“
IM THE COW BOY OF AMERICA!
”
”
Gerard Way
“
He doesn’t look like a CEO—he looks like a bad boy from the wrong side of town. Holy cow, he’s so fucking sexy.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Don't you want me to kiss you goodbye, sweetie?"
"Kiss a cow farm boy
”
”
Nora Roberts
“
A lot of the stories were highly suspicious, in her opinion. There was the one that ended when the two good children pushed the wicked witch into her own oven...Stories like this stopped people thinking properly, she was sure. She'd read that one and thought, Excuse me? No one has an oven big enough to get a whole person in, and what made the children think they could just walk around eating people's houses in any case? And why does some boy too stupid to know a cow is worth a lot more than five beans have the right to murder a giant and steal all his gold? Not to mention commit an act of ecological vandalism? And some girl who can't tell the difference between a wolf and her grandmother must either have been as dense as teak or come from an extremely ugly family.
”
”
Terry Pratchett
“
Draco, do it, or stand aside so one of us -" screeched the woman, but at that precise moment the door to the ramparts burst open once more and there stood Snape, his wand clutched in his hand as his black eyes swept the scene, from Dumbledore slumped against the wall, to the four Death Eaters, including the enraged werewolf, and Malfoy.
"We've got a problem, Snape," said the lumpy Amycus, whose eyes and wand were fixed alike upon Dumbledore, "the boy doesn't seem able -"
But somebody else had spoken Snape's name, quite softly.
"Severus ..."
The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading.
Snape said nothing, but walked forwards and pushed Malfoy roughly out of the way. The three Death Eaters fell back without a word. Even the werewolf seemed cowed.
Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face.
"Severus ... please ..."
Snape raised his wand and pointed it directly at Dumbledore. "Avada Kedavra!
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
A leather jacket,” Kami said as he shrugged into it. “Aren’t you trying a little too hard to play into certain bad boy clichés?”
“Nah”, said Jared. “You’re thinking of black leather. Black leather’s for bad boys. It’s all in the color. You wouldn’t think I was a bad boy if I was wearing a pink leather jacket.”
“That’s true,” Kami said. “What I would think of you, I do not know. So what does brown leather mean, then?”
“I’m going for manly,” Jared said. “Maybe a little rugged.”
“It’s bits of dead cow; don’t ask it to perform miracles.
”
”
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
“
Suicide in the trenches:
I knew a simple soldier boy
Who grinned at life in empty joy,
Slept soundly through the lonesome dark,
And whistled early with the lark.
In winter trenches, cowed and glum
With crumps and lice and lack of rum,
He put a bullet through his brain.
No one spoke of him again.
* * * * *
You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you'll never know
The hell where youth and laughter go.
”
”
Siegfried Sassoon (The War Poems)
“
Irri and Jhiqui argued about Rakharo. “You are too skinny for him,” Jhiqui was saying. “You are almost a boy. Rakharo does not bed with boys. This is known.” Irri bristled back. “It is known that you are almost a cow. Rakharo does not bed with cows.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass.......
.....Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended, and the train took you away to another...
”
”
Justin Cronin (The Passage (The Passage, #1))
“
It's a natural progress, but still. That thing about the cow is so stupid. Do I look like a cow to you?
”
”
Meg Cabot (The Boy Next Door (Boy, #1))
“
By the 1920s if you wanted to work behind a lunch counter you needed to know that 'Noah's boy' was a slice of ham (since Ham was one of Noah’s sons) and that 'burn one' or 'grease spot' designated a hamburger. 'He'll take a chance' or 'clean the kitchen' meant an order of hash, 'Adam and Eve on a raft' was two poached eggs on toast, 'cats' eyes' was tapioca pudding, 'bird seed' was cereal, 'whistleberries' were baked beans, and 'dough well done with cow to cover' was the somewhat labored way of calling for an order of toast and butter. Food that had been waiting too long was said to be 'growing a beard'. Many of these shorthand terms have since entered the mainstream, notably BLT for a bacon, lettuce, and tomato sandwich, 'over easy' and 'sunny side up' in respect of eggs, and 'hold' as in 'hold the mayo'.
”
”
Bill Bryson (Made in America: An Informal History of the English Language in the United States)
“
For five weeks, the Associated Press had provided the world with lurid coverage of the attack on Virgil Earp, which was labeled Cow Boy revenge for what was being called “the Gunfight at the O.K. Corral” because it took too long to set the type for “Gunfight in the Vacant Lot behind Camillus Fly’s Photography Studio Near Fremont Street.
”
”
Mary Doria Russell (Epitaph)
“
A lot of the stories were highly suspicious, in her opinion. There was the one that ended when the two good children pushed the wicked witch into her own oven. Tiffany had worried about that after all that trouble with Mrs. Snapperly. Stories like this stopped people thinking properly, she was sure. She’d read that one and thought, Excuse me? No one has an oven big enough to get a whole person in, and what made the children think they could just walk around eating people’s houses in any case? And why does some boy too stupid to know a cow is worth a lot more than five beans have the right to murder a giant and steal all his gold? Not to mention commit an act of ecological vandalism? And some girl who can’t tell the difference between a wolf and her grandmother must either have been as dense as teak or come from an extremely ugly family. The stories weren’t real.
”
”
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
“
Nothing in life is unfair. It's just life. To the extent that I had any inner turmoil, I had only myself to blame. I also thought of my two boys and what kind of example I hoped to be. I would always want them to take charge of their own futures and not be paralyzed by the comfort and certainty of the status quo or be cowed by the judgment of those on the outside looking in.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
After the boy at the supermarket had called her those names, Evelyn Couch had felt violated. Raped by words. Stripped of everything. She had always tried to keep this from happening to her, always been terrified of displeasing men, terrified of the names she would be called if she did. She had spent her life tiptoeing around them like something lifting her skirt stepping through a cow pasture. She had always suspected that if provoked, those names were always close to the surface, ready to lash out and destroy her.
”
”
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
“
Cattle did not have to be led to water. They came eagerly to the trough and drank while Almanzo pumped, then they hurried back to the warm barns, and each went to its own place. Each cow turned into her own stall and put her head between her own stanchions. They never made a mistake.
Whether this was because they had more sense than horses, or because they had so little sense that they did everything by habit, Father did not know.
”
”
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
“
That old cow gave me a right old whack. See this horrible red blob?
”
”
Jonathan Stroud (The Hollow Boy (Lockwood & Co., #3))
“
Whether they are part of a home or home is a part of them is not a question children are prepared to answer. Having taken away the dog, take away the kitchen–the smell of something good in the oven for dinner. Also the smell of washing day, of wool drying in the wooden rack. Of ashes. Of soup simmering on the stove. Take away the patient old horse waiting by the pasture fence. Take away the chores that kept him busy from the time he got home from school until they sat down to supper. Take away the early-morning mist, the sound of crows quarreling in the treetops.
His work clothes are still hanging on a nail beside the door of his room, but nobody puts them on or takes them off. Nobody sleeps in his bed. Or reads the broken-back copy of Tom Swift and His Flying Machine. Take that away too, while you are at it.
Take away the pitcher and bowl, both of them dry and dusty. Take away the cow barn where the cats, sitting all in a row, wait with their mouths wide open for somebody to squirt milk down their throats. Take away the horse barn too–the smell of hay and dust and horse piss and old sweat-stained leather, and the rain beating down on the plowed field beyond the door. Take all this away and what have you done to him? In the face of a deprivation so great, what is the use of asking him to go on being the boy he was. He might as well start life over again as some other boy instead.
”
”
William Maxwell (So Long, See You Tomorrow)
“
Society conspires against her from early infancy. Her brain is steadily filled with plaster until it sets: ‘If you’re not married by the time you’re twenty-five, you’ll have good reason to be ashamed’; ‘if you laugh, you won’t look dignified’ ; ‘if your face betrays your feelings, you’ll look coarse’; ‘if you mention the existence of a single body hair, you’re repulsive’ ; ‘if a boy kisses you on the cheek in public, you’re a whore’; if you enjoy eating, you’re a pig’; ‘if you take pleasure in sleeping, you’re no better than a cow’; and so on.
These precepts would be merely anecdotal if they weren’t taken so much to heart.
”
”
Amélie Nothomb (Stupeur et tremblements)
“
Lord Peter Wimsey: Facts, Bunter, must have facts. When I was a small boy, I always hated facts. Thought they were nasty, hard things, all nobs.
Mervyn Bunter: Yes, my lord. My old mother always used to say...
Lord Peter Wimsey: Your mother, Bunter? Oh, I never knew you had one. I always thought you just sort of came along already-made, so it were. Oh, excuse me. How infernally rude of me. Beg pardon, I'm sure.
Mervyn Bunter: That's all right, my lord.
Lord Peter Wimsey: Thank you.
Mervyn Bunter: Yes indeed, I was one of seven.
Lord Peter Wimsey: That is pure invention, Bunter, I know better. You are unique. But you were going to tell me about your mater.
Mervyn Bunter: Oh yes, my lord. My old mother always used to say that facts are like cows. If you stare them in the face hard enough, and they generally run away.
Lord Peter Wimsey: By Jove, that's courageous, Bunter. What a splendid person she must be.
Mervyn Bunter: I think so, my lord.
”
”
Dorothy L. Sayers (Clouds of Witness (Lord Peter Wimsey, #2))
“
They had to swing by Jared’s locker so he could grab his jacket. “A leather jacket,” Kami said as he shrugged into it. “Aren’t you trying a little too hard to play into certain bad boy clichés?”
“Nah,” said Jared. “You’re thinking of black leather. Black leather’s for bad boys. It’s all in the color. You wouldn’t think I was a bad boy if I was wearing a pink leather jacket.”
“That’s true,” Kami said. “What I would think of you, I do not know. So what does brown leather mean, then?”
“I’m going for manly,” Jared said. “Maybe a little rugged.”
“It’s bits of dead cow; don’t ask it to perform miracles.
”
”
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
“
When life is a weariness and escape impossible, it is wonderful to have a friend who can bring us peace with the touch of a hand. After this Finna decided to tend the cow herself... Those were the good days. They were serene days and quite undemonstrative, like the best days in one's like; the boy never forgot them. Nothing happens; one simply lives and breathes and wishes for nothing more, and nothing more.
”
”
Halldór Laxness (Independent People)
“
I would not have voted for the man,” Doc admitted, “but this—” He lifted a fine-boned hand toward the street, where small groups of Cow Boys were now tearing down Allen on horseback, shooting at the sky and racing beyond the city limits before the police could do anything about the ruckus. “This is indecent.
”
”
Mary Doria Russell (Epitaph)
“
Ah, the farmer, he kicks the first sack, ‘Meow,’ and so on. He kicks the second sack, and the boy inside says, ‘Woof!’ Pretending to be—” Kolya pointed at me to finish the sentence. “A cow.” “A dog. When he kicks the third sack, the boy inside says, ‘Potatoes!’ ” We walked in silence. “Well,” said Kolya at last, “other people think it’s funny.” On
”
”
David Benioff (City of Thieves)
“
While a number of people have pointed out the various costs and drawbacks of sentience, few if any have taken the next step and wondered out loud if the whole damn thing isn't more trouble than it's worth. Of course it is, people assume; otherwise natural selection would have weeded it out long ago. And they're probably right. I hope they are. "Blindsight" is a thought experiment, a game of "Just suppose" and "What if". Nothing more.
On the other hand, the dodos and the Steller sea cows could have used exactly the same argument to prove their own superioirity, a thousand years ago: "if we're so unfit, why haven't we gone extinct?" Why? Because natural selection takes time, and luck plays a role. The biggest boys on the block at any given time aren't necessarily the fittest, or the most efficient, and the game isn't over. The game is never over; there's no finish line this side of heat death. And so, neither can there be any winners. There are only those who haven't yet lost.
”
”
Peter Watts (Blindsight (Firefall, #1))
“
What I thought was interesting about becoming vegetarian was when I stopped eating animals I really started to appreciate them much more. I discovered an empathy with animals and started noticing the serenity of cows in fields, and the beauty of horses, which brought a new and very welcome dimension to my world. It happened quickly and I was surprised. Fundamentally I realised that animals are innocent. My
”
”
Johnny Marr (Set the Boy Free)
“
You’re going to turn into somebody like Miss Tick, said her Second Thoughts. Do you really want that? “Yes,” said a voice, and Tiffany realized that it was hers again. The anger rose up, joyfully. “Yes! I’m me! I am careful and logical and I look up things I don’t understand! When I hear people use the wrong words, I get edgy! I am good with cheese. I read books fast! I think! And I always have a piece of string! That’s the kind of person I am!” She stopped. Even Wentworth was staring at her now. He blinked. “Big water cow gone,” he suggested meekly. “That’s right! Good boy!” said Tiffany. “When we get home, you can have one sweet!” She
”
”
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
“
They stared at each other uneasily and bunched closer together like small boys in a lightning storm or cows in a blizzard. There was a raw redness in that swelling sound of Crowd. A hunger that was numbing. Garraty had a vivid and scary image of the great god Crowd clawing its way out of the Augusta basin on scarlet spider-legs and devouring them all alive.
”
”
Stephen King (The Long Walk)
“
The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On the stage they would be set down at once as some old Oriental band of brigands. They are, however, I am told, very harmless and rather wanting in natural self-assertion.
”
”
Bram Stoker (Dracula)
“
When I was ten years old, one of my friends brought a Shaleenian kangaroo-cat to school one day. I remember the way it hopped around with quick, nervous leaps, peering at everything with its large, almost circular golden eyes.
One of the girls asked if it was a boy cat or a girl cat. Our instructor didn't know; neither did the boy who had brought it; but the teacher made the mistake of asking, 'How can we find out?' Someone piped up, 'We can vote on it!' The rest of the class chimed in with instant agreement and before I could voice my objection that some things can't be voted on, the election was held. It was decided that the Shaleenian kangaroo-cat was a boy, and forthwith, it was named Davy Crockett.
Three months later, Davy Crockett had kittens. So much for democracy.
It seems to me that if the electoral process can be so wrong about such a simple thing, isn't it possible for it to be very, very wrong on much more complex matters? We have this sacred cow in our society that what the majority of people want is right—but is it?
Our populace can't really be informed, not the majority of them—most people vote the way they have been manipulated and by the way they have responded to that manipulation—they are working out their own patterns of wishful thinking on the social environment in which they live.
It is most disturbing to me to realize that though a majority may choose a specific course of action or direction for itself, through the workings of a 'representative government,' they may be as mistaken about the correctness of such a choice as my classmates were about the sex of that Shaleenian kangaroo-cat.
I'm not so sure than an electoral government is necessarily the best.
”
”
David Gerrold (Star Hunt (Star Wolf, #1))
“
And that was the way it was in the old days before the country grew up and men put their guns away. Someday, and I hope it never comes, there may be a time when the Western hills are empty again and the land will go back to wilderness and the old, hard ways. Enemies may come into our country and times will have changed, but then the boys will come down from the old high hills and belt on their guns again. They can do it if they have to. The guns are hung up, the cows roam fat and lazy, but the old spirit is still there, just as it was when the longhorns came up the trail from Texas, and the boys washed the creeks for gold.
”
”
Louis L'Amour (To Tame a Land)
“
Boys, men, old toothless women had run along beside the car when the train was again in motion, calling, offering bananas, guavas, mangoes, paper cones of flavored ice, Jello shimmering on the palm of a hand, lifting something up to him and fumbling his money, running faster to give him his change, or slower, grinning, shrugging, as the train pulled away. Somewhere he had bought half a roasted cow's head and eaten it held by the horn with a newspaper on his lap. What had caused the diarrhea he did not know.
”
”
Leonard Gardner (Fat City)
“
And running, Will thought, Boy, it’s the same old thing. I talk. Jim runs. I tilt stones, Jim grabs the cold junk under the stones and—lickety-split! I climb hills. Jim yells off church steeples. I got a bank account. Jim’s got the hair on his head, the yell in his mouth, the shirt on his back and the tennis shoes on his feet. How come I think he’s richer? Because, Will thought, I sit on a rock in the sun and old Jim, he prickles his arm-hairs by moonlight and dances with hoptoads. I tend cows. Jim tames Gila monsters. Fool! I yell at Jim. Coward! he yells back. And here we—go!
”
”
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
“
From that age until seventeen I did all the work done with horses, such as breaking up the land, furrowing, ploughing corn and potatoes, bringing in the crops when harvested, hauling all the wood, besides tending two or three horses, a cow or two, and sawing wood for stoves, etc., while still attending school. For this I was compensated by the fact that there was never any scolding or punishing by my parents; no objection to rational enjoyments, such as fishing, going to the creek a mile away to swim in summer, taking a horse and visiting my grandparents in the adjoining county, fifteen miles off, skating on the ice in winter, or taking a horse and sleigh when there was snow on the ground. While still quite young I had visited Cincinnati, forty-five miles away, several times, alone; also Maysville, Kentucky, often, and once Louisville. The journey to Louisville was a big one for a boy of that day. I had also gone once with a two-horse carriage to Chilicothe, about seventy miles, with a neighbor’s family, who were removing to Toledo, Ohio, and returned alone; and had gone once, in like manner, to Flat Rock, Kentucky, about seventy miles away. On this latter occasion I was fifteen years of age.
”
”
Ulysses S. Grant (Personal Memoirs of U.S. Grant: All Volumes)
“
Independence changed everything. Independence changed nothing. Eight years after the British left, we now had free government schools, running water and paved roads. But Jaipur still felt the same to me as it had ten years ago, the first time I stepped foot on its dusty soil. On the way to our first appointment of the morning, Malik and I nearly collided with a man carrying cement bags on his head when a bicycle cut between us. The cyclist, hugging a six-foot ladder under his arm, caused a horse carriage to sideswipe a pig, who ran squealing into a narrow alley. At one point, we stepped aside and waited for a raucous band of hijras to pass. The sari-clad, lipstick-wearing men were singing and dancing in front of a house to bless the birth of a baby boy. So accustomed were we to the odors of the city—cow dung, cooking fires, coconut hair oil, sandalwood incense and urine—that we barely noticed them.
”
”
Alka Joshi (The Henna Artist (The Jaipur Trilogy, #1))
“
The following spring was a time of calving. Great icebergs calved from the vast glaciers which stretched down to our fjords from distant mountains. The heifers and cows of Kaupangen gave birth to over one hundred calves that spring. Most survived. Gudrod, the master shepherd, had seventy-five new lambkins skipping after their mothers. Ten sets of lamb twins were born in the city that year. Bitches had pups suckling at their breasts. The mountain goats that stood watch over the fjord, indifferently chewing on the wild grasses between the rocks, had kids following them on their steep paths. The residents of the city, too, gave birth. Twenty-one new healthy babies were born within thirty days of the spring equinox; boys and girls with thick blonde, brown, black, or red hair; others with smooth bald heads. Olaf, my third father, my king, had a son, stillborn. Olaf wept. Kenna wept. I wept as the boy was buried inside the casket with his mother in our graveyard by the church.
”
”
Jason Born (The Norseman (The Norseman Chronicles, #1))
“
The children in my dreams
speak in Gujarati
turn their trusting faces to the sun
say to me
care for us nurture us
in my dreams I shudder and I run.
I am six
in a playground of white children
Darkie, sing us an Indian song!
Eight
in a roomful of elders
all mock my broken Gujarati
English girl!
Twelve, I tunnel into books
forge an armor of English words.
Eighteen, shaved head
combat boots -
shamed by masis
in white saris
neon judgments
singe my western head.
Mother tongue.
Matrubhasha
tongue of the mother
I murder in myself.
Through the years I watch Gujarati
swell the swaggering egos of men
mirror them over and over
at twice their natural size.
Through the years
I watch Gujarati dissolve
bones and teeth of women, break them
on anvils of duty and service, burn them
to skeletal ash.
Words that don't exist in Gujarati :
Self-expression.
Individual.
Lesbian.
English rises in my throat
rapier flashed at yuppie boys
who claim their people “civilized” mine.
Thunderbolt hurled
at cab drivers yelling
Dirty black bastard!
Force-field against teenage hoods
hissing
F****ing Paki bitch!
Their tongue - or mine?
Have I become the enemy?
Listen:
my father speaks Urdu
language of dancing peacocks
rosewater fountains
even its curses are beautiful.
He speaks Hindi
suave and melodic
earthy Punjabi
salty rich as saag paneer
coastal Kiswahili
laced with Arabic,
he speaks Gujarati
solid ancestral pride.
Five languages
five different worlds
yet English
shrinks
him
down
before white men
who think their flat cold spiky words
make the only reality.
Words that don't exist in English:
Najjar
Garba
Arati.
If we cannot name it
does it exist?
When we lose language
does culture die? What happens
to a tongue of milk-heavy
cows, earthen pots
jingling anklets, temple bells,
when its children
grow up in Silicon Valley
to become
programmers?
Then there's American:
Kin'uh get some service?
Dontcha have ice?
Not:
May I have please?
Ben, mane madhath karso?
Tafadhali nipe rafiki
Donnez-moi, s'il vous plait
Puedo tener…..
Hello, I said can I get some service?!
Like, where's the line for Ay-mericans
in this goddamn airport?
Words that atomized two hundred thousand Iraqis:
Didja see how we kicked some major ass in the Gulf?
Lit up Bagdad like the fourth a' July!
Whupped those sand-niggers into a parking lot!
The children in my dreams speak in Gujarati
bright as butter
succulent cherries
sounds I can paint on the air with my breath
dance through like a Sufi mystic
words I can weep and howl and devour
words I can kiss and taste and dream
this tongue
I take back.
”
”
Shailja Patel (Migritude)
“
The words are ludicrous, but not if it's you they're talking about, not if it's you they're locking up. Not ludicrous at all for the ones who continue to be diagnosed as mentally ill. A mouthy girl in cow boy boots or a boy who drapes a scarf on his head to pretend his hair is long like a princess – well, they are targets for the Dr. Madisons of the world.
”
”
Dylan Scholinski (The Last Time I Wore a Dress)
“
Why do all Hindu boys worship their mother? Because their religion tells them to worship the cow.
”
”
Twinkle Khanna (Mrs Funnybones: She's just like You and a lot like Me)
“
She knew her cow-boy lover, with all that he lacked, to be more than ever she could be, with all that she had. He was her worshipper still, but her master, too.
”
”
Johnston McCulley (The Cowboy MEGAPACK ®: 25 Western Tales by Masters)
“
Of course, you remember me as the poster boy for Mad-Cow-Disease...
”
”
Jean Koning (Quotes and Thoughts)
“
Wisconsin? Farm boy? Did you have to wake up early and milk the cows?
”
”
Piper Rayne (Countdown to a Kiss (Hockey Hotties, #0.5))
“
It's like this, Bunny Boy, if you walk up to an oak tree or a bloody elm or something - you know, one of those big bastards - one with a thick, heavy trunk with giant roots that grow deep in the soil and great branches that are covered in leaves, right, and you walk up to it and give the tree a shake, well, what happens?' (...)
'I really don't know, Dad,' (...)
'Well, nothing bloody happens, of course!' (...) 'You can stand there shaking it till the cows come home and all that will happen is your arms will get tired. Right?'
(...)
'Right, Dad,' he says.
(...)
'But if you go up to a skinny, dry, fucked-up little tree, with a withered trunk and a few leaves clinging on for dear life, and you put your hands around it and shake the shit out of it - as we say in the trade - those bloody leaves will come flying off! Yeah?'
'OK, Dad,' says the boy (...)
'Now, the big oak tree is the rich bastard, right, and the skinny tree is the poor cunt who hasn't got any money. Are you with me?'
Bunny Junior nods.
'Now, that sounds easier than it actually is, Bunny Boy. Do you want to know why?'
'OK, Dad.'
'Because every fucking bastard and his dog has got hold of the little tree and is shaking it for all that it's worth - the government, the bloody landlord, the lottery they don't have a chance in hell of winning, the council, their bloody exes, their hundred snotty-nosed brats running around because they are too bloody stupid to exercise a bit of self-control, all the useless shit they see on TV, fucking Tesco, parking fines, insurance on this and insurance on that, the boozer, the fruit machines, the bookies - every bastard and his three-legged, one-eyed, pox-riden dog are shaking this little tree,' says Bunny, clamping his hands together and making like he is throttling someone.
'So what do you go and do, Dad?' says Bunny Junior.
'Well, you've got to have something they think they need, you know, above all else.'
'And what's that, Dad?'
'Hope... you know... the dream. You've got to sell them the dream.
”
”
Nick Cave (The Death of Bunny Munro)
“
and the boy to wash down which he would feed to himself in the Ruadh Cow at Tallaght and then into the Good Woman at Ringsend and after her inat Conway’s Inn at Blackrock and, first to fall, cursed be all, where appetite would keenest be, atte, funeral fare or fun fain real, Adam and Eve’s in Quantity Street by the grace of gamy queen Tailte, her will and testament: You stunning little southdowner!
”
”
James Joyce (Finnegans Wake)
“
I find myself increasingly shocked at the unthinking and automatic rubbishing of men which is now so part of our culture that it is hardly even noticed.
Great things have been achieved through feminism. We now have pretty much equality at least on the pay and opportunities front, though almost nothing has been done on child care, the real liberation.
We have many wonderful, clever, powerful women everywhere, but what is happening to men? Why did this have to be at the cost of men?
I was in a class of nine- and ten-year-olds, girls and boys, and this young woman was telling these kids that the reason for wars was the innately violent nature of men.
You could see the little girls, fat with complacency and conceit while the little boys sat there crumpled, apologising for their existence, thinking this was going to be the pattern of their lives. The teacher tried to catch my eye, thinking I would approve of this rubbish. This kind of thing is happening in schools all over the place and no one says a thing.
It has become a kind of religion that you can't criticise because then you become a traitor to the great cause, which I am not.
It is time we began to ask who are these women who continually rubbish men. The most stupid, ill-educated and nasty woman can rubbish the nicest, kindest and most intelligent man and no one protests.
Men seem to be so cowed that they can't fight back, and it is time they did.
”
”
Doris Lessing
“
The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On
”
”
Bram Stoker (Dracula)
“
One day in the spring of 1894 or so, Amanda Cobb looked out her kitchen window and saw Tyrus and a bunch of Negro boys merrily hauling a cart laden with scrap metal, broken furniture, and other things they’d found in backyards and vacant lots around town. They were headed toward the junkyard to try to make a few dollars, and Mrs. Cobb knew for what. “He was always thinking up ways of earning money to buy baseball supplies,” she would tell a writer for the Springfield (Massachusetts) Sunday Union and Republican in 1928. “He was always playing when he was a child. In fact, we had a hard time getting him to go to school. I remember that the first money he earned he spent for a mitt. He couldn’t have been more than six years old when a neighbor asked him to take his cow to the pasture and gave Ty some change for doing it. Ty didn’t buy candy or ice cream. He knew what he wanted, and he got it—a baseball glove.
”
”
Charles Leerhsen (Ty Cobb: A Terrible Beauty)
“
I wondered what a traffic report from my commute during Bhutan’s morning rush hour would sound like, and laughed. The cow path is clean this morning. We’ve got Ap Khandu’s cows grazing by the fly-over, so it’s all clear to the Mushroom Centre with no cow patties. But you’ll want to watch the mud near the boys’ latrines—there could be some surprises—and be careful of that third rock as you make your hop over the brook. It’s a little bit wobbly this morning. You
”
”
Linda Leaming (Married to Bhutan)
“
Jane snorted out in disgust. "Okay, the good news is spotting the saurus just got a hell of a lot
easier. Plus we've got a ton of free bait."
"The bad news?" Taggart asked.
"Smart boy. Cookie for knowing that there's bad news." Jane eased her SUV across the worn
divided line to drive along the berm. "Bad news, Pittsburgh beef cows are the meanest son-of-abitches."
"So, we have to dodge several tons of pissed off sirloin while filming one hungry dinosaur?"
"Welcome to Pittsburgh.
”
”
Wen Spencer (Pittsburgh Backyard and Garden (Elfhome, #1.5))
“
Life is like that little sweetheart. We dream it and we love it in dreaming it. We should not try to live it: otherwise, like that little boy, we will plunge into stupidity, though not at one swoop, for in life everything degenerates by imperceptible nuances. At the end of ten years we no longer recognize our dreams; we deny them, we live, like a cow, for the grass we are grazing on at the moment. And who knows if our wedding with death might not lead to our conscious immortality?
”
”
Marcel Proust (Pleasures and Days)
“
In the sky there is nobody asleep. Nobody, nobody.
Nobody is asleep.
The creatures of the moon sniff and prowl about their cabins.
The living iguanas will come and bite the men who do not dream,
and the man who rushes out with his spirit broken will meet on the
street corner
the unbelievable alligator quiet beneath the tender protest of the
stars.
Nobody is asleep on earth. Nobody, nobody.
Nobody is asleep.
In a graveyard far off there is a corpse
who has moaned for three years
because of a dry countryside on his knee;
and that boy they buried this morning cried so much
it was necessary to call out the dogs to keep him quiet.
Life is not a dream. Careful! Careful! Careful!
We fall down the stairs in order to eat the moist earth
or we climb to the knife edge of the snow with the voices of the dead
dahlias.
But forgetfulness does not exist, dreams do not exist;
flesh exists. Kisses tie our mouths
in a thicket of new veins,
and whoever his pain pains will feel that pain forever
and whoever is afraid of death will carry it on his shoulders.
One day
the horses will live in the saloons
and the enraged ants
will throw themselves on the yellow skies that take refuge in the
eyes of cows.
Another day
we will watch the preserved butterflies rise from the dead
and still walking through a country of gray sponges and silent boats
we will watch our ring flash and roses spring from our tongue.
Careful! Be careful! Be careful!
The men who still have marks of the claw and the thunderstorm,
and that boy who cries because he has never heard of the invention
of the bridge,
or that dead man who possesses now only his head and a shoe,
we must carry them to the wall where the iguanas and the snakes
are waiting,
where the bear’s teeth are waiting,
where the mummified hand of the boy is waiting,
and the hair of the camel stands on end with a violent blue shudder.
Nobody is sleeping in the sky. Nobody, nobody.
Nobody is sleeping.
If someone does close his eyes,
a whip, boys, a whip!
Let there be a landscape of open eyes
and bitter wounds on fire.
No one is sleeping in this world. No one, no one.
I have said it before.
No one is sleeping.
But if someone grows too much moss on his temples during the
night,
open the stage trapdoors so he can see in the moonlight
the lying goblets, and the poison, and the skull of the theaters
- City That Does Not Sleep
”
”
Federico García Lorca
“
Os professores não o querem, a Casa Pia diz que está cheia, o PSD tem a lista de candidatos completa, o Belenenses resolveu o problema com um brasileiro, o brasileiro garante que ata as botas sozinho. Que farei com este Bronco? Pô-lo a cortar capim no Estádio da luz? O gajo cortava as bandeirolas de canto!
”
”
Fernando Assis Pacheco (Bronco Angel, o cow-boy analfabeto)
“
The Dieter's Daughter
Mom's got this taco guy's poem
taped to the fridge, some ode to celery,
which she is always eating.
The celery, I mean, not the poem
which talks about green angels
and fragile corsets. I don't get it,
but Mom says by the time she reads it
she forgets she's hungry. One stalk
for breakfast, along with half a grapefruit,
or a glass of aloe vera juice,
you know that stuff that comes from cactus,
and one stalk for lunch
with some protein drink
that tastes like dried placenta,
did you know that they put cow placenta
in make-up, face cream, stuff like that?
Yuck. Well, Mom says it's never too early
to wish you looked different,
which means I got to eat that crap too.
Mom says: your body is a temple,
not the place all good twinkies go to.
Mom says: that boys remember
girls that're slender.
Mom says that underneath all this fat
there's a whole new me,
one I'd really like if only I gave myself
the chance. Mom says: you are
what you eat, which is why she eats celery,
because she wants to be thin,
not green or stringy, of course--
am I talking too fast?--
but thin as paper
like the hearts we cut out
and send to ourselves,
don't tell anyone,
like the hearts of gold
melons we eat
down
to the bitter rind.
”
”
Anita Endrezze
“
You think you know what a man is? You have no idea what a man is. You think you know what a daughter is? You have no idea what a daughter is. You think you know what this country is? You have no idea what this country is. You have a false image of everything. All you know is what a fucking glove is. This country is frightening. Of course she was raped. What kind of company do you think she was keeping? Of course out there she was going to get raped. This isn't Old Rimrock, old buddy - she's out there, old buddy, in the USA. She enters that world, that loopy world out there, with whats going on out there - what do you expect? A kid from Rimrock, NJ, of course she didn't know how to behave out there, of course the shit hits the fan. What could she know? She's like a wild child out there in the world. She can't get enough of it - she's still acting up. A room off McCarter Highway. And why not? Who wouldn't? You prepare her for life milking the cows? For what kind of life? Unnatural, all artificial, all of it. Those assumptions you live with. You're still in your olf man's dream-world, Seymour, still up there with Lou Levov in glove heaven. A household tyrannized by gloves, bludgeoned by gloves, the only thing in life - ladies' gloves! Does he still tell the one about the woman who sells the gloves washing her hands in a sink between each color? Oh where oh where is that outmoded America, that decorous America where a woman had twenty-five pairs of gloves? Your kid blows your norms to kingdom come, Seymour, and you still think you know what life is?" Life is just a short period of time in which we are alive. Meredith Levov, 1964. "You wanted Ms. America? Well, you've got her, with a vengeance - she's your daughter! You wanted to be a real American jock, a real American marine, a real American hotshot with a beautiful Gentile babe on your arm? You longed to belong like everybody else to the United States of America? Well, you do now, big boy, thanks to your daughter. The reality of this place is right up in your kisser now. With the help of your daughter you're as deep in the sit as a man can get, the real American crazy shit. America amok! America amuck! Goddamn it, Seymour, goddamn you, if you were a father who loved his daughter," thunders Jerry into the phone - and the hell with the convalescent patients waiting in the corridor for him to check out their new valves and new arteries, to tell how grateful they are to him for their new lease on life, Jerry shouts away, shouts all he wants if it's shouting he wants to do, and the hell with the rules of hte hospital. He is one of the surgeons who shouts; if you disagree with him he shouts, if you cross him he shouts, if you just stand there and do nothing he shouts. He does not do what hospitals tell him to do or fathers expect him to do or wives want him to do, he does what he wants to do, does as he pleases, tells people just who and what he is every minute of the day so that nothing about him is a secret, not his opinions, his frustrations, his urges, neither his appetite nor his hatred. In the sphere of the will, he is unequivocating, uncompromising; he is king. He does not spend time regretting what he has or has not done or justifying to others how loathsome he can be. The message is simple: You will take me as I come - there is no choice. He cannot endure swallowing anything. He just lets loose. And these are two brothers, the same parents' sons, one for whom the aggression's been bred out, the other for whom the aggression's been bred in. "If you were a father who loved your daughter," Jerry shouts at the Swede, "you would never have left her in that room! You would have never let her out of your sight!
”
”
Philip Roth (American Pastoral)
“
When I got beers for all of us, I discovered something mildly amusing about Milwaukee. If you are ever there, order a Budweiser. Seriously, people FLIP OUT at you. I was confused at first, until it was explained to me: The city of Milwaukee is basically owned by Miller Brewing Company, and of course their big rival is Bud, presumably because they are located in St. Louis. Hey, Milwaukeeans, I’m going to let you in on a little secret: Bud, MGD, Bud Light, Miller Lite—it’s all shitty beer. No one cares except fat-assed cow town hicks like you. Get over it and focus on something important, like why you’re out of breath when you go from the La-Z-Boy to the kitchen.
”
”
Tucker Max (Assholes Finish First (Tucker Max, #2))
“
Into this maelstrom, this present elaboration of the slave quarters, this rehearsal for a concentration camp, we place, armed, not for the protection of the ghetto but for the protection of American investments there, some blank American boy who is responsible only to some equally blank elder patriot… The white cop in the ghetto is as ignorant as he is frightened, and his entire concept of police work is to cow the natives. He is not compelled to answer these natives for anything he does; whatever he does, he knows that he will be protected by his brothers, who will allow nothing to stain the honor of the force. And he is assured of the rightness of his court and the justice of his bigotry every time Nixon, or Agnew, or Mitchell - or the governor of the state of California - open their mouths.
”
”
James Baldwin (No Name in the Street)
“
- C'est toi qui avait raison, l'autre jour, répondit Adam. On grandit en lisant des histoires de pirates et de cow-boys et d'astronautes et tout ça, et au moment où tu crois que le monde est plein de trucs géniaux, on te dit qu'en fait y a que des baleines crevées et des forêts abattues et des déchets radioactifs qui durent des millions d'années. Ça vaut pas la peine de grandir, si vous voulez mon avis.
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
What the Shoshones valued above all else, and depended on absolutely, was the bravery of their young men. Their childrearing system was designed to produce brave warriors. “They seldom correct their children,” Lewis wrote, “particularly the boys who soon became masters of their own acts. They give as a reason that it cows and breaks the Sperit of the boy to whip him, and that he never recovers his independence of mind after he is grown.” In
”
”
Stephen E. Ambrose (Undaunted Courage: Meriwether Lewis, Thomas Jefferson, and the Opening of the American West)
“
On May 14th, 1796, Jenner scratched the arm of a boy named James Phipps, introducing into his skin a droplet of cowpox pus that he had scraped from a blister on the hand of Sarah Nelmes, a dairy worker. He called this pus “the Vaccine Virus”—the word vaccine is derived from the Latin word for cow. The boy developed a single pustule on his arm, and it healed rapidly. A few months later, Jenner scratched the boy’s arm with lethal infective pus that he had taken from a smallpox patient—today, this is called a challenge trial. The boy did not come down with smallpox. Edward Jenner had discovered and named vaccination—the practice of infecting a person with a mild or harmless virus in order to strengthen his or her immunity to a similar disease-causing virus. “It now becomes too manifest to admit of controversy, that the annihilation of the Small Pox, the most dreadful scourge of the human species, must be the final result of this practice,” Jenner wrote in 1801.
”
”
Richard Preston (The Demon in the Freezer)
“
character. And I’ll tell you, it outweighed anything I’d ever done.” “What had she done?” I ask. “Shoplifting,” says Tam. There is a silence. “People have their own little guilt trips,” says Tam. “They look around. ‘Who’s a beast? Who’s a pedo?’ Now it’s on my record for the rest of my life. If I want to go into business, I have to state that I was done for lewd and libidinous. Gross indecency. People think, ‘Oh my God! He must have been crawling about in a nursery.’” “Can I ask about the boys who live here?” I say. “What do they do?” “They clean up,” he replies, a little sharply. “They feed the dogs. They take them for walks. They help me with my property business. They are eighteen years of age, and I don’t have a relationship with them. You can interview them until the cows come home. Maybe I just like nice people floating about. We don’t have orgies. There’s no swinging from the chandeliers. Even if there was,” he adds, “it would be legal.” Tam believes he was targeted because of his fame, because he was a celebrity Svengali. He blames his arrest, then, on the pop business. And now he is out of it. He has become a property millionaire, with forty flats in Edinburgh’s
”
”
Jon Ronson (Lost At Sea: The Jon Ronson Mysteries)
“
Maybe it was easier if you knew your child was dead. It was a thought that stopped him in his tracks sometimes but he knew that it was the truth. If the child was dead then you had to figure out a way forward. It was being locked in this permanent state of limbo that was keeping Sarah in bed.One night he had come home from the day with a story of one of the young lads sliding through some fairly big cow pats. The boy had landed on his butt and there had been laughter all round. Restrained laughter but, still, it was funny. He had sat on the edge of the bed and related the story to Sarah and she had smiled and then released a small giggle. Immediately he could see her regret it and he had watched her bite down hard on her lip. Hard enough to draw some blood.
‘It’s okay, Sarah,’ he had said gently. ‘It’s okay to laugh.’
‘Bullshit, Doug,’ she had spat back at him. ‘How can you laugh if he’s not laughing? How can I laugh knowing that he may be suffering?’
‘I . . . I . . .’ Doug had started, then he had left the room.
If a child died did it end this struggle? Could you put your faith in God and heaven and know he was in a better place, laughing with other children? Was that how you were able to move on?
”
”
Nicole Trope (The Boy Under the Table)
“
His shows on tape do not wear well. Topical humor can be hilarious at the time, but it seldom holds up. The moment is lost, the immediacy gone, and a modern listener is left, perhaps, with a sense of curiosity. The opening of the June 2, 1942, show from Quantico is a good example. There is little doubt that Hope is playing to the best crowds of his life, a cheering section that many another comedian would die for. His theme is all but drowned in the wild cheering, and he sings his way (“… aaah, thank you, so much …”) into the opening monologue. “This is Bob Quantico Marine Base Hope, telling you leathernecks to use Pepsodent and you’ll never have teeth that’d make a cow hide.” The Marines find this a scream. Hope continues with local color. He had an easy time finding Quantico: “I just drove down U.S. 1 and turned left at the first crap game.” The boys love it. On another show, Hope talks of the coming baseball season. “This is Bob Baseball Season Hope, telling you if you use Pepsodent on your teeth, you may not be able to pitch like Bob Feller, but at dinnertime you’ll be able to pitch in with what’s under your smeller.” This is hardly timeless humor, though it was timely in the extreme. That’s the way to listen to Hope today: with a keen sense of history, with an appreciation of what the world found funny in an unfunny time.
”
”
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
“
They had very little grub and they usually run out of that and lived on straight beef; they had only three or four horses to the man, mostly with sore backs, because the old time saddle ate both ways, the horse's back and the cowboy's pistol pocket; they had no tents, no tarps, and damn few slickers. They never kicked, because those boys was raised under just the same conditions as there was on the trail―corn meal and bacon for grub, dirt floors in the houses, and no luxuries.
They used to brag they could go any place a cow could and stand anything a horse could. It was their life.
In person the cowboys were mostly medium-sized men, as a heavy man was hard on horses, quick and wiry, and as a rule very good natured; in fact it did not pay to be anything else. In character there like never was or will be again. They were intensely loyal to the outfit they were working for and would fight to the death for it. They would follow their wagon boss through hell and never complain. I have seen them ride into camp after two days and nights on herd, lay down on their saddle blankets in the rain, and sleep like dead men, then get up laughing and joking about some good time they had had in Ogallala or Dodge City. Living that kind of a life, they were bound to be wild and brave. In fact there was only two things the old-time cowpuncher was afraid of, a decent woman and being set afoot.
”
”
E.C. "Teddy Blue" Abbott
“
The day we were all allowed to bring our pets into the classroom was going to be special. It was a nice sunny morning and Batty my black mouse had been spruced up for the occasion. He was in his new second-hand plastic cage, it was mustard coloured, had the mandatory wheel and sleeping chamber but had previously been a torture chamber for my cousin's late hamster. Despite my best efforts to revitalise it the wire remained rusty in places but at least it was more secure than the wooden enclosure my father had made... and Batty had instantly, and repeatedly, chewed his way out of.
Sadly the species list for the class was a meagre four: rabbit, hamster, guinea pig and... one domesticated house mouse, Batty. They all ignored him, they cooed over the 'bunnies' and those chubby-fat tailless things whose eyes bulged when you squeezed them a bit, and queued to offer carrot and cabbage to those cow-licked multicoloured freaks with scratchy claws, but not one of the kids wanted to see, let alone hold, my mouse.
By mid-afternoon the teacher finally caught sight of the lonely boy whispering into his mouse cage in the corner and gingerly agreed to let the rodent walk onto her hand in front of the class. Batty promptly pissed and then pooed three perfect wet little pellets, the classroom erupted with a huge collective 'urrgh' and then a frenzy of giggling, she practically threw him back in his cage and then made a big deal about washing her hands. With soap. Then we were all meant to wash our hands, with soap, but I didn't and no one noticed.
”
”
Chris Packham (Fingers in the Sparkle Jar: A Memoir)
“
When I was first called as a General Authority, we lived on a very small plot of ground in Utah Valley that we called our farm. We had a cow and a horse and chickens and lots of children. One Saturday, I was to drive to the airport for a flight to a stake conference in California. But the cow was expecting a calf and in trouble. The calf was born, but the cow could not get up. We called the veterinarian, who soon came. He said the cow had swallowed a wire and would not live through the day. I copied the telephone number of the animal by-products company so my wife could call them to come and get the cow as soon as she died. Before I left, we had our family prayer. Our little boy said our prayer. After he had asked Heavenly Father to “bless Daddy in his travels and bless us all,” he then started an earnest plea. He said, “Heavenly Father, please bless Bossy cow so that she will get to be all right.” In California, I told of the incident and said, “He must learn that we do not get everything we pray for just that easily.” There was a lesson to be learned, but it was I who learned it, not my son. When I returned Sunday night, Bossy had “got to be all right.” This process is not reserved for the prophets alone. The gift of the Holy Ghost operates equally with men, women, and even little children. It is within this wondrous gift and power that the spiritual remedy to any problem can be found. “And now, he imparteth his word by angels unto men, yea, not only men but women also. Now this is not all; little children do have words given unto them many times, which confound the wise and the learned” (Alma 32:23).
”
”
Boyd K. Packer (Truths Most Worth Knowing)
“
I work as fast as I can. Binah will come soon looking for me. It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree. The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.” As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive. He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip. Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven. The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They follow a black ant traveling the far reaches beneath the tree—the mountainous roots and forested mosses, the endless perils—and in my head I say the words I fashioned earlier. Boy Run. Girl Jump. Sarah Go. Thirteen. Fourteen . . . I bolt from the shadows, past the man who now coils his whip, job well done, past Rosetta hanging by her hands in a heap. As I bound up the back steps into the house, Mother calls to me, and Binah reaches to scoop me up, but I escape them, thrashing along the main passage, out the front door, where I break blindly for the wharves. I don’t remember the rest with clarity, only that I find myself wandering across the gangplank of a sailing vessel, sobbing, stumbling over a turban of rope. A kind man with a beard and a dark cap asks what I want. I plead with him, Sarah Go. Binah chases me, though I’m unaware of her until she pulls me into her arms and coos, “Poor Miss Sarah, poor Miss Sarah.” Like a decree, a proclamation, a prophecy. When I arrive home, I am a muss of snot, tears, yard dirt, and harbor filth. Mother holds me against her, rears back and gives me an incensed shake, then clasps me again. “You must promise never to run away again. Promise me.” I want to. I try to. The words are on my tongue—the rounded lumps of them, shining like the marbles beneath the tree. “Sarah!” she demands. Nothing comes. Not a sound. I remained mute for a week. My words seemed sucked into the cleft between my collar bones. I rescued them by degrees, by praying, bullying and wooing. I came to speak again, but with an odd and mercurial form of stammer. I’d never been a fluid speaker, even my first spoken words had possessed a certain belligerent quality, but now there were ugly, halting gaps between my sentences, endless seconds when the words cowered against my lips and people averted their eyes. Eventually, these horrid pauses began to come and go according to their own mysterious whims. They might plague me for weeks and then remain away months, only to return again as abruptly as they left.
”
”
Sue Monk Kidd (The Invention of Wings)
“
The technological efficiency of daughter-proofing a pregnancy may make it seem as if the girl shortage is a problem of modernity, but female infanticide has been documented in China and India for more than two thousand years.119 In China, midwives kept a bucket of water at the bedside to drown the baby if it was a girl. In India there were many methods: “giving a pill of tobacco and bhang to swallow, drowning in milk, smearing the mother’s breast with opium or the juice of the poisonous Datura, or covering the child’s mouth with a plaster of cow-dung before it drew breath.” Then and now, even when daughters are suffered to live, they may not last long. Parents allocate most of the available food to their sons, and as a Chinese doctor explains, “if a boy gets sick, the parents may send him to the hospital at once, but if a girl gets sick, the parents may say to themselves, ‘Well, we’ll see how she is tomorrow.
”
”
Steven Pinker (The Better Angels of Our Nature: A History of Violence and Humanity)
“
When we came out of the cookhouse, we found the boy's father, the Indian man who had been grazing the horses in the pasture, waiting for us. He wanted someone to tell his troubles to. He looked about guardedly, afraid that the Señora might overhear him.
'Take a look at me' he said. I don't even know how old I am. When I was young, the Señor brought me here. He promised to pay me and give me a plot of my own. 'Look at my clothes' he said, pointing to the patches covering his body. 'I can't remember how many years I've been wearing them. I have no others. I live in a mud hut with my wife and sons. They all work for the Señor like me. They don't go to school. They don't know how to read or write; they don't even speak Spanish. We work for the master, raise his cattle and work his fields. We only get rice and plantains to eat. Nobody takes care of us when we are sick. The women here have their babies in these filthy huts.'
'Why don't you eat meat or at least milk the cows?' I asked.
'We aren't allowed to slaughter a cow. And the milk goes to the calves. We can't even have chicken or pork - only if an animal gets sick and dies. Once I raised a pig in my yard' he went on. 'She had a litter of three. When the Señor came back he told the foreman to shoot them. That's the only time we ever had good meat.'
'I don't mind working for the Señor but I want him to keep his promise. I want a piece of land of my own so I can grow rice and yucca and raise a few chickens and pigs. That's all.' 'Doesn't he pay you anything?' Kevin asked. 'He says he pays us but he uses our money to buy our food. We never get any cash. Kind sirs, maybe you can help me to persuade the master . Just one little plot is all I want. The master has land, much land.'
We were shocked by his tale. Marcus took out a notebook and pen. 'What's his name?'. He wrote down the name. The man didn't know the address. He only knew that the Señor lived in La Paz.
Marcus was infuriated. 'When I find the owner of the ranch, I'll spit right in his eye. What a lousy bastard! I mean, it's really incredible'. 'That's just the way things are,' Karl said. 'It's sad but there's nothing we can do about it.
”
”
Yossi Ghinsberg (Jungle: A Harrowing True Story of Survival)
“
Ah, my friends, that innocent afternoon with Larry provoked me into thought in a way my own dicelife until then never had. Larry took to following the dice with such ease and joy compared to the soul-searching gloom that I often went through before following a decision, that I had to wonder what happened to every human in the two decades between seven and twenty-seven to turn a kitten into a cow. Why did children seem to be so often spontaneous, joy-filled and concentrated while adults seemed controlled, anxiety-filled and diffused?
It was the Goddam sense of having a self: that sense of self which psychologists have been proclaiming we all must have. What if - at the time it seemed like an original thought - what if the development of a sense of self is normal and natural, but is neither inevitable nor desirable? What if it represents a psychological appendix: a useless, anachronistic pain in the side? - or, like the mastodon's huge tusks: a heavy, useless and ultimately self-destructive burden? What if the sense of being some-one represents an evolutionary error as disastrous to the further development of a more complex creature as was the shell for snails or turtles?
He he he. What if? indeed: men must attempt to eliminate the error and develop in themselves and their children liberation from the sense of self. Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus.
I became tremendously excited with my thoughts: 'Men must become comfortable in flowing from one role to another' - why aren't they? At the age of three or four, children were willing to be either good guys or bad guys, the Americans or the Commies, the students or the fuzz. As the culture molds them, however, each child comes to insist on playing only one set of roles: he must always be a good guy, or, for equally compulsive reasons, a bad guy or rebel. The capacity to play and feel both sets of roles is lost. He has begun to know who he is supposed to be.
The sense of permanent self: ah, how psychologists and parents lust to lock their kids into some definable cage. Consistency, patterns, something we can label - that's what we want in our boy.
'Oh, our Johnny always does a beautiful bower movement every morning after breakfast.'
'Billy just loves to read all the time...'
'Isn't Joan sweet? She always likes to let the other person win.'
'Sylvia's so pretty and so grown up; she just loves all the time to dress up.'
It seemed to me that a thousand oversimplifications a year betrayed the truths in the child's heart: he knew at one point that he didn't always feel like shitting after breakfast but it gave his Ma a thrill. Billy ached to be out splashing in mud puddles with the other boys, but... Joan wanted to chew the penis off her brother every time he won, but ... And Sylvia daydreamed of a land in which she wouldn’t have to worry about how she looked . . .
Patterns are prostitution to the patter of parents. Adults rule and they reward patterns. Patterns it is. And eventual misery.
What if we were to bring up our children differently? Reward them for varying their habits, tastes, roles? Reward them for being inconsistent? What then? We could discipline them to be reliably various, to be conscientiously inconsistent, determinedly habit-free - even of 'good' habits.
”
”
Luke Rhinehart (The Dice Man)
“
As they spoke, 290 Argos, the dog that lay there, raised his head and ears. Odysseus had trained this dog but with no benefit—he left too soon to march on holy Troy. The master gone, boys took the puppy out to hunt wild goats and deer and hares. But now he lay neglected, without an owner, in a pile of dung from mules and cows—the slaves stored heaps of it outside the door, until they fertilized the large estate. So Argos lay there dirty,300 covered with fleas. And when he realized Odysseus was near, he wagged his tail, and both his ears dropped back. He was too weak to move towards his master. At a distance, Odysseus had noticed, and he wiped his tears away and hid them easily, and said, “Eumaeus, it is strange this dog is lying in the dung; he looks quite handsome, though it is hard to tell if he can run, or if he is a pet, a table dog,310 kept just for looks.” Eumaeus, you replied, “This dog belonged to someone who has died in foreign lands. If he were in good health, as when Odysseus abandoned him and went to Troy, you soon would see how quick and brave he used to be. He went to hunt in woodland, and he always caught his prey. His nose was marvelous. But now he is in bad condition, with his master gone, long dead. The women fail to care for him.320 Slaves do not want to do their proper work, when masters are not watching them. Zeus halves our value on the day that makes us slaves.” With that, the swineherd went inside the palace, to join the noble suitors. Twenty years had passed since Argos saw Odysseus, and now he saw him for the final time— then suddenly, black death took hold of him.
”
”
Homer (The Odyssey)
“
Besides,I like working outdoors. Pa and the boys have always let me help with the ranch chores."
This was received with a raised eyebrow. "Indeed. How kind of them. Willow,the men in your family treat you more like a slave than the young lady you are. It's a sin, I tell you, a deplorable sin!"
Willow shrugged. "Hell...er, ah, heck, I'd rather round up cows than be stuck in the house all day. Besides, there ain't much house work with Pa and the boys gone."
"Humph! Too bad your pa didn't teach you more about the joys of being a lady."
The girl bristled. "I am a lady! I may not wear those fancy, highfalutin clothes, or walk around looking helpless, but that ain't what really makes a lady, you know."
"And what, pray tell, in your opinion, makes a lady, Willow?"
"A woman is a lady as long as she keeps her distance from horny critters of the opposite sex." She grinned proudly and declared, "I do.That makes me a lady!"
"Horny crit-" Shocked, Mrs. Brigham stared a moment, then nodded firmly. "My dear, someone needs to take you in hand, and I know my duty when I see it. Now listen to me, young lady-mind you, I use the term lightly. There's much more to being a lady than avoiding the opposite sex. For instance, ladies don't wear men's pants. Ladies don't herd cattle. And ladies don't smoke, curse, or sneak whiskey. I have it on good authority that you've done all those things and more. And, furthermore, ladies don't know the meaning of...horny!"
Willow's lips pursed in annoyance. "Mrs. Brigham, I live with five men. They don't mince words just because I'm a woman."
"Your father took the easy way out by raising you as another son. He's done you a terrible injustice.
”
”
Charlotte McPherren (Song of the Willow)
“
They taught him how to milk cows and now they expected him to tame lions. Perhaps they expected him to behave like all good lion tamers. Use a whip and a chair. But what happens to the best lion tamer when he puts down his whip and his chair.
Goddamnit! It was wrong. He felt cheated, he felt almost violated. He felt cheated for himself, and he felt cheated for guys like Joshua Edwards who wanted to teach and who didn’t know how to teach because he’d been pumped full of manure and theoretical hogwash. Why hadn’t anyone told them, in plain, frank English, just what to do? Couldn’t someone, somewhere along the line, have told them? Not one single college instructor? Not someone from the board of Ed, someone to orientate them after they’d passed the emergency exam? Not anyone? Now one sonofabitch somewhere who gave a good goddamn? Not even Stanley? Not even Small? Did they have to figure it out for themselves, sink and swim, kill or be killed?
Rick had never been told how to stop in his class. He’d never been told what to do with a second term student who doesn’t even know how to write down his own goddamn name on a sheet of paper. He didn’t know, he’d never been advised on the proper tactics for dealing with a boy whose I.Q. was 66, a big, fat, round, moronic 66. He hadn’t been taught about kids’ yelling out in class, not one kid, not the occasional “difficult child” the ed courses had loftily philosophized about, not him. But a whole goddamn, shouting, screaming class load of them all yelling their sonofbitching heads off. What do you do with a kid who can’t read even though he’s fifteen years old? Recommend him for special reading classes, sure. And what do you do when those special reading classes are loaded to the asshole, packed because there are kids who can’t read in abundance, and you have to take only those who can’t read the worst, dumping them onto a teacher who’s already overloaded and those who doesn’t want to teach a remedial class to begin with?
And what do you with that poor ignorant jerk? Do you call him on class, knowing damn well he hasn’t read the assignment because he doesn’t know how to read? Or do you ignore him? Or do you ask him to stop by after school, knowing he would prefer playing stickball to learning how to read.
And knowing he considers himself liberated the moment the bell sounds at the end of the eighth period.
What do you do when you’ve explained something patiently and fully, explained it just the way you were taught to explain in your education courses, explained in minute detail, and you look out at your class and see that stretching, vacant wall of blank, blank faces and you know nothing has penetrated, not a goddamn thing has sunk in? What do you do then?
Give them all board erasers to clean.
What do you do when you call on a kid and ask “What did that last passage mean?”and the kid stands there without any idea of what the passage meant , and you know that he’s not alone, you know every other kid in the class hasn’t the faintest idea either? What the hell do you do then? Do you go home and browse through the philosophy of education books the G.I bill generously provided. Do you scratch your ugly head and seek enlightenment from the educational psychology texts? Do you consult Dewey?
And who the hell do you condemn, just who?
Do you condemn elementary schools for sending a kid on to high school without knowing how to read, without knowing how to write his own name on a piece of paper? Do you condemn the masterminds who plot the education systems of a nation, or a state or a city?
”
”
Evan Hunter (The Blackboard Jungle)
“
To be honest? I'd thought myself above them. What a nasty little counter-culture snob I was. There they were, doing their fucking best, trying to have a life, trying to bring up their children decently, struggling to make the payments on the little house, wondering where their youth had gone, where love had gone, what was to become of them and all I could do was be a snotty, judgmental cow. But it was no good. I couldn't be like them. I'd seen too much, done too much that was outside anything they knew. I wasn't better than them, but I was different. We had no point of contact other than work. Even then, they disapproved of my attitude, my ways of dealing with the clients. Many's the time I'd ground my teeth as Andrea or Fran had taken the piss out of some hapless, useless, illiterate get they were assigned to; being funny at the expense of their stupidity, their complete inability to deal with straight society. Sure, I knew it was partly a defence mechanism; they did it because it was laugh or scream, and we were always told it wasn't good to let the clients get too close. But all too often - not always, but enough times to make me seethe with irritation - there was an ingrained, self-serving elitism in there too. Who'd see it better than me? They sealed themselves up in their white-collar world like chrysalides and waited for some kind of reward for being good girls and boys, for playing the game, being a bit of a cut above the messy rest - a reward that didn't exist, would never come and that they would only realise was a lie when it was far too late.
Now I would be one of the Others, the clients, the ones who stood outside in the cold and, shivering, looked in at the lighted windows of reason and middle-class respectability. I would be another colossal fuck-up, another dinner party story. But my sin was all the greater because I'd wilfully defected from the right side to the hopelessly, eternally wrong side. I was not only a screw-up, I was a traitor.
”
”
Joolz Denby (Wild Thing)
“
I can only imagine the sort of havoc Oliver must have wreaked as a boy.”
Oliver handed Minerva in, then climbed in to sit beside her. “We weren’t that bad.”
“Don’t listen to him,” Minerva exclaimed, her eyes twinkling. “One dull evening, he and his friends went to a ball dressed in the livery of the hired footmen. Then they proceeded to drink up the liquor, flirt and wink at the elderly ladies until they were all blushing, and make loud criticisms of the entertainment. After the lady of the house caught on to their scheme and rounded up some stout young men to throw them out, they stole a small stone cupid she had in her garden and sent her a ransom note for it.”
“How the devil do you know that?” Oliver asked. “You were, what, eleven?”
“Twelve,” Minerva said. “And it was all Gran’s servants could talk about. Made quite a stir in society, as I recall. What was the ransom? A kiss for each of you from the lady’s daughter?”
A faint smile touched Oliver’s lips. “And she never did pay it. Apparently her suitors took issue with it. Not to mention her parents.”
“Good heavens,” Maria said.
“Come to think of it,” Oliver mused aloud, “I believe Kirkwood still has that cupid somewhere. I should ask him.”
“You’re as bad as Freddy and my cousins,” Maria chided. “They put soap on all the windows of the mayor’s carriage on the very day he was supposed to lead a procession through Dartmouth. You should have seen him blustering when he discovered it.”
“Was he a pompous idiot?” Oliver asked.
“A lecher, actually. He tried to force a kiss on my aunt. And him a married man, too!”
“Then I hope they did more than soap his windows,” Oliver drawled.
The comment caught Maria by surprise. “And you, of course, have never kissed a married woman?”
“Not if they didn’t ask to be kissed,” he said, a strange tension in his voice. “But we weren’t speaking of me, we were speaking of Dartmouth’s dastardly mayor. Did soaping his windows teach him a lesson?”
“No, but the gift they left for him in the coach did the trick. They got it from the town’s largest cow.”
Oliver and Minerva both laughed. Mrs. Plumtree did not. She was as silent as death beside Maria, clearly scandalized by the entire conversation.
“Why do boys always feel an urgent need to create a mess others are forced to clean up?” Minerva asked.
“Because they know how it irritates us,” Maria said.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
Knock, knock. Who's there? A: Lettuce Q: Lettuce who? A: Lettuce in, it's freezing out here.. . 2. Q: What do elves learn in school? A: The elf-abet . 3. Q: Why was 6 afraid of 7? A: Because: 7 8 9 . . 4. Q. how do you make seven an even number? A. Take out the s! . 5. Q: Which dog can jump higher than a building? A: Anydog – Buildings can’t jump! . 6. Q: Why do bananas have to put on sunscreen before they go to the beach? A: Because they might peel! . 7. Q. How do you make a tissue dance? A. You put a little boogie in it. . 8. Q: Which flower talks the most? A: Tulips, of course, 'cause they have two lips! . 9. Q: Where do pencils go for vacation? A: Pencil-vania . 10. Q: What did the mushroom say to the fungus? A: You're a fun guy [fungi]. . 11. Q: Why did the girl smear peanut butter on the road? A: To go with the traffic jam! . 11. Q: What do you call cheese that’s not yours? A: Nacho cheese! . 12. Q: Why are ghosts bad liars? A: Because you can see right through them. . 13. Q: Why did the boy bring a ladder to school? A: He wanted to go to high school. . 14. Q: How do you catch a unique animal? A: You neak up on it. Q: How do you catch a tame one? A: Tame way. . 15. Q: Why is the math book always mad? A: Because it has so many problems. . 16. Q. What animal would you not want to pay cards with? A. Cheetah . 17. Q: What was the broom late for school? A: Because it over swept. . 18. Q: What music do balloons hate? A: Pop music. . 19. Q: Why did the baseball player take his bat to the library? A: Because his teacher told him to hit the books. . 20. Q: What did the judge say when the skunk walked in the court room? A: Odor in the court! . 21. Q: Why are fish so smart? A: Because they live in schools. . 22. Q: What happened when the lion ate the comedian? A: He felt funny! . 23. Q: What animal has more lives than a cat? A: Frogs, they croak every night! . 24. Q: What do you get when you cross a snake and a pie? A: A pie-thon! . 25. Q: Why is a fish easy to weigh? A: Because it has its own scales! . 26. Q: Why aren’t elephants allowed on beaches? A:They can’t keep their trunks up! . 27. Q: How did the barber win the race? A: He knew a shortcut! . 28. Q: Why was the man running around his bed? A: He wanted to catch up on his sleep. . 29. Q: Why is 6 afraid of 7? A: Because 7 8 9! . 30. Q: What is a butterfly's favorite subject at school? A: Mothematics. Jokes by Categories 20 Mixed Animal Jokes Animal jokes are some of the funniest jokes around. Here are a few jokes about different animals. Specific groups will have a fun fact that be shared before going into the jokes. 1. Q: What do you call a sleeping bull? A: A bull-dozer. . 2. Q: What to polar bears eat for lunch? A: Ice berg-ers! . 3. Q: What do you get from a pampered cow? A: Spoiled milk.
”
”
Peter MacDonald (Best Joke Book for Kids: Best Funny Jokes and Knock Knock Jokes (200+ Jokes) : Over 200 Good Clean Jokes For Kids)
“
So…,” I began. Was it just a high school thing? Or worse, I imagined, is it just that I’m not and never will be a country girl? Is it that country girls have some wild sense of abandon that I wasn’t born with? A reckless side, a fun, adventurous side that makes them worthy of riding next to boys in pickups? Am I untouchable? Am I too prim? Too proper? I’m not! I’m really not! I’m fun and adventurous. Reckless, too! I have a pair of jeans: Anne Kleins! And I want to be Middle Seat Worthy. Please, Marlboro Man…please. I’ve never wanted anything this much. “So, um…why don’t you do it anymore?” I asked.
“Bucket seats,” Marlboro Man answered, his hand still resting on my leg.
Made sense. I settled in and relaxed a bit.
But I had another question I’d been mulling over.
“Mind if I ask you another question?” I said.
“Go ahead,” he replied.
I cleared my throat and sat up straight in my seat. “How come…how come it took you so long to call me?” I couldn’t help but grin. It was one of the most direct questions I’d ever asked him.
He looked in my direction, then back toward the road.
“You don’t have to tell me,” I said. And he didn’t. But I’d wondered more than a handful of times, and as long as he was coming clean about bucket seats and other important matters, I thought it would be a good time to ask him why four months had passed between the first night we’d met in the smoky bar and the night he’d finally called to invite me to dinner. I remembered being knocked over by his magnetism that night during Christmas vacation. What had he thought of me? Had he forgotten me instantly, then remembered me in a flash that April night after my brother’s wedding? Or had he intentionally waited four months to call? Was it some kind of country boy protocol I didn’t know about?
I was a girl. I simply had to know.
“I was…,” he began. “Well, I was dating someone else.”
I’ll kill her with my bare hands. “Oh,” I said in return. It was all I could muster.
“Plus, I was running a herd of cows in Nebraska and having to drive up there every week,” he continued. “I just wasn’t here enough to break things off with her in the right way…and I didn’t want to call you and ask you out until that was all resolved.”
I repeated myself. “Oh.” What was her name? She’s dead to me.
“I liked you, though,” he said, flashing me a smile. “I thought about you.”
I couldn’t help but smile back. “You did?” I asked quietly, still wondering what the girl’s name was. I wouldn’t rest till I knew.
“I did,” he said sweetly, stroking my leg with his hand. “You were different.”
I stopped short of interrogating him further, of asking him to specify what he meant by “different.” And it didn’t take much imagination to figure it out. As he drove me around his familiar homeland, it was obvious what he would have considered “different” about me.
I didn’t know anything about the country.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
As the months rolled on, John and Sarah began to understand themselves less as teachers and more as parents, living into the names Baba and Kama Kiwawa. It was clear the boys needed something Keu couldn’t provide, consistent support and affection. Sarah started giving out hugs and bandages, and John role-modeled manhood by providing food, shelter, and an education. But unlike many parents, John and Sarah didn’t dole out punishments. They left that to the council. On his first visit, Keu had appointed six boys with hair sprouting on their chins as the elders of Kiwawa. He spent a week with them on a hill near Kiwawa where he instructed them in the ways of a traditional elder council, showing them how to resolve problems that might arise according to the Pokot traditions. And each night after the guard heard John’s snores rumbling out of the camper, the council built a fire and legislated the day’s problems according to the nomadic values they had learned, sometimes choosing to defer ruling on more complicated matters until Keu returned. Stolen writing stick? The elders huddled together in the shadow of the illuminated acacia tree. The oldest returned and pointed at the offender: “Water-fetching duty for a week.” “Oee,” the boys would shout, the Pokot version of Amen. “Refusing to share meat?” “Three rope whippings.” “Oee.” “Crying because you miss your mother?” “Spend more time with Kama,” the oldest boy would say with compassion. “Oee.” “We were modeling the Pokot elders by becoming the keepers of justice and fairness. You see, Pokot elders can never settle a matter based on anger or some personal retribution. That is so unacceptable,” Michael explained. “A punishment is meant to reform the person as quickly as possible so the criminal can be brought back into the group. This is because every single person has a job to do, whether it is to fetch water, herd cows, or stand guard against Karamoja. And if you are gone, then someone else has to work harder in your absence. Nomads do not have prisons like the modern world, which changes our whole entire judicial system. In America you can lock somebody up in prison for two years for just a small crime like stealing a cow. And while in prison they are taken out of the community and are expected to think about what they have done. And then after those two years of isolation, a group of psychologists and lawyers and I don’t know who else will examine that person and see if they have changed their stealing ways. If not, then they lock them back up,” he said, turning an invisible key. “In America there is the potential to give up on somebody, to leave them outside of the community. But there are no prisons in the desert, and without prisons the elders are left with two choices: reform you or kill you. And as I said, if they kill you, they are not only losing a good worker, but also a brother and a son. And the desert has already taken so many of our sons.
”
”
Nathan Roberts (Poor Millionaires: The Village Boy Who Walked to the Western World and the American Boy Who Followed Him Home)
“
Once a little boy went to school.
One morning, when the little boy had been in school a while, his teacher said:
“Today we are going to make a picture.”
“Good!” thought the little boy. He liked to make pictures. He could make all kinds. Lions and tigers,
Chickens and cows, trains and boats, and he took out his box of crayons and began to draw.
But the teacher said: “Wait! It is not time to begin!”
And she waited until everyone looked ready.
“Now,” said the teacher, “We are going to make flowers.”
“Good!” thought the little boy, he liked to make flowers, and he began to make beautiful ones with his
pink and orange and blue crayons.
But the teacher said “Wait! And I will show you how.” And it was red with a green stem.
“There,” said the teacher, “Now you may begin.”
The little boy looked at the teacher’s.
Then he looked at this own flower.
He liked his flower better than the teacher’s. But he did not say this. He just turned his paper over.
And made a flower like the teacher’s. It was red with a green stem.
On another day, when the little boy had opened the door from the outside all by himself, the teacher
said: “Today we are going to make something with clay.”
“Good!” thought the little boy. Snakes and snowmen, elephants and mice, cars, and trucks, and he
began to pull and pinch his ball of clay.
But the teacher said: “Wait!” It is not time to begin!” And she waited until everyone looked ready.
“Now,” said the teacher, “We are going to make a dish.”
He liked to make dishes. And he began to make some that were all shapes and sizes.
But the teacher said, “Wait! And I will show you how.” And she showed everyone how to make a deep
dish. “There,” said the teacher. “Now you may begin.”
The little boy looked at the teacher’s dish, then he looked at his own. He liked his dish better than the
teacher’s. But he did not say this. He just rolled his clay into a big ball again. And made a dish like the
teacher’s. It was a deep dish.
And pretty soon the little boy learned to wait, and to watch and to make things just like the teacher. And
pretty soon he didn’t make things of his own anymore.
Then it happened that the little boy and his family moved to another house, in another city, and the
little boy had to go to another school.
And the very first day he was there the teacher said: “Today we are going to make a picture.”
“Good!” Thought the little boy and he waited for the teacher to tell him what to do.
But the teacher didn’t say anything. She just walked around the room.
When she came to the little boy she said, “Don’t you want to make a picture?”
“Yes,” said the little boy.
“What are we going to make?”
“I don’t know until you make it,” said the teacher.
“How shall I make it?” asked the little boy.
“Why, any way you like,” said the teacher.
“Any color?” asked the little boy.
“Any color,” said the teacher.
“If everyone made the same picture, and the used the same colors, how would I know who made
what?”
“I don’t know,” said the little boy.
And he began to make a red flower with a green stem.
”
”
Helen E. Buckley
“
She started to head out, but she passed her room. It was the same as she'd left it: a pile of cushions by her bed for Little Brother to sleep on, a stack of poetry and famous literature on her desk that she was supposed to study to become a "model bride," and the lavender shawl and silk robes she'd worn the day before she left home. The jade comb Mulan had left in exchange for the conscription notice caught her eye; it now rested in front of her mirror.
Mulan's gaze lingered on the comb, on its green teeth and the pearl-colored flower nestled on its shoulder. She wanted to hold it, to put it in her hair and show her family- to show everyone- she was worthy. After all, her surname, Fa, meant flower. She needed to show them that she had bloomed to be worthy of her family name.
But no one was here, and she didn't want to face her reflection. Who knew what it would show, especially in Diyu?
She isn't a boy, her mother had told her father once. She shouldn't be riding horses and letting her hair loose. The neighbors will talk. She won't find a good husband-
Let her, Fa Zhou had consoled his wife. When she leaves this household as a bride, she'll no longer be able to do these things.
Mulan hadn't understood what he meant then. She hadn't understood the significance of what it meant for her to be the only girl in the village who skipped learning ribbon dances to ride Khan through the village rice fields, who chased after chickens and helped herd the cows instead of learning the zither or practicing her painting, who was allowed to have opinions- at all.
She'd taken the freedom of her childhood for granted.
When she turned fourteen, everything changed.
I know this will be a hard change to make, Fa Li had told her, but it's for your own good. Men want a girl who is quiet and demure, polite and poised- not someone who speaks out of turn and runs wild about the garden. A girl who can't make a good match won't bring honor to the family. And worse yet, she'll have nothing: not respect, or money of her own, or a home. She'd touched Mulan's cheek with a resigned sigh. I don't want that fate for you, Mulan.
Every morning for a year, her mother tied a rod of bamboo to Mulan's spine to remind her to stand straight, stuffed her mouth with persimmon seeds to remind her to speak softly, and helped Mulan practice wearing heeled shoes by tying ribbons to her feet and guiding her along the garden.
Oh, how she'd wanted to please her mother, and especially her father. She hadn't wanted to let them down. But maybe she hadn't tried enough. For despite Fa Li's careful preparation, she had failed the Matchmaker's exam. The look of hopefulness on her father's face that day- the thought that she'd disappointed him still haunted her.
Then fate had taken its turn, and Mulan had thrown everything away to become a soldier. To learn how to punch and kick and hold a sword and shield, to shoot arrows and run and yell. To save her country, and bring honor home to her family.
How much she had wanted them to be proud of her.
”
”
Elizabeth Lim (Reflection)
“
White guilt, that nasty little creature who rested on my left shoulder, prevented me from challenging Mrs. Brown on this or any other point. At this time of my life a black man could probably have handed me a bucket of cow piss, commanded me to drink it in order that I might rid my soul of the stench of racism, and I would have only asked for a straw. Blacks who have gone through the civil rights struggle have met a hundred white boys and girls who would dive head first in a septic tank to prove their liberation from the sins of their fathers.
”
”
Pat Conroy (The Water Is Wide)
Zane Grey (60 WESTERNS: Cowboy Adventures, Yukon & Oregon Trail Tales, Famous Outlaws, Gold Rush Adventures: Riders of the Purple Sage, The Night Horseman, The Last ... of the West, A Texas Cow-Boy, The Prairie…)
“
Mrs. Wiggins, our recently acquired Guernsey cow—named after a character in Freddie the Detective, one of the boys’ favorite books
”
”
Donna Andrews (How the Finch Stole Christmas! (Meg Langslow #22))
“
when he returned he told
”
”
Zane Grey (60 WESTERNS: Cowboy Adventures, Yukon & Oregon Trail Tales, Famous Outlaws, Gold Rush Adventures: Riders of the Purple Sage, The Night Horseman, The Last ... of the West, A Texas Cow-Boy, The Prairie…)
“
Vê-se à vista desarmada, caro senhor, que o aluno Angel é um antropóide mais póide que outra coisa. Solte-o se faz favor nas florestas africanas. Sem bússola, porque ele é capaz de a comer.
”
”
Fernando Assis Pacheco (Bronco Angel, o cow-boy analfabeto)
“
Can cows be lactose intolerant?
”
”
Erin Nicholas (My Best Friend's Mardi Gras Wedding (Boys of the Bayou, #1))
“
An hour later we were pulling into the hospital parking lot. Sparkly and shiny from my hair and makeup job, I had to stop and bend over six times between the car and the front door of the hospital. I literally couldn’t take a step until each contraction ended. Within an hour after checking in, I was writhing on a hospital bed in all-encompassing pain and wishing once again that I’d gone ahead and moved to Chicago. It had become my default response when things got rough in my life: morning sickness? I should have moved to Chicago. Cow manure in my yard? Chicago would have been a better choice. Contractions less than a minute apart? Windy City, come and get me.
Finally, I reached my breaking point. It’s an indescribable feeling, the throes of hard labor--that mind-numbing total body cramp whose origin you can’t even begin to wrap your head around. After trying to be strong and tough in front of Marlboro Man, I finally gave up and gripped the bedsheet and clenched my teeth. I groaned and moaned and pushed the nurse button and whimpered to Marlboro Man, “I can’t do this anymore.” When the nurse came into the room moments later, I begged her to put me out of my misery. My salvation arrived five minutes later in the form of an eight-inch needle, and when the medicine hit I nearly began to cry. The relief was indescribably sweet.
I was so blissfully pain-free, I fell asleep. And when I woke up confused and disoriented an hour later, a nurse named Heidi was telling me it was time to push. Almost immediately, Dr. Oliver entered the room, fully scrubbed and wearing a mask.
“Are you ready, Mama?” Marlboro Man asked, standing near my shoulders as the nurse draped my legs and adjusted the fetal monitor, which was strapped around my middle. I felt like I’d woken up in the middle of a party. But the weirdest party ever--one where the hostess was putting my feet in stirrups.
I ordered Marlboro Man to remain north of my belly button as nurses scurried into place. I’d made it clear beforehand: I didn’t want him down there. I wanted him to continue to get to know me the old-fashioned way--and besides, that’s what we were paying the doctor for.
“Go ahead and push once for me,” Dr. Oliver said.
I did, but only hard enough to ensure that nothing accidental or embarrassing would slip out. I could think of no greater humiliation.
“Okay, that’s not going to work at all,” Dr. Oliver scolded.
I pushed again.
“Ree,” Dr. Oliver said, looking up at me through the space between my legs. “You can do way better than that.”
He’d watched me grow up in the ballet company in our town. He’d watched me contort and leap and spin in everything from The Nutcracker to Swan Lake to A Midsummer Night’s Dream. He knew I had the fortitude to will a baby from my loins.
That’s when Marlboro Man grabbed my hand, as if to impart to me, his sweaty and slightly weary wife, a measure of his strength and endurance.
“Come on, honey,” he said. “You can do it.”
A few tense moments later, our baby was born.
Except it wasn’t a baby boy. It was a seven-pound, twenty-one-inch baby girl.
It was the most important moment of my life.
And more ways than one, it was a pivotal moment for Marlboro Man.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
We’ve got a problem, Snape,” said the lumpy Amycus, whose eyes and wand were fixed alike upon Dumbledore, “the boy doesn’t seem able —” But somebody else had spoken Snape’s name, quite softly. “Severus . . .” The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading. Snape said nothing, but walked forward and pushed Malfoy roughly out of the way. The three Death Eaters fell back without a word. Even the werewolf seemed cowed. Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face. “Severus . . . please . . .” Snape raised his wand and pointed it directly at Dumbledore. “Avada Kedavra!” A jet of green light shot from the end of Snape’s wand and hit Dumbledore squarely in the chest. Harry’s scream of horror never left him; silent and unmoving, he was forced to watch as Dumbledore was blasted into the air. For a split second, he seemed to hang suspended beneath the shining skull, and then he fell slowly backward, like a great rag doll, over the battlements and out of sight.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Conversely, animals can be quite sensitive to human music. There are stories of dogs who hide under the couch for piano works by atonal composers but not for those by, say, Mozart. One music teacher told me that her dog would heave an audible sigh of relief if she stopped playing complex, fast-moving pieces by Franz Liszt and proceeded to something calmer. And there are reports of cows that produce more milk listening to Beethoven (although, if this is true, shouldn't one hear more classical music on farms?).
Birds listen as carefully to sounds as any musician. They have to, because they learn from each other. Many birds are not born with the song they sing: the symphonies they offer us for free in forests and meadows are cultural. White-crowned sparrows, for example, develop their normal song only when they have been exposed early in life to the sounds of an adult of their species. Many songbirds have dialects-differences in song structure from one population to another. One theory about this is that if a female can tell from a male's song that he is a local boy, she may prefer him as a mate, as he may be genetically adapted to regional conditions. Given the variability in song from location to location it is hard to maintain that birdsong is instinctive in the usual sense. There is room for creativity and modification. Some individuals act as star performers, setting new trends in their region.
”
”
Frans de Waal (The Ape and the Sushi Master: Reflections of a Primatologist)
“
WILDERNESS SURVIVAL TIP! Ninety-seven percent of our nation’s ponds are filled to the top with piranha, which can skeletonize a cow in seconds. If you value your cow, don’t shove it into a pond.
”
”
Jeff Strand (I Have a Bad Feeling About This: A Hilarious Novel of Five Boys Surviving Summer Camp)
“
MOO: In 2012 a cow named Darcy walked up to a McDonald’s drive-through window and just stood there. Her owner—Sandy Winn of Brush, Colorado—told police that Darcy had walked the half-mile to the McDonald’s because she “just likes attention.” MOO: Why did a cow climb five sets of stairs in an apartment building in Lesogorsk, Russia, in 2012? She was running away from an excited bull that was chasing her through a field. According to reports, the frightened cow “had to be lassoed and virtually dragged to the lobby while mooing in protest.” MOO: In 2011 a two-year-old boy named Tha Sophat got sick while staying at his grandfather’s farm in Thailand. He wouldn’t eat or drink, and his condition worsened…until he began suckling milk straight from the cow’s udder. The cow didn’t seem to mind, and after a month of nursing, Tha was better. “The neighbors say he will be ashamed when he grows up,” the grandpa told Reuters. “But his health is fine. He is strong and he doesn’t have diarrhea.
”
”
Bathroom Readers' Institute (Uncle John's Fully Loaded 25th Anniversary Bathroom Reader (Uncle John's Bathroom Reader, #25))
“
We live on a cursed earth in a cursed universe. Both are under the baleful influence of Satan, who is both “the god of this world” (2 Cor. 4:4), and “the prince of the power of the air” (Eph. 2:2). The devastating effects of the curse and satanic influence will reach a terrifying climax in the events of the Tribulation. Some of the various bowl, trumpet, and seal judgments are demonic, others represent natural phenomena gone wild as God lets loose His wrath. At the culmination of that time of destruction and chaos, Christ returns and sets up His kingdom. During His millennial reign, the effects of the curse will begin to be reversed. The Bible gives us a glimpse of what the restored creation will be like. There will be dramatic changes in the animal world. In Isaiah we learn that The wolf will dwell with the lamb, and the leopard will lie down with the kid, and the calf and the young lion and the fatling together; and a little boy will lead them. Also the cow and the bear will graze; their young will lie down together; and the lion will eat straw like the ox. And the nursing child will play by the hole of the cobra, and the weaned child will put his hand on the viper’s den. They will not hurt or destroy in all My holy mountain. (Isa. 11:6-9) “The wolf and the lamb shall graze together, and the lion shall eat straw like the ox; and dust shall be the serpent’s food. They shall do no evil or harm in all My holy mountain,” says the Lord. (Isa. 65:25) The changes in the animal world will be paralleled by changes in the earth and the solar system: Then the moon will be abashed and the sun ashamed, for the Lord of hosts will reign on Mount Zion and in Jerusalem, and His glory will be before His elders. (Isa. 24:23) The light of the moon will be as the light of the sun, and the light of the sun will be seven times brighter, like the light of seven days, on the day the Lord binds up the fracture of His people and heals the bruise He has inflicted. (Isa. 30:26) No longer will you have the sun for light by day, nor for brightness will the moon give you light; but you will have the Lord for an everlasting light, and your God for your glory. Your sun will set no more, neither will your moon wane; for you will have the Lord for an everlasting light. (Isa. 60:19-20)
”
”
John F. MacArthur Jr. (Colossians and Philemon MacArthur New Testament Commentary (MacArthur New Testament Commentary Series Book 22))
“
I’m not one of them, Captain!” Lydia said quickly. She moved forward, her hands clasped together in supplication. “You can see I’m not a Skandian!” The captain studied her, then looked at the rest of the crew. They were mostly fair skinned and blue eyed. She was dark haired, with olive skin. She definitely didn’t look like a Skandian. “Treacherous cow!” Jesper muttered. Then he grunted in pain as Stig shot an elbow into his ribs to silence him. “Shut up, you fool!” Stig said, out of the corner of his mouth. “I’m just a passenger! I paid them for passage down the river!” Lydia was saying, wringing her hands before her. “I’m from Krall. My parents are dead and I’m going to live with my uncle in Raguza.” She glared at Thorn. “And they took advantage of me. They charged me double the going rate for my fare!” she added angrily. Not bad, Thorn thought. Then, in a loud voice, he snarled at her. “You were happy enough to pay when you came to us, girl! You pleaded with us to take you on board! You couldn’t thank us enough then, could you? I’ll wager you were in trouble in Krall and had to get away in a hurry. I told the boys you’d be nothing but bad luck, but you won them over with your big brown eyes!” “Quiet,” the captain said distractedly. He studied the warrant again. There was definitely no mention of a girl. There was no order for her arrest and her story was logical. He knew from his briefing that the Skandians were pursuing a ship that was headed for Raguza. He came to a decision.
”
”
John Flanagan (The Hunters (Brotherband Chronicles, #3))
“
Draco Malfoy was the boy who had no choice. Dominated by his overbearing father, coerced by the Death Eaters, cowed into fear of life of Voldemort, his actions are not his own. They were the actions of a boy whose agency has been ripped from him. He could not make his own decisions, and the turn his life had taken terrified him.
”
”
Tom Felton (Beyond the Wand: The Magic & Mayhem of Growing Up a Wizard)
“
Killing is an act of self-realisation, it shows a man the truth of his power. And when you know this, boy, the pettiness they try to shackle us with falls away like shit.
”
”
Matthew Stokoe (COWS)
“
The Waifs' Home was an old building which had apparently formerly been used for another purpose. It was located in the country opposite a great big dairy farm where hundreds of cows, bulls, calves and a few horses were standing. Some were eating, and prancing around like they wanted to tell somebody, anybody, how good they felt. . . .When I got out of the wagon with the other boys the first thing I noticed was several large trees standing before the building. A very lovely odor was swinging across my nostrils.
"What flowers are those that smell so good?" I asked.
"Honeysuckles," was the answer.
I fell in love with them, and I'm ready to get a whiff of them any time.
”
”
Louis Armstrong (Satchmo: My Life in New Orleans)
“
Creation Myth
I'm the great-grandson of a sheep farmer,
child of sumacs, trash trees shedding their ancient scales.
I'm drawn from fair grass on the north end, my molecules
spat from coal and cattle, the Indiana dusk.
I'm notes scrawled on freezer paper,
the one looped oven mitt Aunt Bev crocheted
while the baby lay feverish in its crib. I rise
from a day gone thin as Cousin Ceily,
who wore her cancer wigs to church.
I come from boys unfastening in the 4-H bathroom,
the stink of urinal cakes, dirty hands that scratched an itch.
I breathe in arc welders and air compressors.
I breathe out milk leaking from nurse cows,
Uncle Jake's spoiled old bitches. I'm run through
with moths and meth labs, a child of the KKK,
men who lynched Tom Shipp from a split
oak in Marion, August 1930. My cells
carry his shadow swaying over uncut grass.
They carry my second third cousin
cheering in the back. I rise from aphids
in honeysuckle, egg yolks flecked with blood.
Born one humid summer night, my body hums
like a black cricket, transmitting August
across the fields. I sing till my throat bleeds. I smoke
like a pan of scorched sugar. I'll never forget
the miracle of firecrackers, freezer meat, murky
gray lemonade. I'm born to thunder
in the veins, a child of form, a rusted gasket ring, some
disenchanted thing, the promise of a worm.
”
”
Bruce Snider (Fruit (Volume 1) (Wisconsin Poetry Series))
“
Popular holidays are still associated with the ideas of former heathen festivals. May-day in some parts of Ireland has its female mummers, who dance and hurl, wearing a holly-bush. A masked blown carries a pail of water with a mop for spreading its contents abroad. Boys then sing carols, as in France. In the south-east of Ireland a girl is chosen as May Queen, presiding at all May-makings till she is married. May Eve, having its dangers from fairies, etc., is spent in making cattle safe from the milk-thieving little people, by causing the cows to leap over fires. Dairymaids prudently drive their cows along with the mystical rowan stick.
”
”
James Bonwick (Irish Druids And Old Irish Religions)
“
Nous illustrons la soif de liberté, l'individualisme, la bougeotte et nous nous retrouvons aujourd'hui comme ces porteurs d'une industrie associé aux hamburgers, blue-jeans et Marlboro. D'un côté, il y a les éleveurs, les cow-boys professionnels, les Indiens, les bergers, qui luttent pour préserver leur mode de vie. De l'autre, les ranches pour 'dudes' et les magasins d'articles western pour touristes, qui prospèrent sur une image qu'ils contribuent à détruire. Nous faisons nos courses au Walmart du coin, le touriste ira compléter son déguisement de parfait cow-boy dans les magasins chic du centre-ville. Le tourisme ne peut pas sauver les cultures en voie de disparition. Au contraire, il les stérilise et les expédie dans les archives folkloriques.
”
”
Pascal Wick (Journal d'un berger nomade)
“
There were Harvard history majors and West Virginia coal miners, Wall Street lawyers and Oklahoma cow punchers, Hollywood idols and football heroes. The actor Jimmy Stewart was a bomber boy and so was the “King of Hollywood,” Clark Gable. Both served beside men and boys who had washed office windows in Manhattan or loaded coal cars in Pennsylvania—Poles and Italians, Swedes and Germans, Greeks and Lithuanians, Native Americans and Spanish-Americans, but not African-Americans, for official Air Force policy prevented blacks from flying in combat units of the Eighth Air Force.
”
”
Donald L. Miller (Masters of the Air: America's Bomber Boys Who Fought the Air War Against Nazi Germany)
“
Boys, the secret of trailing cattle is never to let your herd know that they are under restraint. Let everything that is done be done voluntarily by the cattle. From the moment you let them off the bed ground in the morning until they are bedded at night, never let a cow take a step, except in the direction of its destination. In this manner you can loaf away the day, and cover from fifteen to twenty miles, and the herd in the mean time will enjoy all the freedom of an open range.
”
”
Andy Adams (10 Masterpieces of Western Stories)