And from that fire and rain and the very dust of stars Father had formed. Or so she liked to say. She described Virso coming together, shaped already like a man. The most beautiful of creatures, with the coldness of the moon on his skin, asleep still in the ether. So enamored was she that she had retreated into her own body and remade herself in his likeness. The dragon had hardened and cracked, and she had emerged from it with long limbs, awkward for a while, and reached for him. The body, empty, had fallen from her and into the sea. Aya had taken Virso by the hand and breathed fire and life into him. Their passion had begun. Beneath them, the gigantic dragon body in the water had petrified and become the world. Or so she liked to tell. It had always been difficult to catch Mother out of a poetic mood. She was magic, and she liked illusion.
Cassia Meare (The Rage of Princes: A Portal Fantasy Adventure (The Chronicles of Otherwhere Book 2))
Her body by the fire Mimicked the light-conferring midnights Of philosophy. Suppose they are dead now. Isn’t “dead now” an odd expression? The sound of the owls outside And the wind soughing in the trees Catches in their ears, is sent out In scouting parties of sensation down their spines. If you say it became language or it was nothing, Who touched whom? In what hurtle of starlight? Poor language, poor theory Of language. The shards of skull In the Egyptian museum looked like maps of the wind-eroded Canyon labyrinths from which, Standing on the verge In the yellow of a dwindling fall, you hear Echo and re-echo the cries of terns Fishing the worked silver of a rapids. And what to say of her wetness? The Anglo-Saxons Had a name for it. They called it silm. They were navigators. It was also Their word for the look of moonlight on the sea. — Robert Hass, “Etymology.” Time and Materials. (Ecco; First Edition edition October 9, 2007)
Robert Hass (Time and Materials)
Trust your heart if the seas catch fire. Live by love If the stars walk backwards
e.e cummings
Oh,’ cried Stephen. But what he had to say was never heard, for away on the horizon towards Tangiers there was a flash flash-flash, not unlike the repeated dart of lightning. They leapt to their feet and cupped their ears to the wind to catch the distant roar; but the wind was too strong and presently they sat down again, fixing the western sea with their telescopes. They could distinctly make out two sources, between twenty and twenty-five miles away, scarcely any distance apart – not above a degree: then three: then a fourth and fifth, and then a growing redness that did not move. ‘There is a ship on fire,’ said Jack in horror, his heart pumping so hard that he could scarcely keep the steady deep-red glow in his object-glass. ‘I hope to God it is not one of ours. I hope to God they drown the magazines.’ An enormous flash lit the sky, dazzled them, put out the stars; and nearly two minutes later the vast solemn long rumbling boom of explosion reached them, prolonged by its own echo off the African shore.
Patrick O'Brian (Master and Commander (Aubrey & Maturin, #1))
We took turns trying on a grand peacock feather masterpiece, which Kathe posed with rather dramatically, and a gold filigree sun mask that spread rays far enough that I feared I’d spear innocent bystanders every time I turned my head. A silk-lined mask of cunningly detailed papier-mâché caught my eye, with deep, rich shades of lagoon green and ocean blue around the eyes. It swept to one side in a shape like a wave, with delicately curled spray tipped in gold. The jewel-hued paint had depth and complexity to it, like the sea itself, and as I held it in my hands I picked out shapes of clouds and ships and faces, holding each briefly in my mind like a dream before it merged back into abstract washes of swirling color. From a distance, the mask would not impress as the others might, but up close, it was gorgeous. “Try it on,” Kathe suggested, and I held it up to my face. It fit comfortably enough, flexing to accommodate my features rather than forcing them into its own shape. “What do you think?” I asked. “It’s beautiful.” Kathe laid a gentle hand along my chin, tilting my face toward the light; the warmth of his touch spread through my whole body. “But does it pass the most important test?” “Only one way to tell,” I whispered, sliding my hand around the back of his neck and up into that down-soft hair as I pulled him toward me. Our lips met, slow and soft and teasing, the barest brush like falling snow. A sliver of air slipped between us, enough to take a sharp breath as lightning seemed to slide down my throat and into my belly. I’d closed my eyes, but I felt his mouth shape a smile. “Better try another angle to be sure,” I murmured. I tipped my head slightly and tried for another quick, light kiss. But somehow it turned warm and melting, and lingered longer than I’d intended. And then there was a rustle of feathers, and his arms went around me, and my own hands slid up beneath his cloak to feel the wiry muscles of his back through the soft leather of his tunic. “I think this one is good,” Kathe said when we came up for air, a husky catch in his voice.
Melissa Caruso (The Unbound Empire (Swords and Fire, #3))
Every night was a night of limitless possibility expired, of a life forfeited, of a foreclosed opportunity to expand, explore, risk, hope, and live. These were my thoughts as I tried falling back asleep. Inside my head, where I lived, wars were breaking out, valleys flooding, forests catching fire, oceans breaching the land, and storms dragging it all to the bottom of the sea, with only a few days or weeks remaining before the entire world and everything sweet and surprising we'd done with it went against the vast backdrop of the universe.
Joshua Ferris (To Rise Again at a Decent Hour)
What was this future we were flailing toward, with its fires and floods? Its rolling blackouts and tornadoes? Where was the reboot on this? The plot twist, the science fiction dream turned real scientific breakthrough, that would make everything okay? Where were the venture capitalists with their cold fusion and their wind farms? Their plastic-digesting bacteria? Their CRISPR-driven vaccination platforms? Their cancer-curing pills? Were we all really just going to keep fumbling along through these storms of the centuries of the weeks? What would it look like when the power went out for the last time? When there was no one left to put the poles and wires back up? All those empty unlit rooms, all the rats and pigeons starving, and the subway tunnels full of water, a new species of blind shark taking dominion of the thousands of miles of man-made sea caves, reefs in the stalled cars whose windows had shattered under the pressure of all that water, and the broken glass worn smooth by time, and all the subway stairs become oyster beds, anemone tendrils adrift in the current—all those gorgeous impossible colors, a true new Eden, except of course that it would all be happening in absolute darkness, with nobody there to bear it witness, to register the beauty and terror of nature repairing itself. Who would rub the condensation from his dive mask and stare stupefied? Who would catch the silver gleam of scale or white teeth full of bloody shredded spoil in a dive-rated flashlight’s sun-bright beam? I got out of the pool, dried off, went downstairs, took a quick rinse, drank some water, and got into bed, whereupon I fell fast asleep and into uneasy chlorine dreams.
Justin Taylor (Reboot: A Novel)
You're welcome to try and escape again . . . but this time it will be the sea's arms waiting to catch you. And I think you'll find them an even crueler embrace than mine.
Natasha Ngan (Girls of Paper and Fire (Girls of Paper and Fire, #1))
Enchantment Name Maximum Level Objects Effect Protection IV All armor Reduces physical damage Fire Protection IV All armor Reduces fire damage and burn time, includes damage from lava Blast Protection IV All armor Reduces damage from explosions Feather Falling IV Boots Reduces fall damage Projectile Protection IV All armor Reduces damage from all projectiles Thorns III All armor Damages attackers based on enchantment level Sharpness V Sword/ ax Increases damage of item Smite V Sword/ ax Increases damage to undead mobs Bane of Arthropods V Sword/ ax Increases damage to spiders and silverfish Knockback II Sword Pushes mobs back when hit Fire Aspect II Sword Sets target mob on fire Power V Bow Increases damage done by arrows Punch II Bow Pushes target back Flame I Bow Arrows set mobs on fire Infinity I Bow One arrow can be used infinite times Unbreaking III Most weapons tools and armor Increases durability of tools, armor and weapons Respiration III Helmet Extends underwater breathing time and improves vision Aqua Affinity I Helmet Increases the speed of mining underwater Depth Strider III Boots Increases the horizontal swimming speed inside water Looting II Sword Increases the number of drops as well as the chance of rare mob drops Efficiency V Tools Increases the mining speed. Correct tools must be used with a block to get the boost Silk Touch I Tools Mined blocks drop themselves instead of dropping the usual items. (For instance mining ore block will drop ore block) Fortune III Tools Increases the number of items dropped by a mined block Luck of the Sea III Fishing Rod Reduces the chance of catching junk Lure III Fishing Rod Increases the rate at which fishes bite the hook
BlockBoy (Minecraft: Enchanting and Potions Guide: Master the Art of Enchanting in Minecraft (Unofficial Minecraft Guide) (MineGuides))