“
Then you'll feel your cheek scratched...
A little kiss, like a crazy spider,
Will run round your neck...
And you'll say to me : "Find it !" bending your head
- And we'll take a long time to find that creature
- Which travels a lot...
”
”
Arthur Rimbaud
“
You can’t have him, okay,” she said from behind the wire barrier.
“Mm-hmm,” I whispered.
“This is certainly a beautiful neighborhood.”
“Yeah, I guess.”
“I will scratch those eyes out of your ugly head.
”
”
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
“
You're back," Sam said, as if he couldn't quite believe it.
She lifted her chin, stuffing her hands in her pockets. "Obviously."
He tilted his head slightly to the side. "How was the desert?"
There wasn't a scratch on him. Of course, her face had healed too but... "Hot," she said. Sam let out a breathy chuckle.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
Fearghus entered what he now considered her chamber, but immediately ducked the book flung at his head. Clearly she’d been waiting for him. And she was not happy.
“He’s the one supposed to be helping me,” she roared at him.
“Did you just throw a book at me? In my own den?”
“Yes. And I’d throw it again!”
Fearghus scratched his head in confusion. He’d never met a human brave enough—or stupid enough, depending on your point of view—to challenge him. “But,” he croaked out, amazed, “I’m a dragon.”
“And I have tits. It means nothing to me!
”
”
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
“
May I remind you, Howard, that mens means "the mind" and mensa means "a table"? But I expect in your case the two things are the same. No, no, don't scratch your head, boy. You'll get splinters.
”
”
Diana Wynne Jones
“
That afternoon, I did something unusual. I visited the library. Yeah, I know. I could almost hear that turntable needle scratch in your head as you tried to process that idea. If I told you I fell into Tartarus again, or got swallowed by a giant, or had to go bungee jumping in a volcano, you’d be like, Yeah, that makes sense. But Percy visiting a library? That’s way off brand.
”
”
Rick Riordan (The Chalice of the Gods (Percy Jackson and the Olympians, #6))
“
Vampire females are as good as extinct.”
Thad was aghast. “No females?”
Natalya patted his shoulder. “You can date other species, Tiger. Don’t you worry. I’ve already thought of some ladies to relieve you of your big V. One’s a nymph—”
“Over my dead body,” Regin said. “Two-bit hookers, every one of them.”
Thad scratched his head. “Mr. Lothaire said every male needed a purring nymph or two chained to the foot of his
bed. As pets.”
Natalya gasped. “All right, lad, no more talking to Lothaire.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
What a luxury a cat is, the moments of shocking and startling pleasure in a day, the feel of the beast, the soft sleekness under your palm, the warmth when you wake on a cold night, the grace and charm even in a quite ordinary workaday puss. Cat walks across your room, and in that lonely stalk you see leopard or even panther, or it turns its head to acknowledge you and the yellow blaze of those eyes tells you what an exotic visitor you have here, in this household friend, the cat who purrs as you stroke, or rub his chin, or scratch his head.
”
”
Doris Lessing (The Old Age of El Magnifico)
“
Raffe watches me as if reading my thoughts. Then he looks at the locusts. His lip curls as he assesses them, his eyes scanning from their thick legs to their insectile torsos to their iridescent wings. He looks at the curled stingers last.
He shakes his head. ‘Those wings are so flimsy I wouldn’t trust them to carry you. And those overgrown nails – you’d catch an infection if they scratched you. You can ride one when they improve on the design.’ He steps forward and, in one smooth motion, lifts me into his firm embrace. ‘Until then, you’re stuck with me being your air taxi.’
He takes flight before I can argue
”
”
Susan Ee (End of Days (Penryn & the End of Days, #3))
“
... so many nominal Christians throughout history, took no notice whatsoever of the key parable of Jesus Christ himself, which taught that you shall love your neighbour as you love yourself, and even those that you have despised and hated are your neighbours. This never made any difference to Christians, since the primary epiphenomena of any religion’s foundation are the production and flourishment of hypocrisy, megalomania and psychopathy, and the first casualties of a religion’s establishment are the intensions of its founders. One can imagine Jesus and Mohammed glumly comparing notes in paradise, scratching their heads and bemoaning their vain expense of effort and suffering, which resulted only in the construction of two monumental whited sepulchres. ...
”
”
Louis de Bernières (Birds Without Wings)
“
The simultaneous scream sounded from teh twins. Borth clasped their hands over their mouths, their eyes wide with horror. Azalea followed their gaze.
There, in patches of light, scratched-up Fairweller held a weeping clover in his arms, cradling her head against his shoulder. He murmured into her ear.
Delphinium screamed.
"Oh, Clover, how could you?" said Eve.
"Is he a good kisser?" said Hollyhock.
The King had no words as he strode to them. In an instant he had torn Fairweller away from Clover, wound up, and boxed Fairweller straight in the face.
Fairweller stumbled backward and fell to the floor, glass crunching beneath him.
"You may fill out your resignation paperwork tomorrow," said the King. "ExPrime Minister Fairweller!
”
”
Heather Dixon Wallwork (Entwined)
“
Cerberus,” I said promptly. “But everyone knows that.” “Do you know what it means?” I opened my mouth and closed it again. I shook my head. “It is from an ancient word, kerberos. It means ‘spotted.’” I blinked. “You’re a genuine Greek god. You’re the Lord of the Underworld. And . . . you named your dog Spot?” “Who’s a good dog?” Hades said, scratching the third head behind the ears, and making the beast’s mouth drop open in a doggy grin. “Spot is. Yes, he is.
”
”
Jim Butcher (Skin Game (The Dresden Files, #15))
“
When the New York Times scratches its head, get ready for total baldness as you tear out your hair.
”
”
Christopher Hitchens
“
You let time pass. That's the cure. You survive the days. You float like a rabid ghost through the weeks. You cry and wallow and lament and scratch your way back up through the months.
And then one day you find yourself alone on a bench in the sun and you close your eyes and lean your head back and you realize you're okay.
”
”
Cheryl Strayed (Brave Enough)
“
Well, what if..." Scarlet listed her head. "You said the control when your animal instincts will overpower your own thoughts right? But fighting and hunting aren't the only instincts wolves have. Aren't wolves...monogamous, for starters?" Her cheeks started to burn and she had to look away, scratching her fork into a set of initial. "And isn't the alpha male the one who's responsible for protecting everyone? Not only the pack, but his mate too?" Dropping the fork, she threw her hands into the air. "I'm not saying I think you and I are--after just--I know we just met and that's...but it's not out of the questions, is it? That your instincts to protect me could be as strong as your instincts to kill?
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
Parcifal is one of those corkscrew artifact of culture in which you get the subjective sense that you've learned something from it, something valuable or even priceless; but on closer inspection you suddenly begin to scratch your head and say "Wait a minute. This makes no sense.
”
”
Philip K. Dick (VALIS)
“
How's your foot?” Hadrian asked.
“It hurts.”
“He had a good hold.”
“Bit right through my boot.”
“Yeah, that looked painful.”
“So why exactly didn't you help?”
Hadrian shrugged. “It was a dog, Royce. A cute, little dog. What did you want me to do, kill
an innocent little animal?”
Royce tilted his head, squinting into the light of the late evening sun to focus on his friend.
“Is that a joke?”
“It was a puppy.”
“It was not a puppy, and it was eating my foot.”
“Yeah, but you were invading his home.”
....
“You know, you didn't have to throw it out the window,” Hadrian said as they walked.
Royce, who was still preoccupied with his foot, looked up. “What did you want me to do
with it? Scratch behind the little monster’s ears as it gnawed my toes off? What if it started barking?
That would have been a fine mess.”
“It's a good thing there was a moat right under the window.”
Royce stopped. “There was?
”
”
Michael J. Sullivan (The Viscount and the Witch (The Riyria Chronicles, #1.5))
“
Sespian opened his mouth, paused, closed it, then shook his head ruefully. "It's very easy to be drawn into what you're saying, and I catch myself wanting to nod and agree. Maybe I should take notes on your technique."
Amaranthe blushed and felt like she should stutter an apology, but she hadn't done anything to be embarrassed about, had she?
"It's her eyes", Sicarius said, startling her..
Yara glanced over her shoulder at him, apparently, surprised to hear him speak, but soon turned her attention back to the tracks. She seemed to be believe she should remain silent for the discussion.
Sespian scratched his jaw. "Yes, maybe so. They're like a doe's. Warm and earnest and..."
"Wholesome. Sicarius's eyes glinted, and Amaranthe scowled at him.
”
”
Lindsay Buroker
“
Truth usually makes no sense. If your desire is for everything to make perfect sense, then you should take refuge in fiction. In fiction, all threads tie together in a neat bow and everything moves smoothly from one point to the next to the next. In real life, though... nothing makes sense. Bad things happen to good people. The pious die young while the wicked live until old age. War, famine, pestilence, death all occur randomly and senselessly and leave us more often than not scratching our heads and hurling the question 'why?' into a void that provides no answers.
”
”
Peter David (Tigerheart)
“
I want to talk about creating your life. There’s a quote I love, from the poet Mary Oliver, that goes:
Tell me, what is it you plan to do with your one wild and precious life?
I so clearly remember what it was like, being young and always in the grip of some big fat daydream. I wanted to be a writer always, but more than that, I wanted to have an extraordinary life. I’m sure I dreamed it a million different ways, and that plenty of them were ridiculous, but I think the daydreams were training for writing, and I also think they spurred me to pursue my dreams for real.
Daydreaming, however awesome it is, is passive. It happens in your head. Learning to make dreams real is another matter, and I think it should be the work of your life. Everyone’s life, whatever their dream (unless their dream is to be an axe murderer or something.)
It took me a while to finish a book. Too long. And you know, it doesn’t matter how good a writer you are unless you finish what you start! I think this is the hardest part for most people who want to write. I was in my mid-30s before I figured it out. The brain plays tricks. You can be convinced you’re following your dream, or that you’re going to start tomorrow, and years can pass like that. Years.
The thing is, there will be pressure to adjust your expectations, always shrinking them, shrinking, shrinking, until they fit in your pocket like a folded slip of paper, and you know what happens to folded slips of paper in your pocket. They go through the wash and get ruined. Don’t ever put your dream in your pocket. If you have to put it somewhere, get one of those holsters for your belt, like my dad has for his phone, so you can whip it out at any moment.
Hello there, dream.
Also, don’t be realistic. The word “realistic” is poison. Who decides?
And “backup plan” is code for, “Give up on your dreams,” and everyone I know who put any energy into a backup plan is now living that backup plan instead of their dream. Put all your energy into your dream. That’s the only way it will ever become real.
The world at large has this attitude, “What makes you so special that you think you deserve an extraordinary life?”
Personally, I think the passion for an extraordinary life, and the courage to pursue it, is what makes us special. And I don’t even think of it as an “extraordinary life” anymore so much as simple happiness. It’s rarer than it should be, and I believe it comes from creating a life that fits you perfectly, not taking what’s already there, but making your own from scratch.
You can let life happen to you, or you can happen to life. It’s harder, but so much better.
”
”
Laini Taylor
“
All right." He straightened up and seemed to be true to his promise to let it go. "I will be a man about this."
That lasted until he saw the scratches on the hood from the mountain lion and the front fender, Where Abigail had dragged it off the driveway.
Wailing, he went to it and sank to his knees. He sprawled over the hood and laid his head on the damaged fender. "I'm so sorry, Bets. I should of hidden the keys. Booted your tires. Something. I had know idea anyone would hurt you so, baby. I swear I'll never let anyone hurt you again. Ayyy, how could they do this to you? How? Oh the humanity!
”
”
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
“
Khoruts gave me a memorable example of how behavior can be covertly manipulated by microorganisms. The parasite Toxoplasma infects rats but needs to make its way into a cat’s gut to reproduce. The parasite’s strategy for achieving this goal is to alter the rat brain such that the rodent is now attracted to cat urine. Rat walks right up to cat, gets killed, eaten. If you saw the events unfold, Khoruts continued, you’d scratch your head and go, What is wrong with that rat? Then he smiled. “Do you think Republicans have different flora?
”
”
Mary Roach (Gulp: Adventures on the Alimentary Canal)
“
You might not get the apology you deserve. You might not get answers to explain the actions of others. You might not get truth that makes sense to you. You might not get people to understand what you went through because of them. You might not get communication. You might not get maturity. You might not get mercy or even common decency. You might not get respect or the chance to explain your side of the story. However, you do get to choose how people treat you. God loves you enough to bring people into your life who won't hurt you, abuse you, betray you, lie and gossip about you, psycho analyse you, break your heart or make you an option or choice. He will bring people into your life that will love you, respect you, fight for you, show gratitude for your love and want to be a part of your life mission. The best part of this is you don't have to convince them of your worth. They want to be there. They know your value. They know your struggles. They are in touch with their own faults and understand you struggle just like everyone else. They won't hold you to a greater standard then they do themselves. They care about you and don't want to see you cry, feel discouraged or give up on this life. When you know the power of who you are and what you have to accomplish you will scratch your head in disbelief that you allowed other people to dictate who you are based on little knowledge of what God knows about you and your life purpose. Letting go isn't about accepting defeat or acknowledging you were wrong. Sometimes letting go is realizing that God has something better in store for you.
”
”
Shannon L. Alder
“
I’m looking for Fat Hoochie Prom Queen,” I declared.
He did not respond.
“It’s a book,” I said. “Not a person.”
Nope. Nothing.
“At the very least, can you tell me the author?”
He looked at his computer, as if it had some way to speak to me without any typing on his part.
“Are you wearing headphones that I can’t see?” I asked.
He scratched at the inside of his elbow.
“Do you know me?” I persisted. “Did I grind you to a pulp in kindergarten, and are you now getting sadistic pleasure from this petty revenge?
Stephen Little, is that you? Is it? I was much younger then, and foolish to have nearly drowned you in that water fountain. In my defense, your
prior destruction of my book report was a completely unwarranted act of aggression.”
Finally, a response. The information desk clerk shook his shaggy head.
“No?” I said.
“I am not allowed to disclose the location of Fat Hoochie Prom Queen,” he explained. “Not to you. Not to anyone. And while I am not Stephen
Little, you should be ashamed of what you did to him. Ashamed.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish.
Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. “They bite.”
“Serves you right,” I said. “‘Oh, look, a dark lake full of something shiny. Let me put my hand in it.’”
“I can’t help being delicious,” he said, that familiar cocky grin flashing across his face like light over water. Then he seemed to catch himself. He shouldered his pack, and I knew he was about to move away from me.
I wasn’t sure where the words came from: “You didn’t fail me, Mal.”
He wiped his damp hand on his thigh. “We both know better.”
“We’re going to be traveling together for who knows how long. Eventually, you’re going to have to talk to me.”
“I’m talking to you right now.”
“See? Is this so terrible?”
“It wouldn’t be,” he said, gazing at me steadily, “if all I wanted to do was talk.”
My cheeks heated. You don’t want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. “Mal—”
“I need to keep you safe, Alina, to stay focused on what matters. I can’t do that if . . .” He let out a long breath. “You were meant for more than me, and I’ll die fighting to give it to you. But please don’t ask me to pretend it’s easy.”
He plunged ahead into the next cave.
I looked down into the glittering pond, the whorls of light in the water still settling after Mal’s brief touch. I could hear the others making their noisy way through the cavern.
“Oncat scratches me all the time,” said Harshaw as he ambled up beside me.
“Oh?” I asked hollowly.
“Funny thing is, she likes to stay close.”
“Are you being profound, Harshaw?”
“Actually, I was wondering, if I ate enough of those fish, would I start to glow?”
I shook my head. Of course one of the last living Inferni would have to be insane. I fell into step with the others and headed into the next tunnel.
“Come on, Harshaw,” I called over my shoulder.
Then the first explosion hit.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
You can't just fly into the Great Coat, shoot your way into Bluewater, and take Kai and his father,' I told him.
'Why not?'
'Cause you can't. They'll killl you, for one thing.'
Ulysses scratched his beard. 'Hmm. Need a better plan.
”
”
Cameron Stracher (The Water Wars)
“
And don't pay attention to Christina. Your face doesn't look that bad." He smiles a little. "I mean, it looks good. It always looks good. i mean--you look brave. Dauntless." His eyes skirt mine, and he scratches the back of his head. The silence grows between us. It was a nice thing to say, but he acts like it means more than just words. I hope I am wrong. I could not be attracted to Al-- I could not be attracted to anyone that fragile. I smile as much as my bruised cheek will allow, hoping that will diffuse the tension.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
And speaking of footwear, yours are on the wrong feet.” Keller looked down at his shoes and scratched his head before tipping his head up again. “But I don’t have any other feet,” he finally said.
”
”
Jill Shalvis (The Trouble with Mistletoe (Heartbreaker Bay, #2))
“
There's your problem," Leo announced.
Jason scratched his head. "Uh.... what are we looking at?"
Leo thought it was pretty obvious, but Piper looked confused too.
"Okay," Leo sighed, " you want the full explanation or the short explanation?"
"Short," Piper and Jason said in unison.
Leo gestured to the empty core. "The syncopator goes here. It's a multi-access gyro-valve to regulate flow. The doxen glass tubes on the outside? Those are filled with powerful,dangerous stuff. That glowing red one is Lemnos fire from my dad's forges. This murky stuff here? That's water from the River Styx. The stuff in the tubes is going to power the ship, right? Like radioactive rods in a nuclear reactor. But the mix ratio has to be controlled, and the timer is already operational.... That means without the syncopator, this stuff is all going to vent into the chamber at the same time, in sixty-five minutes. At that point, we'll get a very nasty reaction."
Jason and Piper stared at him. Leo wondered if he'd been speaking English. Sometimes when he was agitated he slipped into Spanish, like his mom used to do in her workshop. But he was pretty sure he'd used English.
"Um..." Piper cleared her throat." Could you make the short explanation shorter?"
Leo palm-smacked his forehead. "Fine. One hour. Fluids mix. Bunker goes ka-boom. One square mile of forest tuns into a smoking crater."
"Oh," Piper said in a small voice. "Can't you just..... turn it off?"
"Gee, I didn't think of that!" Leo said. "Let me just hit this switch and - No, Piper. I can't turn it off.
”
”
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
“
Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lamb's-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscadine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother's soft hand on your cheek. An arrow of starlings fired from the windbreak's thatch. The glitter of dew that stays where it is and steams all day. A sunflower, four more, one bowed, and horses in the distance standing rigid and still as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers.
Some crows come overhead then, three or four, not a murder, on the wing, silent with intent, corn-bound for the pasture's wire beyond which one horse smells at the other's behind, the lead horse's tail obligingly lifted. Your shoes' brand incised in the dew. An alfalfa breeze. Socks' burrs. Dry scratching inside a culvert. Rusted wire and tilted posts more a symbol of restraint than a fence per se. NO HUNTING. The shush of the interstate off past the windbreak. The pasture's crows standing at angles, turning up patties to get at the worms underneath, the shapes of the worms incised in the overturned dung and baked by the sun all day until hardened, there to stay, tiny vacant lines in rows and inset curls that do not close because head never quite touches tail. Read these.
”
”
David Foster Wallace (The Pale King)
“
ou let time pass. That’s the cure. You survive the days. You float like a rabid ghost through the weeks. You cry and wallow and lament and scratch your way back up through the months. And then one day you find yourself alone on a bench in the sun and you close your eyes and lean your head back and you realize you’re okay.
”
”
Cheryl Strayed (Brave Enough: A Collection of Inspirational Quotes)
“
Yes, you’re adorable, aren’t you? Are you a good boy, Snugglepumpkin?” Oberon wagged his tail and came over within petting distance. “Oh, yes, you are a good boy, yes, you are.” She stopped making sense and instead made high-pitched squeals of delight as she scratched Oberon’s giant head; the rest of us stood and watched as a woman with an advanced degree completely lost her mind. Okay,
”
”
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
“
Cut it out!" Phillip exploded. "Cut it out right now or I swear I'm going to pull over and knock your heads together. Oh, my God." He took one hand off the wheel to drag it down his face. "I sound like Mom. Forget it. Just forget it. Kill each other. I'll dump the bodies in the mall parking lot and drive to Mexico. I'll learn how to weave mats and sell them on the beach at Cozumel. I'll be quiet, it'll be peaceful. I'll change my name to Raoul, and no one will know I was ever related to a bunch of fools."
Seth scratched his belly and turned to Cam. "Does he always talk like that?"
"Yeah, mostly. Sometimes he's going to be Pierre and live in a garret in Paris, but it's the same thing."
"Weird," was Seth's only comment. (...) Getting new shows was turning into a new adventure.
”
”
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
“
Yesterday is history, Tomorrow is a mystery, and today is a gift.
To handle yourself, use your head, To handle others, use your heart.
What would life be if we had not courage to attempt anything?
When the going gets tough, the tough get going.
”
”
Connie Fairbanks (Scratch That (TM) Seasonal Menus and Perfect Pairings)
“
Hey, Zee,” I said. “I take it that you can fix it, but it’ll be miserable, and you’d rather haul it to the dump and start from scratch.”
“Piece of junk,” groused Zee. “What’s not rusted to pieces is bent. If you took all the good parts and put them in a pile, you could carry them out in your pocket.” There was a little pause. “Even if you only had a small pocket.”
I patted the car. “Don’t you listen to him,” I whispered to it. “You’ll be out of here and back on the road in no time.”
Zee propelled himself all the way under the car so his head stuck out by my feet. “Don’t you promise something you can’t deliver,” he snarled.
I raised my eyebrows, and said in dulcet tones, “Are you telling me you can’t fix it? I’m sorry. I distinctly remember you saying that there is nothing you can’t fix. I must have been mistaken, and it was someone else wearing your mouth.”
He gave a growl that would have done Sam credit, and pushed himself back under again, muttering,“Deine Mutter war ein Cola-Automat!”
“Her mama might have been a pop machine,” I said, responding to one of the remarks I understood even at full Zee-speed. “Your mama . . .” sounds the same in a number of languages.
“But she was a beauty in her day.” I grinned at Gabriel. “We women have to stick together.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
Hardly had the light been extinguished, when a peculiar trembling began
to affect the netting under which the three children lay.
It consisted of a multitude of dull scratches which produced a metallic
sound, as if claws and teeth were gnawing at the copper wire. This was
accompanied by all sorts of little piercing cries.
The little five-year-old boy, on hearing this hubbub overhead, and
chilled with terror, jogged his brother's elbow; but the elder brother
had already shut his peepers, as Gavroche had ordered. Then the little
one, who could no longer control his terror, questioned Gavroche, but in
a very low tone, and with bated breath:--
"Sir?"
"Hey?" said Gavroche, who had just closed his eyes.
"What is that?"
"It's the rats," replied Gavroche.
And he laid his head down on the mat again.
The rats, in fact, who swarmed by thousands in the carcass of the
elephant, and who were the living black spots which we have already
mentioned, had been held in awe by the flame of the candle, so long as
it had been lighted; but as soon as the cavern, which was the same
as their city, had returned to darkness, scenting what the good
story-teller Perrault calls "fresh meat," they had hurled themselves in
throngs on Gavroche's tent, had climbed to the top of it, and had begun
to bite the meshes as though seeking to pierce this new-fangled trap.
Still the little one could not sleep.
"Sir?" he began again.
"Hey?" said Gavroche.
"What are rats?"
"They are mice."
This explanation reassured the child a little. He had seen white mice in
the course of his life, and he was not afraid of them. Nevertheless, he
lifted up his voice once more.
"Sir?"
"Hey?" said Gavroche again.
"Why don't you have a cat?"
"I did have one," replied Gavroche, "I brought one here, but they ate
her."
This second explanation undid the work of the first, and the little
fellow began to tremble again.
The dialogue between him and Gavroche began again for the fourth time:--
"Monsieur?"
"Hey?"
"Who was it that was eaten?"
"The cat."
"And who ate the cat?"
"The rats."
"The mice?"
"Yes, the rats."
The child, in consternation, dismayed at the thought of mice which ate
cats, pursued:--
"Sir, would those mice eat us?"
"Wouldn't they just!" ejaculated Gavroche.
The child's terror had reached its climax. But Gavroche added:--
"Don't be afraid. They can't get in. And besides, I'm here! Here, catch
hold of my hand. Hold your tongue and shut your peepers!
”
”
Victor Hugo (Les Misérables)
“
I AM ROWING (a hex poem)
i have cursed your forehead, your belly, your life
i have cursed the streets your steps plod through
the things your hands touch
i have cursed the inside of your dreams
i have placed a puddle in your eye so that you cant see anymore
an insect in your ear so that you cant hear anymore
a sponge in your brain so that you cant understand
anymore
i have frozen you in the soul of your body
iced you in the depths of your life
the air you breathe suffocates you
the air you breathe has the air of a cellar
is an air that has already been exhaled
been puffed out by hyenas
the dung of this air is something no one can breathe
your skin is damp all over
your skin sweats out waters of great fear
your armpits reak far and wide of the crypt
animals drop dead as you pass
dogs howl at night their heads raised toward your house
you cant run away
you cant muster the strength of an ant to the tip of your feet
your fatigue makes a lead stump in your body
your fatigue is a long caravan
your fatigue stretches out to the country of nan
your fatigue is inexpressible
your mouth bites you
your nails scratch you
no longer yours, your wife
no longer yours, your brother
the sole of his foot bitten by an angry snake
someone has slobbered on your descendents
someone has drooled in the mouth of your laughing little girl
someone has walked by slobbering all over the face of your domain
the world moves away from you
i am rowing
i am rowing
i am rowing against your life
i am rowing
i split into countless rowers
to row more strongly against you
you fall into blurriness
you are out of breath
you get tired before the slightest effort
i row
i row
i row
you go off drunk tied to the tail of a mule
drunkenness like a huge umbrella that darkens the sky
and assembles the flies
dizzy drunkenness of the semicircular canals
unnoticed beginnings of hemiplegia
drunkeness no longer leaves you
lays you out to the left
lays you out to the right
lays you out on the stony ground of the path
i row
i row
i am rowing against your days
you enter the house of suffering
i row
i row
on a black blinfold your life is unfolding
on the great white eye of a one eyed horse
your future is unrolling
I AM ROWING
”
”
Henri Michaux
“
No one in the world knows the real you; that you were good, that you were innocent.
They do not know that you were troubled by the rain to save little earthworms, that you were filled with smiles for blooming lotuses.
Everyone in the world resents you for being cold-blooded, but they don’t know that you once shyly scratched your head and said, 'I… I don’t have much ability. If I have some spare money in the future, I should build more houses and settle down with people who live in the same condition as I was before.'
Everyone hates you for killing and slaughtering, but they don’t know that you had told me before, 'Shizun, I want a holy weapon that is like Tianwen. It can distinguish between black and white, and can save lives.'
Everyone was cursing you, they want to punish you. I know the truth, but I can’t give you back your dignity.
”
”
肉包不吃肉 (二哈和他的白猫师尊)
“
I learned that childhood rhyme or the dictum that demanded you scratch your head every time you heard a siren, lest the next siren be for you. But I do know when I started doing it, and now it’s become second nature. Still, in a place like Manhattan, where the sirens are always blaring, it can become exhausting to keep up.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
Margaret looked up at him from where she sat by the window.
"Oh, Brother Gregory, what's wrong with your hand"
"I'm just scratching it; it itches."
"Really, is it red?"
"No, it's just a bite. You gave me a flea."
"I don't have fleas, Brother Gregory," insisted Margaret.
"Everyone has fleas, Margaret. It's part of God's plan."
"I don't. I wash them off."
"Margaret, you haven't any sense at all. They just hop back. You can't wash enough to keep them off."
"I do."
"Aren't you afraid your skin will come off? It could, you know. That's much worse than fleas." Brother Gregory spoke with an air of absolute certainty.
"Everyone tells me that. It hasn't come off yet."
"Margaret, you're too hardheaded for your own good. Now take for your next sentence, 'Fleas do not wash off.'"
"Is this right?" She held up the tablet, and Brother Gregory shook his head in mock indignation.
"I despair of you, Margaret. Flea is not spelled with one e--it's spelled with two.
”
”
Judith Merkle Riley (A Vision of Light (Margaret of Ashbury, #1))
“
Damn you, you made up lame excuses and practically patted me on the head. And tonight, you've got an itch and you're annoyed that I wasn't here to scratch it.
”
”
Nora Roberts (For the Love of Lilah (The Calhoun Women #3))
“
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites.
"No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation.
"Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing.
Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green.
Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case.
Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her.
I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away.
I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Put it on record
--I am an Arab
And the number of my card is fifty thousand
I have eight children
And the ninth is due after summer.
What's there to be angry about?
Put it on record.
--I am an Arab
Working with comrades of toil in a quarry.
I have eight childern
For them I wrest the loaf of bread,
The clothes and exercise books
From the rocks
And beg for no alms at your doors,
--Lower not myself at your doorstep.
--What's there to be angry about?
Put it on record.
--I am an Arab.
I am a name without a tide,
Patient in a country where everything
Lives in a whirlpool of anger.
--My roots
--Took hold before the birth of time
--Before the burgeoning of the ages,
--Before cypess and olive trees,
--Before the proliferation of weeds.
My father is from the family of the plough
--Not from highborn nobles.
And my grandfather was a peasant
--Without line or genealogy.
My house is a watchman's hut
--Made of sticks and reeds.
Does my status satisfy you?
--I am a name without a surname.
Put it on Record.
--I am an Arab.
Color of hair: jet black.
Color of eyes: brown.
My distinguishing features:
--On my head the 'iqal cords over a keffiyeh
--Scratching him who touches it.
My address:
--I'm from a village, remote, forgotten,
--Its streets without name
--And all its men in the fields and quarry.
--What's there to be angry about?
Put it on record.
--I am an Arab.
You stole my forefathers' vineyards
--And land I used to till,
--I and all my childern,
--And you left us and all my grandchildren
--Nothing but these rocks.
--Will your government be taking them too
--As is being said?
So!
--Put it on record at the top of page one:
--I don't hate people,
--I trespass on no one's property.
And yet, if I were to become starved
--I shall eat the flesh of my usurper.
--Beware, beware of my starvation.
--And of my anger!
”
”
Mahmoud Darwish
“
You’re seeing someone else, aren’t you?"
Seeing someone else? How on earth could that explain any of this? Why would seeing someone else necessitate bringing home a middle-aged woman, a teenaged punk and an American with a leather jacket and a Rod Stewart haircut? What would the story have been? But then, after reflection, I realised that Penny had probably been here before, and therefore knew that infidelity can usually provide the answer to any domestic mystery. If I had walked in with Sheena Easton and Donald Rumsfeld, Penny would probably have scratched her head for a few seconds before saying exactly the same thing.
In other circumstances, on other evenings, it would have been the right conclusion, too; I used to be pretty resourceful when I was being unfaithful to Cindy, even if I do say so myself. I once drove a new BMW into a wall, simply because I needed to explain a four-hour delay in getting home from work. Cindy came out into the street to inspect the crumpled bonnet, looked at me, and said, “You’re seeing someone else, aren’t you?” I denied it, of course.
But then, anything – smashing up a new car, persuading Donald Rumsfeld to come to an Islington flat in the early hours of New Year’s Day – is easier than actually telling the truth. That look you get, the look which lets you see right through the eyes and down into the place where she keeps all the hurt and the rage and the loathing... Who wouldn’t go that extra yard to avoid it?
”
”
Nick Hornby (A Long Way Down)
“
Do you know my dog’s name?” “Cerberus,” I said promptly. “But everyone knows that.” “Do you know what it means?” I opened my mouth and closed it again. I shook my head. “It is from an ancient word, kerberos. It means ‘spotted.’” I blinked. “You’re a genuine Greek god. You’re the Lord of the Underworld. And . . . you named your dog Spot?” “Who’s a good dog?” Hades said, scratching the third head behind the ears, and making the beast’s mouth drop open in a doggy grin. “Spot is. Yes, he is.
”
”
Jim Butcher (Skin Game (The Dresden Files, #15))
“
No way," he said, shaking his head, shaking the image of Lise, bare-legged, her skirt hitched high, from his thoughts. "Lise, she’s a sister to me."
"Oh," she said, fingertips making circles just above the waist of her skirt. Wider and wider circles.
"A sister," he repeated. He looked at her. There was something scratching again, in the corner above his eye, like those metal probes at the dentist clawing at your teeth.
”
”
Megan Abbott (The Fever)
“
Hot.” The last word, barely a whisper, lost itself in my hair as he pressed his lips to that spot just below my ear that can, apparently, flip the off switch in my brain. Before I realized it my hands were inside that jacket, stroking the hard planes of his chest and stomach. And then, as if moving without any prompting from me they reached down, undid his belt, pulled it loose, and…“Ahhh, that feels great,” I moaned.“I am completely grossed out over here!” Cassandra informed us.Vayl, who’d been peering down at me with an expression of utter disbelief, stared at Cassandra over the top of my head. “It is not what you think,” he assured her.“As if I’d do something that disgusting,” I said, pulling away from him, but keeping the belt, because the buckle relieved the itching so much better than fingernails. I continued using it to scratch the inflamed skin across my stomach as I sat down by Cassandra.
“You are pathetic,” she told me.
“I’d get all offended, but I’m pretty sure you’re right.
”
”
Jennifer Rardin (One More Bite (Jaz Parks, #5))
“
Dr. R scratches out a note on his pad.
"Losing you both was only the practice pain, wasn't it? For my mum and dad..."
He puts his finger on his lips, his elbow at his chest, not racked with cancer. "Yes."
"And when that happens, this will seem like nothing."
He nods.
"When it happens," he asks me, "what will get you through?"
"Friends who love me."
"And if your friends weren't there?"
"Music through headphones."
"And if the music stopped?"
"A sermon by Rabbi Wolpe."
"If there was no religion?"
"The mountains and the sky."
"If you leave California?"
"Numbered streets to keep me walking."
"If New York falls into the ocean?"
Your voice in my head.
”
”
Emma Forrest
“
You need to be Queen. Everyone who knows anything knows htat, but most people don't know anything, and that is a problem." He scratched at the back of his head and shifted his weight. "I would never take that away from you. No matter what happens, I'd never take the crown from you, and I'd defend you against anybody who tried."
I didn't say anything to that. I'd never heard Tove talk so much before, and I didn't know what he was getting at.
"I know that you're in love with...well, not me," he said carefully. "And I'm not in love with you either. But I do respect you and I like you."
"I respect and like you too," I said, and he gave me a small smile.
"But it's a number of things, and it's none of them." He let out a deep breath. "That didn't make sense. I mean,it's because you need somebody to help you keep the throne, and somebody on your side, and I can do that. But...it's just because I think...I want to."
"What?" I asked, and he actually looked at me, letting his mossy eyes stare into mine.
"Will you...I mean,do you want to get married?" Tove asked. "To me?"
"I,um..." I didn't know what to say.
"If you don't want to,nothing has to change between us," Tove said hurriedly. "I asked because it sounds like a good idea to me."
"Yeah," I said,and I didn't know what I would say until it was comign out of my mouth. "I mean,yes,I do.I will. I would...I'll marry you."
"Yeah?" Tove smiled.
"Yes." I swallowed hard and tried to smile back.
"Good." He exhaled and looked back down the hall. "This is good,right?"
"Yeah,I think so," I said, and I meant it.
"Yeah." He nodded. "I sorta feel like throwing up now,though."
"I think that's normal."
"Good." He nodded again and looked at me. "Well,I'll let you go...do whatever you need to do.And I'll go do what I do."
"okay," I nodded.
"All right." He randomly patted me on the shoulder, then nodded again, and walked away.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
I’m going to a party tonight,” I said, partly just to say it out loud and partly to brag.
Conrad raised his eyebrows. “You?”
“Whose party?” Jeremiah demanded. “Kinsey’s?”
I put down my juice. “How’d you know?”
Jeremiah laughed and wagged his finger at me. “I know everybody in Cousins, Belly. I’m a lifeguard. That’s like being the mayor. Greg Kinsey works at that surf shop over by the mall.”
Frowning, Conrad said, “Doesn’t Greg Kinsey sell crystal meth out of his trunk?”
“What? No. Cam wouldn’t be friends with someone like that,” I said defensively.
“Who’s Cam?” Jeremiah asked me.
“That guy I met at Clay’s bonfire. He asked me to go to this party with him, and I said yes.”
“Sorry. You aren’t going to some meth addict’s party,” Conrad said.
This was the second time Conrad was trying to tell me what to do, and I was sick of it. Who did he think he was? I had to go to this party. I didn’t care if there was crystal meth or not, I was going. “I’m telling you, Cam wouldn’t be friends with someone like that! He’s straight edge.”
Conrad and Jeremiah both snorted. In moments like these, they were a team. “He’s straight edge?” Jeremiah said, trying not to smile. “Neat.”
“Very cool,” agreed Conrad.
I glared at the both of them. First they didn’t want me hanging out with meth addicts, and then being straight edge wasn’t cool either. “He doesn’t do drugs, all right? Which is why I highly doubt he’d be friends with a drug dealer.”
Jeremiah scratched his cheek and said, “You know what, it might be Greg Rosenberg who’s the meth dealer. Greg Kinsey’s pretty cool. He has a pool table. I think I’ll check this party out too.”
“Wait, what?” I was starting to panic.
“I think I’ll go too,” Conrad said. “I like pool.”
I stood up. “You guys can’t come. You weren’t invited.”
Conrad leaned back in his chair and put his arms behind his head. “Don’t worry, Belly. We won’t bother you on your big date.”
“Unless he puts his hands on you.” Jeremiah ground his fist into his hand threateningly, his blue eyes narrow. “Then his ass is grass.”
“This isn’t happening,” I moaned. “You guys, I’m begging you. Don’t come. Please, please don’t come.”
Jeremiah ignored me. “Con, what are you gonna wear?”
“I haven’t thought about it. Maybe my khaki shorts? What are you gonna wear?”
“I hate you guys,” I said.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
Anna?" Someone knocks on my door, and it startles me out of my seat.
No.Not someone. St. Clair.
I'm wearing an old Mayfield Dairy T-shirt, complete with yellow-and-brown cow logo,and hot pink flannel pajama bottoms covered in giant strawberries. I am not even wearing a bra.
"Anna,I know you're in there. I can see your light."
"Hold on a sec!" I blurt. "I'll be right there." I grab my black hoodie and zip it up over the cow's face before wrenching open the door. "Hisorryaboutthat. Come in."
I open the door wide but he stands there for a moment, just staring at me. I can't read the expression on his face. Then he breaks into a mischievous smile and brushes past me.
"Nice strawberries."
"Shut up."
"No,I mean it. Cute."
And even though he doesn't mean it like I-want-to-leave-my-girlfriend-and-start-dating-you cute,something flickers inside of me. The "force of strength and destruction" Tita de la Garza knew so well.St. Clair stands in the center of my room.He scratches his head, and his T-shirt lifts up on one side, exposing a slice of bare stomach.
Foomp! My inner fire ignites.
"It's really...er...clean," he says.
Fizz. Flames extinguished.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
If he scratches my baby . . .” Ben tried to scowl, but it didn’t take. He seemed relieved. And still hadn’t let go of my hand.
I heard a shoe scuff the ground. Shelton and Hi were standing across from Ben and me.
Shelton took a deep breath. “So it’s like that, huh?”
“Guys.” I felt my stomach lurch. “I know this is weird. Ben and I, we—”
Hi’s face was pained. “I don’t even get a chance? No shot to say how I feel?”
My head jerked back. “What?”
“So it’s all decided.” Shelton sullenly kicked a rock, his voice resentful. “What does Ben have that I don’t?”
I stared, openmouthed.
Hi dropped to a knee and pinned me with solemn eyes. “I can’t hide it anymore, Victoria. You need to know the truth. I love you, too. Forever and ever. I want to be your sweet babushka.”
My mind reeled. “Hi, I . . . I didn’t—”
“I’m gonna wring your stupid necks.” Ben’s face was burning.
Hi burst out laughing, rolling away from his kick. I glanced at Shelton, who was trying—and failing—to hold it together.
“I love you, Tory Brennan!” Hi bounced to his feet, ready to bolt at Ben’s slightest twitch. “Let me rub your supple feet!”
I covered my face with both hands. “Oh God.
”
”
Kathy Reichs (Terminal (Virals, #5))
“
Let's go over it again, shall we?"
"We will not shape-shift in front of your children unless it's an emergency," said Drake.
"And if it is an emergency, we will try to find a place to hide, or, if that isn't possible, we will change so that they see our backsides," added Darrius.
I stared at Drake. He rolled his eyes. "I did not 'flop around' in front of Jenny. I was behind the couch and she was on the stairs. She saw only my head." He pointed at his skull. "This one! On mein shoulders!"
"I know." I waved at them. "Continue."
"We will keep shorts or jeans stashed in many locations so that when we shift back into human form, we'll be able to cover our woobies," said Darrius.
"Excellent." I looked at Drake and smiled benignly. "How's your rear end?"
"Sore," he groused. "Not even Brigid would heal the scratches from that damned cat.
”
”
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
“
Women are like goats. It's like . . . Well, reasoning with a woman is like sitting down to a friendly game of dice. Only the woman refuses to acknowledge the basic bloody rules of the game. A man, he'll cheat you - but he'll do it honestly. He'll use loaded dice, so that you think you're losing by chance. And if you aren't clever enough to spot what he's doing, then maybe he deserves to take your coin. And that's that. A woman, though, she'll sit down to that same game and she'll smile, and act like she's going to play. Only when it's her turn to throw, she'll toss a pair of her own dice that are blank on all six sides. Not a single pip showing. She'll inspect the throw, then she'll look up at you and say, 'clearly I just won.' Now, you'll scratch your head and look at the dice. Then you'll look up at her, then down at the dice again 'But there aren't any pips on these dice' you'll say." 'Yes there are,' she'll say. 'And both dice rolled a one.' 'That's exactly the number you need to win,' you'll say. 'What a coincidence,' she'll reply, then begin to scoop up your coins. And you'll sit there, trying to wrap your head 'bout what just happened. And you'll realise something. A pair of ones isn't the winning throw! Not when you threw a six on your turn. That means she needed a pair of twos instead! Excitedly you'll explain what you've discovered. Only then do you know what she'll do?" "No idea, Mat." "Then she'll reach over and rub the blank faces of her dice. And then, with a perfectly straight face, she'll say, 'I'm sorry. There was a spot of dirt on the dice. Clearly you'll see they actually came up as twos!' And she'll believe it. She'll bloody believe it!" "Incredible." "Only that's not the end of it!" "I had presumed it wouldn't be Mat." "She scoops up all of your coins. And then every other wonam in the room will come over and congratulate her on throwing that pair of twos! The more you complain, the more those bloody women will join in the argument. You'll be outnumbered in a moment, and each of those women will explain to you how those dice clearly read twos, and how you really need to stop behaving like a child. Every single flaming one of them will see the twos! even the prudish woman who has hated your woman from birth - since your woman's granny stole the other woman's granny's honeycake recipe when they were both maids - that woman will side against you." "They're nefarious creatures indeed." "By the time they're done, you'll be left with no coin, several lists worth of errands to run and what clothing to wear and a splitting headache. You'll sit there and stare at the table and begin to wonder, just maybe, if those dice didn't read twos after all. If only to preserve what's left of your sanity. That's what it's like to reason with a woman, I tell you.
”
”
Robert Jordan
“
No, but I am,’ Elliot says, quick as a flash. ‘That’s why I need Penny’s help.’ ‘Oh.’ Dad frowns and scratches his head. He doesn’t look convinced at all. ‘Well, when you’ve sorted your French crisis, come down and have some breakfast. I’m making eggs over easy,’ he says in an American accent, ‘and we need to talk about New York.’ ‘Will do,’ I call over my shoulder as Elliot and I race up the second flight of stairs. As soon as we’re in my room, I shut the door tight. ‘Why didn’t you tell me?’ Elliot says. ‘I was too embarrassed.’ I sink down on to
”
”
Zoe Sugg (Girl Online (Girl Online, #1))
“
Looking at Great-Great Grandpa Baldwin's photograph, I think to myself: You've finally done it. It took four generations, but you've finally goddamned done it. Gotten that war against reason and uppity secularists you always wanted. Gotten even for the Scopes trial, which they say was one of many burrs under your saddle until your last breath. Well, rejoice, old man, because your tribes have gathered around America's oldest magical hairball of ignorance and superstition, Christian fundamentalism, and their numbers have enabled them to suck so much oxygen out of the political atmosphere that they are now acknowledged as a mainstream force in politics. Episcopalians, Jews, and affluent suburban Methodists and Catholics, they are all now scratching their heads, sweating, and swearing loudly that this pack of lower-class zealots cannot possibly represent the mainstream--not the mainstream they learned about in their fancy sociology classes or were so comfortably reassured about by media commentators who were people like themselves. Goodnight, Grandpa Baldwin. I'll toast you from hell.
”
”
Joe Bageant (Deer Hunting with Jesus: Dispatches from America's Class War)
“
I THINK THE REAL TRICK to finding that sense of satisfaction is to realize you don’t need much to attain it. A window-box salad garden and a banjo hanging on the back of the door can be all the freedom you need. If it isn’t everything you want for the future, let it be enough for tonight. Don’t look at your current situation as a hindrance to living the way you want, because living the way you want has nothing to do with how much land you have or how much you can afford to spend on a new house. It has to do with the way you choose to live every day and how content you are with what you have. If a few things on your plate every season come from the work of your own hands, you are creating food for your body, and that is enough. If the hat on your head was knitted with your own hands, you’re providing warmth from string and that’s enough. If you rode your bike to work, trained your dog to pack, or just baked a loaf of bread, let it be enough. Accepting where you are today, and working toward what’s ahead, is the best you can do. You can take the projects in this book as far as your chosen road will take you. Maybe your gardens and coops will outgrow mine, and before you know it you’ll be trading in your Audi for a pickup. But the starting point is to take control of what you can and smile with how things are. Find your own happiness and dance with it.
”
”
Jenna Woginrich (Made from Scratch: Discovering the Pleasures of a Handmade Life)
“
He reached out a hand to the middle head of the dog and scratched it beneath the chin. One of the beast’s rear legs began to thump rapidly against the floor. It sounded like something you’d hear coming from inside a machine shop. “Do you know my dog’s name?” “Cerberus,” I said promptly. “But everyone knows that.” “Do you know what it means?” I opened my mouth and closed it again. I shook my head. “It is from an ancient word, kerberos. It means ‘spotted.’” I blinked. “You’re a genuine Greek god. You’re the Lord of the Underworld. And . . . you named your dog Spot?” “Who’s a good dog?” Hades said, scratching the third head behind the ears, and making the beast’s mouth drop open in a doggy grin. “Spot is. Yes, he is.
”
”
Jim Butcher (Skin Game (The Dresden Files, #15))
“
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you.
In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh.
Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
”
”
Alistair MacLean (When Eight Bells Toll)
“
I have it so good. So absurdly, improbably good. I didn't do anything to deserve it, but I have it. I'm healthy. I've never gone hungry. And yes, to answer your question, I'm- I'm loved. I lived in a beautiful place, did meaningful work. The world we made out there, Mosscap, it's- it's nothing like what your originals left. It's a good world, a beautiful world. It's not perfect, but we've fixed it so much. We made a good place, struck a good balance. And yet every fucking day in the City, I woke up hollow, and... and just... tired, y'know? So, I did something else instead. I packed up everything, and I learned a brand-new thing from scratch, and gods, I worked hard for it. I worked really hard. I thought, if I can just do that, if I can do it well, I'll feel okay. And guess what? I do do it well. I'm good at what I do. I make people happy. I make people feel better. And yet I still wake up tired, like... like something's missing. I tried talking to friends, and family, and nobody got it, so I stopped bringing it up, and then I stopped talking to them altogether, because I couldn't explain, and I was tired of pretending like everything was fine. I went to doctors, to make sure I wasn't sick and that my head was okay. I read books and monastic texts and everything I could find. I threw myself into my work, I went to all the places that used to inspire me, I listened to music and looked at art, I exercised and had sex and got plenty of sleep and ate my vegetables, and still. Still. Something is missing. Something is off. So, how fucking spoiled am I, then? How fucking broken? What is wrong with me that I can have everything I could ever want and have ever asked for and still wake up in the morning feeling like every day is a slog?
”
”
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
“
My best advice about writer’s block is: the reason you’re having a hard time writing is because of a conflict between the GOAL of writing well and the FEAR of writing badly. By default, our instinct is to conquer the fear, but our feelings are much, much, less within our control than the goals we set, and since it’s the conflict BETWEEN the two forces blocking you, if you simply change your goal from “writing well” to “writing badly,” you will be a veritable fucking fountain of material, because guess what, man, we don’t like to admit it, because we’re raised to think lack of confidence is synonymous with paralysis, but, let’s just be honest with ourselves and each other: we can only hope to be good writers. We can only ever hope and wish that will ever happen, that’s a bird in the bush. The one in the hand is: we suck. We are terrified we suck, and that terror is oppressive and pervasive because we can VERY WELL see the possibility that we suck. We are well acquainted with it. We know how we suck like the backs of our shitty, untalented hands. We could write a fucking book on how bad a book would be if we just wrote one instead of sitting at a desk scratching our dumb heads trying to figure out how, by some miracle, the next thing we type is going to be brilliant. It isn’t going to be brilliant. You stink. Prove it. It will go faster. And then, after you write something incredibly shitty in about six hours, it’s no problem making it better in passes, because in addition to being absolutely untalented, you are also a mean, petty CRITIC. You know how you suck and you know how everything sucks and when you see something that sucks, you know exactly how to fix it, because you’re an asshole. So that is my advice about getting unblocked. Switch from team “I will one day write something good” to team “I have no choice but to write a piece of shit” and then take off your “bad writer” hat and replace it with a “petty critic” hat and go to town on that poor hack’s draft and that’s your second draft. Fifteen drafts later, or whenever someone paying you starts yelling at you, who knows, maybe the piece of shit will be good enough or maybe everyone in the world will turn out to be so hopelessly stupid that they think bad things are good and in any case, you get to spend so much less time at a keyboard and so much more at a bar where you really belong because medicine because childhood trauma because the Supreme Court didn’t make abortion an option until your unwanted ass was in its third trimester. Happy hunting and pecking!
”
”
Dan Harmon
“
A prominent israeli writer, Sami Michael, once told of a long car journey with a driver. At some point, the driver explained to Michael how important, indeed how urgent, it is for us Jews “to kill all the Arabs.” Sami Michael listened politely, and instead of reacting with horror, denunciation, or disgust, he asked the driver an innocent question: “And who, in your opinion, should kill all the Arabs?”
“Us! The Jews! We have to! It’s either us or them! Can’t you see what they’re doing to us?”
“But who, exactly, should actually kill all the Arabs? The army? The police? Firemen, perhaps? Or doctors in white coats, with syringes?”
The driver scratched his head, pondered the question, and finally said, “We’ll have to divvy it up among us. Every Jewish man will have to kill a few Arabs.”
Michael did not let up: “All right. Let’s say you, as a Haifa man, are in charge of one apartment building in Haifa. You go from door to door, ring the bells, and ask the residents politely, ‘Excuse me, would you happen to be Arabs?’ If the answer is yes, you shoot and kill them. When you’re done killing all the Arabs in the building, you go downstairs and head home, but before you get very far you hear a baby crying on the top floor. What do you do? Turn around? Go back? Go upstairs and shoot the baby? Yes or no?”
A long silence. The driver considers. Finally he says, “Sir, you are a very cruel man!”
This story exposes the confusion sometimes found in the fanatic’s mind: a mixture of intransigence with sentimentality and a lack of imagination.
”
”
Amos Oz (שלום לקנאים)
“
Now, the last one was that the demon king can’t stand either in heaven or on the earth. Urga set the demon on his lap, which means I guess I’ll have to…sit on your back.”
Awkward. Even though Ren was a big tiger and it would be like riding a small pony, I was still conscious that he was a man, and I didn’t feel right about turning him into a pack animal. I took off my backpack and set it down wondering what I could do to make this a bit less embarrassing. Mustering the courage to sit on his back, I’d just decided that it wouldn’t be too bad if I sat sidesaddle, when my feet flew out from under me.
Ren had changed into a man and swept me up into his arms. I wiggled for a minute, protesting, but he just gave me a look-the don’t-even-bother-coming-up-with-an-argument look. I shut my mouth. He leaned over to pick up the backpack, let it dangle from his fingers, and then said, “What’s next?”
“I don’t know. That’s all that Mr. Kadam told me.”
He shifted me in his arms, walked over to stand in the doorway again, then peered up at the statue. He murmured, “I don’t see any changes.”
He held me securely while looking at the statue and, I have to admit, I totally stopped caring about what we were doing. The scratches on my arm that had been throbbing a moment ago didn’t bother me at all. I let myself enjoy the feeling of being cuddled up close to his muscular chest. What girl didn’t want to be swept up in the arms of a drop-dead gorgeous man? I allowed my gaze to drift up to his beautiful face. The thought occurred to me that if I were to carve a stone god, I’d pick Ren as my subject. This Urga half-lion and half-man guy had nothing on Ren.
Eventually, he realized I was watching him, and said, “Hello? Kells? Breaking a curse here, remember?”
I just smiled back stupidly. He quirked an eyebrow at me.
“What were you thinking about just now?”
“Nothing important.”
He grinned. “May I remind you that you are in prime tickling position, and there’s no escape. Tell me.”
Gads. His smile was brilliant, even in the fog. I laughed nervously.
“If you tickle me, I’ll protest and struggle violently, which will cause you to drop me and ruin everything that we are trying to accomplish.”
He grunted, leaned close to my ear, and then whispered, “That sounds like an interesting challenge, rajkumari. Perhaps we shall experiment with it later. And just for the record, Kelsey, I wouldn’t drop you.”
The way he said my name made goose bumps rise all over my arms. When I looked down to quickly rub them, I noticed the flashlight had been turned off. I switched it on, but the statue remained the same. Giving up, I suggested, “Nothing’s happening. Maybe we need to wait till dawn.”
He laughed throatily while nuzzling my ear and declared softly, “I’d say that something is happening, but not the something that will open the doorway.”
He trailed soft, slow kisses from my ear down my neck. I sighed faintly and arched my neck to give him better access. With a last kiss, he groaned and reluctantly raised his head.
Disappointed that he’d stopped, I asked, “What does rajkumari mean?”
He laughed quietly, carefully set me down, and said, “It means princess.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
I want the church to be great because we fed hungry mommas and their babies. I’d like to be great because we battled poverty with not just our money but our hands and hearts. I desire the greatness that comes from seeking not only mercy but justice for those caught in a system with trapdoors. I hope to be part of a great movement of the Holy Spirit, who injects supernatural wind and fire into His mission. My version of great will come when others are scratching their heads and saying, “Wow, you live a really different life.
”
”
Jen Hatmaker (Interrupted: When Jesus Wrecks Your Comfortable Christianity)
“
I turn on my side and study the beam close to my head, next to the entrance. There are names scratched in the wood, some deep and some barely visible. Davis, I read. Rodríguez. Eames. One that could be Hicks, or maybe Ricks. Why do they carve their names, when only strangers will read them? A name is only a meaningless word with nothing to attach it to. Maybe it is enough just to be remembered, if only for your name; here is proof of life, faceless and voiceless but unmistakable. Immortality of a strange sort: a eulogy in wood.
”
”
Emma Berquist (Devils Unto Dust)
“
Are you falling asleep before midnight?" Cassie leaned over the edge of the couch to look at Jack. He was stretched out on the floor, his head resting against a pillow near the center of the couch, his eyes closed. She was now wide awake and headache free. He wasn't in so good a shape. "The new year is eighteen minutes away."
"Come kiss me awake in seventeen minutes."
She blinked at that lazy suggestion, gave a quick grin, and dropped Benji on his chest.
He opened one eye to look up at her as he settled his hand lightly on the kitten. "That's a no?"
She smiled. She was looking forward to dating him, but she was smart enough to know he'd value more what he had to work at.
He sighed. "That was a no. How much longer am I going to be on the fence with you?"
"Is that a rhetorical question or do you want an answer?" If this was the right relationship God had for her future, time taken now would improve it, not hurt it. She was ready to admit she was tired of being alone.
He scratched Benji under the chin and the kitten curled up on his chest and batted a paw at his hand. "Rhetorical. I'd hate to get my hopes up."
She leaned her chin against her hand, looking down at him. "I like you, Jack."
"You just figured that out?"
"I'll like you more when you catch my mouse."
"The only way we are going to catch T.J. is to turn this place into a cheese factory and help her get so fat and slow that she can no longer run and hide."
Or you could move your left hand about three inches to the right right and catch her."
Jack opened one eye and glanced toward his left. The white mouse was sitting motionless beside the plate he had set down earlier. "Let her have the cheeseburger. You put mustard on it."
"You're horrible."
He smiled. "I'm serious."
"So am I."
Jack leaned over, caught Cassie's foot, and tumbled her to the floor. "Oops."
"That wasn't fair. You scared my mouse."
Jack set the kitten on the floor. "Benji, go get her mouse."
The kitten took off after it.
"You're teaching her to be a mouser."
"Working on it. Come here. You owe me a kiss for the new year."
"Do I?" She reached over to the bowl of chocolates on the table and unwrapped a kiss. She popped the chocolate kiss into his mouth. "I called your bluff."
He smiled and rubbed his hand across her forearm braced against his chest. "That will last me until next year."
She glanced at the muted television. "That's two minutes away."
"Two minutes to put this year behind us." He slid one arm behind his head, adjusting the pillow.
She patted his chest with her hand. "That shouldn't take long." She felt him laugh. "It ended up being a very good year," she offered.
"Next year will be even better."
"Really? Promise?"
"Absolutely." He reached behind her ear and a gold coin reappeared. "What do you think? Heads you say yes when I ask you out, tails you say no?"
She grinned at the idea. "Are you cheating again?" She took the coin. "This one isn't edible," she realized, disappointed. And then she turned it over. "A real two-headed coin?"
"A rare find." He smiled. "Like you."
"That sounds like a bit of honey."
"I'm good at being mushy."
"Oh, really?"
He glanced over her shoulder. "Turn up the TV. There's the countdown."
She grabbed for the remote and hit the wrong button. The TV came on full volume just as the fireworks went off. Benji went racing past them spooked by the noise to dive under the collar of the jacket Jack had tossed on the floor. The white mouse scurried to run into the jacket sleeve.
"Tell me I didn't see what I think I just did."
"I won't tell you," Jack agreed, amused. He watched the jacket move and raised an eyebrow. "Am I supposed to rescue the kitten or the mouse?
”
”
Dee Henderson (The Protector (O'Malley, #4))
“
So you have no remorse for your actions? No guilt for what you’ve done?” Drax’s mouth lolls half open; he wrinkles up his nose and sniffs. “Did you think I was going to murder you down in the cabin?” he asks. “Split open your skull like I did Brownlee. Is that what you were thinking?” “What else were you intending?” “Oh, I don’t intend too much. I’m a doer, not a thinker, me. I follow my inclination.” “You have no conscience then?” “One thing happens, then another comes after it. Why is the first thing more important than the second? Why is the second more important than the third? Tell me that.” “Because each action is separate and distinct; some are good and some are evil.” Drax sniffs again and scratches himself. “Them’s just words. If they hang me, they will hang me ’cause they can, and ’cause they wish to do it. They will be following their own inclination as I follow mine.” “You recognize no authority at all then, no right or wrong beyond yourself?” Drax shrugs and bares his upper teeth in something like a grin. “Men like you ask such questions to satisfy themselves,” he says. “To make them feel cleverer or cleaner than the rest. But they int.” “You truly believe we are all like you? How is that possible? Am I a murderer like you are? Is that what you accuse me of?” “I seen enough killing to suspect I int the only one to do it. I’m a man like any other, give or take.” Sumner shakes his head. “No,” he says. “That I won’t accept.” “You please yourself, as I please myself. You accept what suits you and you reject what don’t. The law is just a name they give to what a certain kind of men prefer.” Sumner
”
”
Ian McGuire (The North Water)
“
He surveyed what remained of his crew. Rotty still hovered by the wreckage of the longboat. Jesper sat with elbows on knees, head in hands, Wylan beside him wearing the face of a near-stranger; Matthias stood gazing across the water in the direction of Hellgate like a stone sentinel. If Kaz was their leader, then Inej had been their lodestone, pulling them together when they seemed most likely to drift apart.
Nina had disguised Kaz’s crow-and-cup tattoo before they’d entered the Ice Court, but he hadn’t let her near the R on his bicep. Now he touched his gloved fingers to where the sleeve of his coat covered that mark. Without meaning to, he’d let Kaz Rietveld return. He didn’t know if it had begun with Inej’s injury or that hideous ride in the prison wagon, but somehow he’d let it happen and it had cost him dearly.
That didn’t mean he was going to let himself be bested by some thieving merch.
Kaz looked south toward Ketterdam’s harbors. The beginnings of an idea scratched at the back of his skull, an itch, the barest inkling. It wasn’t a plan, but it might be the start of one. He could see the shape it would take—impossible, absurd, and requiring a serious chunk of cash.
“Scheming face,” murmured Jesper.
“Definitely,” agreed Wylan.
Matthias folded his arms. “Digging in your bag of tricks, demjin?”
Kaz flexed his fingers in his gloves. How did you survive the Barrel? When they took everything from you, you found a way to make something from nothing.
“I’m going to invent a new trick,” Kaz said. “One Van Eck will never forget.” He turned to the others. If he could have gone after Inej alone, he would have, but not even he could pull that off. “I’ll need the right crew.”
Wylan got to his feet. “For the Wraith.”
Jesper followed, still not meeting Kaz’s eyes. “For Inej,” he said quietly.
Matthias gave a single sharp nod.
Inej had wanted Kaz to become someone else, a better person, a gentler thief. But that boy had no place here. That boy ended up starving in an alley. He ended up dead. That boy couldn’t get her back.
I’m going to get my money, Kaz vowed. And I’m going to get my girl. Inej could never be his, not really, but he would find a way to give her the freedom he’d promised her so long ago.
Dirtyhands had come to see the rough work done.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I've been ordered to take you men with me. I've been told that if you don't come I can shoot you. Well, you know I won't do that. Not Maine men. I won't shoot any man who doesn't want this fight. Maybe someone else will, but I won't. So that's that."
He paused again. There was nothing on their faces to lead him.
"Here's the situation. I've been ordered to take you along, and that's what I'm going to do. Under guard if necessary. But you can have your rifles if you want them. The whole Reb army is up the road a ways waiting for us and this is no time for an argument like this. I tell you this: we sure can use you. We're down below half strength and we need you, no doubt of that. But whether you fight or not is up to you. Whether you come along, well, you're coming."
Tom had come up with Chamberlain's horse. Over the heads of the prisoners Chamberlain could see the regiment falling into line out in the flaming road. He took a deep breath.
"Well, I don't want to preach to you. You know who we are and what we're doing here. But if you're going to fight alongside us there's a few things I want you to know."
He bowed his head, not looking at eyes. He folded his hands together.
"This regiment was formed last fall, back in Maine. There were a thousand of us then. There's not three hundred of us now." He glanced up briefly. "But what is left is choice."
He was embarrassed. He spoke very slowly, staring at the ground.
"Some of us volunteered to fight for Union. Some came in mainly because we were bored at home and this looked like it might be fun. Some came because we were ashamed not to. Many of us came...because it was the right thing to do. All of us have seen men die. Most of us never saw a black man back home. We think on that, too. Freedom...is not just a word."
He looked into the sky, over silent faces.
"This is a different kind of army. If you look at history you'll see men fight for pay, or women, or some other kind of loot. They fight for land, or because a king makes them, or just because they like killing. But we're here for something new. I don't...this hasn't happened much in the history of the world. We're an army going out to set other men free."
He bent down, scratched the black dirt into his fingers. He was beginning to warm to it; the words were beginning to flow. No one in front of him was moving. He said, "This is free ground. All the way to the Pacific Ocean. No man has to bow. No man born to royalty. Here we judge you by what you do, not by what your father was. Here you can be something. Here's a place to build a home. It isn't the land- there's always more land. It's the idea that we all have value, you and me, we're worth something more than the dirt. I never saw dirt I'd die for, but I'm not asking you to come join us and fight for dirt. What we're all fighting for, in the end, is each other.
”
”
Michael Shaara (The Killer Angels: A Novel of the Civil War)
“
Whatever you want," he said. "Will you please come here now?"
I slipped a piece of protective tissue over my drawing and flipped the book closed. A piece of blue scratch paper slid out, the line I'd copied from Edward;s poetry book. "Hey. Translate for me, Monsieur Bainbridge."
I set the sketchbook on my stool and joined him on the chaise. He tugged me onto his lap and read over his head. "'Qu'ieu sui avinen, leu lo sai.' 'That I am handsome, I know."
"Verry funny."
"Very true." He grinned. "The translation. That's what it says. Old-fashionedly."
I thought of Edward's notation on the page, the reminder to read the poem to Diana in bed, and rolled my eyes. You're so vain.I bet you think this song is about you..."Boy and their egos."
Alex cupped my face in his hands. "Que tu est belle, tu le sais."
"Oh,I am not-"
"Shh," he shushed me, and leaned in.
The first bell came way too soon. I reluctantly loosened my grip on his shirt and ran my hands over my hair. He prompty thrust both hands in and messed it up again. "Stop," I scolded, but without much force.
"I have physics," he told me. "We're studying weak interaction."
I sandwiched his open hand between mine. "You know absolutely nothing about that."
"Don't be so quick to accept the obvious," he mock-scolded me. "Weak interaction can actually change the flavor of quarks."
The flavor of quirks, I thought, and vaguely remembered something about being charmed. I'd sat through a term of introductory physics before switching to basic biology. I'd forgotten most of that as soon as I'd been tested on it,too.
"I gotta go." Alex pushed me to my feet and followed. "Last person to get to class always gets the first question, and I didn't do the reading."
"Go," I told him. "I have history. By definition, we get to history late."
"Ha-ha. I'll talk to you later." He kissed me again, then walked out, closing the door quietly behind him.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.”
Harper laughed.
“What’s funny?”
“I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.”
Trent’s mouth twitched, a slight smile making its way to his lips.
“Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?”
Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift.
“Trent,” she squealed, kicking her feet to get free. “What are you doing?”
He slapped her butt playfully and laughed as he carried her down the hallway.
Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others.
“Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.”
Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks.
“Pick one.”
“Pick one what?”
“Sink. Which do you want?”
“You’re giving me a whole sink? Wait … stop…”
Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her.
Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity.
He did the same thing with the vanity drawers and created some space under the sink.
“I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.”
“You like the vanilla?” It never ceased to surprise her, the details he remembered.
Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.”
“Oh my goodness, you are beyond!” Harper blushed furiously.
“I want you for so much more than just sex, Harper.
”
”
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
“
Many a morning I found myself waking up in America and being surprised to find myself in a bed. I had been having nightmares all night long, and I didn’t know where I was. It would take me awhile to adjust, because I couldn’t believe I was in a bed. What was I doing in a bed? After the war I never slept more than three or four hours a night. In those days you didn’t talk about stuff like that. There was no such thing as war syndrome, but you knew something was different. You tried not to remember anything from over there, but things came back to you. You had done every damn thing overseas, from killing in cold blood to destroying property to stealing whatever you wanted and to drinking as much wine and having as many women as you wanted. You lived every minute of every day in danger of your own life and limb. You couldn’t take chances. Many times you had a split second to decide to be judge, jury, and executioner. You had just two rules you had to obey. You had to be back in your outfit when you went back on the line. You had to obey a direct order in combat. Break one of those rules and you could be executed yourself, right on the spot even. Otherwise, you flaunted authority. You lost the moral skill you had built up in civilian life, and you replaced it with your own rules. You developed a hard covering, like being encased in lead. You were scared more than you’d ever been in your life. You did certain things, maybe against your will sometimes, but you did them, and if you stayed over there long enough you didn’t even think about them anymore. You did them like you might scratch your head if it itched. You
”
”
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
“
Sitting here in my lab, I can imagine you scratching your head again: Dr. Panda, what’s the big deal? Aren’t we talking about just a few ounces of fat gain after a late-night snack? Won’t my metabolic rhythm come back the next day? Actually, it’s worse than you think. It is hard enough for the body to monitor hormones, genes, and clocks for someone with a strict eating routine. But when eating occurs at random times throughout the day and night, the fat-making process stays on all the time. At the same time, glucose created from digested carbohydrates floods our blood and the liver becomes inefficient in its ability to absorb glucose. If this continues for a few days, blood glucose continues to rise and reaches the danger zone of prediabetes or diabetes. So, if you’ve wondered why diets haven’t worked for you before, timing might be the reason. Even if you were diligently exercising; counting calories; avoiding fats, carbs, and sweets; and piling on the protein, it’s quite likely that you weren’t respecting your circadian clocks. If you eat late at night or start breakfast at a wildly different time each morning, you are constantly throwing your body out of sync. Don’t worry, the fix is equally simple: Just set an eating routine and stick to it. Timing is everything.
”
”
Satchin Panda (The Circadian Code: Lose Weight, Supercharge Your Energy, and Transform Your Health from Morning to Midnight)
“
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead...
...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin.
It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair.
Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus...
...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
”
”
Rupert Thomson (The Five Gates of Hell)
“
Why do we bury our dead?” His nose was dented in at the bridge like a sphinx; the cause of which I could only imagine had been a freak archaeological accident.
I thought about my parents. They had requested in their will that they be buried side by side in a tiny cemetery a few miles from our house. “Because it’s respectful?”
He shook his head. “That’s true, but that’s not the reason we do it.”
But that was the reason we buried people, wasn’t it? After gazing at him in confusion, I raised my hand, determined to get the right answer. “Because leaving people out in the open is unsanitary.”
Mr. B. shook his head and scratched the stubble on his neck.
I glared at him, annoyed at his ignorance and certain that my responses were correct. “Because it’s the best way to dispose of a body?”
Mr. B. laughed. “Oh, but that’s not true. Think of all the creative ways mass murderers have dealt with body disposal. Surely eating someone would be more practical than the coffin, the ceremony, the tombstone.”
Eleanor grimaced at the morbid image, and the mention of mass murderers seemed to wake the rest of the class up. Still, no one had an answer. I’d heard Mr. B. was a quack, but this was just insulting. How dare he presume that I didn’t know what burials meant? I’d watched them bury my parents, hadn’t I? “Because that’s just what we do,” I blurted out. “We bury people when they die. Why does there have to be a reason for everything?”
“Exactly!” Mr. B. grabbed the pencil from behind his ear and began gesticulating with it. “We’ve forgotten why we bury people.
“Imagine you’re living in ancient times. Your father dies. Would you randomly decide to put him inside a six-sided wooden box, nail it shut, then bury it six feet below the earth? These decisions aren’t arbitrary, people. Why a six-sided box? And why six feet below the earth? And why a box in the first place? And why did every society throughout history create a specific, ritualistic way of disposing of their dead?”
No one answered.
But just as Mr. B. was about to continue, there was a knock on the door. Everyone turned to see Mrs. Lynch poke her head in. “Professor Bliss, the headmistress would like to see Brett Steyers in her office. As a matter of urgency.”
Professor Bliss nodded, and Brett grabbed his bag and stood up, his chair scraping against the floor as he left.
After the door closed, Mr. B. drew a terrible picture of a mummy on the board, which looked more like a hairy stick figure. “The Egyptians used to remove the brains of their dead before mummification. Now, why on earth would they do that?”
There was a vacant silence.
“Think, people! There must be a reason. Why the brain? What were they trying to preserve?”
When no one answered, he answered his own question.
“The mind!” he said, exasperated. “The soul!”
As much as I had planned on paying attention and participating in class, I spent the majority of the period passing notes with Eleanor. For all of his enthusiasm, Professor Bliss was repetitive and obsessed with death and immortality. When he faced the board to draw the hieroglyphic symbol for Ra, I read the note Eleanor had written me.
Who is cuter?
A. Professor Bliss
B. Brett Steyers
C. Dante Berlin
D. The mummy
I laughed. My hand wavered between B and C for the briefest moment. I wasn’t sure if you could really call Dante cute. Devastatingly handsome and mysterious would be the more appropriate description. Instead I circled option D. Next to it I wrote Obviously! and tossed it onto her desk when no one was looking.
”
”
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
“
He was beautiful.
Whatever else he was, Sage was by far the most magnetic man I had ever seen. I had felt it in my dreams, and it was even more true in real life. I welcomed the chance to study him without his knowledge.
He glanced up, and I quickly closed my eyes, feigning sleep. Had he seen me? The scratching stopped. He was looking at me, I knew it. I held my breath and willed my eyes not to pop open and see if he was staring.
Finally the scratching started up again. I forced myself to slowly count to ten before I opened my eyelids the tiniest bit and peeked through my lashes.
Good-he wasn’t looking at me.
I opened my eyes a little wider. What was he doing? Moving only my eyes, I glanced down at the dirt floor in front of him…
…and saw a picture of me, fast asleep.
It was incredible. I could see his tools laid out beside the picture: rocks in several sizes and shapes, a couple of twigs…the most rudimentary materials, and yet what he was etching into the floor wouldn’t look out of place on an art gallery wall. It was beautiful…far more beautiful than I thought I actually looked in my sleep. Is that how he saw me?
Sage lifted his head again, and I shut my eyes. I imagined him studying me, taking careful note of my features and filtering them through his own senses. My heartbeat quickened, and it took all my willpower to remain still.
“You can keep pretending to be asleep if you’d like, but I don’t see a career for you as an actress,” he teased.
My eyes sprang open. Sage’s head was again bent over his etching, but a grin played on his face as he worked.
“You knew?” I asked, mortified.
Sage put a finger to his lips, glancing toward Ben. “About two minutes before you woke up, I knew,” he whispered. “Your breathing hanged.” He bent back over the drawing, then impishly asked, “Pleasant dreams?”
My heart stopped, and I felt myself blush bright crimson as I remembered our encounter in the bottom of the rowboat. I sent a quick prayer to whoever or whatever might be listening that I hadn’t re-enacted any of it in my sleep, then said as nonchalantly as possible, “I don’t know, I can’t remember what I dreamed about. Why?”
He swapped out the rock in his hand for one with a thinner edge and worked for another moment. “No reason…just heard my name.”
I hoped the dim moonlight shadowed the worst of my blush. “Your name,” I reiterated. “That’s…interesting. They say dreams sort out things that happen when we’re awake.”
“Hmm. Did you sort anything out?” he asked.
“Like I said, I can’t remember.”
I knew he didn’t believe me. Time to change the subject. I nodded to the etching. “Can I come look?
”
”
Hilary Duff (Elixir (Elixir, #1))
“
My God,” she says. “I feel like I’ve gone through a car wash.”
I laugh, or force myself to, because it’s not something I’d normally laugh at.
“What about you?” she says to Scottie. “How did you make out?”
“I’m a boy,” Scottie says. “Look at me.”
Sand has gotten into the bottom of her suit, creating a huge bulge. She scratches at the bulge. “I’m going to go to work now,” she says. I think she’s impersonating me and that Mrs. Speer is getting an unrealistic, humiliating glimpse.
“Scottie,” I say. “Take that out.”
“It must be fun to have girls,” Mrs. Speer says.
She looks at the ocean, and I see that she’s looking at Alex sunbathing on the floating raft. Sid leans over Alex and puts his mouth to hers. She raises a hand to his head, and for a moment I forget it’s my daughter out there and think of how long it has been since I’ve been kissed or kissed like that.
“Or maybe you have your hands full,” Mrs. Speer says.
“No, no,” I say. “It’s great,” and it is, I suppose, though I feel like I’ve just acquired them and don’t know yet. “They’ve been together for ages.” I gesture to Alex and Sid. I don’t understand if they’re a couple or if this is how all kids in high school act these days.
Mrs. Speer looks at me curiously, as if she’s about to say something, but she doesn’t.
“And boys.” I gesture to her little dorks. “They must keep you busy.”
“They’re a handful. But they’re at such a fun age. It’s such a joy.”
She gazes out at her boys. Her expression does little to convince me that they’re such a joy. I wonder how many times parents have these dull conversations with one another and how much they must hide. They’re so goddamn hyper, I’d do anything to inject them with a horse tranquilizer. They keep insisting that I watch what they can do, but I truly don’t give a fuck. How hard is it to jump off a diving board?
My girls are messed up, I want to say. One talks dirty to her own reflection. Did you do that when you were growing up?
“Your girls seem great, too,” she says. “How old are they?”
“Ten and eighteen. And yours?”
“Ten and twelve.”
“Oh,” I say. “Great.”
“Your younger one sure is funny,” she says. “I mean, not funny. I meant entertaining.”
“Oh, yeah. That’s Scottie. She’s a riot.
”
”
Kaui Hart Hemmings (The Descendants)
“
Forget your magic mirror," she decided to say. "If I lived here, I would spend my whole life in here, reading."
"They're just... books...."
He carefully lit the candelabra at the front and placed Lumière on the floor, dismissing him.
"Just books? That's like saying Alexandria is just a library." She ran over to the closest shelf and tilted her head, reading the titles. "You don't understand. I don't understand how you don't understand. Look- here's an ancient text in Greek about astronomy... and next to it is everything Galileo Galilei ever wrote!! This whole section is about the stars and planets and the entire universe!"
The Beast stood, looking slightly embarrassed, scratching the back of his neck with his hand.
Belle grabbed a book and ran over to him, shoving it in his face. "Up until this man, Copernicus, everyone thought the entire universe rotated around the earth- that we were the center of it all." She flipped open to a page that had an engraving of planets and their paths, little callouts to their names and the length of their orbits. "Thanks to men like him and Tycho Brahe and Kepler, we now know nothing revolves around the earth- except the moon.
”
”
Liz Braswell (As Old as Time)
“
And now there’s another thing you got to learn,” said the Ape. “I hear some of you are saying I’m an Ape. Well, I’m not. I’m a Man. If I look like an Ape, that’s because I’m so very old: hundreds and hundreds of years old. And it’s because I’m so old that I’m so wise. And it’s because I’m so wise that I’m the only one Aslan is ever going to speak to. He can’t be bothered talking to a lot of stupid animals. He’ll tell me what you’ve got to do, and I’ll tell the rest of you. And take my advice, and see you do it in double quick time, for he doesn’t mean to stand any nonsense.”
There was dead silence except for the noise of a very young badger crying and its mother trying to make it keep quiet.
“And now here’s another thing,” the Ape went on, fitting a fresh nut into its cheek, “I hear some of the horses are saying, Let’s hurry up and get this job of carting timber over as quickly as we can, and then we’ll be free again. Well, you can get that idea out of your heads at once. And not only the Horses either. Everybody who can work is going to be made to work in future. Aslan has it all settled with the King of Calormen—The Tisroc, as our dark faced friends the Calormenes call him. All you Horses and Bulls and Donkeys are to be sent down into Calormen to work for your living—pulling and carrying the way horses and such-like do in other countries. And all you digging animals like Moles and Rabbits and Dwarfs are going down to work in The Tisroc’s mines. And—”
“No, no, no,” howled the Beasts. “It can’t be true. Aslan would never sell us into slavery to the King of Calormen.”
“None of that! Hold your noise!” said the Ape with a snarl. “Who said anything about slavery? You won’t be slaves. You’ll be paid—very good wages too. That is to say, your pay will be paid into Aslan’s treasury and he will use it all for everybody’s good.” Then he glanced, and almost winked, at the chief Calormene. The Calormene bowed and replied, in the pompous Calormene way:
“Most sapient Mouthpiece of Aslan, The Tisroc (may-he-live-forever) is wholly of one mind with your lordship in this judicious plan.”
“There! You see!” said the Ape. “It’s all arranged. And all for your own good. We’ll be able, with the money you earn, to make Narnia a country worth living in. There’ll be oranges and bananas pouring in—and roads and big cities and schools and offices and whips and muzzles and saddles and cages and kennels and prisons—Oh, everything.”
“But we don’t want all those things,” said an old Bear. “We want to be free. And we want to hear Aslan speak himself.”
“Now don’t you start arguing,” said the Ape, “for it’s a thing I won’t stand. I’m a Man: you’re only a fat, stupid old Bear. What do you know about freedom? You think freedom means doing what you like. Well, you’re wrong. That isn’t true freedom. True freedom means doing what I tell you.”
“H-n-n-h,” grunted the Bear and scratched its head; it found this sort of thing hard to understand.
”
”
C.S. Lewis (The Last Battle (Chronicles of Narnia, #7))
“
Speak to me about power. What is it?”
I do believe I’m being out-Cambridged. “You want me to discuss power? Right here and now?”
Her shapely head tilts. “No time except the present.”
“Okay.” Only for a ten. “Power is the ability to make someone do what they otherwise wouldn’t, or deter them from doing what they otherwise would.”
Immaculée Constantin is unreadable. “How?”
“By coercion and reward. Carrots and sticks, though in bad light one looks much like the other. Coercion is predicated upon the fear of violence or suffering. ‘Obey, or you’ll regret it.’ Tenth-century Danes exacted tribute by it; the cohesion of the Warsaw Pact rested upon it; and playground bullies rule by it. Law and order relies upon it. That’s why we bang up criminals and why even democracies seek to monopolize force.” Immaculée Constantin watches my face as I talk; it’s thrilling and distracting. “Reward works by promising ‘Obey and benefit.’ This dynamic is at work in, let’s say, the positioning of NATO bases in nonmember states, dog training, and putting up with a shitty job for your working life. How am I doing?”
Security Goblin’s sneeze booms through the chapel.
“You scratch the surface,” says Immaculée Constantin.
I feel lust and annoyance. “Scratch deeper, then.”
She brushes a tuft of fluff off her glove and appears to address her hand: “Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.’ That thought sickens me, Hugo Lamb, like nothing else. Doesn’t it sicken you?
”
”
David Mitchell (The Bone Clocks)
“
Ramil sighed with relief when the talkative landlord finally decided to go, but he didn't get very far with his supper before Tashi swatted him in the stomach.
"Hot coals? Stringy hair?"
He laughed. "Shh! You know I was only saying what I had to say in front of him."
"But those words occurred to you--you must have thought them!"
Ramil scratched his head, knowing that he was probably damned whatever he said now.
"Well, your eyes can blaze when they're angry. I bet they're blazing now.
And compared to us, your hair is pale--not that it doesn't have a most wonderful color. Um . . . stringy--well, you had been in prison for a while."
"Ram!"
"But you always looked beautiful to me." He put his arm around her. "May I?"he asked.
She nodded, wondering what he was going to do.
He leant forward and sniffed. "Not a hint of brimstone. Just mud and horses."
"What!"
"But I like horses."
"Ram, if you were thinking of making more attempts at winning my affections, I don't think this is the recommended practice in any part of the known world."
"So I still have a chance?" He pulled her snugly against him so she fitted in the crook of his arm.
"Not like this you won't. And don't forget, we are supposed to be brother and sister."
"Ah yes." He dropped his arm. "What a shame
”
”
Julia Golding (Dragonfly (Dragonfly Trilogy, #1))
“
Entering the office, Evie found Sebastian and Cam on opposite sides of the desk. They both mulled over account ledgers, scratching out some entries with freshly inked pens, and making notations beside the long columns. Both men looked up as she crossed the threshold. Evie met Sebastian’s gaze only briefly; she found it hard to maintain her composure around him after the intimacy of the previous night. He paused in mid-sentence as he stared at her, seeming to forget what he had been saying to Cam. It seemed that neither of them was yet comfortable with feelings that were still too new and powerful. Murmuring good morning to them both, she bid them to remain seated, and she went to stand beside Sebastian’s chair.
“Have you breakfasted yet, my lord?” she asked.
Sebastian shook his head, a smile glinting in his eyes. “Not yet.”
“I’ll go to the kitchen and see what is to be had.”
“Stay a moment,” he urged. “We’re almost finished.”
As the two men discussed a few last points of business, which pertained to a potential investment in a proposed shopping bazaar to be constructed on St. James Street, Sebastian picked up Evie’s hand, which was resting on the desk. Absently he drew the backs of her fingers against the edge of his jaw and his ear while contemplating the written proposal on the desk before him. Although Sebastian was not aware of what the casual familiarity of the gesture revealed, Evie felt her color rise as she met Cam’s gaze over her husband’s downbent head. The boy sent her a glance of mock reproof, like that of a nursemaid who had caught two children playing a kissing game, and he grinned as her blush heightened further.
Oblivious to the byplay, Sebastian handed the proposal to Cam, who sobered instantly. “I don’t like the looks of this,” Sebastian commented. “It’s doubtful there will be enough business in the area to sustain an entire bazaar, especially at those rents. I suspect within a year it will turn into a white elephant.”
“White elephant?” Evie asked.
A new voice came from the doorway, belonging to Lord Westcliff. “A white elephant is a rare animal,” the earl replied, smiling, “that is not only expensive but difficult to maintain. Historically, when an ancient king wished to ruin someone he would gift him with a white elephant.” Stepping into the office, Westcliff bowed over Evie’s hand and spoke to Sebastian. “Your assessment of the proposed bazaar is correct, in my opinion. I was approached with the same investment opportunity not long ago, and I rejected it on the same grounds.”
“No doubt we’ll both be proven wrong,” Sebastian said wryly. “One should never try to predict anything regarding women and their shopping.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
You see,” continued the minister, bowing thankfully to the duke, “Dictionopolis is the place where all the words in the world come from. They’re grown right here in our orchards.” “I didn’t know that words grew on trees,” said Milo timidly. “Where did you think they grew?” shouted the earl irritably. A small crowd began to gather to see the little boy who didn’t know that letters grew on trees. “I didn’t know they grew at all,” admitted Milo even more timidly. Several people shook their heads sadly. “Well, money doesn’t grow on trees, does it?” demanded the count. “I’ve heard not,” said Milo. “Then something must. Why not words?” exclaimed the undersecretary triumphantly. The crowd cheered his display of logic and continued about its business. “To continue,” continued the minister impatiently. “Once a week by royal proclamation the word market is held here in the great square and people come from everywhere to buy the words they need or trade in the words they haven’t used.” “Our job,” said the count, “is to see that all the words sold are proper ones, for it wouldn’t do to sell someone a word that had no meaning or didn’t exist at all. For instance, if you bought a word like ghlbtsk, where would you use it?” “It would be difficult,” thought Milo—but there were so many words that were difficult, and he knew hardly any of them. “But we never choose which ones to use,” explained the earl as they walked toward the market stalls, “for as long as they mean what they mean to mean we don’t care if they make sense or nonsense.” “Innocence or magnificence,” added the count. “Reticence or common sense,” said the undersecretary. “That seems simple enough,” said Milo, trying to be polite. “Easy as falling off a log,” cried the earl, falling off a log with a loud thump. “Must you be so clumsy?” shouted the duke. “All I said was——” began the earl, rubbing his head. “We heard you,” said the minister angrily, “and you’ll have to find an expression that’s less dangerous.” The earl dusted himself off as the others snickered audibly. “You see,” cautioned the count, “you must pick your words very carefully and be sure to say just what you intend to say. And now we must leave to make preparations for the Royal Banquet.” “You’ll be there, of course,” said the minister. But before Milo had a chance to say anything, they were rushing off across the square as fast as they had come. “Enjoy yourself in the market,” shouted back the undersecretary. “Market,” recited the duke: “an open space or covered building in which——” And that was the last Milo heard as they disappeared into the crowd. “I never knew words could be so confusing,” Milo said to Tock as he bent down to scratch the dog’s ear. “Only when you use a lot to say a little,” answered Tock. Milo thought this was quite the wisest thing he’d heard all day. “Come,” he shouted, “let’s see the market. It looks very exciting.
”
”
Norton Juster (The Phantom Tollbooth)
“
What's the trouble?" I said, knowing well what that trouble was.
"I've a notion in my head that would make the most splendid story that was ever written. Do let me write it out here. It's such a notion!"
There was no resisting the appeal. I set him a table; he hardly thanked me, but plunged into the work at once. For half an hour the pen scratched without stopping. Then Charlie sighed and tugged his hair. The scratching grew slower, there were more erasures, and at last ceased. The finest story in the world would not come forth.
"It looks such awful rot now," he said, mournfully. "And yet it seemed so good when I was thinking about it. What's wrong?"
I could not dishearten him by saying the truth. So I answered: "Perhaps you don't feel in the mood for writing."
"Yes I do--except when I look at this stuff. Ugh!"
"Read me what you've done," I said.
"He read, and it was wondrous bad, and he paused at all the specially turgid sentences, expecting a little approval; for he was proud of those sentences, as I knew he would be.
"It needs compression," I suggested, cautiously.
"I hate cutting my things down. I don't think you could alter a word here without spoiling the sense. It reads better aloud than when I was writing it."
"Charlie, you're suffering from an alarming disease afflicting a numerous class. Put the thing by, and tackle it again in a week."
"I want to do it at once. What do you think of it?"
"How can I judge from a half-written tale? Tell me the story as it lies in your head."
Charlie told, and in the telling there was everything that his ignorance had so carefully prevented from escaping into the written word. I looked at him, and wondering whether it were possible that he did not know the originality, the power of the notion that had come in his way? It was distinctly a Notion among notions. Men had been puffed up with pride by notions not a tithe as excellent and practicable. But Charlie babbled on serenely, interrupting the current of pure fancy with samples of horrible sentences that he purposed to use. I heard him out to the end. It would be folly to allow his idea to remain in his own inept hands, when I could do so much with it. Not all that could be done indeed; but, oh so much!
”
”
Rudyard Kipling
“
Rach-Uh, my mom says they'll help me blend in better. She says the color would just draw attention to me."
Emma snorts. "Oh, she's definitely right. Blue eyes make you look so much more average. In fact, I almost didn't notice you standing there."
"That hurts my feelings, Emma." He grins.
She giggles.
He says, "I'd consider forgiving you-if you come with me to the beach."
She sighs. "I can't go with you, Galen."
He runs a hand through his hair. "Honestly, Emma, I don't know how much more rejection I can take," he blurts out. In fact, he doesn't remember ever being rejected, except by Emma. Of course, that could be due to the fact that he's a Royal. Or maybe it's because he doesn't spend a lot of time with his kind anyway, let alone the females. Actually, he doesn't spend a lot of time with anyone except Rachel. And Rachel would give him her beating heart if he asked for it.
"I'm sorry. It's not about you this time. Well, actually, it kind of is. My mom...well, she thinks we're dating." Her cheeks-and those lips-deepen to red.
"Dating?" What is dating again? He tries to remember what Rachel told him...She said it's easy to remember because it's almost the same as...what is the rhyme for it? And then he remembers. "It's easy to remember, because dating rhymes with mating, and they're almost the same," she'd said. He blinks at Emma. "You're mom thinks we're ma-Uh, dating?"
She nods biting her lip.
For reasons he can't explain, this pleases him. He leans against the passenger door of her car. "Oh. Well. What does it matter if she thinks that?"
"I told her we weren't dating, though. Just this morning. Going to the beach with you makes me look like a liar."
He scratches the back of his neck. "I don't understand. If you told her we weren't dating, then why does she think we are?"
She relaxes against his driver-side door. "Well, this is all actually your fault, not mine."
"I'm obviously not asking the right questions-"
"The way you acted toward me when I hit my head, Galen. Some people saw that. And they told my mom. She thinks I've been hiding you from her, keeping you a secret. Because she thinks we've been...we've been..."
"Dating?" he offers. He can't understand why she'd have a difficult time discussing dating, if it means what he thinks it does-spending time with one human more than others to see if he or she would be a good mate.
The Syrena do the same, only they call it sifting-and sifting doesn't take nearly as long as dating. A Syrena can sift out a mate within a few days. He'd laughed when Rachel said some humans date for years. So indecisive. Then an echo of Toraf's voice whispers to him, calling him a hypocrite. You're twenty years old. Why haven't you sifted for a mate? But that doesn't make him indecisive. He just hasn't had time to sift and keep his responsibility watching the humans. If it weren't for that, he'd already be settled down. How can Toraf think Emma's the reason he hasn't sifted yet? Up until three weeks ago, he didn't even know she existed.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Ben had the most expressive face I’d ever seen. When he told a story, he dove into it, re-enacting each character with a new set of his jaw and cast of his brow. His eyes shone vibrantly, and every time he laughed, it showed in his whole body. Just watching him made me smile. I felt warm around him, and happy, and comfortable. I felt like flannel pajamas, hot cocoa, a teddy bear, and my favorite comedy on DVD. I felt like home.
I loved Ben, that’s what I felt. It popped into my head, and I didn’t doubt it for a second. I loved Ben.
Well that was settled then, wasn’t it?
Then my eyes darted to Sage, and I noticed he wasn’t focused on Ben’s story either. He was watching me. He was watching me watch Ben, to be precise, leaning back on his elbows and staring so fixedly that I could practically hear him scratching his way into my brain to listen to what I was thinking.
And the minute I felt that, I was desperate to take back what I’d thought, and make sure he hadn’t understood. Especially since I had this strong feeling that if he believed I loved Ben, he’d disappear. Maybe not right away, but as soon as he could. And that would be the end of the world.
“Okay, Sage, your turn,” Rayna said. “What’s the most embarrassing thing you’ve ever done in the middle of a social function?”
Instantly Sage’s intense stare was gone, replaced by a relaxed pose and a charming smile. “Um, I would say doing a spit take in front of Clea’s mom, several senators, and the Israeli foreign minister would probably cover it.”
“You did that?” I asked.
“Oh yes, he did,” Rayna nodded.
“And the minister still offered you his house in Tel Aviv for the honeymoon? That’s shocking.”
“Rayna is particularly charming,” Sage noted.
“Thank you, darling.” She batted her eyes at him like a Disney princess.
“What happened?” Ben asked. “Piri spiked your drink with garlic?”
“You say that like it’s a joke,” Sage said. “I’m pretty sure she did.”
“She must really have it out for you,” Ben said. “Palinka’s Hungarian holy water. You don’t mess with that.”
“Speaking of holy water, I so did not get that on our trip,” Rayna put in. “Clea and I were touring one of the cathedrals in Italy, and in front of the whole tour I go, “That’s too cute! Look, they have birdbaths in the church!
”
”
Hilary Duff (Elixir (Elixir, #1))
“
I don't like to make mistakes. Which is why I haven't been with a man before now."
He as thrown off balance so quickly and completely, he coud hear his own brain stumble. "Well,that's...that's wise."
He took one definite step back, like a chessman going from square to square.
"It's interesting that makes you nervous," she said, countering his move.
"I'm not nervous,I'm...finished up here, it seems." He tried another tactic, stepped to the side.
"Interesting," she continued, mirroring his move, "that it would make you nervous,or uneasy if you prefer, when you've been...I think it's safe to use the term 'hitting on me' since we met."
"I don't think that's the proper term at all." Since he seemed to be boxed into a corner,he decided he was really only standing his ground. "I acted in a natural way regarding a physical attraction. But-"
"And now that I've reacted in a natural way, you've felt the reins slip out of your hands and you're panicked."
"I'm certainly not panicked." He ignored the terror gripping claws into his belly and concentrated on annoyance. "Back off, Keeley."
"No." With her eyes locked on his, she stepped in.Checkmate.
His back was hard up against a stall door and he'd been maneuvered there by a woman half his weight.It was mortifying. "This isn't doing either of us any credit." It took a lot of effort when the blood was rapidly draining out of his head, but he made his voice cool and firm. "The fact is I've rethought the matter."
"Have you?"
"I have,yes,and-stop it," he ordered when she ran the palms of her hands up over his chest.
"You're hearts pounding," she murmured. "So's mine.Should I tell you what goes on inside my head,inside my body when you kiss me"
"No." He barely managed a croak this time. "And it's not going to happen again."
"Bet?" She laughed, rising up just enough to nip his chin. How could she have known how much fun it was to twist a man into aroused knots? "Why don't you tell me about this rethinking?"
"I'm not going to take advantage of your-of the situation."
That,she thought,was wonderfully sweet. "At the moment,I seem to have the advantage.This time you're trembling,Brian."
The hell he was.How could he be trembling when he couldn't feel his own legs? "I won't be responsible.I won't use your inexperience.I won't do this." The last was said on a note of desperation and he pushed her aside.
"I'm responsible for myself.And I think I've just proven to both of us,that if and when I decide you'll be the one, you won't have a prayer." She drew a deep, satisfied breath. "Knowing that's incredibly flattering."
"Arousing a man doesn't take much skill, Keeley. We're cooperative creatures in that area."
If he'd expected that to scratch at her pride,and cut into her power,he was mistaken. She only smiled,and the smile was full of secret female knowledge. "If that was true between us, if that were all that's between us, we'd be naked on the tack room floor right now."
She saw the change in his eyes and laughed delightedly. "Already thought of that one, have you? We'll just hold that thought for another time.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here.
“You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.”
“Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine.
I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down.
“She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly.
I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods.
Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other.
Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.”
Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.
”
”
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
“
She turned to go back inside the livery stable. The excitement with which she’d
entered it less than an hour earlier had been replaced by heavy-hearted dread. She didn’t want to see Jim right now, or even think of him and the ramifications of their impossible
relationship.
He waited for her only a few yards from the door, leaning against Lady’s stall and scratching her forelock. When Catherine approached, he raised his eyebrows.
“Nathan won’t tell.” She pressed a finger to her lips. “We’re safe.”
Jim stood there a moment, his expression unreadable. He took a tentative step toward her, pointed to her and himself and twined his fingers together with another questioning
tilt of his brows.
“I don’t know.” She shook her head. “I don’t know if we’re together or not. I simply don’t know. Please don’t ask me this tonight. I need some time to think.”
His gaze was riveted on her lips, then her eyes. He seemed calm, but she noticed tension in his jaw and neck, signs she’d learned to read to tell her when he was upset or angry. She wished she could give him a better answer, could tell him what he wanted to
hear, but to say “I love you and want to be with you” would be a lie right now. Her conflicting emotions were tearing her apart.
Walking over to him, she tilted her face up and kissed him on the cheek. “I’m sorry,”
she whispered near his ear so he couldn’t see her words. “I don’t mean to keep hurting you. I want to love you, but I’m afraid. You don’t understand what a huge thing you’re
asking of me.”
She stepped back, gave him a small smile, and gestured toward the door. “I have to go now. It’s late. But I’ll try to see you soon.”
He nodded, but the hopeful light had gone out of his eyes.
”
”
Bonnie Dee (A Hearing Heart)
“
Little Sleep's-Head Sprouting Hair
in the Moonlight
1
You scream, waking from a nightmare.
When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.
2
I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die. Little Maud,
I would blow the flame out of your silver cup,
I would suck the rot from your fingernail,
I would brush your sprouting hair of the dying light,
I would scrape the rust off your ivory bones,
I would help death escape through the little ribs of your body,
I would alchemize the ashes of your cradle back into wood,
I would let nothing of you go, ever,
until washerwomen
feel the clothes fall asleep in their hands,
and hens scratch their spell across hatchet blades,
and rats walk away from the culture of the plague,
and iron twists weapons toward truth north,
and grease refuse to slide in the machinery of progress,
and men feel as free on earth as fleas on the bodies of men,
and the widow still whispers to the presence no longer beside her
in the dark.
And yet perhaps this is the reason you cry,
this the nightmare you wake screaming from:
being forever
in the pre-trembling of a house that falls.
3
In a restaurant once, everyone
quietly eating, you clambered up
on my lap: to all
the mouthfuls rising toward
all the mouths, at the top of your voice
you cried
your one word, caca! caca! caca!
and each spoonful
stopped, a moment, in midair, in its withering
steam.
Yes,
you cling because
I, like you, only sooner
than you, will go down
the path of vanished alphabets,
the roadlessness
to the other side of the darkness,
your arms
like the shoes left behind,
like the adjectives in the halting speech
of old folk,
which once could call up the lost nouns.
4
And you yourself,
some impossible Tuesday
in the year Two Thousand and Nine, will walk out
among the black stones
of the field, in the rain,
and the stones saying
over their one word, ci-gît, ci-gît, ci-gît,
and the raindrops
hitting you on the fontanel
over and over, and you standing there
unable to let them in.
5
If one day it happens
you find yourself with someone you love
in a café at one end
of the Pont Mirabeau, at the zinc bar
where wine takes the shapes of upward opening glasses,
and if you commit then, as we did, the error
of thinking,
one day all this will only be memory,
learn to reach deeper
into the sorrows
to come—to touch
the almost imaginary bones
under the face, to hear under the laughter
the wind crying across the black stones. Kiss
the mouth
that tells you, here,
here is the world. This mouth. This laughter. These temple bones.
The still undanced cadence of vanishing.
6
In the light the moon
sends back, I can see in your eyes
the hand that waved once
in my father's eyes, a tiny kite
wobbling far up in the twilight of his last look:
and the angel
of all mortal things lets go the string.
7
Back you go, into your crib.
The last blackbird lights up his gold wings: farewell.
Your eyes close inside your head,
in sleep. Already
in your dreams the hours begin to sing.
Little sleep's-head sprouting hair in the moonlight,
when I come back
we will go out together,
we will walk out together among
the ten thousand things,
each scratched in time with such knowledge, the wages
of dying is love.
”
”
Galway Kinnell
“
I’m sorry,” she said, wishing she could say something more meaningful.
“I’m not. If he’d been a good uncle, I’d have stayed in Boston. Never would have found my way to San Francisco,” he said.
Camille knew where the rest of his story led and grinned.
“And you never would have rescued my father from a pickpocket,” she added.
He started to laugh, a quiet, almost personal chuckle, like he was thinking about some funny memory. Camille caught the bug of laughter and wanted to join in.
“What is it?” she asked.
“Your father didn’t need a rescuer. He caught the pickpocket himself,” Oscar answered, a hand on his abdomen from all his laughter. “And then he invited him inside for dinner.”
Her smile fell flat. She stared at him, trying to comprehend what he’d just said.
“You?” she asked, dumbfounded. “You were the pickpocket?”
Oscar nodded, scratching the back of his head. “Yeah. I wasn’t very good at it.”
Her father could have had him arrested or shooed him away without thinking twice. But he’d invited Oscar inside. He gave him work, food…a real chance.
“Why didn’t he tell me?” she asked, feeling like she’d been duped once again. All the lies her father had woven to cover up his secrets had become so frayed, Camille wondered if she had truly known him at all.
“To give me a clean slate with everyone. Even you.” Oscar moved toward her in cautious, deliberate steps. “We’re alone. We should talk.”
The pantry was cramped and dismal despite the oil lamp, and Camille had a sudden urge to flee.
“About what?” she asked, her ears burning. She still reeled with the knowledge that the pickpocket story hadn’t been real, just like her mother’s story hadn’t been real. Oscar stopped within a few inches from her and reached a hand around her waist.
“About our night together, Camille,” he answered, his dimples forming. “There’s a lot to say.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
So before you pass judgment on this cake, maybe take a look at yourself and what's going on in your own screwed-up life that's given you a warped perspective on an innocent, beautiful, phenomenal in every way----"
I lay a hand on Benny's shoulder and when he turns toward me, his mouth falls open in a perfect circle, dark eyebrows wrinkling his forehead under his cap. He is flushed and startled and so, so handsome. It's the first time I've looked at his face since we were on a city sidewalk and I was walking away from him and goodness, I've missed it.
"Sounds like a pretty good cake," I manage with a soft smile.
"The best," he breathes.
I step closer still, just a few inches from him now. "I'm a little sweeter on the baker, to be honest."
His eyes close and his chin tips down for just a moment, and he exhales on a laugh before looking at me with so much warmth and intensity.
"You have no idea how it is to hear that," he murmurs, and then he's kissing me hard, one hand in my hair and the other wrapping around my waist to pull me to him. I bring my arms up around his shoulders, barely registering the cheers and applause in the packed kitchen before I pull the cap off Benny's head. I hold it up to cover our faces from the camera, as our kiss goes on much longer than I'd ever want my mama to see.
When we break apart, Benny whispers, "I love you, Reese. And I'm sorry for not making that totally clear before now. I want to be with you, and support you, and fight for you----"
"I love you, Benny." I hadn't said it out loud before, for fear that this would end and I'd be heartbroken. But it appears that will not be the case. And I'm so, so certain that I love him.
"Woo!" he shouts, lifting me by the waist and twirling me around. Then, since the camera is still rolling---perhaps a sense of "what do we really have to lose at this point?" on Charlie's part---he yells, "I LOVE REESE CAMDEN! Who wants cake?
”
”
Kaitlyn Hill (Love from Scratch)
“
You know, one time I saw Tiger down at the water hole: he had the biggest testicles of any animal, and the sharpest claws, and two front teeth as long as knives and as sharp as blades. And I said to him, Brother Tiger, you go for a swim, I’ll look after your balls for you. He was so proud of his balls. So he got into the water hole for a swim, and I put his balls on, and left him my own little spider balls. And then, you know what I did? I ran away, fast as my legs would take me
“I didn’t stop till I got to the next town, And I saw Old Monkey there. You lookin’ mighty fine, Anansi, said Old Monkey. I said to him, You know what they all singin’ in the town over there? What are they singin’? he asks me. They singin’ the funniest song, I told him. Then I did a dance, and I sings,
Tiger’s balls, yeah,
I ate Tiger’s balls
Now ain’t nobody gonna stop me ever at all
Nobody put me up against the big black wall
’Cos I ate that Tiger’s testimonials
I ate Tiger’s balls.
“Old Monkey he laughs fit to bust, holding his side and shakin’, and stampin’, then he starts singin’ Tiger’s balls, I ate Tiger’s balls, snappin’ his fingers, spinnin’ around on his two feet. That’s a fine song, he says, I’m goin’ to sing it to all my friends. You do that, I tell him, and I head back to the water hole.
“There’s Tiger, down by the water hole, walkin’ up and down, with his tail switchin’ and swishin’ and his ears and the fur on his neck up as far as they can go, and he’s snappin’ at every insect comes by with his huge old saber teeth, and his eyes flashin’ orange fire. He looks mean and scary and big, but danglin’ between his legs, there’s the littlest balls in the littlest blackest most wrinkledy ball-sack you ever did see.
“Hey, Anansi, he says, when he sees me. You were supposed to be guarding my balls while I went swimming. But when I got out of the swimming hole, there was nothing on the side of the bank but these little black shriveled-up good-for-nothing spider balls I’m wearing.
“I done my best, I tells him, but it was those monkeys, they come by and eat your balls all up, and when I tell them off, then they pulled off my own little balls. And I was so ashamed I ran away.
“You a liar, Anansi, says Tiger. I’m going to eat your liver. But then he hears the monkeys coming from their town to the water hole. A dozen happy monkeys, boppin’ down the path, clickin’ their fingers and singin’ as loud as they could sing,
Tiger’s balls, yeah,
I ate Tiger’s balls
Now ain’t nobody gonna stop me ever at all
Nobody put me up against the big black wall
’Cos I ate that Tiger’s testimonials
I ate Tiger’s balls.
“And Tiger, he growls, and he roars and he’s off into the forest after them, and the monkeys screech and head for the highest trees. And I scratch my nice new big balls, and damn they felt good hangin’ between my skinny legs, and I walk on home. And even today, Tiger keeps chasin’ monkeys. So you all remember: just because you’re small, doesn’t mean you got no power.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.”
He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.”
Jack reached the top of the stairs.
And stopped dead.
There was a dragon standing in the darkened hallway.
At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly.
And yet the icy fear slipping down his spine said differently.
The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light.
The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks.
“Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.”
The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?”
He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.”
Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience.
“9-1-1, what’s your emergency?”
“Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.”
“We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“
Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again.
The dragon’s head turned towards the direction of upstairs.
Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.
”
”
Kyoko M. (Of Fury & Fangs (Of Cinder & Bone, #4))
“
Paradox is any self-contradictory proposition that, when investigated, may prove to be well-founded or true. Once understood, it opens the gateway to higher wisdom. But how can contradictory principles both be true? As the Buddhist Riddle of Five Truths puts it: “It is right. It is wrong. It is both right and wrong. It is neither right nor wrong. All exist simultaneously.” Charles Dickens expressed the paradox of his era, equally true today, when he wrote, “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness,” going on to describe that time as one of belief and incredulity, light and darkness, hope and despair. Two opposing statements can each be true depending on the observer: it’s true that spiders are merciless killers from the viewpoint of tiny insects caught in their webs—but for most humans, nearly all spiders are harmless creatures. A story of the Sufi sage Mullah Nasruddin expresses the nature of paradox when he’s asked to arbitrate between two men with opposing views. Hearing the first man, he remarks, “You’re right.” When he hears the second man, he also says, “You’re right.” When a bystander points out, “They can’t both be right,” the mullah scratches his head and says, “You’re right.” Let’s go deeper and consider four central sets of paradoxical truths: * Time is real. It moves from past to present to future. * There is no time, no past, no future—only the eternal present. * You possess free will and can thus take responsibility for your choices. * Free will is an illusion—your choices are influenced, even predetermined, by all that preceded them. * You are, or possess, a separate inner self existing within a body. * No separation exists—you are a part of the same Consciousness shining through billions of eyes. * Death is an inevitable reality you’ll meet at the end of life. * The death of the inner self is an illusion. Life is eternal. Must you choose one assertion and reject the other? Or is there a way to meaningfully resolve and even reconcile such apparent contradictions?
”
”
Dan Millman (The Hidden School: Return of the Peaceful Warrior)
“
Jason, it’s a pleasure.” Instead of being in awe or “fangirling” over one of the best catchers in the country, my dad acts normal and doesn’t even mention the fact that Jason is a major league baseball player. “Going up north with my daughter?”
“Yes, sir.” Jason sticks his hands in his back pockets and all I can focus on is the way his pecs press against the soft fabric of his shirt. “A-plus driver here in case you were wondering. No tickets, I enjoy a comfortable position of ten and two on the steering wheel, and I already established the rule in the car that it’s my playlist we’re listening to so there’s no fighting over music. Also, since it’s my off season, I took a siesta earlier today so I was fresh and alive for the drive tonight. I packed snacks, the tank is full, and there is water in reusable water bottles in the center console for each of us. Oh, and gum, in case I need something to chew if this one falls asleep.” He thumbs toward me. “I know how to use my fists if a bear comes near us, but I’m also not an idiot and know if it’s brown, hit the ground, if it’s black, fight that bastard back.” Oh my God, why is he so adorable? “I plan on teaching your daughter how to cook a proper meal this weekend, something she can make for you and your wife when you’re in town.”
“Now this I like.” My dad chuckles. Chuckles. At Jason. I think I’m in an alternate universe.
“I saw this great place that serves apparently the best pancakes in Illinois, so Sunday morning, I’d like to go there. I’d also like to hike, and when it comes to the sleeping arrangements, I was informed there are two bedrooms, and I plan on using one of them alone. No worries there.”
Oh, I’m worried . . . that he plans on using the other one.
“Well, looks like you’ve covered everything. This is a solid gentleman, Dottie.”
I know. I really know.
“Are you good? Am I allowed to leave now?”
“I don’t know.” My dad scratches the side of his jaw. “Just from how charismatic this man is and his plans, I’m thinking I should take your place instead.”
“I’m up for a bro weekend,” Jason says, his banter and decorum so easy. No wonder he’s loved so much. “Then I wouldn’t have to see the deep eye-roll your daughter gives me on a constant basis.”
My dad leans in and says, “She gets that from me, but I will say this, I can’t possibly see myself eye-rolling with you. Do you have extra clothes packed for me?”
“Do you mind sharing underwear with another man? Because I’m game.”
My dad’s head falls back as he laughs. “I’ve never rubbed another man’s underwear on my junk, but never say never.”
“Ohhh-kay, you two are done.” I reach up and press a kiss to my dad’s cheek. “We are leaving.” I take Jason by the arm and direct him back to the car. From over his shoulder, he mouths to my dad to call him, which my dad replies with a thumbs up.
Ridiculous. Hilarious.
When we’re saddled up in the car, I let out a long breath and shift my head to the side so I can look at him. Sincerely I say, “Sorry about that.”
With the biggest smile on his face, his hand lands on my thigh. He gives it a good squeeze and says, “Don’t apologize, that was fucking awesome.
”
”
Meghan Quinn (The Lineup)
“
... nature did not make us to feel too good for too long (which would be no good for the survival of the species) but only to feel good enough to imagine, erroneously, that someday we might feel good all the time. To believe that humanity will ever live in a feel-good world is a common mistake. And if we do not feel good, we should act as if we do. If you act happy, then you will become happy—everybody in the workaday world knows that. If you do not improve, then someone must assume the blame. And that someone will be you. We are on our way to the future, and no introverted melancholic is going to impede our progress. You have two choices: start thinking the way God and your society want you to think or be forsaken by all. The decision is yours, since you are a free agent who can choose to rejoin the world of fabricated reality—civilization, that is—or stubbornly insist on . . . what? That we should rethink how the whole world transacts its business? That we should start over from scratch, questioning all the ways and means that delivered us to a lofty prominence over the amusement park of creation? Try to be realistic. We made our world just the way nature and the Lord wanted us to make it. There is no starting over and no going back. No major readjustments are up for a vote. And no nihilistic head case is going to get a bad word in edgewise. The universe was created by the Creator, goddamn it. We live in a country we love and that loves us back. We have families and friends and jobs that make it all worthwhile. We are somebodies, as we spin upon this good earth, not a bunch of nobodies without names or numbers or retirement plans. None of this is going to become unraveled by a thought criminal who contends that the world is not double plus good and never will be and who believes that anyone is better off dead than alive. Our lives may not be unflawed—that would deny us a future to work toward—but if this charade is good enough for us, then it should be good enough for you. So if you cannot get your mind right, try walking away. You will find no place to go and no one who will have you. You will find only the same old trap the world over. It is the trap of tomorrow. Love it or leave it—choose which and choose fast. You will never get us to give up our hopes, demented as they may seem. You will never get us to wake up from our dreams. Your opinions are not certified by institutions of authority or by the middling run of humanity, and therefore whatever thoughts may enter your chemically imbalanced brain are invalid, inauthentic, or whatever dismissive term we care to assign to you who are only “one of those people.” So get the hell out if you can. But we are betting that when you start hurting badly enough, you will come running back. If you are not as strong as Samson— that no-good suicide and slaughterer of Philistines—then you will return to the trap. Do you think we are morons? We have already thought everything that you have thought. The only difference is that we have the proper and dignified sense of futility not to spread that nasty news. Our shibboleth: “Up the Conspiracy and down with Consciousness.
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Thomas Ligotti (The Conspiracy Against the Human Race)
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Princess, stop walking and just talk to me.” “Why? So you can let me know again how much of a slut you think I am?” “I don’t,” he let out a half-growl, half-sigh, “I don’t think you’re a slut. You just caught me on a bad day.” “Let me guess Chase, you hurt me because you were just so damn mad … am I right?” I threw his line from a month ago back in his face and he paled. His hand came up and brushed my hair back, holding it away from my face as he stared into my eyes, “This is why I told you I would never be good enough for you, all I do is hurt you Princess.” “This isn’t about you being, or not being good enough for me. I just want to be your friend, and you’re making that impossible.” Friend, he mouthed and scratched his head before grabbing a fistful of hair, “Okay, fine, we’re friends. But I need you to stop approaching me around my house and at school.” “What? Then that puts us exactly where we’ve been the last three weeks, that doesn’t change anything.” “It needs to be that way.” He released both his hair and mine at the same time and turned away for a second before facing me again, “Sundays are the only day I get you. Those are the only days when you’re here with me.” I opened my mouth but he stopped me, “No, I know you’re not here for me … but you’re here. And he’s not.” He bent his knees so we were eye to eye, “I need these days with you Harper. But every other day, you’re his and it’s not a good idea for us to be around each other then. So stay away. Please.” “Chase …” “If you think acting like you don’t exist isn’t the hardest thing I’ve ever done, you’re wrong. I hate not talking to you, I hate not bickering like we’re an old married couple and I hate not spending every day right next to you. But this is how it has to be, Brandon hates me, and Princess trust me when I say he has every reason to. So if after everything I’ve done to you, you’ll still even consider being my friend, then it has to be Sundays only.” “Brandon won’t care if we’re friends.” Okay I wasn’t entirely sure that was true. He smiled and shook his head, “I know you’re not that naïve. Now go have lunch with Mom and Bree, then get your ass back here so I can have my few stolen hours with you.” I walked toward the entryway but stopped after a few feet, “Chase?” “Yeah Princess?” Looking over my shoulder, I held his gaze, “Will you please stop hurting me … in every way?” Chase closed the distance and pulled me into a tight hug, “Go eat sweetheart.” That
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Molly McAdams (Taking Chances (Taking Chances, #1))
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A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the
beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.
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Rafael Nicolás (Angels Before Man)
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They taught him how to milk cows and now they expected him to tame lions. Perhaps they expected him to behave like all good lion tamers. Use a whip and a chair. But what happens to the best lion tamer when he puts down his whip and his chair.
Goddamnit! It was wrong. He felt cheated, he felt almost violated. He felt cheated for himself, and he felt cheated for guys like Joshua Edwards who wanted to teach and who didn’t know how to teach because he’d been pumped full of manure and theoretical hogwash. Why hadn’t anyone told them, in plain, frank English, just what to do? Couldn’t someone, somewhere along the line, have told them? Not one single college instructor? Not someone from the board of Ed, someone to orientate them after they’d passed the emergency exam? Not anyone? Now one sonofabitch somewhere who gave a good goddamn? Not even Stanley? Not even Small? Did they have to figure it out for themselves, sink and swim, kill or be killed?
Rick had never been told how to stop in his class. He’d never been told what to do with a second term student who doesn’t even know how to write down his own goddamn name on a sheet of paper. He didn’t know, he’d never been advised on the proper tactics for dealing with a boy whose I.Q. was 66, a big, fat, round, moronic 66. He hadn’t been taught about kids’ yelling out in class, not one kid, not the occasional “difficult child” the ed courses had loftily philosophized about, not him. But a whole goddamn, shouting, screaming class load of them all yelling their sonofbitching heads off. What do you do with a kid who can’t read even though he’s fifteen years old? Recommend him for special reading classes, sure. And what do you do when those special reading classes are loaded to the asshole, packed because there are kids who can’t read in abundance, and you have to take only those who can’t read the worst, dumping them onto a teacher who’s already overloaded and those who doesn’t want to teach a remedial class to begin with?
And what do you with that poor ignorant jerk? Do you call him on class, knowing damn well he hasn’t read the assignment because he doesn’t know how to read? Or do you ignore him? Or do you ask him to stop by after school, knowing he would prefer playing stickball to learning how to read.
And knowing he considers himself liberated the moment the bell sounds at the end of the eighth period.
What do you do when you’ve explained something patiently and fully, explained it just the way you were taught to explain in your education courses, explained in minute detail, and you look out at your class and see that stretching, vacant wall of blank, blank faces and you know nothing has penetrated, not a goddamn thing has sunk in? What do you do then?
Give them all board erasers to clean.
What do you do when you call on a kid and ask “What did that last passage mean?”and the kid stands there without any idea of what the passage meant , and you know that he’s not alone, you know every other kid in the class hasn’t the faintest idea either? What the hell do you do then? Do you go home and browse through the philosophy of education books the G.I bill generously provided. Do you scratch your ugly head and seek enlightenment from the educational psychology texts? Do you consult Dewey?
And who the hell do you condemn, just who?
Do you condemn elementary schools for sending a kid on to high school without knowing how to read, without knowing how to write his own name on a piece of paper? Do you condemn the masterminds who plot the education systems of a nation, or a state or a city?
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Evan Hunter (The Blackboard Jungle)