Scene 10 Quotes

If you imagine the 4,500-bilion-odd years of Earth's history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow. Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flash-bulb pop of light marking the impact of a Manson-sized meteor or one even larger. It's a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long.

..., It'd taken her several seconds to react to the sight of them together. She'd been almost hypnotized by the scene as Lothaire drank. Chase's masculine face had been tense, his gray eyes focused on the ground. Lothaire's face had been starkly beautiful, his pale blond hair brushing Chase's shoulder. Light and dark. One terrible, one tragic. And Lothaire had been... hard. "Oh, gods!" She cried as she ran back along the trail. Hot poker for my eyes! Hot poker!

Don't go into great detail describing places and things, unless you're ­Margaret Atwood and can paint scenes with language. You don't want descriptions that bring the action, the flow of the story, to a standstill.

You need me, just whistle," he said as he arranged his ball cap over his eyes against the sun leaking through the frost-emptied branches. "You're not coming?" Lifting the brim of his cap, he eyed me, "You want me to?" he asked blandly. "Not really, no." He dropped the brim and laced his hands over his middle. "Then why are you bitching? It's a crime scene, not a grocery store.

The Aristocrat The Devil is a gentleman, and asks you down to stay At his little place at What'sitsname (it isn't far away). They say the sport is splendid; there is always something new, And fairy scenes, and fearful feats that none but he can do; He can shoot the feathered cherubs if they fly on the estate, Or fish for Father Neptune with the mermaids for a bait; He scaled amid the staggering stars that precipice, the sky, And blew his trumpet above heaven, and got by mastery The starry crown of God Himself, and shoved it on the shelf; But the Devil is a gentleman, and doesn't brag himself. O blind your eyes and break your heart and hack your hand away, And lose your love and shave your head; but do not go to stay At the little place in What'sitsname where folks are rich and clever; The golden and the goodly house, where things grow worse for ever; There are things you need not know of, though you live and die in vain, There are souls more sick of pleasure than you are sick of pain; There is a game of April Fool that's played behind its door, Where the fool remains for ever and the April comes no more, Where the splendour of the daylight grows drearier than the dark, And life droops like a vulture that once was such a lark: And that is the Blue Devil that once was the Blue Bird; For the Devil is a gentleman, and doesn't keep his word.

You may have even commented on the surprising inappropriateness of such a murderous and bloody scene appearing in a children's book. It's fun to feel offended, isn't it?

Never put a scene you don't love in your book.

It took a while to shoot the scene by the coconut stall at the fun fair, so Michelle (Mary) and I had a competition. I think she beat me 10-1 - she was uncannily good. The crew were very disappointed in me. To be beaten by a woman is bad enough, but one in Edwardian dress is really highlighting something.

Do not flee us. Do not flee this moment, this scene. Do not confuse dislike and abhorrence with angry denial of truths you do not wish to see. I accept your horror and expect no forgiveness. But if you deny, I name you coward. And I have had my fill of cowards.

And some of the modern admirers of the gentle philosopher-emperor Marcus Aurelius would be less admiring if they reflected on the brutality of his suppression of the Germans, proudly illustrated in the scenes of battle that circle their way up his commemorative column that still stands in the centre of Rome; though less famous, it was clearly intended to rival Trajan’s and was carefully built just a little taller (see plate 10). 70.

Ready, Rachel? I’d like your opinion on the lab that was broken into.” His eyes flicked past us to the closed nursery door before coming back to us, his smile fading as he noticed Ceri’s tension. I was such a coward. “You want me to look at a crime scene? That’s a switch,” I said

Jonathan Safran Foer’s 10 Rules for Writing: 1.Tragedies make great literature; unfathomable catastrophes (the Holocaust, 9/11) are even better – try to construct your books around them for added gravitas but, since those big issues are such bummers, make sure you do it in a way that still focuses on a quirky central character that’s somewhat like Jonathan Safran Foer. 2. You can also name your character Jonathan Safran Foer. 3. If you’re writing a non-fiction book you should still make sure that it has a strong, deep, wise, and relatable central character – someone like Jonathan Safran Foer. 4. If you reach a point in your book where you’re not sure what to do, or how to approach a certain scene, or what the hell you’re doing, just throw in a picture, or a photo, or scribbles, or blank pages, or some illegible text, or maybe even a flipbook. Don’t worry if these things don’t mean anything, that’s what postmodernism is all about. If you’re not sure what to put in, you can’t go wrong with a nice photograph of Jonathan Safran Foer. 5. If you come up with a pun, metaphor, or phrase that you think is really clever and original, don’t just use it once and throw it away, sprinkle it liberally throughout the text. One particularly good phrase that comes to mind is “Jonathan Safran Foer.” 6. Don’t worry if you seem to be saying the same thing over and over again, repetition makes the work stronger, repetition is good, it drives the point home. The more you repeat a phrase or an idea, the better it gets. You should not be afraid of repeating ideas or phrases. One particularly good phrase that comes to mind is “Jonathan Safran Foer.” 7. Other writers are not your enemies, they are your friends, so you should feel free to borrow some of their ideas, words, techniques, and symbols, and use them completely out of context. They won’t mind, they’re your friends, just like my good friend Paul Auster, with whom I am very good friends. Just make sure you don’t steal anything from Jonathan Safran Foer, it wouldn’t be nice, he is your friend. 8. Make sure you have exactly three plots in your novel, any more and it gets confusing, any less and it’s not postmodern. At least one of those plots should be in a different timeline. It often helps if you name these three plots, I often use “Jonathan,” “Safran,” and “Foer.” 9. Don’t be afraid to make bold statements in you writing, there should always be a strong lesson to be learned, such as “don’t eat animals,” or “the Holocaust was bad,” or “9/11 was really really sad,” or “the world would be a better place if everyone was just a little bit more like Jonathan Safran Foer.” 10. In the end, don’t worry if you’re unsuccessful as a writer, it probably wasn’t meant to be. Not all of us are chosen to become writers. Not all of us can be Jonathan Safran Foer.

many of the people who we think of as lone geniuses were actually part of “a whole scene of people who were supporting each other, looking at each other’s work, copying from each other, stealing ideas, and contributing ideas.

The gravel road widened into a large turnaround where three similar looking and designed brothels sat waiting for customers. They were called Sheila's Front Porch, Tawny's High Five Ranch and Miss Delilah's House of Holies. "Nice," Rachel said as we surveyed the scene. "why are these places always named after women -- as if women actually own them?" "You got me. I guess Mister Dave's House of Holies wouldn't go over so well with the guys." Rachel smiled. "You're right. I guess it's a shrewd move. Name a place of female degradation and slavery after a female and it doesn't sound so bad, does it? It's packaging.

How on earth did you two end up being the first at the scene of a crime? You didn’t kill him, did you?

In 90% of cases, you can start with one of the two most effective ways to open a speech: ask a question or start with a story. Our brain doesn’t remember what we hear. It remembers only what we “see” or imagine while we listen. You can remember stories. Everything else is quickly forgotten. Smell is the most powerful sense out of 4 to immerse audience members into a scene. Every sentence either helps to drive your point home, or it detracts from clarity. There is no middle point. If you don’t have a foundational phrase in your speech, it means that your message is not clear enough to you, and if it’s not clear to you, there is no way it will be clear to your audience. Share your failures first. Show your audience members that you are not any better, smarter or more talented than they are. You are not an actor, you are a speaker. The main skill of an actor is to play a role; to be someone else. Your main skill as a speaker is to be yourself. People will forgive you for anything except for being boring. Speaking without passion is boring. If you are not excited about what you are talking about, how can you expect your audience to be excited? Never hide behind a lectern or a table. Your audience needs to see 100% of your body. Speak slowly and people will consider you to be a thoughtful and clever person. Leaders don’t talk much, but each word holds a lot of meaning and value. You always speak to only one person. Have a conversation directly with one person, look him or her in the eye. After you have logically completed one idea, which usually is 10-20 seconds, scan the audience and then stop your eyes on another person. Repeat this process again. Cover the entire room with eye contact. When you scan the audience and pick people for eye contact, pick positive people more often. When you pause, your audience thinks about your message and reflects. Pausing builds an audiences’ confidence. If you don’t pause, your audience doesn’t have time to digest what you've told them and hence, they will not remember a word of what you've said. Pause before and after you make an important point and stand still. During this pause, people think about your words and your message sinks in. After you make an important point and stand still. During this pause, people think about your words and your message sinks in. Speakers use filler words when they don’t know what to say, but they feel uncomfortable with silence. Have you ever seen a speaker who went on stage with a piece of paper and notes? Have you ever been one of these speakers? When people see you with paper in your hands, they instantly think, “This speaker is not sincere. He has a script and will talk according to the script.” The best speeches are not written, they are rewritten. Bad speakers create a 10 minutes speech and deliver it in 7 minutes. Great speakers create a 5 minute speech and deliver it in 7 minutes. Explain your ideas in a simple manner, so that the average 12-year-old child can understand the concept. Good speakers and experts can always explain the most complex ideas with very simple words. Stories evoke emotions. Factual information conveys logic. Emotions are far more important in a speech than logic. If you're considering whether to use statistics or a story, use a story. PowerPoint is for pictures not for words. Use as few words on the slide as possible. Never learn your speech word for word. Just rehearse it enough times to internalize the flow. If you watch a video of your speech, you can triple the pace of your development as a speaker. Make videos a habit. Meaningless words and clichés neither convey value nor information. Avoid them. Never apologize on stage. If people need to put in a lot of effort to understand you they simply won’t listen. On the other hand if you use very simple language you will connect with the audience and your speech will be remembered.

The next thing I remember, I was at least 10 or 15 feet above the scene, looking down at myself and the whole situation. The strangest part about my “out-of-body” experience was feeling like I was just an observer to what was happening below me. It was as if I was watching a movie. I

In 1996 Hubacek had been driving drunk at 100 mph with no headlights. He crashed into a van carrying a married couple and their nanny. The husband and the nanny were killed. Poe sentenced Hubacek to 110 days of boot camp, and to carry a sign once a month for ten years in front of high schools and bars that read, I KILLED TWO PEOPLE WHILE DRIVING DRUNK, and to erect a cross and a Star of David at the scene of the crash and to keep it maintained, and to keep photographs of the victims in his wallet for ten years, and to send $10 every week for ten years to a memorial fund in the names of the victims, and to observe the autopsy of a person killed in a drink-driving accident.

There’s no bouncer, no gatekeeper, and no barrier to entering these scenes: You don’t have to be rich, you don’t have to be famous, and you don’t have to have a fancy résumé or a degree from an expensive school. Online, everyone—the artist and the curator, the master and the apprentice, the expert and the amateur—has the ability to contribute something.

1:09 A.M.: EACH SEIZURE LASTED about twenty seconds. River’s arms would flail around, while his knuckles and the back of his head kept smacking against the pavement. Davis started hoping for more seizures—they were evidence that River was still alive.   1:10 A.M.: JOAQUIN CALLED 911, frantic but trying to keep it together as his beloved brother passed away before his eyes. “It’s my brother. He’s having seizures at Sunset and Larrabee. Please come here,” Joaquin begged. “Okay, calm down a little bit,” the dispatcher replied. Moments later, Joaquin said, “Now I’m thinking he had Valium or something. I don’t know.” His voice cracked with anguish. “Please come, he’s dying, please.”   1:12 A.M.: AN ACTRESS ON the scene remembered, “Outside there was a crowd of people, and I saw him—lying flat, totally ghostly white.

Sexual Arousal and Foreplay: If we’re to believe that what we see in movies, our sexual rendezvous would consist of 10 seconds of kissing, 5 seconds of groping, and another 5 seconds closing the deal. A straightforward sex scene doesn’t commonly show the female arousal process, and a lot of the time, this process is key in order to have a really satisfying sexual experience. Fooling around a lot before part A goes into slot B gets the female body prepped for sex in very important way.

5-4-10 Tuesday 8:00 A.M. Made a large batch of chili and spaghetti to freeze yesterday. And some walnut fudge! Relieved the electricity is still on. It’s another beautiful sunny day with fluffy white clouds drifting by. The last cloud bank looked like a dog with nursing pups. I open the window and let in some fresh air filled with the scent of apple and plum blossoms and flowering lilacs. Feels like it’s close to 70 degrees. There’s a boy on a skate board being pulled along by his St. Bernard, who keeps turning around to see if his young friend is still on board. I’m thinking of a scene still vividly displayed in my memory. I was nine years old. I cut through the country club on my way home from school and followed a narrow stream, sucking on a jawbreaker from Ben Franklins, and I had some cherry and strawberry pixie straws, and banana and vanilla taffy inside my coat pocket. The temperature was in the fifties so it almost felt like spring. There were still large patches of snow on the fairways in the shadows and the ground was soggy from the melt off. Enthralled with the multi-layers of ice, thin sheets and tiny ice sickles gleaming under the afternoon sun, dripping, streaming into the pristine water below, running over the ribbons of green grass, forming miniature rapids and gently flowing rippling waves and all the reflections of a crystal cathedral, merging with the hidden world of a child. Seemingly endless natural sculptures. Then the hollow percussion sounds of the ice thudding, crackling under my feet, breaking off little ice flows carried away into a snow-covered cavern and out the other side of the tunnel. And I followed it all the way to bridge under Maple Road as if I didn't have a care in the world.

Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains

Mike gave her a warm smile. “Since you found the body, you don’t need copies of the crime scene photos, do you?” Hannah’s mouth dropped open. What was Mike talking about? “I can call you with the highlights from the autopsy report when it comes in.” “That would be nice,” Hannah said carefully, still not sure why Mike was being so cooperative. She had a sneaking suspicion she’d be better off not asking, but she couldn’t resist. “Why are you volunteering all this information?” “Because you’re going to get it anyway, one way or the other. There’s no sense in trying to keep you from sticking your nose in my case, is there?” Hannah thought about that for a moment, and then she shook her head. “No. Lisa

DAKRTSI DIOISO POTMON ‘APOTMON. Oh! there are spirits of the air, And genii of the evening breeze, And gentle ghosts, with eyes as fair As star-beams among twilight trees: — Such lovely ministers to meet    5 Oft hast thou turned from men thy lonely feet. With mountain winds, and babbling springs, And moonlight seas, that are the voice Of these inexplicable things, Thou didst hold commune, and rejoice    10 When they did answer thee; but they Cast, like a worthless boon, thy love away. And thou hast sought in starry eyes Beams that were never meant for thine, Another’s wealth: — tame sacrifice To a fond faith! still dost thou pine?    15 Still dost thou hope that greeting hands, Voice, looks, or lips, may answer thy demands? Ah! wherefore didst thou build thine hope On the false earth’s inconstancy?    20 Did thine own mind afford no scope Of love, or moving thoughts to thee? That natural scenes or human smiles Could steal the power to wind thee in their wiles? Yes, all the faithless smiles are fled    25 Whose falsehood left thee broken-hearted; The glory of the moon is dead; Night’s ghosts and dreams have now departed; Thine own soul still is true to thee, But changed to a foul fiend through misery.    30 This fiend, whose ghastly presence ever Beside thee like thy shadow hangs, Dream not to chase; — the mad endeavour Would scourge thee to severer pangs. Be as thou art. Thy settled fate, Dark as it is, all change would aggravate.    35

THERE WAS A BOY" THERE was a Boy; ye knew him well, ye cliffs And islands of Winander!--many a time, At evening, when the earliest stars began To move along the edges of the hills, Rising or setting, would he stand alone, Beneath the trees, or by the glimmering lake; And there, with fingers interwoven, both hands Pressed closely palm to palm and to his mouth Uplifted, he, as through an instrument, Blew mimic hootings to the silent owls, 10 That they might answer him.--And they would shout Across the watery vale, and shout again, Responsive to his call,--with quivering peals, And long halloos, and screams, and echoes loud Redoubled and redoubled; concourse wild Of jocund din! And, when there came a pause Of silence such as baffled his best skill: Then, sometimes, in that silence, while he hung Listening, a gentle shock of mild surprise Has carried far into his heart the voice 20 Of mountain-torrents; or the visible scene Would enter unawares into his mind With all its solemn imagery, its rocks, Its woods, and that uncertain heaven received Into the bosom of the steady lake. This boy was taken from his mates, and died In childhood, ere he was full twelve years old. Pre-eminent in beauty is the vale Where he was born and bred: the churchyard hangs Upon a slope above the village-school; 30 And, through that church-yard when my way has led On summer-evenings, I believe, that there A long half-hour together I have stood Mute--looking at the grave in which he lies!

Life, in short, just wants to be. But—and here’s an interesting point—for the most part it doesn’t want to be much. This is perhaps a little odd because life has had plenty of time to develop ambitions. If you imagine the 4.5 billion odd years of Earth’s history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow. Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flashbulb pop of light marking the impact of a Manson-sized meteor or one even larger. It’s a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long. Perhaps an even more effective way of grasping our extreme recentness as a part of this 4.5-billion-year-old picture is to stretch your arms to their fullest extent and imagine that width as the entire history of the Earth. On this scale, according to John McPhee in Basin and Range, the distance from the fingertips of one hand to the wrist of the other is Precambrian. All of complex life is in one hand, “and in a single stroke with a medium-grained nail file you could eradicate human history.” Fortunately, that moment hasn’t happened, but the chances are good that it will. I don’t wish to interject a note of gloom just at this point, but the fact is that there is one other extremely pertinent quality about life on Earth: it goes extinct. Quite regularly. For all the trouble they take to assemble and preserve themselves, species crumple and die remarkably routinely. And the more complex they get, the more quickly they appear to go extinct. Which is perhaps one reason why so much of life isn’t terribly ambitious.

This is perhaps a little odd because life has had plenty of time to develop ambitions. If you imagine the 4.5 billion odd years of Earth’s history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow.

Munger replied: People are always saying to Berkshire, 'Gee, why don't you write a lot more volume in relation to capital? Everyone else is doing it. The rating agencies say that you can write twice as much in annual volume as you have capital.' And they look at our $10 billion in insurance capital and say, 'That's $20 billion a year. What are you doing writing only $1 billion?' But then . . . somebody else comes in and asks, 'Why did everybody get killed last year but you?' Maybe the questions are related.

Captain Sergei Volodin was an Air Force helicopter pilot who often flew a specially equipped Mi-8 transport helicopter around Ukraine. The aircraft was fitted with a dosimeter that Captain Volodin had used in the past to test radiation levels around Chernobyl out of his own personal curiosity. Prior to the 26th it had never even flickered. On the night of the accident, he and his crew were on standby for the Emergency Rescue shift covering the wider Kiev area, making his the first aircraft to arrive on the scene. As he flew around Pripyat, an Army Major in the rear measured radiation from a personal dosimeter. Neither wore any protective clothing. Volodin’s equipment went haywire as he cycled through its measurement ranges: 10, 100, 250, 500 roentgens. All were off the scale. “Above 500, the equipment - and human beings - aren’t supposed to work,” he remembers. Just as he was seeing his own readings, the Major burst into the cockpit screaming, “You murderer! You’ve killed us all!” The air was emitting 1,500 roentgens-per-hour. “We’d taken such a high dose,” the pilot says, “he thought we were already dead.”161

If anything, it made his appointment all the more exquisite. In the fading light, Inspector Thompson saw tears begin to slip down Churchill’s cheeks. Thompson, too, found himself near tears. — LATE THAT NIGHT CHURCHILL lay in bed, alive with a thrilling sense of challenge and opportunity. “In my long political experience,” he wrote, “I had held most of the great offices of State, but I readily admit that the post which had now fallen to me was the one I liked the best.” Coveting power for power’s sake was a “base” pursuit, he wrote, adding, “But power in a national crisis, when a man believes he knows what orders should be given, is a blessing.” He felt great relief. “At last I had the authority to give directions over the whole scene. I felt as if I were walking with destiny, and that all my past life had been but a preparation for this hour and for this trial….Although impatient for the morning I slept soundly and had no need for cheering dreams. Facts are better than dreams.” Despite the doubts he had expressed to Inspector Thompson, Churchill brought to No. 10 Downing Street a naked confidence that under his leadership Britain would win the war, even though any objective appraisal would have said he did not have a chance. Churchill

According to Felicitas Goodman, the hunter-gatherers arrived on the scene no earlier than 200,000 years ago. She explains: In a very real way, the hunters and gatherers open the first chapter of our human history. And fittingly, this dawning was as close to paradise as humans have ever been able to achieve. The men did the hunting and scavenging, working for about three hours a week, and the women took care of daily sustenance by gathering vegetal food and small animals. It was such a harmonious existence, such a successful adaptation, that it did not materially alter for many thousands of years. This view is not romanticizing matters. Those hunter-gatherer societies that have survived into the present still pursue the same lifestyle, and we are quite familiar with it from contemporary anthropological observation. Despite the unavoidable privations of human existence, despite occasional hunger, illness and other trials, what makes their life way so enviable is the fact that knowing every nook and cranny of their home territory and all that grows and lives in it, the bands make their regular rounds and take only what they need. By modern calculations, that amounted to only about 10 percent of the yield, easily recoverable under undisturbed conditions. They live a life of total balance, because they do not aspire to control their habitat; they are a part of it.

Varanasi is the holiest city in Hinduism in India, which is a very unique city in india. The land of Varanasi (Kashi) has been the ultimate pilgrimage spot for Hindus for ages. Often referred to as Benares, Varanasi is the oldest living city in the world. Ganges in Varanasi is believed to have the power to wash away the sins of mortals. Ganges is said to have its origins in the tresses of Lord Shiva and in Varanasi, it expands to the mighty river that we know of. The city is a center of learning and civilization for over 3000 years. With Sarnath, the place where Buddha preached his first sermon after enlightenment, just 10 km away, Varanasi has been a symbol of Hindu renaissance. Knowledge, philosophy, culture, devotion to Gods, Indian arts and crafts have all flourished here for centuries. The holy city has many other temples also. The Tulsi Manas mandir is a modern marble temple. The walls of the temple are engraved with verses and scenes from Ramcharitmanas, hindi version of Ramayana, written by Tulsidas ji who lived here. Varanasi has produced numerous famous scholars and intellectuals, who have left their mark in respective fields of activity. Varanasi is home to numerous universities, college, schools, Madarsas and Pathshalas and the Guru Shishya tradition still continue in many institutions. The literary tradition of languages, dialects, newspapers, magazines and libraries continue to even this day. In varanasi one must have to do Boat Ride.

Guilt and self-image. When someone says, “I can’t forgive myself,” it indicates that some standard or condition or person is more central to this person’s identity than the grace of God. God is the only God who forgives — no other “god” will. If you cannot forgive yourself, it is because you have failed your true god — that is, whatever serves as your real righteousness — and it is holding you captive. The moralists’ false god is usually a god of their imagination, a god that is holy and demanding but not gracious. The relativist/pragmatist’s false god is usually some achievement or relationship. This is illustrated by the scene in the movie The Mission in which Rodrigo Mendoza, the former slave-trading mercenary played by Robert de Niro, converts to the church and as a way of showing penance drags his armor and weapons up steep cliffs. In the end, however, he picks up his armor and weapons to fight against the colonialists and dies at their hand. His picking up his weapons demonstrates he never truly converted from his mercenary ways, just as his penance demonstrated he didn’t get the message of forgiveness in the first place. The gospel brings rest and assurance to our consciences because Jesus shed his blood as a “ransom” for our sin (Mark 10:45). Our reconciliation with God is not a matter of keeping the law to earn our salvation, nor of berating ourselves when we fail to keep it. It is the “gift of God” (Rom 6:23). Without the gospel, our self-image is based on living up to some standards — either our own or someone else’s imposed on us. If we live up to those standards, we will be confident but not humble; if we don’t live up to them, we will be humble but not confident. Only in the gospel can we be both enormously bold and utterly sensitive and humble, for we are simul justus et peccator, both perfect and sinner!

Buffett was asked why he hadn't bought more Costco shares, considering that Munger owns shares and is on the board of directors. "Yeah, you hit on a good one here," Buffett replied. "We should've owned more Costco, and probably if Charlie had been sitting in Omaha, we would've owned more Costco. Charlie was constantly telling me about this terrific method of distribution, and after 10 years or so I started catching on to what he was saying, and we bought a little of Costco at Berkshire. "We actually negotiated to buy more. I made the most common mistake that I make . . . We started buying it, and the price went up, and instead of following it up and continuing to buy more. . . . If Costco had stayed at $15 a share or so, where we were buying it, we would've bought a lot more. But instead it went to 15⅛ and who could pay 15⅛ when they'd been paying $15—it wasn't quite that bad. But I have made that mistake a lot of times, and it's very irritating."23

Inside McClintic Sphere was swinging his ass off. His skin was hard, as if it were part of the skull: every vein and whisker on that head stood out sharp and clear under the green baby spot: you could see the twin lines running down from either side of his lower lip, etched in by the force of his embouchure, looking like extensions of his mustache. He blew a hand-carved ivory alto saxophone with a 4 ½ reed and the sound was like nothing any of them had heard before. The usual divisions prevailed: collegians did not dig, and left after an average of 1 ½ sets. Personnel from other groups, either with a night off or taking a long break from somewhere crosstown or uptown, listened hard, trying to dig. 'I am still thinking,’ they would say if you asked. People at the bar all looked as if they did dig in the sense of understand, approve of, empathize with: but this was probably only because people who prefer to stand at the bar have, universally, an inscrutable look… …The group on the stand had no piano: it was bass, drums, McClintic and a boy he had found in the Ozarks who blew a natural horn in F. The drummer was a group man who avoided pyrotechnics, which may have irritated the college crowd. The bass was small and evil-looking and his eyes were yellow with pinpoints in the center. He talked to his instrument. It was taller than he was and didn’t seem to be listening. Horn and alto together favored sixths and minor fourths and when this happened it was like a knife fight or tug of war: the sound was consonant but as if cross-purposes were in the air. The solos of McClintic Sphere were something else. There were people around, mostly those who wrote for Downbeat magazine or the liners of LP records, who seemed to feel he played disregarding chord changes completely. They talked a great deal about soul and the anti-intellectual and the rising rhythms of African nationalism. It was a new conception, they said, and some of them said: Bird Lives. Since the soul of Charlie Parker had dissolved away into a hostile March wind nearly a year before, a great deal of nonsense had been spoken and written about him. Much more was to come, some is still being written today. He was the greatest alto on the postwar scene and when he left it some curious negative will–a reluctance and refusal to believe in the final, cold fact–possessed the lunatic fringe to scrawl in every subway station, on sidewalks, in pissoirs, the denial: Bird Lives. So that among the people in the V-Note that night were, at a conservative estimate, a dreamy 10 per cent who had not got the word, and saw in McClintic Sphere a kind of reincarnation.

Specifically, I ask that my scenes do three things: Advance the story Reveal new information Pull the reader forward

That said, some of my best scenes and most dramatic scenes have actually been the ones I’ve combined to get my word count down.

The last 10,000 to 20,000 years have witnessed a period of dramatic growth in human civilization. Indeed, our growth during this time is unique among all species, but it has been highly dependent on the overall consistency of the climate.

And as the years have passed, the time has grown longer. The sad truth is that what I could recall in 5 seconds all too soon needed 10, then 30, then a full minute - like shadows lengthening at dusk. Someday, I suppose, the shadows will be swallowed up in darkness. There is no way around it: my memory is growing ever more distant from the spot where Naoko used to stand - where my old self used to stand. And nothing but scenery, that view of the meadow in October, returns again and again to me like a symbolic scene in a film. Each time it appears, it delivers a kick to some part of my mind.

for several years starting in 2004, Bezos visited iRobot’s offices, participated in strategy sessions held at places like the Massachusetts Institute of Technology , and became a mentor to iRobot chief executive Colin Angle, who cofounded the company in 1990. “He recognized early on that robots were a very disruptive game-changer,’’ Angle says of Bezos. “His curiosity about our space led to a very cool period of time where I could count upon him for a unique perspective.’’ Bezos is no longer actively advising the company, but his impact on the local tech scene has only grown larger. In 2008, Bezos’ investment firm provided initial funding for Rethink Robotics, a Boston company that makes simple-to-program manufacturing robots. Four years later, Amazon paid $775 million for North Reading-based Kiva, which makes robots that transport merchandise in warehouses. Also in 2012, Amazon opened a research and software development outpost in Cambridge that has done work on consumer electronics products like the Echo, a Wi-Fi-connected speaker that responds to voice commands. Rodney Brooks, an iRobot cofounder who is now chief technology officer of Rethink, says he met Bezos at the annual TED Conference. Bezos was aware of work that Brooks, a professor emeritus at MIT, had done on robot navigation and control strategies. Helen Greiner, the third cofounder of iRobot, says she met Bezos at a different technology conference, in 2004. Shortly after that, she recruited him as an adviser to iRobot. Bezos also made an investment in the company, which was privately held at the time. “He gave me a number of memorable insights,’’ Angle says. “He said, ‘Just because you won a bet doesn’t mean it was a good bet.’ Roomba might have been lucky. He was challenging us to think hard about where we were going and how to leverage our success.’’ On visits to iRobot, Greiner recalls, “he’d shake everyone’s hand and learn their names. He got them engaged.’’ She says one of the key pieces of advice Bezos supplied was about the value of open APIs — the application programming interfaces that allow other software developers to write software that talks to a product like the Roomba, expanding its functionality. The advice was followed. (Amazon also offers a range of APIs that help developers build things for its products.) By spending time with iRobot, Bezos gave employees a sense they were on the right track. “We were all believers that robotics would be huge,’’ says former iRobot exec Tom Ryden. “But when someone like that comes along and pays attention, it’s a big deal.’’ Angle says that Bezos was an adviser “in a very formative, important moment in our history,’’ and while they discussed “ideas about what practical robots could do, and what they could be,’’ Angle doesn’t want to speculate about what, exactly, Bezos gleaned from the affiliation. But Greiner says she believes “there was learning on both sides. We already had a successful consumer product with Roomba, and he had not yet launched the Kindle. He was learning from us about successful consumer products and robotics.’’ (Unfortunately, Bezos and Amazon’s public relations department would not comment.) The relationship trailed off around 2007 as Bezos got busier — right around when Amazon launched the Kindle, Greiner says. Since then, Bezos and Amazon have stayed mum about most of their activity in the state. His Bezos Expeditions investment team is still an investor in Rethink, which earlier this month announced its second product, a $29,000, one-armed robot called Sawyer that can do precise tasks, such as testing circuit boards. The warehouse-focused Kiva Systems group has been on a hiring tear, and now employs more than 500 people, according to LinkedIn. In December, Amazon said that it had 15,000 of the squat orange Kiva robots moving around racks of merchandise in 10 of its 50 distribution centers. Greiner left iRo

1.              “Following the leader” 2.              “Fork it over” 3.              “Look out!” 4.              “Nerves of steel” 5.              “Odd ball” 6.              “Top dawg” 7.              “Scene from a Disney movie” 8.              “Greetings!” 9.              “What’s wrong with this picture?” 10.              “Here’s Your Sign” 11.              “Sharing” 12.              “No pain, no gain” 13.              “Wing it” 14.              “More than meets the eye” 15.              “Jammin’” 16.              “It’s in the bag” 17.              “It ain’t over ‘till . . .” 18.              “Happy Camper” 19.              “Shiny” 20.              “Easy as pi” 21.              “Heroes of a different sort” 22.              “Cut your losses” 23.              “Crime doesn’t pay” 24.              “Tough nut to crack” 25.              “Beauty is in the eye” 26.              “Red-handed” 27.              “Whatever floats your boat” 28.              “Stand off” 29.              “Blue” 30.              “Tragedy!

February 7 MORNING “Arise ye, and depart.” — Micah 2:10 THE hour is approaching when the message will come to us, as it comes to all — “Arise, and go forth from the home in which thou hast dwelt, from the city in which thou hast done thy business, from thy family, from thy friends. Arise, and take thy last journey.” And what know we of the journey? And what know we of the country to which we are bound? A little we have read thereof, and somewhat has been revealed to us by the Spirit; but how little do we know of the realms of the future! We know that there is a black and stormy river called “Death.” God bids us cross it, promising to be with us. And, after death, what cometh? What wonder-world will open upon our astonished sight? What scene of glory will be unfolded to our view? No traveller has ever returned to tell. But we know enough of the heavenly land to make us welcome our summons thither with joy and gladness. The journey of death may be dark, but we may go forth on it fearlessly, knowing that God is with us as we walk through the gloomy valley, and therefore we need fear no evil. We shall be departing from all we have known and loved here, but we shall be going to our Father’s house — to our Father’s home, where Jesus is — to that royal “city which hath foundations, whose builder and maker is God.” This shall be our last removal, to dwell for ever with Him we love, in the midst of His people, in the presence of God. Christian, meditate much on heaven, it will help thee to press on, and to forget the toil of the way. This vale of tears is but the pathway to the better country: this world of woe is but the stepping-stone to a world of bliss. “Prepare us, Lord, by grace divine, For Thy bright courts on high; Then bid our spirits rise, and join The chorus of the sky.

The days when I broke 10k were the days when I was writing scenes I'd been dying to write since I planned the book.

If I had scenes that were so boring I didn't want to write them, then there was no way anyone would want to read them. This was my novel, after all. If I didn't love it, no one would.

Every day, while I was writing out my description of what I was going to write for the knowledge component of the triangle, I would play the scene through in my mind and try to get excited about it. I'd look for all the cool little hooks, the parts that interested me most, and focus on those since they were obviously what made the scene cool. If I couldn't find anything to get excited over, then I would change the scene, or get rid of it entirely. I decided then and there that, no matter how useful a scene might be for my plot, boring scenes had no place in my novels.

Once I shifted my thinking, though, I stopped roughing myself up and started asking Why? Why don’t you want to write? What’s wrong? And while the answers were never pleasant (because really, it’s no fun to realize you messed up and now you have to rewrite a scene, or a chapter, or half a book), they were progress, and they were necessary. They were also extremely good for me, because once I got my story back on the right track, my bad writing days vanished, my daily word counts shot up, the quality of my writing improved, and life in general got a whole lot better.

And what about the question which looms up continually within Christian discussion, about how human behavior as a whole relates to the overwhelming grace of God? This is the point at which the story of the rich young man, and the other scenes in Mark 10, seem to be saying, No: what matters isn’t simply keeping a bunch of rules; what matters is character. Not just any old sort of character, either, but a particular sort: the sort Jesus was urging and modeling—the character of patience, humility, and above all generous, self-giving love. And the message of Mark at this point seems to be that you don’t get that character just by trying. You get it by following Jesus.

They've said: PRAYING isn't enough in this situation. Contrary to belief, prayer is all you need. If you believe that it isn't, it's only because you haven't truly experience the power of praying in your life. Keep praying. When there was a battle, one man prayed, and God caused the sun to delay setting, so they could win the battle. (Joshua 10) The prayers of the Righteous, they have overwhelming impacts and I encourage you to include that in whatever your next move is in this situation. I don't march, I don't openly protest... No important reasons... I just don't... but I can do what I do best... Help behind the scenes.. and PRAY.. because, I know it works. Peace and Blessings

you find yourself in a fearful mode, stop right there and invite God onto the scene. Turn fear over to your Senior Partner with these words: “I don’t know how to deal with this, but I know I’m connected to You, the miraculous creative force in this universe. I’ll move my ego out of the way and turn it over to You.” Try it. You’ll be surprised by how quickly that higher energy of love will nullify and dissolve your fearful thoughts and empower you at the same time. Anger,

How do these online distraction systems work? They start with an external trigger or notification. You may visit a Website or sign up for a service. They will then send you an email, follow you on the Internet with ads, or send you a push notification with very specific language that has been tested to get you to click on it. You click on the link and your attachment or connection to that distraction system gets a little bit stronger. You, unintentionally, provide that system with more information when you read an article, add a friend, or comment on a photo. Without realizing it, and behind the scenes, the machinery of distraction is starting to turn. On a scale of 1-10, with 10 being completely attached, you are a 2 at this point. These companies know that you don’t really care about the company itself, but you do care about your friends, family, and co-workers. They leverage these relationships by showing your profile to these contacts. These people are then asked to add you as a contact, friend, or to comment on your photo. Guess what this does? It brings you back to the site and increases the attachment. Think about this just for a second. If a company wants me to come back to their site, then they have a much higher chance of getting me back if they tell me my nephew added me as a friend, or posted a new pic. I care about my nephew. I don’t care about the company. This happens a few times and the attachment goes from a 2 to a 5. Soon, you have more and more connections on the site. Many of these sites have a magic number. Once you cross that threshold they know they really have you. Let’s say it is 10 connections. Once you have 10 connections they know with a level of statistical certainty that they can get you coming back to the site several times a week. Your attachment then goes from a 5 to a 7. All this time they are still pinging you via email, ads or push notifications to get you back to the site. The prompts or triggers to get you back are all external. You may be experiencing uncomfortable emotions like anxiety, sadness, or boredom, but you are not yet feeling these as triggers to go to the site and escape these feelings. Instead, what happens gradually, is that the trigger moves from being external like an email prompt and moves internal. Soon, they do not have to remind you or leverage your relationships to go back to the site. You are now doing it on your own. You are checking it regularly on your own. Your attachment has moved from a 7 to an 8. They’ve got you now, but they don’t completely have you. The tendrils are not yet deep into your brain and that is really where they want to go. They want to get as wrapped around your brain as possible, because the deeper they are - the more unconscious this behavior of checking the site - the more time you spend on the site and the more money they make. When you start living your life, not for what you are actually experiencing at the moment, but instead for how you imagine it will look to other people on these sites, then they really have you. When the experience itself is less meaningful than the image of you on the site and the number of likes it gets, then they are getting really deep. They have moved the center of your self from your actual life and transferred it to the perception of your life on their site. You now mostly live for reactions from other people on these company’s sites. By this time, you are likely refreshing the page, habitually looking at your phone, and wondering why your pic or video has not received more comments or likes. By this time you are fully hooked, as my good friend Nir Eyal would say, and your attachment has gone from an 8 to a full 10. They’ve got you hook, line, and sinker. Scary

April 10 MORNING “The place which is called Calvary.” — Luke 23:33 THE hill of comfort is the hill of Calvary; the house of consolation is built with the wood of the cross; the temple of heavenly blessing is founded upon the riven rock — riven by the spear which pierced His side. No scene in sacred history ever gladdens the soul like Calvary’s tragedy. “Is it not strange, the darkest hour That ever dawned on sinful earth, Should touch the heart with softer power, For comfort, than an angel’s mirth? That to the Cross the mourner’s eye should turn, Sooner than where the stars of Bethlehem burn?” Light springs from the midday-midnight of Golgotha, and every herb of the field blooms sweetly beneath the shadow of the once accursed tree. In that place of thirst, grace hath dug a fountain which ever gusheth with waters pure as crystal, each drop capable of alleviating the woes of mankind. You who have had your seasons of conflict, will confess that it was not at Olivet that you ever found comfort, not on the hill of Sinai, nor on Tabor; but Gethsemane, Gabbatha, and Golgotha have been a means of comfort to you. The bitter herbs of Gethsemane have often taken away the bitters of your life; the scourge of Gabbatha has often scourged away your cares, and the groans of Calvary yields us comfort rare and rich. We never should have known Christ’s love in all its heights and depths if He had not died; nor could we guess the Father’s deep affection if He had not given His Son to die. The common mercies we enjoy all sing of love, just as the sea-shell, when we put it to our ears, whispers of the deep sea whence it came; but if we desire to hear the ocean itself, we must not look at every-day blessings, but at the transactions of the crucifixion. He who would know love, let him retire to Calvary and see the Man of sorrows die.

In God’s Kingdom there are no overnight sensations or flash-in-the-pan successes. Anyone who wants to be used of God will experience hidden years in the backside of the desert. During that time the Lord is polishing, sharpening and preparing us to fit into His bow, so at the right time, like “a polished shaft” He can launch us into fruitful service. The invisible years are years of serving, studying, being faithful in another person’s ministry and doing the behind-the-scenes work. The Bible says, ‘God is not unjust; he will not forget your work’ (Hebrews 6:10 NIV 2011 Edition). Be patient; when the time is right He will bring forth the fruit He placed inside you.

It is very hard to look at the raw data on firearm suicides and homicides and see any benefits from Australia’s gun buyback. In 2004, the U.S. National Research Council released a report reaching this same conclusion: “It is the committee’s view that the theory underlying gun buy-back programs is badly flawed and the empirical evidence demonstrates the ineffectiveness of these programs.”10 Australia’s buyback program was only one experiment, and we can’t account for all of the other factors that may have come into play. The solution is then to look across many different states or countries and try to discern overall patterns. The U.S. data is clear: laws that restrict gun ownership adversely affect people’s safety. Police are extremely important in reducing crime—my research indicates that they are the single most important factor. But police themselves understand that they almost always arrive on the crime scene after the crime has occurred. Behaving passively is definitely not the safest course of action to take.

A new term – “issues management” (meaning a department’s capacity to help its minister kill off an unfavourable news story by 10 a.m.) – appeared on the scene, and was given great emphasis by many ministers.

Indie authors exist for the art. For their passion. They're the real artists, like the penniless artists of the earlier centuries, painting in the streets, immersed in the scenes they're creating.

took the opportunity to bound three steps ahead and turn into the next aisle. My gun was up and on target, and I could see Diego on the ground. But he had anticipated what I was going to do and had his pistol up. He fired one round, which went slightly to the left and struck the shelf right next to my head. Instinctively I squeezed the trigger twice at the target directly in front of me. It was a simple double tap. Bang, bang. For an instant, I could see the look in Diego’s eyes. Then he fell back and dropped the gun onto the floor. I immediately holstered my pistol and dropped to my knee. I reached down and pulled his thick T-shirt up over his stomach and chest to see two wounds just above his sternum. Blood was already starting to pump out. I placed my palms over each hole, hoping to stem the blood flow. The young man made a gurgling sound and tried to lift his head off the floor. I yelled out, “I need some help here.” A few seconds later, Todd appeared at my side. He said, “Fire and rescue is on the way. What do you need me to do?” “Help me stop the bleeding on one of these wounds.” Todd didn’t move. He put his hand on my shoulder instead. “Mike, it’s over. You did what you had to do.” I looked down and saw that Diego was perfectly still. I felt for a pulse at his chest and then at his neck. No more blood was pumping out of the wounds. He was dead. I flopped back, and my shoulders hit the bookshelf. I sat there staring down at the teenager I had just shot dead. From the end of the aisle a woman’s voice said, “You murdered him.” My head snapped in that direction. It was a young woman, and she was staring at me. A young man joined her and said, “You shot him for no reason?” Before fire and rescue and more cops could show up, a small crowd gathered, and they all picked up a similar theme. They thought I had acted rashly and fired my weapon without provocation. They thought I was some kind of monster. Once someone was there to secure the scene and Todd was leading me toward an office where I could gather my thoughts, I kept hearing people say, “Murderer.” “Killer.” Todd kept his arm on my shoulder and said, “Don’t worry about these ignorant morons. One thing I’ve learned working here is that I’m never surprised to see smart people acting like idiots. They have no idea you just saved their asses.

Figure 10. Crime Scene Tape in the Gymnasium.

Worshipping the genius out of vanity. Because we think well of ourselves, but in no way expect that we could ever make the sketch to a painting by Raphael or a scene like one in a play by Shakespeare, we convince ourselves that the ability to do so is quite excessively wonderful, a quite uncommon accident, or, if we still have a religious sensibility, a grace from above. Thus our vanity, our self-love, furthers the worship of the genius, for it does not hurt only if we think of it as very remote from ourselves, as a miracle (even Goethe, who was without envy, called Shakespeare his star of the farthest height, recalling to us that line, "Die Sterne, die begehrt man nicht"—one does not covet the stars).9 But those insinuations of our vanity aside, the activity of the genius seems in no way fundamentally different from the activity of a mechanical inventor, a scholar of astronomy or history, a master tactician. All these activities are explained when one imagines men whose thinking is active in one particular direction; who use everything to that end; who always observe eagerly their inner life and that of other people; who see models, stimulation everywhere; who do not tire of rearranging their material. The genius, too, does nothing other than first learn to place stones, then to build, always seeking material, always forming and reforming it. Every human activity is amazingly complicated, not only that of the genius: but none is a "miracle." From where, then, the belief that there is genius only in the artist, orator, or philosopher? That only they have "intuition" (thus attributing to them a kind of magical eye glass, by which they can see directly into "being")?10 It is evident that men speak of genius only where they find the effects of the great intellect most agreeable and, on the other hand, where they do not want to feel envy. To call someone "divine" means "Here we do not have to compete." Furthermore, everything that is complete and perfect is admired; everything evolving is underestimated. Now, no one can see in an artist's work how it evolved: that is its advantage, for wherever we can see the evolution, we grow somewhat cooler. The complete art of representation wards off all thought of its evolution; it tyrannizes as present perfection. Therefore representative artists especially are credited with genius, but not scientific men. In truth, to esteem the former and underestimate the latter is only a childish use of reason.

Cato did not consider himself a brave individual. He could already feel the unsettled flutters in the pit of his stomach and the cold sweat pricking out down his spine. He wondered why he had not become used to it after so many years of fighting. What was it in him that preyed on his mind, thrusting forward terrifying images from past battles as well as imagined scenes of dreadful vividness? For Cato it seemed that there were two sides of his being locked in a perpetual struggle. The Cato he wanted to be - courageous, bold and respected, unburdened by self-doubt - and that other, truer, version - fearful, anxious and agonisingly sensitive to the view other people had of him. The latter could only ever act out the role of the former, winning the applause of the moment, before withdrawing into the shabby robes of his real nature. The thought sickened him

wasn't angry with him at all, really; but I suddenly fancied--that was what did it--that it would be such a fine scene.... And yet, believe me, it was quite natural, for I really shed tears and cried for several days afterwards, and then suddenly, one afternoon, I forgot all about it.

After considering making the Mandarin, a mustache-twirling Asian villain from the comics, Iron Man’s first foe, the new studio instead decided on Obadiah Stain, played by Jeff Bridges. He was less fantastical, had a more personal connection to Downey’s character, “and saved us $10 to $20 million we would have had to spend going to China,” noted Maisel. The first twenty minutes of the movie take place in a cave, and there are surprisingly few scenes of Iron Man flying or doing battle in his combat armor, which kept the budget down. Nonetheless, Perlmutter kept as close an eye on the script as he did on office supplies. When a convoy attack at the beginning of the movie was supposed to include ten Humvees, the frugal executive said, “No, too many, too expensive, we can do it with three.” Another scene, in which Iron Man saves villagers from a group of terrorists, was going to cost $1 million, and Perlmutter wouldn’t authorize the money until the last minute, figuring it could be trashed if costs rose elsewhere. All of this backseat driving by Perlmutter, who became Marvel’s CEO in 2005, drove Arad insane.

Photographs from Distant Places (1) In distant villages, You always see the same scenes: Farms Cattle Worship spaces Small local shops. Just basic the things humans need To endure life. (2) ‘Can you stay with me forever?’ She asked him in the airport, While hugging him tightly in her arms. ‘Sorry, I can’t. My flight leaves in two hours and a half.’ He responded with an artificially caring voice, As he kissed her on her right cheek. (3) I was walking in one of Bucharest’s old streets, In a neighborhood that looked harshly beaten by Time, And severely damaged by development and globalization. I saw a poor homeless man Combing his dirty hair In a side mirror of a modern and expensive car! (4) The shape and the color of the eyes don’t matter. What matters is that, As soon as you gaze into them, You know that they have seen a lot. All eyes that dare to bear witness To what they have seen are beautiful. (5) A stranger asked me how I chose my path in life. I told him: ‘I never chose anything, my friend.’ My path has always been like someone forced to sit In an airplane on a long flight. Forced to sit with the condition Of keeping the seatbelt on at all times, Until the end of the flight. Here I am still sitting with the seatbelt on. I can neither move Nor walk. I can’t even throw myself out of the plane’s emergency exit To end this forced flight! (6) After years of searching and observing, I discovered that despair’s favorite hiding place Is under business suits and tuxedos. Under jewelry and expensive night gowns. Despair dances at the tables where Expensive wines of corruption And delicious dinners of betrayal are served. (7) Oh, my poet friend, Did you know that The bouquet of fresh flowers in that vase On your table is not a source of inspiration or creativity? The vase is just a reminder Of a flower massacre that took place recently In a field Where these poor flowers happened to be. It was their fate to have their already short lives cut shorter, To wither and wilt in your vase, While breathing the not-so-fresh air In your room, As you sit down at your table And write your vain words. (8) Under authoritarian regimes, 99.9% of the population vote for the dictator. Under capitalist ‘democratic’ regimes, 99.9% of people love buying and consuming products Made and sold by the same few corporations. Awe to those societies where both regimes meet to create a united vicious alliance against the people! To create a ‘nation’ Of customers, not citizens! (9) The post-revolution leaders are scavengers not hunters. They master the art of eating up The dead bodies and achievements Of the fools who sacrificed themselves For the ‘revolution’ and its ideals. Is this the paradox and the irony of all revolutions? (10) Every person is ugly if you take a close look at them, And beautiful, if you take a closer look. (11) Just as wheat fields can’t thrive Under the shadow of other trees, Intellectuals, too, can’t thrive under the shadow Of any power or authority. (12) We waste so much time trying to change others. Others waste so much time thinking they are changing. What a waste! October 20, 2015

Looking back, she began to wonder if perhaps it was all just a story. As the years race inexorably on, and as all the people we know and love die, does the past turn into fiction, an act of the imagination populated by ghosts, scenes and images suspended forever in water glass?

Kitch and fellow Trinidadian calypsonian Lord Beginner made the decision to pay the £28.10s passage on the Windrush precisely because they knew there was a healthy African-Caribbean music scene in London, and they could find a relatively wealthy black audience. As a symbol of specifically musical immigration into the UK, however, Kitch’s quayside concert is priceless. For a calypso so vividly to reference the capital was a defining moment. This wasn’t simply music performed and consumed in Britain, on a strictly insular level, by immigrants and reverent aficionados; it was music that while remaining faithful to the Caribbean was adapted to fit its new setting, and found itself in a creative environment that was prepared to make efforts to accommodate it.

As was the custom with big events in the mid- to late-1960s, particularly in the northern California area, Altamont was drenched in acid. And as was also the custom at that time, that acid was provided free-of-charge by Mr. Augustus Owsley Stanley III, also known as The Bear. At the so-called “Human Be-In” staged in January of 1967, for example, Owsley had kindly distributed 10,000 tabs of potent LSD. For the Monterey Pop Festival just five months later, he had cooked up and distributed 14,000 tabs. For Altamont, he did likewise. Also present that day, and featured in the Maysles brothers’ film gyrating atop a raised platform near the stage, was the King of the Freaks himself, Vito Paulekas.

Qibli hurried through it as fast as he could — the slate with the messages from Turtle, his trip to the Kingdom of Sand and what he’d discovered about Vulture, Typhoon, and the news about the IceWings. Anemone told her part, about the fight with Turtle and the scene in Darkstalker’s throne room, and finally Kinkajou told them the end — about how Darkstalker had decided to put Turtle in his dungeon and then enchanted Kinkajou to forget everything she’d seen in the throne room. “Except of course it didn’t work,” she concluded, “because brave noble handsome Turtle protected me. And if I sound a little strange about it, that’s because this SEA VIPER over here put a LOVE SPELL ON ME.” She bared her teeth at Anemone. “Oh, you know about that?” Anemone said. “I can’t believe he told you! Turtle is such a doofus.” “He’s a HERO! With a REALLY KIND HEART! And I CAN’T EVEN TELL IF I REALLY THINK THAT because of YOU. I am so mad at you I could drown you in venom!

Michael chuckled and we went into Union Station. It doesn’t look like that scene in The Untouchables, if you were wondering. That was shot in this big room they rent out for well-to-do gatherings. The rest of the place doesn’t look like something that fits into the Roaring Twenties. It’s all modernized, and looks more or less like an airport. Sorta depressing, really. I mean, of all the possible aesthetic choices out there, airports must generally rank in the top five or ten most bland. But I guess they’re cost-effective. That counts for more and more when it comes to beauty. Sure, all the marble and Corinthian columns and soaring spaces were beautiful, but where do they fall on a cost-assessment worksheet?

MAY 10, THE day that Roosevelt issued his nonresponse to Churchill’s plea for U.S. belligerency, German bombers returned to London. As devastating as the previous raids had been, none came close to the savagery and destructiveness of this new firestorm. By the next morning, more than two thousand fires were raging out of control across the city, from Hammersmith in the west to Romford in the east, some twenty miles away. The damage to London’s landmarks was catastrophic. Queen’s Hall, the city’s premier concert venue, lay in ruins, while more than a quarter of a million books were incinerated and a number of galleries destroyed at the British Museum. Bombs smashed into St. James’s Palace, Westminster Abbey, Big Ben, and Parliament. The medieval Westminster Hall, though badly damaged, was saved, but not so the House of Commons chamber, the scene of some of the most dramatic events in modern British history. Completely gutted by fire, the little hall, with its vaulted, timbered ceiling, was nothing but a mound of debris, gaping open to the sky. Every major railroad station but one was put out of action for weeks, as were many Underground stations and lines. A third of the streets in greater London were impassable, and almost a million people were without gas, water, and electricity. The death toll was even more calamitous: never in London’s history had so many of its residents—1,436—died in a single night.

I’ve been trying to think of the best way to get in touch with you. I found your address, but no phone number, and I—” “You know where I live?” He looked around a little nervously; she made it sound as if he was some ax murderer or something. “Let’s not get loud here,” he suggested. “I needed to find you. I looked you up on the computer. You bought a house.” “Oh, for God’s sake,” she said, rubbing her temples. She seemed to gather herself from within. “All right. What do you want?” Now this was pissing him off all over again. “Gee, was I confusing you? I want us to have a conversation, maybe talk about what happened to us. I wanted to tell you that it didn’t take me long to wish I’d been more…more…cooperative when we had the argument that broke us up.” “Well, Sean, it did actually take you too long,” she said. “So there—consider your mission accomplished. You told me. Now, can you please go away and leave me alone?” “No, I can’t,” he said. “So I get it—you’re still mad. We can’t really deal with that without talking.” “But I said I don’t want to!” she stated, raising her voice again. “Franci,” he said quietly. “Could we try not to make a big scene here…” “Look, I told you, I’m in a hurry. You still using the same cell number?” she asked. He nodded. “Great, I’ll call you sometime. Now, excuse me, if you’d please just leave me alone, I’d appreciate it very much.” Polite as that might’ve sounded, it was stated angrily, and people had stopped shopping and began watching them. She turned away from him and he grabbed her arm again. “Franci, I am not going away. This is important.” Suddenly

Now look,” he said. He felt the back collar of his shirt and jacket clutched in an iron grip and he whirled on the giant, hitting him square in the jaw with his fist. He suspected he’d broken his hand, but no way was he letting on. He did wince in pain, however, while the very large man merely turned his brick of a face to the side. “You shouldn’t’a done that, little man,” the guy said. It took him roughly one second to draw back his fist and plaster Sean in the face hard enough to send him reeling into the melons. Then to the floor. Sean saw a lot of stars and was aware of the melons as they began to bounce around the produce section. And there was blood—he wasn’t sure where from since his entire face felt as if it had been through a meat grinder. “Hey!” Franci shouted. “What’s the matter with you? I told you to leave it alone, he’s harmless!” “No good deed goes unpunished, I guess,” the big man said. “It looked like you needed help. Maybe you like being grabbed like that in the grocery store, huh, babe?” Sean muttered something about not being harmless and tried to get to his feet, without success. The big man said, “Just stay down where you are, buster.” But Sean was intent on getting up and he’d just about made it to his feet when the man took two giant steps in his direction. That was all it took for Franci to launch herself on the lumberjack with a cry of outrage. She had her arms around his neck, her legs around his waist and screamed bloody murder while pummeling him on the back. “I. Told. You. To. Leave. Him. Alone!” she shrieked. Paul Bunyan whirled around and around, trying to shake her loose, but she was on him like a tick on a hound. Then the scene got a lot more interesting. “No! No! No! No! No!” screamed a store manager, running up to them, followed closely by another man and a couple of young bag boys. A crowd gathered and the grocery employees peeled Franci off the lumberjack, but she was kicking her heart out the whole time. “The police are coming!” the store manager yelled. “Stop this at once! Stop!” And Sean absently thought, This really isn’t going how I planned. Right

there was nothing.” “Did you look for oil drips?” Cole said it just like that, without accusation, and Chen felt himself darken. “What do you mean?” “The Lake Hollywood report mentions oil drips that you found at the scene. You took samples up there and identified the oil.” “Penzoil 10-40.” “If the shooter’s car was leaking up at the lake, it probably left drops here, too. If we found them, maybe you could prove they’d come from the same vehicle.

She informed me that anything hand written would remain private, but anything typed- newspaper, cartoons, magazine articles- were to be read aloud by the receiving soldier. Each envelope garnered her 10 push-ups, so I was to be concise in my messaging. Immediately, I went shopping for romance novels…. A couple times a week I dutifully scoured through my stack of romance novels and ripped out the pages that I found particularly energetic. In individual envelopes, I sent off a couple dozen sex scenes during the course of her basic training. During the months following her basic, I hid from her and her massive biceps.

Seeking a compelling example of the company’s poor purchasing habits, Stegner assigned a summer student intern to investigate a single item—work gloves, which workers in most of the company’s factories wore. The student embarked on a mission to identify all the types of gloves used in all the company’s factories and then trace back what the company was paying for them. The intrepid intern soon reported that the factories were purchasing 424 different kinds of gloves! Furthermore, they were using different glove suppliers, and they were all negotiating their own prices. The same pair of gloves that cost $5 at one factory might cost $17 at another. At Stegner’s request, the student collected a specimen of every one of the 424 different types of gloves and tagged each with the price paid. Then all the gloves were gathered up, brought to the boardroom, and piled up on the conference table. Stegner invited all the division presidents to come visit the Glove Shrine. He recalled the scene: What they saw was a large expensive table, normally clean or with a few papers, now stacked high with gloves. Each of our executives stared at this display for a minute. Then each said something like, “We really buy all these different kinds of gloves?” Well, as a matter of fact, yes we do. “Really?” Yes, really. Then they walked around the table…. They could see the prices. They looked at two gloves that seemed exactly alike, yet one was marked $3.22 and the other $10.55. It’s a rare event when these people don’t have anything to say. But that day, they just stood with their mouths gaping. The gloves exhibit soon became a traveling road show, visiting dozens of plants. The reaction was visceral: This is crazy. We’re crazy. And we’ve got to make sure this stops happening.

You know, every time someone says that they’ll try, I think of that scene in The Empire Strikes Back with Luke Skywalker and Yoda. You know, the one where Yoda says, ‘Try not. Do or do not.

How to scale and enter the risen path was largely unknown. It all might begin in darkness, but it cast a shadow that, when viewed from the ground, was too bleak. Demolition was once a question not of “whether, but when,” until one photographer spent a year on the trail documenting what was there. 4 The scenes were “hallucinatory”—wildflowers, Queen Anne’s lace, irises, and grasses wafted next to hardwood ailanthus trees that bolted up from the soil on railroad tracks, on which rust had accumulated over the decades. 5 Steel played willing host to an exuberant, spontaneous garden that showed fealty to its unusual roots. Tulips shared the soilbed with a single pine tree outfitted with lights for the winter holidays, planted outside of a building window that opened onto the iron-bottomed greenway with views of the Hudson River and the Statue of Liberty to the left and traffic, buildings, and Tenth Avenue to the right. 6 Wading through waist-high Queen Anne’s lace was like seeing “another world right in the middle of Manhattan.” 7 The scene was a kind of wildering, the German idea of ortsbewüstung, an ongoing sense of nature reclaiming its ground. 8 “You think of hidden things as small. That is how they stay hidden. But this hidden thing was huge. A huge space in New York City that had somehow escaped everybody’s notice,” said Joshua David, who cofounded a nonprofit organization with Robert Hammonds to save the railroad. 9 They called it the High Line. “It was beautiful refuse, which is kind of a scary thing because you find yourself looking forward and looking backwards at the same time,” architect Liz Diller told me in our conversation about the conversion of the tracks into a public space, done in a partnership with her architectural firm, Diller Scofidio + Renfro, and James Corner, Principal of Field Operations, and Dutch planting designer Piet Oudolf. Other architectural plans proposed turning the High Line into a “Street in the Air” with biking, art galleries, and restaurants, but their team “saw that the ruinous state was really alive.” Joel Sternfeld, the “poet-keeper” of the walkway, put the High Line’s resonance best: “It’s more of a path than a park. And more of a Path than a path.” 10

When the sun came up fully, the ice field began to glow in mauves and corals, a breathtaking sight. There was one iceberg with a double peak about two hundred feet high. To Lucy Duff Gordon the illuminated bergs looked like giant opals, and May Futrelle noted how they glistened like rock quartz, though one of them, she thought, was doubtless the murderer. The scene reminded Hugh Woolner of photographs of an Antarctic expedition. Seven-year-old Douglas Spedden raised a few smiles in Boat 3 by exclaiming to his nurse, “Oh Muddie, look at the beautiful North Pole with no Santa Claus on it!” Daisy Spedden recorded in her diary that as their boat was rowed toward rescue, “the tragedy of the situation sank deep into our hearts as we saw the Carpathia standing amidst the few bits of wreckage with the pitifully small number of lifeboats coming up to her from different directions.” After racing through the night to the Titanic’s distress position, the Carpathia had spotted Fourth Officer Boxhall’s green flares and had headed for them. “Shut down your engines and take us aboard,” Boxhall shouted up as the Carpathia drew alongside Boat 2 at 4:10 a.m. “I have only one sailor,” he added, as the boat tossed on the choppy swells. “All right,” came back the voice of the Carpathia’s captain, Arthur Rostron.

They were opening for System of a Down, who had just signed with Rick Rubin, and SX-10, which included Sen Dog from Cypress Hill. Los Angeles had a new scene developing right under our noses with System, Incubus, Static-X, Snot, Hoobastank, and others.

A few thousand miles away, Nine Inch Nails' rock star Trent Reznor sauntered off a concert stage as the crowd roared. Security guards rushed to his side. Screaming groupies pushed backstage. Trent nodded and waved, heading back through the crowd. He didn't have time for this. There were more important things waiting. He stepped onto his tour bus, forsaking the drugs, the beer, the women, for the computer awaiting him. It was time again for Doom. Scenes like these had spread around the world since the game crashed the University of Wisconsin's network on December 10. With out an ad campaign, without marketing or advance hype from the mainstream media, Doom became an overnight phenomenon

In Belgian Flanders, the scene of savage fighting since October, the year 1914 ended with a remarkable display of fellowship and goodwill. On Christmas morning near the ruins of Ypres, German troops in their trenches opposite the British began to sing carols and display bits of holiday evergreen. The British soldiers replied by singing in return. Gradually, unarmed soldiers from either side began to show themselves atop their trenches, and cautiously, one by one, then in groups, soldiers from both sides walked out into no man’s land and exchanged gifts of food and cigarettes. “I think I have seen one of the most extraordinary sights today that anyone has ever seen,” Second Lieutenant Dougan Chater wrote to his mother from his trench on the Western Front. “About 10 o’clock this morning I was peeping over the parapet when I saw a German, waving his arms, and presently two of them got out of their trenches and some came towards ours. We were just going to fire on them when we saw they had no rifles so one of our men went out to meet them and in about two minutes the ground between the two lines of trenches was swarming with men and officers of both sides, shaking hands and wishing each other a happy Christmas.” Christmas 1914 brought a temporary lull in the fighting on the Western Front. This German snowman is equipped with a spiked helmet and a Mauser 98 rifle. For the rest of the day, not a shot was fired, and similar scenes were repeated in a number of places along the front. The British commander, Sir John French, was not pleased. “I issued immediate orders to prevent any recurrence of such conduct,” he wrote, “and called the local commanders to strict account.” A general order was issued, directing that “such unwarlike activity must cease.” It did not happen again.

This point is made most clearly in Matthew’s account through the passage immediately following the Hosanna to Jesus, Son of David: “When he entered Jerusalem, all the city was stirred, saying: Who is this? And the crowds said: This is the prophet Jesus from Nazareth of Galilee” (Mt 21:10-11). The parallel with the story of the wise men from the East is unmistakable. On that occasion, too, the people in the city of Jerusalem knew nothing of the newborn king of the Jews; the news about him caused Jerusalem to be “troubled” (Mt 2:3). Now the people were “quaking”: the word that Matthew uses, eseísthē (seíō), describes the vibration caused by an earthquake. People had heard of the prophet from Nazareth, but he did not appear to have any importance for Jerusalem, and the people there did not know him. The crowd that paid homage to Jesus at the gateway to the city was not the same crowd that later demanded his crucifixion. In this two-stage account of the failure to recognize Jesus—through a combination of indifference and fear—we see something of the city’s tragedy of which Jesus spoke a number of times, most poignantly in his eschatological discourse. Matthew’s account has another important text concerning the reception given to Jesus in the Holy City. After the cleansing of the Temple, the children in the Temple repeat the words of homage: “Hosanna to the Son of David!” (21:15). Jesus defends the children’s joyful acclamation against the criticism of “the chief priests and the scribes” by quoting Psalm 8: “Out of the mouths of babies and infants you have brought perfect praise” (v. 2). We will return later to this scene in our discussion of the cleansing of the Temple. For now let us try to understand what Jesus meant by the reference to Psalm 8, with which he opened up a much broader salvation-historical perspective.

His meaning becomes clear if we recall the story recounted by all three Synoptic evangelists, in which children were brought to Jesus “that he might touch them”. Despite the resistance of the disciples, who wanted to protect him from this imposition, Jesus calls the children to himself, lays his hands on them, and blesses them. He explains this gesture with the words: “Let the children come to me; do not hinder them; for to such belongs the kingdom of God. Truly, I say to you, whoever does not receive the kingdom of God like a child shall not enter it” (Mk 10:13-16). The children serve Jesus as an example of the littleness before God that is necessary in order to pass through the “eye of a needle”, the image that he used immediately afterward in the story of the rich young man (Mk 10:17-27). In the previous chapter we find the scene where Jesus responds to the disciples’ dispute over rank by placing a child in their midst, taking it into his arms and saying: “Whoever receives one such child in my name receives me” (Mk 9:33-37). Jesus identifies himself with the child—he himself has become small. As Son he does nothing of himself, but he acts wholly from the Father and for the Father. The passage that follows a few verses later can also be understood on this basis. Here Jesus speaks no longer of children, but of “little ones”, and the term “little ones” designates believers, the company of the disciples of Jesus Christ (cf. Mk 9:42). In the faith they have found this true littleness that leads mankind into its truth. This brings us back to the children’s Hosanna: in the light of Psalm 8, the praise of these children appears as an anticipation of the great outpouring of praise that his “little ones” will sing to him far beyond the present hour. The early Church, then, was right to read this scene as an anticipation of what she does in her liturgy. Even in the earliest post-Easter liturgical text that we possess—the Didachē (ca. 100)—before the distribution of the holy gifts the Hosanna appears, together with the Maranatha: “Let his grace draw near, and let this present world pass away. Hosanna to the God of David. Whoever is holy, let him approach; whoever is not, let him repent. Maranatha. Amen” (10, 6). The Benedictus also entered the liturgy at a very early stage. For the infant Church, “Palm Sunday” was not a thing of the past. Just as the Lord entered the Holy City that day on a donkey, so too the Church saw him coming again and again in the humble form of bread and wine.

Presently Jim turned onto the side road which led to the lake. When they reached it, the setting sun had turned the water to a golden color. A few sailboats, silhouetted against the red sky, were heading toward shore. “What a lovely scene!” Nancy exclaimed.

She was challenging him in a space where that wasn’t acceptable. At the office she could run his life all she liked. He welcomed it, needed it, and honored her for it. But here. Oh, here, she did not get to be in charge. “You’ve waded in to your ankles with your water wings on, little girl. If you scene with me you better know how to swim.” How had they gone from polite to damn near sexual intercourse in point three seconds. Oh, yeah. It was because she’d leaned in, lowered her voice, and opened all sorts of doors that should have remained closed. “I’m a freaking Olympic gold medalist when it comes to this particular pool, Sir. And I’m a woman, not a little girl, as you’re about to find out. Where do you want me?

Jesus said that the meeting place of his people ought to be a “house of prayer”(Mt. 21:13; Is. 56:7), not a lecture hall. The heavenly hosts are not seated as armies of students armed with note pads and pencils around the throne of the Lamb in Revelation 4 and 5. Rather, we see them “fall down before him who sits on the throne” (Rev. 4:10) and hear them “singing a new song” (Rev. 5:9). If this heavenly scene models for us earthly Christian worship, then the corporate acts of kneeling, antiphonal responses, and singing are fundamental to worship.

Murder scenes in particular got them going: sex and death, the old aphrodisiac combination.

repeated this imaginary scene for one month, night after night. The first week in October he 'found' me. On our second date, I knew my dreams were rightly placed. Your teaching tells us to live in the end of our desire until that desire becomes 'fact' so although I did not know how he felt toward me, I continued, night after night, living in the feeling of my dream realized. "The results? In November he proposed. In January we announced our engagement; and the following May we were married. The loveliest part of it all, however, is that I am happier than I ever dreamed possible; and I know in my heart, he is too." . . . Mrs. J.E. By using her imagination radically, instead of conservatively,—by building her world out of pure dreams of fancy—rather than using images supplied by memory, she brought about the fulfillment of her dream. Common sense would have used images supplied by her memory, and thereby perpetuated the fact of lack in her life. Imagination created what she desired out of a dream of fancy. Everyone must live wholly on the level of imagination, and it must be consciously and deliberately undertaken.

The lack of a functioning, trustful community also heightened the refugees’ fears of being abducted by the extremist organization Islamic State. Many initially refused to move to Azraq camp, and although the numbers have increased more recently, Azraq is still far below the 130,000 capacity for which it was built. It’s fitting then that this pop-up city, in real need of some functioning social capital, is now the scene of a radical experiment in new models of community governance, institution-building, and the management of resources. At the heart of that effort is blockchain technology, the decentralized ledger-keeping system that underpins the digital currency bitcoin and promises a more reliable, immediate way to trace transactions. The World Food Program (WFP), a UN agency that feeds 80 million people worldwide, is putting 10,000 Azraq refugees through a pilot that uses this system to better coordinate food distribution. In doing so, the WFP is tackling a giant administrative challenge: how to ensure, in an environment where theft is rampant and few people carry personal identifying documents, that everyone gets their fair share of food. Among those participating in this project was forty-three-year-old Najah Saleh Al-Mheimed, one of the more than 5 million Syrians forced to flee their homes as the brutal, ongoing civil war has all but destroyed their country. In early June 2015, with mounting food shortages and reports of girls being kidnapped by militias in nearby villages, Najah and her husband made the drastic decision to leave her hometown of Hasaka, where their families had lived for generations. “It was an ordeal that I pray to God no human will ever witness,” she said in an interview conducted on our behalf by WFP staffers working in the Azraq camp.

What Bang Si-Hyuk learned in this process was that idols moved to a completely different beat compared to the music industry that came before. Idol music exploded onto the scene with the debut of Seo Taiji and Boys in 1992, and with the 1996 debut of H.O.T., an industrialized production system was put in place. BTS debuted as the idol system approached the twentieth year of its golden age. Its first teenage fans were now in their thirties, and as fandom culture developed over the years, the content and standards the fans demanded also became clearer.

In July 2017, about four years after BTS’s debut, Big Hit Entertainment unveiled the group’s new brand identity and added a new meaning to their name. In addition to the original meaning of “Boys who protect teenagers from oppression and prejudice” in “Bulletproof Boy Scouts,” “Beyond The Scene” indicates the group’s mission to always aim for the horizon, reaching for their dreams without resigning themselves to reality.

27 Places Where You Won't Find Love 1. The spoon with which you measure salt 2. Plastic plates stacked neatly on a shelf 3. Flowers - marigolds and chrysanthemums and roses - and the shop that sells these 4. Earrings lost in the backseat of a tuktuk while looking for the Malayalam translation of "I love you" in the dark 5. Bookshelves with borrowed books, never read 6. Fifty watches, three of which were for sale 7. Coffee whose flavor was slightly off 8. A red bridge that goes by gold, which has replicas everywhere 9. The replicas themselves 10. The rearview mirror of a car 11. The burnt sienna pavement where you hurt yourself 12. A protein shake whose taste grew on you thanks to someone else. With eggs and coconut and toast 13. An island untouched by civilization 14. Another ravaged by war 15. A declined invitation to brunch 16. Dinner gone cold after a long wait, and thrown away the next day 17. An unacknowledged text message 18. Laughter ringing through a movie hall during a scene that didn't warrant it 19. Retainers stored in a box next to baby oil in the medicine cabinet 20. A gold pendant 21. A white and red cable car 22. A helmet too small for your head and another too large 23. Dreams with their own background score 24. Misplaced affection 25. A smile between strangers, with you standing on the outside looking in 26. Your bed 27. The future

As they went inside a shop they noticed they had attracted a following. ‘They had recognised George as we walked past them in the street, then turned to follow us,’ said Pattie. ‘One minute there were five, then 10, 20, 30 and 40 people behind us. I could hear them saying, “The Beatles are here, the Beatles are in town!”’299 For Harrison the area was far from the hippie utopia he had anticipated. ‘I went there expecting it to be a brilliant place, with groovy gypsy people making works of art and paintings and carvings in little workshops. But it was full of horrible spotty drop-out kids on drugs, and it turned me right off the whole scene. I could only describe it as being like the Bowery: a lot of bums and drop-outs; many of them very young kids who’d dropped acid and come from all over America to this mecca of LSD.

It is perhaps worth noticing that we have arrived 'on the scene' at a fairly early date. By this I mean that the time scale that it has taken nature to create us is of the same order of magnitude as the age of the universe. The universe is about 10-15 billion years old, and the Earth about 4.5 billion years old. Life is supposed to have begun on Earth about 3 billion years ago. It would not have been possible to evolve life, because of the hostile conditions, in the first few billion years after the big bang. Thus we have been created almost as soon as the universe was in a position to create us. It is an interesting question how long the universe will continue to create entirely new forms of life, assuming that it is open.

Aight so bet, here we go! You will experience joy, angst, and mild frustration. I’m 10x/10 going to unalive someone and/or bring them back from the dead…with a smile on my face. So know that if you slide in my DMs hollering, I’m going to laugh. I love you, but I’m going to laugh. These characters are going to fight, cuss, and hunch a lot. Lots of lewd scenes. Procreation and such. Baby, if that’s not your thing, close this book and never open it again. This is a BLACK ROMANCE WITH URBAN UNDERTONES – it will not give you “fluffy”, it will not give you “YT Romance vibes”, it will not give you “unproblematic”. It will give you Ganton Hills, BIG BLACK ENERGY, with guns, and gas station drug money, and strip clubs. Because yeah I love them strippers! Who doesn’t? BFFR!

In this scene, Freddie Mercury is depicted as being cornered psychologically. He was exhausted—with Queen’s enormous popularity, their schedule was accordingly hectic, the press was digging into their personal lives, and as a result, they were flooded with every kind of misunderstanding and criticism. When Freddie Mercury says he no longer wants a life that’s a repeat of albums and tours, Brian May answers back: That’s what bands do. Album, tour, album, tour. Like Queen, BTS couldn’t escape “what bands do.” Going back a little in time, to between the release of the album YOU NEVER WALK ALONE in February 2017 and LOVE YOURSELF承 ‘Her’ in September of the same year, BTS had performed thirty-two concerts across ten different countries and regions as part of the 2017 BTS LIVE TRILOGY EPISODE III: THE WINGS TOUR.

Katy Cannon, a UK-based novelist, reports that she has developed this more persistent and abundant perspective on time over the years. At the start of 2013, she had a four-year-old daughter and had just sold her first book. Her contract called for her to turn in another book six months later, which seemed like the sort of work/life disaster one might need to write a very British novel about. But she did it, and in 2016 she wrote and edited five books, a novella, and three short stories (also using the pen name Sophie Pembroke). This is how she makes such prolificacy work. She takes about two weeks to plan her books, outlining scenes and working with her editors on characters and plots. Then, execution happens in small bursts. She sets a timer, and in a twenty- to thirty-minute block of total focus, she can write an 800- to 1,000-word scene. She does two or three of these blocks a day, generally putting down 2,000 to 3,000 words. This is not a huge number; I suspect the average office worker cranks out close to 2,000 words in emails daily. But 2,000 is enough, because Cannon just keeps going. Over a four-day workweek of these two or three bursts per day, she produces about 10,000 words. That means she can write a 70,000- to 80,000-word novel draft in seven to eight weeks. Add in the planning time and two weeks for editing, and that’s a full book in eleven to twelve weeks. Are the books perfect? No, but no book is ever perfect, even ones that take eleven to twelve years to write. As for some idealized book that never made it out of the author’s head, where it would be sullied by reality? We don’t even need to have this conversation. Cannon’s books have the virtue of being completed and out in the world, giving readers pleasure. Done is better than perfect, because there is no perfect without being done.

Every night we’d go out and listen to bands play. Fort Collins had a music scene that was second to none for a town its size. Any night of the week you could find 10 or 15 bands playing. All of them were playing original music, too. No cover bands. I never understood going out to listen to music that you could hear on a CD. We mostly saw punk bands, including Suicide Fan Club, Armchair Martian, Baldo Rex, The Fairlanes, Fester, The Nobodys, Pinhead Circus, and others. Another local favorite was Where’s the Bishop, which merged punk and funk beautifully. It was such a great time.

Visualize. Here’s a visualization practice my friend and mentor Pia taught me: Find a comfortable chair and sit upright. Take 10 deep breaths, relax your shoulders, and clear your mind. Visualize walking through a forest, or a field of cornstalks, or a lush garden. Visualize coming to an open beach. Hold that scene in your mind’s eye for as long as you can, and see what emerges. Objects or people that emerge from the left represent the past. Those from the right represent the future. Record the images in your journal. Writing helps to consolidate the experience. Do timed automatic writings to quiet your rational mind. See 13. Survive love and loss for directions. Record your dreams in a journal. Note patterns, repetitions, symbols, and archetypes, rather than literal events. Before sleep, invite your subconscious for revelation through dreams. Pay attention to your body’s signals: twinges, goosebumps, or nausea, for example. Intuitive signals tend to be fleeting, whereas signals that represent physical imbalances or disease tend to be longer-lasting. Enlist the gift of hindsight. This can help to correlate images and signs with actual happenings, and decipher between intuition and wishful or fearful thinking. Record these notes into your dream journal, which may be used for all intuition-related reflections. Be patient. Developing intuition is like learning a new language. It takes time, repetition, and practice. Practice humility and trust. Like analytical thinking, intuition isn’t 100 percent accurate 100 percent of the time.

Run solar orbit computation software ‘Three Body 1.0’!” Newton screamed at the top of his lungs. “Start the master computing module! Load the differential calculus module! Load the finite element analysis module! Load the spectral method module! Enter initial condition parameters … and begin calculation!” The motherboard sparkled as the display formation flashed with indicators in every color. The human-formation computer began the long computation. “This is really interesting,” Qin Shi Huang said, pointing to the spectacular sight. “Each individual’s behavior is so simple, yet together, they can produce such a complex, great whole! Europeans criticize me for my tyrannical rule, claiming that I suppress creativity. But in reality, a large number of men yoked by severe discipline can also produce great wisdom when bound together as one.” “Great First Emperor, this is just the mechanical operation of a machine, not wisdom. Each of these lowly individuals is just a zero. Only when someone like you is added to the front as a one can the whole have any meaning.” Newton’s smile was ingratiating. “Disgusting philosophy!” Von Neumann said as he glanced at Newton. “If, in the end, the results computed in accordance with your theory and mathematical model don’t match reality, then you and I aren’t even zeroes.” “Indeed. If that turns out to be the case, you will be nothing!” Qin Shi Huang turned and left the scene.

party. I’m long gone from that scene.