Scenes From A Marriage Best Quotes

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Apollodorus, the leading classical authority on Greek myths, records a tradition that the real scene of the poem was the Sicilian seaboard, and in 1896 Samuel Butler, the author of Erewhon, came independently to the same conclusion. He suggested that the poem, as we now have it, was composed at Drepanum, the modern Trapani, in Western Sicily, and that the authoress was the girl self-portrayed as Nausicaa. None of his classical contemporaries, for whom Homer was necessarily both blind and bearded, deigned to pay Butler’s theory the least attention; and since he had, as we now know, dated the poem some three hundred years too early and not explained how a Sicilian princess could have passed off her saga as Homer’s, his two books on the subject are generally dismissed as a good-humoured joke. Nevertheless, while working on an explanatory dictionary of Greek myths, I found Butler’s arguments for a Western Sicilian setting and for a female authorship irrefutable. I could not rest until I had written this novel. It re-creates, from internal and external evidence, the circumstances which induced Nausicaa to write the Odyssey, and suggest how, as an honorary Daughter of Homer, she managed to get it included in the official canon. Here is the story of a high-spirited and religious-minded Sicilian girl who saves her father’s throne from usurpation, herself from a distasteful marriage, and her two younger brothers from butchery by boldly making things happen, instead of sitting still and hoping for the best.
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Robert Graves (Homer's Daughter)
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What I gleaned from all this research is that empathy is the result of numerous cognitive and affective processes, all firing away behind the scenes somewhere in our brains. Cognitive processes allow us to understand the mental state of another person—his or her emotions, desires, beliefs, intentions, et cetera—which in turn helps us to understand and even predict the person’s actions or behaviors. They allow us to step outside of our own experience in order to take on and understand other people’s perspectives—something that every wife on the planet wishes her husband would do. The affective component of empathy is more related to our emotional responses to the mental states that we observe in other people. This component allows us to feel some appropriate and non-egocentric emotional response to another person’s emotions—something else that every wife on the planet wishes her husband would do. Empathy involves both processes, and while they operate independently of one another, there is some overlap. A graphical representation of empathy might involve a Venn diagram—two circles, one for the affective component and one for the cognitive, slightly overlapping, with me standing well outside of both circles talking incessantly about the weather during a funeral. In people with Asperger syndrome and other autism spectrum conditions, these mechanisms of understanding are much less reliable and productive than in neurotypicals. Those of us living within the parameters of an autism spectrum condition simply can’t engage the empathic processes that allow for social reasoning and emotional awareness. Furthermore, we have difficulty separating ourselves from our own perspectives (the word autism comes from the Greek word autos, meaning “self”), so we can’t easily understand or even access the perspectives and feelings of others.
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David Finch (The Journal of Best Practices: A Memoir of Marriage, Asperger Syndrome, and One Man's Quest to Be a Better Husband)
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She refused to feel guilty for not talking to Portia about the Earl of Harte. She couldn't discuss what she didn't understand, and she had no idea what to think of the man with the forbidding gaze. Avenell Slade. Lily snuggled deeper beneath her blankets. She loved the way his name felt moving through her mind. It was sharp and smooth at the same time. Dark and light. Lily knew she was no great beauty. She did not have Portia's dramatic dark hair or flashing eyes. Nor did she have Emma's commanding presence. She did her best to be content with her place among her exceptional sisters. But now, after experiencing Lord Harte's painful slight, she found herself wishing she stood out more, that she was somehow more attractive, more striking. She should forget him. Put him completely from her mind. He had made it infinitely clear he did not welcome her interest. Yet, she wanted to know him. It was that simple and that impossible. A hollowness spread from Lily's center. It was a sensation she had experienced more than once since she had begun her foray into the marriage market. It was the fear that what she sought might never be found- that the kind of deep passion she yearned for existed only in sordid novels. As thoughts of Lord Harte continued to agitate her mind and created a growing restlessness in her body, Lily imagined an often-read scene from one of her favorite stories. It was frighteningly easy to cast the enigmatic Lord Harte in the role of dark seducer, but she struggled to envision herself as the intrepid heroine. Lily did not possess a bold bone in her body. By nature, she had always been rather shy and had never been able to cultivate the kind of self-confidence her sisters possessed. Though she may crave the passionate experiences she read about, she did not possess the courage to explore such things beyond the privacy of her mind.
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Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))