Scandal Famous Quotes

Only those who matter in this world are accused of something. Accusations are part and parcel of fame.

This royal throne of kings, this scepter’d isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall Or as a moat defensive to a house, Against the envy of less happier lands, This blessed plot, this earth, this realm, this England, This nurse, this teeming womb of royal kings, Fear’d by their breed and famous by their birth, Renowned for their deeds as far from home, For Christian service and true chivalry, As is the sepulchre in stubborn Jewry Of the world’s ransom, blessed Mary’s Son, This land of such dear souls, this dear dear land, Dear for her reputation through the world, Is now leased out, I die pronouncing it, Like to a tenement or pelting farm: England, bound in with the triumphant sea, Whose rocky shore beats back the envious siege Of watery Neptune, is now bound in with shame, With inky blots and rotten parchment bonds: That England, that was wont to conquer others, Hath made a shameful conquest of itself. Ah, would the scandal vanish with my life, How happy then were my ensuing death!

To leave the marriage behind is to step out of the spotlight. It means fading into normalcy, returning to ordinary life, perhaps an impossible admission for women who have built their egos on being one member of a powerful team. To divorce might be to admit defeat for women who have come to see themselves as extraordinary and who circulate with other famous and history-making figures.

Audacious persons hope to make themselves eternally famous by setting fire to one of the wonders of the world and of the ages. The art of reproving scandal is to take no notice of it, to combat it damages our own case; even if credited it causes discredit, and is a source of satisfaction to our opponent, for this shadow of a stain dulls the lustre of our fame even if it cannot altogether deaden it.

Gain fame, and the paparazzi or media waits and watches for them to slip, just to shame their name.

If men used as much care in uprooting vices and implanting virtues as they do in discussing problems, there would not be so much evil and scandal in the world, or such laxity in religious organizations. On the day of judgment, surely, we shall not be asked what we have read but what we have done; not how well we have spoken but how well we have lived. Tell me, where now are all the masters and teachers whom you knew so well in life and who were famous for their learning? Others have already taken their places and I know not whether they ever think of their predecessors. During life they seemed to be something; now they are seldom remembered.

Fame and recognition break all scandals; if I were a prostitute I would have chosen to be a famous one.

While altering the saga of Odysseus’s Return to make my Elyman suitors serve as Penelope’s lovers, I had to protect myself against scandal. What if someone recognized the story and supposed that I, Nausicaa the irreproachable, had played the promiscuous harlot in my father’s absence? So, according to my poem, Penelope must have remained faithful to Odysseus throughout those twenty years. And because this change meant that Aphrodite had failed to take her traditional revenge, I must make Poseidon, not her, the enemy who delayed him on his homeward voyage after the Fall of Troy. I should therefore have to omit the stories of Penelope’s banishment and the oar mistaken for a flail, and Odysseus’s death from Telemachus’s sting-ray spear. When I told Phemius of these decisions, he pointed out, rather nastily, that since Poseidon had fought for the Greeks against the Trojans, and since Odysseus had never failed to honour him, I must justify this enmity by some anecdote. “Very well,” I answered. “Odysseus blinded a Cyclops who, happening to be Poseidon’s son, prayed to him for vengeance.” “My dear Princess, every Cyclops in the smithies of Etna was born to Uranus, Poseidon’s grandfather, by Mother Earth.” “Mine was an exceptional Cyclops,” I snapped. “He claimed Poseidon as his father and kept sheep in a Sican cave, like Conturanus. I shall call him Polyphemus—that is, ‘famous’—to make my hearers think him a more important character than he really was.” “Such deceptions tangle the web of poetry.” “But if I offer Penelope as a shining example for wives to follow when their husbands are absent on long journeys, that will excuse the deception.

Many had been raped and most of these rape victims had fallen prey to male members of their own family, usually their own fathers. Unmarried women who became pregnant as a result of these rapes were murdered as soon as their condition was discovered to wash away the disgrace and keep the scandal hidden. In some cases the murderer was the rapist himself. Some victims were deliberately poisoned with the pesticides that were used to spray the apple trees in that region famous for its apple production. The death certificate would read: “Death from natural causes.” No doctor was required to obtain a death certificate for these women. Witnesses were sufficient.

Methinks, Oh! vain ill-judging Book, I see thee cast a wishful look, Where reputations won and lost are In famous row called Paternoster. Incensed to find your precious olio Buried in unexplored port-folio, You scorn the prudent lock and key, And pant well bound and gilt to see Your Volume in the window set Of Stockdale, Hookham, or Debrett. Go then, and pass that dangerous bourn Whence never Book can back return: And when you find, condemned, despised, Neglected, blamed, and criticised, Abuse from All who read you fall, (If haply you be read at all Sorely will you your folly sigh at, And wish for me, and home, and quiet. Assuming now a conjuror’s office, I Thus on your future Fortune prophesy: — Soon as your novelty is o’er, And you are young and new no more, In some dark dirty corner thrown, Mouldy with damps, with cobwebs strown, Your leaves shall be the Book-worm’s prey; Or sent to Chandler–Shop away, And doomed to suffer public scandal, Shall line the trunk, or wrap the candle! But should you meet with approbation, And some one find an inclination To ask, by natural transition Respecting me and my condition; That I am one, the enquirer teach, Nor very poor, nor very rich; Of passions strong, of hasty nature, Of graceless form and dwarfish stature; By few approved, and few approving; Extreme in hating and in loving; Abhorring all whom I dislike, Adoring who my fancy strike; In forming judgements never long, And for the most part judging wrong; In friendship firm, but still believing Others are treacherous and deceiving, And thinking in the present aera That Friendship is a pure chimaera: More passionate no creature living, Proud, obstinate, and unforgiving, But yet for those who kindness show, Ready through fire and smoke to go. Again, should it be asked your page, ‘Pray, what may be the author’s age?’ Your faults, no doubt, will make it clear, I scarce have seen my twentieth year, Which passed, kind Reader, on my word, While England’s Throne held George the Third. Now then your venturous course pursue: Go, my delight! Dear Book, adieu!

I started to understand that Mamaw saw returning to Jackson as a duty to endure rather than a source of enjoyment. To me, Jackson was about my uncles, and chasing turtles, and finding peace from the instability that plagued my Ohio existence. Jackson gave me a shared home with Mamaw, a three-hour road trip to tell and listen to stories, and a place where everyone knew me as the grandson of the famous Jim and Bonnie Vance. Jackson was something much different to her. It was the place where she sometimes went hungry as a child, from which she ran in the wake of a teenage pregnancy scandal, and where so many of her friends had given their lives in the mines. I wanted to escape to Jackson; she had escaped from it.

Methinks I am a prophet new inspired And thus expiring do foretell of him: His rash fierce blaze of riot cannot last, For violent fires soon burn out themselves; Small showers last long, but sudden storms are short; He tires betimes that spurs too fast betimes; With eager feeding food doth choke the feeder: Light vanity, insatiate cormorant, Consuming means, soon preys upon itself. This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall, Or as a moat defensive to a house, Against the envy of less happier lands, This blessed plot, this earth, this realm, this England, This nurse, this teeming womb of royal kings, Fear'd by their breed and famous by their birth, Renowned for their deeds as far from home, For Christian service and true chivalry, As is the sepulchre in stubborn Jewry, Of the world's ransom, blessed Mary's Son, This land of such dear souls, this dear dear land, Dear for her reputation through the world, Is now leased out, I die pronouncing it, Like to a tenement or pelting farm: England, bound in with the triumphant sea Whose rocky shore beats back the envious siege Of watery Neptune, is now bound in with shame, With inky blots and rotten parchment bonds: That England, that was wont to conquer others, Hath made a shameful conquest of itself. Ah, would the scandal vanish with my life, How happy then were my ensuing death!

The four had rented a riverside cottage and lived together there as two couples. Their vice was public, official and perfectly obvious to all. It was referred to quite naturally as something entirely normal. There were rumours about jealous scenes that took place there and about the various actresses and other famous women who frequented the little cottage near the water’s edge. One neighbour, scandalized by the goings-on, alerted the police at one stage and an inspector accompanied by one of his men came to make enquiries. It was a delicate mission: there was nothing the women could be prosecuted for, least of all prostitution. The inspector was deeply puzzled and could not understand what these alleged misdemeanours could possibly be. He asked a whole lot of pointless questions, compiled a lengthy report and dismissed the charges out of hand. The joke spread as far as Saint-Germain.

there is a persistent emphasis on religious themes, such as the nature of the Islamic warrior, the role of Islam in training, the importance of Islamic ideology for the army, and the salience of jihad. Pakistan’s military journals frequently take as their subjects famous Quranic battles, such as the Battle of Badr. Ironically, the varied Quranic battles are discussed in more analytical detail in Pakistan’s journals than are Pakistan’s own wars with India. A comparable focus on religion in the Indian army (which shares a common heritage with the Pakistan Army) would be quite scandalous. It is difficult to fathom that any Indian military journal would present an appraisal of the Kurukshetra War, which features the Hindu god Vishnu and is described in the Hindu Vedic epic poem the Mahabharata. Judging by the frequency with which articles on such topics appear in Pakistan’s professional publications, religion is clearly acceptable, and perhaps desirable, as a subject of discussion.

The now-famous yearly Candlebrow Conferences, like the institution itself, were subsidized out of the vast fortune of Mr. Gideon Candlebrow of Grossdale, Illinois, who had made his bundle back during the great Lard Scandal of the '80s, in which, before Congress put an end to the practice, countless adulterated tons of that comestible were exported to Great Britain, compromising further an already debased national cuisine, giving rise throughout the island, for example, to a Christmas-pudding controversy over which to this day families remain divided, often violently so. In the consequent scramble to develop more legal sources of profit, one of Mr. Candlebrow's laboratory hands happened to invent "Smegmo," an artificial substitute for everything in the edible-fat category, including margarine, which many felt wasn't that real to begin with. An eminent Rabbi of world hog capital Cincinnati, Ohio, was moved to declare the product kosher, adding that "the Hebrew people have been waiting four thousand years for this. Smegmo is the Messiah of kitchen fats." [...] Miles, locating the patriotically colored Smegmo crock among the salt, pepper, ketchup, mustard, steak sauce, sugar and molasses, opened and sniffed quizzically at the contents. "Say, what is this stuff?" "Goes with everything!" advised a student at a nearby table. "Stir it in your soup, spread it on your bread, mash it into your turnips! My doormates comb their hair with it! There's a million uses for Smegmo!

Adele took her place in front of the audience and began to sing. "Miss Eyre, perhaps you can tell me what he's saying?" Mrs. Fairfax said. "The only other person in the house who speaks French is the master, and he hates to translate anymore." Jane glanced at Mr. Rochester, but he stared straight ahead. Jane listened to the song. "The first few lines are about a famous dancer ... in a club ... She wore flowers in her hair and a dress that ... oh." Adele sang in detail about how much the dress covered. Or didn't cover. Jane blushed and glanced at Mr. Rochester, searching for a reaction to the scandalous lyrics. But he just listened. Not scandalized. "So, yes, the dancer wore a dress," Jane continued, with slightly less detail. "And she was in love with a ... dealer. Of cards. And at night, they ... oh my." Adele sang of a very special hug. Jane's cheeks flamed. "Perhaps Mr. Rochester should translate." She turned to Mr. Rochester, who coughed. He waved his hand. "Please continue, Miss Eyre. You're doing such a fine job." Now Adele sang of the woman's roving eye, and another man visiting while her lover was away. "They continued to love each other," Jane said quickly, maybe a bit desperately. In the last verse, the boyfriend found out about her infidelity, and stabbed the dancer and her other lover. "That escalated quickly," said Helen. She also spoke French, but no one had asked her to translate. "And they both lived happily ever after," Jane blurted. She was going to have to teach Adele some new songs.

THE FIRST THING you need to do to get a man to elope with you is to challenge him to go to Las Vegas. You do this by being out at an L.A. club and having a few drinks together. You ignore the impulse to roll your eyes at how eager he is to have his picture taken with you. You recognize that everyone is playing everyone else. It’s only fair that he’s playing you at the same time as you’re playing him. You reconcile these facts by realizing that what you both want from each other is complementary. You want a scandal. He wants the world to know he screwed you. The two things are one and the same. You consider laying it out for him, explaining what you want, explaining what you’re willing to give him. But you’ve been famous long enough to know that you never tell anyone anything more than you have to. So instead of saying I’d like us to make tomorrow’s papers, you say, “Mick, have you ever been to Vegas?

It is a matter of legal record that, for years, the CEOs of Apple, Intel, Google, Pixar, and other Silicon Valley firms operated something very much like a cartel against their own employees. In a scandal that journalists now call “the Techtopus,” these worthies agreed to avoid recruiting one another’s tech workers and thus keep those workers’ wages down across the industry. In 2007, in one of the most famous chapters of the Techtopus story, the famous innovator Steve Jobs emailed Eric Schmidt, demanding that this CEO and friend of top Democrats do something about a Google recruiter who was trying to lure an employee away from Apple. Two days later, according to the reporter who has studied the case most comprehensively, Schmidt wrote back to Jobs to tell him the recruiter had been fired. Jobs then forwarded Schmidt’s email around with this comment appended: “:)

Famous people lose their privacy and are always under public critique. The miseries and failures of famous men are much more saleable than their successes. People love to gossip when celebrities fall from grace and leaders are caught in scandals.

A less outlandish school of thought holds that Holmes had married Irene Adler—the beautiful opera singer from “A Scandal in Bohemia” who was, famously, one of the few persons ever to outwit the detective

Apollo was having a difficult time finding candidates for the top spot, and Frissora would have had a hard time finding any job at any other public company. In September 2014, he had left as CEO at Hertz Global citing “personal reasons.” In fact, Hertz was in the middle of a massive accounting scandal where the rental car and equipment company was facing accusations of inflating profits. Carl Icahn had taken a near 10 percent stake and was making noise. Another hedge fund said Frissora had “lost all credibility.” To his surprise, Frissora got a call from an executive search firm just two weeks after leaving Hertz. They asked if he had interest in the Caesars job. He met with Rowan, Sambur, and Bonderman. Apollo claimed it would be a brief six-month bankruptcy, and the job would be fun. Frissora had been the CEO of two public companies, Hertz and auto parts maker Tenneco, and was new to gaming. But Hertz had gone private in a $15 billion LBO in 2006, so he had experience working with private equity. Until the accounting scandal, Hertz had prospered under Frissora. Rowan and Sambur were hoping an experienced operator could impose business discipline they believed Loveman had not.

Of course, television is not alone in being confronted with this destiny - this vicious circle: the destiny of all those things which , no longer having an objective purpose, take themselves for their own ends. In so doing, they escape all responsibility, but also become bogged down in their own insoluble contradictions. This is, however, more particularly the critical situation of all the current media. Opinion polls themselves are a good example. They have had their moment of truth (as, indeed, did television), when they were the representative mirror of an opinion, in the days when such a thing still existed, before it became merely a conditioned reflex. But perpetual harassment by opinion polls has resulted in their being no longer a mirror at all; they have, rather, become a screen. A perverse exchange has been established between polls which no longer really ask questions and masses who no longer reply. Or rather they become cunning partners, like rats in laboratories or the viruses pursued in experiments. They toy with the polls at least as much as the polls toy with them. They play a double game. It is not, then, that the polls are bogus or deceitful, but rather that their very success and automatic operation have made them random. There is the same double game, the same perverse social relationship between an all-powerful, but wholly self-absorbed, television and the mass of TV viewers, who are vaguely scandalized by this misappropriation, not just of public money, but of the whole value system of news and information. You don't need to be politically aware to realize that, after the famous dustbins of history, we are now seeing the dustbins of information. Now , information may well be a myth, but this alternative myth, the modern substitute for all other values, has been rammed down our throats incessantly. And there is a glaring contrast between this universal myth and the actual state of affairs. The real catastrophe of television has been how deeply it has failed to live up to its promise of providing information- its supposed modern function. We dreamed first of giving power - political power- to the imagination, but we dream less and less of this, if indeed at all. The fantasy then shifted on to the media and information. At times we dreamed (at least collectively, even if individually we continued to have no illusions) of finding some freedom there — an openness, a new public space. Such dreams were soon dashed: the media turned out to be much more conformist and servile than expected, at times more servile than the professional politicians. The latest displacement of the imagination has been on to the judiciary. Again this has been an illusion, since, apart from th e pleasing whiff of scandal produced, this is also dependent on the media operation. We are going to end up looking for imagination in places further and further removed from power - from any form of power whatever (and definitely far removed from cultural power, which has become the most conventional and professional form ther e is). Among the excluded, the immigrants, the homeless. But that will really take a lot of imagination because they, who no longer even have an image, are themselves the by-products of a whole society's loss of imagination, of the loss of any social imagination. And this is indeed the point. We shall soon see it is no use trying to locate the imagination somewhere. Quite simply, because there no longer is any. The day this becomes patently obvious, the vague collective disappointment hanging over us today will become a massive sickening feeling.

The legendary newspaper editor William Allen White, who had found President Harding “almost unbelievably ill-informed,”6 found it more difficult to criticize his replacement, Vice President Calvin Coolidge, who was easily reelected in 1924. Coolidge was so hands-off there simply wasn’t much to say. Even friends called him “silent Cal.” The best White could manage as criticism was an observation that the aloof Coolidge always seemed to be “looking down his nose to locate that evil smell which seemed forever to affront him.”7 Even Dorothy Parker, the witty founder of the Algonquin Round Table, couldn’t skewer the president. As the story went, at a dinner party she asked him, “Mr Coolidge, I’ve made a bet against a fellow who said it was impossible to get more than two words out of you.” His famous reply was, “You lose.”8(Parker got the last word, as she typically did. When told in 1933 that Coolidge had died, she quipped, “How can you tell?”9)

One other thing about the Trump team was just how incredibly wealthy it was. It was flush with billionaires, multi-millionaires – oh, and a smattering of generals. It was the richest group ever assembled. The joke was you either needed to have bread or braid to get into a Trump cabinet. Presumably the military men were the poorest of those who sat round the famous table, but it should be recorded that none of them was caught up in any of these scandals.

We are a cheating species, both male and female, whether or not we are famous. Why, I would really like to know, does this fact continue to surprise and scandalize so many people?

Corruption in American politics is hardly new, of course, but previously, for the most part, it was conducted mainly on the local level. It was also conducted by Democrats. There were exceptions, of course, especially during Reconstruction, and in the administration of President Grant, and in the Teapot Dome scandal of the Harding administration. But generally, when we think of political corruption, we think of the Democratic Party machines in America’s big cities, of the city “bosses” using the political system to rig votes, install cronies in office, extort favors from businesses, collect bribes for the assignment of city contracts, and generally rip off the local taxpayer and loot the treasury. Just as slavery and white supremacy were the tools of Democratic exploitation in the South, the boss system was the party’s tool of corruption and theft in cities throughout the country. The most famous Democratic bosses were Edward Crump, mayor of Memphis from 1910 to 1916; Tom Pendergast, who ran the Jackson County Democratic Club and controlled local politics in Kansas City, Missouri, from 1911 until his conviction for tax fraud in 1939; Frank Hague, mayor of Jersey City from 1917 to 1947; and Richard Daley, who was mayor of Chicago from 1955 to 1976.

Whether we admit to it or not, all of us savor scandals involving paramours. At the back of it could be our innate desire to be the lover of every desirable dame that is born. In order to savor the details, we convert these private affairs into public scandals. If the involved were to be rich and famous, then we have them in the tabloids. It’s as if we try to supplant the woman’s lover in our dreams.

What happened to the troubled young reporter who almost brought this magazine down The last time I talked to Stephen Glass, he was pleading with me on the phone to protect him from Charles Lane. Chuck, as we called him, was the editor of The New Republic and Steve was my colleague and very good friend, maybe something like a little brother, though we are only two years apart in age. Steve had a way of inspiring loyalty, not jealousy, in his fellow young writers, which was remarkable given how spectacularly successful he’d been in such a short time. While the rest of us were still scratching our way out of the intern pit, he was becoming a franchise, turning out bizarre and amazing stories week after week for The New Republic, Harper’s, and Rolling Stone— each one a home run. I didn’t know when he called me that he’d made up nearly all of the bizarre and amazing stories, that he was the perpetrator of probably the most elaborate fraud in journalistic history, that he would soon become famous on a whole new scale. I didn’t even know he had a dark side. It was the spring of 1998 and he was still just my hapless friend Steve, who padded into my office ten times a day in white socks and was more interested in alphabetizing beer than drinking it. When he called, I was in New York and I said I would come back to D.C. right away. I probably said something about Chuck like: “Fuck him. He can’t fire you. He can’t possibly think you would do that.” I was wrong, and Chuck, ever-resistant to Steve’s charms, was as right as he’d been in his life. The story was front-page news all over the world. The staff (me included) spent several weeks re-reporting all of Steve’s articles. It turned out that Steve had been making up characters, scenes, events, whole stories from first word to last. He made up some funny stuff—a convention of Monica Lewinsky memorabilia—and also some really awful stuff: racist cab drivers, sexist Republicans, desperate poor people calling in to a psychic hotline, career-damaging quotes about politicians. In fact, we eventually figured out that very few of his stories were completely true. Not only that, but he went to extreme lengths to hide his fabrications, filling notebooks with fake interview notes and creating fake business cards and fake voicemails. (Remember, this was before most people used Google. Plus, Steve had been the head of The New Republic ’s fact-checking department.) Once we knew what he’d done, I tried to call Steve, but he never called back. He just went missing, like the kids on the milk cartons. It was weird. People often ask me if I felt “betrayed,” but really I was deeply unsettled, like I’d woken up in the wrong room. I wondered whether Steve had lied to me about personal things, too. I wondered how, even after he’d been caught, he could bring himself to recruit me to defend him, knowing I’d be risking my job to do so. I wondered how I could spend more time with a person during the week than I spent with my husband and not suspect a thing. (And I didn’t. It came as a total surprise). And I wondered what else I didn’t know about people. Could my brother be a drug addict? Did my best friend actually hate me? Jon Chait, now a political writer for New York and back then the smart young wonk in our trio, was in Paris when the scandal broke. Overnight, Steve went from “being one of my best friends to someone I read about in The International Herald Tribune, ” Chait recalled. The transition was so abrupt that, for months, Jon dreamed that he’d run into him or that Steve wanted to talk to him. Then, after a while, the dreams stopped. The Monica Lewinsky scandal petered out, George W. Bush became president, we all got cell phones, laptops, spouses, children. Over the years, Steve Glass got mixed up in our minds with the fictionalized Stephen Glass from his own 2003 roman à clef, The Fabulist, or Steve Glass as played by Hayden Christiansen in the 2003

I want to grow up and do something cool with my life, such as build an orphanage in a third world country like all those saintly Hollywood celebrities. That or, like, cause a scandal and become mega-famous.

As a self-confessed Pre-Raphaelite - a term that by the 1880s was interchangeable with ‘Aesthete’ - Constance was carrying a torch whose flame had ben lit in the 1850s by a group of women associated with the founding Pre-Raphaelite Brotherhood painters. Women such as Elizabeth Siddal and Jane Morris, the wives respectively of the painter Dante Gabriel Rossetti and the poet, designer and socialist William Morris, had modelled for the Pre-Raphaelite artists, wearing loose, flowing gowns. But it was not just their depiction on canvas that sparked a new fashion among an intellectual elite. Off canvas these women also establised new liberties for women that some twenty years later were still only just being taken up by a wider female population. They pioneered new kinds of dresses, with sleeves either sewn on at the shoulder, rather than below it, or puffed and loose. While the rest of the female Victorian populace had to go about with their arms pinned to their bodies in tight, unmoving sheaths, the Pre-Raphaelite women could move their arms freely, to paint or pose or simply be comfortable. The Pre-Raphaelite girls also did away with the huge, bell-shaped crinoline skirts, held out by hoops and cages strapped on to the female undercarriage. They dispensed with tight corsets that pinched waists into hourglasses, as well as the bonnets and intricate hairstyles that added layer upon layer to a lady’s daily toilette. Their ‘Aesthetic’ dress, as it became known, was more than just a fashion; it was a statement. In seeking comfort for women it also spoke of a desire for liberation that went beyond physical ease. It was also a statement about female creative expression, which in itself was aligned to broader feminist issues. The original Pre-Raphaelite sisterhood lived unconventionally with artists, worked at their own artistic projects and became famous in the process. Those women who were Aesthetic dress in their wake tended to believe that women should have the right to a career and ultimately be enfranchised with the vote. […] And so Constance, with ‘her ugly dresses’, her schooling and her college friends, was already in some small degree a young woman going her own way. Moving away from the middle-class conventions of the past, where women were schooled by governesses at home, would dress in a particular manner and be chaperoned, Constance was already modern.

The Act of Rigorous Forgiving By DAVID BROOKS There’s something sad in Brian Williams’s need to puff up his Iraq adventures and something barbaric in the public response. The sad part is the reminder that no matter how high you go in life and no matter how many accolades you win, it’s never enough. The desire for even more admiration races ahead. Career success never really satisfies. Public love always leaves you hungry. Even very famous people can do self-destructive things in an attempt to seem just a little cooler. The barbaric part is the way we respond to scandal these

Jinnah began to claim that India’s Muslims represented a nation unto themselves: ‘We are different beings,’ he declared in barefaced denial of his entire upbringing, career, social relations and personal life. ‘There is nothing in life which links us together. Our names, our clothes, our foods—they are all different; our economic life, our educational idea, our treatment of women, our attitude to animals… We challenge each other at every point of the compass.’ For the Savile Row-suit-wearing, sausage-eating, whisky-swilling Jinnah to go on about clothes and food was a bit rich, as was the reference to women’s habits coming from the lips of a man who had been famously indulgent of his young wife’s scandalously ‘bold’ attire.

Will I?” she said quietly as Kesgrave began to return the papers to a neat stack. She didn’t know which surprised her more: his assumption that she was soon to meet the famous widow or that he was thoughtful enough to straighten up the table before they departed.

The stone over which certain modern Christians anxious for renewal stumble, is Marian doctrine. For twenty years but especially since the end of Vatican II, we have been watching a real campaign to squelch the Holy Virgin, or at least to put her under a bushel. It is all done with great, good intentions and not without reverence. As was often the case in the Church's past, this doctrinal and spiritual ostracism justifies itself by claiming Christ will be harmed by the worship given His Mother. Its practitioners start by condemning pious exaggerations no sensible person would think of defending, then proceed to throw the baby out with the bath. I mean they throw out recognized doctrines and practices which both the Catholic Church and all eastern Churches have proclaimed and recommended from the dawn of salvation. In the name of a narrow and "wild" ecumenism they thus undermine the most venerable bonds which unite us to our Orthodox brothers, and let's say it bluntly: they scandalize them. The tree is known by its fruits. Let us put to our readers a simple question: the methodical and progressive elimination of the Virgin Mary from the piety and the attention of the People of God - has it made them more open and more sensitive to Christ? If Marian doctrines and practices were curbs and obstacles, shouldn't we be seeing now a great soaring of Christ-centered theology and spirituality? Right here is where the saddle pinches. The doctrinal clouding we now witness, the progressive draining of the very notions of 'mystery' and 'the sacred' of their meaning, the mini-theologies on "the death of God" that find their way into would-be Catholic magazines, the growing confusion of the People of God, especially the little ones and the poor - all this says little in favor of those updated people who believe they build up Christ by pulling down His mother. For those who know how to observe it, the drying up of priestly and religious vocations, as also the crisis in the interior life - the famous "horizontalism" that plagues the Church - seems to coincide in certain countries of Europe with the slow but progressive elimination of Marian observances from the official prayer of the Church. (From the Epilogue, written in 1971)

She writes this biographical fiction, or fictional biography, whichever you like to call it. She takes some juicy scandal from the life of a famous person, and writes a novel round it. Any facts that don't suit her go out. Any details she wants to invent come in. She's saved the trouble of creating plot and characters, and she doesn't have to be accurate because it's only a novel, you know.

La Revue Nègre was a bold statement, drawing from the long history of both Black American vernacular dance and the minstrel and vaudeville theater in which Baker had performed in the United States. It contained elements of the shimmy and the shake, and challenged traditional Western European ideas of dance. “All of these moves that in the European mode would have been considered awkward become beautiful, sexy, silly, and savvy at the same time,” explains Dixon Gottschild. Later, as the performance evolved, Baker incorporated her famous banana skirt and, eventually, a pet cheetah who regularly made his way into the orchestra pit—elements that played into the idea of Baker as an exotic creature and added notes of vaudeville humor. Baker’s performances were complex, as are their legacy. Some have characterized her as a twentieth-century Sarah Baartman, another Black woman put on display for the titillation of fascinated, scandalized bourgeois white spectators. But she is often also criticized for exoticizing herself, knowingly participating in her own exploitation, playing into African stereotypes with her nudity, the banana skirt, and the cheetah. Others interpret La Revue Nègre as a means of reclaiming those stereotypes: Baker enthusiastically, and freely, participated in the performances and made lots of money doing it, and she surely understood that she was engaging with, and even subverting, stereotypes of Black femininity. She was also funny, and her performances always contained elements of humor and parody. From her early days as a chorus girl, she would add an element of knowingness by feigning being a bad dancer onstage for a laugh. She may have been sexualized and objectified by her largely white audience in Paris, but she also maintained significant control over what she was doing.

The magazines had articles about the latest celebrity scandals. A famous singer’s husband had an affair with someone he works with, and, as a result, they both decided to take a break from work. The husband was a voice actor and he lost most of his jobs. His wife was a famous singer.

Difficult Distinctions: Famous and Infamous In a book by a well-known writer I once saw the phrase “Mom’s infamous recipe for pumpkin soup,” in which one mischosen word turned the meaning of the phrase around. Something famous is well known for its good or desirable qualities; a famous person is outstanding or distinguished in some way, and therefore admired. But something infamous (IN-fuh-mus) is remarkable for its bad qualities and bad reputation; it is notorious, scandalous, disgraceful, or evil. Thus, a family with a famous recipe for soup would cherish that recipe for generations, while a family with an infamous recipe for soup would have a hard time filling the chairs at the dinner table.

inquisitor’s stick, beginning with the bizarre claims of Mary Toft, the Englishwoman from Surrey who in 1726 tricked doctors into believing she’d given birth to rabbits. Though the hoax was eventually unmasked, the king’s own credulous doctor was embarrassed by the scandal and the wider medical profession also emerged with egg on its

No, that’s this stupid country that makes people idols and famous even though they’ve accomplished exactly nothing in their life.

As he once famously said, “I’m not always right, but I’m never wrong.

In 1934, with the country nowhere near able to climb out of the Great Depression, Upton Sinclair, famous for his muckraking novel The Jungle and his socialistic solutions for the ailing economy, had swept the Democratic primary for governor of California. (He was hardly alone in turning to socialism at such a dire time.) Mayer, fearful Sinclair would tax the movie studios to pay for his socialist programs, warned that MGM and other studios would move back east if Sinclair won—not anything he was prepared to let happen. Calling in Irving Thalberg, head of production, Mayer told him to create a fake newsreel showing the disasters that would follow such an election outcome. Movie theaters were forced to show the film when they booked an MGM movie, and William Randolph Hearst would see to its distribution to all other theaters in the state. And indeed, as soon as the fake exposé hit the screens, Sinclair’s huge lead vanished, and Frank Merriam became governor. The dirty politics and stealth tactics of Richard Nixon? As you can see, just a rerun.

Mom was a schoolteacher and I was her most challenging student. Throughout my life, Mom’s lessons have helped me survive it all: scandal, love, marriages, divorces, disappointments, children, death, failures, sucess. I’m still learning. Mom has yet to say, “I told you so.

Others he never could persuade; his attempts to do so angered them, producing a flood of vituperation and acrimonious mockery. A witty Italian summed it up in a burlesque interview with Picasso, who is here supposed to be speaking: “In art, the mass of people no longer seek consolation and exaltation … but whatever is new, odd, original, extravagant, or scandalous. I myself, since Cubism and even before, have satisfied these masters and critics with whatever bizarre extravagances passed through my head, and the less they understood the more they admired me. By amusing myself with all these games, rebuses, and arabesques I became famous, famous very quickly. And for a painter fame means selling, making money, making a fortune, growing wealthy. So today, as you know, I am famous and I am rich. But when I am quite alone I have not the courage to think of myself as an artist in the ancient, splendid sense of the word. Giotto and Titian, Rembrandt and Goya, were true painters; I am only a public entertainer who has understood his times and to the utmost of his powers has exploited the silliness, the vanity, and the stupidity of his contemporaries. Mine is a bitter confession, more painful than it may seem; but it has the merit of being sincere.

Things like two men kissing on TV should be normalized because news flash: it’s not fucking scandalous.