Scooter Kids Quotes

We've searched our database for all the quotes and captions related to Scooter Kids. Here they are! All 11 of them:

For a kid who has achieved as much as he has, it is amazing how much he is doubted
Scooter Braun talking about Justin Bieber
Do you remember how as kids we sat in front of a scooter & believed we were the one steering it, while someone else was actually driving & we never really had any control? That's how life works.
Nitya Prakash
The Arcturan megafreighters used to carry most of the bulky trade between the Galactic Center and the outlying regions. The Betelgeuse trading scouts used to find the markets and the Arcturans would supply them. There was a lot of trouble with space pirates before they were wiped out in the Dordellis wars, and the megafreighters had to be equipped with the most fantastic defense shields known to Galactic science. They were real brutes of ships, and huge. In orbit round a planet they would eclipse the sun. “One day, young Zaphod here decides to raid one. On a tri-jet scooter designed for stratosphere work, a mere kid. I
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
my scooter. So can I borrow yours?” Bella stared at me. “If you ride my scooter, what will I ride?” she asked. “You can borrow AJ’s scooter,” I said. “But what if AJ wants to ride his scooter?” “Then he can borrow Francis’s scooter.” “But what will Francis ride?” “He can ride his bike.” “Francis doesn’t have a bike,” Bella said. “Only a scooter.” I gave up. Because that girl was talking
Robbie Hyman (ZOE ZIMMER: Neighborhood Watch Kid)
He saw a boy around Hannah’s age coming down the street dribbling a basketball. He looked over at Hannah to tell her that he thought she knew this kid, but she had already seen him and her face was flushed. He had the white-toothed glow of an athlete and a rich kid. He said to Toby’s daughter, “Hey, Hannah.” Hannah smiled and said, “Hey.” And the boy dribbled on. “Who was that?” Toby asked. Hannah turned to him, angry. Her eyes were wet. “Why can’t we take cabs like regular people?” “What is it? What happened?” “I just don’t know why we have to do this walking to the park all the time like we’re babies. I don’t want to go to the park. I want to go home.” “What is the matter with you? We always go to the park.” She sounded a great big aspirated grunt of frustration and continued walking ahead of them, her arms stiff and fisted and her legs marching. Toby jogged and caught up with Solly, who had stayed obediently until Toby got to him. “Why’s she so angry?” Solly asked as he remounted his scooter. “I don’t know, kid.” More and more, Toby never knew. — HANNAH WAS INVITED to a sleepover that night.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Motor-scooter riders with big beards and girl friends who bounce on the back of the scooters and wear their hair long in front of their faces as well as behind, drunks who follow the advice of the Hat Council and are always turned out in hats, but not hats the Council would approve. Mr. Lacey, the locksmith,, shups up his shop for a while and goes to exchange time of day with Mr. Slube at the cigar store. Mr. Koochagian, the tailor, waters luxuriant jungle of plants in his window, gives them a critical look from the outside, accepts compliments on them from two passers-by, fingers the leaves on the plane tree in front of our house with a thoughtful gardener's appraisal, and crosses the street for a bite at the Ideal where he can keep an eye on customers and wigwag across the message that he is coming. The baby carriages come out, and clusters of everyone from toddlers with dolls to teenagers with homework gather at the stoops. When I get home from work, the ballet is reaching its cresendo. This is the time roller skates and stilts and tricycles and games in the lee of the stoop with bottletops and plastic cowboys, this is the time of bundles and packages, zigzagging from the drug store to the fruit stand and back over to the butcher's; this is the time when teenagers, all dressed up, are pausing to ask if their slips shows or their collars look right; this is the time when beautiful girls get out of MG's; this is the time when the fire engines go through; this is the time when anybody you know on Hudson street will go by. As the darkness thickens and Mr. Halpert moors the laundry cart to the cellar door again, the ballet goes under lights, eddying back nad forth but intensifying at the bright spotlight pools of Joe's sidewalk pizza, the bars, the delicatessen, the restaurant and the drug store. The night workers stop now at the delicatessen, to pick up salami and a container of milk. Things have settled down for the evening but the street and its ballet have not come to a stop. I know the deep night ballet and its seasons best from waking long after midnight to tend a baby and, sitting in the dark, seeing the shadows and hearing sounds of the sidewalk. Mostly it is a sound like infinitely patterning snatches of party conversation, and, about three in the morning, singing, very good singing. Sometimes their is a sharpness and anger or sad, sad weeping, or a flurry of search for a string of beads broken. One night a young man came roaring along, bellowing terrible language at two girls whom he had apparently picked up and who were disappointing him. Doors opened, a wary semicircle formed around him, not too close, until police came. Out came the heads, too, along the Hudsons street, offering opinion, "Drunk...Crazy...A wild kid from the suburbs" Deep in the night, I am almost unaware of how many people are on the street unless someone calls the together. Like the bagpipe. Who the piper is and why he favored our street I have no idea.
Jane Jacobs
He saw a boy around Hannah’s age coming down the street dribbling a basketball. He looked over at Hannah to tell her that he thought she knew this kid, but she had already seen him and her face was flushed. He had the white-toothed glow of an athlete and a rich kid. He said to Toby’s daughter, “Hey, Hannah.” Hannah smiled and said, “Hey.” And the boy dribbled on. “Who was that?” Toby asked. Hannah turned to him, angry. Her eyes were wet. “Why can’t we take cabs like regular people?” “What is it? What happened?” “I just don’t know why we have to do this walking to the park all the time like we’re babies. I don’t want to go to the park. I want to go home.” “What is the matter with you? We always go to the park.” She sounded a great big aspirated grunt of frustration and continued walking ahead of them, her arms stiff and fisted and her legs marching. Toby jogged and caught up with Solly, who had stayed obediently until Toby got to him. “Why’s she so angry?” Solly asked as he remounted his scooter. “I don’t know, kid.” More and more, Toby never knew. — HANNAH WAS INVITED to a sleepover that night. Sleepovers, as far as Toby could tell, consisted of the girls in her class getting together and forming alliances and lobbing microaggressions at each other in an all-night cold war, and they did this voluntarily. It had begun when Hannah was in fourth grade, or maybe before that, wherein the alpha girls set to work on a reliable and unyielding establishment of a food chain system—jockeying for position, submitting to a higher position. Licking your wounds when you learn you are not the absolute top; rejoicing to know you are not the absolute bottom.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Both C.K. and Bieber are extremely gifted performers. Both climbed to the top of their industry, and in fact, both ultimately used the Internet to get big. But somehow Bieber “made it” in one-fifteenth of the time. How did he climb so much faster than the guy Rolling Stone calls the funniest man in America—and what does this have to do with Jimmy Fallon? The answer begins with a story from Homer’s Odyssey. When the Greek adventurer Odysseus embarked for war with Troy, he entrusted his son, Telemachus, to the care of a wise old friend named Mentor. Mentor raised and coached Telemachus in his father’s absence. But it was really the goddess Athena disguised as Mentor who counseled the young man through various important situations. Through Athena’s training and wisdom, Telemachus soon became a great hero. “Mentor” helped Telemachus shorten his ladder of success. The simple answer to the Bieber question is that the young singer shot to the top of pop with the help of two music industry mentors. And not just any run-of-the-mill coach, but R& B giant Usher Raymond and rising-star manager Scooter Braun. They reached from the top of the ladder where they were and pulled Bieber up, where his talent could be recognized by a wide audience. They helped him polish his performing skills, and in four years Bieber had sold 15 million records and been named by Forbes as the third most powerful celebrity in the world. Without Raymond’s and Braun’s mentorship, Biebs would probably still be playing acoustic guitar back home in Canada. He’d be hustling on his own just like Louis C.K., begging for attention amid a throng of hopeful entertainers. Mentorship is the secret of many of the highest-profile achievers throughout history. Socrates mentored young Plato, who in turn mentored Aristotle. Aristotle mentored a boy named Alexander, who went on to conquer the known world as Alexander the Great. From The Karate Kid to Star Wars to The Matrix, adventure stories often adhere to a template in which a protagonist forsakes humble beginnings and embarks on a great quest. Before the quest heats up, however, he or she receives training from a master: Obi Wan Kenobi. Mr. Miyagi. Mickey Goldmill. Haymitch. Morpheus. Quickly, the hero is ready to face overwhelming challenges. Much more quickly than if he’d gone to light-saber school. The mentor story is so common because it seems to work—especially when the mentor is not just a teacher, but someone who’s traveled the road herself. “A master can help you accelerate things,” explains Jack Canfield, author of the Chicken Soup for the Soul series and career coach behind the bestseller The Success Principles. He says that, like C.K., we can spend thousands of hours practicing until we master a skill, or we can convince a world-class practitioner to guide our practice and cut the time to mastery significantly.
Shane Snow (Smartcuts: The Breakthrough Power of Lateral Thinking)
That’s very trusting.” Iris watches Anke search our backpacks. “We’re saving people’s lives. We thought we could be,”Anke says. I’m more fixated on her arm in my backpack than on what she’s saying, though. That bag is nearly empty, but it’s mine. She’s messing it up. Her hands might not even be clean. When she does stop, I immediately wish she hadn’t. “Denise,” she says, “I need to search your bed next.” My gaze flicks to my pillow. “I. I. Could I.” “She doesn’t like people touching her bed.” Iris stands, guarding me. “You’re touching it,” Captain Van Zand’s brother says. Iris shoots him a withering look. “I sat at the foot, which is the only place that’s OK for even me to touch, and I’m her sister.” Anke’s sigh sounds closer to a hiss. “Look, we have more rooms to search.” I squirm. No. Not squirm. I’m rocking. Back and forth. “Wait,” I say. “You can’t—” Iris goes on. “Just ’cause she’s too precious to—” the man argues. “Wait,” I repeat, softer this time, so soft that I’m not even sure Iris hears it. “Can I, can I just, wait. I can lift the sheets and mattress myself. You can look. Right? Is that good? Right? Is that good? If I lift them?” I force my jaw shut. No one says anything for several moments. I can’t tell if Anke is thinking of a counterargument or if she really is trying to make this work. Her lips tighten. “OK. If you listen to my instructions exactly.” “You’re indulging her?” Captain Van Zand’s brother says. “She’s just being difficult. Have you ever seen an autistic kid? Trust me, they’re not the kind to take water scooters into the city like she did.” “Denise, just get it done,” Anke snaps. I don’t stand until they’re far enough away from the bed, as if they might jump at me and touch the bed themselves regardless. I blink away tears. It’s dumb, I know that—I’m treating Anke’s hands like some kind of nuclear hazard—but this is my space, mine, and too little is left that’s mine as is. I can’t even face Iris. With the way she tried to help, it feels as though I’m betraying her by offering this solution myself. I keep my head low and follow Anke’s orders one-handed. Take off both the satin and regular pillowcases, show her the pillow, shake it (although I tell her she can feel the pillow herself: that’s OK, since the pillowcases will cover it again anyway)—lift the sheets, shake them, lift the mattress long enough for her to shine her light underneath, let her feel the mattress (which is OK, too, since she’s just touching it from the bottom) . . . They tell us to stay in our room for another hour. I wash my hands, straighten the sheets, wash my hands again, and wrap the pillow in its cases. “That was a good solution,” Iris says. “Sorry,” I mutter. “For what?” Being difficult. Not letting her help me. I keep my eyes on the sheets as I make the bed and let out a small laugh.
Corinne Duyvis (On the Edge of Gone)
She would even ride a scooter. and toot its horn. Everyone knew when Liberty was on the stage.
Desiree Milonas-King (Liberty the Circus Cat)
Often, and sadly, we go blind to this in sport. We see the competitors, but not who they lean on. We miss the parents putting child before job and ferrying kids to obscure destinations for tennis events across India; we miss the mothers sitting patiently beside pools as a daughter cuts quietly through the water for hours; we miss the fathers religiously dropping off sons for cricket nets before work and after on their Bajaj scooters. They wait for, and on, us.
Abhinav Bindra (A Shot At History: My Obsessive Journey to Olympic Gold)