Screaming Staircase Quotes

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Really?" "No. I'm being ironic. Or is it sarcastic? I can never remember." "Irony's cleverer, so you're probably being sarcastic.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
Okay...' I hurried on. 'But why me?' 'You're a girl,' Lockwood called. 'Aren't you supposed to be more sensitive?' 'To emotions, yes. To nuances of human behavior. Not necessarily to secret passages in a wall.' 'Oh, it's much the same thing.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
I wasn't pretty, but as my mother once said, prettiness wasn't my profession.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
It was one of those moments when a great Don't Care wave hits you, and you float off on it, head back, looking at the sky.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
Well, when you're being held at gunpoint by a geriatric madman in a metal skirt, you've kind of hit rock bottom anyway. It can't really get much worse.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
So stop worrying about the past. The past is for ghosts. We’ve all done things that we regret. It’s what’s ahead of us that counts.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
God rest her soul and may she never walk at night
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
Of the first few hauntings I investigated with Lockwood & Co. I intend to say little, in part to protect the identity of the victims, in part because of the gruesome nature of the incidents, but mainly because, in a variety of ingenious ways, we succeeded in messing them all up.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co, #1))
When you go out hunting wicked spirits, it's the simple things that matter most. The silvered point of your rapier flashing in the dark; the iron filings scattered on the floor; the sealed canisters of best Greek Fire, ready as a last resort... But tea bags, brown and fresh and plenty of them, and made (for preference) by Pitkin Brothers of Bond Street, are perhaps the simplest and best of all. OK, they may not save your life like a sword-tip or an iron circle can, and they haven't the protective power of a sudden wall of fire. But they do provide something just as vital. They help keep you sane.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
His face was uniquely slapable - a nun would have ached to punch him - while his backside cried out to heaven for a well-placed kick.
Jonathan Stroud
George,' I croaked, 'are you okay?' 'No. Someone's buttocks are flattening my foot.' I shifted my position irritably.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
There was a profound silence, abruptly broken by an enormously loud rumble from George's stomach. Plaster didn't actually fall from the ceiling, but it was close.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
She was so radiant, it was like the other-light was already on her.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
It's a curious thing with George. With his glasses off, his eyes looked small and weak - blinky and a bit baffled, like an unintelligent sheep that's taken a wrong turn. But when he put them on again, they went all sharp and steely, more like the eyes of an eagle that eats dumb sheep for breakfast.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
Can I offer you some tea while you ransack our place?' Lockwood asked politely.
Jonathan Stroud
He gripped me tighter around the waist and pulled me to him. “No,” he said into my ear. “No, Lucy. That’s not the way it’s going to be.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co, #1))
But certainly the two best-known tales in the neighborhood - the key hauntings, if you will - concern the Red Room and the Screaming Staircase.' There was a profound silence, abruptly broken by an enormously loud rumble from George's stomach. Plaster didn't actually fall from the ceiling, but it was close. 'Sorry,' he said cheerfully. 'Famished. I think I"ll have another doughnut, if you don't mind. Any takers?
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
Lockwood sat up awkwardly, adjusting his Bubble-Wrapped loops of chain. 'We're in good shape,' he said. 'We've lost the heavy duty chains and the stuff in the bags, but we've got our rapiers, iron, and silver seals. And we've found what we wanted now.' I stared at the clean, calm surface of the door. 'Why couldn't it come after us? Ghosts can pass through walls.' Lockwood shrugged. 'In some cases a Visitor is tied so completely to the room where it met its death that it no longer has any conception of there being any adjacent space at all. So...when we left its hunting ground, it was as if we ceased to exist, as if we ceased to be....' I looked at him. 'You haven't really got a clue, have you?' 'No.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
This is the way it was with Lockwood, his shifts were sometimes so sudden that they took your breath away. But his energy and enthusiasm were always impossible to resist.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
His dark eyes sparkled as he looked into mine. In that instant it was as if nothing in the world fascinated him as much as me.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
Take his appearance. There was something about it that acted as a trigger to one's worst instincts. His face was uniquely slappable - a nun would have ached to punch him - while his backside cried out to heaven for a well-placed kick.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
It's a commonly known fact that while cats can't stand ghosts, spiders love them.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
What a great article," Lockwood said, for the twentieth time that day. "Couldn't have been better." "They spelled my name wrong," I pointed out. "They didn't mention me at all," George said. "Well, in all the essentials, I mean." Lockwood grinned round at us.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
He was little more than halfway down the staircase when he heard an all-piercing, sustained scream--clearly coming from a small, female child. It was highly acoustical, as though it were reverberating within four tiled walls.
J.D. Salinger
He looked like a kid caught making an angel in the snow, except his glasses had been blown off and one of his hands was bleeding. He breathed heavily; his belly rose and fell. I knelt close. 'George?' A groan, a cough. 'It's too late. Leave me....Let me sleep....' I shook him firmly, slapped the side of his face. 'George, you've got to wake up! George, *please.* Are you okay?' An eye opened. 'Ow. That cheek was the one part of me that *wasn't* sore.' 'Here, look - your glasses.' I scooped them out of the ash, put them on his chest.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
no was a bad word in my hone no was met with the lash erased from our vocabulary beaten out of our backs till we became well-behaved kids who obediently nodded to yes to everything when he climbed on top of me every part of my body wanted to reject it but i couldn't say no to save my life when i tried to scream all that escaped me was silence i heard no pounding her fist on the roof of my mouth begging to let her out but i had not put up the exit sign never built the emergency staircase there was no trapdoor for no to escape from i want to ask all the parents and guardians a question what use was obedience then when there were hands that were not mine inside me - how can i verbalize consent as an adult if i was never taught to as a child
Rupi Kaur (The Sun and Her Flowers)
This is an interview, not a boxing match.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
I see. What happened to your last assistant?" "Poor Robin? Oh, he... moved on." "To another job?" "Perhaps ,,passed on,, would be more accurate. Or, indeed, ,,passed over,,. Ah - good! Tea!
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
Lockwood stepped aside, his boots crunching across the salt, to stand and study the paper beneath the light. No such luck with George; he came in close, his eyes bulging so much behind his spectacles, they almost pressed against the glass. 'I can't *believe* you did that, Lucy. You're crazy! *Purposefully* freeing a ghost!' 'It was an experiment,' I said. 'Why are you complaining? You're always messing about with that stupid jar of yours.' 'There's no comparison. I keep that ghost *in* in the jar. Anyway, it's scientific research. I do it under carefully controlled conditions.' 'Carefully controlled? I found it in the bathtub the other day!' 'That's right. I was testing the ghost's reaction to heat.' 'And to bubble bath? There were bubbles all over the jar. You put some nice soapy fragrance in that water, and...' I stared at him. 'Do you get in the tub with it, George?' His face flushed. 'No, I do not. Not as a rule. I - I was saving time. I was just getting in myself when it occurred to me I could do a useful experiment about the resistance of ectoplasm to warmth. I wanted to see if it would contract...' He waved his hands wildly in the air. 'Wait! Why am I explaining myself to *you*? You just unleashed a ghost in our house!
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
The caretaker was certainly very ancient, a tight and desiccated thing from which all softness and moisture had long since been extracted.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co, #1))
— Нет. Это ирония. Или, быть может, сарказм. Не могу запомнить разницу. — Ирония зачастую показатель ума, поэтому у тебя, должно быть, сарказм.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
Well, when you’re being held at gunpoint by a geriatric madman in a metal skirt, you’ve kind of hit rock bottom anyway,” George said. “It can’t really get much worse.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co, #1))
,,Plenty of time for a cup of tea. Then we find ourselves a ghost.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
It didn’t move. It didn’t have to. I stared at it for thirty seconds, lying frozen in the bed. And I did feel frozen too.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
Their first stop, naturally, was the library.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
I think we're the only ones in the building," he says. "Then no one will mind when I do this!" I jump onto the desk and parade back and forth. St. Clair belts out a song, and I shimmy to the sound of his voice. When he finishes,I bow with a grand flourish. "Quick!" he says. "What?" I hop off the desk. Is Nate here? Did he see? But St. Clair runs to the stairwell. He throws open the door and screams. The ehco makes us both jump, and then together we scream again at the top of our lungs. It's exhilarating. St. Clair chases me to the elevator,and we ride it to the rooftop. He hangs back but laughs as I spit off the side, trying to hit a lingerie advertisement. The wind is fierce,and my aim is off,so I race back down two flights of stairs. Our staircase is wide and steady, so he's only a few feet behind me. We reach his floor. "Well," he says. Our conversation halts for the first time in hours. I look past him. "Um.Good night." "See you tomorrow? Late breakfast at the creperie?" "That'd be nice." "Unless-" he cuts himself off. Unless what? He's hesitant, changed his mind. The moment passes. I give him one more questioning look, but he turns away. "Okay." It's hard to keep the disappointment out of my voice. "See you in the morning." I take the steps down and glance back.He's staring at me. I lift my hand and wave. He's oddly statuesque. I push through the door to my floor,shaking my head. I don't understand why things always go from perfect to weird with us. It's like we're incapable of normal human interaction. Forget about it,Anna. The stairwell door bursts open. My heart stops. St. Clair looks nervous. "It's been a good day. This was the first good day I've had in ages." He walks slowly toward me. "I don't want it to end. I don't want to be alone right now." "Uh." I can't breathe. He stops before me,scanning my face. "Would it be okay if I stayed with you? I don't want to make you uncomfortable-" "No! I mean..." My head swims. I can hardly think straight. "Yes. Yes, of course,it's okay." St. Clair is still for a moment. And then he nods. I pull off my necklace and insert my key into the lock. He waits behind me. My hand shakes as I open the door.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I had a lot more to say, but now wasn`t the time. I took a deep breath. "Well, don`t get into trouble," I said. "Last time you went wandering off during a case, you got yourself locked in the toilet.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
Water, running - It was observed in ancient times that ghosts dislike crossing running water. In modern Britain this knowledge is sometimes used against them. In central London a net of artificial channels, or runnels, protects the main shopping district. On a smaller scale, some house-owners build open channels outside their front doors and divert the rainwater along them.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
You’re a girl,” Lockwood called. “Aren’t you supposed to be more sensitive?” “To emotions, yes. To nuances of human behavior. Not necessarily to secret passages in a wall.” “Oh, it’s much the same thing. Besides, flailing about with rapiers is basically all George and I are good at.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co, #1))
Dark Specter** - A frightening variety of Type Two ghost that manifests as a moving patch of darkness. Sometimes the apparition at the center of the darkness is dimly visible; at other times the black cloud is fluid and formless, perhaps shrinking to the size of a pulsing heart, or expanding at speed to engulf a room.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
I found my flashlight where I'd dropped it on the bricks, but the bulb had broken. Lockwood's was gone, and George's seemed dimmer than before. 'Save it,' Lockwood said. He brought out candles and distributed them between us; when lit, their flames were mustard-yellow, tall, and strong. 'They'll be a good indicator of psychic build-up, too,' he said. 'Keep your eye on them.' 'Shame we can't use caged cats, like Tom Rotwell did,' George remarked. 'They're the most sensitive indicator of all, apparently - *if* you can stand the yowling.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
He had a very slender face, with a long nose and a dark mop of unruly hair.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co, #1))
Despite myself, of course, I also couldn’t help being flattered by Lockwood’s words of praise.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co, #1))
Я багато що побачила в Кумб-Кері-Голлі цієї ночі, але ця квола посмішка на старечих лютих вустах була найстрашнішим з видовищ.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
The echoes had faded, and now the eager silence of the house rose to enfold us like the waters of a well.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
He slouched, he slumped, he scuffed his way about the house like something soft about to melt.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co, #1))
Lockwood led the way down a side street, rapier glinting beneath a long, heavy overcoat that swung stylishly behind him. George and I trotted alongside.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co, #1))
It was one of those moments when a great Don’t Care wave hits you, and you float off on it, head back, looking at the sky.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co, #1))
going
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
When you go out hunting wicked spirits, it’s the simple things that matter most. The silvered point of your rapier flashing in the dark; the iron filings scattered on the floor; the sealed canisters of best Greek Fire, ready as a last resort… But tea bags, brown and fresh and plentiful, and made (for preference) by Pitkin Brothers of Bond Street, are perhaps the simplest and best of all.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co, #1))
I turned and held the blade above us all as an ineffective shield. The bloodstain on the ceiling now spread almost wall to wall; in our corner, a single triangle of clean space remained. Elsewhere torrents of blood fell in curtains, roaring, driving, gusting like rain waves in a thunderstorm. The floor was awash. It pooled between the floorboards and lashed up against the wainscoting. The chandelier dripped with it: the crystals shone red. Now I knew why the chamber was without furniture of any kind, why it had been deserted for so many years. Now I knew why it had the name it did.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
– Ну хоть одна спокойная смерть, – заметила я. – Вы так думаете? О, нет: пока леди Каролина падала вниз, она истошно кричала и хваталась руками за воздух. Мы все немного помолчали, глядя, как ветерок гонит рябь по поверхности холодной воды в озере. Затем Джордж прокашлялся и сказал: – Э-э… Прелестный розарий. – Да… Разбит на том самом месте, где упала леди Каролина. – И красивое озеро… – В этом озере утонул сэр Джон Кери. Пошел как-то ночью купаться. Рассказывают, что он благополучно доплыл до середины, а затем камнем пошел ко дну – такими тяжелыми оказались воспоминания, которые нахлынули на него в эту минуту.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
the entity known as the Clattering Bones were destroyed, but not before several further (and I now think unnecessary) deaths. And as for the creeping shadow that haunted young Mrs. Andrews, to the imperilment of her
Jonathan Stroud (The Screaming Staircase (Lockwood & Co, #1))
There - the chandelier, choked with dust and webs. A single rivulet of red had trickled from the ceiling, down the central column, and out along a curving crystal arm. At its lowest point, a new pendant of blood was slowly building. 'It - it can't do that,' I stammered. 'We're inside the iron.' 'Move out of the way!' Lockwood pushed me back just as the drop fell, spattering on the floor in the center of the circle. We were all standing almost atop the iron chains. 'We've made it too big,' he said. 'The power of the iron doesn't extend into the very center. It's weak there, and this Visitor's strong enough to overcome it.' 'Adjust the chains inward-' George began. 'If we make the circle smaller,' Lockwood said, 'we'll be squeezed in a tiny space. It's scarcely midnight; we've seven hours till dawn and this thing's just gotten started. No, we've got to break out
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
The agencies, in turn, sought the best operatives. And because extreme psychic sensitivity is almost exclusively found in the very young, this mean that whole generations of children like me found themselves becoming part of the front line.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
In those days, ghosts were fairly rare. Now we`ve got an epidemic. So it seems pretty obvious to me that the Problem`s different to what went before. Something strange and new did start happening around fifty or sixty years ago, and no one`s got a damn clue why.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
Their first stop, naturally, was the library, and here, by whirling flashlight beam, Fairfax’s body was located. He lay facedown on the rug in the center of the room, with his eyes wide open and his arms outstretched as if in supplication. The medics had the adrenaline needles ready, but they didn’t try to use them. It was already much too late. Fairfax had suffered first-degree ghost-touch, and it had left him swollen, blue, and dead. Immediate readings were carried out in the vicinity of the locket and all around the room, but everything came up negative. The spirit of Annie Ward—having been reunited with her killer—was nowhere to be found.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co, #1))
I remember sensing a jolt. I thought it was either a dream or a nightmare. Then, I woke up. The bedroom was shaking and the chair beside the bed, with the alarm clock on it, was jumping up and down. There was a strange combination of sounds - a roaring that was suddenly overwhelmed by a thunderous creaking. 'Jesus Christ.' I didn't realise it was an earthquake until I reached for the door knob and it was moving. I rushed out into the corridor and started running around in circles. The hotel was bucking and rearing like a fairground ride. I ran down the staircase and suddenly realised I was in the building's most vulnerable spot: the stairwell. So I raced back up the stairs and started screaming, 'Get out, get out. We're all going to die.' I'm not very good in emergencies.
David McPhail (The Years Before My Death)
Then the bandit turned tail and broke for the open. Greeley hit the sidewalk only seconds after him, big as he was and with a panic-stricken woman to detour around. A slice of hindmost heel was all he saw of the man. The store entrance adjoined a corner; that gave the fugitive a few added seconds of shelter, and as Greeley flashed around it in turn, again the breaks were the lawbreaker's. There was a school midway up the street toward the next avenue. It was a couple of minutes past three now, and a torrent of young humanity came pouring out of the building by every staircase and exit, flooding the street. In through them the sprinting man plunged, knocking over right and left the ones that didn't get out of his way quickly enough. If it had been hazardous to take a shot at him in the store, it would have been criminal out here. The kids parted, screaming in delighted excitement, as Greeley tore through them after the bandit with uptilted gun, but he couldn't just callously knock them flat like the man before him had. He sidestepped, got out of their way as often as they did his, and he began to fall behind the other, lose ground. The kids weren't just on that one street - they had dispersed over the entire vicinity by now, for a radius of a block or more in every direction, in frisky, milling, homeward-bound groups. Through them the quarry zigzagged, pulling slowly but surely away. He kept going in a straight line, because it was to his advantage to do so - the presence of these kids made for greater safety - but he was already far enough in the lead so that when he should finally decide to turn off - the answer was pretty obvious; a taxi or a doorway or a basement. Any of them would do. ("Detective William Brown")
Cornell Woolrich (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
Wait in the car." He opened the door and started to climb out. "Hold on! How long should I give you? What if you don't come back in a certain number of minutes? Should I call the cops?" "Don't do anything. Don't call anyone. I'll be fine." "But what if you're not?" "Then go home." And with that, he got out and jogged down the street, like if I heard screams or gunshots or whatever I would just drive on home like nothing happened. Well, good for you, I thought, watching him climb a short cement staircase and put a key in the door. You don't need anyone. Fine. I watched the clock. Three minutes went by, four. I thought about knocking on the door, having of course no idea what I would actually do once I got there. Maybe I'd have to break the door down, wrestle Cameron away from the bad men, and then carry him out the way you hear people when they get a huge burst of adrenaline. Except the person I pictured rescuing was little Cameron, in shorts and a striped T-shirt, his arms wrapped around my neck. Then there he was, bursting out of the apartment door and bounding down the steps, a big garbage bag in hand. He ran to the car, fast. I reached over and opened the passenger door and he jumped in. "Go." You can't exactly peel out in a '94 Escort, but I did my best. Cameron breathed hard, clutching the garbage bag to his chest. "What happened?" I drove a good fifteen miles per hour over the speed limit, convinced we were being chased by angry roommates with guns. "Nothing. You can slow down." I didn't. "Nothing? Nothing happened?" "They weren't even there." Then I did slow down. "No one was there? At all?" "Right." His breathing had returned to almost normal. "Then what's the deal with freaking me out like that?" My voice came out high and hysterical and I realized how nervous I'd been, imagining some dangerous scenario from which Cameron had barely escaped, an echo of that day at his house. "I don't know. I started to picture one of them pulling up and finding me there and...I panicked.
Sara Zarr (Sweethearts)
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.' It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.' 'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold. Where I slammed into an invisible wall. I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me. I reached a hand to the open air of the doorway. And met solid resistance. 'Tamlin,' I rasped. But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale. 'Tamlin,' I said again, pushing against the wall. He didn't turn. I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake- 'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.' He'd locked me in here. I hit the shield again. Again. Nothing. 'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.' I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too. He'd locked me in. He'd sealed me inside the house. I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin. Breathing became difficult. I was trapped. I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again- I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate. He'd trapped me in here; he'd locked me up. I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains. And then crushing black pounded down and rose up beneath, devouring and roaring and shredding. It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself. He'd trapped me; he'd trapped me; he'd trapped me- I had to get out, because I'd barely escaped from another prison once before, and this time, this time- Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out- Someone was shouting my name from far away. Alis- Alis. But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the folden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air- I couldn't get out; I couldn't get out; I couldn't get out-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Run!” Helena cried and ran down the staircase. Maryse took the steps two at a time, passing Helena on the way, and almost fell as she hit the foyer floor. The scream of police sirens was far too close for comfort, and Maryse struggled to pick up the pace. Skidding on the polished wood, she dashed around the corner and onto the textured tile in the kitchen, where her shoes had a much better grip and she picked up some speed. She ran into the laundry room, shoving down the window where she’d entered the house. Then she rushed out the side door, locking it before she slammed it behind her. She made for the huge hedge of bushes that separated Helena
Jana Deleon (Ghost-in-Law Series 1-3 Boxset)
Even as she descends the staircase into the bowels of the Earth, her tears run infinitely longer than her screams ever could.
Mona Kabbani (The Bell Chime)
stupidly let myself hope. I let myself have a spark of relief that he must have decided on mercy now that he had me. But as he dragged me up the narrow staircase to the garage entrance, the deafening crack of a gunshot echoed through the small space. An agonized scream tore from my throat, and I tried desperately to wrench my hand free. But the gas was doing its work. I was weaker than wet tissue paper and just sagged to the ground instead.
Tate James (Kate (Madison Kate, #4))
And do you mean to say he had peace and quiet with you there?’ said the driver teasingly. ‘Well, well!’ ‘It’s not so quiet there really,’ said Tinker. ‘The waves make such a noise, and so does the wind. But my father didn’t really notice those. He only notices things like bells ringing, or people talking, or somebody knocking at the door. Things like that drive him mad. He loved the lighthouse.’ ‘Well – I hope you enjoy yourselves there,’ said the driver. ‘It’s not my cup of tea – hearing nothing but waves and gulls crying. Better you than me!’ They descended the other side of the hill and the lighthouse was no longer to be seen. ‘Soon be there now,’ said Tinker. ‘Mischief, will you like to be at the lighthouse again? How quickly you could go up the spiral staircase and down – do you remember?’ The car swept down almost to the edge of the sea. The lighthouse was now plainly to be seen, a good way out from the shore. A small boat bobbed at a stone jetty, and Tinker pointed it out with a scream of joy. ‘That’s the boat we had – the one that took us to and from the lighthouse when the tide was in! It’s called Bob-About, and it does bob about too.’ ‘Is it yours?’ asked George, rather jealously.
Enid Blyton (Five Go To Demon's Rocks (Famous Five series))
Jasmine turned to see Fatimah, who was chanting something in an unfamiliar language, her eyes locked on Dahish's. Jasmine's mouth fell open as Fatimah's body jerked forward and began to spin, shedding her mortal skin... and revealing herself to be a magnificent blue genie. Dahish roared in fury, focused solely on the genie now. Fatimah extended her arm, sparks flowing from her fingertips as she fought Dahish's breaths of fire with flashes of lightning. While the genie and the ifrit battled on the landing above, and Aladdin and the street fighters defended the palace from the ghūls and monsters, Scheherazade's words echoed in Jasmine's ears. Create the ending of your story that you choose. Forget what is possible... And with the power of her conviction, Jasmine raced up the staircase two at a time to where the ifrit and the genie battled. Taking a steely breath, she leaped up onto the ifrit's fiery back, catching it by surprise--- and with Scheherazade's knife, Jasmine stabbed Dahish in the eye. Dahish flailed blindly, tumbling to the floor. Fatimah swooped down next to him and something materialized in her palm. The brass bottle. The atrium echoed with the sound of his defeated screams as Fatimah captured Dahish and forced him back into his brass bottle, throwing it into the last flames of the fire with Payam's bloodied body. As they burned, the remaining ghūls and snakes disintegrated before Jasmine's eyes, turning to ash now that the ifrit who controlled them was gone. Jasmine and Aladdin ran into each other's arms, exhausted and elated. The battle was won. Fatimah floated toward them, bowing gracefully, as if they hadn't all just been through a war. "Well done, Sultana.
Alexandra Monir (Realm of Wonders (The Queen’s Council, #3))
broke from the trance and glanced to the side, where a light shined at the top of the staircase. Adrenaline surged through my veins, and I pivoted and dashed up the stairs. A tearless sob broke from my chest. I glanced over my shoulder to see him chasing after me, and I let out a scream.
Keri Lake (Nocticadia)
Let’s see. In the previous twelve hours, I’d almost been murdered by a vicious ghost. I’d fallen from an upstairs window into a small tree. I’d sprained my arm. I’d had a spotty bloke with tweezers pulling twigs and thorns out of sensitive portions of my anatomy half the night. I’d also set fire to a small suburban house. Oh, and Lockwood had been ghost-touched and, whatever state he’d been left in, was now being grilled by the police.
Jonathan Stroud (The Screaming Staircase (Lockwood & Co, #1))