Scaling Teeth Quotes

We've searched our database for all the quotes and captions related to Scaling Teeth. Here they are! All 73 of them:

IceWing!” he yelped, flailing over backward. Tsunami leaped to her feet, teeth bared. “Look out! It’s — oh.” Starflight took a deep breath as Glory’s scales shifted back to brown and gray. “Glory! Why would you do that to me?” “Because it’s hilarious,” she
Tui T. Sutherland (The Hidden Kingdom (Wings of Fire, #3))
The ones I loved fly as birds in the open sky above me. Soaring, weaving, calling to me to join them. I want so badly to follow them, but the seawater saturates my wings, making it impossible to lift them. The ones I hated have taken to the water, horrible scaled things that tear my salty flesh with needle teeth. Biting again and again. Dragging me beneath the surface.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
There were car gods there: a powerful, serious-faced contingent, with blood on their black gloves and on their chrome teeth: recipients of human sacrifice on a scale undreamed-of since the Aztecs.
Neil Gaiman (American Gods (American Gods, #1))
Nothing has changed. The body is susceptible to pain, It must eat and breath air and sleep, It has thin skin and blood right underneath, An adequate stock of teeth and nails, Its bones are breakable, its joints are stretchable. In tortures all this is taken into account. Nothing has changed. The body shudders as it is shuddered Before the founding of Rome and after, In the twentieth century before and after Christ. Tortures are as they were, it’s just the earth that’s grown smaller, And whatever happens seems on the other side of the wall. Nothing has changed. It’s just that there are more people, Besides the old offenses, new ones have appeared, Real, imaginary, temporary, and none, But the howl with which the body responds to them, Was, and is, and ever will be a howl of innocence According to the time-honored scale and tonality. Nothing has changed. Maybe just the manners, ceremonies, dances, Yet the movement of the hands in protecting the head is the same. The body writhes, jerks, and tries to pull away Its legs give out, it falls, the knees fly up, It turns blue, swells, salivates, and bleeds. Nothing has changed. Except of course for the course of boundaries, The lines of forests, coasts, deserts, and glaciers. Amid these landscapes traipses the soul, Disappears, comes back, draws nearer, moves away, Alien to itself, elusive At times certain, at others uncertain of its own existence, While the body is and is and is And has no place of its own.
Wisława Szymborska
We would never have scales, feathers, or breasts if we didn't have teeth in the first place.
Neil Shubin (Your Inner Fish: a Journey into the 3.5-Billion-Year History of the Human Body)
I am Cinna's bird, ignited, flying frantically to escape something inescapable. The feathers of flame that grow from my body. Beating my wings only fans the blaze. I consume myself, but to no end. Finally, my wings begin to falter, I lose height, and gravity pulls me into a foamy sea the color of Finnick's eyes. I float on my back, which continues to burn beneath the water, but the agony quiets to pain. When I am adrift and unable to navigate, that's when they come. The dead. The ones I loved fly as birds in the open sky above me. Soaring, weaving, calling to me to join them. I want so badly to follow them, but the seawater saturates my wings, making it impossible to lift them. The ones I hated have taken to the water, horrible scaled things that tear my salty flesh with needle teeth. Biting again and again. Dragging me beneath the surface. The small white bird tinged in pink dives down, buries her claws in my chest, and tries to keep me afloat. "No, Katniss! No! You can't go!" But the ones I hated are winning, and if she clings to me, she'll be lost as well. "Prim, let go!" And finally she does.
Suzanne Collins
Dear Angel Juan, You used to guard my sleep like a panther biting back my pain with the edge of your teeth. You carried me into the dark dream jungle, loping past the hungry vines, crossing the shiny fish-scale river. We left my tears behind in a chiming silver pool. We left my sorrow in the muddy hollows. When I woke up you were next to me, damp and matted, your eyes hazy, trying to remember the way I clung to you, how far down we went. Was the journey too far, Angel Juan? Did we go too far?
Francesca Lia Block (Missing Angel Juan (Weetzie Bat, #4))
When I was small, I never wanted to step in puddles. Not because of any fear of drowned worms or wet stockings; I was by and large a grubby child, with a blissful disregard for filth of any kind. It was because I couldn't bring myself believe that that perfect smooth expanse was no more than I thin film of water over solid earth. I believed it was an opening into some fathomless space. Sometimes, seeing the tiny ripples caused by my approach, I thought the puddle impossibly deep, a bottomless sea in which the lazy coil of a tentacle and gleam of scale lay hidden, with the threat of huge bodies and sharp teeth adrift and silent in the far-down depths. And then, looking down into reflection, I would see my own round face and frizzled hair against a featureless blue sweep, and think instead that the puddle was the entrance to another sky. If I stepped in there, I would drop at once, and keep on falling, on and on, into blue space. The only time I would dare walk though a puddle was at twilight, when the evening stars came out. If I looked in the water and saw one lighted pinprick there, I could slash through unafraid--for if I should fall into the puddle and on into space, I could grab hold of the star as I passed, and be safe. Even now, when I see a puddle in my path, my mind half-halts--though my feet do not--then hurries on, with only the echo of the though left behind. What if, this time, you fall?
Diana Gabaldon (Voyager (Outlander, #3))
I am thinking that you're verra beautiful, Sassenach," he said softly. "Maybe if one has a taste for gooseflesh on a large scale," I said tartly, stepping out of the tub and reaching for the cup. He grinned suddenly at me, teeth flashing white in the dimness of the cellar. "Oh, aye," he said. "Well, you're speaking to the only man in Scotland who has a terrible cockstand at sight of a plucked chicken.
Diana Gabaldon (Voyager (Outlander, #3))
A vision had seized hold of me, like the demented fury of a hound that has sunk its teeth into the leg of a deer carcass and is shaking and tugging at the downed game so frantically that the hunter gives up trying to calm him. It was the vision of a large steamship scaling a hill under its own steam, working its way up a steep slope in the jungle, while above this natural landscape, which shatters the weak and the strong with equal ferocity, soars the voice of Caruso, silencing all the pain and all the voices of the primeval forest and drowning out all birdsong. To be more precise: bird cries, for in this setting, left unfinished and abandoned by God in wrath, the birds do not sing; they shriek in pain, and confused trees tangle with one another like battling Titans, from horizon to horizon, in a steaming creation still being formed. Fog-panting and exhausted they stand in this unreal misery - and I, like a stanza in a poem written in an unknown foreign tongue, am shaken to the core.
Werner Herzog (Conquest of the Useless: Reflections from the Making of Fitzcarraldo)
Here it comes," Niten said. The whites of his eyes,his teeth and his tongue had turned blue. "Ready," Prometheus said. Nicholas Flamel touched the green scarab he now wore around his neck and felt it grow warm in his hand.The spell was a simple one,something he had performed a thousand times before, though never on such a large scale. A red-skinned head broke the surface of the water...followed by a second...and a third...and then a fourth head,black and twice as large as the others appeared. Suddenly there were seven heads streaking toward them. "Let's hope no one if filming this," Niten murmered. "No one would believe it anyway." Prometheus grinned. "Seven-headed monsters simply do not exist.If anyone saw it,they'd say it was Photoshopped.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
Webs barely had time to say “What?” before Cirrus was suddenly on his back, pinning him to the ground. His wounds from the SkyWing soldiers flared up with bright new pain. One wing was twisted behind him, and he could feel the IceWing’s serrated claws digging into his scales. “What are you doing?” Webs yelped. “I’m one of you! I’ve been with the Talons of Peace for seven years!” “And you failed us,” Cirrus hissed. “Now, now —” Nautilus said, then paused. “No, that’s fair.” “I’m going to dig your heart out and feed it to the fish,” Cirrus growled. Won’t that be ironic. Webs thought gloomily of the fish he’d just eaten. “But we’re the dragons for peace,” he said, his teeth gritted with pain. “If we kill each other, aren’t we as bad as Burn and Blister and Blaze?” “Sorry, Webs,” Nautilus said. “Peace is more important than any one dragon. And you would disrupt our backup plan. We’re doing this for your own good. For the prophecy. For peace.” Webs
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
Gargoyles sat on the battlements- lean they were and the same hideous damp grey as the stone. They looked at her with hollow eyes and rattled their silver chains. They had wings of bats or wings or birds, most of them, and licked their beaks or teeth with forked or double tongues. Two paced restlessly before their platforms; others whined or picked their claws or groomed their mangy fur or feathers or lizard skin or scales.
Meredith Ann Pierce (The Darkangel (Darkangel Trilogy, #1))
I groaned as me limbs grew to immense proportions an' me neck stretched. Moss-coloured scales emerged upon me slick skin. Me snout elongated and me teeth sharpened to the size o' small dirks.
K.V. Wilson (Guardian (Spirits' War, #2))
Hannah snarled at him that he’d chosen the wrong outfit, that the leggings were for tomorrow, and so he held up her tiny red shorts and she swiped them out of his hands with the disgust of a person who was not committed to any consideration of scale when it came to emotional display. Then she flared her nostrils and stiffened her lips and told him somehow without opening her teeth that she had wanted him to buy Corn Flakes, not Corn Chex, the subtext being what kind of fucking idiot was she given for a father.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
In the war I once drove a gunpowder cart down a mountain,” declared Black. “The cart aflame. Lightning striking to left and right. Knife in teeth. One hand on the reins, the other firing a pistol. French dragoons leaping from all sides.” He stared into the past, beholding glory. “City traffic is only a bit more difficult.
Raymond St. Elmo (The Scaled Tartan (Quest of the Five Clans #5))
Despite having apparently conquered his most debilitating social problems, to this day, Daniel says he still can’t shave himself, or drive a car. The sound of the toothbrush scratching his teeth drives him mad. He says he avoids public places, and is obsessive about small things. For breakfast, he measures out exactly forty-five grams of porridge on an electric scale.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
And looking down on them, the other Londoners, those monsters who live in the air, the city's uncounted population of stone men and women and beasts, and things that are neither human nor beasts, fanged rabbits and flying hares, four-legged birds and pinioned snakes, imps with bulging eyes and duck's bills, men who are wreathed in leaves or have the heads of goats or rams; creatures with knotted coils and leather wings, with hairy ears and cloven feet, horned and roaring, feathered and scaled, some laughing, some singing, some pulling back their lips to show their teeth; lions and friars, donkeys and geese, devils with children crammed into their maws, all chewed up except for their helpless paddling feet; limestone or leaden, metalled or marbled, shrieking and sniggering above the populace, hooting and gurning and dry-heaving from buttresses, walls and roofs.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
And looking down on them, the other Londoners, those monsters who live in the air, the city’s uncounted population of stone men and women and beasts, and things that are neither human nor beasts, fanged rabbits and flying hares, four-legged birds and pinioned snakes, imps with bulging eyes and ducks’ bills, men who are wreathed in leaves or have the heads of goats or rams; creatures with knotted coils and leather wings, with hairy ears and cloven feet, horned and roaring, feathered and scaled, some laughing, some singing, some pulling back their lips to show their teeth; lions and friars, donkeys and geese, devils with children crammed into their maws, all chewed up except for their helpless paddling feet; limestone or leaden, metaled or marbled, shrieking and sniggering above the populace, hooting and gurning and dry-heaving from buttresses, walls and roofs. That night, the king permitting,
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Tristran tugged and pulled out the stopper of the bottle. He could smell something intoxicating, like honey mixed with wood smoke and cloves. He passed the bottle back to the little man. “It’s a crime to drink something as rare and good as this out of the bottle,” said the little hairy man. He untied the little wooden cup from his belt and, trembling, poured a small amount of an amber-colored liquid into it. He sniffed it, then sipped it, then he smiled, with small, sharp teeth. “Aaaahhhh. That’s better.” He passed the cup to Tristran. “Sip it slowly,” he said. “It’s worth a king’s ransom, this bottle. It cost me two large blue-white diamonds, a mechanical bluebird which sang, and a dragon’s scale.” Tristran sipped the drink. It warmed him down to his toes and made him feel like his head was filled with tiny bubbles. “Good, eh?” Tristran nodded. “Too good for the likes of you and me, I’m afraid. Still. It hits the spot in times of trouble, of which this is certainly one.
Neil Gaiman (Stardust)
I was on one of my world 'walkabouts.' It had taken me once more through Hong Kong, to Japan, Australia, and then Papua New Guinea in the South Pacific [one of the places I grew up]. There I found the picture of 'the Father.' It was a real, gigantic Saltwater Crocodile (whose picture is now featured on page 1 of TEETH). From that moment, 'the Father' began to swim through the murky recesses of my mind. Imagine! I thought, men confronting the world’s largest reptile on its own turf! And what if they were stripped of their firearms, so they must face this force of nature with nothing but hand weapons and wits? We know that neither whales nor sharks hunt individual humans for weeks on end. But, Dear Reader, crocodiles do! They are intelligent predators that choose their victims and plot their attacks. So, lost on its river, how would our heroes escape a great hunter of the Father’s magnitude? And what if these modern men must also confront the headhunters and cannibals who truly roam New Guinea? What of tribal wars, the coming of Christianity and materialism (the phenomenon known as the 'Cargo Cult'), and the people’s introduction to 'civilization' in the form of world war? What of first contact between pristine tribal culture and the outside world? What about tribal clashes on a global scale—the hatred and enmity between America and Japan, from Pearl Harbor, to the only use in history of atomic weapons? And if the world could find peace at last, how about Johnny and Katsu?
Timothy James Dean (Teeth (The South Pacific Trilogy, #1))
Imagine... There isn't enough cheese in the world, Wesleydale, Stilton and Brie, to make up a bedtime snack capable of giving rise to the sort of bad dream you'd need to picture it in your mind's bloodshot eye. A riot of tentacles, pincers and talons. A maelstrom of pitchforks, meathooks, carving knives and corkscrews. Teeth beyond the wildest opium vision of dentistry, claws beyond even Satan's chiropody. Enough scaled hides to make handbags for all the witches in eternity. Enough plastic red noses... Plastic red noses? Wait a minute...
Tom Holt (Faust Among Equals)
Lutch Crawford always talked straight to the point. That’s how he got so much work done. “Fawn, about the other night, with all that moon. How do you feel now?” “I feel the same way,” she said tightly. Lutch had a little habit of catching his lower lip with his teeth and letting go when he was thinking was hard. There was a pause about long enough to do this. Then he said, “You been hearing rumors about you and me?” “Well I—” She caught her breath. “Oh, Lutch—” I heard the wicker, sharp and crisp, as she came up out of it. “Hold on!” Lutch snapped. “There’s nothing to it, Fawn. Forget it.” I heard the wicker again, slow, the front part, the back part. She didn’t say anything. “There’s some things too big for one or two people to fool with, honey,” he said gently. “This band’s one of ’em. For whatever it’s worth, it’s bigger than you and me. It’s going good and it’ll go better. It’s about as perfect as a group can get. It’s a unit. Tight. So tight that one wrong move’ll blow out all its seams. You and me, now—that’d be a wrong move.” “How do you know? What do you mean?” “Call it a hunch. Mostly, I know that things have been swell up to now, and I know that you—we—anyway, we can’t risk a change in the good old status quo.” “But—what about me?” she wailed. “Tough on you?” I’d known Lutch a long time, and this was the first time his voice didn’t come full and easy. “Fawn, there’s fourteen cats in this aggregation and they all feel the same way about you as you do about me. You have no monopoly. Things are tough all over. Think of that next time you feel spring fever coming on.” I think he bit at his lower lip again. In a soft voice like Skid’s guitar with the bass stop, he said, “I’m sorry, kid.” “Don’t call me kid!” she blazed. “You better go practice your scales,” he said thickly. The door slammed. After a bit he let me out. He went and sat by the window, looking out. “Now what did you do that for?” I wanted to know. “For the unit,” he said, still looking out the window. “You’re crazy. Don’t you want her?” What I could see of his face answered that question. I don’t think I’d realized before how much he wanted her. I don’t think I’d thought about it. He said, “I don’t want her so badly I’d commit murder for an even chance at her. You do. If anyone wants her worse than I do, I don’t want her enough. That’s the way I see it.
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume V: The Perfect Host)
It wasn’t until Clay felt the sand under his talons and heard the roaring of the dragons in the stands that he realized he hadn’t quite thought this plan through. He had no idea what his fighting skills would be like against an unknown dragon. His mind went blank as the SkyWing guards dropped a hissing IceWing onto the ground opposite him. Did he know anything about IceWings? The sun was high in the sky, and it was much warmer in the arena than up on their prison spires. Clay could see beads of silvery liquid dripping through the IceWing’s glacier-blue scales. Above them, Queen Scarlet smirked from her balcony, with Glory sleeping serenely beside her. The same SkyWing announcer from the day before strutted to the center of the arena and bellowed at the crowd. “After last month’s battle with Blaze’s army, our queen’s dungeons were stuffed with IceWing prisoners of war. Only nine have survived. After two wins, I give you — Fjord of the IceWings!” Fjord lashed his tail and snarled at Clay. “And in this corner, an unusual case — a MudWing, but not one of our allies. No, this dragonet was found hiding under our mountains, protected by the Talons of Peace. Is he one of the dragonets of destiny? Not if he loses this battle!” A murmur of laughter rippled around the seats, but in the closest faces Clay could see expressions of uneasiness and, he thought, concern. He spotted a large MudWing in one of the balconies, frowning down at him. Try to stop this, Clay thought at him, praying hard. Do something! I’m one of you! But the MudWing shifted his gaze away, as if he didn’t want to watch but couldn’t afford to leave. The SkyWing announcer went on. “If these prophesied dragonets are as wonderful and legendary as they’re supposed to be, this should be a showdown to remember. I hope you’re prepared to impress us, dragon of the mud. I present to you … Clay of the MudWings! Claws up, teeth ready! Fight!” Clay
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
The Nurse's Song This mighty man of whom I sing, The greatest of them all, Was once a teeny little thing, Just eighteen inches tall. I knew him as a tiny tot, I nursed him on my knee. I used to sit him on the pot And wait for him to wee. I always washed between his toes, And cut his little nails. I brushed his hair and wiped his nose And weighed him on the scales. Through happy childhood days he strayed, As all nice children should. I smacked him when he disobeyed, And stopped when he was good. It soon began to dawn on me He wasn't very bright, Because when he was twenty-three He couldn't read or write. "What shall we do?" his parents sob. "The boy has got the vapors! He couldn't even get a job Delivering the papers!" "Ah-ha," I said, "this little clot Could be a politician." "Nanny," he cried, "Oh Nanny, what A super proposition!" "Okay," I said, "let's learn and note The art of politics. Let's teach you how to miss the boat And how to drop some bricks, And how to win the people's vote And lots of other tricks. Let's learn to make a speech a day Upon the T.V. screen, In which you never never say Exactly what you mean. And most important, by the way, In not to let your teeth decay, And keep your fingers clean." And now that I am eighty nine, It's too late to repent. The fault was mine the little swine Became the President.
Roald Dahl (Charlie and the Great Glass Elevator (Charlie Bucket, #2))
In India today, a shadow world is creeping up on us in broad daylight. It is becoming more and more difficult to communicate the scale of the crisis even to ourselves-its size and changing shape, its depth and diversity. An accurate description runs the risk of sounding like hyperbole. And so, for the sake of credibility and good manners, we groom the creature that has sunk its teeth into us-we comb out its hair and wipe its dripping jaw to make it more personable in polite company. India isn't by any means the worst, or most dangerous, place in the world, at least not yet, but perhaps the divergence between what it could have been and what it has become makes it the most tragic.
Arundhati Roy (Azadi)
Well, after this man had come to believe that no more ways of forming tones could possibly exist- after having observed, in addition to all the things already mentioned, a variety of organs, trumpets, fifes, stringed instruments, and even that little tongue of iron which is placed between the teeth and which makes strange use of the oral cavity for sounding box and of the breath for vehicle of sound when, I say, this man believed he had seen everything, he suddenly found himself once more plunged deeper into ignorance and bafflement than ever. For having captured in his hands a cicada, he failed to diminish its strident noise either by closing its mouth or stopping its wings, yet he could not see it move the scales that covered its body, Or any other thing. At last be lifted up the armor of its chest and there he saw some thin hard ligaments beneath; thinking the sound might come from their vibration, he decided to break them in order to silence it. But nothing happened until his needle drove too deep, and transfixing the creature be took away its life with its voice, so that he was still unable to determine whether the song had originated in those ligaments. And by this experience his knowledge was reduced to diffidence, so that when asked how sounds were created be used to answer tolerantly that although he knew a few ways, he was sure that many more existed which were not only unknown but unimaginable.
Galileo Galilei (Il Saggiatore)
Sure enough, a few moments later, an enormous blue-green SeaWing emerged from the water, shaking her wings vigorously. She was powerfully built, as big as Morrowseer, with broad shoulders and gleaming teeth and a healing burn scar on her neck, and she had a trident longer than Deathbringer strapped to her back. Holy mother of lava, Deathbringer thought. I’m supposed to kill THAT? Commander Tempest was followed by two more SeaWings: a big green male dragon with dark green eyes and gold bands around his ankles, and a wiry female with small eyes and dark gray-blue scales. Behind them, keeping their scales in the water as they eyed the troops on the beach, were about twenty other SeaWing soldiers. “Blister!” Commander Tempest shouted, stamping one foot in the sand. “We’re here! Let’s get this over with!” The
Tui T. Sutherland (Assassin (Wings of Fire: Winglets, #2))
I look for my paints, and when I find them, they are mostly congealed. It has been two years since I painted anything, but I have optimistically kept a bag of art supplies on hand. There is a dead mouse in the bag, and I have no idea how long it’s been in there. Because for two years I have slowly moved all my art supplies out of view. I have woken up from dreams where my hands are slick with oil and turpentine and lost the inspiration by the time I brushed my teeth. The last time I painted, I was twenty-one. The president was Black. I had more serotonin and I was less afraid of men. Now the cyan and yellow come out hard. I need hot water to make them mix. I work with the paint, let the acrylic dry, and when it isn’t right I rework it again. I remain as faithful as I can to scale. I mix thirteen shades of green, five
Raven Leilani (Luster)
Adelia began to get cross. Why was it women who were to blame for everything—everything, from the Fall of Man to these blasted hedges? “We are not in a labyrinth, my lord,” she said clearly. “Where are we, then?” “It’s a maze.” “Same difference.” Puffing at the horse: “Get back, you great cow.” “No, it isn’t. A labyrinth has only one path and you merely have to follow it. It’s a symbol of life or, rather, of life and death. Labyrinths twist and turn, but they have a beginning and an end, through darkness into light.” Softening, and hoping that he would, too, she added, “Like Ariadne’s. Rather beautiful, really.” “I don’t want mythology, mistress, beautiful or not, I want to get to that sodding tower. What’s a maze when it’s at home?” “It’s a trick. A trick to confuse. To amaze.” “And I suppose Mistress Clever-boots knows how to get us out?” “I do, actually.” God’s rib, he was sneering at her, sneering. She’d a mind to stay where she was and let him sweat. “Then in the name of Christ, do it.” “Stop bellowing at me,” she yelled at him. “You’re bellowing.” She saw his teeth grit in the pretense of a placatory smile; he always had good teeth. Still did. Between them, he said, “The Bishop of Saint Albans presents his compliments to Mistress Adelia and please to escort him out of this hag’s hole, for the love of God. How will you do it?” “My business.” Be damned if she’d tell him. Women were defenseless enough without revealing their secrets. “I’ll have to take the lead.” She stumped along in front, holding Walt’s mount’s reins in her right hand. In the other was her riding crop, which she trailed with apparent casualness so that it brushed against the hedge on her left. As she went, she chuntered to herself. Lord, how disregarded I am in this damned country. How disregarded all women are. ... Ironically, the lower down the social scale women were, the greater freedom they had; the wives of laborers and craftsmen could work alongside their men—even, sometimes, when they were widowed, take over their husband’s trade. Adelia trudged on. Hag’s hole. Grendel’s mother’s entrails. Why was this dreadful place feminine to the men lost in it? Because it was tunneled? Womb-like? Is this woman’s magic? The great womb? Is that why the Church hates me, hates all women? Because we are the source of all true power? Of life? She supposed that by leading them out of it, she was only confirming that a woman knew its secrets and they did not. Great God, she thought, it isn't a question of hatred. It’s fear. They are frightened of us. And Adelia laughed quietly, sending a suggestion of sound reverberating backward along the tunnel, as if a small pebble was skipping on water, making each man start when it passed him. “What in hell was that?” Walt called back stolidly, “Reckon someone’s laughing at us, master.” “Dear God.
Ariana Franklin (The Serpent's Tale (Mistress of the Art of Death, #2))
There once lived a man who loved dragons. He kept paintings and statues of them everywhere and could talk on and on about the majestic beasts to anyone who cared to listen. One day, a dragon heard of this man and his appreciation for his kind. He thought it would surely make him happy to meet an authentic dragon. So, he caught a strong wind and changed his course to visit him in his cave dwelling. When he arrived, the dragon found him sleeping. The man woke to see the giant beast coiled by his side with glistening teeth and green scales reflecting in the moonlight, and he was terrified. Before the dragon could make his introduction, the man reached for his sword and lunged, causing the dragon to jump back and slither away. Sometimes, when Grandmother told this story, she said the dragon represented liking the idea of something more than the thing itself. Other times, she said the true dragon is our real selves, a truth we must sit with and face.
Ana Johns (The Woman in the White Kimono)
Hello, Gwyn,' he said warmly. 'Good to see you again.' Gwyn blushed, shaking herself out of her stupor and bowed low. 'My lord.' Nesta rolled her eyes, and found Rhys watching her. That casual smile sharpened as he met her stare. 'Nesta.' 'Rhysand.' The other two women were glancing between them, the bouncing of their stares almost comical. Cassian just strode to Nesta's side and slung an arm around her shoulders before drawling to Rhys, 'These ladies are going to hand your ass to you in combat soon enough.' Nesta made to step out from under the heavy, sweaty weight of his arm, but Cassian clamped a too-friendly hand on her shoulder, his grin unfaltering. Rhys's gaze slid between them, little warmth to be found in his eyes. But plenty of wariness. Little princeling didn't like her with his friend. Nesta leaned into Cassian. Not much, but enough for a trained warrior like Rhysand to note. A dark, silken hand brushed inside her mind. A request. She debated ignoring it, but found herself opening a small door through the steel, spiked barrier she kept around herself day and night. The door was essentially a peephole, and she allowed what she supposed was the equivalent of her mental face to peer through it to the dark, sparkling plane beyond. What? You are to treat Gwyn with kindness and respect. The thing that stood beyond the fortress of her mind was a creature of claws, scales and teeth. It was veiled from sight beneath writhing shadows and the occasional passing star glinting in the darkness, but every now and then, a glimpse of a wing or talon shone. Mind your own business. Nesta slammed the small viewing hole shut. She blinked, slowly registering Emerie asking Cassian about tomorrow morning's lesson, and what she'd miss today by leaving an hour early. Rhysand's eyes glimmered. Cassian's arm remained around Nesta, and his thumb moved over her shoulder in an idle, reassuring caress. Whether he knew of or sensed her silent conversation with his High Lord, he didn't let on.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Jack took two steps towards the couch and then heard his daughter’s distressed wails, wincing. “Oh, right. The munchkin.” He instead turned and headed for the stairs, yawning and scratching his messy brown hair, calling out, “Hang on, chubby monkey, Daddy’s coming.” Jack reached the top of the stairs. And stopped dead. There was a dragon standing in the darkened hallway. At first, Jack swore he was still asleep. He had to be. He couldn’t possibly be seeing correctly. And yet the icy fear slipping down his spine said differently. The dragon stood at roughly five feet tall once its head rose upon sighting Jack at the other end of the hallway. It was lean and had dirty brown scales with an off-white belly. Its black, hooked claws kneaded the carpet as its yellow eyes stared out at Jack, its pupils dilating to drink him in from head to toe. Its wings rustled along its back on either side of the sharp spines protruding down its body to the thin, whip-like tail. A single horn glinted sharp and deadly under the small, motion-activated hallway light. The only thing more noticeable than that were the many long, jagged scars scored across the creature’s stomach, limbs, and neck. It had been hunted recently. Judging from the depth and extent of the scars, it had certainly killed a hunter or two to have survived with so many marks. “Okay,” Jack whispered hoarsely. “Five bucks says you’re not the Easter Bunny.” The dragon’s nostrils flared. It adjusted its body, feet apart, lips sliding away from sharp, gleaming white teeth in a warning hiss. Mercifully, Naila had quieted and no longer drew the creature’s attention. Jack swallowed hard and held out one hand, bending slightly so his six-foot-two-inch frame was less threatening. “Look at me, buddy. Just keep looking at me. It’s alright. I’m not going to hurt you. Why don’t you just come this way, huh?” He took a single step down and the creature crept forward towards him, hissing louder. “That’s right. This way. Come on.” Jack eased backwards one stair at a time. The dragon let out a warning bark and followed him, its saliva leaving damp patches on the cream-colored carpet. Along the way, Jack had slipped his phone out of his pocket and dialed 9-1-1, hoping he had just enough seconds left in the reptile’s waning patience. “9-1-1, what’s your emergency?” “Listen to me carefully,” Jack said, not letting his eyes stray from the dragon as he fumbled behind him for the handle to the sliding glass door. He then quickly gave her his address before continuing. “There is an Appalachian forest dragon in my house. Get someone over here as fast as you can.” “We’re contacting a retrieval team now, sir. Please stay calm and try not to make any loud noises or sudden movements–“ Jack had one barefoot on the cool stone of his patio when his daughter Naila cried for him again. The dragon’s head turned towards the direction of upstairs. Jack dropped his cell phone, grabbed a patio chair, and slammed it down on top of the dragon’s head as hard as he could.
Kyoko M. (Of Fury & Fangs (Of Cinder & Bone, #4))
But I enjoy eating these days. More of us do than care to admit it publicly. I revel in it, as one only revels in pursuits one does not need. The runner enjoys running when she need not ee a lion. Sex improves when decoupled—sorry—from animalist procreative desperation (or even from the desperation of not having had sex in a while, as I’ve had cause to note after my recent two decades’ sojourn and attendant dry spell). I bite blueberry pancakes drizzled with maple syrup, extra butter—that expanding u, the berry’s pop against my teeth, butter’s bloom in my mouth. I explore sweetnesses and textures. I’m never hungry, so I don’t race to the next bite. I eat glass, and as it cuts my gums, I savor minerals, metals, impurities; I see the beach from which some poor bastard skimmed the sand. Small rocks taste of the river, of rubbed sh scale, of glaciers long gone. They crunch, crisp, celery-like. I share the sensation with fellow acionados; they share theirs with me, though there’s lag, and sensor granularity remains an issue. So, a roundabout way of saying: I love to eat.
Amal El-Mohtar (This is How You Lose the Time War)
The thoughts raced and crashed through her. The grate was thirty feet up—no way to go back now. And the floor of the pit was covered with these things, all smelling her, assessing her. But not … advancing. Like something about her gave them pause. Made. Maybe it also meant something to these creatures. Bryce tugged the neckline of her T-shirt down, revealing the star in all its glory. The beasts shrank back, hissing, tossing massive, scaled heads. Their teeth glinted in the starlight. A tunnel stretched on either side of the pit. She could only make out the cavernous mouths, but it seemed like this pit sat in the middle of a passage. To where, though? This was the stupidest thing she’d ever done. In a life full of stupid ideas and mistakes, that was saying something, but … Bryce turned toward one of the tunnels, trying to better see what lay beyond. The star in her chest dimmed. Like her magic was rapidly fading. She whirled toward the other tunnel, trying to see what she could before the magic vanished— The star flared brightly again. “Huh,” she murmured. Bryce turned back the other way. The star faded. To the opposite side: it brightened.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
When you feel the need to escape your problems, to escape from this world, don't make the mistake of resorting to suicide Don't do it! You will hear the empty advice of many scholars in the matter of life and death, who will tell you, "just do it" there is nothing after this, you will only extinguish the light that surrounds you and become part of nothingness itself, so when you hear these words remember this brief review of suicide: When you leave this body after committing one of the worst acts of cowardice that a human being can carry out, you turn off the light, the sound and the sense of reality, you become nothing waiting for the programmers of this game to pick you up from the darkness, subtly erase your memories and enable your return and I emphasize the word subtle because sometimes the intelligence behind this maneuver or automated mechanism is wrong and send human beings wrongly reset to such an extent, that when they fall to earth and are born again, they begin to experience memories of previous lives, in many cases they perceive themselves of the opposite sex, and science attributes this unexplainable phenomenon to genetic and hormonal factors, but you and I know better! And we quickly identified this trigger as a glitch in the Matrix. Then we said! That a higher intelligence or more advanced civilization throws you back into this game for the purpose of experimenting, growing and developing as an advanced consciousness and due to your toxic and destructive behavior you come back again but in another body and another life, but you are still you, then you will carry with you that mark of suicide and cowardice, until you learn not to leave this experience without having learned the lesson of life, without having experienced and surprised by death naturally or by design of destiny. About this first experience you will find very little material associated with this event on the internet, it seems that the public is more reserved, because they perceive themselves and call themselves "awakened" And that is because the system has total control over the algorithm of fame and fortune even over life and death. Now, according to religion and childish fears, which are part of the system's business to keep you asleep, eyes glued to the cellular device all day, it says the following: If you commit this act of sin, you turn off light, sound and sense of reality, and from that moment you begin to experience pain, fear and suffering on alarming scales, and that means they will come for you, a couple of demons and take you to the center of the earth where the weeping and gnashing of teeth is forever, and in that hell tormented by demons you will spend eternity. About this last experience we will find hundreds of millions of people who claim to have escaped from there! And let me tell you that all were captivated by the same deity, one of dubious origin, that feeds on prayers and energetic events, because it is not of our nature, because it knows very well that we are beings of energy, then this deity or empire of darkness receives from the system its food and the system receives from them power, to rule, to administer, to control, to control, to kill, to exclude, to inhibit, to classify, to imprison, to silence, to infect, to contaminate, to depersonalize. So now that you know the two sides of the same coin, which one will your intelligence lean towards! You decide... Heads or tails? From the book Avatars, the system's masterpiece.
Marcos Orowitz (THE LORD OF TALES: The masterpiece of deceit)
That which is unnamed was first,” it said. “But I am named, flesh queen. Remember.” Its pupils thinned. “The cold one on the ship. She was your kin.” Glorian looked at the other skull. “She fell to my flame. So will this land. We will finish the scouring, for we are the teeth that harrow and turn. The mountain is the forge and smith, and we, its iron offspring—come to avenge the first, the forebear, he who sleeps beneath.” Every warrior should know fear, Glorian Brightcry. Without it, courage is an empty boast. “You confess,” Glorian said, “that you slew the blood of the Saint.” Her voice kept breaking. “Do you then declare war on Inys?” Fyredel—the wyrm—let out a rattle. A score of complex scales and muscles shifted in its face. “When your days grow long and hot,” he said, “when the sun in the North never sets, we shall come.” On both sides of the Strondway, those who had not fled were rooted to the spot, fixated on Glorian. She realized what they must be thinking. If she died childless, the eternal vine was at its end. What she did next could define how they saw the House of Berethnet for centuries to come. Start forging your armour, Glorian. You will need it. She looked down once more at her parents’ remains, the bones the wyrms had dumped here like a spoil of war. In her memory, her father laughed and drew her close. He would never laugh again. Never smile. Her mother would never tell her she loved her, or how to calm her dreams. And where there had been fear, there was anger. “If you—If you dare to turn your fire on Inys,” Glorian bit out, “then I will do as my ancestor did to the Nameless One.” She forced herself to lift her chin in defiance. “I will drive you back with sword and spear, with bow and lance!” Shaking, she heaved for air. “I am the voice, the body of Inys. My stomach is its strength—my heart, its shield— and if you think I will submit to you because I am small and young, you are wrong.” Sweat was running down her back. She had never been so afraid in her life. “I am not afraid,” she said. At this, the wyrm unfurled its wings to their full breadth. From tip to hooked tip, they were as wide as two longships facing each other. People scrambled out of their shadow. “So be it, Shieldheart.” It steeped the word in mockery. “Treasure your darkness, for the fire comes. Until then, a taste of our flame, to light your city through the winter. Heed my words.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos #0))
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
A world conqueror had appeared in modern times. Alexander, Caesar, Attila, Genghis Khan, Napoleon—another such as these, appearing in the age of electricity, of rotary presses and radio, when nine men out of ten would have said it was impossible. A world conqueror has to be a man of few ideas, and those fixed; a peculiar combination of exactly the right qualities, both good and bad—iron determination, irresistible energy, and no scruples of any sort. He has to know what he wants, and permit no obstacle to stand in the way of his getting it. He has to understand the minds of other men, both foes and friends, and what greeds, fears, hates, jealousies will move them to action. He must understand the mass mind, the ideals or delusions which sway it; he must be enough of a fanatic to talk their language, though not enough to be controlled by it. He must believe in nothing but his own destiny, the glorified image of himself on the screen of history; whole races of mankind made over in his own image and according to his will. To accomplish that purpose he must be liar, thief, and murderer upon a world-wide scale; he must be ready without hesitation to commit every crime his own interest commands, whether upon individuals or nations.
Upton Sinclair (Dragon's Teeth (World's End Lanny Budd, #3))
Well, after this man had come to believe that no more ways of forming tones could possibly exist- after having observed, in addition to all the things already mentioned, a variety of organs, trumpets, fifes, stringed instruments, and even that little tongue of iron which is placed between the teeth and which makes strange use of the oral cavity for sounding box and of the breath for vehicle of sound when, I say, this man believed he had seen everything, he suddenly found himself once more plunged deeper into ignorance and bafflement than ever. For having captured in his hands a cicada, he failed to diminish its strident noise either by closing its mouth or stopping its wings, yet he could not see it move the scales that covered its body, Or any other thing. At last be lifted up the armor of its chest and there he saw some thin hard ligaments beneath; thinking the sound might come from their vibration, he decided to break them in order to silence it. But nothing happened until his needle drove too deep, and transfixing the creature he took away its life with its voice, so that he was still unable to determine whether the song had originated in those ligaments. And by this experience his knowledge was reduced to diffidence, so that when asked how sounds were created he used to answer tolerantly that although he knew a few ways, he was sure that many more existed which were not only unknown but unimaginable.
Galileo Galilei (Il Saggiatore)
Well, after this man had come to believe that no more ways of forming tones could possibly exist- after having observed, in addition to all the things already mentioned, a variety of organs, trumpets, fifes, stringed instruments, and even that little tongue of iron which is placed between the teeth and which makes strange use of the oral cavity for sounding box and of the breath for vehicle of sound when, I say, this man believed he had seen everything, he suddenly found himself once more plunged deeper into ignorance and bafflement than ever. For having captured in his hands a cicada, he failed to diminish its strident noise either by closing its mouth or stopping its wings, yet he could not see it move the scales that covered its body, Or any other thing. At last be lifted up the armor of its chest and there he saw some thin hard ligaments beneath; thinking the sound might come from their vibration, he decided to break them in order to silence it. But nothing happened until his needle drove too deep, and transfixing the creature he took away its life with its voice, so that he was still unable to determine whether the song had originated in those ligaments. And by this experience his knowledge was reduced to diffidence, so that when asked how sounds were created be used to answer tolerantly that although he knew a few ways, he was sure that many more existed which were not only unknown but unimaginable.
Galileo Galilei
BESTIARY " charybdis: when i suck in / i make deadly / whirlpools / ask anyone who’s managed / to climb out / alive dragon: patrol or pillage / he exhales and a whole village / burns / iron scaled sentry / guardian of the ivory / tower i wrap my legs around / everyone thinks / he’s a brute / but for me / he lifts his breast plate / for me he welcome the quiver / and the arrow’s teeth. golem: take his hair in your hands / his dead / skin cells / his discarded undergarments / take them / and make of them a new boy this effigy / his likeness and nothing / like him / breathe life into its clenched carapace // my god / i think i saw it / move medusa: when i saw / my face / reflected in terror / in his eyes / i turned to stone / or a pillar of salt watching my village burn / he was the village burning / maybe that’s a different story / maybe in the end only the snakes wept siren: he cries / and i / lashed to the mast of a ship / steer my body toward the sound / sheets bound around wrists and ankles tears make grief / a lighthouse you wear / when i hear him a huge wood wheel turns in my stomach / and i break / open on / his jagged coast werewolf: there are many words for transformation / metamorphosis metaphor / medication / go to sleep / beside the man you love wake up next to a dog / maybe the moon brought it out of him hound hungry for blood / maybe its your fault / or maybe it was there inside him / howling all along
Sam Sax
It may not have been very big, she said, but everyone will notice that it’s missing. How could they not? One might as well overlook a bare patch of earth on the crest of a snow-covered mountain. And her eyes rolled forward as she tried to peer down her long snout at the small, dark hole above her nostril. Eragon laughed and splashed a handful of water at her. Then, to soothe her injured pride, he said, “No one will notice, Saphira. Trust me. Besides, even if they do, they’ll take it for a battle wound and consider you all the more fearsome because of it.” You think so? She returned to examining herself in the lake. The water and her scales reflected off each other in a dazzling array of rainbow-hued flecks. What if a soldier stabs me there? The blade would go right through me. Perhaps I should ask the dwarves to make a metal plate to cover the area until the scale regrows. “That would look exceedingly ridiculous.” It would? “Mm-hmm.” He nodded, on the verge of laughing again. She sniffed. There’s no need to make fun of me. How would you like it if the fur on your head started falling out, or you lost one of those silly little nubs you call teeth? I would end up having to comfort you, no doubt. “No doubt,” he agreed easily. “But then, teeth don’t grow back.” He pushed himself off the rock and made his way up the shore to where he had left his boots, stepping carefully to avoid hurting his feet on the stones and branches that littered the water’s edge. Saphira followed him, the soft earth squishing between her talons. You could cast a spell to protect just that spot, she said as he pulled on his boots. “I could. Do you want me to?” I do.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
If men had wanted to stay bad forever, they could have, agreed? Agreed. Did we stay out in the fields with the beasts? No. In the water with the barracuda? No. Somewhere we let go of the hot gorilla’s paw. Somewhere we turned in our carnivore’s teeth and started chewing blades of grass. We have been working mulch as much as blood, into our philosophy, for quite a few lifetimes. Since then we measure ourselves up the scale from apes, but not half so high as angels. It was a nice new idea and we were afraid we'd lose it, so we put it on paper and built buildings like this one around it. And we been going in and out of these buildings chewing it over, that one new sweet blade of grass, trying to figure how it all started, when we made the move, when we decided to be different. I suppose one night hundreds of thousands of years ago in a cave by a night fire when one of those shaggy men wakened to gaze over the banked coals at his woman, his children, and thought of their being cold, dead, gone forever. Then he must have wept. And he put out his hand in the night to the woman who must die some day and to the children who must follow her. And for a little bit next morning, he treated them somewhat better, for he saw that they, like himself, had the seed of night in them. He felt that seed like slime in his pulse, splitting, making more against the day they would multiply his body into darkness. So that man, the first one, knew what we know now: our hour is short, eternity is long. With this knowledge came pity and mercy, so we spared others for the later, more intricate, more mysterious benefits of love. So, In sum, what are we? We are the creatures that know and know too much.
Ray Bradbury (Something Wicked This Way Comes)
We would never have scales, feathers, or breasts if we didn’t have teeth in the first place.
Neil Shubin
What is it that you long for best, that clenches teeth and claws over the ventricles of your heart?
Benjanun Sriduangkaew (Scale-Bright)
A Sunset I love the evenings, passionless and fair, I love the evens, Whether old manor-fronts their ray with golden fulgence leavens, In numerous leafage bosomed close; Whether the mist in reefs of fire extend its reaches sheer, Or a hundred sunbeams splinter in an azure atmosphere On cloudy archipelagos. Oh, gaze ye on the firmament! A hundred clouds in motion, Up-piled in the immense sublime beneath the winds' commotion, Their unimagined shapes accord: Under their waves at intervals flame a pale levin through, As if some giant of the air amid the vapors drew A sudden elemental sword. The sun at bay with splendid thrusts still keeps the sullen fold; And momently at distance sets, as a cupola of gold, The thatched roof of a cot a-glance; Or on the blurred horizon joins his battle with the haze; Or pools the blooming fields about with inter-isolate blaze, Great moveless meres of radiance. Then mark you how there hangs athwart the firmament's swept track, Yonder a mighty crocodile with vast irradiant back, A triple row of pointed teeth? Under its burnished belly slips a ray of eventide, The flickerings of a hundred glowing clouds in tenebrous side With scales of golden mail ensheathe. Then mounts a palace, then the air vibrates--the vision flees. Confounded to its base, the fearful cloudy edifice Ruins immense in mounded wrack; Afar the fragments strew the sky, and each envermeiled cone Hangeth, peak downward, overhead, like mountains overthrown When the earthquake heaves its hugy back. These vapors, with their leaden, golden, iron, bronz¨¨d glows, Where the hurricane, the waterspout, thunder, and hell repose, Muttering hoarse dreams of destined harms, 'Tis God who hangs their multitude amid the skiey deep, As a warrior that suspendeth from the roof-tree of his keep His dreadful and resounding arms! All vanishes! The Sun, from topmost heaven precipitated, Like a globe of iron which is tossed back fiery red Into the furnace stirred to fume, Shocking the cloudy surges, plashed from its impetuous ire, Even to the zenith spattereth in a flecking scud of fire The vaporous and inflam¨¨d spaume. O contemplate the heavens! Whenas the vein-drawn day dies pale, In every season, every place, gaze through their every veil? With love that has not speech for need! Beneath their solemn beauty is a mystery infinite: If winter hue them like a pall, or if the summer night Fantasy them starre brede.
Victor Hugo
Is there a problem? I mean, I wasn't expecting you, or anyone, tonight." Drew held out a hand to help her from the car, snatching it back when she got out on her own. "There is a problem." "What?" He tensed. "Did M.J. come back? Is he giving you trouble?" "I can handle my brother." Tyler moved closer. Drew stepped back, his eyes suddenly wary. Sighing she grabbed the front of his t-shirt, the fingers of her other hand threading through his thick, dark hair. Soft. She remembered the feel like it was yesterday. Her hope had been that he would as eager as she was. The attraction was still there, it was time to do something about it. Apparently he wasn't going to make this easy. So she did what she had all those years ago when he wouldn't make the first move—she kissed him first. Prime rib to a starving man. Ten years without even a taste, Drew couldn't help but devour her. The kiss was primal, out of control. Mouths seeking the angle after angle, tongues duelings. And the way Tyler tasted. Sweet and spicy and utterly delicious. In his dreams, he imagined this differently. Slower. He would show her how a man kissed as opposed to the boy he had been. One touch of her lips on his and all those grand plans flew out the window along with any common sense he ever possessed. Tyler was in his arms. Familiar yet new. He needed her and he was never letting go. Drew's hands went under the hem of her shirt slowly sliding up her smooth, hot skin. He could feel the erotic combination of vulnerability and strength in the subtle muscles of her back. She had filled out, they both had. He wanted to spend days discovering all the differences then start all over again, just in case he missed something the first time. The kiss was neverending though the desperation, instead of lessening, scaled higher. He could lift her into his arms, carry her into the house, rip every scrap of clothing from her delicious body and fuck for hours. Fuck. Well, fuck. The word wasn't exactly a bucket of cold water, the desperate heat running through his veins needed more than that. But it did lift the haze. If he didn't stop this right now, there would be no turning back. "Tyler." The word sounded foreign, all guttural. His voice was hoarse with passion and his body was calling every swear word known to man. Why are you stopping? Beautiful woman. Willing. Her hands all over you. Right now she was reaching between his legs. The first caress was almost his undoing. It felt so good, so right. No could touch him like Tyler. The sexual haze enveloped him again. Don't fight it, his body urged. Feel her lips on your jaw, your neck. God. Her teeth biting your earlobe. That alone brought him close to going over the top. Damn his good intentions. Talking was way overrated. Pulling her in until their bodies were flush and he could feel every long, luscious inch of her—plastered against him. Drew was going in for another kiss when her words did what his own reasoning couldn't. It wasn't a bucket of cold water, it was a fire hose—turned on full blast. "Fuck me, Drew. Right here, up against my car. Let's get this thing done, once and for all.
Mary J. Williams (If You Only Knew (Harper Falls #3))
The shadows parted and a large head took shape, looming above her. Her mouth fell open when she spied the silver scales covering the wide head of the dragon. She took in the slitted obsidian eyes that were trained on her and tried to scream, but no sound came out. The head moved farther out of the darkness to reveal a row of dark silver tendrils at the base of his skull and disappearing into the shadows. More of those same dark silver tendrils surrounded his mouth, which parted to show her rows of very sharp white teeth. She could swear he smiled, a growl rumbling through his chest. Death was staring her right in the face. And there was no escaping it.
Donna Grant Reilly (Dragon Fever (Dark Kings #9.5; Dark World #26.5))
I couldn’t take it anymore. “Hey, people. Chat time is over. The girl’s about to pass out on her feet. Thomas is dying. So both of you shut your mouth and help them.” Raith whipped his head around to stare daggers at me. His voice was cold enough to merit the use of a Kelvin scale. “I do not respond well to demands.” I ground my teeth and said, “Both of you shut your mouth and help them. Please.” And they say I can’t be diplomatic.
Jim Butcher (Blood Rites (The Dresden Files, #6))
Big as a cart horse. Deep fetid marsh rot snot shit filth green. Traced out in scar tissue like embroidered cloth. Wings black and white and silver, heavy and vicious as blades. The Stink of it came choking. Fire and ash. Hot metal. Fear. Joy. Pain. There are dragons in the desert, said the old maps of the empire, and they had laughed and said no, no, not that close to great cities, if there ever were dragons there they are gone like the memory of a dream. Its teeth closed ripping on Gulius's arm, huge, jagged; its eyes were like knives as it twisted away with the arm hanging bloody in its mouth. It spat blood and slime and roared out flame again, reared up beating its wings. Men fell back screaming, armor scorched and molten, melted into burned melted flesh. The smell of roasting meat surrounded them. Better than steak. Gulius was lying somehow still alive, staring at the hole where his right arm had been. The dragons front legs came down smash onto his body. Plume of blood. Gulius disappeared. Little smudge of red on the green. A grating shriek as its claws scrabbled over hot stones. Screaming. Screaming. Beating wings. The stream rose up boiling. Two men were in the stream trying to douse burning flesh and the boiling water was in their faces and they were screaming too. Everything hot and boiling and burning, dry wind and dry earth and dry fire and dry hot scales, the whole great lizard body scorching like a furnace, roaring hot burning killing demon death thing.
Anna Smith Spark (The Court of Broken Knives (Empires of Dust, #1))
From the Latin for “terrible,” “cruel.” Atrox, atrocis. When did the word come to take on such scale? Endless pits gouged in the earth. The Americans in the hamlet of My Lai, some of them shooting themselves in the feet to get out of it. The South Vietnamese with their tiger cages, their filing a man’s teeth down to the gums.
Quan Barry (She Weeps Each Time You're Born)
The first wave of flying creatures dived on the air pods. The cameras caught and recorded the images. They looked reptilian, with grayish, scaled skin. They had delta-shaped wings that spanned at least ten meters, short, sleek bodies and elongated heads with rows of pointed teeth. Carnivores, definitely.
Stephani Danelle Perry (The Complete Aliens Omnibus: Volume One: (Earth Hive, Nightmare Asylum, The Female War))
In the clearing he saw a creature. Some eight feet tall, it was built along the lines of a dragon, with teeth like a T. rex and a slashing pair of front claws. The thing flickered in the moonlight, its powerful body and tail covered with iridescent purple and lime-green scales. “What the hell is that?” Butch whispered, fumbling to make sure the door was locked. “Rhage in a really bad mood.” The
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
And she was wrong about him not loving anything. He loved his hoard, his fire, and his freedom to soar above the earth and the paltry beings inhabiting it. He loved his claws, his scales, his teeth… Landing
Paula Quinn (Scorched (Rulers of the Sky, #1))
There’s a time and a place for everything, and this isn’t it.” “No?” He ran a hand under her blouse. “I say it is a very good time.” She jerked when his fingers scaled her ribs. “That tickles.” Without warning he rolled with her, coming out on top. He kissed her lightly on the lips while he moved his hand from her ribs to her breast. The small mound of warm flesh fit perfectly in his hand, the crest springing taut against his palm. Scarlet flamed on her cheeks. Unable to resist, Hunter lifted her blouse and moved off her to look, one thigh slanted across both of hers to keep her still. He had guessed right; when she was shy, she grew pink all over. “Hunter!” She tried to shove the leather down. “Someone might come!” “No one comes.” Fascinated, he touched the rosy tip of her nipple with his dark fingers, watching it harden and thrust upward, begging for attention--attention he was more than willing to give it. Dipping his head, he flicked the tip of his tongue across the peak, then seized it with his teeth. She gasped and made fists in his hair. “Hunter?” “Hm?” He moved to the unkissed breast. “What is it you want, little one?” Her breath caught as his teeth closed on her. “I want to go.” With skillful determination, Hunter continued the exquisite torment until the tips of her nipples throbbed, swollen and hot, against the end of his tongue. “Hunter, please…” She moaned and drew him toward her, arching her hips against him. “Hunter…” He obliged her and at last took her into his mouth. She cried out at the sharp pull, and he gloried in the sound, in the knowledge that he could make her surrender to him.
Catherine Anderson (Comanche Moon (Comanche, #1))
Unfurling herself like a large polar cat, she stood twice as tall as me. Her coat was a magnificent mother of pearl, while her tail gleamed turquoise with threads of gold bisecting each scale. Her teeth were large, capable of tearing a man in half, and her eyes glowed a deep bloody red. She was fury and wonder, and I adored her.
Jovee Winters (The Sea Queen (The Dark Queens, #1))
I looked over my right shoulder as he scooted in next to me on the long bench and settled in with his soda and a Greek yogurt. I frowned at his lunch choice. “Are you bipolar or something?” “What is that supposed to mean?” I made my point using my hands as scales. “On my left hand here is your high-calorie, rot-your-teeth, sugary soda, and on my right hand is a cup of healthy, delicious Greek yogurt. Notice how my left hand gets lower and lower and my right hand goes higher?
C.M. Sutter (Run For Your Life (Mitch Cannon Savannah Heat #1))
Knowing that he couldn’t play this strange music with such reservations and distractions, he strove to find a calming place within himself. To remember and fall back into a time when he was a boy and Cadence was all he had known. When he loved the sea and the hills and the mountains, the caves and the heather and the rivers. A time when he had yearned to behold a spirit, face-to-face. His fingers grew nimble, and Lorna’s notes began to trickle into the air, metallic beneath his nails. He could hardly contain the splendor of them anymore, and he played and felt as if he were not flesh and blood and bone but made by the sea foam, as if he had emerged one night from the ocean, from all the haunted deep places where man had never roamed but where spirits glided and drank and moved beneath. He sang up the spirits of the sea, the timeless beings that belonged to the cold depths. He sang them up to the surface, to the moonlight, with Lorna’s ballad. He watched the tide cease, just as it had done the night he returned to Cadence. He watched eyes gleam from beneath the water like golden coins; he watched webbed fingers and toes drift beneath the shallow ripples. The spirits manifested into their physical forms; they came with barbed fins and tentacle, with hair like spilled ink, with gills and iridescent scales and endless rows of teeth. They rose from the water and gathered close about him, as if he had called them home.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
Orlagh waits for us in a choppy ocean, accompanied by her daughter and a pod of knights mounted on seals and sharks and all manner of sharp-toothed sea creatures. She herself sit on an orca and is dressed as though ready for battle. Her skin is covered in shiny silvery scales that seem both to be metallic and to have grown from her skin. A helmet of bone and teeth hides her hair. Nicasia is beside her, on a shark. She has no tail today, her long legs covered in armour of shell.
Holly Black (The Wicked King (The Folk of the Air, #2))
Jumping to his feet, Titus crossed the room and gazed with awe at the antagonists. He was no stranger to violence, but there was something peculiarly horrible about this duel. There they were, not thirty feet away, locked in deadly grapple, a conflict without scale. In that camel were all the camels that had ever been. Blind with a hatred far beyond its own power to invent, it fought a world of mules; of mules that since the dawn of time have bared their teeth at their intrinsic foe.
Mervyn Peake (Titus Alone (The Gormenghast Trilogy Book 3))
In Amorous Creeping by Stewart Stafford I scaled a trellis in randy pursuit, A rose in teeth for my paramour, A thorn lurking by a naked stem, Palmy, engorged and prescient. A pigeon said to douse my ardour, A talkative fowl, plainly no pidgin, Snorts for this priggish counsel, Blind shoots, driving me upward. A wriggling worm to her chamber, Inside I crept as she lay sleeping, Sweeping a spectral sheet off her, To lay until the dawn chorus sings. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
He studied what he'd long avoided, and there was now no detail obscured, no truth denied. Here he stood in the cold light of eternity, and by some magic greater than chromaturgy, all that was wretched and self-deprecatory and judgmental and hating fell away like a serpent's scale from his eye. He had seen through Orholam's mask of being an old prophet, and beheld something ineffably beguiling beneath the old prophet's age spots and deep wrinkles and snaggle teeth. And now he saw something of that same beauty in himself, an image of the divine. Here was Dazen Guile through the eyes of charity. And as unwilling tears flooded his eyes, he realized that —wonder of wonders!—he was glorious.
Brent Weeks (The Burning White (Lightbringer, #5))
At the desk in the showroom, Bryce removed Tharion’s letter from the top of the pile, while Hunt began to leaf through some of the pages beneath. The blood rushed from her face at a photograph in Hunt’s hand. “Is that a body?” Hunt grunted. “It’s what’s left of one after Tharion pried it from a sobek’s lair.” Bryce couldn’t stop the shudder down her spine. Clocking in at more than twenty-five feet and nearly three thousand pounds of scale-covered muscle, sobeks were among the worst of the apex predators who prowled the river. Mean, strong, and with teeth that could snap you in two, a full-grown male sobek could make most Vanir back away. “He’s insane.” Hunt chuckled. “Oh, he most certainly is.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Who is that?” Ice formed in the room. No clothing could protect against the cold this demon brought with him. It pierced through every layer, snatching the breath from Hunt’s chest with clawed fingers. A shuddering inhale was the only sign of Bryce’s discomfort as she remained facing the circle on the other side of the room. The male now contained inside its dark border. “Aidas,” she said softly. Hunt had always imagined the Prince of the Chasm as similar to the lower-level demons he’d hunted over the centuries: scales or fangs or claws, brute muscle and snarling with blind animal rage. Not this slender, pale-skinned … pretty boy. Aidas’s blond hair fell to his shoulders in soft waves, loose, yet well cut around his fine-boned face. Undoubtedly to show off the eyes like blue opals, framed by thick, golden lashes. Those lashes bobbed once in a cursory blink. Then his full, sensuous mouth parted in a smile to reveal a row of too-white teeth. “Bryce Quinlan.” Hunt’s hand drifted to his gun. The Prince of the Chasm knew her name—her face. And the way he’d spoken her name was as much greeting as it was question, his voice velvet-soft. Aidas occupied the fifth level of Hel—the Chasm. He yielded only to two others: the Prince of the Abyss, and the Prince of the Pit, the seventh and mightiest of the demon princes. The Star-Eater himself, whose name was never uttered on this side of the Northern Rift.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Two eyes rose up before him. Bronze, they were, brighter than polished shields, glowing with their own heat, burning behind a veil of smoke rising from the dragon's nostrils. The light of Quentyn's torch washed over scales of dark green, the green of moss in the deep woods at dusk, just before the last light fades. Then the dragon opened its mouth, and light and heat washed over them. Behind a fence of sharp black teeth he glimpsed the furnace glow, the shimmer of a sleeping fire a hundred times brighter than his torch.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
On a scale of 1 to 10, 1 being the lowest, imagine you are a person with a level 2 strength of character and attitude looking at a level 5 problem. Would this problem appear to be big or little? From a level 2 perspective, a level 5 problem would seem like a big problem. Now imagine you’ve grown yourself and become a level 8 person. Would the same level 5 problem be a big problem or a little problem? Magically, the identical problem is now a little problem. Finally, imagine you’ve really worked hard on yourself and become a level 10 person. Now, is this same level 5 problem a big problem or a little problem? The answer is that it’s no problem. It doesn’t even register in your brain as a problem. There’s no negative energy around it. It’s just a normal occurrence to handle, like brushing your teeth or getting dressed. Note that whether you are rich or poor, playing big or playing small, problems do not go away. If you’re breathing, you will always have so-called problems and obstacles in your life. Let me make this short and sweet. The size of the problem is never the issue—what matters is the size of you! This may be painful, but if you’re ready to move to the next level of success, you’re going to have to become conscious of what’s really going on in your life. Ready? Here goes. If you have a big problem in your life, all that means is that you are being a small person! Don’t be fooled by appearances. Your outer world is merely a reflection of your inner world. If you want to make a permanent change, stop focusing on the size of your problems and start focusing on the size of you!
T. Harv Eker (Secrets of the Millionaire Mind: Mastering the Inner Game of Wealth)
They crested the top, and when they looked down, the man’s breath caught in his throat. What he saw was so alien it could only be understood in installments. The strip mine was a crater that had been sunk a quarter mile into the ground. It was like a pit in the middle of the Amazon. Things were crawling all over it the way bees swarm a hive. And it took the man a moment to realize that these were people. Hundreds of them. The weather was warm, and the men laboring below had their shirts off. Each was covered head to toe in mud. The only part of them that seemed human were their teeth and the whites of their eyes. Gigantic ladders had been bolted to the walls of the crater, each the size of a football field. At any one time, at least a hundred men were scaling the ladders with sacks of dirt lashed to their backsides. The sacks were so heavy that when the men reached the top, some could no longer bear the weight and collapsed gradually with each step to the ground. Something deep inside the man wanted to make it stop. And it all came to him in an instant. What he saw was the entire history of the human race. He saw the slave labor camps of the Nazis and the communists. He saw the seas of peasants chained and lashed by great empires—the Romans, the Greeks and all the others that people still spoke of with admiration. He saw the palace eunuchs in the Middle East, free people reengi- neered into model servants by their own biology. He saw the human chattel shipped to the new world, worked for a lifetime, then forced to breed their replacements. And he remembered there was no high-watermark of culture, no height of civilization, that didn’t stand on the back of a mass labor force. And he thought, My god, this is it. This is all of us.
Scott Reardon (The Death of a 10-Year-Old Boy)
When he was little, she'd stay late in his room, drawing pictures of him as he slept. She had fat pads filled with closeup sketches of his growing muscles, hands, and teeth, roughly rendered in black ink and charcoal. She wasn't trained or ambitious when it came to art; she was simply fascinated by her creation—not the drawings, the person. "This is mine," she'd say, checking Henry's pulse, looking into his nostrils, "This is me." She once counted his eyelashes with a magnifying glass and drew each one to scale.
Dana Adam Shapiro (The Every Boy)
If your Dentist La Jolla suggests that you just undergo a root planing process, that should outcome in smoother gums plus a healthier, cleaner mouth. You are going to expertise pretty tiny - if any - discomfort, and your mouth will be rid of hazardous bacteria and gingivitis, a gum disease that could sooner or later bring about the loosening of teeth. As long as this disease is caught in time, a cosmetic dentist can repair any harm that could have already been carried out. Root planing, the method of removing any infection that may well be within the teeth and smoothing the surfaces of roots, is usually confused with yet another process known as scaling. Scaling may be the approach of cleaning tartar which has accumulated on a patient's teeth. Typically, scaling and root planing are performed at the same time. It can be very significant that gingivitis is treated as quickly as possible ahead of inflammation works its way as well far toward the base of one's teeth. If this occurs, bacteria may cause a terrific deal of damage, breaking down the structure of a tooth towards the point that it becomes loose. If that damage is too terrific, the method is irreversible. Even so, the procedure might be halted or even reversed if caught early enough. When a cosmetic dentist performs root planing, she or he could numb the region to be treated to lower discomfort. This could include things like either an anesthetic that may be injected, or possibly a topical anesthetic gel that is applied to the pockets of gums. You won't experience any numbing of your tongue or lips, as might be the case with an injection. You'll find some situations where no sort of anesthetic is needed at all, for example when an infection has not developed also deeply in the gums. The only sensation you would really feel will be scraping as the area is smoothed and cleaned. When the surface is planned and totally free of tartar, this makes it possible for the gum tissues to heel and reattach towards the root surface. A cosmetic dentist normally performs this process in the course of four distinct appointments, a single for every quadrant with the mouth. She or he may, by way of example, choose to work around the upper correct side of one's mouth 1st, after which schedule separate appointments for the other areas. You'll find instances, even so, where a patient may perhaps undergo two cleanings, exactly where the upper half of your mouth is worked on first, after which the reduced half is cleaned. After your process, your teeth may possibly be a little more sensitive to temperature for a brief whilst and you could knowledge some temporary bleeding. It is actually rare that patients have any sort of substantial pain, but your cosmetic dentist can prescribe medication if that is certainly the case. In most instances, over-the-counter medicines can simply look after any discomfort that could happen.
The way a Plastic Dentist Functions Root Planing
The sea dragons. Far below, the dragons danced on the surface of the ocean, tiny, glimmering worms on a gray floor. Their voices rang through the air, across the great distance and over the roar of Fingap Falls. The dragon song mingled with Leeli’s, and the music pulsed with joy and then sadness. Janner blinked with wonder when he focused again on the images swirling before him. He no longer saw Nugget but a spray of giant waves, then something red and gold—the dragons. He had only ever seen the creatures from the heights of the cliff, but now he could see them as if he floated just above the surface of the sea, a stone’s throw away. They were as beautiful as they were fearsome. Their bodies shimmered with metallic scales that swirled with color. The dragon closest to him glittered orange and gold, like the strikes of a thousand matchsticks, but its winglike fins cycled between shades of blue. Its head was sleek and graceful, perfect for slicing through the water, and its eyes—big and deep and serene—sent a chill down to Janner’s toes, because it was suddenly clear the dragon knew it was being watched. The eyes rolled back, and translucent lids slid over them as the dragon opened its mouth and sang. Teeth lined its mouth, but not in the crooked, yellow way of the Fangs or the toothy cows; these were straight and bright and sharp as needles. Janner pushed his mind through the image and looked again at his brother and sister. Leeli’s eyes were closed, and though she smiled, tears wet her cheeks while she played. Wind stirred Tink’s hair, and he stared at the empty air before him; his eyes flicked back and forth as if studying a drawing that hung a few feet before his face. The song changed to a gentle hum, and Janner turned his mind again to the floating image. A dragon rose from the waves bearing something
Andrew Peterson (North! or Be Eaten)
Hey!” Someone’s banging on the door of the ladies’ loos: we all jump. Kelly blinks, and one big tear is released. It starts to trickle down her red cheek. “Hey!” the voice calls again. It’s a guy, and not an Italian; they don’t yell “Hey!” here, but “Oh!” instead, which is weird until you get used to it. I’m closest to the door. I grab my dress, hold it over me with one hand, and ease the door open a crack with the other. Behind me, the girls, excited, scream at a pitch that would deafen bats. We’re all ridiculously worked up at the thought of a man seeing us in our underwear, even though we’re planning to go into the river in exactly that. In front of me is a wide male chest. I look up, over the swell of the pectorals, the broad tanned neck, the square jaw, to the cheerful blue eyes and cropped blond hair of Evan, Paige’s brother. Like Paige, he’s built on a massive scale, especially by comparison with the slender, slim-hipped Italians. He completely blocks any view of the club behind him. “Violet!” he says. His eyes widen as he takes in my state of undress, but he’s manfully resisting looking anywhere but my face, which I thoroughly appreciate. “Look, I made the other guys give me their shirts, okay? I thought you’d need all of them.” He’s holding a bunched-up ball of fabric in one big fist, which he pushes toward me; it leaves me in a quandary, as I don’t have my hands free. I wedge the door with my shoulder, which means I can still hold my dress over me and take the shirts with the other. “Thanks!” I exclaim gratefully, realizing that this means Kelly can come swimming with the rest of us, that I can cover my bra up. But Evan isn’t done. He reaches down, takes the hem of his own T-shirt, and pulls it up in one swift movement, dragging it over his head, baring his tanned chest. I can’t help staring. Evan is at college on a football scholarship, apparently, and from his muscle definition, I can’t imagine he gets any time to study. He looks as if he spends every waking minute in the gym. And he’s really close to me. I feel a blush rising to my cheeks, and I try to step back a little, confused by my feelings about this sudden striptease, his physical proximity. His hand reaches out to me again, giving me the T-shirt still warm from his body, still smelling of him. I take it, realizing that my mouth has fallen open at the sight of him. I clamp my lips together as he says, grinning, his white American teeth perfect: “Give this to Paige, okay? Those skinny little Italian guys’ shirts won’t fit around her, and I don’t want my little sister showing her junk all over town.” “Hey!” Paige shouts back crossly. “I do not show my junk all over town! You better not go around telling people that!” Evan’s grin deepens as he looks down at me; he winks. “It’s just too easy to get her going,” he says to me confidentially, seeing my eyebrows raised: I’ve rarely heard Paige this wound up. Evan certainly knows how to press her buttons.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
The more recent, historic waves of extinctions of megafauna and other ecologically naive wildlife on oceanic islands followed the tract of colonizations by Pacific Islanders—ultimately exterminating at least seventeen of Madagascar’s largest lemurs and all of the ten or so species of New Zealand’s giant flightless birds—the moas. The saga of anthropogenic extinctions was repeated countless times across the marine realm as hundreds, and possibly thousands of species of flightless birds and other insular endemics suffered extinctions at the hands, teeth, and claws of our colonizing populations and the legion of rats, mice, cats, weasels, goats, and other species we introduced to even the most remote islands. Not only did we severely reduce the distinctiveness of oceanic islands by driving thousands of endemic species to extinction, but we compounded this by introducing a redundant suite of commensal species to these islands. The result was a global-scale homogenization of nature; a dissolution of biogeography’s most fundamental pattern, Buffon’s Law—the biological distinctiveness of place.
Mark V Lomolino (Biogeography: A Very Short Introduction)