Scandal Show Quotes

We've searched our database for all the quotes and captions related to Scandal Show. Here they are! All 100 of them:

You approve?" I asked, spinning around. He slipped an arm around my waist. "Unfortunately, yes. I was hoping you'd show up in something a lot sluttier. Something that would scandalize my parents." "Sometimes it's like you don't even care about me as a person," I observed as we walked inside. "It's like you're just using me for shock value." "It's both, little dhampir. I care about you, and I'm using you for shock value.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
I'm the new Oberjarl." I knew it," said Halt instantly, and the other three looked at him, totally scandalized. You did?" Erak asked, his voice hollow, his eyes still showing the shock of his sudden elevation to the highest office in Skandia. Of course," said the Ranger, shrugging. "You're big, mean, and ugly and those seem to be the qualities Skandian's value most.
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
In the 1960s, Valerie (Hobson) Profumo became the first show-business mother to talk publicly about Down’s syndrome. She was instrumental in founding Three Roses, England’s first charity to support families with Down’s children.
Anne Michaud (Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Nine Political Wives)
Civilized people must, I believe, satisfy the following criteria: 1) They respect human beings as individuals and are therefore always tolerant, gentle, courteous and amenable ... They do not create scenes over a hammer or a mislaid eraser; they do not make you feel they are conferring a great benefit on you when they live with you, and they don't make a scandal when they leave. (...) 2) They have compassion for other people besides beggars and cats. Their hearts suffer the pain of what is hidden to the naked eye. (...) 3) They respect other people's property, and therefore pay their debts. 4) They are not devious, and they fear lies as they fear fire. They don't tell lies even in the most trivial matters. To lie to someone is to insult them, and the liar is diminished in the eyes of the person he lies to. Civilized people don't put on airs; they behave in the street as they would at home, they don't show off to impress their juniors. (...) 5) They don't run themselves down in order to provoke the sympathy of others. They don't play on other people's heartstrings to be sighed over and cosseted ... that sort of thing is just cheap striving for effects, it's vulgar, old hat and false. (...) 6) They are not vain. They don't waste time with the fake jewellery of hobnobbing with celebrities, being permitted to shake the hand of a drunken [judicial orator], the exaggerated bonhomie of the first person they meet at the Salon, being the life and soul of the bar ... They regard prases like 'I am a representative of the Press!!' -- the sort of thing one only hears from [very minor journalists] -- as absurd. If they have done a brass farthing's work they don't pass it off as if it were 100 roubles' by swanking about with their portfolios, and they don't boast of being able to gain admission to places other people aren't allowed in (...) True talent always sits in the shade, mingles with the crowd, avoids the limelight ... As Krylov said, the empty barrel makes more noise than the full one. (...) 7) If they do possess talent, they value it ... They take pride in it ... they know they have a responsibility to exert a civilizing influence on [others] rather than aimlessly hanging out with them. And they are fastidious in their habits. (...) 8) They work at developing their aesthetic sensibility ... Civilized people don't simply obey their baser instincts ... they require mens sana in corpore sano. And so on. That's what civilized people are like ... Reading Pickwick and learning a speech from Faust by heart is not enough if your aim is to become a truly civilized person and not to sink below the level of your surroundings. [From a letter to Nikolay Chekhov, March 1886]
Anton Chekhov (A Life in Letters)
It is not difference that dominates the world, but the obliteration of difference by mimetic reciprocity, which itself, being truly universal, shows the relativism of perpetual difference to be an illusion.
René Girard (The One by Whom Scandal Comes)
Enforced maternity brings into the world wretched infants, whom their parents will be unable to support and who will become the victims of public care or ‘child martyrs’. It must be pointed out that our society, so concerned to defend the rights of the embryo, shows no interest in the children once they are born; it prosecutes the abortionists instead of undertaking to reform that scandalous institution known as ‘public assistance’; those responsible for entrusting the children to their torturers are allowed to go free; society closes its eyes to the frightful tyranny of brutes in children’s asylums and private foster homes.
Simone de Beauvoir (The Second Sex)
The true threat to the world today comes from the mad ambitions of states and capitalists bent on destroying non-modern cultures. It is the so-called developed countries that plunder the planet's resources without showing the least concern for consequences they are incapable of foreseeing.
René Girard (The One by Whom Scandal Comes)
I think we’re all little cathedrals of contradiction. Terrifying darkness and shocking beauty coexist in everyone, and God doesn’t wait for us to clean out all the bad before celebrating the good. It’s scandalous, really—that kind of love.
Bethany Joy Lenz (Dinner for Vampires: Life on a Cult TV Show (While also in an Actual Cult!))
Jesus did not simply die to save us from our sins; Jesus lived to save us from our sins. His life and teachings show us the way to liberation. But you can't fit all that on a bumper sticker. So we try to boil it down to a formula. Four steps. The "Romans Road." John 3:16. And yet the gospel itself, in its eternal scope and scandalous particularity, defies reduction.
Rachel Held Evans (Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again)
There's a library here. Would you let me show it to you?" She scowled. "You're bribing me with books." "Is it working?" She let her gaze linger on the door behind his shoulder. "Perhaps.
Sarah MacLean (The Rogue Not Taken (Scandal & Scoundrel, #1))
Forced motherhood results in bringing miserable children into the world, children whose parents cannot feed them, who become victims of public assistance or "martyr children." It must be pointed out that the same society so determined to defend the rights of the fetus shows no interest in children after they are born; instead of trying to reform this scandalous institution called public assistance, society prosecutes abortionists; those responsible for delivering orphans to torturers are left free; society closes its eyes to the horrible tyranny practiced in "reform schools" or in the private homes of child abusers; and while it refuses to accept that the fetus belongs to the mother carrying it, it nevertheless agrees that the child is his parents' thing.
Simone de Beauvoir (The Second Sex)
His smile faded a little, growing softer, more intimate, like the look he'd showed her in bed this morning. 'You haven't learned yet when to lie.' Slowly, as if the words were being dragged from him, he added: 'I confess, Nell, I hope you never learn.' She found herself staring at him. Unsteadying thought: there was something hot in his eyes that wasn't purely want. It was too tender, too ... affectionate.
Meredith Duran (A Lady's Lesson in Scandal)
I think she might at least have waited till the funeral was over,' said Amanda in a scandalized voice. 'It's her own funeral, you know,' said Sir Lulworth; 'it's a nice point in etiquette how far one ought to show respect to one's own mortal remains.' ("Laura")
Saki (The Complete Saki)
Oh, dear.” Free looked down, fluttering her eyelashes demurely. “Is my punctuation showing once more?
Courtney Milan (The Suffragette Scandal (Brothers Sinister #4))
cause we don't hide, We parade our pride!
Ana Claudia Antunes (Pierrot & Columbine (The Pierrot´s Love Book 1))
The way things are going, I wouldn't be surprised if pretty soon I start wearing ripped-up fishnet stockings and dyeing my hair black. Maybe I'll even start smoking and get my ears double-pierced or something. And then they'll make a TV movie about me and call it Royal Scandal. It will show me going up to Prince William and saying,'Who's the most popular young royal now, huh, punk?' and then headbutting him or something.
Meg Cabot (Princess in Love (The Princess Diaries, #3))
He stood in the doorway of her office. He was, as always, the consummate scoundrel. He leaned against the doorframe, smiling—almost smirking—at her, as if he knew how rapidly her heart had started beating. If that was how they were going to do this… She simply raised an eyebrow in his direction. “Oh,” she said with a sniff. “It’s you.” “You’re not fooling anyone,” he said. She could feel the corner of her mouth twitch up. Last time she’d seen him, he’d kissed her so thoroughly she had not yet recovered. “I’m not?” “I heard it most distinctly,” he told her. “You might have said ‘It’s you,’ but there was a distinct exclamation mark at the end. In fact, I think there were two.” “Oh, dear.” Free looked down, fluttering her eyelashes demurely. “Is my punctuation showing once more?” His eyes darkened and he took a step into her office. “Don’t hide it on my account,” he growled. “You have the most damnably beautiful punctuation that I have ever seen.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
If the church as a whole is losing its ability to be “salt and light” in the culture, it is not because its members have no opinion of the films of Bernardo Bertolucci, no appreciation for the poetry of Emily Dickinson, and no regular slot on The Charlie Rose Show. More likely, it is because they do not have a solid grasp of the basic elements of the faith, as taught in Scripture and affirmed by the confessions and catechisms of the church.
Carl R. Trueman (The Real Scandal of the Evangelical Mind)
The last time that I consciously wrote anything to 'save the honor of the Left', as I rather pompously put it, was my little book on the crookedness and cowardice and corruption (to put it no higher) of Clinton. I used leftist categories to measure him, in other words, and to show how idiotic was the belief that he was a liberal's champion. Again, more leftists than you might think were on my side or in my corner, and the book was published by Verso, which is the publishing arm of the New Left Review. However, if a near-majority of leftists and liberals choose to think that Clinton was the target of a witch-hunt and the victim of 'sexual McCarthyism', an Arkansan Alger Hiss in other words, you become weary of debating on their terms and leave them to make the best of it.
Christopher Hitchens (Christopher Hitchens and His Critics: Terror, Iraq, and the Left)
The practical consequence of both of the teachings noted is to encourage homosexual promiscuity. Church members can engage in many short-term liaisons without raising questions about their standing in the church. We tend not to pry into one another's private lives. But if a man brings another man to church with him regularly, if they give the same address and show signs of mutual affection, then there is likely to be a scandal. The dominant effect of church teaching is to encourage secret, temporary liaisons without commitment and to discourage long-term fidelity.
Walter Wink (Homosexuality and Christian Faith: Questions of Conscience for the Churches)
In my day, husbands and wives showed each other a suitable level of indifference.
Ashlyn Macnamara (A Most Scandalous Proposal)
Only on a few occasions had I ever been comfortable showing my body off, and now here I was, taking a job where Asian boobs and ass ran free.
Teresa Lo (The Red Lantern Scandals (Volume One))
Forgive me—” I whispered into the cool night air “— for showing you the knight, when the whole time, I was the wolf. Forgive me, God. Forgive me. Amen.
Rachel Van Dyken (Scandalous Prince (Mafia Royals, #2))
On Rachel's show for November 7, 2012: Ohio really did go to President Obama last night. and he really did win. And he really was born in Hawaii. And he really is legitimately President of the United States, again. And the Bureau of Labor statistics did not make up a fake unemployment rate last month. And the congressional research service really can find no evidence that cutting taxes on rich people grows the economy. And the polls were not screwed to over-sample Democrats. And Nate Silver was not making up fake projections about the election to make conservatives feel bad; Nate Silver was doing math. And climate change is real. And rape really does cause pregnancy, sometimes. And evolution is a thing. And Benghazi was an attack on us, it was not a scandal by us. And nobody is taking away anyone's guns. And taxes have not gone up. And the deficit is dropping, actually. And Saddam Hussein did not have weapons of mass destruction. And the moon landing was real. And FEMA is not building concentration camps. And you and election observers are not taking over Texas. And moderate reforms of the regulations on the insurance industry and the financial services industry in this country are not the same thing as communism. Listen, last night was a good night for liberals and for democrats for very obvious reasons, but it was also, possibly, a good night for this country as a whole. Because in this country, we have a two-party system in government. And the idea is supposed to be that the two sides both come up with ways to confront and fix the real problems facing our country. They both propose possible solutions to our real problems. And we debate between those possible solutions. And by the process of debate, we pick the best idea. That competition between good ideas from both sides about real problems in the real country should result in our country having better choices, better options, than if only one side is really working on the hard stuff. And if the Republican Party and the conservative movement and the conservative media is stuck in a vacuum-sealed door-locked spin cycle of telling each other what makes them feel good and denying the factual, lived truth of the world, then we are all deprived as a nation of the constructive debate about competing feasible ideas about real problems. Last night the Republicans got shellacked, and they had no idea it was coming. And we saw them in real time, in real humiliating time, not believe it, even as it was happening to them. And unless they are going to secede, they are going to have to pop the factual bubble they have been so happy living inside if they do not want to get shellacked again, and that will be a painful process for them, but it will be good for the whole country, left, right, and center. You guys, we're counting on you. Wake up. There are real problems in the world. There are real, knowable facts in the world. Let's accept those and talk about how we might approach our problems differently. Let's move on from there. If the Republican Party and the conservative movement and conservative media are forced to do that by the humiliation they were dealt last night, we will all be better off as a nation. And in that spirit, congratulations, everyone!
Rachel Maddow
Three years earlier, when the Abu Ghraib prison scandal in Iraq became public, Rush Limbaugh—the most popular radio broadcaster in the United States, whose syndicated radio show has, at last count, 13 million listeners—described the prisoners who had been killed, raped, tortured, and humiliated by or at the behest of U.S. military personnel, as less than human. “They are the ones who are sick,” fumed Limbaugh.
David Livingstone Smith (Less Than Human: Why We Demean, Enslave, and Exterminate Others)
There is a special pleasure in the irony of a moralist brought down for the very moral failings he has condemned. It’s the pleasure of a well-told joke. Some jokes are funny as one-liners, but most require three verses: three guys, say, who walk into a bar one at a time, or a priest, a minister, and a rabbi in a lifeboat. The first two set the pattern, and the third violates it. With hypocrisy, the hypocrite’s preaching is the setup, the hypocritical action is the punch line. Scandal is great entertainment because it allows people to feel contempt, a moral emotion that gives feelings of moral superiority while asking nothing in return. With contempt you don’t need to right the wrong (as with anger) or flee the scene (as with fear or disgust). And best of all, contempt is made to share. Stories about the moral failings of others are among the most common kinds of gossip,3 they are a staple of talk radio, and they offer a ready way for people to show that they share a common moral orientation. Tell an acquaintance a cynical story that ends with both of you smirking and shaking your heads and voila, you’ve got a bond.
Jonathan Haidt (The Happiness Hypothesis: Putting Ancient Wisdom to the Test of Modern Science)
thou born monster, storehouse of lies, hoard of untruths, garner of knaveries, inventor of scandals, publisher of absurdities, enemy of the respect due to royal personages! Begone, show thyself no more before me under pain of my wrath
Miguel de Cervantes Saavedra (Don Quixote (Great Works that Shape our World))
I think if you wanted a peaceful marriage and orderly household, you should have proposed to any one of the well-bred simpletons who've been dangled in front of you for years. Ivo's right: Pandora is a different kind of girl. Strange and marvelous. I wouldn't dare predict-" She broke off as she saw him staring at Pandora's distant form. "Lunkhead, you're not even listening. You've already decided to marry her, and damn the consequences." "It wasn't even a decision," Gabriel said, baffled and surly. "I can't think of one good reason to justify why I want her so bloody badly." Phoebe smiled, gazing toward the water. "Have I ever told you what Henry said when he proposed, even knowing how little time we would have together? 'Marriage is far too important a matter to be decided with reason.' He was right, of course." Gabriel took up a handful of warm, dry sand and let it sift through his fingers. "The Ravenels will sooner weather a scandal than force her to marry. And as you probably overheard, she objects not only to me, but the institution of marriage itself." "How could anyone resist you?" Phoebe asked, half-mocking, half-sincere. He gave her a dark glance. "Apparently she has no problem. The title, the fortune, the estate, the social position... to her, they're all detractions. Somehow I have to convince her to marry me despite those things." With raw honesty, he added, "And I'm damned if I even know who I am outside of them." "Oh, my dear..." Phoebe said tenderly. "You're the brother who taught Raphael to sail a skiff, and showed Justin how to tie his shoes. You're the man who carried Henry down to the trout stream, when he wanted to go fishing one last time." She swallowed audibly, and sighed. Digging her heels into the sand, she pushed them forward, creating a pair of trenches. "Shall I tell you what your problem is?" "Is that a question?" "Your problem," his sister continued, "is that you're too good at maintaining that façade of godlike perfection. You've always hated for anyone to see that you're a mere mortal. But you won't win this girl that way." She began to dust the sand from her hands. "Show her a few of your redeeming vices. She'll like you all the better for it.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
You scandalous old hypocrite!’ she replied.  ‘Are you not afraid of being carried away bodily, whenever you mention the devil’s name?  I warn you to refrain from provoking me, or I’ll ask your abduction as a special favour!  Stop! look here, Joseph,’ she continued, taking a long, dark book from a shelf; ‘I’ll show you how far I’ve progressed in the Black Art: I shall soon be competent to make a clear house of it.  The red cow didn’t die by chance; and your rheumatism can hardly be reckoned among providential visitations!
Emily Brontë (Wuthering Heights)
What the [Clinton/Lewinsky scandal] showed was that a matter of personal behavior could crowd out of the public's attention far more serious matters, indeed matters of life and death. The House of Representatives would impeach the president on matters of sexual behavior, but it would not impeach him for endangering the lives of children by welfare reform, or for violating international law in bombing other countries (Iran, Afghanistan, Sudan), or for allowing hundreds of thousands of children to die as a result of economic sanctions (Iraq).
Howard Zinn (A People’s History of the United States: 1492 - Present)
It must be pointed out that the same society so determined to defend the rights of the fetus shows no interest in children after they are born; instead of trying to reform this scandalous institution called public assistance, society prosecutes abortionists; those responsible for delivering orphans to torturers are left free...
Simone de Beauvoir (The Second Sex)
Most people don’t get (or want) to look at old news footage, but we looked at thirty years of stories relating to motherhood. In the 1970s, with the exception of various welfare reform proposals, there was almost nothing in the network news about motherhood, working mothers, or childcare. And when you go back and watch news footage from 1972, for example, all you see is John Chancellor at NBC in black and white reading the news with no illustrating graphics, or Walter Cronkite sitting in front of a map of the world that one of the Rugrats could have drawn–that’s it. But by the 1980s, the explosion in the number of working mothers, the desperate need for day care, sci-fi level reproductive technologies, the discovery of how widespread child abuse was–all this was newsworthy. At the same time, the network news shows were becoming more flashy and sensationalistic in their efforts to compete with tabloid TV offerings like A Current Affair and America’s Most Wanted. NBC, for example introduced a story about day care centers in 1984 with a beat-up Raggedy Ann doll lying limp next to a chair with the huge words Child Abuse scrawled next to her in what appeared to be Charles Manson’s handwriting. So stories that were titillating, that could be really tarted up, that were about children and sex, or children and violence–well, they just got more coverage than why Senator Rope-a-Dope refused to vote for decent day care. From the McMartin day-care scandal and missing children to Susan Smith and murdering nannies, the barrage of kids-in-jeopardy, ‘innocence corrupted’ stories made mothers feel they had to guard their kids with the same intensity as the secret service guys watching POTUS.
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
is convenient, particularly convenient, to tell stories of the past lives—especially our own past lives—that create a strong distinction between good and evil. The genealogy of Matthew’s Gospel shows us that what may have once been considered scandalous is, with the greater wisdom of hindsight, demonstrated to have been motivated by courage.
Pádraig Ó Tuama (In the Shelter: Finding a Home in the World)
Books were another form of fog, dipping down to infiltrate and insidiously undermine the authoritative, official version, showing it up for the sham it was. He knew the stories were all made up, the characters puppets, the outcome predetermined, so why did they seem more real than reality? And why was no one else shocked by this gleeful scandal?
Michael Dibdin (Medusa (Aurelio Zen, #9))
Methinks, Oh! vain ill-judging Book, I see thee cast a wishful look, Where reputations won and lost are In famous row called Paternoster. Incensed to find your precious olio Buried in unexplored port-folio, You scorn the prudent lock and key, And pant well bound and gilt to see Your Volume in the window set Of Stockdale, Hookham, or Debrett. Go then, and pass that dangerous bourn Whence never Book can back return: And when you find, condemned, despised, Neglected, blamed, and criticised, Abuse from All who read you fall, (If haply you be read at all Sorely will you your folly sigh at, And wish for me, and home, and quiet. Assuming now a conjuror’s office, I Thus on your future Fortune prophesy: — Soon as your novelty is o’er, And you are young and new no more, In some dark dirty corner thrown, Mouldy with damps, with cobwebs strown, Your leaves shall be the Book-worm’s prey; Or sent to Chandler–Shop away, And doomed to suffer public scandal, Shall line the trunk, or wrap the candle! But should you meet with approbation, And some one find an inclination To ask, by natural transition Respecting me and my condition; That I am one, the enquirer teach, Nor very poor, nor very rich; Of passions strong, of hasty nature, Of graceless form and dwarfish stature; By few approved, and few approving; Extreme in hating and in loving; Abhorring all whom I dislike, Adoring who my fancy strike; In forming judgements never long, And for the most part judging wrong; In friendship firm, but still believing Others are treacherous and deceiving, And thinking in the present aera That Friendship is a pure chimaera: More passionate no creature living, Proud, obstinate, and unforgiving, But yet for those who kindness show, Ready through fire and smoke to go. Again, should it be asked your page, ‘Pray, what may be the author’s age?’ Your faults, no doubt, will make it clear, I scarce have seen my twentieth year, Which passed, kind Reader, on my word, While England’s Throne held George the Third. Now then your venturous course pursue: Go, my delight! Dear Book, adieu!
Matthew Gregory Lewis (The Monk)
The role of the Old Testament is to give an inspired telling of how we get to Jesus. But once we get to Jesus we don’t build multiple tabernacles and grant an equivalency to Jesus and the Old Testament. This was Peter’s mistake on Tabor. Jesus is greater than Moses. Jesus is greater than Elijah. Jesus is greater than the Bible. Jesus is the Savior of all that is to be saved… including the Bible. Jesus saves the Bible from itself! Jesus shows us how to read the Bible and not be harmed by it. Jesus delivers the Bible from its addiction to violent retaliation. Moses may stone sinners and Elijah may kill idolaters. And so violent holiness can be justified as biblical. But for a Christian that doesn’t matter. We follow Jesus!
Brian Zahnd (Sinners in the Hands of a Loving God: The Scandalous Truth of the Very Good News)
My dear Isabella, I will take your suggestion and show you what happens when you play with fire. I will make certain we see each other quite, quite often. And there will be no growing jaded with each other. Because you see, my dear, when I at last take you home again, it will be forever. No regrets, no games, no being ‘comfortable.’ We will be man and wife, in all ways, and it will be final.
Jennifer Ashley (Lady Isabella's Scandalous Marriage (Mackenzies & McBrides, #2))
Poor fool! If he had only left that shutter alone. He had no restraint, no restraint—just like Kurtz—a tree swayed by the wind. As soon as I had put on a dry pair of slippers, I dragged him out, after first jerking the spear out of his side, which operation I confess I performed with my eyes shut tight. His heels leaped together over the little doorstep; his shoulders were pressed to my breast; I hugged him from behind desperately. Oh! he was heavy, heavy; heavier than any man on earth, I should imagine. Then without more ado I tipped him overboard. The current snatched him as though he had been a wisp of grass, and I saw the body roll over twice before I lost sight of it for ever. All the pilgrims and the manager were then congregated on the awning–deck about the pilot–house, chattering at each other like a flock of excited magpies, and there was a scandalized murmur at my heartless promptitude. What they wanted to keep that body hanging about for I can’t guess. Embalm it, maybe. But I had also heard another, and a very ominous, murmur on the deck below. My friends the wood–cutters were likewise scandalized, and with a better show of reason—though I admit that the reason itself was quite inadmissible. Oh, quite! I had made up my mind that if my late helmsman was to be eaten, the fishes alone should have him. He had been a very second–rate helmsman while alive, but now he was dead he might have become a first–class temptation, and possibly cause some startling trouble. Besides, I was anxious to take the wheel, the man in pink pyjamas showing himself a hopeless duffer at the business.
Joseph Conrad (Heart of Darkness)
That shows how the very notion of a suffering Messiah was a scandal to the Church, even in its earliest days. That is not the kind of Lord it wants, and as the Church of Christ it does not like to have the law of suffering imposed upon it by its Lord. Peter’s protest displays his own unwillingness to suffer, and that means that Satan has gained entry into the Church, and is trying to tear it away from the cross of its Lord.
Dietrich Bonhoeffer (The Cost of Discipleship)
This brings us to the crux moment in the supposed 'Show Trial' melodrama. Employing the confusing and confused testimony of Jude Wanniski (who he also describes as a political nut-case, if not a nut-case flat-out, and to whom he introduced me in the first place) Blumenthal suggests that I concerted my testimony in advance with the House Republicans, notably James Rogan and Lindsey Graham. Feebly bridging the gap between sheer conjecture and outright conspiracy, Rogan is quoted as saying: 'Hitchens may well have called Lindsey..' I did not in fact do any such thing. Why should my denial be believed? It's not as if I care. I probably should have colluded with them, if my intention was to land a blow on Clinton (which it was) let alone to plant a Judas kiss on Blumenthal (which it was not). But every other fragment of Blumenthal's evidence and description shows—even boasts—that Congressman Graham was essentially punching air until the last day of the trial. That could not possibly have been true, especially in his cross-examination of Blumenthal, if he knew he had an ace in his vest-pocket all along. Only a tendency to paranoia or to all-explaining theories could suggest the contrary. I'd even be able to claim for myself, I hope, that if I'd truly wanted to gouge a deep or vengeful wound I could or would have made a better job of it.
Christopher Hitchens
After Evie had finished her plate, Sebastian tugged her to the billiards table and handed her a cue stick with a leather tip. Ignoring her attempts to refuse him, he proceeded to instruct her in the basics of the game. “Don’t try to claim this is too scandalous for you,” he told her with mock severity. “After running off with me to Gretna Green, nothing is beyond you. Certainly not one little billiards game. Bend over the table.” She complied awkwardly, flushing as she felt him lean over her, his body forming an exciting masculine cage as his hands arranged hers on the cue stick. “Now,” she heard him say, “curl your index finger around the tip of the shaft. That’s right. Don’t grip so tightly, sweet…let your hand relax. Perfect.” His head was close to hers, the light scent of sandalwood cologne rising from his warm skin. “Try to imagine a path between the cue ball—that’s the white one—and the colored ball. You’ll want to strike right about there”—he pointed to a place just above center on the cue ball—“to send the object ball into the side pocket. It’s a straight-on shot, you see? Lower your head a bit. Draw the cue stick back and try to strike in a smooth motion.” Attempting the shot, Evie felt the tip of the cue stick fail to make proper contact with the white ball, sending it spinning clumsily off to the side of the table. “A miscue,” Sebastian remarked, deftly catching the cue ball in his hand and repositioning it. “Whenever that happens, reach for more chalk, and apply it to the tip of the cue stick while looking thoughtful. Always imply that your equipment is to blame, rather than your skills.” Evie felt a smile rising to her lips, and she leaned over the table once more. Perhaps it was wrong, with her father having passed away so recently, but for the first time in a long while, she was having fun. Sebastian covered her from behind again, sliding his hands over hers. “Let me show you the proper motion of the cue stick—keep it level—like this.” Together they concentrated on the steady, even slide of the cue stick through the little circle Evie had made of her fingers. The sexual entendre of the motion could hardly escape her, and she felt a flush rise up from the neck of her gown. “Shame on you,” she heard him murmur. “No proper young woman would have such thoughts.” A helpless giggle escaped Evie’s lips, and Sebastian moved to the side, watching her with a lazy smile. “Try again.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Manet, however, was enthralled; he proceeded to give the title Nana to his painting of the courtesan Henriette Hauser, naming it after the daughter of the alcoholic laundress Gervaise Lantier in L’assommoir. Zola had not yet even begun to write his novel Nana, but the references in Manet’s painting were clear. When the Salon (presumably scandalized) rejected it, he brashly showed it in the window of a shop on the Boulevard des Capucines, virtually on the doorstep of the Opéra Garnier, where it created a succès de scandale. Zola, of course, appreciated the value of scandal in promoting his novels and was adept at creating it.
Mary McAuliffe (Dawn of the Belle Epoque: The Paris of Monet, Zola, Bernhardt, Eiffel, Debussy, Clemenceau, and Their Friends)
Genesis 1 shows off God’s raw power. Genesis 2 showcases God’s earthy affection. Here’s how. First, notice the different names for God in Genesis 1–2. Throughout Genesis 1, the English word “God” translates the Hebrew term Elohim. Thirty-five times, in fact, Moses writes the term Elohim to describe God, and he doesn’t use any other term, such as the Almighty, the Holy One, or the Lord of Hosts. But something changes in Genesis 2. Beginning in 2:4, Moses consistently writes “the LORD God,” or Yahweh Elohim in Hebrew. Moses never just says Elohim in Genesis 2. He always says Yahweh Elohim. Elohim is a generic term for God. Other ancient religions would have used the same term (or just El) to refer to their god. Elohim simply refers to a deity and emphasizes his (or her) power. And so it’s fitting for Moses to use Elohim to refer to God in Genesis 1 when he wants to emphasize God’s transcendence and power. But Yahweh is God’s personal name. My name is Preston, your name may be Joey, Sadie, or Mattie, and God’s name is Yahweh. Now, in the ancient world, revealing your name to somebody was a sign of intimacy. While the title Elohim simply means that God is powerful, revealing His personal name Yahweh means that this powerful God also desires a relationship.
Preston Sprinkle (Charis: God's Scandalous Grace for Us)
Civically engaged, business oriented, technology obsessed, and socially skilled, Franklin was "our founding Yuppie," declares the New York Times columnist David Brooks. Franklin "would have felt right at home in the information revolution," Walter Isaacson writes in his biography of the statesman. "We can easily imagine having a beer with him after work, showing him how to use the latest digital device, sharing the business plan of a new venture, and discussing the most recent political scandals or policy ideas." The essence of Franklin's appeal is that he was brilliant but practical, interested in everything, but especially in how things work.
Fareed Zakaria (In Defense of a Liberal Education)
But Peter just stood there gazing at her, mouth agape. Wendy looked down at herself; she hadn't even realized how heroic a pose she struck. From her shadow- which took this opportunity to actually behave- she realized how she appeared:powerful, strong... with a scandalously short tunic cinched around her waist and improvised leggings that showed a prodigious amount of her newly tanned skin. Her hair was down around her shoulders. She bet she was the spitting image of an Amazon, short a bow. "Gosh, Wendy, you sure look different from when I first saw you," Peter mumbled. Tinker Bell put her hands on her hips and started to jingle. "Well, I must be off," Wendy said quickly. "Bye!" And she took off into the air, like Nike, triumphant.
Liz Braswell (Straight On Till Morning (Twisted Tales))
I couldn't stop picturing you naked and wet." "If you knew the things you've done in my imagination..." "I touched myself while thinking of you." He groaned against her lips. "Jesus Christ, that's one of them." She whimpered in protest as his fingers withdrew from her body. He slid his hands to her bottom and lifted her off her feet, carrying her across the room, to where a floor-length mirror in a thick gilded frame stood propped against the wall. It must have been too heavy to move. He spun her to face it, positioning himself behind her. Their gazes locked in the mirrored reflection. His eyes were dark, fierce, demanding. "Show me." He yanked her skirts to her waist- frock, petticoat, chemise, and all- exposing her completely. "Show me how you touched yourself." Penny's heartbeat stalled. The gruff command both scandalized and excited her. With a rough flex of his arms, he hauled her to him. His erection throbbed against the small of her back. "Show me." Penny stared into the mirror. A bolder, naughtier version of herself gazed back. She placed a hand on her belly and eased it downward, until her fingertips disappeared into a thatch of amber curls. She hesitated, holding her breath. "More," he demanded. "I want to see you." His gruffness aroused her, but she wasn't intimidated. With him, she knew she was safe. She raised her free arm above her head, clasping his neck for balance and resting her head against his chest. He wrapped his arm about her torso, holding her tight and pinning her lifted skirts at the waist. Her joints softened, and her thighs fell slightly apart. "That's it. Spread yourself for me. Let me see." The woman in the mirror did as she was told, sending her fingers downward to part the pink, swollen folds of her sex. A single fingertip settled over the sensitive bud at the crest, circling gently. His ragged breath warmed her ear. "God, you're beautiful." She stared at the reflection, transfixed by the eroticism of the image within. She felt like a woman in a boudoir painting, flushed with desire and unashamed of her body's curves and shadows. Aware of the power she held, even in her vulnerable, naked state. As her excitement mounted, she strummed faster. She was panting, arching her back.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
The infant, Isabelle, had been born to Annabelle and Simon Hunt approximately ten months earlier. Surely no baby had ever been doted on more, by every one in the household including her father. Contrary to all expectations the virile and masculine Mr. Hunt had not been at all disappointed that his firstborn was a girl. He adored the child, showing no compunction about holding her in public, cooing to her in a way that fathers seldom dared. Hunt had even instructed Annabelle to produce more daughters in the future, claiming roguishly that it had always been his ambition to be loved by many women. As might have been expected, the baby was exceptionally beautiful- it would be a physical impossibility for Annabelle to produce a less than spectacular offspring.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Equally serious is the complaint that psychoanalysis as a medical practice is a form of oppressive social control, labelling individuals and forcing them to conform to arbitrary definitions of ‘normality’. This charge is in fact more usually aimed against psychiatric medicine as a whole: as far as Freud’s own views on ‘normality’ are concerned, the accusation is largely misdirected. Freud’s work showed, scandalously, just how ‘plastic’ and variable in its choice of objects libido really is, how so-called sexual perversions form part of what passes as normal sexuality, and how heterosexuality is by no means a natural or self-evident fact. It is true that Freudian psychoanalysis does usually work with some concept of a sexual ‘norm’; but this is in no sense given by Nature.
Terry Eagleton (Literary Theory: An Introduction)
The deference that politicians, police, and prosecutors showed the Catholic Church (to which most of them belonged) mirrored a deference shown in the wider society. But the extent of the sexual abuse that spilled out after the Geoghan case, especially the Church’s efforts to buy the silence of the victims, shook to the core even the most devout Catholics in law enforcement and politics. A culture of deference that had taken more than a century to evolve seemed to erode in a matter of weeks. In other parts of the United States, there was a similar change in the way secular power viewed Church authorities. On Long Island, in Cincinnati, and in Philadelphia, district attorneys convened grand juries to investigate the role Church officials may have played in the scandal. Many
The Boston Globe (Betrayal: The Crisis in the Catholic Church: The findings of the investigation that inspired the major motion picture Spotlight)
Before I knew anything about church, I'd assumed that most Christians spoke the same language, shared a sense of fellowship, and beyond minor differences had a faith in common that could transcend political boundaries. But if I had imagined that, initiated as a Christian, I was going to achieve some kind of easy bond with other believers, that fantasy was soon shot. Just a few months after I began going to St. Gregory's, I found myself at a restaurant counter in the Denver airport, waiting for a flight home from a reporting trip. A woman—perhaps noticing the silver crucifix I had recently and self-consciously started to wear around my neck—caught my eye and smiled as she took the stool next to me. She had short blond hair and a cross of her own, and was wearing some kind of sexless denim jumper that reeked of piety. I smiled back, and we exchanged small talk about the weather and flight delays, and then she asked me what I was reading. I showed her the little volume of psalms that I'd borrowed from Rick Fabian. “From my church,” I said proudly. “What church is that?” the woman asked. She leaned forward, in a friendly way. “Saint Gregory of Nyssa Episcopal Church, in San Francisco,” I said, as her face rearranged itself, froze, and closed. It may have been the “San Francisco,” I realized later, but the city's name was a reasonable stand-in, by that point, for everything conservative Christians had come to hate about the Episcopal Church as a whole: homosexuality; wealth; feminism; and morally relativist, decadent, rudderless liberalism. The church I'd unknowingly landed in turned out to be a scandal, a dirty joke at airport restaurants, a sign—in fact, thank God, a sure bet—that I was going to eat with sinners.
Sara Miles (Take This Bread: A Radical Conversion)
She found another intriguing object, and she held it up to inspect it. A button. Her brow creased as she stared at the front of the button, which was engraved with a pattern of a windmill. The back of it contained a tiny lock of black hair behind a thin plate of glass, held in place with a copper rim. Swift blanched and reached for it, but Daisy snatched it back, her fingers closing around the button. Daisy's pulse began to race. "I've seen this before," she said. "It was a part of a set. My mother had a waistcoat made for Father with five buttons. One was engraved with a windmill, another with a tree, another with a bridge... she took a lock of hair from each of her children and put it inside a button. I remember the way she took a little snip from my hair at the back where it wouldn't show." Still not looking at her, Swift reached for the discarded contents of his pocket and methodically replaced them. As the silence drew out, Daisy waited in vain for an explanation. Finally she reached out and took hold of his sleeve. His arm stilled, and he stared at her fingers on his coat fabric. "How did you get it?" she whispered. Swift waited so long that she thought he might answer. Finally he spoke with a quiet surliness that wrenched her heart. "Your father wore the waistcoat to the company offices. It was much admired. But later that day he was in a temper and in the process of throwing an ink bottle he spilled some on himself. The waistcoat was ruined. Rather than face your mother with the news he gave the garment to me, buttons and all, and told me to dispose of it." "But you kept one button." Her lungs expanded until her chest felt tight on the inside and her heartbeat was frantic. "The windmill. Which was mine. Have you... have you carried a lock of my hair all these years?
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
As the scandal spread and gained momentum, Cardinal Law found himself on the cover of Newsweek, and the Church in crisis became grist for the echo chamber of talk radio and all-news cable stations. The image of TV reporters doing live shots from outside klieg-lit churches and rectories became a staple of the eleven o’clock news. Confidentiality deals, designed to contain the Church’s scandal and maintain privacy for embarrassed victims, began to evaporate as those who had been attacked learned that the priests who had assaulted them had been put in positions where they could attack others too. There were stories about clergy sex abuse in virtually every state in the Union. The scandal reached Ireland, Mexico, Austria, France, Chile, Australia, and Poland, the homeland of the Pope. A poll done for the Washington Post, ABC News, and Beliefnet.com showed that a growing majority of Catholics were critical of the way their Church was handling the crisis. Seven in ten called it a major problem that demanded immediate attention. Hidden for so long, the financial price of the Church’s negligence was astonishing. At least two dioceses said they had been pushed to the brink of bankruptcy after being abandoned by their insurance companies. In the past twenty years, according to some estimates, the cost to pay legal settlements to those victimized by the clergy was as much as $1.3 billion. Now the meter was running faster. Hundreds of people with fresh charges of abuse began to contact lawyers. By April 2002, Cardinal Law was under siege and in seclusion in his mansion in Boston, where he was heckled by protesters, satirized by cartoonists, lampooned by late-night comics, and marginalized by a wide majority of his congregation that simply wanted him out. In mid-April, Law secretly flew to Rome, where he discussed resigning with the Pope.
The Investigative Globe (Betrayal: The Crisis In the Catholic Church: The Findings of the Investigation That Inspired the Major Motion Picture Spotlight)
Racism was a constant presence and absence in the Obama White House. We didn’t talk about it much. We didn’t need to—it was always there, everywhere, like white noise. It was there when Obama said that it was stupid for a black professor to be arrested in his own home and got criticized for days while the white police officer was turned into a victim. It was there when a white Southern member of Congress yelled “You lie!” at Obama while he addressed a joint session of Congress. It was there when a New York reality show star built an entire political brand on the idea that Obama wasn’t born in the United States, an idea that was covered as national news for months and is still believed by a majority of Republicans. It was there in the way Obama was talked about in the right-wing media, which spent eight years insisting that he hated America, disparaging his every move, inventing scandals where there were none, attacking him for any time that he took off from work. It was there in the social media messages I got that called him a Kenyan monkey, a boy, a Muslim. And it was there in the refusal of Republicans in Congress to work with him for eight full years, something that Obama was also blamed for no matter what he did. One time, Obama invited congressional Republicans to attend a screening of Lincoln in the White House movie theater—a Steven Spielberg film about how Abraham Lincoln worked with Congress to pass the Thirteenth Amendment abolishing slavery. Not one of them came. Obama didn’t talk about it much. Every now and then, he’d show flashes of dark humor in practicing the answer he could give on a particular topic. What do you think it will take for these protests to stop? “Cops need to stop shooting unarmed black folks.” Why do you think you have failed to bring the country together? “Because my being president appears to have literally driven some white people insane.” Do you think some of the opposition you face is about race? “Yes! Of course! Next question.” But he was guarded in public. When he was asked if racism informed the strident opposition to his presidency, he’d carefully ascribe it to other factors.
Ben Rhodes (The World As It Is: A Memoir of the Obama White House)
The silence lengthened, becoming strained and awkward until it was broken by the goose’s imperious honk. Swift glanced at the massive bird. “You have a companion, I see.” When Daisy explained what the two boys had been doing with the goose, Swift grinned. “Clever lads.” The remark did not strike Daisy as being especially compassionate. “I want to help him,” she said. “But when I tried to get near, he pecked me. I expected a domestic breed would have been a bit more receptive to my approach.” “Greylags are not known for their mild temperaments,” Swift informed her. “Particularly males. He was probably trying to show you who was boss.” “He proved his point,” Daisy said, rubbing her arm. Swift frowned as he saw the growing bruise on her arm. “Is that where he pecked you? Let me see.” “No, it’s all right—” she began, but he had already come forward. His long fingers encircled her wrist, the thumb of his other hand passing gently near the dark purple mark. “You bruise easily,” he murmured, his dark head bent over her arm. Daisy’s heart dispensed a series of hard thumps before settling into a fast rhythm. He smelled like the outdoors—sun, water, grassy-sweet. And deeper in the fragrance lingered the tantalizing incense of warm, sweaty male. She fought the instinct to move into his arms, against his body…to pull his hand to her breast. The mute craving shocked her. Glancing up at his downturned face, Daisy found his blue eyes staring right into hers. “I…” Nervously she pulled away from him. “What are we to do?” “About the goose?” His broad shoulders hitched in a shrug. “We could wring his neck and take him home for dinner.” The suggestion caused Daisy and the Greylag to stare at him in shared outrage. “That was a very poor joke, Mr. Swift.” “I wasn’t joking.” Daisy placed herself squarely between Swift and the goose. “I will deal with the situation on my own. You may leave now.” “I wouldn’t advise making a pet of him. You’ll eventually find him on your plate if you stay at Stony Cross Park long enough.” “I don’t care if it makes me a hypocrite,” she said. “I would rather not eat a goose I’m acquainted with.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
You will help, won’t you?” Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage! First I ought to know her name, though I’ll tell you she suddenly seems damned familiar.” “You will help?” “Didn’t I just say so? Who is that delectable creature?” “Elizabeth Cameron. She made her debut last-“ Alex stopped as Roddy’s smile turned harsh and sardonic. “Little Elizabeth Cameron,” he mused half to himself. “I should have guessed, of course. The chit set the city on its ear just after you left on your honeymoon trip, but she’s changed. Who would have guessed,” he continued in a more normal voice, “that fate would have seen fit to endow her with more looks than she had then.” “Roddy!” Alex said, sensing that his attitude toward helping was undergoing a change. “You already said you’d help. “You don’t need help, Alex,” he snickered. “You need a miracle.” “But-“ “Sorry. I’ve changed my mind.” “Is it the-the gossip about that old scandal that bothers you?” “In a sense.” Alexandra’s blue eyes began to spark with dangerous fire. “You’re a fine one to believe gossip, Roddy! You above all know it’s usually lies, because you’ve started your share of it!” “I didn’t say I believe it,” he drawled coolly. “In fact, I’d find it hard to believe that any man’s hands, including Thornton’s, have ever touched that porcelain skin of hers. However,” he said, abruptly closing the lid on his snuffbox and tucking it away, “society is not as discerning as I, or, in this instance, as kind. They will cut her dead tonight, never fear, and not even the influential Townsendes or my influential self could prevent it. Though I hate the thought of sinking any lower in your esteem than I can see I already have, I’m going to tell you an unlovely truth about myself, my sweet Alex,” he added with a sardonic grin. “Tonight, any unattached bachelor who’s foolish enough to show an interest in that girl is going to be the laughingstock of the Season, and I do not like being laughed at. I do not have the courage, which is why I am always the one to make jokes of others
Judith McNaught (Almost Heaven (Sequels, #3))
Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one in the journalism community is more astounded than Monique herself. Why her? Why now? Monique is not exactly on top of the world. Her husband, David, has left her, and her career has stagnated. Regardless of why Evelyn has chosen her to write her biography, Monique is determined to use this opportunity to jump-start her career. Summoned to Evelyn’s Upper East Side apartment, Monique listens as Evelyn unfurls her story: from making her way to Los Angeles in the 1950s to her decision to leave show business in the late ’80s, and, of course, the seven husbands along the way. As Evelyn’s life unfolds—revealing a ruthless ambition, an unexpected friendship, and a great forbidden love—Monique begins to feel a very a real connection to the actress. But as Evelyn’s story catches up with the present, it becomes clear that her life intersects with Monique’s own in tragic and irreversible ways.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Technocracy will Americanise us, progress will starve our spirituality so far that nothing of the bloodthirsty, frivolous or unnatural dreams of the utopist will be comparable to those positive facts. I invite any thinking person to show me what is left of life. Religion! It is useless to talk about it, or to look for its remnants; it is a scandal that one takes the trouble even of denying God. Private property! It was—strictly speaking—abolished with the suppression of the right of primogeniture; yet the time will come when mankind like a revengeful cannibal will snatch the last piece from those who rightfully deemed themselves the heirs of revolutions. And even this will not be the worst. . . . Universal ruin will manifest itself not solely or particularly in political institutions or general progress or whatever else might be a proper name for it; it will be seen, above all, in the baseness of hearts. Shall I add that, that little left-over of sociability will hardly resist the sweeping brutality, and that the rulers, in order to hold their own and to produce a sham order, will ruthlessly resort to measures which will make us, who already are callous, shudder?
Charles Baudelaire (Fusées (1re partie des journaux intimes) (French Edition))
(a) A writer always wears glasses and never combs his hair. Half the time he feels angry about everything and the other half depressed. He spends most of his life in bars, arguing with other dishevelled, bespectacled writers. He says very ‘deep’ things. He always has amazing ideas for the plot of his next novel, and hates the one he has just published. (b) A writer has a duty and an obligation never to be understood by his own generation; convinced, as he is, that he has been born into an age of mediocrity, he believes that being understood would mean losing his chance of ever being considered a genius. A writer revises and rewrites each sentence many times. The vocabulary of the average man is made up of 3,000 words; a real writer never uses any of these, because there are another 189,000 in the dictionary, and he is not the average man. (c) Only other writers can understand what a writer is trying to say. Even so, he secretly hates all other writers, because they are always jockeying for the same vacancies left by the history of literature over the centuries. And so the writer and his peers compete for the prize of ‘most complicated book’: the one who wins will be the one who has succeeded in being the most difficult to read. (d) A writer understands about things with alarming names, like semiotics, epistemology, neoconcretism. When he wants to shock someone, he says things like: ‘Einstein is a fool’, or ‘Tolstoy was the clown of the bourgeoisie.’ Everyone is scandalized, but they nevertheless go and tell other people that the theory of relativity is bunk, and that Tolstoy was a defender of the Russian aristocracy. (e) When trying to seduce a woman, a writer says: ‘I’m a writer’, and scribbles a poem on a napkin. It always works. (f) Given his vast culture, a writer can always get work as a literary critic. In that role, he can show his generosity by writing about his friends’ books. Half of any such reviews are made up of quotations from foreign authors and the other half of analyses of sentences, always using expressions such as ‘the epistemological cut’, or ‘an integrated bi-dimensional vision of life’. Anyone reading the review will say: ‘What a cultivated person’, but he won’t buy the book because he’ll be afraid he might not know how to continue reading when the epistemological cut appears. (g) When invited to say what he is reading at the moment, a writer always mentions a book no one has ever heard of. (h) There is only one book that arouses the unanimous admiration of the writer and his peers: Ulysses by James Joyce. No writer will ever speak ill of this book, but when someone asks him what it’s about, he can’t quite explain, making one doubt that he has actually read it.
Paulo Coelho
Obama is also directing the U.S. government to invest billions of dollars in solar and wind energy. In addition, he is using bailout leverage to compel the Detroit auto companies to build small, “green” cars, even though no one in the government has investigated whether consumers are interested in buying small, “green” cars—the Obama administration just believes they should. All these measures, Obama recognizes, are expensive. The cap and trade legislation is estimated to impose an $850 billion burden on the private sector; together with other related measures, the environmental tab will exceed $1 trillion. This would undoubtedly impose a significant financial burden on an already-stressed economy. These measures are billed as necessary to combat global warming. Yet no one really knows if the globe is warming significantly or not, and no one really knows if human beings are the cause of the warming or not. For years people went along with Al Gore’s claim that “the earth has a fever,” a claim illustrated by misleading images of glaciers disappearing, oceans swelling, famines arising, and skies darkening. Apocalypse now! Now we know that the main body of data that provided the basis for these claims appears to have been faked. The Climategate scandal showed that scientists associated with the Intergovernmental Panel on Climate Change were quite willing to manipulate and even suppress data that did not conform to their ideological commitment to global warming.3 The fakers insist that even if you discount the fakery, the data still show.... But who’s in the mood to listen to them now? Independent scientists who have reviewed the facts say that average global temperatures have risen by around 1.3 degrees Fahrenheit in the past 100 years. Lots of things could have caused that. Besides, if you project further back, the record shows quite a bit of variation: periods of warming, followed by periods of cooling. There was a Medieval Warm Period around 1000 A.D., and a Little Ice Age that occurred several hundred years later. In the past century, the earth warmed slightly from 1900 to 1940, then cooled slightly until the late 1970s, and has resumed warming slightly since then. How about in the past decade or so? Well, if you count from 1998, the earth has cooled in the past dozen years. But the statistic is misleading, since 1998 was an especially hot year. If you count from 1999, the earth has warmed in the intervening period. This statistic is equally misleading, because 1999 was a cool year. This doesn’t mean that temperature change is in the eye of the beholder. It means, in the words of Roy Spencer, former senior scientist for climate studies at NASA, that “all this temperature variability on a wide range of time scales reveals that just about the only thing constant in climate is change.”4
Dinesh D'Souza (The Roots of Obama's Rage)
What the postmodern world celebrates in its rejection of all absolutes and in its assumed right to define all reality privately is a sign of God's wrath (cf. Rom. 1:22). People may plead ignorance in this situation, but Paul says they are "without excuse" (Rom. 1:20). Later, he develops this in terms of internal consciousness. Even the Gentiles who are without the written moral law still show that what it requires "is written on their hearts" because their conscience is actively at work within them (Rom. 2:14- 15; cf. 1 Cor. 9:21). It is no small scandal what Paul has to say here. What is revealed to all people everywhere? It is not that God is loving, though he is. It is not that he is accepting, though sinners may find acceptance with him. It is not that we can find him on our own terms, though he should be sought (Acts 17:27). No, what is revealed is the fact that he is wrathful. It is true that this disclosure comes alongside the fact that the creation also bespeaks his glory and the greatness of his power. Yet the greatness of his power and his glory do not obscure the fact that God is alienated from human beings. Indeed, his glory is precisely the reason that he is alienated! There is, as a result, already a faint foretaste of final judgment as the consequences of sin visit their retribution upon the sinner. This is scandalous to a postmodern ear, but locked in that scandal is the key to meaning in the world, and in that meaning there is hope.
John Piper (The Supremacy of Christ in a Postmodern World)
The passion of steeped leaves and stewed broth is a philter that triumphs in our veins. It is our heritage, it is our religion, it is the glory of our being. It is our honour to show the rest of the uncivilized world how a refined and educated society operates. Nothing can be done without tea. For a thing to be done right and to be done well, a hand must be furnished with a cup filled to the brim with the finest vintage of dried and simmered vegetation. There is no other way, I tell you. For a Marridon-born man not to like tea is immoral. It makes him low, shows him to be wholly vulgar and unable to appreciate and welter in all the rapture that such scandal-broth can supply. A sniveling guttersnipe might not like tea, but a knight, a member of the highest order, a banner of Marridonian heraldry, cannot dislike it. It is folly to think so, absolute humbuggery. You are one of the high boughs of Marridon’s ancient tree, sir knight. You are practically born with leaves to steep, to stew, to swelter, to sip. It is almost treasonous not to like tea. I am considered a recluse amongst Marridon’s high society, and even I understand why I must like tea. It is the drink of the thinking man, to be deliberated over and deliciated, to be relished and reveled in, that all its secrets of higher cogitation might be extricated and beloved. One must immerse himself in the distillation if he is to properly understand it. To drink tea ponderously is all the learned Marridonian should ever aspire to.
Michelle Franklin
Ronan's trying to wake up the world. I'm trying to think of how to talk him out of it, but what he's talking about is a world where she never fell asleep. A world where Matthew's just a kid. A world where it doesn't matter what Hennessy does, if something happens to her. A level playing field. I don't think it's a good idea, but it's not like I can't see the appeal, because now I'm biased, I'm too biased to be clear." Declan shook his head a little. "I said I would never become my father, anything like him. And now look at me. At us." Ah, there it was. It took no effort to remember the way he'd looked at her the first moment he realized she was a dream. "I'm a dream," Jordan said. "I'm not your dream." Declan put his chin in his hand and looked back out the window; that, too, would be a good portrait. Perhaps it was just because she liked looking at him that she thought each pose would make a good one. A series. What a future that idea promised, nights upon nights like this, him sitting there, her standing here. "By the time we're married," Declan said eventually, "I want you to have applied for a different studio in this place because this man's paintings are very ugly." Her pulse gently skipped two beats before continuing on as before. "I don't have a social security number of my own, Pozzi." "I'll buy you one," Declan said. "You can wear it in place of a ring." The two of them looked at each other past the canvas on her easel. Finally, he said, voice soft, "I should see the painting now." "Are you sure?" "It's time, Jordan." Putting his jacket to the side, he stood. He waited. He would not come around to look without an invite. It's time, Jordan. Jordan had never been truly honest with anyone who didn't wear Hennessy's face. Showing him this painting, this original, felt like being more honest than she had ever been in her life. She stepped back to give him room. Declan took it in. His eyes flickered to and from the likeness, from the jacket on Portrait Declan's leg to the real jacket he'd left behind on the chair. She watched his gaze follow the line edge she had taken such care to paint, that subtle electricity of complementary colors at the edge of his form. "It's very good," Declan muttered. "Jordan, it's very good." "I thought it might be." "I don't know if it's a sweetmetal. But you're very good." "I thought I might be." "The next one will be even better." "I think it might be." "And in ten years your scandalous masterpiece will get you thrown out of France, too," he said. "And later you can triumphantly sell it to the Met. Children will write papers about you. People like me will tell stories about you to their dates at museums to make them think they're interesting." She kissed him. He kissed her. And this kiss, too, got all wrapped up in the art-making of the portrait sitting on the easel beside them, getting all mixed in with all the other sights and sounds and feelings that had become part of the process. It was very good.
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
I look down at my body and marvel at its ability to survive something so frightening, and I gaze lingeringly at my limbs as if there were magic blood coursing in my veins. How extraordinary it is, to be alive when one should be dead. The accident happened as the clock struck midnight, when the date changed to 09/09/09. Nine, that’s what the Kabbalist told me; nine, the number of death and rebirth, endings and beginnings, is the sign I was supposed to look out for. I may always look back on this day as the one that divided my life in two. Eli comes to see me in the hospital and I’m furious with him. He had been telling me that the tires on the car were too thin, but he had refused to have them changed. He claimed he couldn’t afford it. “But you could afford to lose me?” I ask bitterly. “Yitzy could have been in that car.” But Eli shows no signs of remorse. He refuses to accept any responsibility for the accident. I don’t want to see his face anymore. I tell him to go home, I will call a friend to come stay with me. I never want to see his face again. Could this be the sign from God, then? That clean break with my past that I was looking for, the emphatic separation between one life and the other? Maybe the fact that I’m not dead is the big miracle I always thought would come my way. Only now can I truly feel invincible, after I’ve been through the worst. I am no longer nervous, no longer uncertain. I have no past to cling to; the last twenty-three years belong to someone else, someone I no longer know.
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
Sometimes reparations is used to justify a feeding frenzy in which minority claimants simply raid the U.S. Treasury en masse while government bureaucrats facilitate a large transfer of wealth from the taxpayer to these so-called historical victims. A scandalous example of this is the Pigford case. Some ninety-one black farmers had sued the U.S. government alleging a legacy of bias against African Americans. Rather than settle the suit and pay the farmers a reasonable compensation, the Obama administration used the lawsuit to make an absurdly expensive settlement. It agreed to pay out $1.33 billion to compensate not only the ninety-one plaintiffs but also thousands of Hispanic and female farmers who had never claimed bias in court. Encouraged by this largesse, law firms began to conjure up new claimants. Later reviews showed that some of these claimants were nursery-school-age children and even urban dwellers who had no connection to farming. In some towns, the number of people being paid was many times greater than the total number of farms. According to the New York Times, one family in Little Rock, Arkansas, had ten members each submit a claim for $50,000, netting $500,000 for the family without any proof of discrimination. Then the Native Americans got in on the racket, and the Obama administration settled with them, agreeing to fork over an additional $760 million. The government also reimbursed hundreds of millions of dollars in legal fees, a cornucopia for trial lawyers who also happen to be large contributors to Obama and the Democratic Party. Altogether the Pigford payout is estimated to have cost taxpayers a staggering $4.4 billion.3
Dinesh D'Souza (Stealing America: What My Experience with Criminal Gangs Taught Me about Obama, Hillary, and the Democratic Party)
In July 2018, a safety crisis rocked the global drug supply—and seemed to prove Baker’s point. Regulators in Europe announced a harrowing discovery: the widely used active ingredient for valsartan, a generic version of the blood pressure drug Diovan, contained a cancer-causing toxin known as NDMA (once used in liquid rocket fuel). The drug had been made by the Chinese company Zhejiang Huahai Pharmaceuticals, the world’s largest manufacturer of valsartan active ingredients. In the United States, over a dozen drug manufacturers, all of which used the Chinese ingredient, recalled their products, as did dozens more manufacturers around the world. The Chinese company tried to defend itself by explaining that it had altered its production process in 2012 to increase yields of the drug, a change that had been approved by regulators. In short, the change had been made to maximize profit. Some patients had been consuming the toxin for six years. As the FDA tried to reassure consumers that the risk of developing cancer, even from daily exposure to the toxin, was extremely low, a second cancer-causing impurity was detected in the ingredients. Though the valsartan catastrophe seemed to take the FDA by surprise, it shouldn’t have. In May 2017, an FDA investigator had found evidence at the plant in Linhai, China, that the company was failing to investigate potential impurities in its own drugs, which showed up as aberrant peaks in its test results. The investigator designated the plant as Official Action Indicated, but the agency downgraded that to VAI. In short, the company was let off the hook—only to wind up in the middle of a worldwide quality scandal less than a year later. By
Katherine Eban (Bottle of Lies: The Inside Story of the Generic Drug Boom)
Annabelle met her at the door, looking strained and weary but wearing a brilliant smile. And there was a tiny bundle of linen and clean toweling in her arms. Daisy put her fingers over her mouth and shook her head slightly, laughing even as her eyes prickled with tears. “Oh my,” she said, staring at the red-faced baby, the bright dark eyes, the wealth of black hair. “Say hello to your niece,” Annabelle said, gently handing the infant to her. Daisy took the baby carefully, astonished by how light she was. “My sister—” “Lillian’s fine,” Annabelle replied at once. “She did splendidly.” Cooing to the baby, Daisy entered the room. Lillian was resting against a stack of pillows, her eyes closed. She looked very small in the large bed, her hair braided in two plaits like a young girl’s. Westcliff was at her side, looking like he had just fought Waterloo singlehandedly. The veterinarian was at the washstand, soaping his hands. He threw Daisy a friendly smile, and she grinned back at him. “Congratulations, Mr. Merritt,” she said. “It seems you’ve added a new species to your repertoire.” Lillian stirred at the sound of her voice. “Daisy?” Daisy approached with the baby in her arms. “Oh, Lillian, she’s the most beautiful thing I’ve ever seen.” Her sister grinned sleepily. “I think so too. Would you—” she broke off to yawn. “Show her to Mother and Father?” “Yes, of course. What is her name?” “Merritt.” “You’re naming her after the veterinarian?” “He proved to be quite helpful,” Lillian replied. “And Westcliff said I could.” The earl tucked the bedclothes more snugly around his wife’s body and kissed her forehead. “Still no heir,” Lillian whispered to him, her grin lingering. “I suppose we’ll have to have another one.” “No, we won’t,” Westcliff replied hoarsely. “I’m never going through this again.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
The newspapers, according to their political colour, urged punishment, eradication, colonisation or a crusade against the newts, a general strike, resignation of the government, the arrest of newt owners, the arrest of communist leaders and agitators and many other protective measures of this sort. People began frantically to stockpile food when rumours of the shores and ports being closed off began to spread, and the prices of goods of every sort soared; riots caused by rising prices broke out in the industrial cities; the stock exchange was closed for three days. It was simply the more worrying and dangerous than it had been at any time over the previous three or four months. But this was when the minister for agriculture, Monsieur Monti, stepped dexterously in. He gave orders that several hundred loads of apples for the newts should be discharged into the sea twice a week along the French coasts, at government cost, of course. This measure was remarkably successful in pacifying both the newts and the villagers in Normandy and elsewhere. But Monsieur Monti went even further: there had long been deep and serious disturbances in the wine-growing regions, resulting from a lack of turnover, so he ordered that the state should provide each newt with a half litre of white wine per day. At first the newts did not know what to do with this wine because it caused them serious diarrhoea and they poured it into the sea; but with a little time they clearly became used to it, and it was noticed that from then on the newts would show a lot more enthusiasm for sex, although with lower fertility rates than before. In this way, problems to do with the newts and with agriculture were solved in one stroke; fear and tension were assuaged, and, in short, the next time there was another government crisis, caused by the financial scandal around Madame Töppler, the clever and well proven Monsieur Monti became the minister for marine affairs in the new cabinet.
Karel Čapek (War with the Newts)
Once unbound from the shackles of truth, Fox’s power came from what it decided to cover—its chosen narratives—and what it decided to ignore. Trump’s immature, erratic, and immoral behavior? His sucking up to Putin? His mingling of presidential business and personal profit? Fox talk shows played dumb and targeted the “deep state” instead. Conservative media types were like spiders, spinning webs and trying to catch prey. They insisted the real story was an Obama-led plot against Trump to stop him from winning the election. One night Hannity irrationally exclaimed, “This makes Watergate look like stealing a Snickers bar from a drugstore!” Another night he upped the hysteria, insisting this scandal “will make Watergate look like a parking ticket.” The following night he screeched, “This is Watergate times a thousand.” He strung viewers along, invoking mysterious “sources” who were “telling us” that “this is just the tip of the iceberg.” There was always another “iceberg” ahead, always another twist coming, always another Democrat villain to attack after the commercial break. Hannity and Trump were so aligned that, on one weird night in 2018, Hannity had to deny that he was giving Trump a sneak peek at his monologues after the president tweeted out, twelve minutes before air, “Big show tonight on @SeanHannity! 9: 00 P.M. on @FoxNews.” Political reporters fumbled for their remotes and flipped over to Fox en masse. Hannity raved about the “Mueller crime family” and said the Russia investigation was “corrupt” and promoted a guest who said Mueller “surrounded himself with literally a bunch of legal terrorists,” whatever that meant. Some reporters who did not watch Fox regularly were shocked at how unhinged and extreme the content was. But this was just an ordinary night in the pro-Trump alternative universe. Night after night, Hannity said the Mueller probe needed to be stopped immediately, for the good of the country. Trump’s attempts at obstruction flowed directly from his “Executive Time.
Brian Stelter (Hoax: Donald Trump, Fox News, and the Dangerous Distortion of Truth)
Do you think he’ll tell anyone?” “No,” he said immediately, reassuring her. “Westcliff isn’t given to gossip. He won’t say a word to anyone, except…” “Except?” “Lady Westcliff. He’ll probably tell her.” Amelia considered that, thinking perhaps it wasn’t so terrible. Lady Westcliff didn’t seem like the kind of person who would condemn her for this. The countess seemed quite tolerant of scandalous behavior. “Of course,” Rohan continued, “if Lady Westcliff knows, there’s a high probability she’ll tell Lady St. Vincent, who’s due to arrive with Lord St. Vincent by the end of the week. And since Lady St. Vincent tells her husband everything, he’ll know about it, too. Other than that, no one will find out. Unless…” Her head jerked upward like a string puppet’s. “Unless what?” “Unless Lord St. Vincent mentions it to Mr. Hunt, who would undoubtedly tell Mrs. Hunt, and then … everyone would find out.” “Oh, no. I can’t bear it.” He gave her an alert glance. “Why? Because you were caught kissing a Gypsy?” “No, because I’m not the kind of woman who is caught kissing anyone. I don’t have rendezvous! When everyone finds out, I’ll have no dignity left. No reputation. No—What are you smiling at?” “You. I wouldn’t have expected such melodrama.” That annoyed Amelia, who was not the kind of woman who indulged in theatrics. She wedged her arms more firmly between them. “My reaction is perfectly reasonable considering—” “You’re not bad at it.” She blinked in confusion. “Melodrama?” “No, kissing. With a little practice, you’d be exceptional. But you need to relax.” “I don’t want to relax. I don’t want to … oh, dear Lord.” He had bent his head to her throat, searching for the visible thrum of her pulse. A light, hot shock went through her. “Don’t do that,” she said weakly, but he was insistent, his mouth wickedly soft, and her breath hitched as she felt the brush of his tongue. Her hands shot to his muscle-banked shoulders. “Mr. Rohan, you mustn’t—” “This is how to kiss, Amelia.” He cradled her head in his palms, deftly tilting it to the side. “Noses go here.” Another disorienting brush of his mouth, a wash of sensual heat. “You taste like sugar and tea.” “I already know how to kiss!” “Do you?” His thumb passed over her kiss-heated lips, urging them to part. “Then show me,” he whispered. “Let me in, Amelia.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
You may find this hard to believe, Mr. Pinter," she went on defensively, "but some men enjoy my company. They consider me easy to talk to." A ghost of a smile touched his handsome face. "You're right. I do find that hard to believe." Arrogant wretch. "All the same, there are three men who might consider marrying me, and I could use your help in securing them." She hated having to ask him for that, but he was necessary to her plan. She just needed one good offer of marriage, one impressive offer that would show Gran she was capable of gaining a decent husband. Gran didn't believe she could, or she wouldn't be holding to that blasted ultimatum. If Celia could prove her wrong, Gran might allow her to choose a husband in her own good time. And if that plan didn't work, Celia would at least have a man she could marry to fulfill Gran's terms. "So you've finally decided to meet Mrs. Plumtree's demands," he said, his expression unreadable. She wasn't about to let him in on her secret plan. Oliver might have employed him, but she was sure Mr. Pinter also spied for Gran. He would run right off and tell her. "It's not as if I have a choice." Bitterness crept into her tone. "In less than two months, if I remain unmarried, my siblings will be cut off. I can't do that to them, no matter how much I resent Gran's meddling." Something that looked oddly like sympathy flickered in his gaze. "Don't you want to marry?" "Of course I want to marry. Doesn't every woman?" "You've shown little interest in it before," he said skeptically. That's because men had shown little interest in her. Oh, Gab's friends loved to stand about with her at balls and discuss the latest developments in cartridges, but they rarely asked her to dance, and if they did, it was only to consult her on rifles. She'd tried flirting, but she was terrible at it. It seemed so...false. So did men's compliments, the few that there were. It was easier to laugh them off than to figure out which ones were genuine, easier to pretend to be one of the lads. She secretly wished she could find a man she could love, who would ignore the scandals attached to he family's name and indulge her hobby of target shooting. One who could shoot as well as she, since she could never respect a man who couldn't hit what he aimed at. I'll bet Mr. Pinter knows his way around a rifle.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Anyone want to help me start PAPA, Parents for Alternatives to Punishment Association? (There is already a group in England called ‘EPPOCH’ for end physical punishment of children.) In Kohn’s other great book Beyond Discipline: From Compliance to Community, he explains how all punishments, even the sneaky, repackaged, “nice” punishments called logical or natural consequences, destroy any respectful, loving relationship between adult and child and impede the process of ethical development. (Need I mention Enron, Martha Stewart, the Iraqi Abu Ghraib prisoner abuse scandal or certain car repairmen?) Any type of coercion, whether it is the seduction of rewards or the humiliation of punishment, creates a tear in the fabric of relational connection between adults and children. Then adults become simply dispensers of goodies and authoritarian dispensers of controlling punishments. The atmosphere of fear and scarcity grows as the sense of connectedness that fosters true and generous cooperation, giving from the heart, withers. Using punishments and rewards is like drinking salt water. It does create a short-term relief, but long-term it makes matters worse. This desert of emotional connectedness is fertile ground for acting-out to get attention. Punishment is a use of force, in the negative sense of that word, not an expression of true power or strength. David R. Hawkins, M.D., Ph.D. author of the book Power v. Force writes “force is the universal substitute for truth. The need to control others stems from lack of power, just as vanity stems from lack of self-esteem. Punishment is a form of violence, an ineffective substitute for power. Sadly though parents are afraid not to hit and punish their children for fear they will turn out to be bank robbers. But the truth may well be the opposite. Research shows that virtually all felony offenders were harshly punished as children. Besides children learn thru modeling. Punishment models the tactic of deliberately creating pain for another to get something you want to happen. Punishment does not teach children to care about how their actions might create pain for another, it teaches them it is ok to create pain for another if you have the power to get away with it. Basically might makes right. Punishment gets children to focus on themselves and what is happening to them instead of developing empathy for how their behavior affects another. Creating
Kelly Bryson (Don't Be Nice, Be Real)
... the primary duty of charity does not lie in the toleration of false ideas, however sincere they may be, nor in the theoretical or practical indifference towards the errors and vices in which we see our brethren plunged but in the zeal for their intellectual and moral improvement as well as for their material well-being ... True, Jesus has loved us with an immense, infinite love, and He came on earth to suffer and die so that, gathered around Him in justice and love, motivated by the same sentiments of mutual charity, all men might live in peace and happiness. But for the realization of this temporal and eternal happiness, He has laid down with supreme authority the condition that we must belong to His Flock, that we must accept His doctrine, that we must practice virtue, and that we must accept the teaching and guidance of Peter and his successors. Further, whilst Jesus was kind to sinners and to those who went astray, He did not respect their false ideas, however sincere they might have appeared. He loved them all, but He instructed them in order to convert them and save them. Whilst He called to Himself in order to comfort them, those who toiled and suffered, it was not to preach to them the jealousy of a chimerical equality. Whilst He lifted up the lowly, it was not to instill in them the sentiment of a dignity independent from, and rebellious against, the duty of obedience. Whilst His heart overflowed with gentleness for the souls of good-will, He could also arm Himself with holy indignation against the profaners of the House of God, against the wretched men who scandalized the little ones, against the authorities who crush the people with the weight of heavy burdens without putting out a hand to lift them. He was as strong as he was gentle. He reproved, threatened, chastised, knowing, and teaching us that fear is the beginning of wisdom, and that it is sometimes proper for a man to cut off an offending limb to save his body. Finally, He did not announce for future society the reign of an ideal happiness from which suffering would be banished; but, by His lessons and by His example, He traced the path of the happiness which is possible on earth and of the perfect happiness in Heaven: the royal way of the Cross. These are teachings that it would be wrong to apply only to one's personal life in order to win eternal salvation; these are eminently social teachings, and they show in Our Lord Jesus Christ something quite different from an inconsistent and impotent humanitarianism.
St. Pius X
Imagine you are Emma Faye Stewart, a thirty-year-old, single African American mother of two who was arrested as part of a drug sweep in Hearne, Texas.1 All but one of the people arrested were African American. You are innocent. After a week in jail, you have no one to care for your two small children and are eager to get home. Your court-appointed attorney urges you to plead guilty to a drug distribution charge, saying the prosecutor has offered probation. You refuse, steadfastly proclaiming your innocence. Finally, after almost a month in jail, you decide to plead guilty so you can return home to your children. Unwilling to risk a trial and years of imprisonment, you are sentenced to ten years probation and ordered to pay $1,000 in fines, as well as court and probation costs. You are also now branded a drug felon. You are no longer eligible for food stamps; you may be discriminated against in employment; you cannot vote for at least twelve years; and you are about to be evicted from public housing. Once homeless, your children will be taken from you and put in foster care. A judge eventually dismisses all cases against the defendants who did not plead guilty. At trial, the judge finds that the entire sweep was based on the testimony of a single informant who lied to the prosecution. You, however, are still a drug felon, homeless, and desperate to regain custody of your children. Now place yourself in the shoes of Clifford Runoalds, another African American victim of the Hearne drug bust.2 You returned home to Bryan, Texas, to attend the funeral of your eighteen-month-old daughter. Before the funeral services begin, the police show up and handcuff you. You beg the officers to let you take one last look at your daughter before she is buried. The police refuse. You are told by prosecutors that you are needed to testify against one of the defendants in a recent drug bust. You deny witnessing any drug transaction; you don’t know what they are talking about. Because of your refusal to cooperate, you are indicted on felony charges. After a month of being held in jail, the charges against you are dropped. You are technically free, but as a result of your arrest and period of incarceration, you lose your job, your apartment, your furniture, and your car. Not to mention the chance to say good-bye to your baby girl. This is the War on Drugs. The brutal stories described above are not isolated incidents, nor are the racial identities of Emma Faye Stewart and Clifford Runoalds random or accidental. In every state across our nation, African Americans—particularly in the poorest neighborhoods—are subjected to tactics and practices that would result in public outrage and scandal if committed in middle-class white neighborhoods.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
And what is the popular color for gowns this Season?” he asked with a smile when it became necessary to announce himself. She gave a little start, and when she raised her face to look up at him, her cheeks were pink, her eyes wide. She looked, for lack of a better comparison, like a child caught doing something she oughtn’t. “Oh! Hello, Grey.” She glanced away. “Um, blue seems to be very favorable this year.” Arching a brow, he nodded at the periodical in her hand. “Beg pardon. I thought you were reading a ladies’ magazine.” “I am,” she replied with a coy smile. “But fashion is not one of its main areas of interest.” With an expression like hers-very much like the Cheshire cat in that book by Lewis Carroll-he doubted it was an article on housekeeping that put such becoming color in her cheeks. “May I?” he asked, holding out his hand. Her grip on the magazine tightened, reluctant to give it up. “Only if you promise not to tell Mama you saw me reading it.” Oh, this was trouble. Still, it was none of his business what a grown woman of three and twenty read. He was curious, that was all. “I promise.” She hesitated, then put the pages into his hand. Placing his fingers between the thin sheaves to mark her spot, Grey flipped to the cover. Christ on a pony! The magazine looked fairly harmless-the sketch on the front showed a demure young lady in a stylish gown and hat, sitting on a park bench. Only upon closer inspection could one notice that the object of her attention-and rapturous smile-was the young man bathing in the lake just on the edge of the page. He was bare-chested-quite possibly bare everywhere, but that key part of anatomy was carefully hidden with a line of text that read, “Ten ways to keep a gentleman at home-and in bed.” He didn’t want to see what she was reading. He had heard of this magazine before. Voluptuous was a racy publication for women, filled with erotic stories, advice, and articles about sexual relationships, how to conduct oneself to avoid scandal, etc. He could take her to task for reading it, but what would be the point? No doubt the information in it would serve her wisely someday. He gave the magazine back to her. “I have to confess, I’m a little surprised to find you reading such…material.” She shrugged. “I was curious. My parents were so happy in their marriage, so very much the opposite of most of what I’ve heard. If I’m to make a match as good as theirs, I need to know as much as I can about how to have a satisfying marriage.” Grey almost groaned. The image of Rose “satisfying” herself filled his mind with such clarity it was difficult to remember he’d never actually seen such a delightful sight. His body stiffened at the delectable images his mind conjured, and he had to fold his hands in front of him to hide his growing arousal.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
You break her heart, and you’ll have to deal with me and her three brothers, and if you survive that, Her Grace will ensure your social ruin unto the nineteenth generation. I remind you, all of my boys are crack shots and more than competent with a sword.” “It is not my intention to break her heart.” “Oh, it’s never our intention.” His Grace’s brows drew down in thought, and he was once again the affable paterfamilias. “Maggie is different. I hope that’s from being the oldest daughter, but her unfortunate origins are too obvious a factor to be dismissed. She’s in want of… dreams, I think. My other girls have dreams. Sophie dreamed of her own family, Jenny loves to paint, Louisa has her literary scribbling, and Evie must racket about the property as her brothers used to, but Maggie has never been a dreamer. Not about her first pony nor her first waltz nor her first… beau.” Nor her first lover. The words hung unspoken in the air while the fire crackled and hissed and a log fell amid a shower of sparks. It wasn’t what Ben would have expected any papa to say of his daughter, but then, marrying into a family meant details like this would be shared—Esther Windham misplaced her everyday jewels, and Percy thought his daughters should be entitled to dream. In a different way, it felt as if Ben were still lurking in doorways and climbing through windows, but this window was called marriage, and Maggie was trying to lock it shut with Ben on the outside. “I’m not sure Maggie wants to marry me.” It was as close as he’d come to touching on the circumstances of the betrothal. His Grace regarded him for a long moment. “I’m her papa, but I was a young man once, Hazelton. Maggie is only a bit younger than Devlin and a few months older than Bart would have been. When I married, I had no idea either of my two oldest progeny existed. I’d no sooner started filling my nursery when—before my heir was out of dresses—both women came forward, hurling accusations and threats. If my marriage can survive that onslaught, surely you can overcome a little stubbornness in my daughter?” It was, again, an insight into the Windham family Ben gained only because he was engaged to marry Maggie. Such confidences prompted a rare inclination toward direct speech. “I think Maggie’s dream is to be left alone. If she jilts me, she’ll have one more excuse to retire from life, to hide and tell herself she’s content.” “Content.” His Grace spat the word. “Bother content. Content is milk toast and pap when life is supposed to be a banquet. Make Maggie’s dreams come true, young Hazelton, and show her contentment is shoddy goods compared to happiness.” “You make it sound simple.” “We’re speaking of women and that particular subspecies of the genre referred to as wives. It is simple—devote yourself to her happiness, and you will be rewarded tenfold. I do not, however, say the undertaking will ever be easy.
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's. Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!' Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles. And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.
Samantha Ellis
They stood on tiptoe, strained their eyes. “Let me look.” “Well, look then.” “What you see?” That was the question. No one saw anything. Then, simultaneously, three distinct groups of marchers came into view. One came up 125th Street from the east, on the north side of the street, marching west towards the Block. It was led by a vehicle the likes of which many had never seen, and as muddy as though it had come out of East River. A bare-legged black youth hugged the steering-wheel. They could see plainly that he was bare-legged for the vehicle didn’t have any door. He, in turn, was being hugged by a bare-legged white youth sitting at his side. It was a brotherly hug, but coming from a white youth it looked suggestive. Whereas the black had looked plain bare-legged, the bare-legged white youth looked stark naked. Such is the way those two colors affect the eyes of the citizens of Harlem. In the South it’s just the opposite. Behind these brotherly youths sat a very handsome young man of sepia color with the strained expression of a man moving his bowels. With him sat a middle-aged white woman in a teen-age dress who looked similarly engaged, with the exception that she had constipation. They held a large banner upright between them which read: BROTHERHOOD! Brotherly Love Is The Greatest! Following in the wake of the vehicle were twelve rows of bare-limbed marchers, four in each row, two white and two black, in orderly procession, each row with its own banner identical to the one in the vehicle. Somehow the black youths looked unbelievably black and the white youths unnecessarily white. These were followed by a laughing, dancing, hugging, kissing horde of blacks and whites of all ages and sexes, most of whom had been strangers to each other a half-hour previous. They looked like a segregationist nightmare. Strangely enough, the black citizens of Harlem were scandalized. “It’s an orgy!” someone cried. Not to be outdone, another joker shouted, “Mama don’t ’low that stuff in here.” A dignified colored lady sniffed. “White trash.” Her equally dignified mate suppressed a grin. “What else, with all them black dustpans?” But no one showed any animosity. Nor was anyone surprised. It was a holiday. Everyone was ready for anything. But when attention was diverted to the marchers from the south, many eyes seemed to pop out in black faces. The marchers from the south were coming north on the east side of Seventh Avenue, passing in front of the Scheherazade bar restaurant and the interdenominational church with the coming text posted on the notice-board outside: SINNERS ARE SUCKERS! DON’T BE A SQUARE! What caused the eyes of these dazed citizens to goggle was the sight of the apparition out front. Propped erect on the front bumper of a gold-trimmed lavender-colored Cadillac convertible driven by a fat black man with a harelip, dressed in a metallic-blue suit, was the statue of the Black Jesus, dripping black blood from its outstretched hands, a white rope dangling from its broken neck, its teeth bared in a look of such rage and horror as to curdle even blood mixed with as much alcohol as was theirs. Its crossed black feet were nailed to a banner which read: THEY LYNCHED ME! While two men standing in the back of the convertible held aloft another banner reading: BE NOT AFRAID!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
He hadn’t been aware of staring, but when her questioning gaze locked with his, Grey felt as though he’d been smacked upside the head by the open palm of idiocy. “Is something troubling you, Grey?” He loved the sound of his name on her tongue, and hated that he loved it. She made him weak and stupid. One sweet glance from her and he was ready to drop to his knees. It wasn’t love. It wasn’t even infatuation. It was pure unmitigated lust. He could admit that. Hell, he embraced it. Lust could be managed. Lust could be mastered. And lust would eventually fade once she was out of his care and out of his life. That was the cold, hard, blessed truth of it. “I was wondering if you were eagerly anticipating Lady Shrewsbury’s ball tomorrow evening?” How easily the lie rolled off his tongue as he lifted a bite of poached salmon to his mouth. She smiled softly, obviously looking forward to it very much. “I am. Thank you.” Camilla shared her daughter’s pleasure judging from her coy grin. “Rose has renewed her acquaintance with the honorable Kellan Maxwell. He requested that she save the first waltz of the evening for him.” The fish caught in Grey’s throat. He took a drink of wine to force it down. “The same Kellan Maxwell who courted you during your first season?” Rose’s smile faded a little. No doubt she heard the censure in his tone, his disapproval. “The same,” she replied with an edge of defensiveness. The same idiot who abandoned his pursuit of Rose when Charles lost everything and scandal erupted. The little prick who hadn’t loved her enough to continue his courtship regardless of her situation. “Mm,” was what he said out loud. Rose scowled at him. “We had no understanding. We were not engaged, and Mr. Maxwell behaved as any other young man with responsibilities would have.” “You defend him.” It was difficult to keep his disappointment from showing. He never thought her to be the kind of woman who would forgive disloyalty when she was so very loyal herself. She tilted her head. “I appreciate your concern, but I’m no debutante, Grey. If I’m to find a husband this season I shouldn’t show prejudice.” Common sense coming out of anyone else. Coming out of her it was shite. “You deserve better.” She smiled a Mona Lisa smile. “We do not always get what we deserve, or even what we desire.” She knew. Christ in a frock coat, she knew. Her smile faded. “If we did, Papa would be here with us, and Mama and I wouldn’t be your responsibility.” She didn’t know. Damn, what a relief. “The two of you are not a responsibility. You are a joy.” For some reason that only made her look sadder, but Camilla smiled through happy tears. She thanked him profusely, but Grey had a hard time hearing what she was saying-he was too intent on Rose, who had turned her attention to her plate and was pushing food around with little interest. He could bear this no longer. He didn’t know what was wrong with her, or why she seemed so strange with him. And he couldn’t stand that he cared. “Ladies, I’m afraid I must beg your pardon and take leave of you.” Rose glanced up. “So soon?” He pushed his chair back from the table. “Yes. But I will see you at breakfast in the morning.” She turned back to her dinner. Grey bid farewell to Camilla and then strode from the room as quickly as he could. If he survived the Season it would be a miracle.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
The Global Financial Crisis shows the credit cycle at the greatest extreme since the Great Depression. Debt markets historically had been marked by general conservatism, meaning excesses on the upside were limited and most bubbles took place in the equity market. Certainly it was the site of the Great Crash of 1929. But the creation of the high yield bond market in the late 1970s kicked off a liberalization of debt investing, and the generally positive economic environment of the subsequent three decades provided those who ventured in with a favorable overall experience. This combination led to a strong trend toward acceptance of low-rated and non-traditional debt instruments. There were periods of weakness in debt in 1990–91 (related to widespread bankruptcies among the highly levered buyouts of the 1980s) and in 2002 (stemming from excessive borrowing to fund overbuilding in the telecom industry, which led to prominent downgrades that coincided with several high-profile corporate accounting scandals). But the effects of these were limited because of the isolated nature of their causes. It wasn’t until 2007–08 that the financial markets witnessed the first widespread, debt-induced panic, with ramifications for the entire economy. Thus the GFC provided the ultimate example of the credit cycle’s full effect.
Howard Marks (Mastering The Market Cycle: Getting the Odds on Your Side)
We believe a lot of other absurd theologies, too. Many Black Christian girls are seduced by white evangelicalism, because, hell, it seems to be working out so well for white people. I mean, white Jesus helps white people to win a lot. But when my grandmother showed me that I could take a different approach to my theology, that it could be a push and pull, a debate, and even an ongoing set of arguments with God, she freed me up from my investment in being a Christian Goody Two-shoes. I don’t even believe God wants that. The God of Christianity seems to love people who are engaged in all manner of scandals, affairs, and murders.
Brittney Cooper (Eloquent Rage: A Black Feminist Discovers Her Superpower)
His brain fumbled for the perfect, Christian thing to say; but, before he could even manage a word, Hermione came to a stop in front of a tall, stone tower. "This is the boys' dormitory," the devout young woman explained kindly; and she gestured to the heavy, oak door beside them. "I would show you inside; but I would hate to cause a scandal.
Grace Ann Parsons
ALL TOOLS OF LIFE............I FOUND IN GOOD BOOKS. PARADISE TOO, HAS A SMALL LIBRARY BY THE LAKE. I see many nowadays, on TV shows..a library behind. A book is not furniture but is antique for the scholar. The class of books you read- showcase your brain Not to Glorify books- but sure they have value All that craziness about books..scares some. Be an intelligent reader. Not a book worm or addict. A peasant that reads is a prince in waiting.”– Walter Mosley “There is more treasure in books than in all the pirate’s loot on Treasure Island.”– Walt Disney “No entertainment is so cheap as reading, nor any pleasure so lasting.”– Mary Wortley Montagu Books are the best pets. Easy to manage too. .You can never pay and thank enough for a book. Books are good at multiple love affairs..they are the most reliable friends. 'The bricks of a book are small, they are called words '- Dr. Kamal Murdia "The Reader I believe, Robs an Author." - Dr. Kamal Murdia If 'his' words don't create a beautiful scandal, he is useless as an author - Dr. Kamal Murdia The books that the world calls immoral are books that show the world its own shame.” – Oscar Wilde in The Picture of Dorian Gray.
Dr. Kamal Murdia
Yashvin, a gambler, a carouser, a man not merely without any principles, but with immoral principles - Yashvin was Vronsky’s best friend in the regiment. Vronsky loved him for his extraordinary physical strength, which the man usually showed by his ability to drink like a fish, go without sleep and yet remain the same, and for his great force of character, which he showed in his relations with his superiors and comrades, making himself feared and respected, and at cards, where he staked tens of thousands and, despite the wine he drank, was always so subtle and steady that he was regarded as the foremost player in the English Club. Vronsky loved and respected him especially because he felt that Yashvin loved him not for his name or wealth but for himself. And of all people it was with him alone that Vronsky would have liked to talk about his love. He felt that Yashvin alone, though he seemed to scorn all feelings, could understand that strong passion which now filled his whole life. Besides, he was sure that Yashvin took no pleasure in gossip and scandal, but understood his feeling in the right way - that is, knew and believed that this love was not a joke, not an amusement, but something more serious and important. Vronsky did not speak to him of his love, but he knew that he knew everything and understood everything in the right way, and he was pleased to see it in his eyes.
Leo Tolstoy (Anna Karenina)
How careful was our blessed Saviour of little ones, that they might not be offended! How he defends his disciples from malicious imputations of the Pharisees! How careful not to put new wine into old vessels (Matt. 9:17), not to alienate new beginners with the austerities of religion (as some do indiscreetly). Oh, says he, they shall have time to fast when I am gone, and strength to fast when the Holy Ghost is come upon them. It is not the best way, to assail young beginners with minor matters, but to show them a more excellent way and train them in fundamental points. Then other things will not gain credence with them. It is not amiss to conceal their defects, to excuse some failings, to commend their performances, to encourage their progress, to remove all difficulties out of their way, to help them in every way to bear the yoke of religion with greater ease, to bring them to love God and his service, lest they acquire a distaste for it before they know it. For the most part we see that Christ plants in young beginners a love which we call their `first love' (Rev. 2:4), to carry them through their profession with more delight, and does not expose them to crosses before they have gathered strength; as we bring on young plants and fence them from the weather until they be rooted. Mercy to others should move us to deny ourselves in our liberties oftentimes, in case of offending weak ones. It is the `little ones' that are offended (Matt. 18:6). The weakest are most ready to think themselves despised; therefore we should be most careful to give them satisfaction. It would be a good contest amongst Christians, one to labour to give no offence, and the other to labour to take none. The best men are severe to themselves, tender over others. Yet people should not tire and wear out the patience of others: nor should the weaker so far demand moderation from others as to rely upon their indulgence and so to rest in their own infirmities, with danger to their own souls and scandal to the church. Neither must they despise the gifts of God in others, which grace teaches to honor wheresoever they are found, but know their parts and place, and not undertake anything above their measure, which may make their persons and their case obnoxious to
Richard Sibbes (The Bruised Reed)
White did try his hand at a few stories outside of actual noir. At the beginning of his career, his first book appeared as a Rainbow Books digest magazine called Seven Hungry Men! in 1952. The cover featured several taboos of the time, including a shirtless black man playing with a knife, a nasty expression on his face, alone in a cabin with a haughty white women wearing a high-slitted skirt and tipping a bottle of booze. The back cover is almost equally scandalous—it shows a black and white photograph of a woman resembling the one from the front cover wearing nothing but a matching set of underwear and a wide open lacy peignoir. Shocking stuff for 1952’s America.
Lionel White (The Snatchers / Clean Break (The Killing))
In July 2014, Ted tapped Brian Wright, a senior vice president at Nickelodeon, to lead young adult content deals. (Brian’s first Netflix claim to fame is signing the deal for a show called Stranger Things just a few months into the job.) Brian tells this story about Ted receiving feedback publicly on Brian’s first day at Netflix: In all my past jobs, it was all about who’s in and who’s out of favor. If you gave the boss feedback or disagreed with her in a meeting in front of others, that would be political death. You would find yourself in Siberia. Monday morning, it’s my first day of this brand-new job, and I’m on hyperalert trying to find out what are the politics of the place. At eleven a.m. I attend my first meeting led by Ted (my boss’s boss, who is from my perspective a superstar), with about fifteen people at various levels in the company. Ted was talking about the release of The Blacklist season 2. A guy four levels below him hierarchically stopped him in the middle of his point: “Ted, I think you’ve missed something. You’re misunderstanding the licensing deal. That approach won’t work.” Ted stuck to his guns, but this guy didn’t back down. “It won’t work. You’re mixing up two separate reports, Ted. You’ve got it wrong. We need to meet with Sony directly.” I could not believe that this low-level guy would confront Ted Sarandos himself in front of a group of people. From my past experience, this was equivalent to committing career suicide. I was literally scandalized. My face was completely flushed. I wanted to hide under my chair. When the meeting ended, Ted got up and put his hand on this guy’s shoulder. “Great meeting. Thanks for your input today,” he said with a smile. I practically had to hold my jaw shut, I was so surprised. Later I ran into Ted in the men’s washroom. He asked how my first day was going so I told him, “Wow Ted, I couldn’t believe the way that guy was going at you in the meeting.” Ted looked totally mystified. He said, “Brian, the day you find yourself sitting on your feedback because you’re worried you’ll be unpopular is the day you’ll need to leave Netflix. We hire you for your opinions. Every person in that room is responsible for telling me frankly what they think.
Reed Hastings (No Rules Rules: Netflix and the Culture of Reinvention)
The clergy abuse scandal does not prove there is no God or that Christ did not establish the Catholic Church. If anything, the revulsion we have against child abuse shows that some acts are always wrong—no matter what. Since universal moral laws must come from a universal moral lawgiver, or God, this means the clergy abuse scandal should push someone away from atheism, not toward it. The scandal also doesn’t justify leaving Catholicism for a Protestant church, since sex abuse is not only a “Catholic” problem.
Trent Horn (Why We're Catholic: Our Reasons for Faith, Hope, and Love)
1973 was the year when the United Kingdom entered the European Economic Union, the year when Watergate helped us with a name for all future scandals, Carly Simon began the year at number one with ‘You’re So Vain’, John Tavener premiered his Variations on ‘Three Blind Mice’ for orchestra, the year when The Godfather won Best Picture Oscar, when the Bond film was Live and Let Die, when Perry Henzell’s film The Harder They Come, starring Jimmy Cliff, opened, when Sofia Gubaidulina’s Roses for piano and soprano premiered in Moscow, when David Bowie was Aladdin Sane, Lou Reed walked on the wild side and made up a ‘Berlin’, Slade were feeling the noize, Dobie Gray was drifting away, Bruce Springsteen was ‘Blinded by the Light’, Tom Waits was calling ‘Closing Time’, Bob Dylan was ‘Knocking on Heaven’s Door’, Sly and the Family Stone were ‘Fresh’, Queen recorded their first radio session for John Peel, when Marvin Gaye sang ‘What’s Going On’ and Ann Peebles’s ‘I Can’t Stand the Rain’, when Morton Feldman’s Voices and Instruments II for three female voices, flute, two cellos and bass, Alfred Schnittke’s Suite in the Old Style for violin and piano and Iannis Xenakis’s Eridanos for brass and strings premiered, when Ian Carr’s Nucleus released two albums refining their tangy English survey of the current jazz-rock mind of Miles Davis, when Ornette Coleman started recording again after a five-year pause, making a field recording in Morocco with the Master Musicians of Joujouka, when Stevie Wonder reached No. 1 with ‘Superstition’ and ‘You Are the Sunshine of My Life’, when Free, Family and the Byrds played their last show, 10cc played their first, the Everly Brothers split up, Gram Parsons died, and DJ Kool Herc DJed his first block party for his sister’s birthday in the Bronx, New York, where he mixed instrumental sections of two copies of the same record using two turntables.
Paul Morley (A Sound Mind: How I Fell in Love with Classical Music (and Decided to Rewrite its Entire History))
Rich men like to play their games. They like to put a pretty girl on their arm and make a show out of it. They like to make sure everyone knows what a sacrifice they’re making, taking on a charity project like her, so young and so desperate. And then they make those girls pay for the privilege. They make them pay and pay and pay. You might end up with more money, but you better believe that man will take whatever’s left of your soul.
Caitlin Crews (Expecting a Royal Scandal)
Not surprisingly, the exchange of wives from couples who are often polar opposites has led to the show’s fair share of scandals. An Oklahoma man sued the show for misrepresentation and distress when his “wife” turned out to be a gay man. A man on the UK version of the show committed suicide after being humiliated when his sexual practices were made public. A participant who lost his job and received death threats after being labeled “the worst husband in America” accused the producers of manufacturing a character for him to play. He claimed that, under duress of constant cameras and the threat that he was not being entertaining enough, they persuaded him to amp up his hostility toward his swapped wife. Another participant, who was a teenager when her show aired, sued the show, claiming that she was represented in such a false light on air that she suffered bullying at school that ruined
Eileen Ormsby (Small Towns, Dark Secrets: Social media, reality TV and murder in rural America (Tangled Webs True Crime))
Not surprisingly, the exchange of wives from couples who are often polar opposites has led to the show’s fair share of scandals. An Oklahoma man sued the show for misrepresentation and distress when his “wife” turned out to be a gay man. A man on the UK version of the show committed suicide after being humiliated when his sexual practices were made public. A participant who lost his job and received death threats after being labeled “the worst husband in America” accused the producers of manufacturing a character for him to play. He claimed that, under duress of constant cameras and the threat that he was not being entertaining enough, they persuaded him to amp up his hostility toward his swapped wife. Another participant, who was a teenager when her show aired, sued the show, claiming that she was represented in such a false light on air that she suffered bullying at school that ruined her confidence. The lawsuit was settled for an undisclosed sum.
Eileen Ormsby (Small Towns, Dark Secrets: Social media, reality TV and murder in rural America (Tangled Webs True Crime))
Do not apologize. When we cats make a mistake, we merely show the world that it was what we meant to do all along. I gave a watery laugh. “You don’t fool us, you know.” Yes we do. Shut up.
Melinda Taub (The Scandalous Confessions of Lydia Bennet, Witch)
You haven’t asked how I found you,” Kesgrave said as he leaned back in the chair. “No,” Bea agreed. “You aren’t curious?” As she was only human, Bea was extremely interested in learning how he had contrived to appear on the first floor of Montague House at the very moment she required a figure of authority to smooth her way, but she refused to give him the satisfaction of revealing it. “Not particularly.” His lips twitched at the firmness of her tone. “I’m going to tell you regardless.” “Well, naturally, you cannot resist the opportunity to show off,” she said.
Lynn Messina (A Scandalous Deception (Beatrice Hyde-Clare Mysteries, #2))
They've fought a few times, but that's normal for sisters, and Maisie's always been a bit prickly -" "I'll show you prickly," mutters Maisie.
Aimee Carter (Royal Scandal (Royal Blood, #2))
After pushing the appliances into place, I emptied our hamper into the washer and started a cycle. As the remarkably quiet load finished, I observed that many of Nia’s clothes, particularly her undergarments, appeared old and worn. “Nia,” I stated, holding up a blouse with an obvious hole in it, “This is unacceptable. You need to go out right now and buy yourself some new clothes.” I didn’t have to ask her twice. The next morning, she went out shopping for a new wardrobe with her friends. While she was gone, my friend Erick and I cleaned up the flower beds in front of our house, planting fresh flowers and shrubs. When we were done, the kids and I decorated the driveway with sidewalk chalk, leaving messages of appreciation for Nia. After putting the kids to bed, I cleaned the house, intent on making everything sparkle on her return. With shopping bags draped over her shoulders, Nia approached the front, radiating a happiness and gratitude I hadn’t seen in her since the day before my confessions to her two weeks prior. Her gaze fell upon her new flower bed. “It’s beautiful,” she said. As she entered the house that smelled brand new, she turned to me with misty eyes and said something that overwhelmed me with emotion. “You’ve been so sweet to me,” she said after dropping her bags, covering her face with her hands. I didn’t deserve to hear those words; the things I was doing should have been done long ago, but they immediately brought me to tears. I walked over and wrapped her up as she sobbed into my shoulder. I reassured her of my undying love for her and reminded her that I was no longer the man I had described in my confessions. “I know you may think I’m doing this stuff just to win you back,” I said, “but I hope time will show how much I truly love you.” I wouldn’t need much time at all. An opportunity to demonstrate my physical and emotional faithfulness to her was on the horizon. 33 Shiny Boxes As the bridegroom rejoices over the bride, so shall your God rejoice over you.
Samuel Paul Rader (Sam and Nia | Live in Truth: Public Scandal | Secret Vows | Restored Hearts)
You really threw a dagger at her head? Aelin looked at Rowan a moment longer. I was a tad hotheaded. I’m beginning to admire Lysandra more and more. Seventeen-year-old Aelin must have been a delight to deal with. She fought the twitching in her lips. I would pay good money to see seventeen-year-old Aelin meet seventeen-year-old Rowan. His green eyes glittered. Arobynn was still talking. Seventeen-year-old Rowan wouldn’t have known what to do with you. He could barely speak to females outside his family. Liar—I don’t believe that for a second. It’s true. You would have scandalized him with your nightgowns—even with that dress you have on. She sucked on her teeth. He would probably have been more scandalized to learn I’m not wearing any undergarments beneath this dress. The table rattled as Rowan’s knee banged into it. You can’t be serious, Rowan seemed to say. Did you see any place where this dress might hide them? Every line and wrinkle would show. Do you delight in shocking me? How else am I supposed to keep a cranky immortal entertained? His grin was distracting enough that it took her a moment to notice the silence, and that everyone was staring at them—waiting.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
I think a man may praise Pindar without knowing the top of a Greek letter from the bottom. But I think that if a man is going to abuse Pindar, if he is going to denounce, refute, and utterly expose Pindar, if he is going to show Pindar up as the utter ignoramus and outrageous impostor that he is, then I think it will be just as well perhaps--I think, at any rate, it would do no harm--if he did know a little Greek, and even had read a little Pindar. And I think the same situation would be involved if the critic were concerned to point out that Pindar was scandalously immoral, pestilently cynical, or low and beastly in his views of life. When people brought such attacks against the morality of Pindar, I should regret that they could not read Greek; and when they bring such attacks against the morality of Fielding, I regret very much that they cannot read English.
G.K. Chesterton (All Things Considered)
Oddly, so very oddly, God chooses to reveal His heart through the tainted reality of our sinful inner world. For example, He allows the psalmist to portray His anger in terms of a drunk who has just awakened with a hangover and is unleashing his rage (Psalm 78:65). What are we to learn about God through this startling picture? Does it imply that God is somehow sinful? Of course not. It implies that He reveals His heart through the multifaceted images in His Word that draw from our life experience. Language that speaks of God in what we would consider negative emotional terms reveals the mysterious humility of God: He speaks to us in ways that are sometimes shocking, disruptive, and highly charged. Why such an apparently negative focus in this book on anger, fear, jealousy, despair, contempt, and shame? In part, it is an attempt to show these emotions as far more positive and necessary to life than we normally assume. But even more important, it is an effort to open our vision to perceive the unusual heart of God. God feels anger, fear, jealousy, despair, contempt, and shame—and all of these emotions reveal something about His character. Most gloriously, each one points to the scandalous wonder of the Cross.
Dan B. Allender (The Cry of the Soul: How Our Emotions Reveal Our Deepest Questions about God)
The left their bodies holding down the same cafe chairs and waded through the first few tiers of advertisements-get-rich-quick schemes, Bollywood starlets, and pop star scandal sheets, until they got into the American feed, and then it was get-rich-quick schemes, Hollywood starlets, pornography, and Congressional scandal sheets-until they linked up with the law enforcement priority channel. Ferron checked the address and led Indrapramit into a massively multiplayer Artificial Reality that showed real-time activity through Skooter0’s system identity number. Once provided with the next-of-kin’s handle, Damini had sent along a selection of key codes and over-riches that get them through the pay wall with ease.
Elizabeth Bear (Shoggoths in Bloom and Other Stories)
Consider the example of a young person going down a YouTube rabbit hole. There’s a human intelligence taking in the content. There’s also an algorithmic system at work, showing them one video after another. You wouldn’t necessarily call the algorithm an ‘intelligence’, although it does seem to do things with a purpose. But then there’s a third entity in the background – the company that owns YouTube, and the structure of cause and effect that brought the other two things together. There’s no one person, or group of people, making the decision about what videos our hypothetical young person is being shown. In fact, the executives in charge of the parent company are sometimes horrified and distraught at the decisions made – in 2017, there was a scandal at YouTube when it was discovered that people were producing parody cartoons featuring beloved characters burning down houses or undergoing painful dentistry, and that these were being shown more often to innocent children than to the ironic adult consumers that were their intended target market. But somewhere, at some point in time, it’s been decided that ‘engagement’ is the purpose of the system – what it does – and somewhere else, a set of decisions have been made about what methods are going to be used to achieve that purpose.
Dan Davies (The Unaccountability Machine: Why Big Systems Make Terrible Decisions - and How The World Lost its Mind)