Scent Of A Woman Best Quotes

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Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
In late August and early September, just after the first fall rain, hundreds of male tarantulas emerge from holes in the ground. They skitter through mint-scented mountain sage in search of burrows delicately draped in silk, where females are ready to mate. Visitors armed with flashlights flock to the mountain around sunset or just after dark, the best time to see the tarantulas. Bats wheel over gray pines and live oaks. Great horned owls hoot solemnly. Beams from flashlights weaving across trails sometimes catch a piece of earth that’s moving; closer inspection reveals the scuttling of saucer-size tarantulas. The male tarantulas never return to their holes. They mate as much as they can and then die, from starvation or cold.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
You set out to tell a story of some sort, to tell the truth as you feel it, because something is calling you to do so. It calls you like the beckoning finger of smoke in cartoons that rises off the pie cooling on the windowsill, slides under doors and into mouse holes or into the nostrils of the sleeping man or woman in the easy chair. Then the aromatic smoke crooks its finger, and the mouse or the man or woman rises and follows, nose in the air. But some days the smoke is faint and you just have to follow it as best you can, sniffing away. Still, even on those days, you might notice how great perseverance feels. And the next day the scent may seem stronger—or it may just be that you are developing a quiet doggedness. This is priceless.
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
He pulled out stiff starched sheets, yellowed at the creases, each sheet embroidered with an elaborate medallion in which the letters D.F. twined above a garland of roses; some woman's trousseau from a hundred- two hundred- years back. There were other treasures too: sandalwood boxes of handkerchiefs, copper saucepans dulled with verdigris, an old radio from before the war, he guessed, its casing cracked to reveal tubes as big as doorknobs. Best of all was a huge old spice chest of rough black oak, some of its drawers still labeled in faded brown ink: Cannelle, Poivre Rouge, Lavande, Menthe Verte. The long-empty compartments were still fragrant with the scents of those spices, some dusted with a residue which colored his fingertips with cinnamon and ginger and paprika and turmeric.
Joanne Harris (Blackberry Wine)
A wind came up and snatched the roses from my hair, then pulled my hair loose as I ran. I did not care… I was running from my own thoughts as much as anything… I did not want to think about people. I wanted the trees, the scents and colors, the shifting shadows of the wood, which spoke a language I understood…the trees were bending like great fans in the wood. Clouds of gold and red and brown sailed along the wind. I slowed as I reached the privacy of the trees. A woman running across the cornfield in her mother’s best dress is subject to human speculation; in the wood, the trees did not care.
Patricia A. McKillip (Winter Rose (Winter Rose, #1))
As it baked, the blessed casserole smelled just like it did when I was a child, which was likely the last time I’d eaten it. I marveled that the scent of a specific dish could remain in one’s consciousness for over two decades. Except for the dark brown hair and the crumbling marriage, I’d officially become my mother. Marlboro Man, happy to have something warm to eat, declared it the best thing he’d ever eaten. I looked at the mess in the kitchen and felt like moving. Marlboro Man and I watched movies that night. Our TV satellite hadn’t been hooked up yet, so he’d transported his movie collection and VCR from his old house. And I didn’t have to get up and drive home when they were over, because I already was home.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I see the good in you.” “Don’t harbor illusions about me. In marrying me, you’re going to have to make the best of a bad bargain. You don’t understand the situation you’re in.” “You’re right.” Beatrix arched in bliss as he massaged the muscles on either side of her spine. “Any woman would pity me, being in this situation.” “It’s one thing to spend an afternoon in bed with me,” Christopher said darkly. “It’s another to experience day-to-day life with a lunatic.” “I know all about living with lunatics. I’m a Hathaway.” Beatrix sighed in pleasure as his hands worked the tender places low on her back. Her body felt relaxed and tingly all over, her bruises and aches forgotten. Twisting to glance at him over her shoulder, she saw the austere lines of his face. She had an overwhelming urge to tease him, to make him play. “You missed a place,” she told him. “Where?” Levering herself upward, Beatrix turned and crawled to where Christopher knelt on the mattress. He had donned a velvet dressing robe, the front parting to reveal a tantalizing hint of sun-browned flesh. Linking her arms around his neck, she kissed him. “Inside,” she whispered. “That’s where I need soothing.” A reluctant smile lurked at the corners of his lips. “This balm is too strong for that.” “No it’s not. It feels lovely. Here, I’ll show you--” She pounced for the tin of balm and coated her fingertips with the stuff. The rich scent of clove oil spiced the air. “Just hold still--” “The devil I will.” His voice had thickened with amusement, and he reached for her wrist. Fleet as a ferret, Beatrix twisted to evade him. Rolling once, twice, she dove for the belt of his robe. “You put it all over me,” she accused, giggling. “Coward. Now it’s your turn.” “Not a chance.” He grabbed her, grappled with her, and she thrilled to the sound of his husky laugh. Somehow managing to clamber over him, she gasped at the feel of his aroused flesh. She wrestled with him until he flipped her over with ease, pinning her wrists. The robe had become loosened during their tussle, their naked flesh rubbing together. Sparkling silver eyes stared into blue. Already breathless with laughter, Beatrix became positively lightheaded as she saw the way he was looking at her. Lowering his head, he kissed and licked at her smile as if he could taste it.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Sometimes Marlboro Man and I would venture out into the world--go to the city, see a movie, eat a good meal, be among other humans. But what we did best was stay in together, cooking dinner and washing dishes and retiring to the chairs on his front porch or the couch in his living room, watching action movies and finding new and inventive ways to wrap ourselves in each other’s arms so not a centimeter of space existed between us. It was our hobby. And we were good at it. It was getting more serious. We were getting closer. Each passing day brought deeper feelings, more intense passion, love like I’d never known it before. To be with a man who, despite his obvious masculinity, wasn’t at all afraid to reveal his soft, affectionate side, who had no fears or hang-ups about declaring his feelings plainly and often, who, it seemed, had never played a head game in his life…this was the romance I was meant to have. Occasionally, though, after returning to my house at night, I’d lie awake in my own bed, wrestling with the turn my life had taken. Though my feelings for Marlboro Man were never in question, I sometimes wondered where “all this” would lead. We weren’t engaged--it was way too soon for that--but how would that even work, anyway? It’s not like I could ever live out here. I tried to squint and see through all the blinding passion I felt and envision what such a life would mean. Gravel? Manure? Overalls? Isolation? Then, almost without fail, just about the time my mind reached full capacity and my what-ifs threatened to disrupt my sleep, my phone would ring again. And it would be Marlboro Man, whose mind was anything but scattered. Who had a thought and acted on it without wasting even a moment calculating the pros and cons and risks and rewards. Who’d whisper words that might as well never have existed before he spoke them: “I miss you already…” “I’m thinking about you…” “I love you…” And then I’d smell his scent in the air and drift right off to Dreamland. This was the pattern that defined my early days with Marlboro Man. I was so happy, so utterly content--as far as I was concerned, it could have gone on like that forever. But inevitably, the day would come when reality would appear and shake me violently by the shoulders. And, as usual, I wasn’t the least bit ready for it.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
In Hiding - coming summer of 2020 WAYNE ANTHONY SEEKS REDEMPTION FROM A BAD DAY - Although warned about getting the stitches wet, he believed a hot shower was the only road to his redemption. Experienced taught him the best way to relieve the tightness in his lower back was by standing beneath the near-scalding water. Dropping the rest of his clothing, he turned the shower on full blast. The hot water rushed from the showerhead filling the tiny room with steam, instantly the small mirror on the medicine cabinet fogged up. The man quietly pulled the shower curtain back and entered the shower stall without a sound. Years of acting as another’s shadow had trained him to live soundlessly. The hot water cascaded over his body as the echo from the pounding water deadened slightly. Grabbing the sample sized soap, he pulled the paper off and tossed the wrapper over the curtain rail. Wayne rubbed the clean smelling block until his large hands disappeared beneath the lather. He ignored the folded washcloth, opting to use his hands across his body. Gently he cleaned the injury allowing the slime of bacterial soap to remove the residual of the rust-colored betadine. All that remained when he finished was the pale orange smear from the antiseptic. This scar was not the only mar to his body. The water cascaded down hard muscles making rivulets throughout the thatches of dark hair. He raised his arms gingerly as he washed beneath them; the tight muscles of his abdomen glistened beneath the torrent of water. Opening a bottle of shampoo-slash-conditioner, he applied a dab then ran his hands across his scalp. Finally, the tension in his square jaw had eased, making his handsome face more inviting. The cords of his neck stood out as he rinsed the shampoo from his hair. It coursed down his chest leading down to his groin where the scented wash caught in his pelvic hair. Wayne's body was one of perfection for any woman; if that was, she could ignore the mutilations. Knife injuries left their mark with jagged white lines. Most of these, he had doctored himself; his lack of skill resulted in crude scars. The deepest one, undulated along the left side of his abdomen, that one had required the art of a surgeon. Dropping his arms, he surrenders himself to the pelting deluge from the shower. The steamy water cascaded down his body, pulling the soap toward the drain. Across his back, it slid down several small indiscernible pockmarks left by gunshot wounds, the true extent of their damage far beneath his skin. Slowly the suds left his body, snaking down his muscular legs. It slithered down the scars on his left knee, the result of replacement surgery after a thug took a bat to it. Wayne stood until the hot water cooled, and ran translucent over his body. Finally, he washes the impact of the long day from his mind and spirit.
Caroline Walken
Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.
Stefan Zweig (The Post-Office Girl)
Her limbs function, and she finds this miraculous when she dwells on it. In fact, she finds plenty of things miraculous. Forcefully, she summons her best memories. That time on a red-eye bus when the driver used the intercom to contemplate, in campfire baritone, the wonder of his grandchildren, the way they validated his life as time well spent. As he lulled the passengers with stories, someone began to pass around a Tupperware of sliced watermelon, and a drunk man offered to share the miniature bottles of whiskey from his bag, and Joan felt such overwhelming affection for her species, she feared she would sacrifice herself to save it. A bad summer storm. Green sky, tornado warning, violent winds. Joan was downtown, leaving work early, briskly walking toward the parking garage where her station wagon waited. On the opposite end of the sidewalk, a large woman in her sixties collapsed. Immediately, two people rushed to the woman's side, gingerly tending to her, touching her shoulders and face, speaking to her as though she were their mother -- a cherished one -- and Joan understood that human tenderness was not to be mocked. It was the last real thing. Dining alone on a blustery Easter night at the only Chinese restaurant in town. When she asked for the check, the waiter said, "It just started to rain. You're welcome to stay a little longer, if you want." Miraculous. Joan recalls the existence of dogs, craft stores, painkillers, the public library. Cream ribboning through coffee. The scent of the lilacs near her childhood home. Brown sugar on a summer strawberry. Her father's recovery from the tyranny of multigenerational alcoholism. The imperfect but true repossession of his life. The euphoria of the first warmth after winter, the first easy breath after a cold, the return of one's appetite after an anxiety attack. Joan has much to be happy about. She thinks: I am happy, you are happy, we are happy. These thoughts -- how she can force herself to have them. Miraculous.
Tess Gunty (The Rabbit Hutch)
Are those chocolate orgasms?” she asked. It shouldn’t make a grown man shudder to hear a woman say the word orgasm. Yeah, it didn’t stop a tremor from rocking him, especially since no longer submerged by water the musk of her arousal scented the air. “Good girls can have all the orgasms they want.” He growled it. “Good girl?” She uttered an extremely wicked chuckle. “Oh, Pookie, but I’m best when I’m bad.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
He wrapped his arms around her. “Have I told you today how happy I am that you gave up the good fight and moved back in with me?” “Not today,” she said, sucking in his sex-and-sin scent. “But last night you mentioned it quite a few times.” She’d tried for six weeks to live by herself in the apartment over Gracie’s garage, thinking she needed to experience life on her own before living with Mitch. She’d hated every minute of it. When she’d taken to sneaking into the farmhouse and crawling into bed with him in the middle of the night, he’d finally put his foot down. She sighed. Contentment had her curling deeper into his embrace. She didn’t care if it was wrong: Mitch and this farmhouse made her happy. “Maddie,” he said, his voice catching in a way that had her lifting her chin. “You know I love you.” “I know. I love you too.” His fingers brushed a lock of hair behind her chin. “Come with me.” He clasped her hand and led her into the bedroom before motioning her to the bed. She sat, and he walked over to the antique dresser and took a box out of the dresser. He walked back to the bed and sat down next to her. “I wanted to give this to you tonight, but then I saw you standing in the doorway and I knew I couldn’t wait.” Maddie looked at the box, it was wooden, etched with an intricate fleur-de-lis design on it and words in another language. “What is it?” “It was my grandmother’s. They bought it on their honeymoon. It’s French. It says, ‘There is only one happiness in life: to love and be loved.’” “It’s beautiful.” That he would give her something so treasured brought the threat of tears to her eyes. He handed it to her. “Open it.” She took the box and suddenly her heart started to pound. She lifted the lid and gasped, blinking as her vision blurred. Mitch grasped her left hand. “I know it’s only been three months, but in my family, meeting the night your car breaks down is a sign of a long, happy marriage.” Maddie couldn’t take her eyes off the ring. It was a gorgeous, simple platinum band with two small emerald stones flanking what had to be a three-carat rectangular diamond. She looked at Mitch. “Maddie Donovan, will you please marry me?” “Yes.” She kissed him, a soft, slow, drugging kiss filled with hope and promises. There was no hesitation. Not a seed of worry or shred of doubt. Her heart belonged to only one man, and he was right in front of her. “It would be my honor.” He slipped the ring on her finger. “My grandma would be thrilled that you have her ring.” “It’s hers?” It sparkled in the sunlight. It looked important on her hand. “It’s been in the family vault since she died. My mom sent it a couple of weeks ago. She’s been a little pushy about the whole thing. I think she’s worried I’ll do something to screw it up and she’ll lose the best daughter-in-law ever.” Maddie laughed. “I love her, too.” He ran his finger over the platinum band. “I changed the side stones to emeralds because they match your eyes. Do you think I made the right choice?” She put her hands on the sides of his face. “It is the most gorgeous ring I have ever laid eyes on. I love it. I love you. You know I’d take you with a plastic ring from Wal-Mart.” “I know.” She kissed him. “But I’m not going to lie: this is a kick-ass ring.” He grinned. “You know, I think that’s what my grandma used to say.” “She was obviously a smart woman.” “For the record, don’t even think about running.” Mitch pushed her back on the bed and captured her beneath him. “I will hunt you down to the ends of the earth and bring you back where you belong.” She reached for him, this man who’d been her salvation. “I will run down the aisle to meet you.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
I owe my older brothers an entire education that had nothing to do with deportment or elocution.” He paused while stirring sugar into his tea. “Such as?” “How to fend off a bully, where to apply perfume.” She’d also learned that she could trust her brothers to have her best interests at heart, even if they were complete dunderheads about it. And she had learned that even her boisterous, indestructible brothers could die. “They told you where to apply perfume?” “Not willingly, of course. Little sisters eavesdrop and pick up on these things. Bartholomew remarked to Devlin that the nape of a certain chambermaid’s neck bore the scent of lavender water when he kissed her there. Bart sounded bemused to note it, as if the woman wore her scent that way exclusively to lure him closer.” Bartholomew had sounded besotted, but then he’d been besotted with life in all its fascinating details. “God help me if my little sisters take their education from my brothers.” Jenny
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
We love the carnal sway of the Eiffel Tower and the stories of France’s great queens and mistresses told in the châteaux of Versailles and Chenonceau. Of course, we love the perfume, to scan the market for the best deal on fresh figs, the hollow clack of cobblestones under our heels, the citrusy scent of gorse blowing across a field in Normandy. We love the safety and ease of the Paris Métro and marvel at the sweep of almond blossoms in Haute-Provence. We gasp at the beauty of the bridges over the Seine and always feel at home when we stop in the middle of one to gaze down at the cottony wake of the Bateaux Mouches. We love the mountain air that refreshes us in the Alps, and the nighttime clouds that eat the stars over the Breton coast. We love to slow down, and France requires us to do so. In France, we find what we are missing.
Marcia DeSanctis (100 Places in France Every Woman Should Go)
could always dance with Connell,” Vera said, following Lily’s gaze. It was Lily’s turn to feel embarrassed. “Oh no, I couldn’t.” “Why not?” Vera smiled, a knowing gleam in her eyes. “I’m sure Mr. Heller won’t mind playing another song. And I know Connell wouldn’t say no to the chance to put his hands on your waist and twirl you in his arms.” She wiggled, her insides blushing. She highly doubted Connell would want to twirl her. Connell lowered his head further into his book. “And don’t you dare contradict me, Connell McCormick.” Vera wagged her finger at the man. “What?” He sat up straighter and arched his eyebrows at them, as if it were the first time he’d noticed them in the room all evening. Lily smiled at the feigned innocence on his face. “Now, young man,” Vera scolded, “you’ve had your eyes on Lily all week. Don’t you deny it.” “I’ve been doing what I always do—sitting over here minding my own business and doing my work.” Vera shook her head. “You’re in trouble now, boy. I was going to give you a couple more cookies, but”—she pushed the plate of treats toward Lily—“now only Lily gets more.” The sugary sweet scent of the freshly baked molasses cookies had bathed the room, driving out the lingering acridness of burnt coffee. Lily had already indulged in several in place of the usual fare of beans and salt pork. She picked two more from the plate. “You’re a dear, dear woman.” Connell snorted. Vera’s lips twitched with a smile she was holding back. “That’s enough from you, young man. If you stopped all your nonsense, got up and danced with Lily like a real man, then maybe I’d give you the rest.” Connell sat up taller and eyed the plate that was still heaped with cookies. Lily wanted to giggle but hid the smile behind her hand. Then his eyes lifted to hers, the mirth within them turning the green into the same shade as summer leaves fluttering in a warm breeze. The warmth captured her and drew her in. For a long moment she basked in their private exchange of amusement over Vera’s audacity. But then the green of his eyes darkened and the jollity of his expression faded, replaced with a determination that sent Lily’s heart chugging forward like a locomotive. Without breaking his eye contact, he pushed back from his spot and stood. Would he really listen to Vera’s silly challenge to dance with her? Her heart picked up speed. Everything in his expression said he would—that he wanted to dance with her more than anything. Although she’d been in plenty of situations where she’d had to rebuff the advances of shanty boys, she’d never met one like this man—one she didn’t want to rebuff. Did she actually want his attention? A tingle of fright pushed her off the bench and to her feet. He stopped. “I’d best be heading up to bed,” she said, refusing to meet his gaze.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
The writer encountered a Muslim woman once in a narrow street of a predominantly Hindu town, in the quarter inhabited by moneylenders. The feeling he had was that she was coming in search of a loan. She wore the burkha, that unhygienic head-to-toe covering that turns a woman into a walking symbol of inefficient civic refuse collection and leaves you without even an impression of her eyes behind the slits she watches the gay world through, tempted but not tempting; a garment in all probability inflaming to her passions but chilling to her expectations of having them satisfied. Pity her for the titillation she must suffer. After she had passed there was a smell of Chanel No. 5, which suggested that she needed money because she liked expensive things. Perhaps she had a rebellious spirit, or laboured under a confusion of ideas and intentions. On the other hand she may merely have been submissive to her husband, drenching herself for his private delight with a scent she did not realize was also one of public invitation – and passed that day through the street of the moneylenders only because it was a short cut to the mosque. It was a Friday, and it is written in the Koran: ‘Believers, when the call is made for prayer on Friday, hasten to the remembrance of Allah and leave off all business. That would be best for you, if you but knew it. Then, when the prayers are ended, disperse and go in quest of Allah’s bounty.’ Perhaps, when the service was over, it was her intention to return by the way she had come.
Paul Scott (The Day of the Scorpion (The Raj Quartet, #2))
ant to spruce up your bathroom? Don't hesitate to hang pictures in there. Plaques, posters, framed magazine covers-whatever strikes your fancy. Mirrors and clocks are naturals too. Flowers are always a plus. Seashells are also at home in the bathroom. Put them in a bowl, hang them, or glue them to a frame. Add favorite bathroom accessories such as lamps and scented candles. Potpourri gives everything a special ambience. Put in a few unexpected touches to make your bathroom unique. A guaranteed hope-producer is spending time with children. Get down on the floor and talk to them. And listen to them. Let their youth and enthusiasm rub off on you. And here's the best tip of all, taken from Psalm 39:7: "But now, Lord, what do I look for? My hope is in you." May the God of hope fill you with all joy and peace as you trust in Him. ey, if little things can drag you down, then little things can also pick you up! Here are a few ideas. • Always keep something green in a little vase or pot by your kitchen sink. And I'm not talking about cash-I'm talking plants.
Emilie Barnes (365 Things Every Woman Should Know)
I don't know what it is but I never want to stop moving. I like anything that allows me to keep a lot in a small space. I like iPods. All that music in a small box. It's perfect for a guy like me. I feel best when I am in a moving vehicle or backstage in some city anywhere in the world. I don't want to live with a woman. I don't want anyone to miss me. I don't want to call someone all the time and explain myself to them. I don't want anyone to give a fuck about me. It's just a drag. It just drags. It compromises and normalizes and makes everything only go so far. Years ago I wanted the relationship but now, I can't remember what that was like and can't pick up the scent of that trail or even see what I saw in it. I would have to look at old journal entries. All that stuff seems like someone else's thing. Feels like strangulation when you put your arms around me. Would rather be free and cold. Free and starving. Free and staring into the abyss with disintegrating eyes. Free and lost in the desert to die alone of thirst. That makes more sense to me than growing old with another human. I don't hate people. I don't want to hack them to pieces but as I get older, I only want to get on with it.
Henry Rollins (A Dull Roar: What I Did on My Summer Deracination 2006)
I waited, looking at my phone with my heart in my throat. The doorbell rang. I laughed, leaping off the sofa, tears pouring down my cheeks. Of course he was waiting for me. That’s all Josh ever did. He’d never have to do it again. I threw open the door. He stood on the porch beaming with his dimples and his messy cowlick hair. I dove into his arms, and his cedar scent crashed into me, the familiar shape of his body wrapped around mine, instantly making me whole. He laughed with relief and lifted me off the ground, holding me so hard I couldn’t catch my breath. “Okay,” I whispered. “Okay.” Josh is mine. The happiness was almost too much. And then just as deeply, as it settled in that my struggle had all been in vain, I felt the loss of the last few months without him. The weeks we could have been taking care of each other, carrying one another through this tragedy. “Josh, I’m so sorry. I’m so sorry for hurting you.” I clutched him, crying. “Thank you for never giving up.” “Shhhhhhhh.” He squeezed me. “I would have fought for you for a lifetime. I’m just glad you didn’t make me wait that long.” He smiled with his forehead to mine, his eyes closed. “Are you ready for the best part?” I sniffled. “Did you steal a baby?” He laughed, running a knuckle down my cheek, his brown eyes creasing at the corners. “No. But it’s almost as good.” He held my gaze. “I already have a surrogate lined up.” I jerked back. “No. Sloan is not in any place emotionally or mentally to do this. I don’t know if she’ll ever be in a place—” “It’s not Sloan.” He gave me a smile. “It’s my sisters.” I blinked. “What?” He grinned at me. “I went home to have a family meeting. I met with all six of my sisters and their husbands. I told them I was head over heels in love with a very practical woman who wouldn’t have me unless I figured this out.” A laughing sob choked from my lips, and I put a hand over my mouth. “All six of them volunteered. They even argued about who gets to go first. It’s no fun unless they get to argue.” I snorted, rivers spilling over my cheeks. He pulled me in, thumbing tears off my face. “Kristen, I need you to know that if none of these options were available to us, I would still want you. I want you no matter what. I want you first before I want anything else.” His face was earnest and steady. “I have no chance of happiness if I can’t have you. None.” I buried my face into his neck, and he held me to him. “It’s hard for me, Josh. It’s hard to feel like I’m enough,” I whispered. “Well, I’ll just have to spend the rest of our lives working on that, won’t I? Which brings me to the next thing. Look at me.
Abby Jimenez
Every tale begins with the words ‘This is how it was.’ This story begins differently—with the words ‘This is what will be.’ This is what will be, then. There will be born a man, luckier and stronger than you, Armagirgin, though his name will be different. He will best the stoutest and fattest creatures of the sea, catch the fastest on land, and with his bare, mighty hands will be able to strangle wolves and bears. Far and wide, people will praise him and even make up tales and legends of his doings. “But it will not be enough for him that people can see his glad face when he is in front of them; he will wish to be present always, in each and every yaranga. Skilled carvers will cut his likeness from walrus tusk, and his image will be painted onto white hides and hung from high poles. He will wish, too, that his very smell be present in every yaranga, and will order people to sniff him whenever they meet him, and will fill yarangas with his scent. “But this will also not be enough. He will be clothed in the newest and best garments, but these will not do for him, and so the most accomplished embroiderers will decorate his clothes, and he will shine like the sun’s twin…. Yes, and they shall liken him to the very sun, too, but even this will not be enough for him. He will desire that real stars be brought to hang from his clothes, and will send people to gather them, and these people will perish on their journeys. And he shall be left all alone then, and the shore will be wild and deserted, just as it was when I first came here, young …” Nau’s tale was finished, and she fell silent. Everyone else was silent, too, for there was much that was baffling in the old woman’s words.
Yuri Rytkheu (When the Whales Leave)
See the man under the stars, He drinks all day, he drinks all night He is trying to forget the love he has lost His heart is in servitude slavery and bondage To the greatest love, he has known And he knows it will not come back again Another sip of that bitter drink to sharpen his memories, another sip to forget himself To be left alone in a world where hope is absent, and his pain present each day, lost in the wilderness of life, lost in emotional gales of memories, shipwrecked upon the sand dunes of some uncharted territories, No rescue in sight, no one there to share his deepest thoughts his regrets and the joys his might He lived his life recklessly, and he has many regrets, but never the woman he fell in love with, her name is printed on his heart carved in his soul and swims in his mind The love garden is left unattended, there is no guard at the gates of love to protect and cherish, the flowers are blooming wild, and she is not there to take in the scent to walk among the roses so he can look at her one more time like she was in a dream and he was part of that reality That seems so far away in between the rivers of tears, love letters and poems, and the laughter that is carried forth from the other side, and her beautiful eyes smiling, lighting up his heart as the lonely moon starts its ascend on that same lonely journey he compares himself to the emptiness as he looks around him, she is not there He prays for the fool, he prays for the brave, he prays for the wise, he knows reality is all lies only pain is real, he takes another sip and salutes the passing ships in the night, he has no fight left in him, he has seen the light His soul runs free with the wild horses, and his heart flies with the eagles In the morning he knows he will waltz with her again through the morning mist, where he stops holding her face in his hands and kisses her lips, then looks into her eyes knowing this is his home Nothing more to say everything is perfect everything is beautiful, everything lived and everything died, no need for tears he knows she had the best years of his life, she had the best of everything he had to give, the fields are yellow and empty now, the summer is over, days come to pass, the weeks months and years following He takes another sip raises the bottle up towards the stars, as he sits there alone his shadow attached to him, under the stars under the moonlight The empty spaces bring sweet songs to take him back to his love, to that place where he felt alive, to that place where they both danced the waltz of life, but that has passed he wants to stay there as long as he can, but he reality calls him back to what’s left of life, under this sky, he smiles and says it’s just life, this too shall pass Kenan Hudaverdi 27/01/2025
Kenan Hudaverdi