Perfume Funny Quotes

We've searched our database for all the quotes and captions related to Perfume Funny. Here they are! All 23 of them:

He nuzzled my neck, inhaling deeply. “Mmm. You smell so good.” “Oh, yeah,” I said, smirking. “I call this new perfume ‘Le Jungle grime et tropical BO.’ ” “Dirt and sweat. Very sexy.
James Patterson (Nevermore (Maximum Ride, #8))
Her heart sank. That's why he found her attractive- because he'd been so long without. He'd probably find a perfumed rock appealing at this point.
Kresley Cole (A Hunger Like No Other (Immortals After Dark, #1))
Chase leaned in close. "hey" What? Are you wearing perfume? No... why would I be wearing perfume?... You sure you're not wearing anything? It smells like jasmine. Must be the bushes
Gemma Halliday (Social Suicide (Deadly Cool, #2))
Let me guess, you could smell my perfume. Isn't that what always gives the heroine away in books?' He scoffs. 'I command shadows, but sure, it was your perfume that gave you away.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
See how the symbols stretch across all three shields? They represent a god." Hypnos frowned. "There's a God of lions and knives and wineglasses? That seems incredibly specific." "This god is Shezmu," said Enrique, rolling his eyes. "He's seldom depicted, perhaps because he's at such odds with himself. On the other hand, he's the lord of perfumes and gracious oils, often considered something of a celebration deity." "My kind of god," said Hypnos. "He is also the god of slaughter, blood and dismemberment." "I amend my original statement," said Hypnos.
Roshani Chokshi (The Silvered Serpents (The Gilded Wolves, #2))
Our foyer has a funny smell that doesn't smell like anyplace else. I don't know what the hell it is. It isn't cauliflower and it isn't perfume—I don't know what the hell it is—but you always know you're home.
J.D. Salinger (The Catcher in the Rye)
I got this delicious bottle of perfume called Fabreze
Chris Colfer (Worlds Collide (The Land of Stories, #6))
Get your head out of your ass, you already reek of hypocrisy, so why add notes to the fragrance?
J.S. Mason (The Stork Ate My Brother...And Other Totally Believable Stories)
Passersby looked at us curiously. In the porch, Mr. Whitman held the church door open for us. “Hurry up, please,” he said. “We don’t want to attract attention.” No, sure, there was nothing likely to attract attention in two black limousines parking in North Audley Street in broad daylight so that men in suits could carry the Lost Ark out of the trunk of one of the cars, over the sidewalk, and into the church. Although from a distance the chest carrying it could have been a small coffin . . . The thought gave me goose bumps. “I hope at least you remembered your pistol,” I whispered to Gideon. “You have a funny idea of what goes on at a soiree,” he said, in a normal tone of voice, arranging the scarf around my shoulders. “Did anyone check what’s in your bag? We don’t want your mobile ringing in the middle of a musical performance.” I couldn’t keep from laughing at the idea, because just then my ringtone was a croaking frog. “There won’t be anyone there who could call me except you,” I pointed out. “And I don’t even know your number. Please may I take a look inside your bag?” “It’s called a reticule,” I said, shrugging and handing him the little bag. “Smelling salts, handkerchief, perfume, powder . . . excellent,” said Gideon. “All just as it should be. Come along.” He gave me the reticule back, took my hand, and led me through the church porch. Mr. Whitman bolted the door again behind us. Gideon forgot to let go of my hand once we were inside the church, which was just as well, because otherwise I’d have panicked at the last moment and run away.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Kate grasped her small handbag and pulled a small blue vial and threw it into the grinding mass. It shattered harmlessly, causing two creatures to pause with a look of confusion. "What is that potion?" Simon asked. Kate stared as the two undead things began to shuffle forward again. She glanced into her purse. "Damn it! That was my perfume.
Clay Griffith (The Undying Legion (Crown & Key, #2))
One Sufi mystic who had remained happy his whole life—no one had ever seen him unhappy—he was always laughing. He was laughter, his whole being was a perfume of celebration. In his old age, when he was dying—he was on his deathbed, and still enjoying death, laughing hilariously—a disciple asked, “You puzzle us. Now you are dying. Why are you laughing? What is there funny about it? We are feeling so sad. We wanted to ask you many times in your life why you are never sad. But now, confronting death, at least one should be sad. You are still laughing! How are you managing it?” And the old man said, “It is a simple clue. I had asked my master. I had gone to my master as a young man; I was only seventeen, and already miserable. And my master was old, seventy, and he was sitting under a tree, laughing for no reason at all. There was nobody else, nothing had happened, nobody had cracked a joke or anything. And he was simply laughing, holding his belly. And I asked him, ‘What is the matter with you? Are you mad or something?’ “He said, ‘One day I was also as sad as you are. Then it dawned on me that it is my choice, it is my life. Since that day, every morning when I get up, the first thing I decide is, before I open my eyes, I say to myself, “Abdullah”—that was his name—‘what do you want? Misery? Blissfulness? What are you going to choose today? And it happens that I always choose blissfulness.’” It is a choice. Try it. The first moment in the morning when you become aware that sleep has left, ask yourself, “Abdullah, another day! What is your idea? Do you choose misery or blissfulness?” And who would choose misery? And why? It is so unnatural—unless one feels blissful in misery, but then too you are choosing bliss, not misery.
Osho (Meditation: The First and Last Freedom)
It had been in a Paris house, with many people around, and my dear friend Jules Darboux, wishing to do me a refined aesthetic favor, had touched my sleeve and said, "I want you to meet-" and led me to Nina, who sat in the corner of a couch, her body folded Z-wise, with an ashtray at her heel, and she took a long turquoise cigarette holder from her lips and joyfully, slowly exclaimed, "Well, of all people-" and then all evening my heart felt like breaking, as I passed from group to group with a sticky glass in my fist, now and then looking at her from a distance (she did not look...), and listening to scraps of conversation, and overheard one man saying to another, "Funny, how they all smell alike, burnt leaf through whatever perfume they use, those angular dark-haired girls," and as it often happens, a trivial remark related to some unknown topic coiled and clung to one's own intimate recollection, a parasite of its sadness.
Vladimir Nabokov (The Portable Nabokov)
Funny, I didn't think much about apples fore we came to the Black Swamp. when I was growin up we had an orchard like everybody else but I didn't pay it no attention cept when the blossom was out in May. Then Id go and lie there smellin some sweet perfume and listenin to the bees hum so happy cause they had flowers to play with. That was where James and I lay our first time together. I shouldve known then he wasnt for me. He was so busy inspectin my familys trees and askin how old each was - like I would know - and what the fruit was like (Juicy like me, I said) that finally I had to unbutton my dress myself. That shut him up a while.
Tracy Chevalier (At the Edge of the Orchard)
Even the perfume-free fragrance in your delightful bubble bath you were taking was from one of my first collections, Eau de Water
J.S. Mason (A Dragon, A Pig, and a Rabbi Walk into a Bar...and other Rambunctious Bites)
Then, as she twisted to the right, she revealed her talking partner. I literally broke step, my body deciding before my brain that my presence would not be needed in their interaction. Carol was gorgeous. A tall, confident, amazon of a woman. The lines of her gold lamay dress skimming every curve of her body. She was clearly not wearing underwear. She looked like a glossy magazine perfume ad. And this man was her magazine equal. He was perfect. Tall. Substantial. He looked muscular without giving the impression that he worked out. Maybe he was a rower. Or it could be tennis. Maybe he chopped down trees. Yes, he'd be very good at chopping trees down. I remember feeling an unnaturally strong desire to watch him do that.
Catherine Steadman (Something in the Water)
She often said those had been her best years, and surely the most fun. Twenty-five years later, she was still having fun. Isabelle showed the photograph of her debut to Allegra, who looked at it admiringly. She could see the resemblance, but her mother was so much more flamboyant and extroverted. She radiated excitement and joy. Allegra was a much quieter person, with a much more peaceful nature. She would never have dared to be as exuberant as her mother. She had been forced to hide all her life from people who didn’t want her around, or to nurture herself when they left her to her own devices, or abandoned her like her parents. She had never had the luxury of being as sure of herself as Isabelle was. She couldn’t even imagine what that would feel like. Allegra had been forced to be invisible for most of her life, in order to avoid getting hurt or rejected. “Studio 54 was fantastic,” Isabelle said to Allegra, with the light of memory in her eyes. “It didn’t last long, but it was fabulous. People really had fun then. The world is a lot quieter and more boring now.” “Maybe fewer drugs,” Mariette commented, and as Isabelle laughed, Allegra heard the sound that had reminded her of bells as a child. She remembered that and the scent of her exotic perfume most of all. “I used to love your perfume,” Allegra said with a dreamy expression. Her mother smiled at the memory. “I wore two in those days, Femme by Rochas and Shalimar by Guerlain. I blended them myself. I don’t wear either of them anymore. It’s funny that you remember that.” She looked touched for a moment.
Danielle Steel (Joy)
But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate–For one thing is one of the world's best talkers, and funny too–As I'll show–It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism–Says Dave "People in America have all these racks of drycleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles–Isnt that amazing?give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walkin around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasn't occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles?"–The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one–In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip–Monsanto hadnt heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that?"–"Let's go tell him right now!"–"Why of course if we wait another minute...and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they dont know just what!"–We rush to tell Monsanto at once in the book store around the corner. (Big Sur, Chap. 11)
Jack Kerouac (Big Sur)
Funny how a perfume can do that. Take you straight back somewhere, or remind you of someone so much.
Fiona Shaw (Tell It to the Bees)
She had a little plan then. She would look as he wanted her to. He would come home and find the glamorous thing he had married waiting for him. She spent the afternoon getting ready. Had a wave put in her hair. A little perfume but heavy enough to cut with a knife. New eyes, new lips, new lashes, out of little boxes. A baby chandelier dangling from each ear. She saw herself in the glass. “How cheap I look,” she said. Men were funny. Maybe she would have to do this once or twice a week. But after she had taken it all off again, there would always be the radio and coffee, each time.
Cornell Woolrich (The Girl in the Moon)
     Ivo,      I may not remember what we were. I may not remember the color of your eyes when you look at the sunset or when you stare at the night sky. I may not remember how it feels like to touch your hand. I may not remember how you would like your coffee, whether black or white or sweet. I may not remember the little things that could make you smile and I may not remember how your laugh sounds each time you hear a very funny joke. I may not remember how your perfume smells like and may not remember how your favorite sweater looks like. I may not remember a lot of things about you. But one thing I remember is that I gave you my heart and it will always be yours. Wherever I may be. I am wishing for nothing but for you to be happy. I hope you find someone that will love you as much as I loved you. I hope you find something that could make you happy even if it is not me. I hope you are okay. I will be okay. I promise.   Brandy   P.S: I will love you until I die and if there’s a life after that, I’ll love you then.
Ysa Arcangel (Forever Night Stand)
The member of Abou el Heiloukh has remained erect for thirty days without a break, because he did eat onions
Umar ibn Muhammed al-Nefzawi (The Perfumed Garden)
A Window Without Curtains She was called Mira by her clients, though it wasn’t her real name. Her real name had been shed years ago, discarded like an old skin in a city that didn’t care for pasts. She walked through the night in cheap perfume and tighter smiles, her heels echoing on concrete that never forgot the stories of women like her. By daylight, she was invisible. By night, she was needed. Room 403 was like the others. Beige walls. A bed that smelled of cleaning chemicals and regret. A window that didn’t open, without curtains, as if the hotel itself had given up pretending to offer privacy or dreams. Tonight, the man was late. Mira didn’t mind. The quiet was better company than most. She sat on the edge of the bed, staring at the flickering red numbers on the digital clock. 9:46. The room buzzed faintly from an old neon light outside. She could see its pink glow on the wall, shaped like the outline of a woman, eternally lit and forever waiting. She used to wait like that — in doorways, under blinking signs, for someone who would change things. A man with kind eyes. A job that didn’t come with bruises. A way out. But hope, she had learned, was a luxury sold to people with options. Not to girls like her. She met Layla at the corner of 52nd and Main three years ago. Layla had been in the game longer, a little older, a little harder. She smoked menthols and always carried pepper spray and a knife in her purse. "Hope gets you killed," Layla said once, lighting a cigarette with a shaky hand. “You dream, you slip. You slip, you die.” Mira remembered laughing. Not because it was funny — but because it was the only sound she could make that didn’t feel like screaming. The client finally showed. Tall, maybe mid-40s, with a wedding ring he didn’t bother to hide. “I don’t want to talk,” he said, tossing a crumpled wad of bills on the dresser. She nodded. It was easier that way. Words were dangerous — they made people real. She didn't want him to be real. She went through the motions. The fake moans. The practiced eyes. She thought of the ceiling, counted the little bumps in the paint, kept her breath even. When he left, she showered with the water scalding hot, scrubbing skin that never quite felt clean. Then she sat back on the bed, legs folded, watching the window again. It was raining now. The neon woman outside still smiled. One night, a month ago, Mira had walked into a bookstore. She didn’t know why. Maybe because it was raining, and she had nowhere to be yet. Maybe because it smelled like old paper and safety. She wandered in wet heels past shelves full of stories — princesses, detectives, women who fought dragons. She picked up a poetry book and flipped it open. The words were soft. Angry. Beautiful. “Do you want help finding something?” the clerk asked. Mira looked up, startled. The girl behind the counter couldn’t have been more than twenty, with round glasses and gentle eyes. “No,” Mira whispered, holding the book tighter. She didn’t buy it. She left without a word. But she came back two days later. And again the week after. She never bought anything. Just touched the spines and read a line or two. Something about it made her feel almost human again. Tonight, she opened her little purse. The one with the broken zipper. Inside were five twenties from the client, a stick of gum, a cracked compact, and a folded receipt from the bookstore. She stared at the receipt like it was a relic. Like it belonged to someone else.
Roni Loren
Mum looks over the menu, adjusting her glasses. She’s wearing a good dress, her lipstick and perfume, her crystal earrings from Dad. Her hair falls in short cloudy waves. Mum frowns over the big print, pretending to decide, but really she’s looking for something cheap. “I’ll have the Tommy Tucker,” she tells the waitress. “That’s a children’s plate,” the waitress says. “Oh,” Mum says. She blushes, because now the waitress knows. “I’m not very hungry. It looked small.” “Children only.” So Mum orders a hamburger like the rest of us, her cheeks blazing. Is she thinking of Jackie with her bone china and embroidered linen? She starts to chuckle, because the Tommy Tucker sounds so funny, and now we’re all laughing, even as I redden up myself on Mum’s behalf. Back in the car, we take turns saying, “I’ll have the Tommy Tucker!” as the highway exits zip past. “And here I was,” Mum says, hooting now, “all dressed up! Can you imagine the waitress in the back, telling the cook, ‘That woman ordered the Tommy Tucker, and she was wearing crystal earrings!’” “I’ll have the Tommy Tucker!” “Ya can’t miss it!
Monica Wood (When We Were the Kennedys: A Memoir from Mexico, Maine)