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Beware the ides of March.
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William Shakespeare (Julius Caesar)
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The ides of March are come.
Soothsayer: Ay, Caesar; but not gone.
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William Shakespeare (Julius Caesar)
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Imprisonment of the body is bitter; imprisonment of the mind is worse
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Thornton Wilder (The Ides of March)
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There is no need for me to curse you -the murderer survives the victim only to learn that it was himself that he longed to be rid of. Hatred is self-hatred.
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Thornton Wilder (The Ides of March)
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You swore you loved me, and laughed and warned me that you would not love me forever.
I did not hear you. You were speaking in a language I did not understand. Never, never, I can conceive of a love which is able to foresee its own termination. Love is its own eternity. Love is in every moment of its being: all time. It is the only glimpse we are permitted of what eternity is. So I did not hear you. The words were nonsense.
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Thornton Wilder (The Ides of March)
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Leadership is for those who love the public good and are endowed and trained to administer it.
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Thornton Wilder (The Ides of March)
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They had been brought up to think that the domestic virtues were self-evident and universal; they had been starved of the knowledge that most attracts the young mind: that the crown of life is the exercise of choice
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Thornton Wilder (The Ides of March)
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It is difficult, my dear Lucius, to escape becoming the person others believe one to be. A slave is twice enslaved, once by his chains and once again by the glances that fall upon him and say "thou slave.
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Thornton Wilder (The Ides of March)
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It is only dogs that never bite their masters.
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Thornton Wilder (The Ides of March)
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It is in this sense that responsibility is liberty; the more decisions that you are forced to make alone, the more you are aware of your freedom to choose.
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Thornton Wilder (The Ides of March)
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There are few pleasures equal to that of imparting to a voracious learner the knowledge that one has grown old and weary in acquiring.
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Thornton Wilder (The Ides of March)
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I have inherited this burden of superstition and nonsense. I govern innumerable men but must acknowledge that I am governed by birds and thunderclaps
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Thornton Wilder (The Ides of March)
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Let us at least say of religion that it means that every part of the body is infused with mind, not that the mind is overwhelmed and drowned in body. For the principal attribute of the Gods, without or within us, is mind.
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Thornton Wilder (The Ides of March)
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The Spanish Influenza did not originate in Spain. In fact the first recorded case was in the United States, in Kansas, on March 9th, 1918. Beware the Ides of March. But because Spain was neutral in World War I, it did not sensor reports of the disease to the public. To tell the truth then, is to risk being remembered by its fiction. Countless countries laid blame to one another. What the US called the Spanish Influenza, Spain called the French Flu, or the Naples Soldier. What Germans dubbed the Russian Pest, the Russians called Chinese Flu.
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Amanda Gorman (Call Us What We Carry)
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Love as education is one of the great powers of the world, but it hangs in a delicate suspension; it achieves its harmony as seldom as does love by the senses. Frustrated, it creates even greater havoc, for like all love it is a madness.
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Thornton Wilder (The Ides of March)
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There is not a single untruth, no -but after ten lines Truth shrieks, she runs distraught and disheveled through her temple's corridors; she does not know herself. 'I can endure lies,' she cries. 'I cannot survive this stifling verisimilitude
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Thornton Wilder (The Ides of March)
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the condition of leadership adds new degrees of solitariness to the basic solitude of mankind. Every order that we issue increases the extent to which we are alone, and every show of deference which is extended to us separates us from our fellows.
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Thornton Wilder (The Ides of March)
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All historical novels are science fiction since they are about time travel,
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Thornton Wilder (The Ides of March)
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In the end, it is impossible not to become what others believe you are.
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Naphtali Lewis (The Ides of March (English and Latin Edition))
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The central movement of the mind is the desire for unrestricted liberty and (...) this movement is invariably accompanied by its opposite, a dread of the consequences of liberty.
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Thornton Wilder (The Ides of March)
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As Plato, the dangerous beguiler, said: the best philosophers in the world are boys with their beards new on their chins; I am a boy again.
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Thornton Wilder (The Ides of March)
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And oh, Claudia, Claudilla, ask me to do something -something that I can do. Do not ask me to forget you or to be indifferent to you. Do not ask me to have no interest in how you pass your time. But if we are separated, set me a task, something that will be a daily link with you.
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Thornton Wilder (The Ides of March)
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Se non fai una cosa è perché non vuoi farla, non perché qualcosa o qualcuno te lo impedisce!
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Valerio Massimo Manfredi (The Ides of March)
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The first and last schoolmaster of life is living and committing oneself unreservedly and dangerously to living; to men who know this an Aristotle and a Plato have much to say; but those who have imposed cautions on themselves and petrified themselves in a system of ideas, them the masters themselves will lead into error
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Thornton Wilder (The Ides of March)
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Listen, you are no longer a boy. You are forty. When will you learn not to wait for chance but to build on what you have and use each day to consolidate your position? Why have you never been anything more than Tribune? Because your plans always begin with next month.
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Thornton Wilder (The Ides of March)
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The mind of Caesar. It is the reverse of most men's. It rejoices in committing itself. To us arrive each day a score of challenges; we must say yes or no to decisions that will set off chains of consequences. Some of us deliberate; some of us refuse the decision, which is itself a decision; some of us leap giddily into the decision, setting our jaws and closing our eyes, which is the sort of decision of despair. Caesar embraces decision. It is as though he felt his mind to be operating only when it is interlocking itself with significant consequences. Caesar shrinks from no responsibility. He heaps more and more upon his shoulders.
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Thornton Wilder (The Ides of March)
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What if our whole life—how we live and die—has already been decided for us? Would you want to know, if a roll of the dice or a deal of the cards could tell you the outcome? Can life be that thin, that disturbing? What if we are all just Caesar? Waiting on our lucky throw, refusing to see what waits for us in the ides of March.
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Katy Hays (The Cloisters)
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E cu neputinţă ca până la urmă să nu ajungi cum crede lumea că eşti.
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Thornton Wilder (The Ides of March)
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Contemplating Clodia I find scarcely a drop in my heart of that compassion which Epicurus enjoins us to extend toward the erring.
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Thornton Wilder (The Ides of March)
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it is human nature which does not change, no matter the era or situation.
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Thornton Wilder (The Ides of March)
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Cesar is not a philosophical man. His life has been one long flight from reflection. At least he is clever enough not to expose the poverty of his general ideas; he never permits the conversation to move toward philosophical principles. Men of his type so dread all deliberation that they glory in the practice of the instantaneous decision. They think they are saving themselves from irresolution; in reality they are sparing themselves the contemplation of all the consequences of their acts. Moreover, in this way they can rejoice in the illusion of never having made a mistake; for act follows so swiftly on act that it is impossible to reconstruct the past and say that an alternative decision would have been better. They can pretend that every act was forced on them under emergency and that every decision was mothered by necessity
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Thornton Wilder (The Ides of March)
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Second only to the master of us all, Clodia has become the most discussed person in Rome. Versus of unbounded obscenity are scribbled about her over the walls and pavements of all the baths and urinals in Rome.
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Thornton Wilder (The Ides of March)
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One can go on saying for years that one doesn't listen to gossip, that the absent cannot defend themselves from slander, etc., etc.; but, after all, isn't the provocation of so much gossip an offense in itself?
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Thornton Wilder (The Ides of March)
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Am I sure that there is no mind behind our existence and no mystery anywhere in the universe? I think I am. What joy, what relief there would be, if we could declare so with complete conviction. If that were so I could wish to live for ever. How terrifying and glorious the role of man if, indeed, without guidance and without consolation he must create from his own rituals the meaning for his existence and write the rules whereby he lives.
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Thornton Wilder (The Ides of March)
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As an anonymous letter has recently informed me, a dictatorship is a powerful incitement to the composition of anonymous letters. I have never known a time when so many were in circulation. They are continually arriving at my door. Inspired by passion and enjoying the irresponsibility of their orphaned condition, they nevertheless have one great advantage over legitimate correspondence: they expose their ideas to their ultimate conclusion; they empty the sack.
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Thornton Wilder (The Ides of March)
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The type of the Inevitable is death. I remember well that in my youth I believed that I was certainly exempt from its operation. First when my daughter died, next when you were wounded, I knew that I was mortal; and now I regard those years as wasted, as unproductive, in which I was not aware that my death was certain, nay, momently possible. I can now appraise at a glance those who have not yet foreseen their death. I know them for the children they are. They think that by evading its contemplation they are enhancing the savor of life. The reverse is true: only those who have grasped their non-being are capable of praising the sunlight.
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Thornton Wilder (The Ides of March)
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Most of all, however, these observances attack and undermine the very spirit of life within the minds of men. They afford to our Romans, from the street sweepers to the consuls, a vague sense of confidence where no confidence is and at the same time a pervasive fear, a fear which neither arouses to action nor calls forth ingenuity, but which paralyzes. They remove from men's shoulders the unremitting obligation to create, moment by moment, their own Rome. They come to us sanctioned by the usage of our ancestors and breathing the security of our childhood; they flatter passivity and console inadequacy
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Thornton Wilder (The Ides of March)
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the more decisions that you are forced to make alone, the more you are aware of your freedom to choose.
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Thornton Wilder (The Ides of March)
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There is great comfort in knowing that those who love you love you enough to take the responsibility for marking out the permissible.
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Thornton Wilder (The Ides of March)
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But if our minds can make such Gods and if from the Gods we have made there flows such power, which is no more than a power resident within us, why cannot we employ that power directly?
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Thornton Wilder (The Ides of March)
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Caesar does not love, nor does he inspire love. He diffuses an equable sense of ordered good will, a passionless energy that creates without fever, and which expends itself without self-examination or self-doubt.
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Thornton Wilder (The Ides of March)
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A self-proclaimed “Jackson Democrat” wrote to warn Lincoln directly: “Beware the Ides of March…the Suthron people will not Stand your administration,” while a Virginian demanded he resign outright, darkly adding, “for your wife and children sake don’t take the Chair” or risk being “murdered.” Fearing a “servile rebellion,” yet another anonymous correspondent predicted that if Lincoln did not relinquish the presidency, the South would surely “take your life.
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Harold Holzer (Lincoln President-Elect : Abraham Lincoln and the Great Secession Winter, 1860-1861)
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Und daraus schöpfe ich die Bestätigung meiner Überzeugung, daß, was den Geist im Innersten bewegt, das Verlangen nach uneingeschränkter Freiheit ist, und daß dieser Drang ausnahmslos von seinem Gegenteil begleitet ist, von der Furcht vor den Folgen der Freiheit.
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Thornton Wilder (The Ides of March)
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Und nun beginnt er [Caesar], den Gallischen Krieg und den Bürgerkrieg zu übermalen. Ich ging einmal fünf Seiten der ›Commentare‹ aufs genaueste mit meinem Bruder Quintus durch, der sich während der da beschriebenen Ereignisse in Caesars nächster Umgebung aufhielt. Es findet sich keine einzige Unwahrheit, nein, — aber nach zehn Zeilen kreischt die Wahrheit auf, sie läuft verstört und zerzaust durch die Gänge ihres Tempels und kennt sich selbst nicht mehr. ›Ich kann Lügen ertragene, schreit sie, ›aber diese erstickende Wahrheitsähnlichkeit kann ich nicht überleben‹«
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Thornton Wilder (The Ides of March)
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THE JOURNEY BACK from Regium to Rome was easier than our progress south had been, for by now it was early spring, and the mainland soft and welcoming. Not that we had much opportunity to admire the birds and flowers. Cicero worked every mile of the way, swaying and pitching in the back of his covered wagon, as he assembled the outline of his case against Verres. I would fetch documents from the baggage cart as he needed them and walk along at the rear of his carriage taking down his dictation, which was no easy feat. His plan, as I understood it, was to separate the mass of evidence into four sets of charges — corruption as a judge, extortion in collecting taxes and official revenues, the plundering of private and municipal property, and finally, illegal and tyrannical punishments. Witness statements and records were grouped accordingly, and even as he bounced along, he began drafting whole passages of his opening speech. (Just as he had trained his body to carry the weight of his ambition, so he had, by effort of will, cured himself of travel sickness, and over the years he was to do a vast amount of work while journeying up and down Italy.) In this manner, almost without his noticing where he was, we completed the trip in less than a fortnight and came at last to Rome on the Ides of March,
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Robert Harris (Imperium (Cicero, #1))
Paula Munier (The Hiding Place (Mercy & Elvis Mysteries #3))
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Consider the following dialogue between an instructor (A) and two of his students (B, C)
A. What happened in the senate
1
on the Ides of March 44 B.C.?
B. Napoleon stabbed Mrs Thatcher.
C. Brutus did stab Caesar. In the senate it happened. It was Cassius that stabbed him.
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A.M. Devine (Latin Word Order: Structured Meaning and Information)
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Celebrate the Ides of March but remember your own warnings less as Caesar learned, you can get killed in many ways
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Phillip Gary Smith (HARMONIZING: Keys to Living in the Song of Life)
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Beware the Ides of March,” Myron said. “What?” “You were the one who pointed it out to me. The ides are the fifteenth of March. Your birthday was the seventeenth. March seventeenth. Three-one-seven. The code Greg set on his answering machine.” She
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Harlan Coben (Fade Away (Myron Bolitar, #3))
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Muffled footsteps sounded in the distance. Goldie heard a shout, and the heavy clank of punishment chains. The footsteps came closer. A boy began to sing in a hoarse, adolescent voice. "Awa-a-a-y, across the ocean-a-an, awa-a-a-y, across the sea-a-a-a-."
There was a slap, and a yell. The singing stopped, but only for a moment. When it started up again, there were a dozen or more voices, all caterwauling at the top of their lungs. "-I'll go-o-o-o where my heart takes me, where my-y-y-y love waits for me-e-e-e-e."
A pause. A furious adult's voice said, "It's not your love that's waiting for you, you little villains, it's the House of Repentance! Deliberate destruction of property, putting the lives of others at risk, oh you're in for it, you are!"
Clank clank clank, went the punishment chains. "I’ve be-e-e-e-en away so long, dear, I've tra-a-a-aveled far and wi-i-i-i-i-ide-" sang the voices.
Goldie edged along the wall and eased the door open. There was a bustle and a shoving and a clanking, and suddenly the corridor in front of her was full of boys, milling backward and forward, rattling their chains and singing loudly. They were all older than Goldie, but they wore the same gray threadbare smock and leggings. Somewhere in the middle of them were two Blessed Guardians. The smell of burning hung over them all.
There was no time to think. Goldie couldn't see Toadspit, but she was sure he must be there somewhere. She whispered a quick "thank you" to Bald Thoke, then she stepped out into the corridor and tucked herself between two of the boys.
For a heart-stopping moment the song faltered. The boys on either side of Goldie shot incredulous glances at her-
Then they closed smoothly around her and began to sing louder than ever, their voices bouncing off the high ceilings. "Three yea-a-a-a-ars I rowed the galley-y-y-ys, three year-a-a-a-ars I was a sla-a-a-a-ave-."
They spilled out into the foyer, a laughing, shouting, singing rabble. The Guardians who led them were shouting too. Only Goldie was silent. She crouched between the tall, raucous boys, her smock blending with theirs, her pulse thundering in her ears.
"What's this?" shouted the toad-like Guardian. "Where are you taking them at this time of night?"
"Set fire to their beds?" shouted one of the other Guardians. "Don't know what's got into them! Marching them off to Repentance!"
"I'll need their names!"
"If I-I-I-I-I could turn back time, dea-a-a-a-ar, if I-I-I-I-I-I could start aga-a-a-a-a-in-"
"For Great Wooden's sake, we'll give them to you when we come back. I can't bear this appalling racket a moment longer!"
And with that, the boys, Goldie and the two Guardians spilled out the front door of Care, across the yard and through the gate.
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Lian Tanner (Museum of Thieves (The Keepers, #1))
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There is a story about a man who came to town during the plagues that were killing so many at the time. The rats were the problem and while people did not know this in a scientific way like they do now, it was their intuition that told them that the rats were bringing the disease. He claimed that he knew how to get rid of the rats, but most of all how to get rid of the fevers and the disease that were decimating the countryside. The town had to give him one hundred and thirty of their children for him to take back to his home in Transylvania. The population there were so few that it was becoming almost impossible to marry outside of family. The inbreeding was causing disease in the bloodlines --- primarily mental disease. So he promised to free the city of rats, and hence plague, in exchange for these children. He promised they would be healthy for much longer than any normal children in plague-ridden cities could hope for. The people were so desperate they agreed to the man’s request and within a fortnight the town was the only place for miles around which was miraculously free of rats. Soon the town was also unburdened of the former pestilence. When he came to collect his pay in the form of seventy girls and sixty boys under the age of ten, the town refused. They hung him in the town square, fearful of allowing him to leave in case he would rain the black plague down upon them. The people knew that he was a powerful sorcerer of some type and condemned him to death rather than hand their children over to him. “It wasn’t until the following spring that people began to see the familiar form of the strange man on the roads leading out of town. He was said to be alive and playing a musical instrument that made people feel dizzy or hypnotized. Soon there was a panic. The woods, still devoid of all rats, were searched for the presumed dead traveler. Nothing was found. Then on the Ides of March, in the middle of the night, one hundred and thirty children disappeared from their beds. The adults spoke of an odd feeling that came over them, accompanied by the faint sound of music on the wind. It had put them to sleep and when they awoke all that was left of their children was a pile of bloody teeth resting on their pillows. The parents searched everywhere, pulling their hair and wailing their mournful cries, but the children had vanished. There are stories that these were the first vampire children who later populated the Carpathians, brought from Hamlin by a dark conjurer. Whatever happened in reality, the song was passed down for hundreds of years as a warning not to make deals that you know you will not uphold. It could be a deal with the devil, and he always gets his due.
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Anonymous
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Heliogabalus enters Rome one morning in March 218, at dawn, to coincide almost exactly with the Ides of March. And he enters it backwards. In front of him is the [ten ton] Phallus, drawn by three hundred bare-breasted girls who precede three hundred bulls, torpid and tranquil after being given a very powerful soporific during the hours before dawn.
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Antonin Artaud (Heliogabalus; or, the Crowned Anarchist)
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Hell is empty and all the demons are here."
- from The Tempest, but I always think if it during The Ides of March
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William Shakespeare
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Hell is empty and all the demons are here.
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William Shakespeare
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Cicero took the view in April that “the Ides of March was a fine deed, but half done.
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Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
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Agriculture determined this yearly cycle, which would make March an excellent choice for the start of a new year. The god Mars gave the month its name. This Mars, however, was not the god of war but the divine guardian of fields.9 Yet ancient sources also declare that January was, since earliest times, the year’s 1st month. The easiest explanation would be that a 12-month solar cycle was grafted onto a 10-month seasonal system, which itself might have replaced a lunar system of marking time.10 The 2 months that were introduced were January and February, by first assigning them to eleventh and twelfth position and later moving them to first and second place. The original introduction happened in the sixth century BCE when Rome was in Etruscan hands, and the later change occurred in 153 BCE at the latest, when the beginning of the new and civil year was moved from the Ides of March to the Kalends of January.
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Sarolta A. Takács (Vestal Virgins, Sibyls, and Matrons: Women in Roman Religion)
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A soothsayer bids you beware the Ides of March.” —Brutus to Julius Caesar, Act I, Julius Caesar, William Shakespeare, circa 1600
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William D. Cohan (House Of Cards: A Tale Of Hubris And Wretched Excess On Wall Street)
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On January 1, 1991, a new, 96-page state law goes into effect: H.B. 1750, passed last year [1989]." It requires all Oklahoma residents to declare everything they own to the tax collector, everything: guns, coins, art collections, furniture, business equipment, bank accounts, household furniture, etc. Forms will be distributed through banks. Any taxpayer who refuses to fill out the form and submit it to the tax assessor by March 15—the ides of March—will be visited by an assessor.
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Milton William Cooper (Behold! a Pale Horse, by William Cooper: Reprint recomposed, illustrated & annotated for coherence & clarity (Public Cache))
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The Ides of March. A sky-lidded night plain. A star-loaded sky. A moon without a pond to primp in. A wind without a leaf to tease. A nighthawk without a wire to rest on. A couple without a corner to turn. Her sandals, his wheels, made a popcorn-eating sound in the sand.
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Tom Robbins