Scarf Best Quotes

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The best reason for a knitter to marry is that you can't teach the cat to be impressed when you finish a lace scarf.
Stephanie Pearl-McPhee (At Knit's End)
I am trying to see things in perspective. My dog wants a bite of my peanut butter chocolate chip bagel. I know she cannot have this, because chocolate makes dogs very sick. My dog does not understand this. She pouts and wraps herself around my leg like a scarf and purrs and tries to convince me to give her just a tiny bit. When I do not give in, she eventually gives up and lays in the corner, under the piano, drooping and sad. I hope the universe has my best interest in mind like I have my dog’s. When I want something with my whole being, and the universe withholds it from me, I hope the universe thinks to herself: "Silly girl. She thinks this is what she wants, but she does not understand how it will hurt.
Blythe Baird
She had taught herself how to knit, and for the mare's scarf - it was green - she had given herself the best grade possible. And ...' 'That's silly!' Micha giggled. 'Well, who is the cliff queen, you or me?' Abel asked. 'It isn't my fault if you're giving yourself grades!
Antonia Michaelis (The Storyteller)
What's a colder word for freezing?" Jackson asks, bundled from head to toe in my dad's coat, hat gloves, and the scarf I forced on him. "Fucking freezing?" Jackson nods. "It's fucking freezing. I'm not sure I really want a snowman best friend anymore.
Adam Silvera (History Is All You Left Me)
Speaking of cold... I shiver. "Has the temperature dropped, or is it just me?" "Here." Etienne unwraps the black scarf that had been tied loosely around his neck,and hands it to me. I take it, gently, and wrap it around mine. It makes me dizzy.It smells like freshly scrubbed boy. It smells like him. "Your hair looks nice," he says. "You bleached it again. I touch the stripe self-consciously. "Mom helped me." "That breeze is wicked,I'm going for coffee." Josh snaps his sketchbook closed. I'd forgotten he was here again. "You coming?" Etienne looks at me, waiting to see how I answer. Coffee! I'm dying for a real cup. I smile at Josh. "Sounds perfect." And then I'm heading down the steps of the Pantheon, cool and white and glittering, in the most beautiful city in the world. I'm with two attractive, intelligent,funny boys and I'm grinning ear to ear. If Bridgette could see me now. I mean,who needs Christopher when Etienne St. Clair is in the world? But as soon as I think of Toph, I get that same stomach churching I always do when I think about him now.Shame that I ever thought he might wait. That I wasted so much time on him. Ahead of mine,Etienne laughs at something Josh said. And the sound sends me spiraling into panic as the information hits me again and again and again. What am I going to do? I'm in love with my new best friend.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I ran over without a word, cradled PLT tenderly in my arms and carried her upstairs. Placing her on my own bed, I wrapped my mortally wounded pet in my best school scarf and lay down next to her. It was a night of grief I have never forgotten.
Adeline Yen Mah (Chinese Cinderella: The True Story of an Unwanted Daughter)
One more second and he would’ve hit you with the gun. And who knows what else. When I think about what could’ve happened . . .” He gripped her shoulders determinedly. “I should’ve told you this earlier, Jordan. Now that I’ve got my chance, you’re going to hear it whether you like it or not. You came into my life and messed the whole thing up and now I’m screwed. Because I’m in love with you. As in balls-out, head-over-heels, watching-Dancing-with-the-Stars -on-Monday-nights, wine-and-bubble-bath kind of love. Hell, I think I’d even wear a scarf indoors for you.” Jordan smiled, her eyes misty, as she touched his cheek. “That’s the best kind of love.
Julie James (A Lot like Love (FBI/US Attorney, #2))
The street is getting dark, the pavement tiger-striped by halogen. It wears the fog like a dame’s best scarf, slightly jaunty, with an edge of challenge.
Cassandra Khaw (Hammers on Bone (Persons Non Grata, #1))
This time I shall not lead you into a new corner of the house of the world. We know it so well by now, after all. We know where the Fairies live and where the shadows fall, where the cobwebs really ought to be cleaned up if anyone ever gets around to it, where a window is loose, where a door creaks. We are annoyed by the stove that will not light, by the weeds in the garden, by that ungodly mess in the closet. A thing too familiar becomes invisible. It is time for us to Go Out. But do not fear, even if it is colder outside than you might prefer, if Spring has once again been rudely tardy, if the trees only have a breath of green at their tips like a fine lady's jade rings, if the sun is pale and high and makes you squint, if the wind, for there is always wind, bites and pierces deep. Tug up your best coat round your neck and tie your longest scarf tight. You may hold my hand if you like. I promise, it is good for your health to step outside the house of the world. After all, we are not going far. Only so far as the mailbox.
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
I asked myself what Palestinians would do if Israel disappeared—if everything not only went back to the way it was before 1948 but if all the Jewish people abandoned the Holy Land and were scattered again. And for the first time, I knew the answer. We would still fight. Over nothing. Over a girl without a head scarf. Over who was toughest and most important. Over who would make the rules and who would get the best seat.
Mosab Hassan Yousef (Son of Hamas: A Gripping Account of Terror, Betrayal, Political Intrigue, and Unthinkable Choices)
An adventure can begin without warning, that the most minor decisions—right, left—can change lives in a moment. That friendships, even the best of them, don't always survive. Oh, and this: that so much of what happens can't ever be proved—the best we can do is write out paltry tales.
Susan Scarf Merrell (Shirley)
One of the best and clearest examples of the way in which projective identification operates is seen in the totally nonaggressive and never angry individual. This person, who is uniquely devoid of anger, can become aware of angry feelings only as they exist in someone else —in the intimate partner, most predictably. When something disturbing has happened to the never angry individual, and he is experiencing angry emotions, he will be consciously out of contact with them. He will not know that he is angry, but he will be wonderfully adept at triggering an explosion of hostility and anger in his spouse.
Maggie Scarf (Meeting the Shadow: The Hidden Power of the Dark Side of Human Nature)
under Polly’s eyes, her gaunt cheeks, and her shaking hands as she poured the tea. *   *   * Cat watches as her cab winds its way through the streets of Soho, thinking she would never stoop to that. It’s the lowest of the low. We’re supposed to be features writers, not news hacks. But behind her mutterings, behind her disdain, as unwilling as she is to admit it, lies a ribbon of insecurity. The Daily Gazette is the best paper she could ever imagine working for, but Cat, just past her mid-twenties, has yet to prove herself with a big story. She’s proving adept at the smaller fluff pieces—How to wear a scarf in thirty different ways! How to put the romance back into your marriage! (As if she would know anything about that.) How to revamp your wardrobe in five easy steps! But the big interviews, the ones that Poppy
Jane Green (Cat and Jemima J: A Short Story)
We were in Julie’s room one night, my eldest daughter and I, maybe a decade ago now. I wanted to show her how the canvas painting she had carefully labored over for her little sister's Christmas gift was framed and hung on the wall. I said, gazing at her masterpiece with no small amount of motherly pride, “Now it looks like a real work of art”. Bella looked at me quizzically, wondering yet again how her mother could possibly understand so little about the world. “Mama, every time you make something, or draw something, or paint something, it is already real art. There is no such thing as art that is not real” And so I said that she was right, and didn’t it look nice, and once again, daughter became guru and mother became willing student. Which is, I sometimes think, the way it was meant to be. ~~~~~ art is always real. all of it. even the stuff you don’t understand. even the stuff you don’t like. even the stuff that you made that you would be embarrassed to show your best friend that photo that you took when you first got your DSLR, when you captured her spirit perfectly but the focus landed on her shoulder? still art. the painting you did last year the first time you picked up a brush, the one your mentor critiqued to death? it’s art. the story you are holding in your heart and so desperately want to tell the world? definitely art. the scarf you knit for your son with the funky messed up rows? art. art. art. the poem scrawled on your dry cleaning receipt at the red light. the dress you want to sew. the song you want to sing. the clay you’ve not yet molded. everything you have made or will one day make or imagine making in your wildest dreams. it’s all real, every last bit. because there is no such thing as art that is not real.
Jeanette LeBlanc
If you live in New York City, for example, chances are you will not be going outside for a leisurely stroll down Fifth Avenue in shorts and a T-shirt and flip-flops in the month of February. Why is that? Because, if you’ve lived there for a while and experienced the local seasons, you’ve already identified that in February it will be pretty darn cold. To appropriately adapt, you will want to wear a heavy winter coat and maybe gloves and a scarf and earmuffs. It’s the same with the markets. You need to have “lived there for a while” and experienced a variety of market cycles so you know what “to wear,” or rather how to adapt, so that you are financially comfortable. Instead of knowing to wear a winter coat in February, you will know that in a choppy, sideways, bracketed market you need to adapt your system and rules so that you do not get whipsawed and stopped out a lot. Or you may need to recognize a bull market changing to a bear market so that you can exit your position in a timely fashion to lock in profits.
Bennett McDowell (Money Management for Traders: Essential Formulas and Custom Record Keeping Forms for Successful Trading (BEST BOOKS 4 TRADERS))
You know when I said I didn't need you?" I asked. He lifted one brow. "I was so wrong.I can't find words to express quite how wrong I was." "Try." "Dramatically wrong," I said. "Terribly." "Please." "Okay,terrifically. Horrifically. Catastrophically." I gave him my best meek smile. "Forgivably?" He rolled his eyes. "I should have bought you a thesaurus for Christmas." I had his present in my bag (a bow tie that may or may not have once belong to Dean Martin, courtesy of eBay) and had a vague suspicion that the big lump in his coat pocket was a multicolored scarf I'd drooled over at Urban Outfitters. "I still think Bainbridge is an ass," he added. "I've been there,y'know. On the edge of where they live, wanting in." "I know." "You're better than that." "I know that,too." Kinda,anyway. I thought Frankie was pretty amazingly brave in about a hundred ways. He leaned forward them, and pancaked my hands between his. "I am here for youse, Marino.Forevah and evah." "No matter how stupidly I behave?" "Don't push it. And don't lie to me again.Now,what are you going to do about the Edward stuff?
Melissa Jensen (The Fine Art of Truth or Dare)
What is it?” Lend asked, noticing my stare as he wrapped his scarf around my neck. I was far, far from cold right now, but it was sweet of him. “And why is your voice different?” “You really are beautiful. And I really want to kiss your brains out. But I’ve got to make a gate and save the world and stuff first.” “Kiss my brains out after?” I bit my lip. “Are you going to . . . will there be an after?” “Hurry, please,” Reth said. Lend ignored him and pulled me closer, his lips touching my ear. “The only world for me is the one you’re in. Let’s make the best life we can here and not worry about what comes after. I want to grow old with you.” “Really? We’ll get rocking chairs and be all cute and wrinkly!” “You’ll be wrinkly. I’ll just pretend to be.” I punched him lightly in the stomach, but closed my eyes, my own soul once again singing out louder than the others in me. “Best plan I’ve heard this week. And, trust me, I’ve heard a lot.” “I love you forever, Evie.” I pulled back and kissed him, all the energy and light in me springing up in joy and passion and happiness. “I love you forever, too, my Lend.” “Wow, your lips are really hot. Literally and metaphorically. But mostly literally.
Kiersten White (Endlessly (Paranormalcy, #3))
Tresses of lustrous, snow-white hair tumbled from their cloth-bound imprisonment, streaming like a waterfall down the young woman’s back. In an effort to make his student more at ease, Alexi did his best to appear wholly disinterested as she carefully removed her protections with delicate, private ceremony. But then she turned to face him, clutching those items that had held her unusual features in mystery : glasses, gloves, long scarf. "As you would have it so, Professor, here is your pupil in all her ghastliness." Though Miss Parker's hands clearly trembled, her voice did not. Luminous crystal eyes held streaks of pale blue shooting from tiny black pupils. A face youthful but devoid of color, smooth and unblemished like porcelain, had graceful lines as well-defined and proportioned as a marble statue. Her long, blanched locks shimmered in the candlelight like spider silk. Upon high cheekbones lay hints of rouge : any more would have appeared garish against her blindingly white skin, but she had been artful in her application. Her rosebud lips were tinted in the same manner. "You see, Professor, even you, so stern and stoic, cannot hide your shock, surprise, distaste-" "Distaste ?" he interrupted quietly. "Is that what you see ?
Leanna Renee Hieber (The Strangely Beautiful Tale of Miss Percy Parker (Strangely Beautiful, #1))
What? Oh, I’m sorry; I didn’t mean to come on so jaded. What scene? This one, the rain, those geese up there with their hard-luck stories . . . this, this same world. They all tried to do something with it. Dante did his best to build himself a hell because a hell presuppose a heaven. Baudelaire scarfed hashish and looked inside. Nothing there. Nothing but dreams and delusion. They all were driven by the need for something else. But when the drive was over, and the dreaming and the deluding worn out, they all ended up with the same dull old scene. But, look, you see, Viv, they had an advantage with their scene, they had something we’ve lost . . .” I waited for her to ask what that something was, but she only sat silently, her hands folded on the black overcoat. “. . . They had a limitless supply of tomorrows to work with. If you didn’t make your dream today, well, there was always more days coming, more dreams full of more sound and fury and future: what if today was a hassle? There was always tomorrow to find the River Jordan, or Valhalla, or that special providence in the fall of a sparrow . . . we could believe in the Great Gettin’-up Morning coming someday because if it didn’t make it today there was always tomorrow.” “And there isn’t any more?” I looked up at her and grinned. “What do you think?
Ken Kesey (Sometimes a Great Notion)
We turned off the path then, following a line of red, cup-shaped wildflowers that I had not seen before. And then abruptly, we came to a door-- an actual door, because the Folk are maddeningly inconsistent, even when it comes to their inconsistencies--- tucked into a little hollow. It was only about two feet tall and painted to look like the mountainside, a scene of grey-brown scree with a few splashes of green, so realistic that it was like a reflection on still water. The only thing that gave it away was the doorknob, which looked like nothing that I can put into human terms; the best I can do is compare it to a billow of fog trapped in a shard of ice. "It has the look of a brownie house," Wendell said. "But perhaps I should make sure." He shoved the door open and vanished into the shadows within--- I cannot relate how he accomplished this; it seemed for a moment as if the door grew to fit him, but I was unable to get a handle on the mechanics as not one second later he was racing out again and the door had shrunk to its old proportions. Several porcelain cups and saucers followed in his wake, about the right size for a doll, and one made contact, smashing against his shoulder. Behind the hail of pottery came a little faerie who barely came up to my knee, wrapped so tightly in what looked like a bathrobe made of snow that I could see only its enormous black eyes. Upon its head it wore a white sleeping cap. It was brandishing a frying pan and shouting something--- I think--- but its voice was so small that I could only pick out the odd word. It was some dialect of Faie that I could not understand, but as the largest difference between High Faie and the faerie dialects lies in the profanities, the sentiment was clear. "Good Lord!" Rose said, leaping out of range of the onslaught. "I don't--- what on--- would you stop?" Wendell cried, shielding himself with his arm. "Yes, all right, I should have knocked, but is this really necessary?" The faerie kept on shrieking, and then it launched the frying pan at Wendell's head--- he ducked--- and slammed its door. Rose and I stared at each other. Ariadne looked blankly from Wendell to the door, clutching her scarf with both hands. "Bloody Winter Folk," Wendell said, brushing ceramic shards from his cloak. "Winter Folk?" I repeated. "Guardians of the seasons--- or anyway, that is how they see themselves," he said sourly. "Really I think they just want a romantic excuse to go about blasting people with frost and zephyrs and such. It seems I woke him earlier than he desired." I had never heard of such a categorization, but as I was somewhat numb with surprise, I filed the information away rather than questioning him further. I fear that working with one of the Folk is slowly turning my mind into an attic of half-forgotten scholarly treasures.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
Rosie and Johnny's relationship was being ripped to shreds, with the press and public pawing over the pieces like wild dogs. The emotional chasm between Dominic and Pet had been torn even wider. Apparently, Sylvie had been wasting time, money, and ingredients for months, constantly defending this woman to Jay. And someone intimately connected to the Starlight Circus had just called her décor "kitsch." "Penny," she said very calmly, with a smile just as vague, just as airy, and just as malicious, "get the fuck out of my home." Penny tossed her head---and froze as Mabel walked toward her, hips swinging, also smiling. That smile had more eerie impact than every lighting effect in the Dark Forest combined. The intern took a step back, but halted in momentary confusion when Mabel offered her the lollipop. She took the candy skull automatically, and then shrieked as Mabel---tiny, deceptively delicate Mabel---made a blur of a movement with her foot and Penny tumbled across her shoulders. Whistling, Mabel walked toward the back door and out into the alley, wearing Penny around her neck like a scarf. Through the window, Sylvie watched as her assistant calmly threw the intern into the dumpster. As a stream of profanity drifted from the piles of rubbish--most of which, incidentally, was all the ingredients Penny had purposely wasted--Mabel returned to the kitchen. "I'll be off, then," she said, collecting her bag and coat from their hook. "Have a good night," Sylvie returned serenely. As Mabel passed her, without turning her head or altering her expression, their hands fleetingly clasped. The door swung closed, leaving Sylvie alone with Dominic in a lovely, clean kitchen, while her former intern made a third cross attempt to clamber from the trash.
Lucy Parker (Battle Royal (Palace Insiders, #1))
Cat watches as her cab winds its way through the streets of Soho, thinking she would never stoop to that. It’s the lowest of the low. We’re supposed to be features writers, not news hacks. But behind her mutterings, behind her disdain, as unwilling as she is to admit it, lies a ribbon of insecurity. The Daily Gazette is the best paper she could ever imagine working for, but Cat, just past her mid-twenties, has yet to prove herself with a big story. She’s proving adept at the smaller fluff pieces—How to wear a scarf in thirty different ways! How to put the romance back into your marriage! (As if she would know anything about that.) How to revamp your wardrobe in five easy steps! But the big interviews, the ones that Poppy
Jane Green (Cat and Jemima J: A Short Story)
Cat watches as her cab winds its way through the streets of Soho, thinking she would never stoop to that. It’s the lowest of the low. We’re supposed to be features writers, not news hacks. But behind her mutterings, behind her disdain, as unwilling as she is to admit it, lies a ribbon of insecurity. The Daily Gazette is the best paper she could ever imagine working for, but Cat, just past her mid-twenties, has yet to prove herself with a big story. She’s proving adept at the smaller fluff pieces—How to wear a scarf in thirty different ways! How to put the romance back into your marriage! (As if she would know anything about that.) How to revamp your wardrobe in five easy steps!
Jane Green (Cat and Jemima J: A Short Story)
tie a silk scarf around her neck and not have it be ironic.
Laura Dave (London is the Best City in America)
You think you know what you can handle, and what you can't. But the truth is, almost anything is endurable. Because we're made that way, to make the best of what we have.
Susan Scarf Merrell (Shirley)
Like she’s never completely sure if she’s doing or saying the right thing, only hopes that she is. The capture is framed from the shoulders up like one of her previous broadcasts, but the background is all wrong. Instead of the Tea room’s neat, orderly space, she’s standing in what looks like the interior of a house. There are picture frames on a dresser behind her, filled with a family he doesn’t recognize. “We’ve intercepted several messages like the one I’m about to play in the past two months, broadcast over open channels. Allow me to also preface this by saying, Chersky believes them to be clever digital forgeries. Our technicians are the best at what they do. However, I feel it prudent to get your unique perspective.” Another finger tap, and the video begins to play. “This is Rhona Long, former commander of McKinley base,” the woman begins. It must be cold where she is. Her breath mists, and her throat is wrapped in a thick hand-knit scarf. A small chain hangs over it, pendant out of frame. “I have made several attempts now to reach out to McKinley base but have received no response. It is my hope that other factions will receive this message and share it.” She then goes on to describe the events surrounding the missile strike on Calgary, masking the mission’s goal under the guise of “recovering crucial assets from the machines.” She warns against trusting the New Soviets but stops just sort of inciting insurrection, concluding with some now-outdated intelligence about the higher echelon’s movements in the region.
Hayley Stone (Last Resistance: The Complete Series: (A Post Apocalypse Box Set) (Last Resistance Box Sets Book 1))
Asleep at the wheel nearly dead I think and feeling nothing on my skin but the dark eyes of the antelopes all around me in the Wyoming night watching me pass—a small animal growling down the highway with both eyes aglow. To keep awake I force my head out the window as into a guillotine the black sleet-filled air slipping under each eyelid like a child’s thin silver spoon. Looking back into the car through the ice and tears I do not recognize that body sleeping there. I no longer know that leg pressed hard to the gas, the blue coat or scarf or the hand reaching out to the wheel. Folks, you know I am doing my best— pushing hard toward you through this winter sky but reduced to this— just this head out a window streaming through space like a bearded rock, a hunk of pocked iron with melting eyes. A trail of fiery mist is growing out of the back of my head and stretches now for miles across the night. The odds, I know, are a thousand to one I'll burn up before touching earth but if somehow I do make it home smashing across the farmyard and lighting up the sky I will throw a red glow across the barn's silver roof and crash into the rough wood of your back door smaller than a grain of sand making its one childlike knock. The porch light will hesitate then snap on, as it always does when a car comes up the lane late at night. The two sleepy old faces will come to the door in their long soft robes— will stand there bewildered rubbing their eyes looking around and wondering who it was at their door no sooner come than gone a cinder in the eye.
Anthony Sobin
My dog wants a bite of my peanut butter chocolate chip bagel. I know she cannot have this, because chocolate makes dogs very sick. Madigan does not understand this. She pouts and wraps herself around my leg like a scarf, trying to convince me to give her just a tiny bit. When I do not give in, she eventually gives up and lays in the corner under the piano, drooping and sad. I hope the universe has my best interest in mind like I have my dog's. When I want something with my whole being, and the universe withholds it from me, I hope the universe thinks to herself, "Silly girl. She thinks this is what she wants, but she does not understand how it will hurt.
Blythe Baird
Conrad ended up winning me the polar bear with the wire-frame glasses and scarf. He said Angie told him it was the best prize they had. He said he thought I’d like it too. I told him I’d rather have had the giraffe, but thanks anyway. I named him Junior Mint, and I left him where he belonged, at the summer house.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
So there I was, drowning my sorrows in a slice of the most divine pecan pie in Austin, Texas, wondering why on earth I ever thought dating Bill was a good idea. But before I could finish my pie and wallow in self-pity, my fabulous best friend, Sky, swooped in like a fairy godmother in skinny jeans. With a swish of his rainbow-colored scarf, he convinced me that breaking up with Bill was the best decision I ever made. And just when I thought my love life couldn't get any crazier, a sexy billionaire strolled into the cafe, making my heart race faster than a Texan tornado.
Liz Willow (My Fake Wedding to the Billionaire)
sounded like another language entirely. I felt relieved, momentarily, to be a relatively worldly Lubavitcher, even if I didn’t entirely fit in with the Crown Heights crowd. — Much to my disappointment, Miri was rarely to be seen. Most days she left the apartment around ten in a giddy rush and returned in the early evening with armloads of shopping bags, only to leave again for dinner with her friends. But one morning, when Leah was otherwise engaged, I was finally recruited for shomeres service. We were going to Ratfolvi’s, in Flatbush, to pick up the sheitel that Miri would be required to wear as a married woman. Pulling up to a residential building, we let ourselves into Mrs. Ratfolvi’s wig shop/apartment and sat down in the reception area, where four or five women were chatting away on a damask sofa and chairs. While we waited our turn, I examined the rows of wigs on display: there were various shades of brunette, blonde, and ginger; short, teased bouffants and glamorous, shoulder-length falls; wigs encased in rollers and wigs that were fully styled, needing nothing more than a final shpritz of hair spray. They were set upon Styrofoam heads complete with turned-up noses, high cheekbones, and luscious lips that looked like they could come alive at any moment. I longed to get my hands on a brush and a pair of scissors so that I could create my own visions of tonsorial loveliness. I did this from time to time to my dolls, to my mother’s great irritation, and here was a whole wall of victims. When Miri’s name was called, she plunked herself into the salon chair and pulled the silk scarf off her ponytail. I stood as close as I could without getting in the way. From conversations that I’d overheard between my mother and her sisters, I knew that Mrs. Ratfolvi was considered “the best,” and I was eager to watch her at work. The “rat” in her name had led me to expect someone old and unattractive, but she was actually a nicely put-together middle-aged woman. The receptionist brought over a plastic case about the size of a chubby toddler. In one expert motion, Mrs. Ratfolvi clicked it open, withdrew the fully styled wig on its Styrofoam head
Chaya Deitsch (Here and There: Leaving Hasidism, Keeping My Family)
To me, the best part about opening yourself up to hearing from Spirit is that you can do it just by being yourself. You don’t need tarot cards or crystals. You don’t even need to hold or wear an object with your family member’s energy, like a lot of people think. When I mention a necklace or ring during a session that you’ve brought with you, it’s not because I’m drawn to that energy like a magnet. It’s because Spirit tells me to reference it. In fact, I once did a phone reading for a woman who had a lot of female energy around her that had passed on, including a mom, grandmother, aunt, and cousin. She also had a grandfather and father on the Other Side. Anyway, Spirit showed me a picture I have of Victoria, wearing the most random clothes—a baseball cap, sunglasses, Rug Rat pajamas, holding the pet parakeet that Gram got her, and Mardi Gras beads. So I said, “This is going to sound bizarre, but I feel like you’re wearing a strange mix of items: pajamas, a silk scarf, a man’s hat, gloves, rosary beads, and jewelry that doesn’t match. Are you wearing an article from every dead person you want to hear from?” There was total silence on the phone. I think she was a little embarrassed, but I have to admit that I was actually relieved she didn’t dress like that all the time!
Theresa Caputo (There's More to Life Than This)
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her. She set off at once, a tall figure clad in a pair of blue denim jeans, a dark-blue suede jacket, and a soft scarf wrapped loosely around her face to protect her from the chilling, easterly spring wind. I stood and watched as she slowly dwindled in the distance, her head held high, alone apart from busy oyster catchers that followed her along the water’s edge. It was a strange sensation watching her walking away by herself, with no bodyguards following at a discreet distance. What were my responsibilities here? I kept thinking. Yet I knew this area well, and not once did I feel uneasy. I had made this decision--not one of my colleagues knew. Senior officers at Scotland Yard would most certainly have boycotted the idea had I been foolish enough to give them advance notice of what the Princess and I were up to.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her. She set off at once, a tall figure clad in a pair of blue denim jeans, a dark-blue suede jacket, and a soft scarf wrapped loosely around her face to protect her from the chilling, easterly spring wind. I stood and watched as she slowly dwindled in the distance, her head held high, alone apart from busy oyster catchers that followed her along the water’s edge.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
I pull my scarf forward to hide the blonde streaks of my hair and avoid using my hands - the giveaway of a European background - when I speak, which I do while looking across at the horizon or down at my feet. We direct the things we tell each other to my black, pointed ballerina flats or the shoelaces of his brown loafers, matching them as best as we can with disinterested expressions. I don't imagine we are fooling anyone.
Jennifer Klinec (The Temporary Bride: A Memoir of Love and Food in Iran)
Did you get it all right?” he says, frowning slightly. “What?” “Your aunt’s present.” “Oh yes,” I say, and swallow. “Yes, I … I got it.” “Is that it?” He gestures to the bag and I feel a guilty blush spread over my cheeks. “Yes,” I say eventually. “I thought a … a scarf would be nice.” “Very generous of you. Denny and George.” He raises his eyebrows. “Your aunt must be a stylish lady.” “She is,” I say, and clear my throat. “She’s terribly creative and original.” “I’m sure she is,” says Luke, and pauses. “What’s her name?” Oh God. I should have run as soon as I saw him, while I had a chance. Now I’m paralyzed. I can’t think of a single female name. “Erm … Ermintrude,” I hear myself saying. “Aunt Ermintrude,” says Luke thoughtfully. “Well, give her my best wishes.
Sophie Kinsella (Confessions of a Shopaholic (Shopaholic, #1))
And tell me, when have you ever really noticed me, or where I am, or where I sit? You never look at me. You avoid me like I’m the pox!” Her volume reached new levels and she had to force herself not to yell up into his face. She spoke through her teeth to keep her voice low. “You’ve done your best to keep us safe and help me learn what I’ve needed to know about Father—and for that I will be forever grateful, but you can’t honestly pretend that you care!” Thomas captured her shoulders again and pulled her in front of him with a jerk, making her hat fall to the ground. The glowering look in his eyes simmered and Eliza turned her head away. Taking a hand from her shoulder he wrapped his strong, gentle fingers around her chin, compelling her to look at him. The low resonance in his rich voice was both imposing and tender. “I notice everything about you.” Eliza tried to pull away, her heart beating against her lungs. “I don’t believe you. You’re actions say otherwise.” Thomas huffed and glanced away before locking eyes with her again. “I’ve tried to keep away from you, to keep from developing feelings for you, Eliza. I know you have a life in Boston and I’ve only ever brought you trouble . . . but I can’t dictate my heart.” He brushed his calloused fingers against her cheek. Eliza closed her eyes, relishing the feel of his tenderness. It was too wonderful to be real. “I couldn’t bear to see you hurt again, Eliza. That’s what caused my anger. Not the fact that you went to the rally.” His honey voice softened. “If anything had happened to you, I would never have forgiven myself, and not because it’s my duty to care for you, as you think. Because I love you.” Eliza’s breath hitched, and her heart thumped at the sparkle of surprise in his eyes, as if he hadn’t meant to speak the tender words. But from the way his gaze roamed her face, it seemed he didn’t regret saying them. She looked up with parted lips, soaking in the sweet dew of his affections as he stepped closer. As if unwrapping precious china, he unwound the scarf that still circled her hair and let it drop to the ground near the hat. He smoothed his fingers around her ears, cupping her head, and directed her face toward his. All the world disappeared, the surrounding trees and shadows melting together and closing around them like a celestial dream. He stepped closer and her knees turned as weak as the wilted blades of snow-covered grass at her feet. “What are you doing?” she whispered, trembling under his touch. An unmistakable hunger swirled in his gaze, reaching out and expanding the longing of her own. The heat in his low voice stole her breath. “I’m doing what I’ve wanted to do for a very long time.” He leaned toward her, but she put a hand on his chest to stop him, her heart slamming against her ribs. His dark eyebrows crunched down. “What is it?” Eliza swallowed, trying to keep her voice even. “Last time you kissed me, you avoided me as if I were a poison. I don’t want that to happen again.” A quiet, rumbling laugh escaped him. “You are anything but a poison, Eliza.” He cradled her face in his hands, tilting it upward and nuzzled her cold nose with his. She closed her eyes and inhaled in a ragged breath as his warm lips moved across the corners of her eyes, her cheekbones, her ear. Delicious shivers sprayed down her skin and she clung to his chest to keep from falling. His hands brushed down her neck and shoulders—one resting behind her head, the other at her back, as if he wanted to keep her safely next to him forever. Dear
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
It had been often commented upon that Vibe offspring tended to be crazy as bedbugs. ‘Fax’s brother Cragmont had run away with a trapeze girl, then brought her back to New York to get married, the wedding being actually performed on trapezes, groom and best man, dressed in tails and silk opera hats held on with elastic, swinging upside down by their knees in perfect synchrony across the perilous Æther to meet the bride and her father, a carnival “jointee” or concessionaire, in matched excursion from their own side of the ring, bridesmaids observed at every hand up twirling by their chins in billows of spangling, forty feet above the faces of the guests, feathers dyed a deep acid green sweeping and stirring the cigar smoke rising from the crowd. Cragmont Vibe was but thirteen that circus summer he became a husband and began what would become, even for the day, an enormous family. The third brother, Fleetwood, best man at this ceremony, had also got out of the house early, fast-talking his way onto an expedition heading for Africa. He kept as clear of political games as of any real scientific inquiry, preferring to take the title of “Explorer” literally, and do nothing but explore. It did not hurt Fleetwood’s chances that a hefty Vibe trust fund was there to pick up the bills for bespoke pith helmets and meat lozenges and so forth. Kit met him one spring weekend out at the Vibe manor on Long Island. “Say, but you’ve never seen our cottage,” ‘Fax said one day after classes. “What are you doing this weekend? Unless there’s another factory girl or pizza princess or something in the works.” “Do I use that tone of voice about the Seven Sisters material you specialize in?” “I’ve nothing against the newer races,” ‘Fax protested. “But you might like to meet Cousin Dittany anyway.” “The one at Smith.” “Mount Holyoke, actually.” “Can’t wait.” They arrived under a dourly overcast sky. Even in cheerier illumination, the Vibe mansion would have registered as a place best kept clear of—four stories tall, square, unadorned, dark stone facing looking much older than the known date of construction. Despite its aspect of abandonment, an uneasy tenancy was still pursued within, perhaps by some collateral branch of Vibes . . . it was unclear. There was the matter of the second floor. Only the servants were allowed there. It “belonged,” in some way nobody was eager to specify, to previous occupants. “Someone’s living there?” “Someone’s there.” . . . from time to time, a door swinging shut on a glimpse of back stairway, a muffled footfall . . . an ambiguous movement across a distant doorframe . . . a threat of somehow being obliged to perform a daily search through the forbidden level, just at dusk, so detailed that contact with the unseen occupants, in some form, at some unannounced moment, would be inevitable . . . all dustless and tidy, shadows in permanent possession, window-drapes and upholstery in deep hues of green, claret, and indigo, servants who did not speak, who would or could not meet one’s gaze . . . and in the next room, the next instant, waiting . . . “Real nice of you to have me here, folks,” chirped Kit at breakfast. “Fellow sleeps like a top. Well, except . . .” Pause in the orderly gobbling and scarfing. Interest from all around the table. “I mean, who came in the room in the middle of the night like that?” “You’re sure,” said Scarsdale, “it wasn’t just the wind, or the place settling.” “They were walking around, like they were looking for something.” Glances were exchanged, failed to be exchanged, were sent out but not returned. “Kit, you haven’t seen the stables yet,” Cousin Dittany offered at last. “Wouldn’t you like to go riding?
Thomas Pynchon (Against the Day)
washed her face and dressed in a plain cotton day dress, wrapping a scarf around her butchered hair as she went downstairs. Vianne sat on the divan, knitting, an oil lamp lit beside her. In the ring of lamplight that separated her from the darkness, Vianne looked pale and sickly; she obviously hadn’t slept much this week, either. She looked up at Isabelle in surprise. “You’re up early.” “I have a long day of standing in lines ahead of me. Might as well get started,” Isabelle said. “The first in line get the best food.” Vianne put her knitting aside and stood. Smoothing her dress (another reminder that he was in the house: neither of them came downstairs in nightdresses), she went into the kitchen and then returned with ration cards. “It’s meat today.” Isabelle grabbed the ration cards from
Kristin Hannah (The Nightingale)
But coming together for meals is about more than what studies show best equip children to be well balanced (although we care about their flourishing). It is about imitating Jesus, who initiates his people into the family by a regular gathering around the Lord’s Table. As parents, we are seeking to show our children that our end goal for them is a Wedding Feast, not Esau’s scarfed, lonely meal.
Russell D. Moore (The Storm-Tossed Family: How the Cross Reshapes the Home)
I made peace with the fact that I am a habitual procrastinator years ago, once I realized that nothing motivates me quite as effectively as a looming deadline. If a paper is due on Tuesday afternoon, I will most likely be dictating the last few words as I scarf down lunch and transmitting the file to my professor as I enter the classroom. The last-minute rush doesn’t appear to affect my grades, so I’ve learned not to fight it. I seem to do my best work with a deadline staring me down like an oncoming train.
Rysa Walker (Now, Then, and Everywhen (Chronos Origins #1))
Did he really just ask me to take Ash out tonight? Was he insane? He didn’t deserve her. Any guy who would blow her off for something his daddy wanted shouldn’t get to have her. “Sure,” I replied, hearing the clipped tone in my voice. Stupid-ass cousin of mine had no clue what he was asking for. I was already headed for hell; I might as well enjoy the ride. “Great, thanks, man. Her favorite place to eat is the Seafood Shack. Just meet us there at six. I can grab a drink and spend a few minutes with you guys until I have to head out and meet Dad.” She hated the fried shrimp at the Seafood Shack, and their sweet tea always tasted bitter. It was Sawyer’s favorite place, and she had no doubt agreed with him that it was the best place to eat in town. He didn’t know her at all. “Since I’m agreeing to help out, let’s do this my way. I hate the Seafood Shack. I’m sure Princess Ashton won’t mind slumming it at Hank’s. The burgers there are better than anything the Seafood Shack has, and she really needs to taste their sweet tea.” Sawyer frowned a moment, then he nodded. “Okay, Ash’s agreeable. I’m sure she’ll be fine with Hank’s. I’ve not taken her there but a couple of times, and I think she might agree with you on the burgers. I remember her scarfing one down.” With bacon and cheese on a toasted bun. She even makes these cute little sounds of pleasure as she eats one. One of the many things I couldn’t believe he didn’t know about her.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
Are you fucking kidding me? Do you know the shit I’ve seen? Do you think sharing my feelings and knitting a fucking scarf is going to make me forget that I held my best friend’s dead, rotting body in my arms for seven fucking days while rats ate pieces of him?
Raquel Riley (The Darkness Within (Scars and Stripes #2))