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The best lessons are often the ones we don’t realise we’re being taught
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Alice Feeney (Rock Paper Scissors)
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John [the father] kept saying, "You have a penis. That means you’re a boy." One day, Shannon noticed that her son had been in the bathroom an awfully long time and pushed the door open. "He had a pair of my best, sharpest sewing scissors poised, ready to cut. Penis in the scissors. I said, 'What are you doing?' He said, 'This doesn’t belong here. So I’m going to cut it off.' I said, 'You can’t do that.' He said, 'Why not?' I said, 'Because if you ever want to have girl parts, they need that to make them.' I pulled that one right out of my ass. He handed me the scissors and said, 'Okay.
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Andrew Solomon (Far from the Tree: Parents, Children, and the Search for Identity)
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I think it’s best to make all important life decisions with a game of rock paper scissors,
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Alice Feeney (Rock Paper Scissors)
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Sometimes it is best to let people think you will follow them, until you are certain that you won’t be lost on your own.
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Alice Feeney (Rock Paper Scissors)
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The best lessons are often the ones we don’t realize we’re being taught.
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Alice Feeney (Rock Paper Scissors)
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Everybody make mistake. Best way is to apologize," she tells me, putting her scissors down and sitting next to me. "But you never apologize." She frowns at me. "Because I'm always right.
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Kelly Yang (Private Label)
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Forgiving someone doesn’t mean you condone or approve of what they did. Forgiveness is not for the other person at all. It has nothing to do with whether they deserve it or not. Forgiveness is an act of self-love. The best revenge really is a life well lived. While fantasizing about all kinds of revenge was fun for a while, I realized it would only perpetuate what I wanted to be free of, and it would keep me from healing. My advice to anyone struggling with betrayal is don’t let yourself be abused twice. First by the act committed against you, and second by believing it has ruined your ability to experience happiness, trust, or love. Forgive someone who has hurt you so they may receive that gift, and more important because you know it is the scissor that cuts the cord that binds you together. Remember that betrayal doesn’t happen to you so much as it happens by someone else. Forgiveness allows you to release anger. Carrying anger with you is like lighting your own house on fire to get rid of rats. The rats run to safety while you burn yourself down. Forgive. Let go. Heal.
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Jewel (Never Broken: Songs Are Only Half the Story)
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So we call upon the author to explain
(Doop doop doop doop dooop)
Our myxomatoid kids spraddle the streets, we've shunned them from the greasy-grind The poor little things, they look so sad and old as they mount us from behind I ask them to desist and to refrain And then we call upon the author to explain (Doop doop doop doop dooop)Rosary clutched in his hand, he died with tubes up his nose
And a cabal of angels with finger cymbals chanted his name in code
We shook our fists at the punishing rain And we call upon the author to explain (Doop doop doop doop dooop)
He said everything is messed up around here, everything is banal and jejune
There is a planetary conspiracy against the likes of you and me in this idiot constituency of the moon
Well, he knew exactly who to blame
And we call upon the author to explain
(Doop doop doop doop dooop)
Prolix! Prolix! Nothing a pair of scissors can't fix!
Prolix! Prolix! Nothing a pair of scissors can't fix!(Doop doop doop doop dooop) Well, I go guruing down the street, young people gather round my feet Ask me things, but I don't know where to start They ignite the power-trail ssstraight to my father's heart And once again I call upon the author to explain (Doop doop doop doop dooop ...)We call upon the author to explain Who is this great burdensome slavering dog-thing that mediocres my every thought? I feel like a vacuum cleaner, a complete sucker, it's fucked up and he is a fucker But what an enormous and encyclopaedic brain
I call upon the author to explain
(Doop doop doop doop dooop ...) Oh rampant discrimination, mass poverty, third world debt, infectious diseease
Global inequality and deepening socio-economic divisions Well, it does in your brain And we call upon the author to explain (Doop doop doop doop dooop ...) Now hang on, my friend Doug is tapping on the window (Hey Doug, how you been?) Brings me back a book on holocaust poetry complete with pictures Then tells me to get ready for the rain And we call upon the author to explain (Doop doop doop doop dooop ...) I say prolix! Prolix! Something a pair of scissors can fix
Bukowski was a jerk! Berryman was best!
He wrote like wet papier mache, went the Heming-way weirdly on wings and with maximum pain We call upon the author to explain (Doop doop doop doop dooop ...) Down in my bolthole I see they've published another volume of unreconstructed rubbish "The waves, the waves were soldiers moving". Well, thank you, thank you, thank you
And again I call upon the author to explain Yeah, we call upon the author to explain Prolix! Prolix! There's nothing a pair of scissors can't fix!
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Nick Cave
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With the world in the state it is, it’s such a small, small thing. But I think the sad fact is that I’m about as happy in my life as you are in yours. I do my best for my mother—or, I tell myself that I do. Sometimes I seem to do nothing but scold her; we cross each other like a pair of scissors. She isn’t happy, either. How could she be? I think she’s simply marking time. Well, perhaps we all are.
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Sarah Waters (The Paying Guests)
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From the Waverley Kitchen Journal Fig and Pepper Bread Mary’s Note: Sometimes the two most improbable things make the best combination. Ingredients: 2 cups whole grain spelt flour 2 ½ cups unbleached all purpose flour 1 ½ cups coarsely chopped figs 2 tsp coarse black pepper 2 tsp sea salt 2 tbsp olive oil 1 dry yeast packet 1 ½ cups of warm water Whisk flour, salt, pepper, and yeast until blended, by hand or with whisk attachment of mixer. Add olive oil and warm water. Knead for 10 minutes, or use dough hook attachment of mixer for 5 minutes, until dough is smooth and springy. Oil a large bowl, place dough inside, and cover bowl with a damp hand towel. Let sit in a warm place for approximately 1 hour, or until dough has doubled in size. Softly knead in the chopped figs and evenly distribute throughout the dough (lightly flouring your hands can make handling the dough easier), shape into an oval, then place on a baking sheet. Snip three shallow lines into top of the dough with scissors, then lightly dust the dough with flour. Let rise, uncovered, until dough swells a little more—10–15 mins, or longer if the kitchen isn’t warm. Place tray in 350° oven for 40–45 mins until crust is slightly brown and the loaf sounds hollow when tapped on the underside. Cool on a wire rack.
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Sarah Addison Allen (First Frost (Waverley Family, #2))
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I also gained a deeper appreciation of what it must have been like for my mother to be in a foreign country unable to speak the language (in her case, unable to read or write any language). As I walked around by myself, however, it was obvious that based on my body language people perceived me as American but at the same time different enough from other Americans that they felt free to come up and ask me all kinds of personal questions about where I came from, what kind of work I did, whether I was married, how many people there were in my family. Back in the 1930s when I asked personal questions like these of a Chinese student at Bryn Mawr, she reprimanded me for being too personal. I’m not sure whether that was because she came from a higher social class or because the revolution has opened things up. I answered their questions as best as I could in my limited Chinese. The ingenuity and energy of the Chinese reminded me of my father, for example, the way that they used bicycles, often transformed into tricycles, for transporting all kinds of things: little children (sometimes in a sidecar), bricks and concrete, beds and furniture. I was amazed at the number of entrepreneurs lining the sidewalks with little sewing machines ready to alter or make a garment, barbers with stools and scissors, knife sharpeners, shoe repairmen, vendors selling food and other kinds of merchandise from carts. Everywhere I went I saw women knitting, as they waited for a bus or walked along the street, as if they couldn’t waste a minute. I had never seen such an industrious people. It was unlike anything that I had witnessed in England, France, the West Indies, Africa, or the United States.
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Grace Lee Boggs (Living for Change: An Autobiography)
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I spread out the lehenga fabric into a perfect circle on the living room floor. It looked like a pool of blue silk spangled with gold and silver. Then I raised my best pair of scissors.
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Nandini Bajpai (Red Turban White Horse: My Sister's Hurricane Wedding)
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But everything else appealed too, all the paraphernalia that went with making marks on paper: fresh exercise books full of lined pages just waiting to be filled, botany books with one page lined and one page blank, project books with blank pages throughout, sketchbooks for drawing, rulers, paste, scissors, fountain pens, nibs, ink, lead pencils, erasers. They were best when new, of course, when everything lay ahead of them, and before any mistakes and erasures had occurred. Which is no doubt why I loved them, because they were promise made manifest.
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Cory Taylor (Dying: A Memoir)
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If you stay in your place they’ll leave you alone—and did our best not to offend. Still, they gave us a hard time. Their men slapped our husbands on the back and shouted out, “So solly!” as they knocked off our husbands’ hats. Their children threw stones at us. Their waiters always served us last. Their ushers led us upstairs, to the second balconies of their theaters, and seated us in the worst seats in the house. Nigger heaven, they called it. Their barbers refused to cut our hair. Too coarse for our scissors.
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Julie Otsuka (The Buddha in the Attic)
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I have the best job in the world, but writing is a hard way to make an easy living.
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Alice Feeney (Rock Paper Scissors)
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He tried to force her to stop buying fabric for her quilts. "There's enough material in this house to last a lifetime." Without saying a word, Birdie went into their bedroom with a pair of scissors and cut squares out of his best shirts. After that she bought fabric whenever she wanted to.
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Mary Marks (Forget Me Knot (A Quilting Mystery, #1))
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but seeds of ambition grow best in shallow soil.
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Alice Feeney (Rock Paper Scissors)
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Imagine not being able to recognize your wife, or your best friend, or the person responsible for killing your mother right in front of you as a kid.
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Alice Feeney (Rock Paper Scissors)
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Animals bring out the best and worst in people. They don’t judge. They only love. They are really clear about who they like and who they don’t like. They can’t pretend. Pets cut right through deceptions we throw up to protect ourselves.
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Joanna Campbell Slan (Paper, Scissors, Death (Kiki Lowenstein Scrap-n-Craft Mystery, #1))
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Paper envelops rock; rock breaks scissors; scissors cut paper. Would rocks want to bash every scissors into extinction? No way. Because then all those papers would enwrap the rocks into extinction. Each participant has an incentive for restraint, producing an equilibrium.
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Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
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struggle is the best teacher and paves the way for future successes. The story of the butterfly’s cocoon illustrates this point vividly: A boy found a butterfly’s cocoon in his garden one day. Next day, he noticed that a small opening had appeared. For several hours, he watched patiently while the butterfly struggled to force itself out through the little hole. Then it stopped struggling, almost as if it could go no further. Deciding to help the butterfly, the boy used a pair of scissors to snip the remaining bit of the cocoon and the butterfly emerged easily. Something was rather strange though. The butterfly had a swollen body and shrivelled wings. The boy continued to wait expectantly, hoping that at any moment the butterfly’s wings would expand to support its body and the body would contract. Neither event happened. In fact, the butterfly spent the rest of its life crawling around with a swollen body and deformed wings, never able to fly. What the boy in his kindness and haste did not understand was that the restricting cocoon and the resultant struggle required for the butterfly to get out are Nature’s way of forcing fluid from the butterfly’s body into its wings so that it is ready for flight after achieving freedom from the cocoon. Sometimes struggles are exactly what we need in life.
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Ashwin Sanghi (13 Steps to Bloody Good Luck)
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sounded like another language entirely. I felt relieved, momentarily, to be a relatively worldly Lubavitcher, even if I didn’t entirely fit in with the Crown Heights crowd. — Much to my disappointment, Miri was rarely to be seen. Most days she left the apartment around ten in a giddy rush and returned in the early evening with armloads of shopping bags, only to leave again for dinner with her friends. But one morning, when Leah was otherwise engaged, I was finally recruited for shomeres service. We were going to Ratfolvi’s, in Flatbush, to pick up the sheitel that Miri would be required to wear as a married woman. Pulling up to a residential building, we let ourselves into Mrs. Ratfolvi’s wig shop/apartment and sat down in the reception area, where four or five women were chatting away on a damask sofa and chairs. While we waited our turn, I examined the rows of wigs on display: there were various shades of brunette, blonde, and ginger; short, teased bouffants and glamorous, shoulder-length falls; wigs encased in rollers and wigs that were fully styled, needing nothing more than a final shpritz of hair spray. They were set upon Styrofoam heads complete with turned-up noses, high cheekbones, and luscious lips that looked like they could come alive at any moment. I longed to get my hands on a brush and a pair of scissors so that I could create my own visions of tonsorial loveliness. I did this from time to time to my dolls, to my mother’s great irritation, and here was a whole wall of victims. When Miri’s name was called, she plunked herself into the salon chair and pulled the silk scarf off her ponytail. I stood as close as I could without getting in the way. From conversations that I’d overheard between my mother and her sisters, I knew that Mrs. Ratfolvi was considered “the best,” and I was eager to watch her at work. The “rat” in her name had led me to expect someone old and unattractive, but she was actually a nicely put-together middle-aged woman. The receptionist brought over a plastic case about the size of a chubby toddler. In one expert motion, Mrs. Ratfolvi clicked it open, withdrew the fully styled wig on its Styrofoam head
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Chaya Deitsch (Here and There: Leaving Hasidism, Keeping My Family)
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Some days I still picture him in it, but there are moments when I imagine what it would be like to be on my own again. It isn’t what I want, but I do wonder whether it might be best for both of us. Time can change relationships like the sea reshapes the sand.
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Alice Feeney (Rock Paper Scissors)
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I’ve gotten good at feeling guilty for doing what is best for me. And guilt is one of those emotions that rarely comes with an off switch. Sometimes I feel like I need to check out of life the way other people check out of hotels. Sign whatever I need to sign, hand back the keys to the life I am living, and find somewhere new.
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Alice Feeney (Rock Paper Scissors)
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I’ve gotten good at feeling guilty for doing what is best for me. And guilt is one of those emotions that rarely comes with an off switch.
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Alice Feeney (Rock Paper Scissors)
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Life is unpredictable at best, unforgivable at worst.
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Alice Feeney (Rock Paper Scissors)
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We weren’t always the people we are now, but our memories of the past can make liars of us all. That’s why I’m focusing on the future. Mine. Some days I still picture him in it, but there are moments when I imagine what it would be like to be on my own again. It isn’t what I want, but I do wonder whether it might be best for both of us. Time can change relationships like the sea reshapes the sand.
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Alice Feeney (Rock Paper Scissors)
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sometimes the dust of our memories is best left unswept.
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Alice Feeney (Rock Paper Scissors)
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seeds of ambition grow best in shallow soil.
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Alice Feeney (Rock Paper Scissors)
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In Krav Maga if you are using kicks vs. a knife, always use a side kick to the knee when the attacker approaches the defender from the side. If the attacker approaches the defender from the front, then kick him either in the groin, or on his chest or chin. You could also roundhouse kick his groin and follow it with a side kick to the knee after the initial advance and reposition to the side of the opponent. The most dangerous knife attack is the straight stab with the front hand. The second most dangerous is the slash, which has almost the same reach. The straight stab provides an immediate contact with the tip of the blade. The slash would involve whipping the blade into the side of the throat. We can see the intention of the attacker by the type of hold. The range of the slash is almost as much as the range of the straight stab. The third most dangerous is the circular attack from the bottom up, and the fourth is from the top down. A straight stab with the rear hand can be countered with a roundhouse kick to the opposite direction, or a jumping scissors kick to the chin like a bottom-up stab. If you notice the attacker on time, position your body in neutral position so you can have a peripheral view and also be able to control the timing. If you do not have the time, you will probably have to resort to defending with your hands. There are three considerations to identifying and choosing the best option using these three methods of preemptive attacks with kicks. First, look at your opponent’s knife grip. Second, which hand is he holding it in? Third, your options are either kicking the head or the groin area—whichever is farther from the knife in order to avoid a counterattack and a stab in the leg. Straight stabs are generally at the center but you should only kick below it and not above, as it would take longer for you to kick than for the opponent to stab. Remember also that a direct kick to the center of the body, be it chest or crossed arms, stops the opponent with its initial impact. Remember: the three frontal maneuvers are a front kick to the groin, a scissors kick to the chest or chin, and a defensive front roundhouse kick. Each one has a tactical component. For example, the front kick is tactically executed with the defender’s leg across the hand holding the knife and not the one in front. This forces the defender to move his body slightly to the opponent’s side, away from the slightly angular top-down direction of the knife. If the attacker chooses a top-down stab with the knife in his front hand, you could use the time the attacker takes to stab, executing a roundhouse kick to his groin with the leg opposite his front leg. You might also choose to do the second part of the roundhouse kick and not a straight stab, and execute only a side kick to the opponent's knee. You need to practice all aforementioned options until you are comfortable with them.
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Boaz Aviram (Krav Maga: Use Your Body as a Weapon)
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You and I had the kind of childhoods that are better forgotten, but seeds of ambition grow best in shallow soil.
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Alice Feeney (Rock Paper Scissors)
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Friends come and go. Employees move on. Your partner is there beside you for the long haul. He deserves your best every day of your life.
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Joanna Campbell Slan (Kiki Lowenstein Box Set: The first three titles in the series--Paper, Scissors, Death; Cut, Crop & Die; and Ink, Red, Dead)
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and you’re a good match.’ ‘You have a very precise memory.’ ‘It was yesterday.’ ‘I should have told you he keeps a mistress and ignores me.’ Reacher smiled. He said, ‘Good night, Mrs Mackenzie.’ She left him there, the same as the night before, alone in the dark, on the concrete bench, looking at the stars. At that moment a mile away, Stackley clicked off a phone call and parked his beat-up old pick-up truck in a lot behind an out-of-business retail enterprise three blocks from the centre of town. Earlier in his life he had favoured expensive haircuts, and one time when waiting in the salon he had read a magazine that said success in business depended entirely on ruthless control of costs. Thus wherever possible he slept in his truck. Hence the camper shell. A motel would take what he made on two pills. Why give it away? The old gal across the Snowy Range had bought a box of fentanyl patches, but he had given her one he had already opened, an hour before, very carefully, so he could skim out a patch all his own, for his pocket, for later. The old gal would never notice. If she did, she would assume she was too stoned to count right. A natural reaction. Addicts learned to blame themselves. The same the world over. He took scissors from his glove box, and he cut a quarter-inch strip off the patch, and he slipped it under his tongue. Sublingual, it was called. Another magazine in the same salon said it was the best method of all. Stackley couldn’t argue. At that moment sixty miles away, in the low hills west of town, Rose Sanderson was putting herself to bed. She had pulled down her hood, and taken off her silver track suit top. Under it was a T-shirt, which she took off, and a bra, likewise. She peeled the foil off her face. She used her toothbrush handle to scrape excess ointment off her skin. She buttered it back on the foil. With luck she might get one more day out of it. She ran her sink full of cool water. She took a breath, and held her face under the surface. Her record was four minutes. She came up and shook her head. Her
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Lee Child (The Midnight Line (Jack Reacher, #22))
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Turn, please, to the introduction and read what Imago has to say on the matter of dream interpretation. Then, divide into pairs. Use The Dream Oracle to interpret each other’s most recent dreams. Carry on.’ The one good thing to be said for this lesson was that it was not a double period. By the time they had all finished reading the introduction of the book, they had barely ten minutes left for dream interpretation. At the table next to Harry and Ron, Dean had paired up with Neville, who immediately embarked on a long-winded explanation of a nightmare involving a pair of giant scissors wearing his grandmother’s best hat; Harry and Ron merely looked at each other glumly. ‘I never remember my dreams,’ said Ron, ‘you say one.’ ‘You must remember one of them,’ said Harry impatiently.
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J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))