“
but it's far too late for us; ring, hair, letters, photographs--all traces of our love will be scattered then, like an anagram...
”
”
Lemony Snicket (The Beatrice Letters)
“
The person who doesn't scatter the morning dew will not comb grey hairs
”
”
Hunter S. Thompson
“
I was a dandelion puff...Some saw the beauty in me and stooped quietly to admire my innocence. Others saw the potential of what I could do for them, so they uprooted me, seeking to shape me around their needs. They blew at my head, scattering my hair from the roots, changing me to suit them. Yet still others saw me as something that was unworthy and needed to be erased.
”
”
Nicole Bailey-Williams
“
Had I ever been so terrified? Perhaps when Typhon raged across the earth, scattering the gods before him. Perhaps when Gaea unleashed her giants to tear down Olympus. Or perhaps when I accidentally saw Ares naked in the gymnasium. That had been enough to turn my hair white for a century.
”
”
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
“
Jace pulled two razor-edged spinning disks out from under the bed. They were covered in gray cat hair. He blew on them scattering fur. “Chakhrams. Cool. Especially if I meet any demons with serious dander allergies.”
Isabelle thwacked him with the bra.
~pg. 331~
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
As Con and Sin approached the Harrowgate, it flashed and a tank of a blood-bay stallion leaped out, scattering staff and patients. Atop the horse sat a massive male in hard leather armor. His hair was short, reddish brown, and his eyes were black as Sin's.
"What the hell are you doing?" Eidolon shouted, but the big male swiveled his head and focused his gaze on Sin with such intensity that Con stiffened.
"Why is he looking at you like that?"
"I...ah..." She slid him a timid glance. "I sort of slept with him once."
Con took a deep breath and tried to rein in his desire to rip out the horse guy's throat. "Where'd you find him? EviLove.com?
”
”
Larissa Ione (Sin Undone (Demonica, #5))
“
Sophie did this?" He said, not for the first time. They were standing at the foot of Jessamine's bed. She lay flung upon it, her chest rising and falling slowly like the famous Sleeping Beauty waxwork or Madame du Barry. Her fair hair was scattered on the pillow, and a large, bloody welt ran across her forehead. Each of her wrists was tied to a post of the bed. "Our Sophie?"
Tessa glanced over at Sophie, who was sitting in a chair by the door. Her head was down, and she was staring at her hands. She studiously avoided looking at Tessa or Will. "Yes,"Tessa said, "and do stop repeating it."
" I think i may be in love with you, Sophie," said Will. "Marriage could be on the cards."
Sophie whimpered.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion.
He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table.
So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers.
“You eat like a fine lady,” she told him.
His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water.
The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly.
“You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason.
“Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.”
Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty.
She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed.
Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!
”
”
Toni Morrison (Love)
“
Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch.
The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on.
Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water.
Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.
”
”
William Golding (Lord of the Flies)
“
I think it would be funny to have one of those family decals showing a really skinny teenage girl barfing into a little chalk-outline bag (the bulimic in the family) or the dad figure dressed in the woman's underwear that he truly enjoys slipping into when no one's looking. Or the wife figure smiling with her exaggerated curly hair and tennis skirt, clutching a racket in one hand and a bottle of Stoli' in the other.
”
”
Celia Rivenbark (Belle Weather: Mostly Sunny with a Chance of Scattered Hissy Fits)
“
When tenderness softened her heart, and the sublime feeling of universal love penetrated her, she found no voice that replied so well to hers as the gentle singing of the pines under the air of noon, and the soft murmurs of the breeze that scattered her hair and freshened her cheek, and the dashing of the waters that has no beginning or end.
”
”
Mary Wollstonecraft Shelley (Valperga)
“
It occurs to me," said Hodge, "that the dilemmas of power are
always the same." Clary glanced at him sideways. "What do you mean?"
She sat on the window seat in the library, Hodge in his chair with Hugo on
the armrest. The remains of breakfast—sticky jam, toast crumbs, and
smears of butter—clung to a stack of plates on the low table that no one
had seemed inclined to clear away. After breakfast they had scattered to
prepare themselves, and Clary had been the first one back. This was hardly
surprising, considering that all she had to do was pull on jeans and a shirt
and run a brush through her hair, while everyone else had to arm
themselves heavily. Having lost Jace's dagger in the hotel, the only
remotely supernatural object she had on her was the witchlight stone in her
pocket.
"I was thinking of your Simon," Hodge said, "and of Alec and Jace,
among others."
She glanced out the window. It was raining, thick fat drops spattering
against the panes. The sky was an impenetrable gray. "What do they have
to do with each other?"
"Where there is feeling that is not requited," said Hodge, "there is an
imbalance of power. It is an imbalance that is easy to exploit, but it is not a
wise course. Where there is love, there is often also hate. They can exist
side by side."
"Simon doesn't hate me."
"He might grow to, over time, if he felt you were using him.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Her dark hair was scattered and its beauty stung his eyes like smoke and ate into his heart.
”
”
Boris Pasternak (Doctor Zhivago)
“
He reached for her, his big hand cupping her cheek, his fingers sliding into her hair, scattering hairpins, threatening the quick work she’d done to put it to rights earlier. She didn’t care. Let them fall. Let them rust in the soil to be found two hundred years from now.
”
”
Sarah MacLean (Bombshell (Hell's Belles, #1))
“
When the Devil was a woman,
When Lilith wound
Her ebony hair in heavy braids,
And framed
Her pale features all 'round
With Botticelli's tangled thoughts,
When she, smiling softly,
Ringed all her slim fingers
In golden bands with brilliant stones,
When she leafed through Villiers
And loved Huysmans,
When she fathomed Maeterlinck's silence
And bathed her Soul
In Gabriel d'Annunzio's colors,
She even laughed
And as she laughed,
The little princess of serpents sprang
Out of her mouth.
Then the most beautiful of she-devils
Sought after the serpent,
She seized the Queen of Serpents
With her ringed finger,
So that she wound and hissed
Hissed, hissed
And spit venom.
In a heavy copper vase;
Damp earth,
Black damp earth
She scattered upon it.
Lightly her great hands caressed
This heavy copper vase
All around,
Her pale lips lightly sang
Her ancient curse.
Like a children's rhyme her curses chimed,
Soft and languid
Languid as the kisses,
That the damp earth drank
From her mouth,
But life arose in the vase,
And tempted by her languid kisses,
And tempted by those sweet tones,
From the black earth slowly there crept,
Orchids -
When the most beloved
Adorns her pale features before the mirror
All 'round with Botticelli's adders,
There creep sideways from the copper vase,
Orchids-
Devil's blossoms which the ancient earth,
Wed by Lilith's curse
To serpent's venom, has borne to the light
Orchids-
The Devil's blossoms-
"The Diary Of An Orange Tree
”
”
Hanns Heinz Ewers (Nachtmahr: Strange Tales)
“
He looked at her, smiling. Her heart—which had been beating pretty rapidly all evening, increased in pace. His hair was ruffled and he had a scattering of sand on his arms. He was gorgeous. And he was looking at her as if she were covered in maple syrup and he wanted to lick it off. She couldn’t believe her luck.
”
”
Serenity Woods (White-Hot Christmas)
“
In the middle, the river was a deep green, scattered with rocks poking their noses up for a breath. The water charged around them, creating eddies and whirlpools. Closer to the bank, the current dragged lengths of weed along with it so it seemed that long-haired women swam just under the surface, never coming up for air.
”
”
Claire Fuller (Our Endless Numbered Days)
“
Venus of Willendorf carries her cave with her. She is blind, masked. Her ropes of corn-row hair look forward to the invention agriculture. She has a furrowed brow. Her facelessness is the impersonality of primitive sex and religion. There is no psychology or identity yet, because there is no society, no cohesion. Men cower and scatter at the blast of the elements. Venus of Willendorf is eyeless because nature can be seen but not known. She is remote even as she kills and creates. The statuette, so overflowing and protuberant, is ritually invisible. She stifles the eye. She is the cloud of archaic night.
”
”
Camille Paglia (Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (Yale Nota Bene))
“
I love you.” He grinned unexpectedly, traced he lower lip with the tip of a finger. “What is more, I know you love me. You hide it from yourself, but I found it in a little corner, tucked away in your mind.”
Shea stared up at the teasing smile on his face, then pushed at the solid wall of his chest. “You’re making that up.”
Jacques moved off her, then reached down to pull her to her feet. His clothes were scattered everywhere, and he made no move to retrieve them. Shea’s shirt was still hanging open, and her jeans were down around her ankles. Blushing, she pulled them up. His hand stayed hers, preventing her from fastening them. “Do not bother, Shea. The pools are just ahead.” He walked a few feet, then looked back over his shoulder. “I did not make it up, and I know you are staring at my backside.”
Shea tossed her mane of red hair so that it flew in all directions. “Any woman in her right mind would stare at your particular backside, so you don’t need to add that to your arrogant list of virtues. And stay out of my mind unless you’re invited.” She was staring, but she couldn’t help it. He was so beautifully masculine.
Jacques reached behind him and captured her hand, lacing their fingers together. “But I find the most interesting things in your mind, my love. Things you do not have any intention of telling me.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
I've seen you up close, like this. I remember your eyes. They're the color of the sea -- just inside a coral reef and your freckles are like the stones of a volcanic island scattered along the sand. Your hair is like the sun setting over the water, shooting out orange rays in all directions
”
”
Melissa Turner Lee
“
Some enterprising rabbit had dug its way under the stakes of my garden again. One voracious rabbit could eat a cabbage down to the roots, and from the looks of things, he'd brought friends. I sighed and squatted to repair the damage, packing rocks and earth back into the hole. The loss of Ian was a constant ache; at such moments as this, I missed his horrible dog as well.
I had brought a large collection of cuttings and seeds from River Run, most of which had survived the journey. It was mid-June, still time--barely--to put in a fresh crop of carrots. The small patch of potato vines was all right, so were the peanut bushes; rabbits wouldn't touch those, and didn't care for the aromatic herbs either, except the fennel, which they gobbled like licorice.
I wanted cabbages, though, to preserve a sauerkraut; come winter, we would want food with some taste to it, as well as some vitamin C. I had enough seed left, and could raise a couple of decent crops before the weather turned cold, if I could keep the bloody rabbits off. I drummed my fingers on the handle of my basket, thinking. The Indians scattered clippings of their hair around the edges of the fields, but that was more protection against deer than rabbits.
Jamie was the best repellent, I decided. Nayawenne had told me that the scent of carnivore urine would keep rabbits away--and a man who ate meat was nearly as good as a mountain lion, to say nothing of being more biddable. Yes, that would do; he'd shot a deer only two days ago; it was still hanging. I should brew a fresh bucket of spruce beer to go with the roast venison, though . . . (Page 844)
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
We found ways. This is the story, the human story, the werewolf story, the life story: One finds ways. Kissing, slowly, was one. Though dark-haired and dark-eyed she was fair-skinned, a sensuous contrast that required continual reapprehension. All of her required this (or rather all of my desire did), repeatedness, over again–ness. The beauty spot by her lip was one of a dozen or so scattered over her body. My new constellations. There was no performance, no pornography, just complete conversion to the religion of each other, that erotic equalisation that mocks distinction between the sacred and the profane, that at a stroke anarchises the body’s moral world.
”
”
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
“
Ah, Iokanaan, Iokanaan, thou wert the man that I loved alone among men! All other men were hateful to me. But thou wert beautiful! Thy body was a column of ivory set upon feet of silver. It was a garden full of doves and lilies of silver. It was a tower of silver decked with shields of ivory. There was nothing in the world so white as thy body. There was nothing in the world so black as thy hair. In the whole world there was nothing so red as thy mouth. Thy voice was a censer that scattered strange perfumes, and when I looked on thee I heard a strange music. Ah! wherefore didst thou not look at me, Iokanaan?
”
”
Oscar Wilde (Salomé)
“
We Navajos believe in witchcraft. Cut hair and fingernail clippings should be gathered and hidden or burned. Such things could be used to invoke bad medicine against their owner. People should not leave parts of themselves scattered around to be picked up by someone else. Even the smallest children knew that.
”
”
Chester Nez (Code Talker: The First and Only Memoir By One of the Original Navajo Code Talkers of WWII)
“
He strolled out onto the wide, semidark veranda, where couples were scattered at tables, filling the lantern-hung night with vague words and hazy laughter.
”
”
F. Scott Fitzgerald (Bernice Bobs Her Hair)
“
This is my friend Veronica,” I told him. “And this is Kaidan.”
“Oh, I've heard all about you.” Veronica gave him a big smile.
His brow elevated, but he didn't take the bait. Instead, he stared at me funny. “Nice wart.” Leaning forward without touching me, he flicked the wart from the tip of my nose.
Veronica let out a loud cackle, proving she should be the one in my costume.
“I told you it was stupid!” She gloated.
With my pointer finger, I moved the paint around my nose to fill in the blank spot. When I finished, he was still watching me.
“Your hair's grown a lot,” I said to him.
“So has your bottom.”
My eyes rounded and blood rushed to my face. Veronica hooted with hilarity, bending at the waist. Even Jay let out a loud snicker, the traitor.
I wished Kaidan weren't so perceptive, but it was true. The feminine curves that had always eluded me were finally making an appearance. Stupid tight dress.
“Dude, you can get away with anything,” said the pirate to the straight-faced ape.
“I meant it as a compliment.”
“That was awesome.” Veronica grabbed Jay by the hand. “Come on. Let's go find me a drink.”
She winked at me as they ambled away. I gave my attention to the dry, trampled grass and scattered cans for a moment before working up the nerve to say something.
“My dad gave me a cell phone.” And a car. And a ton of money.
Kaidan set the ape head on the ground and pulled his phone from a fuzzy pocket, blowing off brown lint. Then he held his furry thumbs above the buttons and nodded at me. I started to give him my number, but his brow creased in frustration with the big, costumed hands.
“Here,” I said, taking his phone. Saving my number for him gave me a thrill.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Cloves
Where is the scent of cloves coming from?
her hair?
armpit?
or her dress
thrown on the Tunisian rug?
From the third step in the house?
Layla
makes everything smell of cloves.
Layla
is the orchard when it’s wet.
She is
what the orchard breathes
when it’s watered at night.
Layla knows now
that I am drunk with the scent of cloves,
she stiches together my clouds
and then scatters them together
in a sky like a sheet
as she clasps me.
Layla
feels that my fingers are numb,
over the dunes she knows
my pulse is hers,
my water is hers.
Layla
leaves me sleeping,
rocking between clouds
and cloves.
”
”
سعدي يوسف (Nostalgia, My Enemy)
“
She watched his pale, square hands on the map, the short almost stubby fingers, with their neatly trimmed nails and a sparse scattering of fine black hairs on the bottom section of each finger. Appalled, she felt a stirring of desire. You're pathetic as an adolescent, she savagely chided herself. Like a teenager who fancies the first teacher who says anything nice about your work. Grow up, Jordan!
”
”
Val McDermid (The Mermaids Singing (Tony Hill & Carol Jordan, #1))
“
There is a charm to letters and cards that emails and smses can’t ever replicate, you cannot inhale them, drawing the fragrance of the place they have been mailed from, the feel of paper in your hand bearing the weight of the words contained within. You cannot rub your fingers over the paper and visualise the sender, seated at a table, writing, perhaps with a smile on their lips or a frown splitting the brow. You can’t see the pressure of the pen on the reverse of the page and imagine the mood the person might have been in when he or she was writing it. Smiley face icons cannot hope to replace words thought out carefully in order to put a smile on the other person’s face, the pressure of the pen, the sharpness or the laxity of the handwriting telling stories about the frame of mind of the writer, the smudges on the sheets of paper telling their own stories, blotches where tears might have fallen, hastily scratched out words where another would have been more appropriate, stories that the writer of the letter might not have intended to communicate. I have letters wrapped up in a soft muslin cloth, letters that are unsigned, tied up with a ribbon which I had once used to hold my soft, brown hair in place, and which had been gently untied by the writer of those letters. Occasionally, I unwrap them and breathe them in, knowing that the molecules from the hand that wrote them might still be scattered on the surface of the paper, a hand that is long dead.
”
”
Kiran Manral (The Face at the Window)
“
I come and stand at every door
But none can hear my silent tread
I knock and yet remain unseen
For I am dead for I am dead
I'm only seven though I died
In Hiroshima long ago
I'm seven now as I was then
When children die they do not grow
My hair was scorched by swirling flame
My eyes grew dim my eyes grew blind
Death came and turned my bones to dust
And that was scattered by the wind
I need no fruit I need no rice
I need no sweets nor even bread
I ask for nothing for myself
For I am dead for I am dead
All that I need is that for peace
You fight today you fight today
So that the children of this world
Can live and grow and laugh and play
- The Girl Child
”
”
Nâzım Hikmet
“
I dream of a small room and a man with one eye. Blood seeps like scarlet tears from his empty socket. I turn away and the room becomes a hallway that becomes a stairway that becomes a roof. The wind tugs at my body; the sky tries to wrap me in stars. Below me, a gazebo glows with red light. A line of black cars crawls like cockroaches through the streets.
An air conditioner exhaust fan chitters angrily near the roof’s edge, one of its blades bent just enough to scrape against the side of the casing. For a second I let the wind push me close enough to the fan’s razor- sharp blades that a lock of my hair gets snipped and sent out into the night. As it twists and flutters toward the gazebo, I think about just letting go, letting the breeze carry my body into the whirling blades, the wind scattering pieces of me throughout the city. Blood and flesh seeping into the cracked pavement. Flowers blooming wherever I land.
”
”
Paula Stokes (Vicarious (Vicarious, #1))
“
[Poem II]
I wake up in your bed. I know I have been dreaming.
Much earlier, the alarm broke us from each other,
you’ve been at your desk for hours. I know what I dreamed:
our friend the poet comes into my room
where I’ve been writing for days,
drafts, carbons, poems are scattered everywhere,
and I want to show her one poem
which is the poem of my life. But I hesitate,
and wake. You’ve kissed my hair
to wake me. I dreamed you were a poem,
I say, a poem I wanted to show someone …
and I laugh and fall dreaming again
of the desire to show you to everyone I love,
to move openly together
in the pull of gravity, which is not simple,
which carries the feathered grass a long way down the upbreathing air.
”
”
Adrienne Rich (Twenty-One Love Poems.)
“
Paths of the mirror"
I
And above all else, to look with innocence. As if nothing was happening, which is true.
II
But you, I want to look at you until your face escapes from my fear like a bird from the sharp
edge of the night.
III
Like a girl made of pink chalk on a very old wall that is suddenly washed away by the rain.
IV
Like when a flower blooms and reveals the heart that isn’t there.
V
Every gesture of my body and my voice to make myself into the offering,
the bouquet that is abandoned by
the wind on the porch.
VI
Cover the memory of your face with the mask of who you will be and scare the girl you once were.
VII
The night of us both scattered with the fog. It’s the season of cold foods.
VIII
And the thirst, my memory is of the thirst, me underneath, at the bottom, in the hole,
I drank, I remember.
IX
To fall like a wounded animal in a place that was meant to be for revelations.
X
As if it meant nothing. No thing. Mouth zipped. Eyelids sewn. I forgot.
Inside, the wind. Everything closed and the wind inside.
XI
Under the black sun of the silence the words burned slowly.
XII
But the silence is true. That’s why I write. I’m alone and I write. No, I’m not alone.
There’s somebody here shivering.
XIII
Even if I say sun and moon and star I’m talking about things that happen to me. And what did I wish for? I wished for a perfect silence.
That’s why I speak.
XIV
The night is shaped like a wolf’s scream.
XV
Delight of losing one-self in the presaged image. I rose from my corpse, I went looking for who I am.
Migrant of myself, I’ve gone towards the one who sleeps in a country of wind.
XVI
My endless falling into my endless falling where nobody waited for me –because when I saw who was waiting for me I saw no one but myself.
XVII
Something was falling in the silence. My last word was “I” but I was talking about the luminiscent dawn.
XVIII
Yellow flowers constellate a circle of blue earth. The water trembles full of wind.
XIX
The blinding of day, yellow birds in the morning. A hand untangles the darkness, a hand drags
the hair of a drowned woman that never stops going through the mirror. To return to the memory of the body,
I have to return to my mourning bones, I have to understand what my voice is saying.
”
”
Alejandra Pizarnik (Extracting the Stone of Madness: Poems 1962 - 1972)
“
Who, if I cried out, would hear me among
the angels?"
I know the answer:
no one.
Tell me: from where does love come?
An angel is sitting on my face. To whom can I run?
Take me in your arms, death,
I'm so scared;
do anything to me that will make me safe
while I kick my heels and shout out in total fear,
while we hurtle through your crags
to where it's blacker:
Orpheus' head eaten by rats,
what's left of the world scatters,
in the Lethe the poet's hairs,
below where there's no ground, down
into your hole,
because you want me to eat your sperm.
Death. I know.
"Every angel is terrifying."
Because of this, because I have met death,
I must keep my death in me,
gently,
and yet go on living.
Because of this, because I have met my death,
I give myself birth.
Remember that Persephone
raped by Hades
then by him brought
into the Kingdom of Death
there gave birth
to Dionysius.
You were the terrorized child,
Mother,
Now be no more.
Requiat in pacem.
Tell me: from where does love come?
"Emerging at last from violent insight
"Sing out in jubilation and in praise."
to the angels who terrified away the night.
Let not one string
of my forever-child's heart and cunt fail to sing.
Open up this body half in the realm of life, half in death
and give breathe.
For to breathe is always to pray.
You language where language goes away.
You were the terrorized child,
Mother,
Be no more.
Requiat in pacem.
Requiem.
For it was you I loved.
”
”
Kathy Acker
“
God was something I did not understand the way kids who went to church did. They said God was a man in the sky with white hair and a beard like Santa. This seemed strange to me. When I thought of God, I imagined only mist over the pond, a sliver of moon in a dark sky, scatterings of stars, birdsong.
”
”
Melissa Coleman (This Life Is in Your Hands: One Dream, Sixty Acres, and a Family Undone)
“
Opportunity (from Machiavelli)
"But who art thou, with curious beauty graced,
O woman, stamped with some bright heavenly seal
Why go thy feet on wings, and in such haste?"
"I am that maid whose secret few may steal,
Called Opportunity. I hasten by
Because my feet are treading on a wheel,
Being more swift to run than birds to fly.
And rightly on my feet my wings I wear,
To blind the sight of those who track and spy;
Rightly in front I hold my scattered hair
To veil my face, and down my breast to fall,
Lest men should know my name when I am there;
And leave behind my back no wisp at all
For eager folk to clutch, what time I glide
So near, and turn, and pass beyond recall."
"Tell me; who is that Figure at thy side?"
"Penitence. Mark this well that by decree
Who lets me go must keep her for his bride.
And thou hast spent much time in talk with me
Busied with thoughts and fancies vainly grand,
Nor hast remarked, O fool, neither dost see
How lightly I have fled beneath thy hand.
”
”
James Elroy Flecker (Forty-Two Poems)
“
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands.
Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap.
I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death.
But today, vigor and grace have forsaken me and left me crippled.
Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own.
My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever.
But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path?
No, everything and everyone we love will vanish, one day.
So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship.
Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last.
Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character.
Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing.
My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know.
So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have.
But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib.
My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
”
”
Shakieb Orgunwall
“
Her hair, the brightest shade of red he had ever seen, seemed to feed on the firelight, glowing with incandescent heat. The slender wings of her brows and the heavy fringe of her lashes were a darker shade of auburn, while her skin was that of a true redhead, fair and a bit freckled on the nose and cheeks. Sebastian was amused by the festive scattering of little gold flecks, sprinkled as if by the whim of a friendly fairy. She had unfashionably full lips that were colored a natural rose, and large, round blue eyes... pretty but emotionless eyes, like those of a wax doll.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Cam restored her clothing slowly, his strong hands lifting her from the beech. Crushing her close, he muttered something incomprehensible against her hair. Another spell to bind her, she thought hazily, her cheek pressed to his smooth, hard chest. “You’re speaking in Romany,” she mumbled.
Cam switched to English. “Amelia, I—” He stopped, as if the right words eluded him. “I can’t stop myself from being jealous, any more than I can stop being half Roma. But I’ll try not to be overbearing. Just say you’ll be my wife.”
“Please,” Amelia whispered, her wits still scattered, “let me answer later. When I can think clearly.”
“You do too much thinking.” He kissed the top of her head. “I can’t promise you a perfect life. But I can promise that no matter what happens, I’ll give you everything I have. We’ll be together. You inside me … me inside you.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Could my Father not provide me
With hosts of winged legions? Then,
Having touched not a hair upon my head,
My enemies would scatter without a trace. “But the book of life has reached a page
Dearer than all that’s sacred.
”
”
Boris Pasternak (Doctor Zhivago (Vintage International))
“
A naturalist should look at the world with warm affection, if not ardent love. The life the scalpel has ended ought to be honored by a caring, devoted appreciation for that creature’s unrepeatable individuality, and for the fact that, at the same time, strange as this may seem, this life stands for the entire natural kingdom. Examined with attention, the dissected hare illuminates the parts and properties of all other animals and, by extension, their environment. The hare, like a blade of grass or a piece of coal, is not simply a small fraction of the whole but contains the whole within itself. This makes us all one. If anything, because we are all made of the same stuff. Our flesh is the debris of dead stars, and this is also true of the apple and its tree, of each hair on the spider’s legs, and of the rock rusting on planet Mars. Each minuscule being has spokes radiating out to all of creation. Some of the raindrops falling on the potato plants in your farm back in Sweden were once in a tiger’s bladder. From one living thing, the properties of any other may be predicted. Looking at any particle with sufficient care, and following the chain that links all things together, we can arrive at the universe—the correspondences are there, if the eye is skillful enough to detect them. The guts of the anatomized hare faithfully render the picture of the entire world. And because that hare is everything, it is also us. Having understood and experienced this marvelous congruity, man can no longer examine his surroundings merely as a surface scattered with alien objects and creatures related to him only by their usefulness. The carpenter who can only devise tabletops while walking through the forest, the poet who can only remember his own private sorrows while looking at the falling snow, the naturalist who can only attach a label to every leaf and a pin to every insect—all of them are debasing nature by turning it into a storehouse, a symbol, or a fact. Knowing nature, Lorimer would often say, means learning how to be. And to achieve this, we must listen to the constant sermon of things. Our highest task is to make out the words to better partake in the ecstasy of existence.
”
”
Hernan Diaz (In the Distance)
“
I drew my bath and scattered dried rose petals in the water. I stepped into the tub, pinned up my hair, dipped into the bowl of mayonnaise that had been mixed with fennel and rosemary and soaked secretly in the refrigerator for two days.
”
”
Mindy Friddle (The Garden Angel)
“
Soon Rapunzel's hair spilled out around her like a silver pond sparkling in the sunlight, or a frozen one in the moonlight. When the breeze shifted the branches above, the sun hit her tresses and its light scattered everywhere. The whole area under the tree was illuminated with shifting, dappled scintillations.
Rapunzel wondered what it would look like from far away, from high above: would she look like a funny star? Were all the stars out there maidens with strange hair?
”
”
Liz Braswell (What Once Was Mine)
“
Last Night’s Moon,"
“When will we next walk together
under last night’s moon?”
- Tu Fu
March aspens, mist
forest. Green rain pins down
the sea, early evening
cyanotype. Silver saltlines, weedy
toques of low tide, pillow lava’s
black spill indelible
in the sand. Unbroken
broken sea.
—
Rain sharpens marsh-hair
birth-green of the spring firs.
In the bog where the dead never disappear,
where river birch drown, the surface
strewn with reflection. This is the acid-soaked
moss that eats bones, keeps flesh;
the fermented ground where time stops and
doesn’t; dissolves the skull, preserves
the brain, wrinkled pearl in black mud.
—
In the autumn that made love
necessary, we stood in rubber boots
on the sphagnum raft and learned
love is soil–stronger than peat or sea–
melting what it holds.
The past
is not our own. Mole’s ribbon of earth,
termite house,
soaked sponge. It rises,
keloids of rain on wood; spreads,
milkweed galaxy, broken pod
scattering the debris of attention.
Where you are
while your body is here, remembering
in the cold spring afternoon.
The past
is a long bone.
—
Time is like the painter’s lie, no line
around apple or along thigh, though the apple
aches to its sweet edge, strains
to its skin, the seam of density. Invisible line
closest to touch. Lines of wet grass
on my arm, your tongue’s
wet line across my back.
All the history in the bone-embedded hills
of your body. Everything your mouth
remembers. Your hands manipullate
in the darkness, silver bromide
of desire darkening skin with light.
—
Disoriented at great depths,
confused by the noise of shipping routes,
whales hover, small eyes squinting as they consult
the magnetic map of the ocean floor. They strain,
a thousand miles through cold channels;
clicking thrums of distant loneliness
bounce off seamounts and abyssal plains. They look up
from perpetual dusk to rods of sunlight,
a solar forest at the surface.
Transfixed in the dark summer
kitchen: feet bare on humid
linoleum, cilia listening. Feral
as the infrared aura of the snake’s prey, the bees’
pointillism, the infrasonic
hum of the desert heard by the birds.
The nighthawk spans the ceiling;
swoops. Hot kitchen air
vibrates. I look up
to the pattern of stars under its wings.
”
”
Anne Michaels
“
The travelers emerged into a spacious square. In the middle of this square were several dozen people on a wooden bandstand like in a public park. They were the members of a band, each of them as different from one another as their instruments. Some of them looked round at the approaching column. Then a grey-haired man in a colorful cloak called out and they reached for their instruments. There was a burst of something like cheeky, timid bird-song and the air – air that had been torn apart by the barbed wire and the howl of sirens, that stank of oily fumes and garbage – was filled with music. It was like a warm summer cloud-burst ignited by the sun, flashing as it crashed down to earth.
People in camps, people in prisons, people who have escaped from prison, people going to their death, know the extraordinary power of music. No one else can experience music in quite the same way.
What music resurrects in the soul of a man about to die is neither hope nor thought, but simply the blind, heart-breaking miracle of life itself. A sob passed down the column. Everything seemed transformed, everything had come together; everything scattered and fragmented -home, peace, the journey, the rumble of wheels, thirst, terror, the city rising out of the mist, the wan red dawn – fused together, not into a memory or a picture but into the blind, fierce ache of life itself. Here, in the glow of the gas ovens, people knew that life was more than happiness – it was also grief. And freedom was both painful and difficult; it was life itself.
Music had the power to express the last turmoil of a soul in whose blind depths every experience, every moment of joy and grief, had fused with this misty morning, this glow hanging over their heads. Or perhaps it wasn't like that at all. Perhaps music was just the key to a man's feelings, not what filled him at this terrible moment, but the key that unlocked his innermost core.
In the same way, a child's song can appear to make an old man cry. But it isn't the song itself he cries over; the song is simply a key to something in his soul.
”
”
Vasily Grossman (Life and Fate)
“
Facing Wine
Never refuse wine. I'm telling you,
people come smiling in spring winds:
peach and plum like old friends, their
open blossoms scattering toward me,
singing orioles in jade-green trees,
and moonlight probing gold winejars.
Yesterday we were flush with youth,
and today, white hair's an onslaught.
Bramble's overgrown Shih-hu Temple,
and deer roam Ku-su Terrace ruins:
it's always been like this, yellow dust
choking even imperial gates closed
in the end. If you don't drink wine,
where are those ancient people now?
”
”
Li Po
“
Homer's Hymn to the Moon
Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition; dated 1818.
Daughters of Jove, whose voice is melody,
Muses, who know and rule all minstrelsy
Sing the wide-winged Moon! Around the earth,
From her immortal head in Heaven shot forth,
Far light is scattered—boundless glory springs;
Where'er she spreads her many-beaming wings
The lampless air glows round her golden crown.
But when the Moon divine from Heaven is gone
Under the sea, her beams within abide,
Till, bathing her bright limbs in Ocean's tide,
Clothing her form in garments glittering far,
And having yoked to her immortal car
The beam-invested steeds whose necks on high
Curve back, she drives to a remoter sky
A western Crescent, borne impetuously.
Then is made full the circle of her light,
And as she grows, her beams more bright and bright
Are poured from Heaven, where she is hovering then,
A wonder and a sign to mortal men.
The Son of Saturn with this glorious Power
Mingled in love and sleep—to whom she bore
Pandeia, a bright maid of beauty rare
Among the Gods, whose lives eternal are.
Hail Queen, great Moon, white-armed Divinity,
Fair-haired and favourable! thus with thee
My song beginning, by its music sweet
Shall make immortal many a glorious feat
Of demigods, with lovely lips, so well
Which minstrels, servants of the Muses, tell.
”
”
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
“
I notice Catherine’s ceramic collectibles for the first time, really see them in a blinding flash of lightning. They’re scattered around the house, but here in the dining room, they have a dedicated hutch. They’re all blackface caricatures. Mammy and Pappy saltshakers, skin the darkest black, aprons the whitest white. Ashtrays that are only pitch-black heads, mouths open to swallow the detritus. A blond-haired, black-skinned baby eating a slice of watermelon twice his size, his face so gape-mouthed that he appears more fish than human. An Amos and Andy plate.
”
”
Jess Lourey (Bloodline)
“
Then a skeleton came out from among the trees. It was the skeleton of a Union soldier, though the uniform it wore was so ragged and filthy it was difficult to identify. The sunken cheeks were covered with a thin scattering of fuzz; the hair was lank and matted. It fell over the skeleton's forehead and down into its eyes
”
”
Irene Hunt (Across Five Aprils)
“
Savich stood over the metal parcel cage he’d been told was called an OTR, looked at the boxes scattered around it on the floor, streaked and smudged with blood like abstract paintings. Only the packages beneath the body had kept the blood from dripping out of the OTR. He looked down to see the body of an older man with a circle of gray hair around his head. He was torqued into a tight fetal position—difficult because he was heavy—his arms pulled between his legs. No deputy’s uniform. He wore a long-sleeved flannel shirt, old jeans, and ancient brown boots. Impossible to tell what sort of man he’d been—if he’d enjoyed jokes, if he’d loved his family, if he’d been honorable—that was all wiped away, gone in an instant, when the Athame was stuck into his heart. There had to be people out there already worrying about Kane Lewis, wondering where he was. They’d find out soon enough. Savich imagined he’d been a pleasant-looking man, but not in death. No, not in death.
”
”
Catherine Coulter
“
In the old days (not so old, I remind myself) there would have been a celebration last night. All Hallows' Eve: a magical time; a time of secrets and of mysteries; of sachets to be sewn in red silk and hung around the house to ward off evil; of scattered salt and spiced wine and honey cakes left on the sill; of pumpkin, apples, firecrackers, and the scent of pine and woodsmoke as autumn turns and old winter takes the stage. There would have been songs and dancing round the bonfire; Anouk in greasepaint and black feathers, flitting from door to door with Pantoufle at her heels, and Rosette with her lantern and her own totem- with orange fur to match her hair- prancing and preening in her wake.
”
”
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
“
My beautiful wooden leader
with your heartful of medals
made of wood, fixing it
each time so you almost win,
you long to be bandaged
before you have been cut.
My love for you is the love
of one statue for another: tensed
and static. General, you enlist
my body in your heroic
struggle to become real:
though you promise bronze rescues
you hold me by the left ankle
so that my head brushes the ground,
my eyes are blinded,
my hair fills with white ribbons.
There are hordes of me now, alike
and paralyzed, we follow you
scattering floral tributes
under your hooves.
Magnificent on your wooden horse
you point with your fringed hand;
the sun sets, and the people all
ride off in the other direction.
”
”
Margaret Atwood (Power Politics: Poems (A List))
“
Some gifted people have all five and some less. Every gifted person tends to lead with one. As I read this list for the first time I was struck by the similarities between Dabrowski’s overexcitabilities and the traits of Sensitive Intuitives. Read the list for yourself and see what you identify with: Psychomotor This manifests as a strong pull toward movement. People with this overexcitability tend to talk rapidly and/or move nervously when they become interested or passionate about something. They have a lot of physical energy and may run their hands through their hair, snap their fingers, pace back and forth, or display other signs of physical agitation when concentrating or thinking something out. They come across as physically intense and can move in an impatient, jerky manner when excited. Other people might find them overwhelming and they’re routinely diagnosed as ADHD. Sensual This overexcitability comes in the form of an extreme sensitivity to sounds, smells, bright lights, textures and temperature. Perfume and scented soaps and lotions are bothersome to people with this overexcitability, and they might also have aversive reactions to strong food smells and cleaning products. For me personally, if I’m watching a movie in which a strobe light effect is used, I’m done. I have to shut my eyes or I’ll come down with a headache after only a few seconds. Loud, jarring or intrusive sounds also short circuit my wiring. Intellectual This is an incessant thirst for knowledge. People with this overexcitability can’t ever learn enough. They zoom in on a few topics of interest and drink up every bit of information on those topics they can find. Their only real goal is learning for learning’s sake. They’re not trying to learn something to make money or get any other external reward. They just happened to have discovered the history of the Ming Dynasty or Einstein’s Theory of Relativity and now it’s all they can think about. People with this overexcitability have intellectual interests that are passionate and wide-ranging and they study many areas simultaneously. Imaginative INFJ and INFP writers, this is you. This is ALL you. Making up stories, creating imaginary friends, believing in Santa Claus way past the ordinary age, becoming attached to fairies, elves, monsters and unicorns, these are the trademarks of the gifted child with imaginative overexcitability. These individuals appear dreamy, scattered, lost in their own worlds, and constantly have their heads in the clouds. They also routinely blend fiction with reality. They are practically the definition of the Sensitive Intuitive writer at work. Emotional Gifted individuals with emotional overexcitability are highly empathetic (and empathic, I might add), compassionate, and can become deeply attached to people, animals, and even inanimate objects, in a short period of time. They also have intense emotional reactions to things and might not be able to stomach horror movies or violence on the evening news. They have most likely been told throughout their life that they’re “too sensitive” or that they’re “overreacting” when in truth, they are expressing exactly how they feel to the most accurate degree.
”
”
Lauren Sapala (The Infj Writer: Cracking the Creative Genius of the World's Rarest Type)
“
Yesterday you were riding on my shoulders," he murmured. "The house was full of noise. Clomping up and down the steps,doors slamming. Scattered toys. I don't know how many times I stepped on one of those damned little cars of Brady's/"
Turning back, he ran a hand over her hair. "I miss that.I miss all of you."
"Daddy." In one fluid movement she rose and slid her arms around him.
"It's the way it's supposed to work. Three of you off at college, Brendon moving around to get a handle on the busines of things.It's what he wants. And you, building your own.But..I miss the crowd of you."
"I promise to slam the door the very first chance I get."
"That might help."
"Sentimental softie.I love that about you."
"Lucky for me.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Is it always this awkward?" Sara asked. Her voice was hushed.
Derek turned to look at her, his gaze falling to the white rose in her hands. She had taken it from the arrangement of hothouse flowers. Nervously her fingers ruffled the fragile petals.
Self-consciously Sara sniffed the pale blossom and began to insert it back into the huge vase. "It's nice to have roses in January," she murmured. "Nothing in the world has such a lovely scent."
She was so innocently beautiful, with the disordered waves of her hair falling around her face. His muscles tightened in response. He would like to have her painted this way, standing by the table with her head turned toward him, the white flower caught in her fingers. "Bring it here," he said.
She obeyed, coming to him and handing him the rose. He closed his fingers around the plump head of the flower and pulled gently, freeing the petals from their tenuous moorings. Tossing aside the desecrated stem, he opened his hand over the bed. The petals scattered in a fragrant shower. Sara drew in a quick breath, staring at him as if mesmerized.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
Mora found her heart racing, and her body dissolved, skin and hair and bones, her blood and her thoughts scattering with the stars, turning with the earth.
She sighed, and in that sigh was sewn a word for longing. Stars pooled around her, hanging down like chandeliers and spinning like waterwheels; they were inside her, cleansing her body and mind by stripping away anything of shadows, leaving behind only streaks of sharpened will.
”
”
Tessa Gratton (Lady Hotspur (Innis Lear, #2))
“
I'll see you when you're done with your interrogation."
"I am not going to interrogate anyone!"
Jack grinned. "Of course not.You're just going to ask questions." He cast a glance at Perkins. "Lady Kincaid will be with our guest shortly."
"Yes,my lord." The butler bowed and left.
Fiona frowned at the steady beat of rain against the window. "Dougal will catch his death,riding in such a rain."
Jack shrugged. "He made it; let him swim in it." He pressed a kiss to his wife's forehead. "I'll be curious to hear about this woman."
Fiona absently nodded.If what Jack suspected wer true and Miss MacFarlane was the cause of Dougal's gloom, then woe betide the lady!
Chin high, she swept into the entryway. Standing in the center of the hall was a woman with gray curly hair and freckles, broad as a barn and dressed as a servant. Fiona almost tripped over her own feet. Surely,this was not the sort of woman Dougal pursued? But perhaps...perhaps it was true love. Was that why Dougal had been so surly?
Fiona gathered her scattered wits and put a polite smile on her face. "Miss MacFarlane? Welcome to-"
A soft cough halted Fiona, and the woman before her pointed behind Fiona.
She turned around and knew instantly that she was indeed facing the cause of Dougal's storms. Miss MacFarlane wasn't simply beautiful; the girl was breathtaking.
”
”
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
“
The most transient visitor to this planet, I thought, who picked up this paper could not fail to be aware, even from this scattered testimony, that England is under the rule of a patriarchy. Nobody in their senses could fail to detect the dominance of the professor. His was the power and the money and the influence. He was the proprietor of the paper and its editor and sub-editor. He was the Foreign Secretary and the judge. He was the cricketer; he owned the racehorses and the yachts. He Was the director of the company that pays two hundred per cent to its shareholders. He left millions to charities and colleges that were ruled by himself. He suspended the film actress in mid-air. He will decide if the hair on the meat axe is human; he it is who will acquit or convict the murderer, and hang him, or let him go free. With the exception of the fog he seemed to control everything. Yet he was angry.
”
”
Virginia Woolf (A Room of One’s Own)
“
Darya Alexandrovna, in a dressing jacket, and with her now scanty, once luxuriant and beautiful hair fastened up with hairpins on the nape of her neck, with a sunken, thin face and large, startled eyes, which looked prominent from the thinness of her face, was standing among a litter of all sorts of things scattered all over the room, before an open bureau, from which she was taking something. Hearing her husband's steps, she stopped, looking towards the door, and trying assiduously to give her features a severe and contemptuous expression. She felt she was afraid of him, and afraid of the coming interview. She was just attempting to do what she had attempted to do ten times already in these last three days—to sort out the children's things and her own, so as to take them to her mother's—and again she could not bring herself to do this; but now again, as each time before, she kept saying to herself, "that things cannot go on like this, that she must take some step" to punish him, put him to shame, avenge on him some little part at least of the suffering he had caused her. She still continued to tell herself that she should leave him, but she was conscious that this was impossible; it was impossible because she could not get out of the habit of regarding him as her husband and loving him. Besides this, she realized that if even here in her own house she could hardly manage to look after her five children properly, they would be still worse off where she was going with them all. As it was, even in the course of these three days, the youngest was unwell from being given unwholesome soup, and the others had almost gone without their dinner the day before. She was conscious that it was impossible to go away; but, cheating herself, she went on all the same sorting out her things and pretending she was going.
”
”
Leo Tolstoy (Anna Karenina)
“
His thoughts became as scattered and aimless as the rivulets sluicing down her lush curves. She was a goddess rising from the water. Like Botticelli's Birth of Venus, except with heavy silvery hair darkened by her bath that, unlike Venus, she didn't use to hide her feminine secrets. She stood with her chin held at an obstinate angle, her shoulders straight in an observance of good posture, those soft gray eyes staring at him with a mixture of resolution and expectation.
”
”
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
“
People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from green to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people on the weather channel leaning into the wind while lawmen shout in megaphones: “Get moving!
”
”
Toni Morrison (Love)
“
Anna? Anna,are you there? I've been waiting in the lobby for fifteen minutes." A scrambling noise,and St. Clair curses from the floorboards. "And I see your light's off.Brilliant. Could've mentioned you'd decided to go on without me."
I explode out of bed. I overslept! I can't believe I overslept! How could this happen?
St. Clair's boots clomp away,and his suitcase drags heavily behind him. I throw open my door. Even though they're dimmed this time of night,the crystal sconces in the hall make me blink and shade my eyes.
St. Clair twists into focus.He's stunned. "Anna?"
"Help," I gasp. "Help me."
He drops his suitcase and runs to me. "Are you all right? What happened?"
I pull him in and flick on my light. The room is illuminated in its disheveled entirety. My luggage with its zippers open and clothes piled on top like acrobats. Toiletries scattered around my sink. Bedsheets twined into ropes. And me. Belatedly, I remember that not only is my hair crazy and my face smeared with zit cream,but I'm also wearing matching flannel Batman pajamas.
"No way." He's gleeful. "You slept in? I woke you up?"
I fall to the floor and frantically squish clothes into my suitcase.
"You haven't packed yet?"
"I was gonna finish this morning! WOULD YOU FREAKING HELP ALREADY?" I tug on a zipper.It catches a yellow Bat symbol, and I scream in frustration.
We're going to miss our flight. We're going to iss it,and it's my fault. And who knows when the next plane will leave, and we'll be stuck here all day, and I'll never make it in time for Bridge and Toph's show. And St. Clair's mom will cry when she has to go to the hospital without him for her first round of internal radiation, because he'll be stuck iin an airport on the other side of the world,and its ALL. MY FAULT.
"Okay,okay." He takes the zipper and wiggles it from my pajama bottoms. I make a strange sound between a moan and a squeal. The suitcase finally lets go, and St. Clair rests his arms on my shoulders to steady them. "Get dressed. Wipe your face off.I'll takecare of the rest."
Yes,one thing at a time.I can do this. I can do this.
ARRRGH!
He packs my clothes. Don't think about him touching your underwear. Do NOT think about him touching your underwear. I grab my travel outfit-thankfully laid out the night before-and freeze. "Um."
St. Clair looks up and sees me holding my jeans. He sputters. "I'll, I'll step out-"
"Turn around.Just turn around, there's not time!"
He quickly turns,and his shoulders hunch low over my suitcase to prove by posture how hard he is Not Looking.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
He caught at her shoulders. “You cannot hurt yourself, Daisy. You must not. Hate me, hit me, do anything you want to me. Cut up my suits and set fire to my books. Tear my heart into pieces, scatter them across England. But do not harm yourself—” He pulled her toward him, suddenly, pressing his lips to her hair, her cheek. She caught him by the arms, her fingers digging into his sleeves, holding him to her. “I swear to the Angel,” he said, in a muffled voice, “if you die, I will die, and I will haunt you. I will give you no peace—
”
”
Cassandra Clare
“
Evie's hair had been piled at the crown of her head in a mass of gleaming red curls and fastened with pearl-tipped pins. The scattering of amber freckles across her nose only increased her appeal, as if nature had given in to a moment of whimsy and sprinkled a few flecks of extra sunlight over her.
Evie leaned into her partial hug as if she was seeking comfort. "Aunt F-Florence says I look like a f-flaming torch with my hair pinned up like this," she said.
Daisy scowled at the comment. "Your aunt Florence should hardly make such statements when she looks like a hobgoblin."
"Daisy, hush," Lillian said sternly.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
The war will not only change the map of the world but it will affect the destiny of every one I care about. Already, even before the war had broken out, we were scattered to the four winds, those of us who had lived and worked together and who had no thought to do anything but what we were doing. My friend X, who used to be terrified at the very mention of war, had volunteered for service in the British Army; my friend Y, who was utterly indifferent and who used to say that he would go right on working at the Bibliothèque Nationale war or no war, joined the Foreign Legion; my friend Z, who was an out and out pacifist, volunteered for ambulance service and has never been heard of since; some are in concentration camps in France and Germany, one is rotting away in Siberia, another is in China, another in Mexico, another in Australia. When we meet again some will be blind, some legless, some old and white-haired, some demented, some bitter and cynical. Maybe the world will be a better place to live in, maybe it'll be just the same, maybe it'll be worse than it is now—who knows? The strangest thing of all is that in a universal crisis of this sort one instinctively knows that certain ones are doomed and that others will be spared.
”
”
Henry Miller (The Colossus of Maroussi)
“
Ode to the West Wind
I
O wild West Wind, thou breath of Autumn’s being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,
Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed
The winged seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow
Her clarion o’er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:
Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, oh hear!
II
Thou on whose stream, mid the steep sky’s commotion,
Loose clouds like earth’s decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,
Angels of rain and lightning: there are spread
On the blue surface of thine aëry surge,
Like the bright hair uplifted from the head
Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith’s height,
The locks of the approaching storm. Thou dirge
Of the dying year, to which this closing night
Will be the dome of a vast sepulchre,
Vaulted with all thy congregated might
Of vapours, from whose solid atmosphere
Black rain, and fire, and hail will burst: oh hear!
III
Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lull’d by the coil of his crystàlline streams,
Beside a pumice isle in Baiae’s bay,
And saw in sleep old palaces and towers
Quivering within the wave’s intenser day,
All overgrown with azure moss and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic’s level powers
Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know
Thy voice, and suddenly grow gray with fear,
And tremble and despoil themselves: oh hear!
IV
If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share
The impulse of thy strength, only less free
Than thou, O uncontrollable! If even
I were as in my boyhood, and could be
The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed
Scarce seem’d a vision; I would ne’er have striven
As thus with thee in prayer in my sore need.
Oh, lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!
A heavy weight of hours has chain’d and bow’d
One too like thee: tameless, and swift, and proud.
V
Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies
Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!
Drive my dead thoughts over the universe
Like wither’d leaves to quicken a new birth!
And, by the incantation of this verse,
Scatter, as from an unextinguish’d hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawaken’d earth
The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind?
”
”
Percy Bysshe Shelley (Ode to the West Wind and Other Poems)
“
A snap and roar of fury echoed across the lands, scattering the birds. When I climbed out of the tree and walked into the little clearing, I merely crossed my arms and looked up at the High Lord, dangling by his legs from the snare I’d laid. Even upside down, he smiled lazily at me as I approached. “Cruel human.” “That’s what you get for stalking someone.” He chuckled, and I came close enough to dare stroke a finger along the silken golden hair dangling just above my face, admiring the many colors within it—the hues of yellow and brown and wheat. My heart thundered, and I knew he could probably hear it. But he leaned his head toward me, a silent invitation, and I ran my fingers through his hair—gently, carefully. He purred, the sound rumbling through my fingers, arms, legs, and core. I wondered how that sound would feel if he were fully pressed up against me, skin-to-skin. I stepped back. He curled upward in a smooth, powerful motion and swiped with a single claw at the creeping vine I’d used for rope. I took a breath to shout, but he flipped as he fell, landing smoothly on his feet. It would be impossible for me to ever forget what he was, and what he was capable of. He took a step closer to me, the laughter still dancing on his face. “Feeling better today?” I
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
But I am a paladin,” Cordelia cried. “It’s awful, I loathe it— don’t imagine that I feel anything other than hated for this thing that binds me to Lilith. But they fear me because of it. They dare not touch me—”
“Oh?” snarled James. “They dare not touch you? That’s not what it bloody looked like.”
“The demon at Chiswick House—it was about to tell me something about Belial, before you shot it.”
“Listen to yourself, Cordelia!” James shouted. “You are without Cortana! You cannot even lift a weapon! Do you know what it means to me, that you cannot protect yourself? Do you understand that I am terrified, every moment of every day and night, for your safety?”
Cordelia stood speechless. She had no idea what to say. She blinked, and felt something hot against her cheek. She put her hand up quickly—surely she was not crying?— and it came away scarlet.
“You’re bleeding,” James said. He closed the distance between them in two strides. He caught her chin and lifted it, his thumb stroking across her cheekbone. “Just a scratch,” he breathed. “Are you hurt anywhere else? Daisy, tell me—”
“No. I’m fine. I promise you,” she said, her voice wavering as his intent golden eyes spilled over her, searching for signs of injury. “It’s nothing.”
“It’s the furthest thing from nothing,” James rasped. “By the Angel, when I realized you’d gone out, at night, weaponless—”
“What were you even doing at the house? I thought you were staying at the Institute.”
“I came to get something for Jesse,” James said. “I took him shopping, with Anna—he needed clothes, but we forgot cuff links—”
“He did need clothes,” Cordelia agreed. “Nothing he had fit.”
“Oh, no,” said James. “We are not chatting. When I came in, I saw your dress in the hall, and Effie told me she’d caught a glimpse of you leaving. Not getting in a carriage, just wandering off toward Shepherd Market—”
“So you Tracked me?”
“I had no choice. And then I saw you—you had gone to where your father died,” he said after a moment. “I thought—I was afraid—”
“That I wanted to die too?” Cordelia whispered. It had not occurred to her that he might think that. “James. I may be foolish, but I am not self-destructive.”
“And I thought, had I made you as miserable as that? I have made so many mistakes, but none were calculated to hurt you. And then I saw what you were doing, and I thought, yes, she does want to die. She wants to die and this is how she’s chosen to do it.” He was breathing hard, almost gasping, and she realized how much of his fury was despair.
“James,” she said. “It was a foolish thing to do, but at no moment did I want to die—”
He caught at her shoulders. “You cannot hurt yourself, Daisy. You must not. Hate me, hit me, do anything you want to me. Cut up my suits and set fire to my books. Tear my heart into pieces, scatter them across England. But do not harm yourself—” He pulled her toward him, suddenly, pressing his lips to her hair, her cheek. She caught him by the arms, her fingers digging into his sleeves, holding him to her. “I swear to the Angel,” he said, in a muffled voice, “if you die, I will die, and I will haunt you. I will give you no peace—”
He kissed her mouth. Perhaps it had been meant to be a quick kiss, but she could not help herself: she kissed back. And it was like breathing air after being trapped underground for weeks, like coming into sunlight after darkness.
”
”
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
“
And with her left hand seizing the thick mass, which her long fingers could scarcely grasp, she took in her right hand a pair of long scissors, and soon the steel met through the rich and splendid hair, which fell in a cluster at her feet as she leaned back to keep it from her coat. Then she grasped the front hair, which she also cut off, without expressing the least regret; on the contrary, her eyes sparkled with greater pleasure than usual under her ebony eyebrows. "Oh, the magnificent hair!" said Louise, with regret.
“And am I not a hundred times better thus?" cried Eugenie, smoothing the scattered curls of her hair, which had now quite a masculine appearance; "and do you not think me handsomer so?"
“Oh, you are beautiful -- always beautiful!" cried Louise.
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
Yes, I'll marry you."
And then his hands were in her hair, scattering her hairpins, and his lips were on hers, stealing her breath, and she was touching him- this remarkable man whom she'd loved for so long and who was finally, finally hers.
Callie sighed into Ralston's mouth- noting that he tasted of scotch and something more exotic, more male- and a feeling of complete and utter elation coursed through her. This was Ralston, her future husband, and he was making her feel so warm and wonderful and alive. And then he was kissing down the column of her neck, whispering her name like a litany as he lifted her arms over his shoulders and set his lips to the expanse of white skin above the neck of her gown. Callie gasped as his strong hands spread wide across her torso, stealing up to cup her breasts in a gesture of complete and utter possession.
"This gown," he said, the words coming thick and liquid, "is sinful."
Callie couldn't help her smile as he leaned back to watch her breasts lift against the satin edge of the dress. "Do you think so?"
"Indeed. It is made to drive men crazy... to reveal all your luscious curves"- he ran a finger beneath the satin lazily, just far enough to graze the edge of a nipple- "without showing off anything. It's a torturous viewing experience," he added, wickedly, as he pulled the edge of the gown lower, exposing the straining tip of one breast to the cool air and his hot mouth. He suckled briefly, until Callie was writhing against him, then, releasing her, he said, "When we are married, I shall buy you one in every color.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
It’s so cute, isn’t it?” Arianna said dreamily.
“Are we seeing the same creature? It’s like a demented goat with a bone growth.”
“You’re going to hurt its feelings! Now shut up and sit on the ground.”
I did as I was told, sticking my ankle out. “How is it going to heal me?” I asked, suddenly nervous. I pictured it licking my ankle and gagged. I could only imagine the diseases unicorn saliva had or what it carried around in its filthy, matted beard and hair.
Bleating reproachfully, it stared at me with its doleful, square-pupiled brown eyes.
“Oh, fine. Great, glorious unicorn, beloved of oblivious girls everywhere, please heal me. Now, if you don’t mind.”
With one last bat of its gunk-crusted eyelashes, it lowered its head and put its stubby horn against my ankle. I cringed, waiting for pain, but felt instead tingling warmth spread out, almost like having butterflies in my stomach. Only in my ankle. Butterflies . . . with rainbows.
The feeling of wholeness and well-being spread up my leg and into my entire body, and I couldn’t stop grinning. The forest was beautiful! The tree branches, naked against the brightening sky, held unimaginable wonders. The hard-packed dirt beneath me was a treasure trove of unrealized potential, lovely for what it could eventually give life to. I could sit out here forever and just enjoy nature. I was so happy! And rainbows! Why did I keep thinking of rainbows? Who cared! Rainbows were totally awesome!
And the unicorn! I beamed at it, reaching out my hand to stroke it. There was never a creature more beautiful, more majestic. I’d spend the rest of my life out here, and we’d prance around the forest, worship the sunlight, bathe in the moonlight, and . . .
I shook my head, scattering the idiotic warm fuzzies that had invaded. “Whoa,” I said, shoving the unicorn’s head away. “That’s enough of that.” I looked down at my ankle, which was now completely healed, not even a scar left. I fixed a stern look on the unicorn. “I am not going to frolic in an eternal meadow of sunshine and moonlight with you, you rotten little fink. But thanks.” I smiled, just enough to be nice without being too encouraging, and patted it quickly on the head.
I was going to soak that hand in bleach.
“Okay, let’s get out of here.” I stood, testing my ankle and relieved with the utter lack of pain. I still had an irrational desire to do an interpretive dance about rainbows, but it was a small price to pay for being healed.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
Dear Aster,
One fine morning, I will get up to notice my face in wrinkles and furrows. My hair will be scattered all over the pillow; most of them will be grey without a doubt. The spring of youth will have made way for my final years, and I’ll no longer be able to walk swiftly. My voice will tremble as a result of impairment; it will get hard for me to read words and things will get no better until I close my eyes forever.
I’ll spend every minute terrorized, unwilling to end this beautiful journey of being in this world. However, I’ll cheerfully accept this truth of life, if you hold my hand, and promise to walk with me, until we breathe. Because no matter how ugly both of us look seventy years or a million years from now, I’ll take you in my arms with the same devotion that I’ll do it for the very first time.
Charlie.
”
”
Keshav Aneel (Promise Me A Million Times)
“
As we prepared for sleep that night I noticed that Lisa was staring at her reflection in the mirror. She looked as young now as the day I met her, no grey upon her jet black hair, face always pale, she rarely sun bathed, dark glittering eyes and finally pearly white teeth. What a woman, always passionate about her affairs and always interested in my work. Shame her family could not attend our wedding. I suppose that is the hazard of marrying a Slav, either the family is dead, scattered or too poor to fly to England. Still it was a happy wedding, a quiet one with a few friends from work.
Lisa crawled into bed beside me; her body, always cold, quickly warmed to my touch. Why are women always cold when they first get into bed? We kissed for what seemed an age, caressing each other’s bodies until at last she pushed me onto my back, straddled me and smiled looking down into my eyes. She licked her lips and slowly leant forward.
The next morning I checked my neck for any tell-tale signs of our love making. Again Lisa had bitten every inch of my body and left not a mark. I smiled down at her sleeping form, kissed her cheek and went to my study. I had term papers to mark and research for my next set of lectures.
Lisa came into my study just after lunch. For a woman just out of bed she looked remarkably well, her hair was untangled, her cheeks full in bloom, there were no signs of tiredness in her eyes at all.
I smiled at her as we kissed, then she told me of the theme for the dinner party. Eleven guests as usual and each one would have to be very special. I left her to set up the invitations and planning. This was going to be the Last supper revisited it seemed.
”
”
E.A.Drake (The Vampyre's Kiss)
“
I do love you.” He said it suddenly, raising his head so his black eyes could meet her startled green ones. “I mean it, Shea. I do not just need you, I love you. I know everything about you, I have been in your head, shared your memories, shared your dreams and your ideas. I know you think I need you and that is why I am with you, but it is much more than that. I love you.” He grinned unexpectedly, traced her lower lip with the tip of a finger. “What is more, I know you love me. You hide it from yourself, but I found it in a little corner, tucked away in your mind.”
Shea stared up at the teasing smile on his face, then pushed at the solid wall of his chest. “You’re making that up.”
Jacques moved off her, then reached down to pull her to her feet. His clothes were scattered everywhere, and he made no move to retrieve them. Shea’s shirt was still hanging open, and her jeans were down around her ankles. Blushing, she pulled them up. His hands stayed hers, preventing her from fastening them. “Do not bother, Shea. The pools are just ahead.” He walked a few feet, then looked back over his shoulder. “I did not make it up, and I know you are staring at my backside.”
Shea tossed her mane of red hair so that it flew in all directions. “Any woman in her right mind would stare at your particular backside, so you don’t need to add that to your arrogant list of virtues. And stay out of my mind unless you’re invited.” She was staring, but she couldn’t help it. He was so beautifully masculine.
Jacques reached behind him and captured her hand, lacing their fingers together. “But I find the most interesting things in your mind, my love. Things you do not have any intention of telling me.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
It's time for us to join the line of your madmen all chained together.
Time to be totally free, and estranged.
Time to give up our souls, to set fire to structures and run out in the street.
Time to ferment.
How else can we leave the world-vat and go to the lip?
We must die to become true human beings.
We must turn completely upside down
like a comb in the top of a beautiful woman's hair.
Spread out your wings as a tree lifts in the orchard.
As seed scattered on the road,
as a stone melts to wax,
as a candle becomes the moth.
On a chessboard the king is blessed again with his queen.
With our faces so close to the love mirror, we must not breathe, but change to a cleared place where a building was and feel the treasure hiding inside us.
With no beginning or end,
we live in lovers as a story they know.
If you will be the key, we'll be tumblers in the lock.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
“
We should probably set some ground rules." I continued.
He slumped back against the chair, crossing his arms over his chest. "You want to make rules for tutoring?"
I nodded. "And if you don't follow them, I'll quit."
He studied me for long moments. It made me squirm in my seat. Romeo had a very intense and level stare. "Okay, Rimmel," he drawled. "Let's hear these rules."
I swallowed. Every time he said my name, the spit in my mouth seemed to thicken. "Okay." I agreed. My shoulders straightened and I held up my hand to count the rules as I went. "One: do not be late. It's rude. If you're late again, I won't wait."
His lips twitched, which brought me to the next rule. "Two: Don't bother trying to charm me into doing your work for you. I won't."
He pressed a hand to his chest like he was offended. "You think so low of me." He gasped.
I rolled my eyes. "Three: No girls during tutoring. No disappearing."
"But you're a girl," he said, sitting forward swiftly and tucking a bunch of hair behind my ear. The back of my neck broke out in goose bumps and they scattered down my spine, and my toes curled in the Converse I was wearing.
"Rule four," I said, ignoring the funny way he made me feel. "No charm at all."
"I can't help it, Rimmie." His intensely azure eyes roamed over my face like he was looking at me for the first time. "It's so easy to make you blush."
I hit away his hand. "Rule five: Do not call me Rimmie." Ugh, he was irritating!
He chuckled and sat back. "Fine. Now, can we get to work?" he asked, pointing at his paper.
"No," I snapped. "Tutoring is over for today."
"But what about this assignment?" he whined.
"Here's a thought," I said as I snatched my bag and stood. "Sit here and do it." I started to stalk away, nearly tripping over my half-untied shoelace.
He laughed beneath his breath, and I thought about kicking him.
- Rimmel & Romeo
”
”
Cambria Hebert (#Nerd (Hashtag, #1))
“
Wings of Butterfly - Fallen into Your Lap
A lip doesn't tremble, just to chant the prayer. A pair of eyes can't look to try to express the feeling. Even for an instant, but is there still a heartbeat come to your ears, how come my love?
The wind rushed between the silence of the tables and benches. Whispering between rolls of maps and stack of books. Jumping up and down between the heads that are scattered contemplating the clear song, melodious sound of your voice.
Ouch, how much more I want to trace my longing to miss this to your lap. Trembling strokes of the eyelids and lips that are perfect smiles. Echoed passion in the chest, hide the sound of thunder and also heavy rain. Where do I fret to meet the song Asmaradahana in the glazed of your eyelids. Dream was entangled by a strand of busy hair strands of purple, red, yellow, white and blue orchid strings in silent vases. Where are my tired wings has fallen before drooping surrender in your palm.
”
”
Titon Rahmawan
“
On his back nothing was what it was, there were no demarcations, no outlines; nothing was formed, it was all in the process of becoming. Except here a large eye, marbled and fluid; there a crippled hand, the fingers webbed together with sperm. Scattered purple lumps which might be grapes, but pendent from nothing, not attached; knives which looked melting but still cruel; blue fernlike hair; smeared yellowish-white spots, which might be stars dripping down the soundless void, spots of startling silence on this raucous grating jungle, the polychrome verdure suggesting an impossible pointless fecundity and even the odor of this, but the whole impression transitory as dew. Here, was this an inky bird struggling into shape? Really, were these great fish? Or bared unjoined tendons? Was this a clot of spiny seaweed?…A worm?…And now lapping over his shoulder onto his chest, covering over the scars of Mina’s bites, these looked like green licks of flame, upside-down.
”
”
Fred Chappell (Dagon)
“
demand absolute cooperation and attention.” Roughly two-thirds of the guests looked frightened, but a scattered third looked both frightened and puzzled. These were the ones leaning towards the man with the gun, instead of away from him. These were the ones that did not speak Spanish. They whispered quickly to their neighbors. The word atención was repeated in several languages. That word was clear enough. General Alfredo had anticipated his announcement bringing about a sort of pricked, waiting silence, but no silence came. The whispering caused him to fire into the ceiling again, carelessly this time, hitting a light fixture, which exploded. The room was dimmer, and slivers of glass settled into shirt collars and rested on hair. “Arresto,” he repeated. “Detengase!” It may seem surprising at first, such a large number of people unable to speak the language of the host country, but then you remember it was a gathering to promote foreign interest and the two guests of honor did not know ten words of Spanish between them,
”
”
Ann Patchett (Bel Canto)
“
No one called him Fai except his grandmother. What sort of name is Frank? she would scold. That is not a Chinese name. I’m not Chinese, Frank thought, but he didn’t dare say that. His mother had told him years ago: There is no arguing with Grandmother. It’ll only make you suffer worse. She’d been right. And now Frank had no one except his grandmother. Thud. A fourth arrow hit the fence post and stuck there, quivering. “Fai,” said his grandmother. Frank turned. She was clutching a shoebox-sized mahogany chest that Frank had never seen before. With her high-collared black dress and severe bun of gray hair, she looked like a school teacher from the 1800s. She surveyed the carnage: her porcelain in the wagon, the shards of her favorite tea sets scattered over the lawn, Frank’s arrows sticking out of the ground, the trees, the fence posts, and one in the head of a smiling garden gnome. Frank thought she would yell, or hit him with the box. He’d never done anything this bad before. He’d never felt so angry. Grandmother’s face was full of bitterness and disapproval. She looked nothing like Frank’s mom. He wondered how his mother had turned out to be so nice—always laughing, always gentle. Frank couldn’t imagine his mom growing up with Grandmother any more than he could imagine her on the battlefield—though the two situations probably weren’t that different. He waited for Grandmother to explode. Maybe he’d be grounded and wouldn’t have to go to the funeral. He wanted to hurt her for being so mean all the time, for letting his mother go off to war, for scolding him to get over it. All she cared about was her stupid collection. “Stop this ridiculous behavior,” Grandmother said. She didn’t sound very irritated. “It is beneath you.” To Frank’s astonishment, she kicked aside one of her favorite teacups. “The car will be here soon,” she said. “We must talk.” Frank was dumbfounded. He looked more closely at the mahogany box. For a horrible moment, he wondered if it contained his mother’s ashes, but that was impossible. Grandmother had told him there would be a military burial. Then why did Grandmother hold the box
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
Did they have all the ingredients for the seed cake, Miss Sophia? The caraway and rye, and the currants for the top?"
"Yes," Sophia replied as the cook-maid disappeared into the larder. "But we could find no red currants, and-"
Suddenly her words were smothered into silence as Sir Ross pulled her into his arms. His lips descended to hers in a kiss so tender and carnal that she could not help responding. Stunned, she struggled to retain her hatred of him, to remember the wrongs of the past, but his lips were utterly warm and compelling, and her thoughts scattered crazily. The pink rose dropped from her nerveless fingers. Sophia swayed against him, groping for his hard shoulders in a futile bid for balance. His tongue searched her mouth... delicious... sweetly intimate. Sophia inhaled sharply and tilted her head back in utter surrender, her entire existence distilled to this one burning moment.
Through the pounding heartbeat in her ears she dimly heard Eliza's concerned voice echoing from the larder. "No red currants? But what will we top the seed cake with?"
Sir Ross released Sophia's mouth, leaving her lips moist and kiss-softened. His face remained close to hers, and Sophia felt as if she were drowning in the silver pools of his eyes. His hand came to the side of her face, his fingers curving over her cheek, his thumb brushing the corner of her mouth. Somehow Sophia managed to answer Eliza. "We f-found golden currants instead-"
As soon as the words left her mouth, Sir Ross kissed her again, his tongue exploring, teasing. Her groping fingers touched the back of his neck, where the thick black hair curled against his nape. Sensation rustled through her, spurring her pulse to an intemperate pace. Taking advantage of her surrender, he kissed her more aggressively, hunting for the deepest, sweetest taste of her. As her knees weakened, his arms wrapped securely around her, supporting her body as he continued to ravish her mouth.
"Golden currants?" came Eliza's dissatisfied voice. "Well, the flavor won't be quite the same, but they will be better than nothing."
Sir Ross released Sophia and steadied her with his hands at her waist. While she stared at him blankly, he gave her a brief smile and left the kitchen just as Eliza reemerged from the larder.
”
”
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
“
I still have no choice but to bring out Minerva instead.”
“But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.”
“It’s called geology,” Minerva said. “It’s a science.”
“It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?”
Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it.
As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard.
She shrugged off the awkward memories. That time was behind her now.
Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.”
“Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.”
“Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.”
Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’”
Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.”
Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal.
That book provoked her, no end.
Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries.
Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice.
She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat.
With a calm smile, she placed the book on a side table. “Very useful indeed.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Thus it is doubly difficult to write of this period calmly, so intense was the feeling, so mighty the human passions that swayed and blinded men. Amid it all, two figures ever stand to typify that day to coming ages,—the one, a gray-haired gentleman, whose fathers had quit themselves like men, whose sons lay in nameless graves; who bowed to the evil of slavery because its abolition threatened untold ill to all; who stood at last, in the evening of life, a blighted, ruined form, with hate in his eyes;—and the other, a form hovering dark and mother-like, her awful face black with the mists of centuries, had aforetime quailed at that white master’s command, had bent in love over the cradles of his sons and daughters, and closed in death the sunken eyes of his wife,—aye, too, at his behest had laid herself low to his lust, and borne a tawny man-child to the world, only to see her dark boy’s limbs scattered to the winds by midnight marauders riding after “damned Niggers.” These were the saddest sights of that woful day; and no man clasped the hands of these two passing figures of the present-past; but, hating, they went to their long home, and, hating, their children’s children live today.
”
”
W.E.B. Du Bois (The Souls of Black Folk)
“
Noboru started awake as something ferociously strong hauled him out of the dresser by the seat of his pants. For a minute, he didn’t realize what had happened. His mother’s slender, supple hands were falling on his nose and lips and mouth and he couldn’t hold his eyes open. It was the first time she had ever laid a hand on him.
He lay almost prostrate on the floor, one of his legs thrust into a tangle of shirts and underwear scattered when they had stumbled over the drawer. He hadn’t imagined his mother could muster such terrific strength.
Finally he managed to look up at the panting figure glaring down at him.
The skirts of her dark-blue robe were wide open, the fleshy swells of her lower body looked grotesquely massive and threatening. Soaring high above the gradually tapering trunk was her face, gasping, grieved, turned horribly old in an instant and drenched in tears. The bulb on the distant ceiling wreathed her bedraggled hair with a lunatic halo.
All this Noboru took in at a glance and at the back of his icy brain a memory stirred: it was as if he had participated in this same moment a long time ago. This, beyond a doubt, was the punishment scene he had watched so often in his dreams.
”
”
Yukio Mishima (The Sailor Who Fell From Grace With The Sea)
“
Do you know how to play?” I asked.
Hannah gave me one of her vexed looks. “Goodness, Andrew, if it weren’t for me you wouldn’t know the first thing about marbles. Your brain is a regular sieve these days.”
I tapped my forehead to remind her I’d been sick. She looked so contrite I felt guilty. “Will you teach me all over again?”
Hannah poured her marbles onto the quilt and sighed. Without raising her eyes, she said, “Girls my age are supposed to be ladies, but sometimes I get mighty tired of trying to be what I’m not.”
Cradling an aggie almost as shiny as Andrew’s red bull’s-eye, she cocked her head, studied her targets, and shot. The aggie hit a glass marble and sent it spinning off the bed. Hannah grinned and tried again.
When all the marbles except the aggie were scattered on the floor, Hannah seized my chin and tipped my face up to hers. Looking me in the eye, she said, “If you promise not to tell a soul, I’ll give you as many lessons as you want. No matter what Papa thinks, I’d rather play marbles than be a lady, and that’s the truth.”
“Ringer,” I said sleepily. “Do you know how to play ringer?”
Hannah ruffled my hair. “You must be pulling my leg, Andrew. That’s what we always play. It’s your favorite game.”
I yawned. “Starting tomorrow, we’ll practice every day till I get even better than I used to be.”
“When I’m finished with you, you’ll be the all-time marble champion of Missouri.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
In order to conform to the current Empire style in fashion, the modiste had raised the waistline so that it fell just beneath Esme's small rounded breasts. Mrs. Benson had embellished further by adding a slender grosgrain ribbon there that matched the exact shade of tiny embroidered golden flowers scattered over the gown's ivory satin. Next she had shortened the sleeves so they were now small puffed caps edged against the arms with more narrow golden ribbon.
As for the long length of material that had once run from shoulder to heel, she'd removed it and used the excess fabric to create a sweeping train that ended in a spectacular half circle that trailed after Esme as she walked. The entire hem was further enlivened by small appliquéd white lace rosettes, whose effect was nothing short of ethereal.
On her feet, Esme wore a soft pair of ivory satin slippers with gold and diamond buckles that had been a last-minute gift from Mallory and Adam. On her hands were long white silk gloves that ended just above her elbows; her lustrous dark hair was pinned and styled in an elaborate upsweep with a few soft curls left to brush in dainty wisps against her forehead and cheeks.
Carefully draped over head was a waist-length veil of the finest Brussels lace, which had been another present, this one from Claire, and in her hands she held creamy pink hothouse roses and crisp green holly leaves banded together inside a wide white satin ribbon.
”
”
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
“
Like drops of water that fall on the rocks of the jungle, the silence is full of tenderness.
Whisper softly my poetry unraveling your admiration.
In the name of night.
Everything I see is simplicity in your beautiful body
Like an incandescent light that dispels the darkness
Then it bounced on the rose petals in the dim moonlight.
Blushing reconciles the anxiety of the soul
Comforting a sore heart
Your beauty is a flower that unites to dazzle the majesty of the universe.
Ahhh love...
Your beauty is like a waterfall from the height of a cliff that is so sensual, showing the magic of a perfect panorama.
How seductive and alluring is your soft skin.....
As gentle as the twilight wind blew the dandelions scattered under the night sky.
As soft as a lump of cotton that lay white on the heart rug.
As gentle as the caress of the night breeze, flaking your shiny black hair.
Ahhh.
Let my breath rest for a moment
Here,
Between two seas of wine flowing red I find on your lips.
How beautiful is love
When the stalks of a kiss fall lying down
Tickling spoiled and whispering intimately about the love that is heaven behind your ear with a warm whisper blowing slowly
And
Slowly... caressing your face in a long soft moan
Lull a thousand touches and then cast your body into a pleasure that you have not found.
In the name of my chest.
Let our restless tantrums grapple in the flames of burning love.
Until our passion quells the passion,
Wet and subside.
️
”
”
J.S. Dirga (Saga Moon Poem)
“
William was only one year old, and his mother was proud of him, he was so pretty... He was a joy to her, the twining wisps of hair clustering round his head. Mrs Morel lay listening, one Sunday morning, to the chatter of the two. Then she dozed off. When she came downstairs... seated in his armchair, against the chimney piece, sat Morel, rather timid: and standing between his legs, the child - cropped like a sheep, with such an odd round poll - looking wondering at her: and on a newspaper spread out upon the hearth rug, a myriad of crescent-shaped curls, like the petals of a marigold scattered in the reddening firelight.
Mrs Morel stood still. It was her first baby. She went very white, and was unable to speak.
"What dost think on 'im?" Morel laughed uneasily.
She gripped her two fists, lifted them, and came forward. Morel shrank back...
Her lip trembled, her face broke, and, snatching up the child, she buried her face in his shoulder and cried painfully. She was one of those women who cannot cry: whom it hurts as it hurts a man. It was like the ripping something out of her, her sobbing...
She went about her work with closed mouth and very quiet... She spoke to him civilly, and never alluded to what he had done. But he felt something final had happened.
...But she knew, and Morel knew, that that act had caused something momentous to take place in her soul. She remembered that scene all her life, as one in which she had suffered the most intensely.
This act of masculine clumsiness was a spear through the side of her love for Morel.
”
”
D.H. Lawrence (Sons and Lovers)
“
O you mad, you superbly drunk!
If you kick open your doors and play the fool in public;
If you empty your bag in a night, and snap your fingers at prudence;
If you walk in curious paths and play with useless things;
Reck not rhyme or reason;
If you break the rudder in two unfurling your sails before the storm:
Then I will follow you, comrade, and be drunken and go to the dogs.
I have wasted my days and nights in the company of steady wise neighbors.
Much knowing has turned my hair grey, and much watching has made my sight dim.
For years I have gathered and heaped all scraps and fragments of things;
Crush them and dance upon them, and scatter them all to the winds!
For I know ’tis the height of wisdom to be drunken and go to the dogs.
Let all crooked scruples vanish, let me hopelessly lose my way.
Let a gust of wild giddiness come and sweep me away from my anchors.
The world is peopled with worthies, and workers useful and clever;
There are men who are easily the first, and men who come decently next:
Let them be happy and prosperous, and let me be foolishly futile.
For I know ’tis the end of all works to be drunken and go to the dogs.
I swear to surrender this moment all claim to the ranks of the sensible.
I let go my pride of learning and judgment of right and of wrong.
I’ll shatter the vessel of memory, scattering the last drop of tears;
With the foam of the ruby red wine, I’ll bathe and brighten my laughter.
The badge of the proper and prim I’ll tear into shreds for the nonce.
I’ll take the holy vow of being worthless, and be drunken and go to the dogs.
”
”
Rabindranath Tagore
“
There is nothing simple about attraction."
"Nevertheless-" She stopped, unable to remember what it was she was trying to say. He was close.
"Shall I show you how complicated attraction can be?" The words were deep and velvety, the sound of temptation. His lips were nearly on hers, she could feel their movement as he spoke, barely brushing against her.
He waited, hovering just above her, for her to respond. She was consumed with an unbearable need to touch him. She tried to speak, but no words came. She couldn't form thoughts. He had invaded her senses, leaving her with no other choice but to close the scant distance between them.
The moment their lips touched, Ralston took over, his arms coming around her and dragging her into his lap to afford him better access to her. This kiss was vastly different than their first one- it was heavier, more intense, less careful. This kiss was a force of nature. Callie moaned as his hand ran up the side of her neck cupping her jaw, tilting her head to better align their mouths. His lips played across hers, his tongue running along them before he pulled away just barely and searched her half-lidded eyes. A ghost of a smile crossed his lips.
"So passionate," he whispered against her lips as he drove his fingers into her hair, scattering hairpins and sending her curls tumbling around them. "So eager. Open for me."
And then he claimed her mouth in a searing kiss, and she did open for him, matching him stroke for stroke, caress for caress. She became caught in a web of long, slow, drugging kisses, and all she could think was that she had to be closer to him.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
You see how agitated I am,” he said.
She waited, and her heart set to thumping without her permission.
He wildly combed his hair with his fingers. “I can’t bear to be out there with you right now, all those indifferent people watching you, admiring you, but not really caring. Not as I do.”
Jane: (hopeful) Really?
Jane: (practical) Oh, stop that.
Mr. Nobley sat in the chair beside her and gripped its arm.
Jane: (observant) This man is all about arm gripping.
“Well do I remember the first night we met, how you questioned my opinion that first impressions are perfect. You were right to do so, of course, but even then I suspected what I’ve come to believe most passionately these past weeks: from that first moment, I knew you were a dangerous woman, and I was in great peril of falling in love.”
She thought she should say something witty here.
She said, “Really?”
“I know it seems absurd. At first, you and I were the last match possible. I cannot name the moment when my feelings altered. I recall a stab of pain the afternoon we played croquet, seeing you with Captain East, wishing like a jealous fool that I could be the man you would laugh with. Seeing you tonight…how you look…your eyes…my wits are scattered by your beauty and I cannot hide my feelings any longer. I feel little hope that you have come to feel as I do now, but hope I must.”
He placed his gloved hand on top of hers, as he had in the park her second day. It seemed years ago.
“You alone have the power to save me this suffering. I desire nothing more than to call you Jane and be the man always by your side.” His voice was dry, cracking with earnestness. “Please tell me if I have any hope.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
When Evie awakened alone in the large bed, the first thing she beheld was a scattering of pale pink splashes over the snowy white linens, as if someone had spilled blush-colored wine in bed. Blinking sleepily, she propped herself up on one elbow and touched one of the pink dabs with a single fingertip. It was a creamy pink rose petal, pulled free of a blossom and gently dropped to the sheet. Gazing around her, she discovered that rose petals had been sprinkled over her in a light rain. A smile curved her lips, and she lay back into the fragrant bed.
The night of heady sensuality seemed to have been part of some prolonged erotic dream. She could hardly believe the things she had allowed Sebastian to do, the intimacies that she had never imagined were possible. And in the drowsy aftermath of their passion, he had cradled her against his chest and they had talked for what seemed to be hours. She had even told him the story of the night when she and Annabelle and the Bowman sisters had become friends, sitting in a row of chairs at a ball. "We made up a list of potential suitors and wrote it on our empty dance cards," Evie had told him. "Lord Westcliff was at the top of the list, of course. But you were at the bottom, because you were obviously not the marrying kind."
Sebastian had laughed huskily, tangling his bare legs intimately with hers. "I was waiting for you to ask me."
"You never spared me a glance," Evie had replied wryly. "You weren't the sort of man to dance with wallflowers."
Sebastian had smoothed her hair, and was silent for a moment. "No, I wasn't," he had admitted. "I was a fool not to have noticed you. If I had bothered to spend just five minutes in your company, you'd never have escaped me." He had proceeded to seduce her as if she were still a virginal wallflower, coaxing her to let him make love to her by slow degrees, until he was finally sheathed in her trembling body.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Bharata, do not think that I have no sympathy for you in this your predicament. I understand it fully. But, then, my child, no man is allowed to do as he pleases. Man has no freedom. Fate tosses him about in all directions. The game which Fate plays is unpredictable. Nothing lasts in this world. What has been gathered is scattered about. What was once at the top soon reaches the lowest position. Meetings only end in separations and, as for life, it only ends in death. Ripe fruits have but one fear, that of falling down. And even so, man has no fear other than death. Think of a house built sturdily with strong pillars. Even that, in course of time, becomes weak and ancient. Men too become old, lose their power of thinking and death claims them. The night which passes will never come back and the waters of the Yamuna which flow fast, when in flood, towards the sea, will never return. In this world, Bharata, just as the waters on the surface of the earth get less and less, dried constantly by the rays of the sun, man’s life also gets lessened day by day. Your life and mine are fast ebbing away. Think on the Lord, my child. Do not spend your time in the contemplation of another’s life. Death walks with us: and he accompanies us on the longest journey we undertake. The skin gets wrinkled. Hair grows white. Old age makes man weak and helpless. Man delights at the sight of the sun rising and again, the setting sun is pleasing to the eye. But man forgets that every sunrise and every sunset has lessened one’s life on earth by another day. The seasons come and go and each season has a charm of its own. But they come and when they go, they take with them large slices of our lives every time.
On the large expanse of the sea two pieces of wood come together. They float together for a while and then they are parted. Even so it is with man and his relationship with life, child, kinsmen, wealth and other possessions. Meetings end only in separation. It is the law of nature. No one is capable of altering the course of Fate. Weeping for one who is dead will not bring him back to life.
”
”
Kamala Subramaniam (Ramayana)
“
Mostly Gaylord deals with insurance scamming. He takes a car off a lot and the insurance company pays.” “That’s still stealing.” “I guess, but it’s an insurance company, and everyone hates those people.” “I don’t hate them.” “Well, you’re weird,” Lula said. “Do you like the car?” “I love the car.” “There you go. And by the way, you might want to put a dab of concealer on your nose.” Kranski’s Bar was on the corner of Mayberry Street and Ash. This was a neighborhood very similar to the Burg, but the houses were a little larger, the cars were newer, the kitchen appliances were probably stainless. I parked in the small lot beside the tavern, and Lula and I sashayed into the dim interior. Bertie was working behind the bar that stretched across the back of the room. A bunch of high-top tables were scattered around the front of the room. Two women sat at one of the tables, eating nachos and drinking martinis. At one end of the bar four men were drinking beer and watching the overhead television. I spotted Kenny Morris at the other end. He was alone, nursing what looked like whiskey. Bertie caught my eye, tilted his head toward Kenny, and I nodded back. “I guess that’s the guy you’re looking for,” Lula said. “You want to tag-team him?” “No. I just want to talk to him. I’ll go it alone.” Lula hoisted herself onto a barstool by the four men, and I approached Kenny. “Anyone sitting here?” I asked him. “No,” he said. “No one ever sits there.” “Why not?” “The television is at the other end.” “But you’re here.” “Yeah, I’m not into the team television thing.” He looked a lot like his yearbook photograph. His hair was a little longer. He was slim. Medium height. Pleasant looking. Wearing jeans and a blue dress shirt with the top button open and the sleeves rolled. He was staring at my nose with an intensity usually displayed by dermatologists during a skin cancer exam. I couldn’t blame him. I’d smeared some makeup on it, but even in the dark bar it was emitting a red glow. “It’s a condition,” I said. “It comes and goes. It’s not contagious or anything. Do you come in here often?” “Couple times a week.
”
”
Janet Evanovich (Turbo Twenty-Three (Stephanie Plum, #23))
“
Thousands of years ago, when the first ghosts came down here, the Authority gave us the power to see the worst in every one, and we have fed on the worst ever since, till our blood is rank with it and our very hearts are sickened. “But still, it was all we had to feed on. It was all we had. And now we learn that you are planning to open a way to the upper world and lead all the ghosts out into the air—” And her harsh voice was drowned by a million whispers, as every ghost who could hear cried out in joy and hope; but all the harpies screamed and beat their wings until the ghosts fell silent again. “Yes,” cried No-Name, “to lead them out! What will we do now? I shall tell you what we will do: from now on, we shall hold nothing back. We shall hurt and defile and tear and rend every ghost that comes through, and we shall send them mad with fear and remorse and self-hatred. This is a wasteland now; we shall make it a hell!” Every single harpy shrieked and jeered, and many of them flew up off the tree and straight at the ghosts, making them scatter in terror. Lyra clung to Will’s arm and said, “They’ve given it away now, and we can’t do it. They’ll hate us—they’ll think we betrayed them! We’ve made it worse, not better!” “Quiet,” said Tialys. “Don’t despair. Call the harpies back and make them listen to us.” So Will cried out, “Come back! Come back, every one of you! Come back and listen!” One by one the harpies, their faces eager and hungry and suffused with the lust for misery, turned and flew back to the tree, and the ghosts drifted back as well. The Chevalier left his dragonfly in the care of Salmakia, and his little tense figure, green-clad and dark-haired, leapt to a rock where they could all see him. “Harpies,” he said, “we can offer you something better than that. Answer my questions truly, and hear what I say, and then judge. When Lyra spoke to you outside the wall, you flew at her. Why did you do that?” “Lies!” the harpies all cried. “Lies and fantasies!” “Yet when she spoke just now, you all listened, every one of you, and you kept silent and still. Again, why was that?” “Because it was true,” said No-Name. “Because she spoke the truth. Because it was nourishing. Because it was feeding us. Because we couldn’t help it. Because it was true. Because we had no idea that there was anything but wickedness. Because it brought us news of the world and the sun and the wind and the rain. Because it was true.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials #3))
“
The madness surged around him, and Rhy tore himself away from the breaking city and turned his sights again to his quest for the captain of the Night Spire.
There were only two places Alucard Emery would go: his family estate or his ship.
Logic said he’d go to the house, but something in Rhy’s gut sent him in the opposite direction, toward the docks.
He found the captain on his cabin floor.
One of the chairs by the hearth had been toppled, a table knocked clean of glasses, their glittering shards scattered in the rug and across the wooden floor. Alucard—decisive, strong, beautiful Alucard—lay curled on his side, shivering with fever, his warm brown hair matted to his cheeks with sweat. He was clutching his head, breath escaping in ragged gasps as he spoke to ghosts.
“Stop … please …” His voice—that even, clear voice, always brimming with laughter—broke. “Don’t make me …”
Rhy was on his knees beside him. “Luc,” he said, touching the man’s shoulder.
Alucard’s eyes flashed open, and Rhy recoiled when he saw them filled with shadows. Not the even black of Kell’s gaze, but instead menacing streaks of darkness that writhed and coiled like snakes through his vision, storm blue irises flashing and vanishing behind the fog.
“Stop,” snarled the captain suddenly. He struggled up, limbs shaking, only to fall back against the floor.
Rhy hovered over him, helpless, unsure whether to hold him down or try to help him up. Alucard’s eyes found his, but looked straight through him. He was somewhere else.
“Please,” the captain pleaded with the ghosts. “Don’t make me go.”
“I won’t,” said Rhy, wondering who Alucard saw. What he saw. How to free him. The captain’s veins stood out like ropes against his skin.
“He’ll never forgive me.”
“Who?” asked Rhy, and Alucard’s brow furrowed, as if he were trying to see through the fog, the fever.
“Rhy—” The sickness tightened its hold, the shadows in his eyes streaking with lines of light like lightning. The captain bit back a scream.
Rhy ran his fingers over Alucard’s hair, took his face in his hands. “Fight it,” he ordered. “Whatever’s holding you, fight it.”
Alucard folded in on himself, shuddering. “I can’t….”
“Focus on me.”
“Rhy …” he sobbed.
“I’m here.” Rhy Maresh lowered himself onto the glass-strewn floor, lay on his side so they were face-to-face. “I’m here.”
He remembered, then. Like a dream flickering back to the surface, he remembered Alucard’s hands on his shoulders, his voice cutting through the pain, reaching out to him, even in the dark.
I’m here now, he’d said, so you can’t die.
“I’m here now,” echoed Rhy, twining his fingers through Alucard’s. “And I’m not letting go, so don’t you dare.”
Another scream tore from Alucard’s throat, his grip tightening as the lines of black on his skin began to glow. First red, then white. Burning. He was burning from the inside out. And it hurt—hurt to watch, hurt to feel so helpless.
But Rhy kept his word.
He didn’t let go.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact.
The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!"
Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?"
An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth.
When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!"
Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his.
But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment.
"Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!"
Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions.
A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse.
Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word.
Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house.
Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them.
"It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room.
A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages.
"Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now."
Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
”
”
Charlotte McPherren (Song of the Willow)
“
The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes.
On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles.
Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour.
Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world.
Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim.
It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.
”
”
Anna Kavan (Ice)
“
I landed a bit too fast and stumbled in my unlaced sneakers before slamming face first into Darius’s chest as he lurched forward to catch me.
“Sorry,” I laughed as I looked up at him with a grin and he fell still as he helped me steady myself. “What?” I asked, trying to blink the sleep out of my eyes.
“You’ve never smiled at me like that before,” he said in a rough voice, reaching out to brush some tangled strands of black hair out of my face.
“Shut up, I smile at you all the time,” I replied as heat touched my cheeks and I tried to run my fingers through my knotty hair.
Really should have taken a minute to brush it dumbass. Let’s hope he assumes it’s from flying.
“Not like that you don’t,” Darius countered, a smile tugging at the corner of his mouth too as his gaze ran over me. “You look…cute.”
“I don’t know what you mean. And I don’t do cute.”
Darius snorted at me. “You look like you got dressed in the dark…”
“Gee thanks, any more observations, Sherlock?” I asked, rolling my eyes at him but I was still grinning so there wasn’t much bite with my snark.
“Well… You’re not wearing any makeup.”
“I…woke up late, so-”
“I like it,” he said, his smile growing as he looked me over. “You look all sleepy and innocent. I could almost imagine you just woke up in my bed.”
I was definitely goddamn blushing now and thanks to my lack of bronzer he was clearly well aware of it. The sky was darkening overhead already as we lingered, but I fought the stars for just another moment.
“If I’d spent the night in your bed, there wouldn’t have been anything innocent about it,” I taunted to get him back onto safer, less mortifying topics of conversation. Like sex.
“As much as I ache for the feeling of your body against mine – and I really fucking do – I think if I was allowed a single cheat against this curse that keeps us apart, I’d just want to be able hold you in my arms,” he replied. “Just to wake up with you there, knowing you were safe.”
My heart pounded at his words, but a crash of thunder from the heavens stopped me from replying. I offered him a frustrated smile and turned away from him as I began my run.
Darius followed behind me, far enough back to allow the clouds to scatter again and I tried not to dwell on the disappointment that lingered in me as I upped my pace.
Did I just shoot over here at the speed of light without brushing my hair or putting any makeup on rather than risk missing out on our run?
I shook my head at myself as I tried to figure out what was going on here. I’d been purposefully ignoring this question up until now, but I seriously needed to consider what I was doing. Running with him every morning, messaging him every night. Exchanging little looks whenever we ended up in the same place and thinking about him way too often.
This felt a hell of a lot like the start of something instead of the end of it, but that wasn’t possible.
Even if he wanted it. Even if I wanted it. We couldn’t have it. The damn stars wouldn’t allow it.
My mind twisted around and around as we ran on and I cursed the stars out with everything I had.
But why was I doing that? Hadn’t I made my mind up about this? Hadn’t I already made the only decision I could?
Darius might have been showing me more of himself now, he might have stopped hurting me and be trying to change but had he done enough to make up for all the pain he’d caused me? When I really thought about it, I still wasn’t sure. But I was sure that he made me smile when he messaged me, that I looked for him whenever I arrived in a room, that he seemed to be trying to do everything he could to set things right. And that I fantasised about him more than I had about any man in all my life. Even Tom Hardy. Even. Tom. Hardy.
Fuck it.
We ran around Aqua Lake, circling the shore and heading on into The Wailing Wood. Darius kept pace behind me in silence like always, but I decided to drop back.
(Tory)
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))