Script Block Quotes

The symptoms of a writer who hasn’t found their way clear of the needs of Self yet are easy to spot. I should say the symptoms are easy for everyone else to spot, that is, and not so easy for the writer themself to see. You’ll see a writer who does not trust the characters to speak and move on their own, but has to puppeteer them; a writer who does not trust the reader to understand what’s written. One who must insert parentheticals in various forms to explain the work to the reader; flashbacks to explain; big black blocks of text on the page to explain; question-and-answer dialog between characters who aren’t in a courtroom; walk-and-talk characters with their mouths full of dialog of what the story is about; too many stage directions that make the script read like a novel…

When Reva gave advice, it sounded as though she were reading a bad made-for-TV movie script. "A walk around the block could do wonders for your mood," she said. "Aren't you hungry?" "I'm not in the mood for food," I said. "And I don't feel like going anywhere.

In many ways, President Trump followed the electoral authoritarian script during his first year. He made efforts to capture the referees, sideline the key players who might halt him, and tilt the playing field. But the president has talked more than he has acted, and his most notorious threats have not been realized. Troubling antidemocratic initiatives, including packing the FBI with loyalists and blocking the Mueller investigation, were derailed by Republican opposition and his own bumbling. One important initiative, the Advisory Commission on Election Integrity, is just getting off the ground, so its impact is harder to evaluate. Overall, then, President Trump repeatedly scraped up against the guardrails, like a reckless driver, but he did not break through them. Despite clear causes for concern, little actual backsliding occurred in 2017. We did not cross the line into authoritarianism.

I took my first pill as soon as I filled the script at the CVS in Copley, a few blocks from Dr. Gregory's office. By the time I'd reach Newton Centre on the Green Line, I couldn't stop smiling. The kind of big, solar smile that suffuses your whole torso, as if your organs are grinning. Soon I began to laugh, at nothing at all, pure laughter, which brought tears to my eyes, no doubt making me appear completely insane to the other passengers. But happier I have rarely been. For that hour and the three or four that followed, I was lifted down off a hook in the back of my skull that I hadn't even known I'd been hanging from. Here was the world unfettered by dread. Thoughts came, lasted for whole, uninterrupted moments, and then passed away, leaving room for others. The present had somehow ceased to be an emergency. In fact, it seemed almost uneventful. Down the tramcar a gaggle of high schoolers snickered at my lunatic ways and I wasn't even ashamed. It was as if their derision moved too slowly through this new atmosphere to reach me with any force.

A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.

Making the movie” is the term that a venture capitalist friend applies to the process of building a start-up. In my friend’s tech-company-as-movie analogy, the VCs are the producers and the CEO is the leading man. If possible, you try to get a star who looks like Mark Zuckerberg—young, preferably a college dropout, with maybe a touch of Asperger’s. You write a script—the “corporate narrative.” You have the origin myth, the eureka moment, and the hero’s journey, with obstacles to overcome, dragons to slay, markets to disrupt and transform. You invest millions to build the company—like shooting the movie—and then millions more to promote it and acquire customers. “By the time you get to the IPO, I want to see people lined up around the block waiting to get into the theater on opening night. That’s what the first day of trading is like. It’s the opening weekend for the film. If you do things right, you put asses in the seats, and you cash out.

Take, for instance, a parody project that begins by subverting the anti-Black logics embedded in new high-tech approaches to crime prevention (Figure 5.2). Instead of using predictive policing techniques to forecast street crime, the White-Collar Early Warning System flips the script by creating a heat map that flags city blocks where financial crimes are likely to occur.

So there is another feature that try statements have. They may be followed by a finally block either instead of or in addition to a catch block. A finally block says “no matter what happens, run this code after trying to run the code in the try block.

In JavaScript, most I/ O operations are provided through asynchronous, or nonblocking APIs. Instead of blocking a thread on a result, the programmer provides a callback (see Item 19) for the system to invoke once the input arrives:

To use a sculptural metaphor, the great novel, essay, biography is imprisoned inside a block of marble and the writer must chip away with a tiny chisel until the exquisite appears

Where the baobab tree was the soul of the village, the palace was its heart, the inner machinations of what we were. Anarchic, mystical, complete. It was a hut the size of three houses and just as spacious inside. There were sleeping and cooking and bathing spaces, all separated by piles of strategically grouped books. It was the chaos of Nimm organized into one large space. You could walk through the open entranceway and see across the huge palace. My way was blocked by a great stack of vertically organized books.

Node.js is a powerful, open-source, server-side JavaScript runtime environment that enables developers to build scalable and high-performance applications. Leveraging event-driven architecture and non-blocking I/O operations, Node.js allows for efficient handling of concurrent requests, making it ideal for building real-time web applications, APIs, and microservices. With its extensive ecosystem of libraries and frameworks, Node.js empowers developers to create fast, lightweight, and modern applications across various domains.

He put a fresh sheet in and, after spending a few moments wishing he were doing something quite different, typed: Gregory: But this is really qutie farcical. Like all the other lines of dialogue he had so far evolved, it struck him as not only in need of instant replacement, but as requiring a longish paragraph of negative stage direction in the faint hope of getting it said ordinarily, and not ordinarily in inverted commas, either. Experimentally, he typed: (Say this without raising your chin or opening your eyes wide or tilting your face or putting on that look of vague affront you use when you think you are "underlining the emergence of a new balance of forces in the scheme of the action" like the producer told you or letting your mind focus more than you can help on sentences like "Mr. Recktham managed to breathe some life into the wooden and conventional part of Gregory" or putting any more expression into it than as if you were reading aloud something you thought was pretty boring (and not as if you were doing an imitation of someone on a stage reading aloud something he thought was pretty boring, either) or hesitating before or after "quite" or saying "fusskle" instead of "farcical".) Breathing heavily, Bowen now x-ed out his original line of dialogue and typed: Gregory: You're just pulling my leg.

Some actors come into work and wait to be told what to do. I think of my costar in Barefoot in the Park who needed to be told that she should express affection toward the man with whom she is madly in love. I suppose those actors can do well. But I’m not that kind of actor. I have a finite time on earth. I’m not interested in coasting through it. I want to be invested. An invested actor asks questions that may punch holes in the story or highlight contradictions in a character the writers may not have considered. Asking those questions might mean we have to rethink a beat in the script or redo the blocking. It might mean more work. And that might upset people momentarily. But in the end I’d rather do more work and get it right and give the finished product a richness and resonance that will last.

Storm’s Fast-Flux and Conficker’s Domain-Flux In 2007, security researchers identified a new technique used by the infamous Storm botnet (Higgins, 2007). The technique, named fast-flux, used domain name service (DNS) records to hide the command and control servers that controlled the Storm botnet. DNS records typically translate a domain name to an IP address. When a DNS server returns a result, it also specifies the TTL that the IP address remains valid for before the host should check again. The attackers behind the Storm botnet changed the DNS records for the command-and-control server rather frequently. In fact, they used 2,000 redundant hosts spread amongst 384 providers in more than 50 countries (Lemos, 2007). The attackers swapped the IP addresses for the command-and-control server frequently and ensured the DNS results returned with a very short TTL. This fast-flux of IP addresses made it difficult for security researchers to identify the command-and-control servers for the botnet and even more difficult to take the servers offline. While fast-flux proved difficult in the takedown of the Storm botnet, a similar technique used the following year aided in the infection of seven million computers in over two hundred countries (Binde et al., 2011). Conficker, the most successful computer worm to date, spread by attacking a vulnerability in the Windows Service Message Block (SMB) protocol. Once infected, the vulnerable machines contacted a command-and-control server for further instructions. Identifying and preventing communication with the command-and-control server proved absolutely necessary for those involved with stopping the attack. However, Conficker generated different domain names every three hours, using the current date and time at UTC. For the third iteration of Conficker, this meant 50,000 domains were generated every three hours. Attackers registered only a handful of these domains to actual IP addresses for the command-and-control servers. This made intercepting and preventing traffic with the command-and-control server very difficult. Because the technique rotated domain names, researchers named it domain-flux. In the following section, we will write some Python scripts to detect fast-flux and domain-flux in the wild to identify attacks.

It helps omit uninteresting details, provides convenient building blocks (such as while and console.log), allows you to define your own building blocks (such as sum and range), and makes those blocks easy to compose.

I believe my camera should always be in one hand and a good script in the other. That makes it possible for storytelling to come to life. Sometimes, stories are already in my mind and I have an entire scene worked out and blocked; they just live there and I want to get them out.

An IT College Graduate To advance the goals and objectives of the IT department by utilizing strong programming skills and to improve organizational efficiencies and productivity through the use of state-of-the-art technologies Perl, MySQL, Linux, Apache, Mason, XML, XSL, HTML, JavaScript, Java, MS C11, ASP, 8086 Assembly, Fortran, COBOL, network firewall and hack-proof server installation and configuration, and automatic mass Web site building Internet-based public relations for online applications Network administration Wireless applications Speech recognition Excellent customer service skills Complex, technical troubleshooting and problem solving abilities Projects on time and within budget

It was as if the city’s old, mossy walls, its ancient fountains covered in beautiful script, and its wooden homes, twisting and rotting to the point of leaning on one another for support, had all been burned down and wrecked into nothingness, and the new streets, concrete houses, neon-lit shops, and apartment blocks taking their place had been built to seem even older, more intimidating and incomprehensible, than any place before. The city was no longer an enormous, familiar home but a faithless space in which anyone who got the chance added more concrete, more streets, courtyards, walls, pavements, and shops.

The framework is also single-threaded, and its model relies on concurrency which is based on an event loop. It operates in a non-blocking mode, which means that the programs are not blocked but allowed  to continue with execution. What happens is that it registers the callback, and then allows the program to continue with the process of execution. Due to the ability of the framework to handle concurrent operations effectively without having multiple threads in the state of execution, the applications are always in a position to scale well.

But I’m not that kind of actor. I have a finite time on earth. I’m not interested in coasting through it. I want to be invested. An invested actor asks questions that may punch holes in the story or highlight contradictions in a character the writers may not have considered. Asking those questions might mean we have to rethink a beat in the script or redo the blocking. It might mean more work. And that might upset people momentarily. But in the end I’d rather do more work and get it right and give the finished product a richness and resonance that will last.

My handwriting in Bangla is childlike, block-lettered. I think about the origin of our letters, traced back to the unadorned glyphs, lines, loops, and circles of ancient Brahmi, the root script of nearly all writing systems in South and Southeast Asia, from Bangla to Tamil to Thai, which spread across the subcontinent around 300 BCE. Brahmi has been found as inscriptions on rock edicts, on punched coins and potteries. Both South Asian and Western scholars have debated Brahmi’s origins, whether or not Brahmi is indigenous or derived from a Semitic script outside of South Asia. Western scholars prefer the latter explanation, anything to center themselves, rather than believe that the Indigenous Dravidian peoples of South Asia are the ones who created and spread the usage of Brahmi. Is naming the script Brahmi, the feminine form of Brahma, the divine Hindu masculine, a tacit acknowledgment that the way we come to know the language of our people, the language inside of us, how we learn to write and to speak our tongues, comes from our mothers?

Thoughts are energy. A drop of water, so cool and gentle can wear away a rock with repetitive drops. We are like rocks and our affirmations are like drops of water, wearing away the stubborn blocks within us one drop at a time. Repeating affirmations several times a day may be necessary in the beginning, depending on your need.

The try statement executes a block and catches any exceptions that were thrown by the block. The catch clause defines a new variable that will receive the exception object. The throw statement raises an exception. If the throw statement is in a try block, then control goes to the catch clause. Otherwise, the function invocation is abandoned, and control goes to the catch clause of the try in the calling function. The expression is usually an object literal containing a name property and a message property. The catcher of the exception can use that information to determine what to do.

The author despises his demonic nature and desires to slay his contemptible ego via a calculated surgical vivisection. Wishing to shed his ugly warts and contemptible character flaws that he gleaned by living a greedy and anxiety filled life, and yearning to emulate the wisdom and emotional unflappability of the emblematic tortoise, the author undertook a contemplative investigation into the fundamental nature of human existence, a narrative examination of an ignorant and troubled man’s life. Transcendental meditation (‘TM’) is an increasingly popular technique to achieve inner peace and wellness. Proponents’ of TM claim that regular periods of meditation improves a person’s physical energy by enabling the meditator’s body to settle into a profound state of rest and relaxation. TM notionally promotes a restful state of mind “beyond thinking,” alleviates stress, reduces blood pressure, depression, and anger by assisting practitioners obtain a reprieve from painful and distracting thoughts. The author wrote this self-investigative script in order to pursue the same type of physiological and psychological rejuvenation that a person ostensibly attains when ‘transcending’ their ordinary thoughts and attains a pure state of consciousness. He encountered many obstacles blocking his path seeking self-awareness and imperturbable mental serenity including his manic nature, fear of change, stubborn intractability, pessimism, skepticism, self-doubt, mental stupor, and epic stupidity. Attempting to replicate the stoic demeanor and resoluteness of a sagacious tortoise, the author continued plodding along drafting this interminable scroll seeking to become the cartographer of a transformative, life-affirming journey cleansing and revitalizing a weary body and an emotionally stagnated soul.

In JavaScript there’s no curly braces local scope; in other words, blocks don’t create scope. There’s only function scope.

var -  used to declare variables with the option of initializing the variable to a value let – used for declaring local values with a block scope and the option of initializing the variable to a value const – used to declare read-only named constants with block scope.

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