Seagull Quotes

We've searched our database for all the quotes and captions related to Seagull. Here they are! All 100 of them:

Don’t believe what your eyes are telling you. All they show is limitation. Look with your understanding. Find out what you already know and you will see the way to fly.
Richard Bach (Jonathan Livingston Seagull)
You have the freedom to be yourself, your true self, here and now, and nothing can stand in your way".
Richard Bach (Jonathan Livingston Seagull)
It was a great mistake, my being born a man, I would have been much more successful as a seagull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must be a little in love with death!
Eugene O'Neill
Jonathan sighed. The price of being misunderstood, he thought. They call you devil or they call you god.
Richard Bach (Jonathan Livingston Seagull)
Jonathan Seagull discovered that boredom and fear and anger are the reasons that a gull's life is so short, and with those gone from his thought, he lived a long fine life indeed.
Richard Bach (Jonathan Livingston Seagull)
Overcome space, and all we have left is Here. Overcome time, and all we have left is Now.
Richard Bach (Jonathan Livingston Seagull)
Percy imagined what that would be like: getting an apartment in this tiny replica of Rome, protected by the legion and Terminus the OCD border god. He imagined holding hands with Annabeth at a cafe. Maybe when they were older, watching their own kid chase seagulls across the forum...
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
You will begin to touch heaven, Jonathan, in the moment that you touch perfect speed. And that isn’t flying a thousand miles an hour, or a million, or flying at the speed of light. Because any number is a limit, and perfection doesn’t have limits. Perfect speed, my son, is being there.
Richard Bach (Jonathan Livingston Seagull)
We can lift ourselves out of ignorance, we can find ourselves as creatures of excellence and intelligence and skill.
Richard Bach (Jonathan Livingston Seagull)
He was not bone and feather but a perfect idea of freedom and flight, limited by nothing at all
Richard Bach (Jonathan Livingston Seagull)
If you ever have need of my life, come and take it.
Anton Chekhov (The Seagull)
We choose our next world through what we learn in this one. Learn nothing, and the next world is the same as this one, all the same limitations and lead weights to overcome.
Richard Bach (Jonathan Livingston Seagull)
We walked on the beach, fed blue corn ships to the seagulls, and munched on blue jelly beans, blue saltwater taffy and all the other free samples my mom brought home from work. I guess I should explain the blue food. See, Gabe had once told my mom there was no such thing. They had this fight, which seemed like a really small thing at the time. But ever since, my mom went out of her way to eat blue. She baked blue birthday cakes. She mixed blueberry smoothies. She bought blue-corn tortilla chips and brought home blue candy from the shop.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Only those who dare may fly
Luis Sepúlveda (The Story of a Seagull and the Cat Who Taught Her to Fly)
Your whole body, from wingtip to wingtip," Jonathan would say, other times, "is nothing more than your thought itself, in a form you can see. Break the chains of your thought, and you break the chains of your body, too.
Richard Bach (Jonathan Livingston Seagull)
I knew the legends of the birds. Seagulls were the souls of dead soldiers. Owls were the souls of women. Doves were the recently departed souls of unmarried girls. Was there a bird for the souls of people like me?
Ruta Sepetys (Salt to the Sea)
Will!” He turned at the familiar voice and saw Tessa. There was a small path cut along the side of the hill, lined with unfamiliar white flowers, and she was walking up it, toward him. Her long brown hair blew in the wind — she had taken off her straw bonnet, and held it in one hand, waving it at him and smiling as if she were glad to see him. His own heart leaped up at the sight of her. “Tess,” he called. But she was still such a distance away — she seemed both very near and very far suddenly and at the same time. He could see every detail of her pretty, upturned face, but could not touch her, and so he stood, waiting and desiring, and his heart beat like the wings of seagulls in his chest. At last she was there, close enough that he could see where the grass and flowers bent beneath the tread of her shoes. He reached out for her —
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
The gull sees farthest who flies highest
Richard Bach (Jonathan Livingston Seagull)
MEDVIEDENKO Why do you always wear mourning? MASHA I dress in black to match my life. I am unhappy.
Anton Chekhov (The Seagull)
Heaven is not a place, and it's not a time. Heaven is being perfect.
Richard Bach (Jonathan Livingston Seagull)
Heaven is not a place, and it is not a time. Heaven is being perfect. -And that isn't flying a thousand miles an hour, or a million, or flying at the speed of light. Because any number is a limit, and perfection doesn't have limits. Perfect speed, my son, is being there.
Richard Bach (Jonathan Livingston Seagull)
In all the universe nothing remains permanent and unchanged but the spirit.
Anton Chekhov (The Seagull)
The castle of Cair Paravel on its little hill towered up above them; before them were the sands, with rocks and little pools of salt water, and seaweed, and the smell of the sea and long miles of bluish-green waves breaking for ever and ever on the beach. And oh, the cry of the seagulls! Have you ever heard it? Can you remember?
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
To fly as fast as thought, to anywhere that is, you must begin by knowing that you have already arrived.
Richard Bach (Jonathan Livingston Seagull)
A moment later Jonathan’s body wavered in the air, shimmering, and began to go transparent. “Don’t let them spread silly rumors about me, or make me a god. O.K., Fletch? I’m a seagull. I like to fly, maybe…
Richard Bach (Jonathan Livingston Seagull)
We've learnt to appreciate and respect and love someone who's different from us. It is very easy to accept and love those who are like us, but to love someone different is very hard, and you helped us to do that.
Luis Sepúlveda (The Story of a Seagull and the Cat Who Taught Her to Fly)
One school is finished, and the time has come for another to begin.
Richard Bach (Jonathan Livingston Seagull)
We should show life neither as it is, nor as it should be, but as we see it in our dreams.
Anton Chekhov (The Seagull)
You don't love hatred and evil, of course. You have to practice and see the real gull, the good in every one of them, and to help them see it in themselves. That's what I mean by love.
Richard Bach (Jonathan Livingston Seagull)
Sea-fever I must down to the seas again, to the lonely sea and the sky, And all I ask is a tall ship and a star to steer her by, And the wheel's kick and the wind's song and the white sail's shaking, And a grey mist on the sea's face, and a grey dawn breaking. I must down to the seas again, for the call of the running tide Is a wild call and a clear call that may not be denied; And all I ask is a windy day with the white clouds flying, And the flung spray and the blown spume, and the sea-gulls crying. I must down to the seas again, to the vagrant gypsy life, To the gull's way and the whale's way where the wind's like a whetted knife; And all I ask is a merry yarn from a laughing fellow-rover And quiet sleep and a sweet dream when the long trick's over.
John Masefield (Sea Fever: Selected Poems)
Love can smack you like a seagull, and pour all over your feet like junk mail.
Daniel Handler (Adverbs)
Do you have any idea how many lives we must have gone through before we even got the first idea that there is more to life than eating, or fighting, or power in the Flock? A thousand lives, Jon, ten thousand!
Richard Bach (Jonathan Livingston Seagull)
Despite popular belief to the contrary, there is absolutely no power in intention. The seagull may intend to fly away, may decide to do so, may talk with the other seagulls about how wonderful it is to fly, but until the seagull flaps his wings and takes to the air, he is still on the dock. There’s no difference between that gull and all the others. Likewise, there is no difference in the person who intends to do things differently and the one who never thinks about it in the first place. Have you ever considered how often we judge ourselves by our intentions while we judge others by their actions? Yet intention without action is an insult to those who expect the best from you.
Andy Andrews (The Noticer: Sometimes, All a Person Needs Is a Little Perspective)
When the seagulls follow the trawler, it is because they think sardines will be thrown into the sea.
Eric Cantona
The White House usually followed the seagull theory of management: fly in, squawk and flap and shit, and fly away.
John Frohnmayer (Leaving Town Alive)
For most gulls it was not flying that matters, but eating. For this gull, though, it was not eating that mattered, but flight.
Richard Bach (Jonathan Livingston Seagull)
How easy it is, Doctor, to be a philosopher on paper, and how difficult in real life!
Anton Chekhov (The Seagull)
Like everything else, Fletcher. Practice.
Richard Bach (Jonathan Livingston Seagull)
چرا دشوارترین کار در جهان این است که پرنده ای را متقاعد کنی، آزاد است؟
Richard Bach (Jonathan Livingston Seagull)
Cue dream sequence of Liam running slowly on a beach carrying me in his arms. I love how he's strong enough to carry me with one arm while using the other arm to feed the seagulls. He's such an animal lover like that.
R.S. Grey (Scoring Wilder)
It was morning, and the new sun sparkled gold across the ripples of a gentle sea.
Richard Bach (Jonathan Livingston Seagull)
He spoke of very simple things- that it is right for a gull to fly, that freedom is the very nature of his being, that whatever stands against that freedom must be set aside, be it ritual or superstition or limitation in any form. "Set aside," came a voice from the multitude, "even if it be the Law of the Flock?" "The only true law is that which leads to freedom," Jonathan said. "There is no other.
Richard Bach (Jonathan Livingston Seagull)
I wrote a huge number of letters that spring: one a week to Naoko, several to Reiko, and several more to Midori. I wrote letters in the classroom, I wrote letters at my desk at home with Seagull in my lap, I wrote letters at empty tables during my breaks at the Italian restaurant. It was as if I were writing letters to hold together the pieces of my crumbling life.
Haruki Murakami (Norwegian Wood)
Most gulls don't bother to learn more than the simplest facts of flight - how to get from shore to food and back again
Richard Bach (Jonathan Livingston Seagull)
Wine and tobacco destroy the individuality. After a cigar or a glass of vodka you are no longer Peter Sorin, but Peter Sorin plus somebody else. Your ego breaks in two: you begin to think of yourself in the third person.
Anton Chekhov (The Seagull)
Why, Jon, why?" his mother asked. "Why is it so hard to be like the rest of the flock, Jon? Why can't you leave low flying to the pelicans, the alhatross? Why don't you eat? Son, you're bone and feathers!" "I don't mind being bone and feathers mom. I just want to know what I can do in the air and what I can't, that's all. I just want to know.
Richard Bach (Jonathan Livingston Seagull)
NINA Think of me sometimes. TRIGORIN I shall never forget you. I shall always remember you as I saw you that bright day--do you recall it?--a week ago, when you wore your light dress, and we talked together, and the white seagull lay on the bench beside us.
Anton Chekhov (The Seagull)
Instead of our drab slogging forth and back to the fishing boats, there's reason to live! We can lift ourselves out of ignorance, we can find ourselves as creatures of excellence and intelligence and skill. We can learn to be free! we can learn to fly!
Richard Bach (Jonathan Livingston Seagull)
It wasn't raindrops at all. It was a great solid mass of water that might have been a lake or a whole ocean dropping out of the sky on top of them, and down it came, down and down and down, crashing first onto the seagulls and then onto the peach itself, while the poor travelers shrieked with fear and groped around frantically for something to catch hold of- the peach stem, the silk strings, anything they could find- and all the time the water came pouring and roaring down upon them, bouncing and smashing and sloshing and slashing and swashing and swirling and surging and whirling and gurgling and gushing and rushing and rushing, and it was like being pinned down underneath the biggest waterfall in the world and not being able to get out.
Roald Dahl
I'm in mourning for my life.
Anton Chekhov (The Seagull)
The isolation spins its mysterious cocoon, focusing the mind on one place, one time, one rhythm - the turning of the light. The island knows no other human voices, no other footprints. On the Offshore Lights you can live any story you want to tell yourself, and no one will say you're wrong: not the seagulls, not the prisms, not the wind.
M.L. Stedman (The Light Between Oceans)
Keep working on love.
Richard Bach (Jonathan Livingston Seagull)
To begin with, you've got to understand that a seagull is an unlimited idea of freedom, an image of the Great Gull, and your whole body, from wingtip to wingtip, is nothing more than your thought itself.
Richard Bach (Jonathan Livingston Seagull)
His world closes in. The sky is endless no longer but pieced into squares of brick and bright cloths hanging down to dry. Underfoot, no longer stone but rubble, earth, the peelings and rotted scraps of the inedible. He smells the smoke of cooking fires, he hears men arguing and babies screaming like seagulls, he sees young women looking shyly down from high windows, exchanging glances. Now, he is no longer the watcher. Watched. Shouts echo in the dark between twisted walls and back alleys. A twisted smile in a doorway. A stranger’s voice. A stranger’s language.
Michael Tobert (Karna's Wheel)
Why is it,” Jonathan puzzled, “that the hardest thing in the world is to convince a bird that he is free, and that he can prove it for himself if he’d just spend a little time practicing? Why should that be so hard?
Richard Bach (Jonathan Livingston Seagull)
Heaven is not a place, and it is not a time. Heaven is being perfect.
Richard Bach (Jonathan Livingston Seagull)
Sully,for shame!" Jonathan said in reproach, " and don't be foolish! What are we trying to practice everyday? If our friendship depends on things like space and time, we've destroyed our own brotherhood! But overcome space, and all we have left is Here. Overcome time, and all we have left is Now. And in the middle of Here and Now, don't you think that we might see each other once or twice?
Richard Bach (Jonathan Livingston Seagull)
It is always "Youth, youth," when there is nothing else to be said.
Anton Chekhov (The Seagull)
TRIGORIN Why do I hear a note of sadness that wrings my heart in this cry of a pure soul? If at any time you should have need of my life, come and take it.
Anton Chekhov (The Seagull)
Never before have I imagined my life without him—like this house, he is my only point of reference in this difficult existence, this unstable and frightening world. The thought of his leaving home fills me with a terror so strong, it takes my breath away. I feel like one of those seagulls covered in oil from a spill, drowning in a black tar of fear.
Tabitha Suzuma (Forbidden)
My daughter," I said blankly. "I see. Correct me if I am wrong, but I thought it took a man, as well as a woman, to make a child. Is this infant's father to be a crab, or a seagull maybe? Or were you planning to shipwreck some likely sailor on my doorstep, so I can make convenient use of him?
Juliet Marillier (Child of the Prophecy (Sevenwaters, #3))
Don’t believe what your eyes are telling you. All they show is limitation. Look with your understanding, find out what you already know, and you’ll see the way to fly.
Richard Bach (Jonathan Livingston Seagull: The Complete Edition)
The casket sat in the front of the church, open to all. I didn't look. Whoever was there wan't Jules. Jules was at the ocean now, being a seagull. Dancing. And free.
Davida Wills Hurwin (A Time for Dancing (A Time for Dancing, #1))
Jonahtan Seagull discovered that boredom and fear and anger are the reasons that a gull's life is so short,and with these gone from his thought,he lived a long life indeed.
Richard Bach (Jonathan Livingston Seagull)
Take my dream, sew it, wear it, a dress. You made yesterday sleep in my hands, leading me around, spinning me like a moan in the sun’s carts, a seagull soaring, launched from my eyes.
Adonis (Adonis: Selected Poems (The Margellos World Republic of Letters))
I understand that in our work - doesn't matter whether it's acting or writing - what's important isn't fame or glamour, none of the things I used to dream about, it's the ability to endure.
Anton Chekhov (The Seagull)
I feel as if I had been in the world a thousand years, and I trail my life behind me like an endless scarf.
Anton Chekhov (The Sea-Gull)
I Name you Echthroi. I Name you Meg. I Name you Calvin. I Name you Mr. Jenkins. I Name you Proginoskes. I fill you with Naming. Be! Be, butterfly and behemoth, be galaxy and grasshopper, star and sparrow, you matter, you are, be! Be caterpillar and comet, Be porcupine and planet, sea sand and solar system, sing with us, dance with us, rejoice with us, for the glory of creation, seagulls and seraphim angle worms and angel host, chrysanthemum and cherubim. (O cherubim.) Be! Sing for the glory of the living and the loving the flaming of creation sing with us dance with us be with us. Be!" - Madeleine L'Engle, A Wind in the Door
Madeleine L'Engle
Jonathan Seagull discovered that boredom and fear and anger are the reasons that a gull’s life is so short, and with these gone from his thought, he lived a long fine life indeed.
Richard Bach (Jonathan Livingston Seagull: The New Complete Edition)
With that, Tommy went off to do his seagull thing elsewhere on set—making a lot of irritating noise while simultaneously shitting on everyone.
Greg Sestero (The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made (A Gift for Film Buffs))
The Ache That Would Not Leave Behind the hum and routine of daily living, there lay a persistent and wild longing for something she could not easily put into words. It felt like impulsive adventures and watching the sun rise over unfamiliar mountains, or coffee in a street café, set to the background music of a foreign language. It was the smell of the ocean, with dizzying seagulls whirling in a cobalt sky; exotic foods and strange faces, in a city where no one knew her name. She wanted secrets whispered at midnight, and road trips without a map, but most of all, she ached for someone who desired to explore the mysteries that lay sleeping within her. The truly heartbreaking part was that she could feel the remaining days of her life falling away, like leaves from an autumn tree, but still this mysterious person who held the key to unlock her secrets did not arrive; they were missing, and she knew not where to find them.
John Mark Green
-Sí, al borde del vacío comprendió lo más importante - maulló Zorbas. -Ah, sí? Y qué es lo que comprendió -preguntó el humano. -Que sólo vuela el que se atreve a hacerlo - maulló Zorbas.
Luis Sepúlveda (The Story of a Seagull and the Cat Who Taught Her to Fly)
Dandelion, staring into the dying embers, sat much longer, alone, quietly strumming his lute. It began with a few bars, from which an elegant, soothing melody emerged. The lyric suited the melody, and came into being simultaneously with it, the words bending into the music, becoming set in it like insects in translucent, golden lumps of amber. The ballad told of a certain witcher and a certain poet. About how the witcher and the poet met on the seashore, among the crying of seagulls, and how they fell in love at first sight. About how beautiful and powerful was their love. About how nothing - not even death - was able to destroy that love and part them. Dandelion knew that few would believe the story told by the ballad, but he was not concerned. He knew ballads were not written to be believed, but to move their audience. Several years later, Dandelion could have changed the contents of the ballad and written about what had really occurred. He did not. For the true story would not have move anyone. Who would have wanted to hear that the Witcher and Little Eye parted and never, ever, saw each other again? About how four years later Little Eye died of the smallpox during an epidemic raging in Vizima? About how he, Dandelion, had carried her out in his arms between corpses being cremated on funeral pyres and buried her far from the city, in the forest, alone and peaceful, and, as she had asked, buried two things with her: her lute and her sky blue pearl. The pearl from which she was never parted. No, Dandelion stuck with his first version. And he never sang it. Never. To no one. Right before the dawn, while it was still dark, a hungry, vicious werewolf crept up to their camp, but saw that it was Dandelion, so he listened for a moment and then went on his way.
Andrzej Sapkowski (Miecz przeznaczenia (Saga o Wiedźminie, #0.7))
His one sorrow was not solitude, it was that other gulls refused to believe the glory of flight that awaited them; they refused to open their eyes and see.
Richard Bach (Jonathan Livingston Seagull: The New Complete Edition)
The only law is one which leads to freedom
Richard Bach (Jonathan Livingston Seagull)
Le paradis, c'est simplement d'être soi-même parfait.
Richard Bach (Jonathan Livingston Seagull)
He knew then what it was that Liz had given him; the thing that he would have to go back and find if ever he got home to England; it was the caring about little things - the faith in ordinary life; the simplicity that made you break up a bit of bread into a paper bag, walk down to the beach and throw it to the gulls. It was this respect for triviality which he had never been allowed to possess; whether it was bread of the seagulls or love
John Le Carré (The Spy Who Came In from the Cold (George Smiley, #3))
That is the Wasp, yes. But it was captured by Black Stache, and he’s coming for this ship now.” “And how do you know that?” asked Slank. “Did a seagull tell you?” This brought chuckles from the crew. Something like that, thought Peter.
Dave Barry (Peter and the Starcatchers (Peter and the Starcatchers, #1))
Idea for a short story. The shore of a lake, a young girl who's spent her whole life beside it, a girl like you She loves the lake the way a seagull does, and she's happy and free as a seagull. Then a man comes along, sees her, and ruins her life because he has nothing better to do. Destroys her like this seagull here.
Anton Chekhov
Some mornings I walked out into the courtyard and every living thing there, the seagulls and wagtails, the small trees, and even the stray blades of grass seemed to smile and shine in the sun. It was at such times, when I perceived the beauty of even this small, closed-in corner of the world, that I knew that some day my people and I would be free.
Nelson Mandela (Long Walk To Freedom)
Imagination is an old soul.
Richard Bach (Jonathan Livingston Seagull)
For each of them, the most important thing in living was to reach out and touch perfection in that which they most loved to do...
Richard Bach (Jonathan Livingston Seagull)
When I go down by the sandy shore I can think of nothing I want more Than to live by the booming sea As the seagulls flutter round about me I can run about--when the tide is out With the wind and the sand and the sea all about And the seagulls are swirling and diving for fish Oh-to live by the sea is my only wish.
Jacqueline Kennedy Onassis
Eine Move bin ich von keinem Land, Meine Heimat nenne ich keinen Srrand, Mich bindet nicht Ort und nicht Stelle; Ich fliege von Welle zu Welle. A seagull am I without a land, Or any shore to call my home. No place can hold me fast As I fly from wave to wave.
Empress Elizabeth
I am who I am. A coincidence no less unthinkable than any other. I could have had different ancestors, after all. I could have fluttered from another nest or crawled bescaled from under another tree. Nature's wardrobe holds a fair supply of costumes: spider, seagull, field mouse. Each fits perfectly right off and is dutifully worn into shreds.
Wisława Szymborska (Monologue Of A Dog)
That's it, I guess. Just go on living, whether you feel like it or not.
Anton Chekhov (The Seagull)
New Rule: Oil companies must stop with the advertisements implying they're friends of the environment. "At Exxon Mobil, we care about a thriving wildlife." Please--the only thing an oil executive has in common with a seagull is they'd both steal french fries from a baby.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
If you see birds flying high in the sky, it means clear weather. However, if you see a lot of birds roosting on power lines and trees, this either means they're conspiring against you or falling air pressure and bad weather are on the way. Expect rain and/or a killer seagull attack in the next twelve hours.
Brett McKay (The Art of Manliness: Classic Skills and Manners for the Modern Man)
NINA. Your play is very hard to act; there are no living characters in it. TREPLIEFF. Living characters! Life must be represented not as it is, but as it ought to be; as it appears in dreams.
Anton Chekhov (The Seagull)
NINA: ...what's important is...the ability to endure. To be able to bear one's cross and have faith. I have faith, and it's not so painful now, and when I think of my vocation, I'm not afraid of life.
Anton Chekhov (Five Plays: Ivanov / The Seagull / Uncle Vanya / The Three Sisters / The Cherry Orchard)
I have no will of my own. Never did. Limp and lily-livered, I always obey - is it possible that's attractive to women?
Anton Chekhov
Oh, Fletch, you don't love that! You don't love hatred and evil,of course. You have to practice and see the real gull, the good in every one of them, and help them to see it in themselves. That's what I mean by love. It's fun, when you get the knack of it.
Richard Bach (Jonathan Livingston Seagull)
Thật dễ dàng để chấp nhận và yêu thương một kẻ nào đó giống mình, nhưng để yêu thương ai đó khác mình thực sự rất khó khăn, và con đã giúp chúng ta làm được điều đó. Con là chim hải âu, và con phải sống cuộc đời của một con hải âu. Con phải bay. Khi con đã học hành tử tế, Lucky, ta hứa với con rằng con sẽ thấy hạnh phúc lắm, và sau đó tình cảm của chúng ta dành cho nhau thậm chí còn sâu sắc và đẹp đẽ hơn, bởi đó là tấm chân tình giữa hai loài vật hoàn toàn khác nhau.
Luis Sepúlveda (The Story of a Seagull and the Cat Who Taught Her to Fly)
Do you have any idea how many lives we must have gone through before we even got the first idea that there is more to life than eating, or fighting, or power in the Flock? A thousand lives, Jon, ten thousand!… We choose our next world through what we learn in this one…
Richard Bach (Jonathan Livingston Seagull)
Tell you something," the raven said. "I was flying over the Midwest once." He stopped abruptly, closed his eyes for a moment, opened them, and began again. "I was flying over the Midwest. Iowa or Illinois, or some place like that. And I saw this big damn seagull. Right in the middle of Iowa, a seagull. And he was flying around in big, wide circles, real sweeping circles, the way a seagull flies, flapping his wings just enough to keep on the updrafts. Every time he saw water he'd go flying down toward it, yelling, "I found it! I found it!" The poor sonofabitch was looking for the ocean. And every time he saw water, he thought that was the ocean. He didn't know anything about ponds or lakes or anything. All the water he ever saw was the ocean. He thought that was all the water there was.
Peter S. Beagle (A Fine and Private Place)
Sometimes I get so lost in the moment, I start running around my yard, flapping my arms like a seagull at the beach. A lot of times I'll even start to squawk. Usually right around the third or fourth squawk is when my neighbor starts screaming at me to pipe down. He's always like, "Quiet down, lady! And put on some pants!" And I'm always like, "YOU put on some pants, sir!" because in the heat of the moment I panic and I can't think of anything better to say. Of course, he's already wearing pants, so it doesn't pack quite the punch I want it to, but the bottom line is he's clearly not as connected to nature as I am.
Ellen DeGeneres (Seriously... I'm Kidding)
With favoring winds, o'er sunlit seas, We sailed for the Hesperides, The land where golden apples grow; But that, ah! that was long ago. How far, since then, the ocean streams Have swept us from that land of dreams, That land of fiction and of truth, The lost Atlantis of our youth! Whither, ah, whither? Are not these The tempest-haunted Orcades, Where sea-gulls scream, and breakers roar, And wreck and sea-weed line the shore? Ultima Thule! Utmost Isle! Here in thy harbors for a while We lower our sails; a while we rest From the unending, endless quest.
Henry Wadsworth Longfellow
In winter you wake up in this city, especially on Sundays, to the chiming of its innumerable bells, as though behind your gauze curtains a gigantic china teaset were vibrating on a silver tray in the pearl-gray sky. You fling the window open and the room is instantly flooded with this outer, peal-laden haze, which is part damp oxygen, part coffee and prayers. No matter what sort of pills, and how many, you've got to swallow this morning, you feel it's not over for you yet. No matter, by the same token, how autonomous you are, how much you've been betrayed, how thorough and dispiriting in your self-knowledge, you assume there is still hope for you, or at least a future. (Hope, said Francis Bacon, is a good breakfast but bad supper.) This optimism derives from the haze, from the prayer part of it, especially if it's time for breakfast. On days like this, the city indeed acquires a porcelain aspect, what with all its zinc-covered cupolas resembling teapots or upturned cups, and the tilted profile of campaniles clinking like abandoned spoons and melting in the sky. Not to mention the seagulls and pigeons, now sharpening into focus, now melting into air. I should say that, good though this place is for honeymoons, I've often thought it should be tried for divorces also - both in progress and already accomplished. There is no better backdrop for rapture to fade into; whether right or wrong, no egoist can star for long in this porcelain setting by crystal water, for it steals the show. I am aware, of course, of the disastrous consequence the above suggestion may have for hotel rates here, even in winter. Still, people love their melodrama more than architecture, and I don't feel threatened. It is surprising that beauty is valued less than psychology, but so long as such is the case, I'll be able to afford this city - which means till the end of my days, and which ushers in the generous notion of the future.
Joseph Brodsky
NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
Anton Chekhov (The Seagull)
Poem in October" It was my thirtieth year to heaven Woke to my hearing from harbour and neighbour wood And the mussel pooled and the heron Priested shore The morning beckon With water praying and call of seagull and rook And the knock of sailing boats on the net webbed wall Myself to set foot That second In the still sleeping town and set forth. My birthday began with the water- Birds and the birds of the winged trees flying my name Above the farms and the white horses And I rose In rainy autumn And walked abroad in a shower of all my days. High tide and the heron dived when I took the road Over the border And the gates Of the town closed as the town awoke. A springful of larks in a rolling Cloud and the roadside bushes brimming with whistling Blackbirds and the sun of October Summery On the hill's shoulder, Here were fond climates and sweet singers suddenly Come in the morning where I wandered and listened To the rain wringing Wind blow cold In the wood faraway under me. Pale rain over the dwindling harbour And over the sea wet church the size of a snail With its horns through mist and the castle Brown as owls But all the gardens Of spring and summer were blooming in the tall tales Beyond the border and under the lark full cloud. There could I marvel My birthday Away but the weather turned around. It turned away from the blithe country And down the other air and the blue altered sky Streamed again a wonder of summer With apples Pears and red currants And I saw in the turning so clearly a child's Forgotten mornings when he walked with his mother Through the parables Of sun light And the legends of the green chapels And the twice told fields of infancy That his tears burned my cheeks and his heart moved in mine. These were the woods the river and sea Where a boy In the listening Summertime of the dead whispered the truth of his joy To the trees and the stones and the fish in the tide. And the mystery Sang alive Still in the water and singingbirds. And there could I marvel my birthday Away but the weather turned around. And the true Joy of the long dead child sang burning In the sun. It was my thirtieth Year to heaven stood there then in the summer noon Though the town below lay leaved with October blood. O may my heart's truth Still be sung On this high hill in a year's turning.
Dylan Thomas (Collected Poems)