Scenery With Motivational Quotes

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Stop trying. Take long walks. Look at scenery. Doze off at noon. Don't even think about flying. And then, pretty soon, you'll be flying again.
Hayao Miyazaki (Kiki's Delivery Service)
Oh, the wondrous places through which I wander: woodlands, meadows, and green hillsides yonder. I hike over mossy, meandering paths. Dead branches serve nicely as walking staffs. The sunset paints scenery crimson and gold. Oh, wondrous nature dyed in colors bold.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
The joy of travel does not lie in reaching the destination, but in the companions met with on the journey, the changing scenery through which the traveller passes, and even the inconveniences that break up the monotony of the ordinary routine life.
A.R. Calhoon (How to Get on in the World)
The truth is, most of us discover where we are headed when we arrive. At that time, we turn around and say, yes, this is obviously where I was going all along. It’s a good idea to try to enjoy the scenery on the detours, because you’ll probably take a few. —Bill Watterson cartoonist
Kathryn Petras ("It Always Seems Impossible Until It's Done.": Motivation for Dreamers & Doers)
I can think of so many motives explaining why someone might enter a community like the Peoples Temple or Heaven’s Gate. Maybe it’s because life is hard and they want to make it better. Because someone promised they could help. Maybe they want their time on Earth to feel more meaningful. Maybe they’re sick of feeling so alone. Maybe they want new friends. Or a new family. Or a change of scenery. Maybe someone they love is joining. Maybe everybody is joining. Maybe it just seems like an adventure.
Amanda Montell (Cultish: The Language of Fanaticism)
On reflection, looking at shows like this and considering my own experiences, what fascinated me was that we have so many stories like this that help us empathize with monstrous men. “Yes, these men are flawed, but they are not as evil as this man.” Even more chilling, they tend to be stories that paint women as roadblocks, aggressors, antagonists, complications—but only in the context of them being a bitch, a whore, a Madonna. The women are never people. Stories about monstrous men are not meant to teach us how to empathize with the women and children murdered, but with the men fighting over their bodies. As a woman menaced by monsters, I find this particularly interesting, this erasure of me from a narrative meant to, if not justify, then explain the brokenness of men. There are shows much better at this, of course, which don’t paint women out of the story—Mad Men is the first to come to mind, and Game of Thrones—but True Detective doubled down. The women terrorized by monsters in real life are active agents. They are monster-slayers, monster-pacifiers, monster-nurturers, monster-wranglers—and some of them are monsters, too. In truth, if we are telling a tale of those who fight monsters, it fascinates me that we are not telling more women’s stories, as we’ve spun so many narratives like True Detective that so blatantly illustrate the sexist masculinity trap that turns so many human men into the very things they despise. Where are the women who fight them? Who partner with them? Who overcome them? Who battle their own monsters to fight greater ones? Because I have and continue to be one of those women, navigating a horror show world of monsters and madmen. We are women who write books and win awards and fight battles and carve out extraordinary lives from ruin and ash. We are not background scenery, our voices silenced, our motives and methods constrained to sex. I cannot fault the show’s men for forgetting that; they’ve created the world as they see it. But I can prod the show’s exceptional writers, because in erasing the narrative of those whose very existence is constantly threatened by these monsters, including trusted monsters whose natures vacillate wildly, they sided with the monsters. I’m not a bit player in a monster’s story. But with narratives like this perpetuated across our media, it wouldn’t surprise me if that’s how my obituary read: a catalogue of the men who sired me, and fucked me, and courted me. Stories that are not my own. Funny, isn’t it? The power of story. It’s why I picked up a pen. I slay monsters, too.
Kameron Hurley (The Geek Feminist Revolution)
Intimacy with the Lord without distraction would also mean greater availability for the service of the Lord, his people, and his kingdom, as the Christian experience of millennia has shown. Reflection and Application (7:25–35) This passage, along with Jesus’ commendation of celibacy (Matt 19:12), forms the Magna Carta of the consecrated life. It is primarily a declaration of independence and freedom. The great good of charity, the love of God, which alone outlasts the changing scenery of this world, is worth committing oneself to in celibate consecration as a state of life. If Paul coincides with Plato in saying that the figure of this world is passing away, he does not make the philosophical principle of the changeableness of temporal things the main motive for his praise of virginity. Rather, we are living in a segment of time marked at either end by the Christ event. In the resurrection, which is behind us, the glorious consummation of salvation is forecast and guaranteed. Thus we are living in a new kind of time, because its goal as well as its beginning has been revealed. So radically has the meaning of time been changed that unnecessary involvement in essentially transitory states can be a curtailment of freedom. Virginity, then, is the visible symbol of Christ’s lordship over time.
George T. Montague (First Corinthians (Catholic Commentary on Sacred Scripture): (A Catholic Bible Commentary on the New Testament by Trusted Catholic Biblical Scholars - CCSS))