β
We can't be afraid of change. You may feel very secure in the pond that you are in, but if you never venture out of it, you will never know that there is such a thing as an ocean, a sea. Holding onto something that is good for you now, may be the very reason why you don't have something better.
β
β
C. JoyBell C.
β
The sea is emotion incarnate. It loves, hates, and weeps. It defies all attempts to capture it with words and rejects all shackles. No matter what you say about it, there is always that which you can't.
β
β
Christopher Paolini (Eragon (Inheritance, #1))
β
My soul is full of longing
for the secret of the sea,
and the heart of the great ocean
sends a thrilling pulse through me.
β
β
Henry Wadsworth Longfellow
β
She loves the serene brutality of the ocean, loves the electric power she felt with each breath of wet, briny air.
β
β
Holly Black (Tithe (Modern Faerie Tales, #1))
β
I do not know what I may appear to the world, but to myself I seem to have been only like a boy playing on the sea-shore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me.
β
β
Isaac Newton
β
Hark, now hear the sailors cry,
Smell the sea, and feel the sky,
Let your soul & spirit fly, into the mystic.
- Into the Mystic
β
β
Van Morrison (Lit Up Inside: Selected Lyrics)
β
And men go abroad to admire the heights of mountains, the mighty waves of the sea, the broad tides of rivers, the compass of the ocean, and the circuits of the stars, yet pass over the mystery of themselves without a thought.
β
β
Augustine of Hippo (Confessions)
β
People travel to wonder
at the height of the mountains,
at the huge waves of the seas,
at the long course of the rivers,
at the vast compass of the ocean,
at the circular motion of the stars,
and yet they pass by themselves
without wondering.
β
β
Augustine of Hippo
β
The difference between my darkness and your darkness is that I can look at my own badness in the face and accept its existence while you are busy covering your mirror with a white linen sheet. The difference between my sins and your sins is that when I sin I know I'm sinning while you have actually fallen prey to your own fabricated illusions. I am a siren, a mermaid; I know that I am beautiful while basking on the ocean's waves and I know that I can eat flesh and bones at the bottom of the sea. You are a white witch, a wizard; your spells are manipulations and your cauldron from hell yet you wrap yourself in white and wear a silver wig.
β
β
C. JoyBell C.
β
You've seen the sun flatten and take strange shapes just before it sinks in the ocean. Do you have to tell yourself every time that it's an illusion caused by atmospheric dust and light distorted by the sea, or do you simply enjoy the beauty of it?
β
β
John Steinbeck (Sweet Thursday (Cannery Row, #2))
β
Men really do need sea-monsters in their personal oceans
β
β
John Steinbeck (The Log from the Sea of Cortez)
β
I have been feeling very clearheaded lately and what I want to write about today is the sea. It contains so many colors. Silver at dawn, green at noon, dark blue in the evening. Sometimes it looks almost red. Or it will turn the color of old coins. Right now the shadows of clouds are dragging across it, and patches of sunlight are touching down everywhere. White strings of gulls drag over it like beads.
It is my favorite thing, I think, that I have ever seen. Sometimes I catch myself staring at it and forget my duties. It seems big enough to contain everything anyone could ever feel.
β
β
Anthony Doerr (All the Light We Cannot See)
β
It is said by the Eldar that in water there lives yet the echo of the Music of the Ainur more than in any substance that is in this Earth; and many of the Children of IlΓΊvatar hearken still unsated to the voices of the Sea, and yet know not for what they listen.
β
β
J.R.R. Tolkien (The Silmarillion)
β
It is a curious situation that the sea, from which life first arose should now be threatened by the activities of one form of that life. But the sea, though changed in a sinister way, will continue to exist; the threat is rather to life itself.
β
β
Rachel Carson (The Sea Around Us)
β
Those who live by the sea can hardly form a single thought of which the sea would not be part.
β
β
Hermann Broch
β
Darwin may have been quite correct in his theory that man descended from the apes of the forest, but surely woman rose from the frothy sea, as resplendent as Aphrodite on her scalloped chariot.
β
β
Margot Datz (A Survival Guide for Landlocked Mermaids)
β
May your love for me be
like
the scent of the evening sea
drifting in
through a quiet window
so i do not have to run
or chase or fall
... to feel you
all i have to do
is
breathe.
β
β
Sanober Khan (A Thousand Flamingos)
β
What are heavy? sea-sand and sorrow.
What are brief? today and tomorrow.
What are frail? spring blossoms and youth.
What are deep? the ocean and truth.
β
β
Christina Rossetti
β
There must be something strangely sacred in salt. It is in our tears and in the sea.
β
β
Kahlil Gibran
β
Ocean separates lands, not souls..
β
β
Munia Khan
β
Everybody has a little bit of the sun and moon in them. Everybody has a little bit of man, woman, and animal in them. Darks and lights in them. Everyone is part of a connected cosmic system. Part earth and sea, wind and fire, with some salt and dust swimming in them. We have a universe within ourselves that mimics the universe outside. None of us are just black or white, or never wrong and always right. No one. No one exists without polarities. Everybody has good and bad forces working with them, against them, and within them.
PART SUN AND MOON by Suzy Kassem
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
I really don't know why it is that all of us are so committed to the sea, except I think it's because in addition to the fact that the sea changes, and the light changes, and ships change, it's because we all came from the sea. And it is an interesting biological fact that all of us have in our veins the exact same percentage of salt in our blood that exists in the ocean, and, therefore, we have salt in our blood, in our sweat, in our tears. We are tied to the ocean. And when we go back to the sea - whether it is to sail or to watch it - we are going back from whence we came.
[Remarks at the Dinner for the America's Cup Crews, September 14 1962]
β
β
John F. Kennedy
β
I looked upon the sea, it was to be my grave
β
β
Mary Wollstonecraft Shelley (Frankenstein)
β
I was happy anywhere I could see the ocean.
β
β
Ai Yazawa (Nana, Vol. 18)
β
Outside, the ocean was crashing, waves hitting sand, then pulling back to sea. I thought of everything being washed away, again and again. We make such messes in this life, both accidentally and on purpose. But wiping the surface clean doesn't really make anything neater. It just masks what is below. It's only when you really dig down deep, go underground, that you can see who you really are.
β
β
Sarah Dessen (What Happened to Goodbye)
β
Here I came to the very edge
where nothing at all needs saying,
everything is absorbed through weather and the sea,
and the moon swam back,
its rays all silvered,
and time and again the darkness would be broken
by the crash of a wave,
and every day on the balcony of the sea,
wings open, fire is born,
and everything is blue again like morning.
β
β
Pablo Neruda
β
Just like a sunbeam can't separate itself from the sun, and a wave can't separate itself from the ocean,
we can't separate ourselves from one another.
We are all part of a vast sea of love, one indivisible divine mind.
β
β
Marianne Williamson
β
Some nights you are the lighthouse / some nights the sea / what this means is that I don't know / desire other than the need / to be shattered & rebuilt
β
β
Ocean Vuong (Night Sky with Exit Wounds)
β
Donβt wait any longer.
Dive in the ocean,
Leave and let the sea be you.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
This is the seashore. Neither land nor sea. Itβs a place that does not exist.
β
β
Alessandro Baricco (Ocean Sea (Canons))
β
The sea is a desert of waves,
A wilderness of water.
β
β
Langston Hughes (Selected Poems)
β
she's got
oceans
tucked away
in her hair
poems swim
under her skin.
β
β
Sanober Khan (A Thousand Flamingos)
β
Will all great Neptune's ocean wash this blood clean from my hand? No, this my hand will rather the multitudinous seas incarnadine, making the green one red.
β
β
William Shakespeare (Macbeth)
β
Mother was comfort. Mother was home. A girl who lost her mother was suddenly a tiny boat on an angry ocean. Some boats eventually floated ashore. And some boats, like me, seemed to float farther and farther from land
β
β
Ruta Sepetys (Salt to the Sea)
β
I did not love you out or boredom or loneliness or caprice. I loved you because the desire for you was stronger than any happiness.
β
β
Alessandro Baricco (Ocean Sea)
β
I thought of you and how you love this beauty,
And walking up the long beach all alone
I heard the waves breaking in measured thunder
As you and I once heard their monotone.
Around me were the echoing dunes, beyond me
The cold and sparkling silver of the sea --
We two will pass through death and ages lengthen
Before you hear that sound again with me.
β
β
Sara Teasdale
β
Waves are the voices of tides. Tides are life," murmured Niko. "They bring new food for shore creatures, and take ships out to sea. They are the ocean's pulse, and our own heartbeat.
β
β
Tamora Pierce (Sandry's Book (Circle of Magic, #1))
β
I like a good story and I also like staring at the sea-- do I have to choose between the two?
β
β
David Byrne (How Music Works)
β
Here we go mother on the shipless ocean.
Pity us, pity the ocean, here we go.
β
β
Anne Carson (Decreation: Poetry, Essays, Opera (Vintage Contemporaries))
β
Why did they make birds so delicate and fine as those sea swallows when the ocean can be so cruel?
β
β
Ernest Hemingway (The Old Man and the Sea)
β
We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender, and even if, which I do not for a moment believe, this Island or a large part of it were subjugated and starving, then our Empire beyond the seas, armed and guarded by the British Fleet, would carry on the struggle, until, in God's good time, the New World, with all its power and might, steps forth to the rescue and the liberation of the old.
β
β
Winston S. Churchill (The Second World War: Alone)
β
Consider the subtleness of the sea; how its most dreaded creatures glide under water, unapparent for the most part, and treacherously hidden beneath the loveliest tints of azure. Consider also the devilish brilliance and beauty of many of its most remorseless tribes, as the dainty embellished shape of many species of sharks. Consider, once more, the universal cannibalism of the sea; all whose creatures prey upon each other, carrying on eternal war since the world began.
Consider all this; and then turn to the green, gentle, and most docile earth; consider them both, the sea and the land; and do you not find a strange analogy to something in yourself? For as this appalling ocean surrounds the verdant land, so in the soul of man there lies one insular Tahiti, full of peace and joy, but encompassed by all the horrors of the half-known life. God keep thee! Push not off from that isle, thou canst never return!
β
β
Herman Melville (Moby Dick)
β
And I shall watch the ferry boats, and they'll get high,
On a bluer ocean against tomorrow's sky,
And I will never grow so old again,
And I will walk and talk, in gardens all wet with rain.
- Sweet Thing
β
β
Van Morrison (Lit Up Inside: Selected Lyrics)
β
To know the ocean, I have always felt, is to recognize the teeth it keeps half hidden.
β
β
Julia Armfield (Our Wives Under the Sea)
β
my dear,
we are all made of water.
it's okay to rage. sometimes
it's okay to rest. to recede.
β
β
Sanober Khan (A Thousand Flamingos)
β
Listen, O drop, give yourself up without regret,
and in exchange gain the Ocean.
Listen, O drop, bestow upon yourself this honor,
and in the arms of the Sea be secure.
Who indeed should be so fortunate?
An Ocean wooing a drop!
In God's name, in God's name, sell and buy at once!
Give a drop, and take this Sea full of pearls.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
In high seas or in low seas,
I'm gonna be your friend...
I'm gonna be your friend.
In high tide or in low tide,
I'll be by your side...
I'll be by your side.
β
β
Bob Marley
β
There is, one knows not what sweet mystery about this sea, whose gently awful stirrings seem to speak of some hidden soul beneath...
β
β
Herman Melville (Moby-Dick or, The Whale)
β
Ships are my arrows, the sea my bow, the world my target.
β
β
Robert Thier (Storm and Silence (Storm and Silence, #1))
β
We shall not flag or fail. We shall go on to the end. We shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender.
β
β
Winston S. Churchill
β
One can no more keep the mind from returning to an idea than the sea from returning to a shore. For a sailor, this is called the tide; in the case of the guilty it is called remorse. God stirs up the soul as well as the ocean.
β
β
Victor Hugo (Les MisΓ©rables)
β
Once upon a time, a prince fell madly in love with a demon from the Underworld. When she disappeared back into the sea, he ached so much for her that he walked into the ocean and never returned.
βKenettran Folk Tales, various authors
β
β
Marie Lu (The Young Elites (The Young Elites, #1))
β
If you swim effortlessly in the deep oceans, ride the waves to and from the shore, if you can breathe under water and dine on the deep treasures of the seas; mark my words, those who dwell on the rocks carrying nets will try to reel you into their catch. The last thing they want is for you to thrive in your habitat because they stand in their atmosphere where they beg and gasp for some air.
β
β
C. JoyBell C.
β
If you allow dunya to own your heart, like the ocean that owns the boat, it will take over. You will sink down to the depths of the sea. You will touch the ocean floor.
β
β
Yasmin Mogahed (Reclaim Your Heart: Personal Insights on Breaking Free from Life's Shackles)
β
Chin up. There are other fish in the sea. It's a big ocean. Sometimes we need to catch and release a few before we find the keeper.
β
β
Kasie West (The Fill-In Boyfriend)
β
Now here's Amy Pond, standing in the freezing ocean, holding the body of her imaginary friend, and shouting at the sea to make him better.
Yeah. If only my therapists could see me now.
β
β
James Goss (Doctor Who: Dead of Winter)
β
I spent uncounted hours sitting at the bow looking at the water and the sky, studying each wave, different from the last, seeing how it caught the light, the air, the wind; watching patterns, the sweep of it all, and letting it take me.
The sea.
β
β
Gary Paulsen (Caught by the Sea)
β
She watched the gap between ship and shore grow to a huge gulf. Perhaps this was a little like dying, the departed no longer visible to the others, yet both still existed, only in different worlds.
β
β
Susan Wiggs (The Charm School (Calhoun Chronicles #1))
β
There was a magic about the sea. People were drawn to it. People wanted to love by it, swim in it, play in it, look at it. It was a living thing that as as unpredictable as a great stage actor: it could be calm and welcoming, opening its arms to embrace it's audience one moment, but then could explode with its stormy tempers, flinging people around, wanting them out, attacking coastlines, breaking down islands. It had a playful side too, as it enjoyed the crowd, tossed the children about, knocked lilos over, tipped over windsurfers, occasionally gave sailors helping hands; all done with a secret little chuckle
β
β
Cecelia Ahern (The Gift)
β
The winds, the sea, and the moving tides are what they are. If there is wonder and beauty and majesty in them, science will discover these qualities... If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.
β
β
Rachel Carson
β
Mist to mist, drops to drops. For water thou art, and unto water shalt thou return.
β
β
Kamand Kojouri
β
But the sea
which no one tends
is also a garden
β
β
William Carlos Williams (Pictures from Brueghel and Other Poems)
β
There is something called the rapture of the deep, and it refers to what happens when a deep-sea diver spends too much time at the bottom of the ocean and can't tell which way is up. When he surfaces, he's liable to have a condition called the bends, where the body can't adapt to the oxygen levels in the atmosphere. All of this happens to me when I surface from a great book.
β
β
Nora Ephron (I Feel Bad About My Neck and Other Thoughts on Being a Woman)
β
Nuri Bilge Ceylan is an ocean who is becoming deeper with incredible speed and amazingly clearer by passing the time. He makes ices familiar with sea by showing βWinter Sleepβ. Thanks for his existence.
βAll who love are relatives.
β
β
Professor Pezhman Mosleh
β
The creative act is a letting down of the net of human imagination into the ocean of chaos on which we are suspended, and the attempt to bring out of it ideas.
It is the night sea journey, the lone fisherman on a tropical sea with his nets, and you let these nets down - sometimes, something tears through them that leaves them in shreds and you just row for shore, and put your head under your bed and pray.
At other times what slips through are the minutiae, the minnows of this ichthyological metaphor of idea chasing.
But, sometimes, you can actually bring home something that is food, food for the human community that we can sustain ourselves on and go forward.
β
β
Terence McKenna
β
Some people are born in the mountains, while others are born by the sea. Some people are happy to live in the place they were born, while others must make a journey to reach the climate in which they can flourish and grow. Between the ocean and the mountains is a wild forest. That is where I want to make my home.
β
β
Maia Kobabe (Gender Queer: A Memoir)
β
Well, hello, darling with the ocean eyes,
How many secrets keep us apart?
A sea of poems, a field of sighs,
Can I cross and return to the start?
β
β
Amy Zhang (Falling into Place)
β
Tell her this
And more,β
That the king of the seas
Weeps too, old, helpless man.
The bustling fates
Heap his hands with corpses
Until he stands like a child
With surplus of toys.
β
β
Stephen Crane (The Complete Poems of Stephen Crane)
β
Searching my heart for its true sorrow,
This is the thing I find to be:
That I am weary of words and people,
Sick of the city, wanting the sea
β
β
Edna St. Vincent Millay (Second April)
β
Lines
I die but when the grave shall press
The heart so long endeared to thee
When earthy cares no more distress
And earthy joys are nought to me.
Weep not, but think that I have past
Before thee o'er the sea of gloom.
Have anchored safe and rest at last
Where tears and mouring can not come.
'Tis I should weep to leave thee here
On that dark ocean sailing drear
With storms around and fears before
And no kind light to point the shore.
But long or short though life may be
'Tis nothing to eternity.
We part below to meet on high
Where blissful ages never die.
β
β
Emily BrontΓ«
β
Doesn't it seem to you," asked Madame Bovary, "that the mind moves more freely in the presence of that boundless expanse, that the sight of it elevates the soul and gives rise to thoughts of the infinite and the ideal?
β
β
Gustave Flaubert (Madame Bovary)
β
They keep saying that sea levels are rising an' all this. It's nowt to do with the icebergs melting, it's because there's too many fish in it. Get rid of some of the fish and the water will drop. Simple. Basic science.
β
β
Karl Pilkington (The Ricky Gervais Show - First, Second and Third Seasons)
β
The rest of my days I'm going to spend on the sea. And when I die, I'm going to die on the sea. You know what I shall die of? I shall die of eating an unwashed grape. One day out on the ocean I will die--with my hand in the hand of some nice looking ship's doctor, a very young one with a small blond moustache and a big silver watch. "Poor lady," they'll say, "The quinine did her no good. That unwashed grape has transported her soul to heaven.
β
β
Tennessee Williams (A Streetcar Named Desire)
β
The use of sea and air is common to all; neither can a title to the ocean belong to any people or private persons, forasmuch as neither nature nor public use and custom permit any possession therof.
β
β
Elizabeth I (The letters of Queen Elizabeth I;)
β
When we are sadβat least I am like thisβit can be comforting to cling to familiar objects, to the things that don't change. Your descriptions of the desertβthat oceanic, endless glareβare terrible but also very beautiful. Maybe there's something to be said for the rawness and emptiness of it all. The light of long ago is different from the light of today and yet here, in this house, I'm reminded of the past at every turn. But when I think of you, it's as if you've gone away to sea on a shipβout in a foreign brightness where there are no paths, only stars and sky.
β
β
Donna Tartt (The Goldfinch)
β
There is no place like the beach... where the land meets the sea and the sea meats the sky
β
β
Umair Siddiqui
β
You donβt need to be the tide to rise and fall,
you donβt have to be a wave to touch the shore;
just be a little sand-grain and feel them all
β
β
Munia Khan
β
[T]hen all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
β
β
Herman Melville (Moby-Dick or, The Whale)
β
...this beginning motion, this first time when a sail truly filled and the boat took life and knifed across the lake under perfect control, this was so beautiful it stopped my breath...
β
β
Gary Paulsen (Caught by the Sea)
β
-Ogni tanto mi chiedo che cosa stiamo aspettando?
-Che sia troppo tardi.
β
β
Alessandro Baricco (Ocean Sea)
β
The fountains mingle with the river,
And the rivers with the ocean;
The winds of heaven mix forever,
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In one another's being mingle:β
Why not I with thine?
See! the mountains kiss high heaven,
And the waves clasp one another;
No sister flower would be forgiven
If it disdained its brother;
And the sunlight clasps the earth,
And the moonbeams kiss the sea:β
What are all these kissings worth,
If thou kiss not me?
β
β
Percy Bysshe Shelley
β
One human life is deeper than the ocean. Strange fishes and sea-monsters and mighty plants live in the rock-bed of our spirits. The whole of human history is an undiscovered continent deep in our souls. There are dolphins, plants that dream, magic birds inside us. The sky is inside us. The earth is in us.
β
β
Ben Okri (The Famished Road)
β
The three great elemental sounds in nature are the sound of rain, the sound of wind in a primeval wood, and the sound of outer ocean on a beach. I have heard them all, and of the three elemental voices, that of ocean is the most awesome, beautiful and varied.
β
β
Henry Beston (The Outermost House: A Year of Life on the Great Beach of Cape Cod)
β
All of us have in our veins the exact same percentage of salt in our blood that exists in the ocean, and, therefore, we have salt in our blood, in our sweat, in our tears. We are tied to the ocean. And when we go back to the sea - whether it is to sail or to watch it - we are going back from whence we came.
β
β
John F. Kennedy
β
Possibly a man who hates the land should dwell on shore forever. Alienation and the long voyages at sea will compel him once again to dream of it, torment him with the absurdity of longing for something that he loathes.
β
β
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
β
We are tied to the ocean. And when we go back to the sea, whether it is to sail or to watch - we are going back from whence we came.
β
β
John F. Kennedy
β
Should you ever feel too lonely...listen for the roar of the sea- for in it are all those who've been and all those who are to come.
β
β
Simon Van Booy (The Coming and Going of Strangers)
β
The home we seek is in eternity;
The Truth we seek is like a shoreless sea,
Of which your paradise is but a drop.
This ocean can be yours; why should you stop
Beguiled by dreams of evanescent dew?
The secrets of the sun are yours, but you
Content yourself with motes trapped in its beams.
Turn to what truly lives, reject what seems --
Which matters more, the body or the soul?
Be whole: desire and journey to the Whole.
β
β
Attar of Nishapur
β
I used to love the ocean.
Everything about her.
Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails,
Treasures lost and treasures held...
And ALL
Of her fish
In the sea.
Yes, I used to love the ocean,
Everything about her.
The way she would sing me to sleep as I lay in my bed
then wake me with a force
That I soon came to dread.
Her fables, her lies, her misleading eyes,
I'd drain her dry
If I cared enough to.
I used to love the ocean,
Everything about her.
Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails, treasures lost and treasures held.
And ALL
Of her fish
In the sea.
Well, if you've ever tried navigating your sailboat through her stormy seas, you would realize that her white caps
are your enemies. If you've ever tried swimming ashore when your leg gets a cramp and you just had a huge meal of In-n-Out burgers that's weighing you down, and her roaring waves are knocking the wind out of you, filling your lungs with water as you flail your arms, trying to get someone's attention, but your
friends
just
wave
back at you?
And if you've ever grown up with dreams in your head about life, and how one of these days you would pirate your own ship and have your own crew and that all of the mermaids
would love
only
you?
Well, you would realize...
Like I eventually realized...
That all the good things about her?
All the beautiful?
It's not real.
It's fake.
So you keep your ocean,
I'll take the Lake.
β
β
Colleen Hoover
β
Youβre like a lighthouse shining beside the sea of humanity, motionless: all you can see is your own reflection in the water. Youβre alone, so you think itβs a vast, magnificent panorama. You havenβt sounded the depths. You simply believe in the beauty of Godβs creation. But I have spent all this time in the water, diving deep into the howling ocean of life, deeper than anyone. While you were admiring the surface, I saw the shipwrecks, the drowned bodies, the monsters of the deep
β
β
Alfred de Musset (Lorenzaccio (Spanish Edition))
β
I want to be a scientist who studies the ocean when I grow up. I would go out to sea, and scuba dive, and find new things, and National Geographic will hire me.β
Sure, Nudge. Probably around the time I become president.
β
β
James Patterson (The Angel Experiment (Maximum Ride, #1))
β
Dance with the waves,
move with the sea.
Let the rhythm of the water
set your soul free.
β
β
Christy Ann Martine
β
Only you could have won me away from the sea. I came back from the ends of the earth for you.
β
β
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
β
Water seeks its own level. Look at them. The Tigris, the Euphrates, the Mississippi, the Amazon, the Yangtze. The world's great rivers. And every one of them finds its way to the ocean.
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Alison McGhee (All Rivers Flow to the Sea)
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Ocean had given me hope. Heβd made me believe in people again. His sincerity had rubbed me raw, had peeled back the stubborn layers of anger Iβd lived in for so long. Ocean made me want to give the world a second chance.
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Tahereh Mafi (A Very Large Expanse of Sea)
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I know about me. I am the moons sister, a tidal child stranded on land. The sea always in my ear, a surf of eternal discontent in my blood.
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Keri Hulme
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The vast open sea at night is a song being written; a rhyme, a mysterious and gentle arpeggiated work of Beethoven. It's sung by the waves as they travel on the face of the ocean, and their lyrics are the rhythm of the pounding surf.
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Giselle V. Steele (Rivers Never Fill The Sea)
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A full moon sprinkled the black ocean with diamonds, and she could imagine fairies dancing in the silver foam that laced the huge, dark waves.
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Patricia Hagan (Ocean of Dreams)
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It struck me then how much the past - not just the past but history and family - was like the ocean tide. It was always the same ocean, but the waves made it fresh and new each time.
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Aimee Friedman (Sea Change)
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PerchΓ© nessuno possa dimenticare che non si Γ¨ mai lontani abbastanza per trovarsi, mai.
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Alessandro Baricco (Ocean Sea)
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But in a way you can say that after leaving the sea, after all those millions of years of living inside of the sea, we took the ocean with us. When a woman makes a baby, she gives it water, inside her body, to grow in. That water inside her body is almost exactly the same as the water of the sea. It is salty, by just the same amount. She makes a little ocean, in her body. And not only this. Our blood and our sweating, they are both salty, almost exactly like the water from the sea is salty. We carry oceans inside of us, in our blood and our sweat. And we are crying the oceans, in our tears.
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Gregory David Roberts (Shantaram)
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tears have a purpose. they are what we carry of the ocean, and perhaps we must become the sea, give ourselves to it, if we are to be transformed.
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Linda Hogan (Solar Storms)
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There are a few things in life so beautiful they hurt: swimming in the ocean while it rains, reading alone in empty libraries, the sea of stars that appear when youβre miles away from the neon lights of the city, bars after 2am, walking in the wilderness, all the phases of the moon, the things we do not know about the universe, and you.
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Beau Taplin
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Non ti amo per noia, o per solitudine, o per capriccio. Ti amo perchè il desiderio di te è più forte di qualsiasi felicità .
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Alessandro Baricco (Ocean Sea)
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She had not really a sensitive soul, but to put it in exact terms, was possessed by an uncontrollable feeling of mind
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Alessandro Baricco (Ocean Sea)
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But most of all, she thought of John. She pictured him in Dingle, sitting out on the veranda of his wonderful little house, gazing with his peacefully intense, ocean blue eyes out toward the sea. She wondered if he was alone, and suspected he was, and she also reflected that he was probably quite sad, just as she was at that very moment.
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Steven Decker (Projector for Sale)
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I want to learn how to speak to anyone at any time and make us both feel a little bit better, lighter, richer, with no commitments of ever meeting again. I want to learn how to stand wherever with whoever and still feel stable. I want to learn how to unlock the locks to our minds, my mind, so that when I hear opinions or views that donβt match up with mine, I can still listen and understand. I want to burn up lifeless habits of following maps and to-do lists, concentrated liquids to burn my mind and throat
and I want to go back to the way nature shaped me. I want to learn to go on well with whatever I have in my hands at the moment
in a natural state of mind,
certain like the sea.
I will find comfort in the rhythm of the sea.
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Charlotte Eriksson
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When I walk down the beach and smell the salt water, hear the waves crashing against the shoreline, and feel the granular sand under my feet, I can't help but realize why I'm here on this green earth
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Wendy Joubert (Sea Witch)
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We all have a sea inside us; can you hear it? Can you hear the ocean roaring?
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Dianna Hardy (Cry Of The Wolf (Eye Of The Storm, #2))
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Be careful with that ," I said, nodding at the paper, "because if you text me too much, you'll have to marry me. It's the rules in my religion.
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Tahereh Mafi (A Very Large Expanse of Sea)
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We clear the harbor and the wind catches her sails and my beautiful ship leans over ever so gracefully, and her elegant bow cuts cleanly into the increasing chop of the waves. I take a deep breath and my chest expands and my heart starts thumping so strongly I fear the others might see it beat through the cloth of my jacket. I face the wind and my lips peel back from my teeth in a grin of pure joy.
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L.A. Meyer (Under the Jolly Roger: Being an Account of the Further Nautical Adventures of Jacky Faber (Bloody Jack, #3))
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I couldn't keep a fish alive," she said. "I kill plants just by looking at them."
"I suspect I would have the same problem," Mark said, eyeing the fish.
"It is too bad - I was going to name it Magnus, because it has sparkly scales."
At that, Cristina giggled. Magnus Bane was the High Warlock of Brooklyn, and he had a penchant for glitter.
"I suppose I had better let him go free," Mark said. Before anyone could say anything, he made his way to the railing of the pier and emptied the bag, fish and all, into the sea.
"Does anyone want to tell him that goldfish are freshwater fish and can't survive in the ocean?" said Julian quietly.
"Not really," said Cristina.
"Did he just kill Magnus?" Emma asked, but before Julian could answer, Mark whirled around.
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Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
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That's it," he said bitterly. "Cry, Cassie. Cry for her. Cry for all the children. They can't hear you and they can't see you and can't feel how really bad you feel, but cry for them. A tear for each of them, fill up the fucking ocean, cry.
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Rick Yancey (The Infinite Sea (The 5th Wave, #2))
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If my life were a fragrance, it would smell like the sea.
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Sanober Khan
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Oceans are vast and almost bottomless. You dance in the rain Elizabeth. You drown in the sea.
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Jennifer Rush (Reborn (Altered, #3))
β
My child, I know you're not a child
But I still see you running wild
Between those flowering trees.
Your sparkling dreams, your silver laugh
Your wishes to the stars above
Are just my memories.
And in your eyes the ocean
And in your eyes the sea
The waters frozen over
With your longing to be free.
Yesterday you'd awoken
To a world incredibly old.
This is the age you are broken
Or turned into gold.
You had to kill this child, I know.
To break the arrows and the bow
To shed your skin and change.
The trees are flowering no more
There's blood upon the tiles floor
This place is dark and strange.
I see you standing in the storm
Holding the curse of youth
Each of you with your story
Each of you with your truth.
Some words will never be spoken
Some stories will never be told.
This is the age you are broken
Or turned into gold.
I didn't say the world was good.
I hoped by now you understood
Why I could never lie.
I didn't promise you a thing.
Don't ask my wintervoice for spring
Just spread your wings and fly.
Though in the hidden garden
Down by the green green lane
The plant of love grows next to
The tree of hate and pain.
So take my tears as a token.
They'll keep you warm in the cold.
This is the age you are broken
Or turned into gold.
You've lived too long among us
To leave without a trace
You've lived too short to understand
A thing about this place.
Some of you just sit there smoking
And some are already sold.
This is the age you are broken
Or turned into gold.
This is the age you are broken or turned into gold.
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Antonia Michaelis (The Storyteller)
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If you imagine the 4,500-bilion-odd years of Earth's history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow.
Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flash-bulb pop of light marking the impact of a Manson-sized meteor or one even larger. It's a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long.
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Bill Bryson (A Short History of Nearly Everything)
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For storms will rage and oceans roar,
When Gabriel stands on sea and shore,
And as he blows his wondrous horn,
Old worlds die and new be born.
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Deborah Harkness (Shadow of Night (All Souls, #2))
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There is nothing that can, in the dark become true
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Alessandro Baricco (Ocean Sea)
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Failing and Flying"
Everyone forgets that Icarus also flew.
It's the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.
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Jack Gilbert (Refusing Heaven: Poems)
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SEASONS OF LIFE
Sometimes I fall
And feel myself slowly wilt and die,
But then I suddenly spring back on my feet
To go play in the sun outside.
I am no different than the weather,
The planets or the trees;
For there do not always have to be reasons
For the seasons turning inside of me.
The magnetism that swirls
In the sky, land, and sea
Are the exact same currents found twirling
In the electric ocean within me.
I am a moving vessel of energy.
And if my emotions do not
Flow up, down,
Within and around,
Then I am not alive.
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Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
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My bed was pushed up hard against the wall just below the window. I loved to sleep with the windows open. Rainy nights were the best of all: I would open my windows and put my head on my pillow and close my eyes and feel the wind on my face and listen to the trees sway and creak. There would be raindrops blown onto my face, too, if I was lucky, and I would imagine that I was in my boat on the ocean and that it was swaying with the swell of the sea. I did not imagine that I was a pirate, or that I was going anywhere. I was just on my boat.
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Neil Gaiman (The Ocean at the End of the Lane)
β
The coast is a transition zone, always changing. It keeps on changing its dynamics, perpetually, in both space and time.
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Sally Ann Hunter (Transfigured Sea)
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You think man can destroy the planet? What intoxicating vanity. Let me tell you about our planet. Earth is four-and-a-half-billion-years-old. There's been life on it for nearly that long, 3.8 billion years. Bacteria first; later the first multicellular life, then the first complex creatures in the sea, on the land. Then finally the great sweeping ages of animals, the amphibians, the dinosaurs, at last the mammals, each one enduring millions on millions of years, great dynasties of creatures rising, flourishing, dying away -- all this against a background of continuous and violent upheaval. Mountain ranges thrust up, eroded away, cometary impacts, volcano eruptions, oceans rising and falling, whole continents moving, an endless, constant, violent change, colliding, buckling to make mountains over millions of years. Earth has survived everything in its time. It will certainly survive us. If all the nuclear weapons in the world went off at once and all the plants, all the animals died and the earth was sizzling hot for a hundred thousand years, life would survive, somewhere: under the soil, frozen in Arctic ice. Sooner or later, when the planet was no longer inhospitable, life would spread again. The evolutionary process would begin again. It might take a few billion years for life to regain its present variety. Of course, it would be very different from what it is now, but the earth would survive our folly, only we would not. If the ozone layer gets thinner, ultraviolet radiation sears the earth, so what? Ultraviolet radiation is good for life. It's powerful energy. It promotes mutation, change. Many forms of life will thrive with more UV radiation. Many others will die out. Do you think this is the first time that's happened? Think about oxygen. Necessary for life now, but oxygen is actually a metabolic poison, a corrosive glass, like fluorine. When oxygen was first produced as a waste product by certain plant cells some three billion years ago, it created a crisis for all other life on earth. Those plants were polluting the environment, exhaling a lethal gas. Earth eventually had an atmosphere incompatible with life. Nevertheless, life on earth took care of itself. In the thinking of the human being a hundred years is a long time. A hundred years ago we didn't have cars, airplanes, computers or vaccines. It was a whole different world, but to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can't imagine its slow and powerful rhythms, and we haven't got the humility to try. We've been residents here for the blink of an eye. If we're gone tomorrow, the earth will not miss us.
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Michael Crichton (Jurassic Park / Congo)
β
This is a book, and a book is a world, and words are the seeds in which meanings are curled. Pages of oceans and margins of land are civilizations you hold in the palm of your hand. But look at your world and your life seems to shrink to cities of paper and seas made of ink. Do you know who you are, or have you been misled? Are you the reader, or are you the read?
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Traci Chee (The Reader (Sea of Ink and Gold, #1))
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As you see, it is not that I don't know my own mind, I know it very well but only up to a certain point in the matter. I know perfectly well what the question is. It's the answer I want.
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Alessandro Baricco (Ocean Sea: Love, Murder & Betrayal in Almayer Inn)
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When the train left the station, Pletcher drove back to Possum Misery Lane as the sun was setting over Oyster Bay, hoping to spy a little on the Russian diplomatic estate.
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Paul A. Barra (Strangers and Sojourners: A Big Percy Pletcher thriller)
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TenΓa esa belleza de la que sΓ³lo los vencidos son capaces.
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Alessandro Baricco (Ocean Sea)
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And men go about to wonder at the heights of the mountains, and the mighty waves of the sea, and the wide sweep of rivers, and the circuit of the ocean, and the revolution of the stars, but themselves they consider not.
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Francesco Petrarca
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Ocean, azizam,β she said, βplease tell Shirin she should stop swearing so much. Itβs always asshole this, bullshit that. I say to her, Shirin joon, why are you so obsessed with shit? Why everything is shit?
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Tahereh Mafi (A Very Large Expanse of Sea)
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Current-borne, wave-flung, tugged hugely by the whole might of ocean, the jellyfish drifts in the tidal abyss. The light shines through it, and the dark enters it. Borne, flung, tugged from anywhere to anywhere, for in the deep sea there is no compass but nearer and farther, higher and lower, the jellyfish hangs and sways; pulses move slight and quick within it, as the vast diurnal pulses beat in the moondriven sea. Hanging, swaying, pulsing, the most vulnerable and insubstantial creature, it has for its defense the violence and power of the whole ocean, to which it has entrusted its being, its going, and its will.
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Ursula K. Le Guin (The Lathe of Heaven)
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Mother was anchor. Mother was comfort. Mother was home. A girl who lost her mother was suddenly a tiny boat on an angry ocean. Some boats eventually floated ashore. And some boats, like me, seemed to float farther and farther from land.
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Ruta Sepetys (Salt to the Sea)
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My mother always wanted to live near the water," she said. "She said it's the one thing that brings us all together. That I can have my toe in the ocean off the coast of Maine, and a girl my age can have her toe in the ocean off the coast of Africa, and we would be touching. On opposite sides of the world.
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Megan Miranda (Vengeance (Fracture, #2))
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We came from the ocean, and we only survive by carrying salt water with us all our livesβin our blood, in our cells. The sea is our true home. This is why we find the shore so calming: we stand where the waves break, like exiles returning home.
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Ray Nayler (The Mountain in the Sea)
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First, he realized that the sea was blue and that there was an enormous
quantity of it, and that it roared and roared-really all the banalities
about the ocean that one could realize, but if any one had told him then
that these things were banalities, he would have gaped in wonder.
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F. Scott Fitzgerald (This Side of Paradise)
β
One day many years ago a man walked along and stood in the sound of the ocean on a cold sunless shore and said, "We need a voice to call across the water, to warn ships; I'll make one. I'll make a voice like all of time and all of the fog that ever was; I'll make a voice that is like an empty bed beside you all night long, and like an empty house when you open the door, and like trees in autumn with no leaves. A sound like the birds flying south, crying, and a sound like November wind and the sea on the hard, cold shore. I'll make a sound that's so alone that no one can miss it, that whoever hears it will weep in their souls, and hearths will seem warmer, and being inside will seem better to all who hear it in the distant towns. I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life."
The Fog Horn blew.
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Ray Bradbury (The Fog Horn (Classics Stories of Ray Bradbury))
β
I finally found him sitting on his balcony. He was leaning back against the wall with his eyes closed. Soft music played, and a cool ocean breeze blew back my hair as I stepped on to the balcony and inhaled the scent of the sea.
"May I join you?" I asked softly.
He didnβt bother opening his eyes. "If you like."
The moon in the dark sky looked like a giant white plate dipping its edge into the ocean. We sat quietly for a while. I closed my eyes too and listened to him hum along in harmony with the music.
"You havenβt played your guitar in a long time. I miss it," I said when the song was finished.
Ren turned away. "I fear there is no music left in me.
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Colleen Houck (Tiger's Destiny (The Tiger Saga, #4))
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The stars are brilliant at this time of night
and I wander these streets like a ritual I donβt dare to break
for darling, the times are quite glorious.
I left him by the waterβs edge,
still waving long after the ship was gone
and if someone would have screamed my name I wouldnβt have heard for Iβve said goodbye so many times in my short life that farewells are a muscular task and Iβve taught them well.
Thereβs a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew.
I used to go there to say goodbye.
I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them,
one way or the other,
leaving sin on my body
scrubbing tears off with salt
and I built my rituals in farewells.
Endings I still cling to.
So I go to the ocean to say goodbye.
He left that morning, the last words still echoing in my head
and though he said heβd come back one day I know a broken promise from a right one
for I have used them myself and there is no coming back.
Minds like ours are canβt be tamed and the price for freedom is the price we pay.
I turned away from the ocean
as not to fall for its plea
for it used to seduce and consume me
and there was this one night
a few years back and I was not yet accustomed to farewells
and just like now I stood waving long after the ship was gone.
But I was younger then and easily fooled
and the ocean was deep and dark and blue
and I took my shoes off to let the water freeze my bones.
I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival.
Then days passed by and I spent them with my work
and now Iβm writing letters I will never dare to send.
But there is this one day every year or so
when the burden gets too heavy
and I collect my belongings I no longer need
and make my way to the ocean to burn and drown and start anew
and it is quite wonderful, setting fire to my chains and flames on written words
and I stand there, starring deep into the heat until theyβre all gone.
Nothing left to hold me back.
You kissed me that morning as if youβd never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss
like chains wrapped around my veins,
and if you see a fire from the shore tonight
itβs my chains going up in flames.
The time of moon i quite glorious.
We could have been so glorious.
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Charlotte Eriksson (You're Doing Just Fine)
β
He rose and turned toward the lights of town. The tidepools bright as smelterpots among the dark rocks where the phosphorescent seacrabs clambered back. Passing through the salt grass he looked back. The horse had not moved. A ship's light winked in the swells. The colt stood against the horse with its head down and the horse was watching, out there past men's knowing, where the stars are drowning and whales ferry their vast souls through the black and seamless sea.
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Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
Be generous in prosperity, and thankful in adversity. Be worthy of the trust of thy neighbor, and look upon him with a bright and friendly face. Be a treasure to the poor, an admonisher to the rich, an answerer of the cry of the needy, a preserver of the sanctity of thy pledge. Be fair in thy judgment, and guarded in thy speech. Be unjust to no man, and show all meekness to all men. Be as a lamp unto them that walk in darkness, a joy to the sorrowful, a sea for the thirsty, a haven for the distressed, an upholder and defender of the victim of oppression. Let integrity and uprightness distinguish all thine acts. Be a home for the stranger, a balm to the suffering, a tower of strength for the fugitive. Be eyes to the blind, and a guiding light unto the feet of the erring. Be an ornament to the countenance of truth, a crown to the brow of fidelity, a pillar of the temple of righteousness, a breath of life to the body of mankind, an ensign of the hosts of justice, a luminary above the horizon of virtue, a dew to the soil of the human heart, an ark on the ocean of knowledge, a sun in the heaven of bounty, a gem on the diadem of wisdom, a shining light in the firmament of thy generation, a fruit upon the tree of humility.
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BahΓ‘'u'llΓ‘h
β
In the spring of her twenty-second year, Sumire fell in love for the first time in her life. An intense love, a veritable tornado sweeping across the plainsβflattening everything in its path, tossing things up in the air, ripping them to shreds, crushing them to bits. The tornadoβs intensity doesnβt abate for a second as it blasts across the ocean, laying waste to Angkor Wat, incinerating an Indian jungle, tigers and everything, transforming itself into a Persian desert sandstorm, burying an exotic fortress city under a sea of sand. In short, a love of truly monumental proportions. The person she fell in love with happened to be 17 years older than Sumire. And was married. And, I should add, was a woman. This is where it all began, and where it all ended. Almost.
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Haruki Murakami (Sputnik Sweetheart)
β
I am running and singing and when itβs raining Iβm the only one left on the open street, smiling with my eyes fixed on the sky because itβs cleaning me. Iβm the one on the other side of the party, hearing laughter and the emptying of bottles while I peacefully make my way to the river, a lonely road, following the smell of the ocean. Iβm the one waking up at 4am to witness the sunrise, where the sky touches the sea, and I hold my elbows, grasping tight to whatever Iβve made of myself.
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Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
β
Even if you never have the chance to see or touch the ocean, the ocean touches you with every breath you take, every drop of water you drink, every bite you consume. Everyone, everywhere is inextricably connected to and utterly dependent upon the existence of the sea.
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Sylvia A. Earle (The World Is Blue: How Our Fate and the Ocean's Are One)
β
He ran his thumb across my lips. βTy byla sozdana dlya menya.β You were made for me.
I believed it with everything in me.
βDazhe ocean ne mog razdelitβ nas,β I breathed beneath the possessive pressure of his thumb on my lips. Even the sea couldnβt keep us apart.
He smiled. βNot even hell, kotyonok.
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Danielle Lori (The Darkest Temptation (Made, #3))
β
I am your lover, come to my side, I will open the gate to your love.
Come settle with me, let us be neighbors to the stars.
You have been hiding so long, endlessly drifting in the sea of my love.
Even so, you have always been connected to me.
Concealed, revealed, in the unknown, in the un-manifest.
I am life itself. You have been a prisoner of a little pond,
I am the ocean and its turbulent flood. Come merge with me,
leave this world of ignorance. Be with me, I will open the gate to your love.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
The sea is everything. It covers seven-tenths of the terrestrial globe. Its breath is pure and life-giving. It is an immense desert place where man is never lonely, for he senses the weaving of Creation on every hand. It is the physical embodiment of a supernatural existence... For the sea is itself nothing but love and emotion. It is the Living Infinite, as one of your poets has said. Nature manifests herself in it, with her three kingdoms: mineral, vegetable, and animal. The ocean is the vast reservoir of Nature.
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β
Jules Verne (Twenty Thousand Leagues Under the Sea)
β
I often have the fantasy that curly girls are mermaids who have had to adapt to life on dry land. We come from the sea. The ocean is in our blood. It sings through our heart and lungs, our skin and hair. Our curls require the nourishment only a watery environment can provide. Both ocean waves and curly hair are forces of nature that can't be tamed. We can only accept and admire their power and beauty.
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Lorraine Massey (Curly Girl: More Than Just Hair...It's an Attitude: A Celebration of Curls: How to Cut Them, Care for Them, Love Them, and Set Them Free)
β
The whole time I pretend I have mental telepathy. And with my mind only, Iβll say β or think? β to the target, 'Donβt do it. Donβt go to that job you hate. Do something you love today. Ride a roller
coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if itβs in the middle of the ocean you can go by boat. Eat some type of ethnic food youβve never even
heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your noseβallow smells
to be your vision. Catch up on your sleep. Call an old friend you havenβt seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just donβt go back to thatmiserable place you go every day. Show me itβs possible to be an adult and also be happy. Please. This is a free country. You donβt have to keep doing this if you donβt want to. You can do anything you want. Be anyone you want. Thatβs what they tell us at school, but if you keep getting on that train and going to the place you hate Iβm going to start thinking the people at school are liars like the Nazis who told the Jews they were just being relocated to work factories. Donβt do that to us. Tell us the truth. If adulthood is working some death-camp job you hate for the rest of your life, divorcing your secretly criminal husband, being disappointed in your son, being stressed and miserable, and dating a poser and pretending heβs a hero when heβs really a lousy person and anyone can tell that just by shaking his slimy hand β if it doesnβt get any better, I need to know right now. Just tell me. Spare me from some awful fucking fate. Please.
β
β
Matthew Quick (Forgive Me, Leonard Peacock)
β
Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.
β
β
Herman Melville (Moby-Dick or, The Whale)
β
Donβt do it. Donβt go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if itβs in the middle of the ocean you can go by boat. Eat some type of ethnic food you've never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose β allow smells
to be your vision. Catch up on your sleep. Call an old friend you havenβt seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just donβt go back to that miserable place you go every day. Show me itβs possible to be an adult and also be happy. Please. This is a free country. You donβt have to keep doing this if you donβt want to. You can do anything you want. Be anyone you want.
β
β
Matthew Quick (Forgive Me, Leonard Peacock)
β
On our honeymoon we talked and talked. We stayed in a beachfront villa, and we drank rum and lemonade and talked so much that I never even noticed what color the sea was. Whenever I need to stop and remind myself how much I once loved Andrew, I only need to think about this. That the ocean covers seven tenths of the earth's surface, and yet my husband could make me not notice it.
β
β
Chris Cleave (Little Bee)
β
β¦how it would be nice if, for every sea waiting for us, there would be a river, for us.
And someone -a father, a lover, someone- able to take us by the hand and find that river -imagine it, invent it- and put us on its stream, with the lightness of one only word, goodbye. This, really, would be wonderful. It would be sweet, life, every life. And things wouldnβt hurt, but they would get near taken by stream, one could first shave and then touch them and only finally be touched. Be wounded, also. Die because of them. Doesnβt matter. But everything would be, finally, human. It would be enough someoneβs fancy -a father, a lover, someone- could invent a way, here in the middle of the silence, in this land which donβt wanna talk. Clement way, and beautiful.
A way from here to the sea.
β
β
Alessandro Baricco (Ocean Sea)
β
Desire demands only a constant attention to the unknown gravitational field which surrounds us and from which we can recharge ourselves every moment, as if breathing from the atmosphere of possibility itself. A lifeβs work is not a series of stepping-stones onto which we calmly place our feet, but more like an ocean crossing where there is no path, only a heading, a direction, which, of itself, is in conversation with the elements.
β
β
David Whyte (Crossing the Unknown Sea: Work as a Pilgrimage of Identity)
β
And the Shadow fell upon the land, and the world was riven stone from stone. The oceans fled, and the mountains were swallowed up, and the nations were scattered to the eight corners of the World. The moon was as blood, and the sun was as ashes. The seas boiled, and the living envied the dead. All was shattered, and all but memory lost, and one memory above all others, of him who brought the Shadow and the Breaking of the World. And him they named Dragon.
And it came to pass in those days, as it had come before and would come again, that the Dark lay heavy on the land and weighed down the hearts of men, and the green things failed, and hope died. And men cried out to the Creator, saying, O Light of the Heavens, Light of the World, let the Promised One be born of the mountain, according to the prophecies, as he was in ages past and will be in ages to come. Let the Prince of the Morning sing to the land that green things will grow and the valleys give forth lambs. Let the arm of the Lord of the Dawn shelter us from the Dark, and the great sword of justice defend us. Let the Dragon ride again on the winds of time.
β
β
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
β
Sensazione meravigliosa. Di quando il destino finalmente si schiude, e diventa sentiero distinto, e ormai inequivocabile, e direzione certa. Il tempo interminabile dell'avvicinamento. Quell'accostarsi. Si vorrebbe non finisse mai. Il gesto di consegnarsi al destino. Quella Γ¨ un'emozione: Senza piΓΉ dilemmi, senza piΓΉ menzogne. Sapere dove. E raggiungerlo. Qualunque sia, il destino.
β
β
Alessandro Baricco (Ocean Sea)
β
There is a fundamental reason why we look at the sky with wonder and longingβfor the same reason that we stand, hour after hour, gazing at the distant swell of the open ocean. There is something like an ancient wisdom, encoded and tucked away in our DNA, that knows its point of origin as surely as a salmon knows its creek. Intellectually, we may not want to return there, but the genes know, and long for their originsβtheir home in the salty depths. But if the seas are our immediate source, the penultimate source is certainly the heavensβ¦ The spectacular truth isβand this is something that your DNA has known all alongβthe very atoms of your bodyβthe iron, calcium, phosphorus, carbon, nitrogen, oxygen, and on and onβwere initially forged in long-dead stars. This is why, when you stand outside under a moonless, country sky, you feel some ineffable tugging at your innards. We are star stuff. Keep looking up.
β
β
Gerald D. Waxman (Astronomical Tidbits: A Layperson's Guide to Astronomy)
β
The world is a wide place where we stumble like children learning to walk. The world is a bright mosaic where we learn like children to see, where our little blurry eyes strive greedily to take in as much light and love and colour and detail as they can.
The world is a coaxing whisper when the wind lips the trees, when the sea licks the shore, when animals burrow into earth and people look up at the sympathetic stars. The world is an admonishing roar when gales chase rainclouds over the plains and whip up ocean waves, when people crowd into cities or intrude into dazzling jungles.
What right have we to carry our desperate mouths up mountains or into deserts? Do we want to taste rock and sand or do we expect to make impossible poems from space and silence? The vastness at least reminds us how tiny we are, and how much we don't yet understand. We are mere babes in the universe, all brothers and sisters in the nursery together. We had better learn to play nicely before we're allowed out..... And we want to go out, don't we? ..... Into the distant humming welcoming darkness.
β
β
Jay Woodman (SPAN)
β
Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever i find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet... I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
β
β
Herman Melville (Moby-Dick or, The Whale)
β
Love Forever
If I were the trees ...
I would turn my leaves to gold and scatter them toward the sky so they would circle about your head and fall in piles at your feet...
so you might know wonder.
If I were the mountains ...
I would crumble down and lift you up so you could see all of my secret places, where the rivers flow and the animals run wild ...
so you might know freedom.
If I were the ocean ...
I would raise you onto my gentle waves and carry you across the seas to swim with the whales and the dolphins in the moonlit waters,
so you might know peace.
If I were the stars ...
I would sparkle like never before and fall from the sky as gentle rain,
so that you would always look towards heaven and know that you can reach the stars.
If I were the moon ...
I would scoop you up and sail you through the sky and show you the Earth below in all its wonder and beauty,
so you might know that all the Earth is at your command.
If I were the sun ...
I would warm and glow like never before and light the sky with orange and pink,
so you would gaze upward and always know the glory of heaven.
But I am me ...
and since I am the one who loves you, I will wrap you in my arms and kiss you and love you with all of my heart,
and this I will do until ...
the mountains crumble down ...
and the oceans dry up ...
and the stars fall from the sky ...
and the sun and moon burn out ...
And that is forever.
β
β
Camron Wright (The Rent Collector)
β
His lyrical whistle beckoned me to adventure and forgetting. But I didn't want to forget. Hugging my grudge, ugly and prickly, a sad sea urchin, I trudged off on my own, in the opposite direction toward the forbidding prison. As from a star I saw, coldly and soberly, the separateness of everything. I felt the wall of my skin; I am I. That stone is a stone. My beautiful fusion with the things of this world was over.
The Tide ebbed, sucked back into itself. There I was, a reject, with the dried black seaweed whose hard beads I liked to pop, hollowed orange and grapefruit halves and a garbage of shells. All at once, old and lonely, I eyed these-- razor clams, fairy boats, weedy mussels, the oyster's pocked gray lace (there was never a pearl) and tiny white "ice cream cones." You could always tell where the best shells were-- at the rim of the last wave, marked by a mascara of tar. I picked up, frigidly, a stiff pink starfish. It lay at the heart of my palm, a joke dummy of my own hand. Sometimes I nursed starfish alive in jam jars of seawater and watched them grow back lost arms. On this day, this awful birthday of otherness, my rival, somebody else, I flung the starfish against a stone. Let it perish.
β
β
Sylvia Plath (Johnny Panic and the Bible of Dreams: Short Stories, Prose and Diary Excerpts)
β
SEA OF LIFE
This is not the end, my friend.
Just as the ocean sings songs to infinity
Our friendship too will flow onward
Until the day one of us
Turns and leaves
And the seasons will turn too
As our shells
As they return back to sand
And the tides that brought us
Forth
Will take us back
Again.
I will never leave you, my friend.
Every time you see a wave rushing to
Meet another,
Two friends unite.
Every time you see a wave crashing,
Two friends depart.
The journey will go on, my friend.
Our memories are recorded
In seashells
To show and tell
The lessons learned
In these heavens and hells
Part of this sea of life -
And when the tide is right,
We shall cross paths again
When the ocean sings our song.
Poetry by Suzy Kassem
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
Know ye now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore?
But as in landlessness alone resides highest truth, shoreless, indefinite as God- so better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing- straight up, leaps thy apotheosis!
β
β
Herman Melville (Moby-Dick or, The Whale)
β
It was so quiet, I could hear my own breathing, loud in my ears. Outside, the ocean was crashing, waves hitting sand, then pulling back to sea. I thought of everything being washed away, again and again. We make such messes in this life, both accidentally and on purpose. But wiping the surface clean doesn't really make anything any neater. It just masks what is below. It's only when you really dig down deep, go underground, that you can see who you really are.
β
β
Sarah Dessen (What Happened to Goodbye)
β
Eventually man, too, found his way back to the sea. Standing on its shores, he must have looked out upon it with wonder and curiosity, compounded with an unconscious recognition of his lineage. He could not physically re-enter the ocean as the seals and whales had done. But over the centuries, with all the skill and ingenuity and reasoning powers of his mind, he has sought to explore and investigate even its most remote parts, so that he might re-enter it mentally and imaginatively.
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β
Rachel Carson (The Sea Around Us)
β
Some years ago - never mind how long precisely - having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off - then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
β
β
Herman Melville
β
i am standing upon the seashore. a ship at my side spreads her white sails to the morning breeze and starts for the blue ocean. she is an object of beauty and strength. i stand and watch her until at length she hangs like a speck of white cloud just where the sea and sky come to mingle with each other. then someone at my side says: "there, she is gone!" "gone where?" gone from my sight. that is all. she is just as large in mast and hull and spar as she was when she left my side and she is just as able to bear the load of living freight to her destined port. her diminished size is in me, not in her. and just at the moment when someone at my side says: "there, she is gone!" there are other eyes watching her coming, and other voices ready to take up the glad shout: "here she comes!" and that is dying.
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β
Henry Van Dyke
β
Current-borne, wave-flung, tugged hugely by the whole might of ocean, the jellyfish drifts in the tidal abyss. The light shines through it, and the dark enters it. Borne, flung, tugged from anywhere to anywhere, for in the deep sea there is no compass but nearer and farther, higher and lower, the jellyfish hangs and sways; pulses move slight and quick within it, as the vast diurnal pulses beat in the moondriven sea. Hanging, swaying, pulsing, the most vulnerable and insubstantial creature, it has for its defense the violence and power of the whole ocean, to which it has entrusted its being, its going, and its will.
But here rise the stubborn continents. The shelves of gravel and the cliffs of rock break from water baldly into air, that dry, terrible outerspace of radiance and instability, where there is no support for life. And now, now the currents mislead and the waves betray, breaking their endless circle, to leap up in loud foam against rock and air, breaking....
What will the creature made all of seadrift do on the dry sand of daylight; what will the mind do, each morning, waking?
β
β
Ursula K. Le Guin (The Lathe of Heaven)
β
What of miniature boats constructed of birch bark and fallen leaves, launched onto cold water clear as air? How many fleets were pushed out toward the middles of ponds or sent down autumn brooks, holding treasures of acorns, or black feathers, or a puzzled mantis? Let those grassy crafts be listed alongside the iron hulls that cleave the sea, for they are all improvisations built from the daydreams of men, and all will perish, whether from the ocean siege or October breeze.
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β
Paul Harding (Tinkers)
β
You are the books you read, the films you watch, the music you listen to, the people you meet, the dreams you have, and the conversations you engage in. You are what you take from these. You are the sound of the ocean, breath of the fresh air, the brightest light and the darkest corner. You are a collective of every experience you have had in your life. You are every single second of every day. So drown yourself in a sea of knowledge and existence. Let the words run through your veins and the colors fill your mind until there is nothing left to do but explode. There are no wrong answers. Inspiration is everything. Sit back, relax, and take it all in.
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β
Jac Vanek
β
Yes Siddhartha,' he said. 'Is this what you mean: that the river is in all places at once, at its source and where it flows into the sea, at the waterfall, at the ferry, at the rapids, in the ocean, in the mountains, everywhere at once, so for the river there is only the present moment and not the shadow of the future?'
'It is,' Siddhartha said.'And once I learned this I considered my life, and it too was a river, and the boy Siddhartha was separated from the man Siddhartha and the graybeard Siddhartha only by shadows, not by real things. ... Nothing was, nothing will be; everything is, everything has being and presence.
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β
Hermann Hesse
β
There came to that room wild streams of violet midnight glittering with dust of gold, vortices of dust and fire, swirling out of the ultimate spaces and heavy perfumes from beyond the worlds. Opiate oceans poured there, litten by suns that the eye may never behold and having in their whirlpools strange dolphins and sea-nymphs of unrememberable depths. Noiseless infinity eddied around the dreamer and wafted him away without touching the body that leaned stiffly from the lonely window; and for days not counted in men's calandars the tides of far spheres that bore him gently to join the course of other cycles that tenderly left him sleeping on a green sunrise shore, a green shore fragrant with lotus blossums and starred by red camalates...
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β
H.P. Lovecraft
β
People ask: Why should I care about the ocean? Because the ocean is the cornerstone of earth's life support system, it shapes climate and weather. It holds most of life on earth. 97% of earth's water is there. It's the blue heart of the planet β we should take care of our heart. It's what makes life possible for us. We still have a really good chance to make things better than they are. They won't get better unless we take the action and inspire others to do the same thing. No one is without power. Everybody has the capacity to do something.
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β
Sylvia A. Earle
β
And, ah! his castle. The faery solitude of the place, with its turrets of mistly blue, its courtyard, its spiked gate, his castle that lay on the very bosom of the sea with seabirds mewing about its attics, the casements opening onto the green and purple, evanescent departures of the ocean, cut off by the tide from land for half a day . . . that castle, at home neither on the land nor on the water, a mysterious, amphibious place, contravening the materiality of both earth and waves, with the melancholy of a mermaiden who perches on her rocks and waits, endlessly, for a lover who had drowned far away, long ago. That lovely, sad, sea-siren of a place.
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β
Angela Carter (The Bloody Chamber and Other Stories)
β
But let me say this. I am a superstitious man, a ridiculous failing but I must confess it here. And so if some unlucky accident should befall my youngest son, if some police officer should accidentally shoot him, if he should hang himself while in his jail cell, if new witnesses appear to testify to his guilt, my superstition will make me feel that it was the result of the ill will still borne me by some people here. Let me go further. If my son is struck by a bolt of lightning I will blame some of the people here. If his plane show fall into the sea or his ship sink beneath the waves of the ocean, if he should catch a mortal fever, if his automobile should be struck by a train, such is my superstition that I would blame the ill will felt by people here. Gentlemen, that ill will, that bad luck, I could never forgive. But aside from that let me swear by the souls of my grandchildren that I will never break the peace we have made. After all, are we or are we not better men than those pezzonovanti who have killed countless millions of men in our lifetimes?
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β
Mario Puzo (The Godfather (The Godfather, #1))
β
IGNORANCE
I didnβt know love would make me this
crazy, with my eyes
like the river Ceyhun
carrying me in its rapids
out to sea,where every bit
of shattered boat
sinks to the bottom.
An alligator lifts its head and swallows
the ocean, then the ocean
floor becomes
a desert covering
the alligator in
sand drifts.
Changes do
happen. I do not know how,
or what remains of what
has disappeared
into the absolute.
I hear so many stories
and explanations, but I keep quiet,
because I donβt know anything,
and because something I swallowed
in the ocean
has made me completely content
with ignorance.
β
β
Jalal ad-Din Muhammad ar-Rumi (The Book of Love: Poems of Ecstasy and Longing)
β
I wish I could describe the feeling of being at sea, the anguish, frustration, and fear, the beauty that accompanies threatening spectacles, the spiritual communion with creatures in whose domain I sail. There is a magnificent intensity in life that comes when we are not in control but are only reacting, living, surviving. I am not a religious man per se. My own cosmology is convoluted and not in line with any particular church or philosphy. But for me, to go to sea is to glimpse the face of God. At sea i am reminded of my insignificance-- of all men's insignificance. It is a wonderful feeling to be so humbled.
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β
Steve Callahan
β
Music burst through him, perfect notes he hear rarely. Fire and ice, wind and calm, sky and earth, water and rock all fused together. Joley seemed as wild and turbulent s the sea, yet beneath her fiery passion, at the very core of her, she was as forceful and strong and as constant as the deepest ocean currents. Ilya seemed as calm as a windless sea, yet beneath the surface smoldered a volcano of such explosive magnitude, his power could easily sweep everything from his path. Together they completed each other, his melody and hers merging together into a single, perfect harmony.
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β
Christine Feehan (Turbulent Sea (Drake Sisters, #6))
β
I look down past the stars to a terrifying darkness. I seem to recognize the place, but it's impossible. "Accident," I whisper. I will fall. I seem to desire the fall, and though I fight it with all my will I know in advance I can't win. Standing baffled, quaking with fear, three feet from the edge of a nightmare cliff, I find myself, incredibly, moving towards it. I look down, down, into bottomless blackness, feeling the dark power moving in me like an ocean current, some monster inside me, deep sea wonder, dread night monarch astir in his cave, moving me slowly to my voluntary tumble into death.
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β
John Gardner (Grendel)
β
It is said that before entering the sea
a river trembles with fear.
She looks back at the path she has traveled,
from the peaks of the mountains,
the long winding road crossing forests and villages.
And in front of her,
she sees an ocean so vast,
that to enter
there seems nothing more than to disappear forever.
But there is no other way.
The river can not go back.
Nobody can go back.
To go back is impossible in existence.
The river needs to take the risk
of entering the ocean
because only then will fear disappear,
because thatβs where the river will know
itβs not about disappearing into the ocean,
but of becoming the ocean.
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β
Osho (Beyond Enlightenment)
β
FINISTERRE
The road in the end taking the path the sun had taken,
into the western sea, and the moon rising behind you
as you stood where ground turned to ocean: no way
to your future now but the way your shadow could take,
walking before you across water, going where shadows go,
no way to make sense of a world that wouldn't let you pass
except to call an end to the way you had come,
to take out each frayed letter you brought
and light their illumined corners, and to read
them as they drifted through the western light;
to empty your bags; to sort this and to leave that;
to promise what you needed to promise all along,
and to abandon the shoes that had brought you here
right at the water's edge, not because you had given up
but because now, you would find a different way to tread,
and because, through it all, part of you could still walk on,
no matter how, over the waves.
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β
David Whyte
β
She wanted to explain everything to himβhow certain notes of the Moonlight Sonata shredded her heart like wind inside a paper bag; how her soul felt as endless and deep as the sea churning on their left; how the sight of the young Muslim couple filled her with an emotion that was equal parts joy and sadness; and above all, how she wanted a marriage that was different from the dead sea of marriages she saw all around her, how she wanted something finer, deeper, a marriage made out of silk and velvet instead of coarse cloth, a marriage made of clouds and stardust and red earth and ocean foam and moonlight and sonatas and books and art galleries and passion and kindness and sorrow and ecstasy and of fingers touching from under a burqua.
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β
Thrity Umrigar (The Space Between Us)
β
A girl stood before him in midstream, alone and still, gazing out to sea. She seemed like one whom magic had changed into the likeness of a strange and beautiful seabird. Her long slender bare legs were delicate as a crane's and pure save where an emerald trail of seaweed had fashioned itself as a sign upon the flesh. Her thighs, fuller and soft-hued as ivory, were bared almost to the hips, where the white fringes of her drawers were like feathering of soft white down. Her slate-blue skirts were kilted boldly about her waist and dovetailed behind her. Her bosom was as a bird's, soft and slight, slight and soft as the breast of some dark-plumaged dove. But her long fair hair was girlish: and girlish, and touched with the wonder of mortal beauty, her face.
β
β
James Joyce (A Portrait of the Artist as a Young Man)
β
What is the matter with these people, these people who won't stop fighting, won't stop hurting each other long enough to see that a body is a thing of beauty, is a miracle of rivers and oceans and islands and continents contained within itself? That the brain is divided into two hemispheres, each symmetrical, each perfect, each with its own system of waterways. These people of war should be shown an x-ray of an intraparenchymal hemorrhage, of a hemorrhage in an eighteen-year-old girl's brain, a girl named Ivy. Take a look at that, people of war. See, you should not hurt each other, and this is why. Without you ever even trying, this is what can happen to your body, your beautiful body, and your brain, your beautiful symmetrical brain, and your heart, and your soul.
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β
Alison McGhee (All Rivers Flow to the Sea)
β
What must it be, then, to bear the manifold tortures of hell forever? Forever! For all eternity! Not for a year or an age but forever. Try to imagine the awful meaning of this. You have often seen the sand on the seashore. How fine are its tiny grains! And how many of those tiny grains go to make up the small handful which a child grasps in its play. Now imagine a mountain of that sand, a million miles high, reaching from the earth to the farthest heavens, and a million miles broad, extending to remotest space, and a million miles in thickness, and imagine such an enormous mass of countless particles of sand multiplied as often as there are leaves in the forest, drops of water in the mighty ocean, feathers on birds, scales on fish, hairs on animals, atoms in the vast expanse of air. And imagine that at the end of every million years a little bird came to that mountain and carried away in its beak a tiny grain of that sand. How many millions upon millions of centuries would pass before that bird had carried away even a square foot of that mountain, how many eons upon eons of ages before it had carried away all. Yet at the end of that immense stretch time not even one instant of eternity could be said to have ended. At the end of all those billions and trillions of years eternity would have scarcely begun. And if that mountain rose again after it had been carried all away again grain by grain, and if it so rose and sank as many times as there are stars in the sky, atoms in the air, drops of water in the sea, leaves on the trees, feathers upon birds, scales upon fish, hairs upon animals β at the end of all those innumerable risings and sinkings of that immeasurably vast mountain not even one single instant of eternity could be said to have ended; even then, at the end of such a period, after that eon of time, the mere thought of which makes our very brain reel dizzily, eternity would have scarcely begun.
β
β
James Joyce (A Portrait of the Artist as a Young Man)
β
As I lay there, listening to the soft slap of the sea, and thinking these sad and strange thoughts, more and more and more stars had gathered, obliterating the separateness of the Milky Way and filling up the whole sky. And far far away in that ocean of gold, stars were silently shooting and falling and finding their fates, among these billions and billions of merging golden lights. And curtain after curtain of gauze was quietly removed, and I saw stars behind stars behind stars, as in the magical Odeons of my youth. And I saw into the vast soft interior of the universe which was slowly and gently turning itself inside out. I went to sleep, and in my sleep I seemed to hear a sound of singing.
β
β
Iris Murdoch (The Sea, the Sea)
β
Out of the rolling ocean the crowd came a drop gently to me,
Whispering I love you, before long I die,
I have travel'd a long way merely to look on you to touch you,
For I could not die till I once look'd on you,
For I fear'd I might afterward lose you.
Now we have met, we have look'd, we are safe,
Return in peace to the ocean my love,
I too am part of that ocean my love, we are not so much separated,
Behold the great rondure, the cohesion of all, how perfect!
But as for me, for you, the irresistible sea is to separate us,
As for an hour carrying us diverse, yet cannot carry us diverse forever;
Be not impatient--a little space--know you I salute the air, the
ocean and the land,
Every day at sundown for your dear sake my love.
β
β
Walt Whitman
β
The Voyager
We are all lonely voyagers sailing on life's ebb tide,
To a far off place were all stripling warriors have died,
Sometime at eve when the tide is low,
The voices call us back to the rippling water's flow,
Even though our boat sailed with love in our hearts,
Neither our dreams or plans would keep heaven far apart,
We drift through the hush of God's twilight pale,
With no response to our friendly hail,
We raise our sails and search for majestic light,
While finding company on this journey to the brighten our night,
Then suddenly he pulls us through the reef's cutting sea,
Back to the place that he asked us to be,
Friendly barges that were anchored so sweetly near,
In silent sorrow they drop their salted tears,
Shall our soul be a feast of kelp and brine,
The wasted tales of wishful time,
Are we a fish on a line lured with bait,
Is life the grind, a heartless fate,
Suddenly, "HUSH", said the wind from afar,
Have you not looked to the heavens and seen the new star,
It danced on the abyss of the evening sky,
The sparkle of heaven shining on high,
Its whisper echoed on the ocean's spray,
From the bow to the mast they heard him say,
"Hope is above, not found in the deep,
I am alive in your memories and dreams when you sleep,
I will greet you at sunset and with the moon's evening smile,
I will light your path home.. every last lonely mile,
My friends, have no fear, my work was done well,
In this life I broke the waves and rode the swell,
I found faith in those that I called my crew,
My love will be the compass that will see you through,
So don't look for me on the ocean's floor to find,
I've never left the weathered docks of your loving mind,
For I am in the moon, the wind and the whale's evening song,
I am the sailor of eternity whose voyage is not gone.
β
β
Shannon L. Alder
β
Almost every day, for years now, he has taken pen in hand to write to her. He has no names or addresses to put on the envelopes: but he has a life to recount. And to whom, if not to her? He thinks that when they meet it will be wonderful to place the mahogany box full of letters on her lap and say to her, βI was waiting for you.β
She will open the box and slowly, when she so desires, read the letters one by one, and as she works her way back up the interminable thread of blue ink she will gather up the years β the days, the moments β that that man, before he even met her, had already given to her. Or perhaps, more simply, she will overturn the box and, astonished at that comical snowstorm of letters, she will smile, saying to that man, βYou are mad.β And she will love him forever.
β
β
Alessandro Baricco (Ocean Sea)
β
I should say weβd reach England by Tuesday or thereabouts, with a decent wind behind us. It would be a lot quicker than that if we could just sail straight there, but I was looking at the nautical charts, and thereβs a dirty great sea serpent right in the middle of the ocean! It has a horrible gaping maw and one of those scaly tails that looks like it could snap a boat clean in two. So I thought it best to sail around that.β
FitzRoy frowned. βI think they just draw those on maps to add a bit of decoration. It doesnβt actually mean thereβs a sea serpent there.β
The galley went rather quiet. A few of the pirate crew stared intently out of the portholes, embarrassed at their Captainβs mistake. But to everyoneβs relief, instead of running somebody through, the Pirate Captain just narrowed his eyes thoughtfully.
That explains a lot,β he said. βI suppose itβs also why weβve never glimpsed that giant compass in the corner of the Atlantic. I have to say, Iβm a little disappointed.
β
β
Gideon Defoe (The Pirates! In an Adventure with Scientists)
β
Were these boys in their right minds? Here were two boys with good intellect, one eighteen and one nineteen. They had all the prospects that life could hold out for any of the young; one a graduate of Chicago and another of Ann Arbor; one who had passed his examination for the Harvard Law School and was about to take a trip in Europe,--another who had passed at Ann Arbor, the youngest in his class, with three thousand dollars in the bank. Boys who never knew what it was to want a dollar; boys who could reach any position that was to boys of that kind to reach; boys of distinguished and honorable families, families of wealth and position, with all the world before them. And they gave it all up for nothing, for nothing! They took a little companion of one of them, on a crowded street, and killed him, for nothing, and sacrificed everything that could be of value in human life upon the crazy scheme of a couple of immature lads.
Now, your Honor, you have been a boy; I have been a boy. And we have known other boys. The best way to understand somebody else is to put yourself in his place.
Is it within the realm of your imagination that a boy who was right, with all the prospects of life before him, who could choose what he wanted, without the slightest reason in the world would lure a young companion to his death, and take his place in the shadow of the gallows?
...No one who has the process of reasoning could doubt that a boy who would do that is not right.
How insane they are I care not, whether medically or legally. They did not reason; they could not reason; they committed the most foolish, most unprovoked, most purposeless, most causeless act that any two boys ever committed, and they put themselves where the rope is dangling above their heads....
Why did they kill little Bobby Franks?
Not for money, not for spite; not for hate. They killed him as they might kill a spider or a fly, for the experience. They killed him because they were made that way. Because somewhere in the infinite processes that go to the making up of the boy or the man something slipped, and those unfortunate lads sit here hated, despised, outcasts, with the community shouting for their blood.
. . . I know, Your Honor, that every atom of life in all this universe is bound up together. I know that a pebble cannot be thrown into the ocean without disturbing every drop of water in the sea. I know that every life is inextricably mixed and woven with every other life. I know that every influence, conscious and unconscious, acts and reacts on every living organism, and that no one can fix the blame. I know that all life is a series of infinite chances, which sometimes result one way and sometimes another. I have not the infinite wisdom that can fathom it, neither has any other human brain
β
β
Clarence Darrow (Attorney for the Damned: Clarence Darrow in the Courtroom)
β
But my attentionβs elsewhere, drawn to that warm wonderful pull, the familiar loving essence that only belongs to one personβonly belongs to himβ
Watching as Damen cuts through the water, board tucked under his arm, body so sculpted, so bronzed, Rembrandt would weep. Water sluicing behind him like a hot knife through butter, cleanly, fluidly, as though parting the sea.
My lips part, desperate to speak, to call out his name and bring him back to me. But just as Iβm about to, my eyes meet his and I see what he sees: meβhair tangled and wetβclothes twisted and clingingβfrolicking in the ocean on a hot sunny day with Judeβs tanned strong arms still wrapped around me.
I release myself from Judeβs grip, but itβs too late. Damenβs already seen me.
Already moved on.
Leaving me hollow, breathless, as I watch him retreat.
No tulips, no telepathic message, just a sad, empty void left behind in his place.
β
β
Alyson Noel (Shadowland (The Immortals, #3))
β
But more wonderful than the lore of old men and the lore of books is the secret lore of ocean. Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent. All my days have I watched it and listened to it, and I know it well. At first it told to me only the plain little tales of calm beaches and near ports, but with the years it grew more friendly and spoke of other things; of things more strange and more distant in space and in time. Sometimes at twilight the grey vapours of the horizon have parted to grant me glimpses of the ways beyond; and sometimes at night the deep waters of the sea have grown clear and phosphorescent, to grant me glimpses of the ways beneath. And these glimpses have been as often of the ways that were and the ways that might be, as of the ways that are; for ocean is more ancient than the mountains, and freighted with the memories and the dreams of Time.
β
β
H.P. Lovecraft (The Transition of H. P. Lovecraft: The Road to Madness)
β
this is not a Quote it's a poem.
"A Thousand Kisses Deep"
The ponies run, the girls are young,
The odds are there to beat.
You win a while, and then itβs done β
Your little winning streak.
And summoned now to deal
With your invincible defeat,
You live your life as if itβs real,
A Thousand Kisses Deep.
Iβm turning tricks, Iβm getting fixed,
Iβm back on Boogie Street.
You lose your grip, and then you slip
Into the Masterpiece.
And maybe I had miles to drive,
And promises to keep:
You ditch it all to stay alive,
A Thousand Kisses Deep.
And sometimes when the night is slow,
The wretched and the meek,
We gather up our hearts and go,
A Thousand Kisses Deep.
Confined to sex, we pressed against
The limits of the sea:
I saw there were no oceans left
For scavengers like me.
I made it to the forward deck.
I blessed our remnant fleet β
And then consented to be wrecked,
A Thousand Kisses Deep.
Iβm turning tricks, Iβm getting fixed,
Iβm back on Boogie Street.
I guess they wonβt exchange the gifts
That you were meant to keep.
And quiet is the thought of you,
The file on you complete,
Except what we forgot to do,
A Thousand Kisses Deep.
And sometimes when the night is slow,
The wretched and the meek,
We gather up our hearts and go,
A Thousand Kisses Deep.
The ponies run, the girls are young,
The odds are there to beat . . .
β
β
Leonard Cohen
β
First having read the book of myths,
and loaded the camera,
and checked the edge of the knife-blade,
I put on
the body-armor of black rubber
the absurd flippers
the grave and awkward mask.
I am having to do this
not like Cousteau with his
assiduous team
aboard the sun-flooded schooner
but here alone.
There is a ladder.
The ladder is always there
hanging innocently
close to the side of the schooner.
We know what it is for,
we who have used it.
Otherwise
it is a piece of maritime floss
some sundry equipment.
I go down.
Rung after rung and still
the oxygen immerses me
the blue light
the clear atoms
of our human air.
I go down.
My flippers cripple me,
I crawl like an insect down the ladder
and there is no one
to tell me when the ocean
will begin.
First the air is blue and then
it is bluer and then green and then
black I am blacking out and yet
my mask is powerful
it pumps my blood with power
the sea is another story
the sea is not a question of power
I have to learn alone
to turn my body without force
in the deep element.
And now: it is easy to forget
what I came for
among so many who have always
lived here
swaying their crenellated fans
between the reefs
and besides
you breathe differently down here.
I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.
I stroke the beam of my lamp
slowly along the flank
of something more permanent
than fish or weed
the thing I came for:
the wreck and not the story of the wreck
the thing itself and not the myth
the drowned face always staring
toward the sun
the evidence of damage
worn by salt and sway into this threadbare beauty
the ribs of the disaster
curving their assertion
among the tentative haunters.
This is the place.
And I am here, the mermaid whose dark hair
streams black, the merman in his armored body.
We circle silently
about the wreck
we dive into the hold.
I am she: I am he
whose drowned face sleeps with open eyes
whose breasts still bear the stress
whose silver, copper, vermeil cargo lies
obscurely inside barrels
half-wedged and left to rot
we are the half-destroyed instruments
that once held to a course
the water-eaten log
the fouled compass
We are, I am, you are
by cowardice or courage
the one who find our way
back to this scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.
β
β
Adrienne Rich (Diving Into the Wreck)
β
What in water did Bloom, waterlover, drawer of water, watercarrier, returning to the range, admire?
Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora (anacoustic, photophobe), numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.
β
β
James Joyce (Ulysses)
β
This power came forth out of the Atlantic Ocean, for in those days the Atlantic was navigable; and there was an island situated in front of the straits which are by you called the Pillars of Heracles; the island was larger than Libya and Asia put together, and was the way to other islands, and from these you might pass to the whole of the opposite continent which surrounded the true ocean; for this sea which is within the Straits of Heracles is only a harbour, having a narrow entrance, but that other is a real sea, and the surrounding land may be most truly called a boundless continent. Now in this island of Atlantis there was a great and wonderful empire which had rule over the whole island and several others, and over parts of the continent, and, furthermore, the men of Atlantis had subjected the parts of Libya within the columns of Heracles as far as Egypt, and of Europe as far as Tyrrhenia. This vast power, gathered into one, endeavoured to subdue at a blow our country and yours and the whole of the region within the straits; and then, Solon, your country shone forth, in the excellence of her virtue and strength, among all mankind. She was pre-eminent in courage and military skill, and was the leader of the Hellenes. And when the rest fell off from her, being compelled to stand alone, after having undergone the very extremity of danger, she defeated and triumphed over the invaders, and preserved from slavery those who were not yet subjugated, and generously liberated all the rest of us who dwell within the pillars. But afterwards there occurred violent earthquakes and floods; and in a single day and night of misfortune all your warlike men in a body sank into the earth, and the island of Atlantis in like manner disappeared in the depths of the sea. For which reason the sea in those parts is impassable and impenetrable, because there is a shoal of mud in the way; and this was caused by the subsidence of the island.
β
β
Plato (Timaeus/Critias)
β
It is worse, much worse, than you think. The slowness of climate change is a fairy tale, perhaps as pernicious as the one that says it isnβt happening at all, and comes to us bundled with several others in an anthology of comforting delusions: that global warming is an Arctic saga, unfolding remotely; that it is strictly a matter of sea level and coastlines, not an enveloping crisis sparing no place and leaving no life undeformed; that it is a crisis of the βnaturalβ world, not the human one; that those two are distinct, and that we live today somehow outside or beyond or at the very least defended against nature, not inescapably within and literally overwhelmed by it; that wealth can be a shield against the ravages of warming; that the burning of fossil fuels is the price of continued economic growth; that growth, and the technology it produces, will allow us to engineer our way out of environmental disaster; that there is any analogue to the scale or scope of this threat, in the long span of human history, that might give us confidence in staring it down. None of this is true. But letβs begin with the speed of change. The earth has experienced five mass extinctions before the one we are living through now, each so complete a wiping of the fossil record that it functioned as an evolutionary reset, the planetβs phylogenetic tree first expanding, then collapsing, at intervals, like a lung: 86 percent of all species dead, 450 million years ago; 70 million years later, 75 percent; 125 million years later, 96 percent; 50 million years later, 80 percent; 135 million years after that, 75 percent again. Unless you are a teenager, you probably read in your high school textbooks that these extinctions were the result of asteroids. In fact, all but the one that killed the dinosaurs involved climate change produced by greenhouse gas. The most notorious was 250 million years ago; it began when carbon dioxide warmed the planet by five degrees Celsius, accelerated when that warming triggered the release of methane, another greenhouse gas, and ended with all but a sliver of life on Earth dead. We are currently adding carbon to the atmosphere at a considerably faster rate; by most estimates, at least ten times faster. The rate is one hundred times faster than at any point in human history before the beginning of industrialization. And there is already, right now, fully a third more carbon in the atmosphere than at any point in the last 800,000 yearsβperhaps in as long as 15 million years. There were no humans then. The oceans were more than a hundred feet higher.
β
β
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
β
Ladies and Gentlemen, I'd planned to speak to you tonight to report on the state of the Union, but the events of earlier today have led me to change those plans. Today is a day for mourning and remembering. Nancy and I are pained to the core by the tragedy of the shuttle Challenger. We know we share this pain with all of the people of our country. This is truly a national loss.
Nineteen years ago, almost to the day, we lost three astronauts in a terrible accident on the ground. But we've never lost an astronaut in flight. We've never had a tragedy like this. And perhaps we've forgotten the courage it took for the crew of the shuttle. But they, the Challenger Seven, were aware of the dangers, but overcame them and did their jobs brilliantly. We mourn seven heroes: Michael Smith, Dick Scobee, Judith Resnik, Ronald McNair, Ellison Onizuka, Gregory Jarvis, and Christa McAuliffe. We mourn their loss as a nation together.
For the families of the seven, we cannot bear, as you do, the full impact of this tragedy. But we feel the loss, and we're thinking about you so very much. Your loved ones were daring and brave, and they had that special grace, that special spirit that says, "Give me a challenge, and I'll meet it with joy." They had a hunger to explore the universe and discover its truths. They wished to serve, and they did. They served all of us.
We've grown used to wonders in this century. It's hard to dazzle us. But for twenty-five years the United States space program has been doing just that. We've grown used to the idea of space, and, perhaps we forget that we've only just begun. We're still pioneers. They, the members of the Challenger crew, were pioneers.
And I want to say something to the schoolchildren of America who were watching the live coverage of the shuttle's take-off. I know it's hard to understand, but sometimes painful things like this happen. It's all part of the process of exploration and discovery. It's all part of taking a chance and expanding man's horizons. The future doesn't belong to the fainthearted; it belongs to the brave. The Challenger crew was pulling us into the future, and we'll continue to follow them.
I've always had great faith in and respect for our space program. And what happened today does nothing to diminish it. We don't hide our space program. We don't keep secrets and cover things up. We do it all up front and in public. That's the way freedom is, and we wouldn't change it for a minute.
We'll continue our quest in space. There will be more shuttle flights and more shuttle crews and, yes, more volunteers, more civilians, more teachers in space. Nothing ends here; our hopes and our journeys continue.
I want to add that I wish I could talk to every man and woman who works for NASA, or who worked on this mission and tell them: "Your dedication and professionalism have moved and impressed us for decades. And we know of your anguish. We share it."
There's a coincidence today. On this day three hundred and ninety years ago, the great explorer Sir Francis Drake died aboard ship off the coast of Panama. In his lifetime the great frontiers were the oceans, and a historian later said, "He lived by the sea, died on it, and was buried in it." Well, today, we can say of the Challenger crew: Their dedication was, like Drake's, complete.
The crew of the space shuttle Challenger honored us by the manner in which they lived their lives. We will never forget them, nor the last time we saw them, this morning, as they prepared for their journey and waved goodbye and "slipped the surly bonds of earth" to "touch the face of God."
Thank you.
β
β
Ronald Reagan
β
Blow on, ye death fraught whirlwinds! blow,
Around the rocks, and rifted caves;
Ye demons of the gulf below!
I hear you, in the troubled waves.
High on this cliff, which darkness shrouds
In night's impenetrable clouds,
My solitary watch I keep,
And listen, while the turbid deep
Groans to the raging tempests, as they roll
Their desolating force, to thunder at the pole.
Eternal world of waters, hail!
Within thy caves my Lover lies;
And day and night alike shall fail
Ere slumber lock my streaming eyes.
Along this wild untrodden coast,
Heap'd by the gelid' hand of frost;
Thro' this unbounded waste of seas,
Where never sigh'd the vernal breeze;
Mine was the choice, in this terrific form,
To brave the icy surge, to shiver in the storm.
Yes! I am chang'd - My heart, my soul,
Retain no more their former glow.
Hence, ere the black'ning tempests roll,
I watch the bark, in murmurs low,
(While darker low'rs the thick'ning' gloom)
To lure the sailor to his doom;
Soft from some pile of frozen snow
I pour the syren-song of woe;
Like the sad mariner's expiring cry,
As, faint and worn with toil, he lays him down to die.
Then, while the dark and angry deep
Hangs his huge billows high in air ;
And the wild wind with awful sweep,
Howls in each fitful swell - beware!
Firm on the rent and crashing mast,
I lend new fury to the blast;
I mark each hardy cheek grow pale,
And the proud sons of courage fail;
Till the torn vessel drinks the surging waves,
Yawns the disparted main, and opes its shelving graves.
When Vengeance bears along the wave
The spell, which heav'n and earth appals;
Alone, by night, in darksome cave,
On me the gifted wizard calls.
Above the ocean's boiling flood
Thro' vapour glares the moon in blood:
Low sounds along the waters die,
And shrieks of anguish fill the' sky;
Convulsive powers the solid rocks divide,
While, o'er the heaving surge, the embodied spirits glide.
Thrice welcome to my weary sight,
Avenging ministers of Wrath!
Ye heard, amid the realms of night,
The spell that wakes the sleep of death.
Where Hecla's flames the snows dissolve,
Or storms, the polar skies involve;
Where, o'er the tempest-beaten wreck,
The raging winds and billows break;
On the sad earth, and in the stormy sea,
All, all shall shudd'ring own your potent agency.
To aid your toils, to scatter death,
Swift, as the sheeted lightning's force,
When the keen north-wind's freezing breath
Spreads desolation in its course,
My soul within this icy sea,
Fulfils her fearful destiny.
Thro' Time's long ages I shall wait
To lead the victims to their fate;
With callous heart, to hidden rocks decoy,
And lure, in seraph-strains, unpitying, to destroy.
β
β
Anne Bannerman (Poems by Anne Bannerman.)
β
This story takes place a half a billion years ago-an inconceivably long time ago, when this planet would be all but recognizable to you. Nothing at all stirred on the land except the wind and the dust. Not a single blade of grass waved in the wind, not a single cricket chirped, not a single bird soared in the sky. All these things were tens of millions of years away in the future.
But of course there was an anthropologist on hand. What sort of world would it be without an anthropologist? He was, however a very depressed and disillusioned anthropologist, for he'd been everywhere on the planet looking for someone to interview, and every tape in his knapsack was as blank as the sky. But one day as he was moping alongside the ocean he saw what seemed to be a living creature in the shallows off shore. It was nothing to brag about, just sort of a squishy blob, but it was the only prospect he'd seen in all his journeys, so he waded out to where it was bobbing in the waves.
He greeted the creature politely and was greeted in kind, and soon the two of them were good friends. The anthropologist explained as well as he could that he was a student of life-styles and customs, and begged his new friend for information of this sort, which was readily forthcoming. βAnd nowβ, he said at last, βI'd like to get on tape in your own words some of the stories you tell among yourselves.β
βStories?β the other asked.
βYou know, like your creation myth, if you have one.β
βWhat is a creation myth?β the creature asked.
βOh, you know,β the anthropologist replied, βthe fanciful tale you tell your children about the origins of the world.β
Well, at this, the creature drew itself up indignantly- at least as well as a squishy blob can do- and replied that his people had no such fanciful tale.
βYou have no account of creation then?β
βCertainly we have an account of creation,β the other snapped. βBut its definitely not a myth.β
βOh certainly not,β the anthropologist said, remembering his training at last. βIll be terribly grateful if you share it with me.β
βVery well,β the creature said. βBut I want you to understand that, like you, we are a strictly rational people, who accept nothing that is not based on observation, logic, and scientific method.β
β"Of course, of course,β the anthropologist agreed.
So at last the creature began its story. βThe universe,β it said, βwas born a long, long time ago, perhaps ten or fifteen billion years ago. Our own solar system-this star, this planet, and all the others- seem to have come into being some two or three billion years ago. For a long time, nothing whatever lived here. But then, after a billion years or so, life appeared.β
βExcuse me,β the anthropologist said. βYou say that life appeared. Where did that happen, according to your myth- I mean, according to your scientific account.β
The creature seemed baffled by the question and turned a pale lavender. βDo you mean in what precise spot?β
βNo. I mean, did this happen on land or in the sea?β
βLand?β the other asked. βWhat is land?β
βOh, you know,β he said, waving toward the shore, βthe expanse of dirt and rocks that begins over there.β
The creature turned a deeper shade of lavender and said, βI cant imagine what you're gibbering about. The dirt and rocks over there are simply the lip of the vast bowl that holds the sea.β
βOh yes,β the anthropologist said, βI see what you mean. Quite. Go on.β
βVery well,β the other said. βFor many millions of centuries the life of the world was merely microorganisms floating helplessly in a chemical broth. But little by little, more complex forms appeared: single-celled creatures, slimes, algae, polyps, and so on.β
βBut finally,β the creature said, turning quite pink with pride as he came to the climax of his story, βbut finally jellyfish appeared!
β
β
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))