Scrapbooking Memory Quotes

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And I'll dance with you in Vienna, I'll be wearing a river's disguise. The hyacinth wild on my shoulder my mouth on the dew of your thighs. And I'll bury my soul in a scrapbook, with the photographs there and the moss. And I'll yield to the flood of your beauty, my cheap violin and my cross.
Leonard Cohen (Stranger Music: Selected Poems and Songs)
When I awoke it was daylight. The inside of my tent was coated in a curious flaky rime, which I realized after a moment was all of my nighttime snores, condensed and frozen and pasted to the fabric, as if into a scrapbook of respiratory memories.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Grief is love with no place to go
Karen Gibbs (A Gallery of Scrapbook Creations)
There is in this valley a beating heart. It is always and ever there. And when I am gone, it will beat for you and when you are gone, it will beat for your children and theirs, forever. Forever. Until there is no water, no air, no green in the spring or gold in the autumn, no stars in the sky or wind from the north. And when you cannot speak, it will speak for you. When you cannot see, it will be your eyes. When you cannot remember, it will be your memory. It will never forget you. And when you cannot be faithful, it will save a place for your return. This is a gift to you. It cannot be taken away. It is yours forever. It is the narrative of this world, and the scrapbook of your own small life, and, when you are gone into ash and darkness and the grave, it will tell your story.
Robert Goolrick (Heading Out to Wonderful)
There are moments in my life that stick to my memory. I suppose it's the same for everyone—snippets of life pasted in a scrapbook for you to look over every once in a while. You look back sometimes and relive an event, a smell or a sight. You catalog these things in your head and never really look at the whole. I think you miss something grand when you don't step back and examine everything together.
Benjamin X. Wretlind (Castles)
Ninety-six per cent of juvenile prostitutes are fugitives from abusive domestic situations; 66 per cent began working before they turned 16. (Prostitution is their only perceived means of survival.) Millions of children work as prostitutes around the world. A third are male. One study revealed that over 50 per cent of prostitutes are the children of alcoholics or substance abusers, and 90 per cent are deflowered through incest or rape. Ninety-one per cent of prostitutes do not speak of the abuse. (The truth of life is told through the language of behavior.) Abused children suffer Post-Traumatic Stress Disorder, guilt, self-destructive impulses, suspicion, fear. Seventy-five per cent of prostitutes attempt suicide. (Imagine their scrapbook of memories.)
Antonella Gambotto-Burke (The Eclipse: A Memoir of Suicide)
Our childhood memories are often fragments, brief moments or encounters, which together form the scrapbook of our life. They are all we have left to understand the story we have come to tell ourselves about who we are.
Edith Eger (The Choice: Embrace the Possible)
Who are they for? Friends. Not necessarily neighbor friends: indeed, the larger share is intended for persons we've met maybe once, perhaps not at all. People who've struck our fancy. Like President Roosevelt. Like the Reverend and Mrs. J. C. Lucey, Baptist missionaries to Borneo who lectured here last winter. Or the little knife grinder who comes through town twice a year. Or Abner Packer, the driver of the six o'clock bus from Mobile, who exchanges waves with us every day as he passes in a dust-cloud whoosh. Or the young Wistons, a California couple whose car one afternoon broke down outside the house and who spent a pleasant hour chatting with us on the porch (young Mr. Wiston snapped our picture, the only one we've ever had taken). Is it because my friend is shy with everyone except strangers that these strangers, and merest acquaintances, seem to us our truest friends? I think yes. Also, the scrapbooks we keep of thank-you's on White House stationery, time-to-time communications from California and Borneo, the knife grinder's penny post cards, make us feel connected to eventful worlds beyond the kitchen with its view of a sky that stops.
Truman Capote (A Christmas Memory)
Something had shifted between us, faintly, but the change was almost palpable. Our friendship had sat lightly between us, an ephemeral thing, without weight or gravity. Once, in the Boboli Gardens, under the shadow of a cypress tree on an achingly beautiful October afternoon, he had kissed me, a solemnly sweet and respectful kiss. But weeks had passed and we had not spoken of it. I had attributed it to the sunlight, shimmering gold like Danaë's shower, and had pressed it into the scrapbook of memory, to be taken out and admired now and then, but not to be dwelled upon too seriously. Perhaps I had been mistaken.
Deanna Raybourn (Silent in the Sanctuary (Lady Julia Grey, #2))
Native/Indigenous Peoples believe that hair holds strength and power. Some tribes may be different in how they wear their hair and the specific traditions they honor, but a common thread across many Indigenous cultures is the importance of hair. Hair is a physical manifestation of the spirit. Cutting, burying, and burning hair carries strong significance and meaning. In some tribes, it is a tradition to cut your hair and bury it with a loved one for them to bring energies along on their spirit journey. Hair is an extension of Native Peoples and holds dreams, memories, joys, trials, tribulations, and triumphs. Hair is a living "scrapbook" always carried with us, giving strength and courage.
Carole Lindstrom (My Powerful Hair: A Picture Book)
i didn’t know it for most of my growing up… but my mama had dreams. dreams that weren’t of ring shapes and dress colors. she had dreams that were drenched in art and tasted like adventure… ones that felt like being kissed until her heart burst… ones that opened up her whole soul like a wildflower on fire. but i didn’t know it. i didn’t know it because she tucked them away in pretty memory boxes and hid them in tattered journals that she pushed aside for perfectly-scripted scrapbooks, and she buried all her burning desires under yes ma’ams and sunday dresses and sweet, supportive smiles, while any part of her that ever maybe might could’ve known that she mattered… by herself, for herself, and belonging. to. herself. suffocated quietly under the white noise of all those voices that had told her that all that really mattered was that she had been chosen… by him. and when i started to see that inside of her was a whole other woman that she ached to be… i knew i couldn’t go through my life aching for the me i’d never be, in that same way. so all i’ve ever wanted… is to know that i matter. by myself. for myself. and belonging to myself. chosen by no one, but me.
butterflies rising
He had in his head a scrapbook of the tastes that had impacted him the most during his travels: goat cheese and olive oil in California, the tropical fruits and chilies of South America, everything that had touched his lips in Japan. When Angelo and Paolo talk about their travels, they turn to the memories- the parties, the people, the crazy times had, always with the metronome of mozzarella beating in the background. But what followed Vito were the flavors- the dishes, the ingredients, and techniques unknown to most of Italy. "When I came back from Japan, there were six kilos of matcha, two kilos of coconut powder, and twelve bottles of Nikka whiskey in my bag. In Rome they stopped me and opened the bag. They thought they had caught me with cocaine. I told the guy to open up the bag and taste." Vito didn't drink Nikka (he and his brothers rarely drink alcohol); instead, he emptied all twelve bottles into a wooden bucket, where he now soaks blue cheese made from sheep's milk to make what he calls formaggio clandestino. He stirs up a spoon of high-grade matcha powder into Dicecca's fresh goat yogurt and sells it in clear plastic tubs, anxious for anyone- a loyal client, a stranger, a disheveled writer- to taste something new.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
The power behind words and voices is substantial to life! I dedicated this book to all of you readers before you even read it, to understand- the book of misunderstandings for the misunderstood. To have a voice, when you were made not have one or told not to have one. Maybe if you are like me, trying to get your voice back this is the story you need. Nonetheless, let us not fail to remember all the voices, which will never speak again, for being rejected and misunderstood.' 'Yes, be that voice with this book, this book is for you, to speak up, and be heard.' 'Why?' 'So, there are no more lost and forgotten voices of life. This book is a stepping stone to abolish bullying altogether, along with your help; we can take that step forward, and forget about the past!' 'At this time, I would like you all to take a moment of silence, to remember someone, that is no longer with us. So, they are not forgotten.' Preface: 'To understand, you must read between the lines of a story just like mine. My wronging if you do not read this book, is you'll find out fast that life is going to suck, and then you make the discovery, that you are going to die alone, and the hex- I have will now be on you.' 'At least that is what I thought; I thought I read, my story before it was written, and this note was the last thing that I was going to write. However, I never realized that there was so much more to life, which I did not appreciate. I came near a stone's throw away from the end. Yet I got additional unplanned lifespans. Yet, was the second chance what I needed?' 'Nevertheless, there were things that I concerned my mind with, which was not substantial to my existence.' 'If anything- learn from me. Try to do the virtuous things I did and not the mistakes I made. Though it is up to you to decide what was good or bad, it is what you feel and believe is morally right in your mind.' 'Yeah- I never really put any thought into what was going to happen to me someday, and the others that are part of my surroundings.' 'However, life goes on, and the existence of what was stands for nothing but- a memory of what you can and cannot have. If you are someone like me, but all I ever wanted was someone that appreciates me. They say life is free or is it. Do I want it- No- not really!' 'The existence of life…!' 'Is what I do not want to have anymore. There must be a way out of all this misery that I live in today? 'They say dying is easy, as well as lasting, and living is difficult and uncertain.' While- I am going to find out!' 'I guess life is all about what you want, need, and love.' 'Likewise, existing in life comes down to what you cannot have in it.' 'All I have to say is don't let anyone or anything pin you down, and make you less than whom you are. Always be whom you were meant to be, regardless of what they say… because who in the hell are they!' 'My story- is somewhat graphic at times, just like looking into a black and white photo of the past in a scrapbook. All the color in it washes away over time, one way or another. Besides all that is left is still frames that keep on fading, and distorting.' 'On the morning I was scheduled to die, I saw my life as if I had lived it to its whole. Oh, the captivating angel beamed lovingly as she roamed forward help me hang myself, a part of me felt death, and other parts of my mind, body, and soul felt as if it would never dye.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
Scrapbooking also became more female, Tucker says. “Women are charged with memory. Men were taking the photos, but who was guarding that memory? That was women,” she adds. “That was part of the caretaking role.” This is true of many of today’s digital sharing tools: About 80 percent of the users of Pinterest are women.
Anonymous
The nightmares of him breaking into her apartment to slit her throat had dwindled over the years, but they still jolted her awake sometimes, leaving her sweating and tangled in her sheets. Maybe now they would finally stop. In the meantime, she would continue to count her many blessings, like Rosemary would have wanted her to, and she would continue to show herself mercy by putting the horrors of her past behind her. She wiped her eyes and stood. Then, instead of clipping out the article about Eddie to put in her scrapbook, she ripped it out, crumpled it up in her hands, and threw it in the wastebasket, where it belonged. She had a birthday party to get ready for, a happy celebration to enjoy with her beautiful family. She’d made up her mind a long time ago that painful memories were not going to steal the wonderful parts of life away from her, or stain them in any way. And that was a promise she intended to keep, not only for her own sake but also in remembrance of Rosemary—who wouldn’t have wanted it any other way.
Ellen Marie Wiseman (The Lost Girls of Willowbrook)
This is what I am trying to say: I was in no condition to have paid closer attention to plot development. There were no flashbulb memories pausing time, creating a mental photograph of how sunlight fell in a pattern on the parquet floor, individual facial expressions, what I was wearing, or the particular geometry of where bodies were located in the apartment's floor plan. I've requested all the mental and visual impressions in the library of my brain, like an interlibrary-loan—The Book of Devastating Phone Calls & Their Aftermath (153.1BFL)—only to learn the book has been pulled from the shelf and remaindered. I have only the fragments of conversations, the scrapbooks, the digital debris, and the patchwork of letters saved. I revisit and reread them. I look at them over and over, hoping if I stare at them long enough it becomes something like being there again, like remembering, and thus, once relived innumerable times, becomes solidly the stuff of the past. The phone was ringing. The phone rang. I answered it.
Brett Fletcher Lauer (Fake Missed Connections)
It would be one hell of an addition to someone's scrapbook. (Dark City Lights)
Bill Bernico
I pray that our Heavenly Father may assuage the anguish of your bereavement, and leave you only the cherished memory of the loved and lost, and the solemn pride that must be yours —Abraham Lincoln
Candace Fleming (The Lincolns: A Scrapbook Look at Abraham and Mary)
s a child, I was so shy I once hid in a closet at my own birthday party! But again and again, over the years, God has confronted me with opportunities to step outside of myself to touch others. And you know what? Saying yes to God is always a hopeful endeavor. If someone asked me 40 years ago whether I'd ever write a book or speak in front of a large audience, I'd have told her she was crazy. But that's what my ministry became! And as I've matured in the Lord, my hope has grown too. These days I'm far from a hopeless romantic. I'm not a hopeless anything. I'm a wide-eyed child of God eagerly waiting to see what He has in mind for me next. hese troubling days are the perfect time to enjoy the company of old and dear friends. You can share your sorrows, rejoice at God's love, and reminisce about good times. Through all life's seasons friends add so much depth and meaning. Don't think you have to fill every minute with activities. Spend time talking, listening, and enjoying companionship. Gather around a table of great food and soak up the warmth of years of friendship. Share a verse of Scripture and a time of prayer. The Bible says, "Be joyful always; pray continually; give thanks in all circumstances, for this is God's will for you in Christ Jesus" (1 Thessalonians 5:16-18). ver the years I've put together a "This Is Your Life" scrapbook for every one of my children. The books are filled with birth announcements, birthday party pictures, graduation memories-everything imaginable. Report cards, favorite Bible verses, photos of friends, even letters they wrote from camp. My kids have so enjoyed their special books-their own personal history. I love the scripture in Proverbs that says: "The
Emilie Barnes (365 Things Every Woman Should Know)
It’d be easier to pack a suitcase, go on a short-term adventure, and return home a week or two later to wash the dirt out of my clothes, put the suitcase in the closet, and log my memories in a scrapbook. A worthy act of service? Yes, of course. But neatly packaged and not too interrupting. A mission trip would allow me to keep my grandiose promises to manageable portions, something that didn’t stretch and sting to the point of sacrifice.
Michele Cushatt (Undone: A Story of Making Peace With an Unexpected Life)
I never saw God, nor do I pretend to have any special insights. What you will see in this book are snapshots of God, not a complete film. This book is presented in an omnibus style and does not have to be read in precise, sequential order. What you will see is one man’s glimpses of God—images along the road of life. I do not represent myself as a theologian or a guru. There are no cheap thrills here for the spiritually bankrupt masses. It is my scrapbook of the highest power through dreams, memories, and stories, much like the ancient texts.
Michael Savage (God, Faith, and Reason)
Like so many, they chose not to recognize themselves in the mirror, but in old photographs, scrapbooks, shared memories.
Melanie Benjamin (The Swans of Fifth Avenue)
Treat your relationship like a blog or scrapbook that you want to fill up with awesome memories, quirky thoughts, and meaningful experiences.
Kathy Belge (Queer: The Ultimate LGBTQ Guide for Teens)
TRY THIS! Create an “All About ME” Book: This is a lot of fun and incredibly easy to do. It can be as simple or elaborate as you’d like it to be. Step 1: Buy a scrapbook (or some interesting paper and bind it together to make a book) Step 2: Have your children start listing all sorts of facts about themselves. Try to list as many things that you can think of together: favorite song, favorite food, favorite movie, best vacation, funniest memory, etc. The most important part of this project is that you’re doing it together. There’s no better way to show your children that they’re valued than by sharing your time with them. The great thing about really drilling home messages about body image for kids at this age is that they still think their parents are brilliant. That’s only going to last a few more years, so we need to take advantage while we still can!
Marci Warhaft-Nadler (The Body Image Survival Guide for Parents: Helping Toddlers, Tweens, and Teens Thrive)
Only your memories exist in my life’s memorabilia; My life’s scrapbook starts and ends with you. My love story has only six words That’s it…You’re the only one
T. Shree (You'll Always Be Enough)
[from 'Blade Runner 2049' review in 'Cut The Kink'] Here, in a reversal of 'The Force Awakens,' Harrison Ford survives and Gosling, his surrogate son, dies. The last shot of the film shows baby-boomer Ford creepily watching his daughter, a maker of memory implants, through a glass partition. Somehow, this generic version of the female has become the creator and repository of false memories, a scrapbooker of all the unnecessary backstories that have been weighing down screenplays since the original 'Blade Runner' came out. At one point we meet some official Hollywood-movie Tribal Scavengers, followed later by some official Hollywood-movie Meaningless Revolutionaries. Since at least the Matrix movies, such figures have heralded a revolution that never comes, though President Donald Sutherland did get trampled to death by rebels in 'The Hunger Games: Mockingjay, Part 2.
A.S. Hamrah (The Earth Dies Streaming)
They all don’t even believe in this dumb ghost story, or so the girl that feels to death, the kids say that I go with; her noting her but legion and myth. I think about all the haunted love in this ghostly building, hell yeah, I do… that's what it’s all about. I see the light coming towards me, and then I start to come off my feet into it, weird- into the old library, there is no floor holding me. You can see the swimmers in the pool below, just like the auditorium is over there off to the one side. The shaves are floating too, everything is, there are ghostly-like boards there translucent I am not standing at all my feet are hanging down, floating on nothingness, not even my toes are touching as I seem as if I am sixty feet in the air or more, my arms crossed not wanting to look down, yet I have too. (‘Angels Fall’ playing in the background) I see it, I see, I see, the big window at the front seems to suck me into it, getting bigger and bigger. I float past all the books that have been forgotten, like the kids of the past must have done also. Oh- so long ago… The dance-like to me in my eyesight and that would be all right if I was crapping myself by it, it's cool, yet creepy; they twinkle with wonder as if they want me to know something that lies inside. Like a scrapbook, with a photo of my fall and open up or something, like that. And it did, yet it was not my life that I saw this time. It was everyone in my past that I never knew, mom, dad, and going back, it’s a slideshow ruining in reverse. That is when she opened her wings to me and said- ‘Don’t give up without a fight!’ All right- I said. ‘This is what you give up to them’ -She said, (As she is standing in front of me with a phenomenon!) I got to the end and saw myself passing and did believe it. ‘So… go-o…’ ‘Run!’ ‘Or they will kill- YOU!’ ‘Like they did me.’ (I didn’t believe it, ha- what was she- like just some dream to me, if you will. It was not something I believed in at all like up or down, I want to say here in-between. I am too young to think about death. It’s never-ever on my mind, only when some old dude kicks it, yet who gives a crap, they have nothing to say anyway.
Marcel Ray Duriez (Nevaeh They Call Out)
My pulse thunders in my ears. It feels like my heart’s rattling my ribs loose, it’s pounding so violently inside my chest. If he touches me any further, I won’t be strong enough to resist Ren anymore. I’ll throw myself at him, beg him to give me everything for just a little while. To give me for now until he can have forever with her. Her. God, my blood boils, and a kick of anger surges through my veins. I hate her. I’m wildly jealous of this woman, who I can only assume is entirely, completely worthy of him. And I know, I trust that she is, because I trust Ren. He’s measured and thoughtful. He has his head screwed on straight. He values the right things. She’s probably an understated beauty, because Ren’s too wholesome to need a knockout—he only asks for beauty from within. She’s one of those rescue-shelter volunteers who bakes perfectly circular chocolate chip cookies and makes friends with all the grandmas on the block. She wants three kids—two boys and a girl—and she loves to scrapbook. She also reads those criminally sex-free romances and is the least erotically adventurous woman on the planet— Whoa, there, Francesca. Getting a little nasty, aren’t we? Well, yes. My thoughts have turned uncharitable. That’s my jealousy talking. That’s my covetous envy. A fierce possessiveness for someone I have no right to. An unwarranted, unfair animosity toward a woman I should be happy for. “I want to apologize, Frankie. About last night.” I spin, tugged out of my thoughts. “What?” Ren frowns up at me from his crouched position, petting Pazza. “I don’t remember everything, because that headache was…unearthly painful, and I’d taken one of the pills for it that Amy prescribed me, but I have a vague memory of being very into hand holding.” Heat rushes through me as I bite my lip. God, you’d think we’d made out, the way thinking of it affects me. “You were.” He grimaces. “It was unprofessional of me. I’m sorry.” His face transforms to a wide smile as Pazza licks his face, perching her muddy paws on his knees. “Pazza, down.” My voice is sharp, and she drops immediately, jogging over to me. Ren slowly stands with a look of wariness on his face. “What’s the matter?” “Nothing. Just Pazza. Sh-she’ll ruin your slacks.” I point at the grass and mud staining his knees. He smiles and shrugs. “I don’t care, Frankie. I can do my laundry. I’m a spot-treating wizard, actually.” “Of course, you are.” I can’t get a stain out of my clothes to save my life. Why do all these little things about him add up to something so perfectly right to me? Why does he have to be so wonderful? Why do I have to be so fucked up?
Chloe Liese (Always Only You (Bergman Brothers, #2))
There are certain days that are forever locked in our memories. They represent special times, places, and people that we capture in the scrapbook of our minds. Just a fleeting thought of these memories can bring us back to that special time and place as well as the emotion we felt when we were there.
Jim Stovall (A Christmas Snow: A Novel)
On this particular weather-mad March eve, the old man, now, finally, a realist, slips his noose and indulges both in nostalgia for a city, and a life once ten times as bright. His mind jumps with bright-hued, but scattered, memories, like a scrap-book unbound.
Neil Hetzner (Flight)
My heart has been broken a million times by the same hand, yet I would let it happen a million times again if it meant it was by you. I was weaker than I thought / my heart sagging like the stems of uncut, unkempt flowers because of the sunlight you held in your faraway heart / Maybe you weren't mine to love / I think I'm falling The wallpaper above her bed frame was glued in my brain the way it was glued against her walls / I got so close to running my fingers against it / I wish I felt the confidence to tell you the truth, as strongly as I felt stubborn to hide it Do you hear that? That's my heart knocking against my chest at the sight of you / I've never heard anything more terrifying / how could you provide me air and suffocate me at the same time? Blue hydrangeas, pink tulips, red bleeding hearts / it's all you ever loved, but never yourself / I never understood why anyone spoke poorly of the color brown, it was a dream on you And that kiss... I think about it all the time / was it wrong of me to think of you when you were never mine? / I feel lucky to have had you, but dismayed to know what life is like without you Don't worry if the flowers pass, I'll be right there to plant you more / and when the soil grows old, I'll comfort it in the chaos of the storm Am I a ghost in your story? / because you look at me with conviction when I don't even know the crime I committed Burden me with your secrets / so I can carry the weight you're so fearful of letting go To be close to you was to be haunted by what I couldn't have and to be reminded of how much I truly wanted you / and I'd be lying if I said I never thought about where my hands would take me across your body Midnights and daydreaming hours of retracing steps to how we possibly got here / how did I ever let time pass this long without seeing you? / my heart was so full of our memories that painted my body like a scrapbook I tried to stop loving you, but along the way, you found your way into the sound of my laugh, the style of my writing, and the threads of my clothes / I would've gone down on my knees just to hear you say yes Neck stiff, legs weak, eyes set on what we could've looked like if you hadn't left / 'moving on' was a broken record that I never had the strength to lift the needle off of / If hearts were meant to love then why did mine feel so empty? / and suddenly, I fell Glances, gazes, eyes following places they shouldn't have seen / intimacy was to be seen by you; free falling was to be touched by you / there was no such thing as a crowded room where you stood She lives in between the pinks and yellows of the world / where a beautiful color is unknown to others / and when she speaks, I become a bee enthralled in a field of daisies
Liana Cincotti (Picking Daisies on Sundays (Picking Daisies on Sundays, #1))