Scaling Mountains Quotes

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I need you to do something for me." He snorted. "You mean other than deserting the army, scaling mountains, and freezing my ass off on the cold ground every night?" "Yes.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
For the scientist who has lived by his faith in the power of reason, the story ends like a bad dream. He has scaled the mountains of ignorance, he is about to conquer the highest peak; as he pulls himself over the final rock, he is greeted by a band of theologians who have been sitting there for centuries.
Robert Jastrow (God and the Astronomers)
May your dreams be larger than mountains and may you have the courage to scale their summits.
Harley King
After all, words are what remain when all the deeds have been done. Words can shatter faith; start a war; change the course of history. A story can make your heart beat faster; topple walls; scale mountains - hey, a story can even raise the dead. And that's why the King of Stories ended up being the King of the gods; because writing history and making history are only the breadth of a page apart.
Joanne Harris (The Gospel of Loki (Loki, #1))
do not view mountains from the scale of human thought
Dōgen
If you imagine the 4,500-bilion-odd years of Earth's history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow. Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flash-bulb pop of light marking the impact of a Manson-sized meteor or one even larger. It's a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long.
Bill Bryson (A Short History of Nearly Everything)
To see ten thousand animals untamed and not branded with the symbols of human commerce is like scaling an unconquered mountain for the first time, or like finding a forest without roads or footpaths, or the blemish of an axe. You know then what you had always been told -- that the world once lived and grew without adding machines and newsprint and brick-walled streets and the tyranny of clocks.
Beryl Markham (West with the Night)
You think man can destroy the planet? What intoxicating vanity. Let me tell you about our planet. Earth is four-and-a-half-billion-years-old. There's been life on it for nearly that long, 3.8 billion years. Bacteria first; later the first multicellular life, then the first complex creatures in the sea, on the land. Then finally the great sweeping ages of animals, the amphibians, the dinosaurs, at last the mammals, each one enduring millions on millions of years, great dynasties of creatures rising, flourishing, dying away -- all this against a background of continuous and violent upheaval. Mountain ranges thrust up, eroded away, cometary impacts, volcano eruptions, oceans rising and falling, whole continents moving, an endless, constant, violent change, colliding, buckling to make mountains over millions of years. Earth has survived everything in its time. It will certainly survive us. If all the nuclear weapons in the world went off at once and all the plants, all the animals died and the earth was sizzling hot for a hundred thousand years, life would survive, somewhere: under the soil, frozen in Arctic ice. Sooner or later, when the planet was no longer inhospitable, life would spread again. The evolutionary process would begin again. It might take a few billion years for life to regain its present variety. Of course, it would be very different from what it is now, but the earth would survive our folly, only we would not. If the ozone layer gets thinner, ultraviolet radiation sears the earth, so what? Ultraviolet radiation is good for life. It's powerful energy. It promotes mutation, change. Many forms of life will thrive with more UV radiation. Many others will die out. Do you think this is the first time that's happened? Think about oxygen. Necessary for life now, but oxygen is actually a metabolic poison, a corrosive glass, like fluorine. When oxygen was first produced as a waste product by certain plant cells some three billion years ago, it created a crisis for all other life on earth. Those plants were polluting the environment, exhaling a lethal gas. Earth eventually had an atmosphere incompatible with life. Nevertheless, life on earth took care of itself. In the thinking of the human being a hundred years is a long time. A hundred years ago we didn't have cars, airplanes, computers or vaccines. It was a whole different world, but to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can't imagine its slow and powerful rhythms, and we haven't got the humility to try. We've been residents here for the blink of an eye. If we're gone tomorrow, the earth will not miss us.
Michael Crichton (Jurassic Park / Congo)
Some history-making is intentional; much of it is accidental. People make history when they scale a mountain, ignite a bomb, or refuse to move to the back of the bus. But they also make history by keeping diaries, writing letters, or embroidering initials on linen sheets. History is a conversation and sometimes a shouting match between present and past, though often the voices we most want to hear are barely audible. People make history by passing on gossip, saving old records, and by naming rivers, mountains, and children. Some people leave only their bones, though bones too make a history when someone notices.
Laurel Thatcher Ulrich (Well-Behaved Women Seldom Make History)
You're so alive, Maise. You're so here, so present in the moment. You've taught me that happiness is possible now, not in some distant future. You'll scale a mountain without a second thought, face your fears, throw yourself into danger, and you're not reckless but bold, proud. You have a lion's heart. You're not afraid to live.
Leah Raeder (Unteachable)
The wild worship of lawlessness and the materialist worship of law end in the same void. Nietzsche scales staggering mountains, but he turns up ultimately in Tibet. He sits down beside Tolstoy in the land of nothing and Nirvana. They are both helpless—one because he must not grasp anything, and the other because he must not let go of anything. The Tolstoyan’s will is frozen by a Buddhist instinct that all special actions are evil. But the Nietzscheite’s will is quite equally frozen by his view that all special actions are good; for if all special actions are good, none of them are special. They stand at the crossroads, and one hates all the roads and the other likes all the roads. The result is—well, some things are not hard to calculate. They stand at the cross-roads.
G.K. Chesterton
At this moment it seems as though science will never be able to raise the curtain on the mystery of creation. For the scientist who has lived by his faith in the power of reason, the story ends like a bad dream. He has scaled the mountains of ignorance; he is about to conquer the highest peak; as he pulls himself over the final rock, he is greeted by a band of theologians who have been sitting there for centuries.
Robert Jastrow
The clitoris not only applauds when a women flaunts her mastery; it will give a standing ovation. In the multiple orgasm, we see the finest evidence that our lady Klitoris helps those who help themselves. It may take many minutes to reach the first summit, but once there the lusty mountaineer finds wings awaiting her. She does noy need to scramble back to the ground before scaling the next peak, but can glide like a raptor on currents of joy.
Natalie Angier (Woman: An Intimate Geography)
Medicine is a social science, and politics is nothing but medicine on a large scale.
Tracy Kidder (Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, a Man Who Would Cure the World)
... if we walk far but are angry as we journey, we travel nowhere. If we hold grudges as we scale mountains, our view remains the same.
Wendelin Van Draanen (Wild Bird)
No settled family or community has ever called its home place an “environment.” None has ever called its feeling for its home place “biocentric” or “anthropocentric.” None has ever thought of its connection to its home place as “ecological,” deep or shallow. The concepts and insights of the ecologists are of great usefulness in our predicament, and we can hardly escape the need to speak of “ecology” and “ecosystems.” But the terms themselves are culturally sterile. They come from the juiceless, abstract intellectuality of the universities which was invented to disconnect, displace, and disembody the mind. The real names of the environment are the names of rivers and river valleys; creeks, ridges, and mountains; towns and cities; lakes, woodlands, lanes roads, creatures, and people. And the real name of our connection to this everywhere different and differently named earth is “work.” We are connected by work even to the places where we don’t work, for all places are connected; it is clear by now that we cannot exempt one place from our ruin of another. The name of our proper connection to the earth is “good work,” for good work involves much giving of honor. It honors the source of its materials; it honors the place where it is done; it honors the art by which it is done; it honors the thing that it makes and the user of the made thing. Good work is always modestly scaled, for it cannot ignore either the nature of individual places or the differences between places, and it always involves a sort of religious humility, for not everything is known. Good work can be defined only in particularity, for it must be defined a little differently for every one of the places and every one of the workers on the earth. The name of our present society’s connection to the earth is “bad work” – work that is only generally and crudely defined, that enacts a dependence that is ill understood, that enacts no affection and gives no honor. Every one of us is to some extent guilty of this bad work. This guilt does not mean that we must indulge in a lot of breast-beating and confession; it means only that there is much good work to be done by every one of us and that we must begin to do it.
Wendell Berry
But if I had know I had a daughter, I would have found a solution." He studies me, waiting until my eyes raise to meet his. "I would have swum across the oceans. I would have scaled mountains. I would have crossed deserts. I would have found a way.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
What must it be, then, to bear the manifold tortures of hell forever? Forever! For all eternity! Not for a year or an age but forever. Try to imagine the awful meaning of this. You have often seen the sand on the seashore. How fine are its tiny grains! And how many of those tiny grains go to make up the small handful which a child grasps in its play. Now imagine a mountain of that sand, a million miles high, reaching from the earth to the farthest heavens, and a million miles broad, extending to remotest space, and a million miles in thickness, and imagine such an enormous mass of countless particles of sand multiplied as often as there are leaves in the forest, drops of water in the mighty ocean, feathers on birds, scales on fish, hairs on animals, atoms in the vast expanse of air. And imagine that at the end of every million years a little bird came to that mountain and carried away in its beak a tiny grain of that sand. How many millions upon millions of centuries would pass before that bird had carried away even a square foot of that mountain, how many eons upon eons of ages before it had carried away all. Yet at the end of that immense stretch time not even one instant of eternity could be said to have ended. At the end of all those billions and trillions of years eternity would have scarcely begun. And if that mountain rose again after it had been carried all away again grain by grain, and if it so rose and sank as many times as there are stars in the sky, atoms in the air, drops of water in the sea, leaves on the trees, feathers upon birds, scales upon fish, hairs upon animals – at the end of all those innumerable risings and sinkings of that immeasurably vast mountain not even one single instant of eternity could be said to have ended; even then, at the end of such a period, after that eon of time, the mere thought of which makes our very brain reel dizzily, eternity would have scarcely begun.
James Joyce (A Portrait of the Artist as a Young Man)
To consider water on any scale was to confront a boundless repetition of small events. There were the tiny wonders: rain drops, snow crystals, grains of frost aligned on a blade of grass; and there were the wonders so immense it seemed impossible to get his mind around them: global wind, oceanic currents, storms that broke like waves over whole mountain ranges. p 46
Anthony Doerr (About Grace)
Small steps may appear unimpressive, but don't be deceived. They are the means by which perspectives are subtly altered, mountains are gradually scaled, and lives are drastically changed.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
I’ve learned that in order to be happy, you first have to have been extremely depressed. Until you have learned to suffer, happiness will never endure. The love that lasts just three years is the love that has neither scaled mountains nor lingered in the depths of despair, but the kind of love that is handed to you on a plate. Love only lasts if everyone involved knows what it costs, and it’s best to pay in advance, or else you might find yourself having to settle the bill later on. We weren’t prepared for happiness, because we weren't yet used to misery. We had grown up in the religion of comfort. You first have to know who you are and who you love. You have to be a finished person to live an unfinished story.
Frédéric Beigbeder (L'amour dure trois ans (Marc Marronnier, #3))
I have climbed highest mountains I have run through the fields Only to be with you I have run I have crawled I have scaled these city walls These city walls Only to be with you But I still haven't found what I'm kooking for
Bono (Joshua Tree)
I tear at the air with glass nails that have learned to scale mountains of mirrors.
Valentina Cano
He famously defended fairy stories against those who said they told children that there were monsters; children already know that there are monsters, he said, and fairy stories teach them that monsters can be killed. We now know that the monsters may not simply have scales and sleep under a mountain. They may be in our own heads.
Terry Pratchett (The Amazing Maurice and His Educated Rodents (Discworld, #28))
Always has woman crouched close to earth like a partridge hen mothering her young; always has my wantonness of roving led me out on the shining ways; and always have my star paths returned me to her, the figure everlasting, the woman, the one woman, for whose arms I had such need that clasped in them I have forgotten the stars. For her I accomplished Odysseys scaled mountains crossed deserts; for her I led the hunt and was forward in battle; and for her end' to her I sang my songs of the things I had done. All ecstasies of life and rhapsodies of delight have been mine because of her. And here, at the end, I can say that I have known no sweeter, deeper madness of being than to drown in the fragrant glory and forgetfulness of her hair.
Jack London (The Star Rover (Modern Library Classics))
One day, I will be a child again. Carved toys will caper and dance from my mind, out across rock I will raise as mountains. Through grasses I will proclaim forests. For too long I have been trapped in this world of measures, proportions and scale. For too long I have known and understood the limits of what is possible, so cruel in rejecting all that can be imagined. In this way, friend, we are each of us not one but two lives, for ever locked in mortal combat, and from all things at hand, we make weapons.’ - Hust Henarald
Steven Erikson (Forge of Darkness (The Kharkanas Trilogy, #1))
That’s the thing I’ve learned about mountains: the joy you feel at scaling them is in direct proportion to how high and impassable the peak appears to be once you’re on the other side of it.
Marie Bostwick (Just In Time)
As I pondered a pronoun change, I began to think of gender less as a scale and more as a landscape. Some people are born in the mountains, while others are born by the sea. Some people are happy to live in the place they were born, while others must make a journey to reach the climate in which they can flourish and grow. Between the ocean and the mountains is a wild forest. That is where I want to make my home.
Maia Kobabe (Gender Queer)
Oh, mansion shmansion. Did Gandhi's house have the largest outdoor trampoline in the tristate area? Did Jesus have a two-acre remote-controlled car track, with mountains to scale and a little village that lit up at night? Not in his Bible.
George Saunders (Tenth of December)
Is a mountain a very large rock? Is a planet a huge mountain? These terms can be used, but the new scale of magnitude brings with it new regularities and new phenomena.
Stanisław Lem (Solaris)
When you’re free from the shackles of solitude you never get the sense any mountain is too high to scale, or any horizon is too far to conquer.
Saim .A. Cheeda
He was tired of having to move so carefully, of having to be so careful. He wanted to be able to skip, for God’s sake. He wanted to be Ichigo. He wanted to surf, and ski, and parasail, and fly, and scale mountains and buildings. He wanted to die a million deaths like Ichigo, and no matter what damage was inflicted on his body during the day, he’d wake up tomorrow, new and whole. He wanted Ichigo’s life, a lifetime of endless, immaculate tomorrows, free of mistakes and the evidence of having lived.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
The beauty of the place moved me; I loved how the clean air felt in my lungs, how far I was from everything I had ever known. People I'd hurt, people I'd failed, people who thought me a monster. Here there was no monster greater than the ragged mountains.
Rachel Hartman (Shadow Scale (Seraphina, #2))
That's how religions and histories make their way into the world, not through battles and conquests, but through poems and kennings and songs, passed through generations and written down by scholars and scribes. . . . After all, words are what remain when all the deeds have been done. Words can shatter faith, start a war, change the course of history. A story can make your heart beat faster, topple walls, scale mountains--Hey, a story can even raise the dead. And that's why the King of Stories ended up being King of the gods, because writing history and making history are only the breadth of a page apart.
Joanne Harris (The Gospel of Loki (Loki, #1))
The pursuit of science has often been compared to the scaling of mountains, high and not so high. But who amongst us can hope, even in imagination, to scale the Everest and reach its summit when the sky is blue and the air is still, and in the stillness of the air survey the entire Himalayan range in the dazzling white of the snow stretching to infinity? None of us can hope for a comparable vision of nature and of the universe around us. But there is nothing mean or lowly in standing in the valley below and awaiting the sun to rise over Kinchinjunga.
Subrahmanyan Chandrasekhar (Truth and Beauty: Aesthetics and Motivations in Science)
Nimander wondered if he had discovered the face of the one true god. Naught else but time, this ever changing and yet changeless tyrant against whom no creature could win. Before whom even trees, stone and air must one day bow. There would be a last dawn, a last sunset, each kneeling in final surrender. Yes, time was indeed god, playing the same games with lowly insects as it did with mountains and the fools who would carve fastnesses into them. At peace with every scale, pleased by the rapid patter of a rat’s heart and the slow sighing of devouring wind against stone. Content with a star’s burgeoning light and the swift death of a raindrop on a desert floor.
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
For the scientist who has lived by his faith in the power of reason, the story ends like a bad dream. He has scaled the mountain of ignorance; he is about to conquer the highest peak; as he pulls himself over the final rock, he is greeted by a band of theologians who have been sitting there for centuries.
Robert Jastrow (The Enchanted Loom)
I’ve scaled mountains with my bare hands, no harness or rope. I’ve sped down freeways at over a hundred miles per hour. I once dove off a forty-foot cliff, swam with sharks, jumped out of a fucking plane, whitewater rafted class five rapids,
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
The smell of books soothed his soul like nothing else could. The store was his haven, his refuge, and most importantly, it was safe. Here he could go anywhere in the world, explore the seas, scale mountains, travel through time and space or fall in love.
Sheri Lyn (Safe Haven (Safe Haven Series Book 1))
I left them to it, the pointing of fingers on maps, the tracing of mountain villages, the tracks and contours on maps of larger scale, and basked for the one evening allowed to me in the casual, happy atmosphere of the taverna where we dined. I enjoyed poking my finger in a pan and choosing my own piece of lamb. I liked the chatter and the laughter from neighbouring tables. The gay intensity of talk - none of which I could understand, naturally - reminded me of left-bank Paris. A man from one table would suddenly rise to his feet and stroll over to another, discussion would follow, argument at heat perhaps swiftly dissolving into laughter. This, I thought to myself, has been happening through the centuries under this same sky, in the warm air with a bite to it, the sap drink pungent as the sap running through the veins of these Greeks, witty and cynical as Aristophanes himself, in the shadow, unmoved, inviolate, of Athene's Parthenon. ("The Chamois")
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
No, not conquer, that is too foolish a world. Any man who scales a mountain is still but a man, a transient speck compared to the immensity and permanence of a mountain .
James Rozoff (Stories Light And Dark: Nine Short Stories)
...what time actually is--nothing less than a silent sister, a column of mercury without a scale, for the purpose of keeping people from cheating.
Thomas Mann (The Magic Mountain)
That night longer than all my life before it. No scale or measure in this world can ever be held constant. We are always slipping.
David Vann (Goat Mountain)
Hush!’ said the Cabby. They all listened. In the darkness something was happening at last. A voice had begun to sing. It was very far away and Digory found it hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself. There were no words. There was hardly even a tune. But it was, beyond comparison, the most beautiful noise he had ever heard. It was so beautiful he could hardly bear it… ‘Gawd!’ said the Cabby. ‘Ain’t it lovely?’ Then two wonders happened at the same moment. One was that the voice was suddenly joined by other voices; more voices than you could possibly count. They were in harmony with it, but far higher up the scale: cold, tingling, silvery voices. The second wonder was that the blackness overhead, all at once, was blazing with stars. They didn’t come out gently one by one, as they do on a summer evening. One moment there had been nothing but darkness; next moment a thousand, thousand points of light leaped out – single stars, constellations, and planets, brighter and bigger than any in our world. There were no clouds. The new stars and the new voices began at exactly the same time. If you had seen and heard it , as Digory did, you would have felt quite certain that it was the stars themselves who were singing, and that it was the First Voice, the deep one, which had made them appear and made them sing. ‘Glory be!’ said the Cabby. ‘I’d ha’ been a better man all my life if I’d known there were things like this.’ …Far away, and down near the horizon, the sky began to turn grey. A light wind, very fresh, began to stir. The sky, in that one place, grew slowly and steadily paler. You could see shapes of hills standing up dark against it. All the time the Voice went on singing…The eastern sky changed from white to pink and from pink to gold. The Voice rose and rose, till all the air was shaking with it. And just as it swelled to the mightiest and most glorious sound it had yet produced, the sun arose. Digory had never seen such a sun…You could imagine that it laughed for joy as it came up. And as its beams shot across the land the travellers could see for the first time what sort of place they were in. It was a valley through which a broad, swift river wound its way, flowing eastward towards the sun. Southward there were mountains, northward there were lower hills. But it was a valley of mere earth, rock and water; there was not a tree, not a bush, not a blade of grass to be seen. The earth was of many colours: they were fresh, hot and vivid. They made you feel excited; until you saw the Singer himself, and then you forgot everything else. It was a Lion. Huge, shaggy, and bright it stood facing the risen sun. Its mouth was wide open in song and it was about three hundred yards away.
C.S. Lewis (The Magician’s Nephew (Chronicles of Narnia, #6))
Relationships aren't about photo ops. They're about scaling mountains and crossing deserts, about getting to where you think you belong. About having your partner's arms around you and realizing that you don't fit into them.
Jodi Picoult (The Book of Two Ways)
Relationships aren’t about photo ops. They’re about scaling mountains and crossing deserts, about getting to where you think you belong, about having your partner’s arms around you, and realizing that you don’t fit into them.
Jodi Picoult (The Book of Two Ways)
Relationships aren’t about photo ops. They’re about scaling mountains and crossing deserts, about getting to where you think you belong, about having your partner’s arms around you, and realizing that you don’t fit into them. That’s why it was art.
Jodi Picoult (The Book of Two Ways)
The frantic summer fishermen who pay a price and glut the decks with fish in the afternoon wonder vaguely what to do with them, sacks and baskets and mountains of porgies and blows and blackfish, sea robins, and even slender dogfish, all to be torn up greedily, to die, and to be thrown back for the waiting gulls. The gulls swarm and wait, knowing the summer fisherman will sicken of their plenty. Who wants to clean and scale a sack of fish? It's harder to give away fish than it is to catch them.
John Steinbeck (The Winter of Our Discontent)
Sadly but, perhaps, not altogether unexpectedly this society has had very limited success in achieving what is supposed to be the justification for its existence-- the greatest amount of happiness for the greatest possible number of people. In so far as its citizens are saved from the major anxieties and responsibilities which normally surround the business of being a man, they transfer what appears to be an unvarying human capacity for worry to the most trivial things, making mountains out of molehills on a vast scale; and they have 'nervous breakdowns' over problems which men and women living under sterner conditions would hardly find time to notice.
Charles Le Gai Eaton (King of the Castle: Choice and Responsibility in the Modern World (Islamic Texts Society))
The mountains that enfold the vale With walls of granite, steep and high, Invite the fearless foot to scale Their stairway toward the sky. The restless, deep, dividing sea That flows and foams from shore to shore, Calls to its sunburned chivalry, "Push out, set sail, explore!" And all the bars at which we fret, That seem to prison and control, Are but the doors of daring, set Ajar before the soul. Say not, "Too poor," but freely give; Sigh not, "Too weak," but boldly try, You never can begin to live Until you dare to die.
Henry Van Dyke
Protestantism harbors within it certain elements – just as the Great Reformer himself harbored such elements within his personality. I am thinking here of a sentimentality, a trancelike self-hypnosis that is not European, that is foreign and hostile to our active hemisphere’s law of life. Just look at him, this Luther. Look at the portraits, both as a young man and later. What a skull, what cheekbones, what a strange set to the eyes. My friend, that is Asia. I would be surprised, would be astonished, if Wendish-Slavic-Sarmatian blood was not at work there, and if it was not this massive phenomenon of a man – and who would deny him that – who proved to be a fatal weight placed on one of the two precariously balanced scales of your nation, on the Eastern scale, which caused – and still causes – the Western scale to fly heavenward.
Thomas Mann (The Magic Mountain)
Art is an adventure. When it ceases to be an adventure, it ceases to be art. Not all of us pursue the inaccessible landscapes of the twelve-tone scale, just as not all of us strive for inaccessible mountain-tops, or glory in storms at sea. But the human incidence is there. Could it be that these two impractical pursuits — of beauty and of adventure’s embrace — are simply two differing profiles of the same uniquely human reality?
Robert Ardrey
Fractals are a kind of geometry, associated with a man named Mandelbrot. Unlike ordinary Euclidean geometry that everybody learns in school—squares and cubes and spheres—fractal geometry appears to describe real objects in the natural world. Mountains and clouds are fractal shapes. So fractals are probably related to reality. Somehow. “Well, Mandelbrot found a remarkable thing with his geometric tools. He found that things looked almost identical at different scales.” “At different scales?” Grant said. “For example,” Malcolm said, “a big mountain, seen from far away, has a certain rugged mountain shape. If you get closer, and examine a small peak of the big mountain, it will have the same mountain shape. In fact, you can go all the way down the scale to a tiny speck of rock, seen under a microscope—it will have the same basic fractal shape as the big mountain.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
A sense of solemn aspiration comes upon us as we view the mountain. We are uplifted. The entire scale of being is raised. Our outlook on life seems all at once to have been heightened. And not only is there this sense of elevation: we seem purified also. Meanness, pettiness, paltriness seem to shrink away abashed at the sight of that radiant purity.
Francis Younghusband
The Atlantic is a stormy moat, and the Mediterranean, The blue pool in the old garden, More than five thousand years has drunk sacrifice Of ships and blood and shines in the sun; but here the Pacific: The ships, planes, wars are perfectly irrelevant. Neither our present blood-feud with the brave dwarfs Nor any future world-quarrel of westering And eastering man, the bloody migrations, greed of power, battle-falcons, Are a mote of dust in the great scale-pan. Here from this mountain shore, headland beyond stormy headland plunging like dolphins through the grey sea-smoke Into pale sea, look west at the hill of water: it is half the planet: this dome, this half-globe, this bulging Eyeball of water, arched over to Asia, Australia and white Antarctica: those are the eyelids that never close; this is the staring unsleeping Eye of the earth, and what it watches is not our wars.
Robinson Jeffers (The Selected Poetry)
Montenegro (1877) THEY rose to where their sovereign eagle sails, They kept their faith, their freedom, on the height, Chaste, frugal, savage, arm'd by day and night Against the Turk; whose inroad nowhere scales Their headlong passes, but his footstep fails, And red with blood the Crescent reels from fight Before their dauntless hundreds, in prone flight By thousands down the crags and thro' the vales. O smallest among peoples! rough rock-throne Of Freedom! warriors beating back the swarm Of Turkish Islam for five hundred years, Great Tsernogora! never since thine own Black ridges drew the cloud and brake the storm Has breathed a race of mightier mountaineers. Alfred Lord Tennyson, 1880
Alfred Tennyson
Here there was no monster greater than the ragged mountains.
Rachel Hartman (Shadow Scale (Seraphina, #2))
staring up at a mountain I have yet to scale, each match a step toward the top. It has been so long since I have felt the perfect ache of climbing.
Taylor Jenkins Reid (Carrie Soto Is Back)
There is nothing I would not do for your kiss, no mountain I would not scale, no river I would not ford, no desert I would not cross.
Neil Gaiman (Stardust)
Lesser peaks they once inhabited; but ever the men from the plains would scale the slopes of rock and snow, driving the gods to higher and higher mountains till now only the last remains.
H.P. Lovecraft (The Complete Fiction of H. P. Lovecraft)
Well now, that's the beauty of it. ... You put your faith in him instead of yourself, because without him, we can't be trusted to do the right thing. But with him? ... We can scale mountains.
Julie Lessman (A Love Surrendered (Winds of Change, #3))
Virchow would write, ‘My politics were those of prophylaxis, my opponents preferred those of palliation.’ He had a knack for aphorism. ‘Medicine is a social science, and politics is nothing but medicine on a large scale.’ ‘It is the curse of humanity that it learns to tolerate even the most horrible situations by habituation.’ ‘Medical education does not exist to provide students with a way to make a living, but to ensure the health of the community.’ ‘The physicians are the natural attorneys of the poor, and the social problems should largely be solved by them.’ This last was Farmer’s favorite. Virchow put the world together in a way that made sense to Farmer. ‘Virchow had a comprehensive vision,’ he said. ‘Pathology, social medicine, politics, anthropology. My model.
Tracy Kidder (Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, a Man Who Would Cure the World)
Pilgrims Tuscan reds and ochre hues Olive greens and skies of blue Sunlit valleys full of charm Secluded homestead and hilltop farm Over hills skim birds in flight Aromas whet the appetite Autumn rustle fills the air Revealing grace of trees laid bare Pathways meander through the vale Inviting travelers its height to scale Sunset rewards as evening ends And pilgrims to the night descend
Collette O'Mahony (The Soul in Words: A collection of Poetry & Verse)
A few birds flew out from the mountains and glided for a while without sound. Standing out against the sky on high slopes beyond a range of low hills, they saw an endless herd of deer, rendered mute by distance. The landscape was reminiscent of a cardboard cutout, but on a huge scale, which gave the impression they were the ones who had become miniatures…All three of them were equally lost.
César Aira (The Hare)
If you can manage to see yourself from the outside and accept yourself as a vulnerable organism within the biosphere, rather than focusing on the narrowness of your own needs and considering yourself the center of reality, you will be amazed at how the world positively overflows with suffering beings, each with needs and appetites of their own. Something odd occurs when one has that experience: Suddenly, the soul is filled with deep compasion for the world. This is the only attitude adequate to the task of scaling the dark mountain of the ecological catastrophe we face: without any illusion that it is possible to change human beings based on the strenght of better insights. But with full-fledged empathy for this creation, among which things are so hard precisely because it is creation. And with equally strong gratitude for this creation beneath a graciously warm sun and its affirmative light: where we have already been given everyhing we need to live, before we ever thought to desire it.
Andreas Weber (Matter and Desire: An Erotic Ecology)
Everyone has an Everest. Whether it’s a climb you chose, or a circumstance you find yourself in, you’re in the middle of an important journey. Can you imagine a climber scaling the wall of ice at Everest’s Lhotse Face and saying, “This is such a hassle”? Or spending the first night in the mountain’s “death zone” and thinking, “I don’t need this stress”? The climber knows the context of his stress. It has personal meaning to him; he has chosen it. You are most liable to feel like a victim of the stress in your life when you forget the context the stress is unfolding in. “Just another cold, dark night on the side of Everest” is a way to remember the paradox of stress. The most meaningful challenges in your life will come with a few dark nights. The biggest problem with trying to avoid stress is how it changes the way we view our lives, and ourselves. Anything in life that causes stress starts to look like a problem. If you experience stress at work, you think there’s something wrong with your job. If you experience stress in your marriage, you think there’s something wrong with your relationship. If you experience stress as a parent, you think there’s something wrong with your parenting (or your kids). If trying to make a change is stressful, you think there’s something wrong with your goal. When you think life should be less stressful, feeling stressed can also seem like a sign that you are inadequate: If you were strong enough, smart enough, or good enough, then you wouldn’t be stressed. Stress becomes a sign of personal failure rather than evidence that you are human. This kind of thinking explains, in part, why viewing stress as harmful increases the risk of depression. When you’re in this mindset, you’re more likely to feel overwhelmed and hopeless. Choosing to see the connection between stress and meaning can free you from the nagging sense that there is something wrong with your life or that you are inadequate to the challenges you face. Even if not every frustrating moment feels full of purpose, stress and meaning are inextricably connected in the larger context of your life. When you take this view, life doesn’t become less stressful, but it can become more meaningful.
Kelly McGonigal (The Upside of Stress: Why Stress Is Good for You, and How to Get Good at It)
You were contemplating the mountain, Mr. Conway?" Came the inquiry. "Yes, it's a fine sight. It has a name, I suppose?" "It is called Karakal" "I don't think I've ever heard of it. Is is very high?" "Over twenty-eight thousand feet." "Indeed? I didn't realize there would be anything on that scale outside the Himalayas. Has it been properly surveyed? Whose are the measurements?" "Whose would you expect, my dear sir? Is there anything incompatible between monasticism and trigonometry?
James Hilton (Lost Horizon)
Ecology is beginning to slowly shift focus with tentative explorations of what the world would look like if process, rather than matter were the basis for reality What if we defined a species in terms of its life processes? We might seriously doubt whether the California condor or the tall grass prairie can be 'saved' or even 'restored.' Perhaps we can re-create some local conditions that foster a few nests of condors or a few acres of prairie. But the life process of the condor ended with the urbanization of the California foothills and the living ebb and flow of the tall grass prairies died with the plowing of the Great Plains. What if we suggested that a thing is what it does? In this light, the Rocky Mountain locust was a immense aperiodic energy flow that linked life processes on a continental scale. This notion of life-as-process might seem unusual in a society in which material existence is primary. But such a perception informs our deepest understanding of life. Indeed, life-as-process underlies our notion of euthanasia. When loved ones are simply bodies, devoid of the capacity to care, respond, or relate again a away that we can recognize as being "them," we understand that they are gone even before they are dead.
Jeffrey A. Lockwood
Last and crowning torture of all the tortures of that awful place is the eternity of hell. Eternity! O, dread and dire word. Eternity! What mind of man can understand it? And remember, it is an eternity of pain. Even though the pain of hell were not so terrible as they are, yet they would become infinite, as they are destined to last for ever. But while they are everlasting they are at the some times, as you know, intolerably intense, unbearably extensive. To bear even the sting of an insect for all eternity would be a dreadful torment. What must it be, then, to bear the manifold tortures of hell for ever? For ever! For all eternity! Not for a year or for an age but for ever. Try to imagine the awful meaning of this. You have often seen the sand on the seashore. How fine are its tiny grains! And how many of those tiny little grains go to make up the small handful which a child grasps in its play. Now imagine a mountain of that sand, a million miles high, reaching from earth to the farthest heavens, and a million miles broad, extending to remotest space, and a million miles in thickness; and imagine such an enormous mass of countless particles of sand multiplies as often as there are leaves in the forest, drops of water in the mighty ocean, feathers on birds, scales on fish, hairs on animals, atoms in the vast expanse of the air: and imagine that at the end of every million years a little bird came to that mountain and carried away in its beak a tiny grain of that sand. How many million upon millions of centuries would pass before that bird had carried away even a square foot of that mountain, how many eons upon eons of ages before it had carried away all? Yet at the end of that immense stretch of time not even one instant of eternity could be said to have ended. At the end of all those billions and trillions of years eternity would have scarcely begun. And if that mountain rose again after it had been all carried away, and i f the bird came again and carried it all away again grain by grain, and if it sop rose and sank as many times as there are stars in the sky, atoms in the air, drops of water in the sea, leaves on the trees, feathers upon birds, scales upon fish, hairs upon animals, at the end of all those innumerable risings and sinkings of that immeasurably vast mountain not one single instant of eternity could be said to have ended; even then, at the end of such a period, after that eon of time the mere thought of which makes our very brain reel dizzily, eternity would scarcely have begun.
James Joyce (A Portrait of the Artist as a Young Man)
The Japanese conquest of Manchuria and their full-scale invasion of China in 1937 led to clashes on the badly mapped Soviet-Manchurian frontier. Some of these were serious and involved large-scale tank battles, which the Russians, under Marshal Zhukov, won.
Paul Johnson (Stalin: The Kremlin Mountaineer (Icons))
I have a beloved, over the mountains and across the seas… I’m his reverse scale… My name is Jing Lin… Ming Jin Stage… City of Huaishu… Qixing town… He and I, he… ...I want to form a marriage alliance with him… In Qixing Town…Ming Jin Stage… Come for me, for me…
Tang Jiuqing (南禅 [Nan Chan])
There is one type of scientific illustration in which this effect of scale on impression is acknowledged officially, as it were. Geographers who draw sections of mountain ranges will exaggerate the relation of height to width according to a stated proportion. They have found that a true rendering of vertical relationship looks false. Our mind refuses to accept the fact that the distance of 28,000 feet to which Mount Everest soars from sea level is no more than the distance of just over 5 miles which a car traverses in a matter of minutes.
E.H. Gombrich (Art and Illusion: A Study in the Psychology of Pictorial Representation)
Courage, Liam thought to himself, wasn’t a hot, blistering emotion held only in the hands of men who joined the special forces and jumped out of airplanes and scaled unnamed mountains. It was a quiet thing, ice-cold more often than not; the last tiny piece you found when you thought that everything was gone. It was facing your children at a time like this, holding their hands and brushing their tears away when you were certain you hadn’t the strength to do it. It was swallowing your own grief and going on, one shallow, bitter breath at a time.
Kristin Hannah (Angel Falls)
Talking about the present means I have to go deep into the past, to cross borders and scale mountains and go back to that lake so enormous they call it a sea. I have to let myself be guided by the flow of images and free associations, the natural fits and starts, the hollows and bumps carved into my memories by time. But the truth of memory is strange, isn’t it? Our memories select, eliminate, exaggerate, minimize, glorify, denigrate. They create their own versions of events and serve up their own reality. Disparate, but cohesive. Imperfect yet sincere.
Négar Djavadi (Désorientale)
Roughly one-third of the planet already lived in chronic poverty, according to United Nations statistics. Farmer pointed out that through the spread of disease, illiteracy, and consumption of resources by the poor, prosperous first-world countries would increasingly be affected—unless they scaled back on their own use of resources and brought education and health care to the poor. In his speeches, Farmer liked to talk about “the nation of humanity,” as opposed to developed or undeveloped nations. He wanted everyone to see the interconnectedness of it all, and that the responsibility of the WLs was more than just giving money. Three
Tracy Kidder (Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, A Man Who Would Cure the World)
For the scientist who has lived by his faith in the power of reason, the story ends like a bad dream. He has scaled the mountains of ignorance; he is about to conquer the highest peak; as he pulls himself over the final rock, he is greeted by a band of theologians who have been sitting there for centuries. —ROBERT JASTROW
Kenneth D. Boa (20 Compelling Evidences That God Exists: Discover Why Believing in God Makes So Much Sense)
For the scientist who has lived by his faith in the power of reason, the story ends like a bad dream. He has scaled the mountains of ignorance; he is about to conquer the highest peak; as he pulls himself over the final rock, he is greeted by a band of theologians who have been sitting there for centuries. (Robert Jastrow, astronomer)
Louis A. Markos (Apologetics for the Twenty-First Century)
Yes, and words are not deeds, Solanka allowed, moving off fretfully. Though words can become deeds. If said in the right place and at the right time, they can move mountains and change the world. Also, uh-huh, not knowing what you're doing - separating deeds from the words that define them - was apparently becoming an acceptable excuse. To say "I didn't mean it" was to erase meaning from your misdeeds, at least in the opinion of the Beloved ALis of the world. Could that be so? Obviously, no. No, it simply could not. Many people would say that even a genuine act of repentance could not atone for a crime, much less this unexplained blankness - an infinitely lesser excuse, a mere assertion of ignorance that wouldn't even register on any scale of regret.
Salman Rushdie
And this whole sunny region—these easily scaled coastal heights, these laughing rock-bound pools, and the sea itself, as far as the islands where boats sailed past now and then—was populated in all directions: people, children of the sea and sun, were stirring and resting everywhere, intelligent, cheerful, beautiful, young humanity, so fair to gaze upon. And at the sight, Hans Castorp's whole heart opened wide—painfully, lovingly wide.
Thomas Mann (The Magic Mountain)
Once, aeons ago, the Appalachians were of a scale and majesty to rival the Himalayas—piercing, snow-peaked, pushing breathtakingly through the clouds to heights of four miles or more. New Hampshire’s Mount Washington is still an imposing presence, but the stony mass that rises from the New England woods today represents, at most, the stubby bottom one-third of what was ten million years ago. That the Appalachian Mountains present so much more modest an aspect today is because they have had so much time in which to wear away. The Appalachians are immensely old—older than the oceans and continents (at least in their present configurations), far, far older than most other mountain chains, older indeed than almost all other landscape features on earth. When simple plants colonized the land and the first creatures crawled gasping from the sea, the Appalachians were there to greet them.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Euclid's Elements has been for nearly twenty-two centuries the encouragement and guide of that scientific thought which is one thing with the progress of man from a worse to a better state. The encouragement; for it contained a body of knowledge that was really known and could be relied on, and that moreover was growing in extent and application. For even at the time this book was written—shortly after the foundation of the Alexandrian Museum—Mathematics was no longer the merely ideal science of the Platonic school, but had started on her career of conquest over the whole world of Phenomena. The guide; for the aim of every scientific student of every subject was to bring his knowledge of that subject into a form as perfect as that which geometry had attained. Far up on the great mountain of Truth, which all the sciences hope to scale, the foremost of that sacred sisterhood was seen, beckoning for the rest to follow her.
William Kingdon Clifford (Lectures and Essays by the Late William Kingdon Clifford, F.R.S. (Volume 1))
According to Montagne legend, the mountain has forever been the abode of giants. Long ago a traveling pair of sorcerers, husband and wife, scaled the cliff into the valley, and the woman cured the giants’ chilblains with ointments and the gift of fire. In gratitude, the giants built Chateau de Montagne out of the living rock of Ancienne, and from that castle the couple founded the kingdom of Montagne, using their magic to shield the country and its people from harm.
Catherine Gilbert Murdock (Princess Ben)
[S]he realized quite abruptly that this thing which took him off, which kept him out so many hours day after day, this thing that was against her own little will and instincts—was enormous as the sea. It was no mere prettiness of single Trees, but something massed and mountainous. About her rose the wall of its huge opposition to the sky, its scale gigantic, its power utterly prodigious. What she knew of it hitherto as green and delicate forms waving and rustling in the winds was but, as it were the spray of foam that broke into sight upon the nearer edge of viewless depths far, far away. The trees, indeed, were sentinels set visibly about the limits of a camp that itself remained invisible. The awful hum and murmur of the main body in the distance passed into that still room about her with the firelight and hissing kettle. Out yonder—in the Forest further out—the thing that was ever roaring at the center was dreadfully increasing.
Algernon Blackwood (The Man Whom the Trees Loved)
Now imagine a mountain of that sand, a million miles high, reaching from the earth to the farthest heavens, and a million miles broad, extending to remotest space, and a million miles in thickness; and imagine such an enormous mass of countless particles of sand multiplied as often as there are leaves in the forest, drops of water in the mighty ocean, feathers on birds, scales on fish, hairs on animals, atoms in the vast expanse of the air: and imagine that at the end of every million years a little bird came to that mountain and carried away in its beak a tiny grain of that sand. How many millions upon millions of centuries would pass before that bird had carried away even a square foot of that mountain, how many eons upon eons of ages before it had carried away all? Yet at the end of that immense stretch of time not even one instant of eternity could be said to have ended. At the end of all those billions and trillions of years eternity would have scarcely begun.
James Joyce (A Portrait of the Artist as a Young Man)
Psychologists have found that the most significant common trait among people who are pulled to the mountains is something called sensation seeking. “Neuroscience calls it novelty, it’s the willingness to take risks for the sake of rewards,” says Cynthia Thomson, a health researcher who looks at behavioral genetics. “Compared to people who don’t ski, skiers are higher on the sensation-seeking scale. They have a low threshold for boredom, and tend to look for more exciting experiences, even if there are dangers associated with them.
Heather Hansman (Powder Days: Ski Bums, Ski Towns and the Future of Chasing Snow)
He was tired of his body, of his unreliable foot, which couldn’t even handle the slightest expression of joy. He was tired of having to move so carefully, of having to be so careful. He wanted to be able to skip, for God’s sake. He wanted to be Ichigo. He wanted to surf, and ski, and parasail, and fly, and scale mountains and buildings. He wanted to die a million deaths like Ichigo, and no matter what damage was inflicted on his body during the day, he’d wake up tomorrow, new and whole. He wanted Ichigo’s life, a lifetime of endless, immaculate tomorrows, free of mistakes and the evidence of having lived.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
It wasn’t until Clay felt the sand under his talons and heard the roaring of the dragons in the stands that he realized he hadn’t quite thought this plan through. He had no idea what his fighting skills would be like against an unknown dragon. His mind went blank as the SkyWing guards dropped a hissing IceWing onto the ground opposite him. Did he know anything about IceWings? The sun was high in the sky, and it was much warmer in the arena than up on their prison spires. Clay could see beads of silvery liquid dripping through the IceWing’s glacier-blue scales. Above them, Queen Scarlet smirked from her balcony, with Glory sleeping serenely beside her. The same SkyWing announcer from the day before strutted to the center of the arena and bellowed at the crowd. “After last month’s battle with Blaze’s army, our queen’s dungeons were stuffed with IceWing prisoners of war. Only nine have survived. After two wins, I give you — Fjord of the IceWings!” Fjord lashed his tail and snarled at Clay. “And in this corner, an unusual case — a MudWing, but not one of our allies. No, this dragonet was found hiding under our mountains, protected by the Talons of Peace. Is he one of the dragonets of destiny? Not if he loses this battle!” A murmur of laughter rippled around the seats, but in the closest faces Clay could see expressions of uneasiness and, he thought, concern. He spotted a large MudWing in one of the balconies, frowning down at him. Try to stop this, Clay thought at him, praying hard. Do something! I’m one of you! But the MudWing shifted his gaze away, as if he didn’t want to watch but couldn’t afford to leave. The SkyWing announcer went on. “If these prophesied dragonets are as wonderful and legendary as they’re supposed to be, this should be a showdown to remember. I hope you’re prepared to impress us, dragon of the mud. I present to you … Clay of the MudWings! Claws up, teeth ready! Fight!” Clay
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
From his corner office on the ground floor of the St. Cyril station house, Inspector Dick has a fine view of the parking lot. Six Dumpsters plated and hooped like iron maidens against bears. Beyond the Dumpsters a subalpine meadow, and then the snow¬ capped ghetto wall that keeps the Jews at bay. Dick is slouched against the back of his two-thirds-scale desk chair, arms crossed, chin sunk to his chest, star¬ing out the casement window. Not at the mountains or the meadow, grayish green in the late light, tufted with wisps of fog, or even at the armored Dumpsters. His gaze travels no farther than the parking lot—no farther than his 1961 Royal Enfield Crusader. Lands¬man recognizes the expression on Dick's face. It's the expression that goes with the feeling Landsman gets when he looks at his Chevelle Super Sport, or at the face of Bina Gelbfish. The face of a man who feels he was born into the wrong world. A mistake has been made; he is not where he belongs. Every so often he feels his heart catch, like a kite on a telephone wire, on something that seems to promise him a home in the world or a means of getting there. An American car manufactured in his far-off boyhood, say, or a motor¬cycle that once belonged to the future king of England, or the face of a woman worthier than himself of being loved.
Michael Chabon (The Yiddish Policemen's Union)
For I believe that climate does thus react on man—as there is something in the mountain air that feeds the spirit and inspires. Will not man grow to greater perfection intellectually as well as physically under these influences? Or is it unimportant how many foggy days there are in his life? I trust that we shall be more imaginative, that our thoughts will be clearer, fresher, and more ethereal, as our sky—our understanding more comprehensive and broader, like our plains—our intellect generally on a grander scale, like our thunder and lightning, our rivers and mountains and forests-and our hearts shall even correspond in breadth and depth and grandeur to our inland seas.
Henry David Thoreau (Walking)
February 12 MORNING “For as the sufferings of Christ abound in us, so our consolation also aboundeth by Christ.” — 2 Corinthians 1:5 HERE is a blessed proportion. The Ruler of Providence bears a pair of scales — in this side He puts His people’s trials, and in that He puts their consolations. When the scale of trial is nearly empty, you will always find the scale of consolation in nearly the same condition; and when the scale of trials is full, you will find the scale of consolation just as heavy. When the black clouds gather most, the light is the more brightly revealed to us. When the night lowers and the tempest is coming on, the Heavenly Captain is always closest to His crew. It is a blessed thing, that when we are most cast down, then it is that we are most lifted up by the consolations of the Spirit. One reason is, because trials make more room for consolation. Great hearts can only be made by great troubles. The spade of trouble digs the reservoir of comfort deeper, and makes more room for consolation. God comes into our heart — He finds it full — He begins to break our comforts and to make it empty; then there is more room for grace. The humbler a man lies, the more comfort he will always have, because he will be more fitted to receive it. Another reason why we are often most happy in our troubles, is this — then we have the closest dealings with God. When the barn is full, man can live without God: when the purse is bursting with gold, we try to do without so much prayer. But once take our gourds away, and we want our God; once cleanse the idols out of the house, then we are compelled to honour Jehovah. “Out of the depths have I cried unto thee, O Lord.” There is no cry so good as that which comes from the bottom of the mountains; no prayer half so hearty as that which comes up from the depths of the soul, through deep trials and afflictions. Hence they bring us to God, and we are happier; for nearness to God is happiness. Come, troubled believer, fret not over your heavy troubles, for they are the heralds of weighty mercies.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Life, in short, just wants to be. But—and here’s an interesting point—for the most part it doesn’t want to be much. This is perhaps a little odd because life has had plenty of time to develop ambitions. If you imagine the 4.5 billion odd years of Earth’s history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow. Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flashbulb pop of light marking the impact of a Manson-sized meteor or one even larger. It’s a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long. Perhaps an even more effective way of grasping our extreme recentness as a part of this 4.5-billion-year-old picture is to stretch your arms to their fullest extent and imagine that width as the entire history of the Earth. On this scale, according to John McPhee in Basin and Range, the distance from the fingertips of one hand to the wrist of the other is Precambrian. All of complex life is in one hand, “and in a single stroke with a medium-grained nail file you could eradicate human history.” Fortunately, that moment hasn’t happened, but the chances are good that it will. I don’t wish to interject a note of gloom just at this point, but the fact is that there is one other extremely pertinent quality about life on Earth: it goes extinct. Quite regularly. For all the trouble they take to assemble and preserve themselves, species crumple and die remarkably routinely. And the more complex they get, the more quickly they appear to go extinct. Which is perhaps one reason why so much of life isn’t terribly ambitious.
Bill Bryson (A Short History of Nearly Everything)
And on the horizon, along the Cordillera where rock and sky met, there was that strange color, somewhere between violet and purple, which he had seen reproduced on so many Indian skirts and shawls and on the woolen bags the campesinos hung from the ears of their llamas; for him it was the color of the Andes, of this mysterious, violent sierra. Besides, thanks to these hills, Naccos had an aura, a magic power. Danger always attracts us. Doesn’t it represent true life, life that’s worthwhile? But security is boredom, it’s stupidity, it’s death. These mountains are full of ancient tombs.Without those presences there wouldn’t be so many spirits in this part of the Andes. In the old days people had the courage to face great troubles by making sacrifices. That’s how they maintained the balance. Life and death like a scale with two equal weights, like two rams of equal strength that lock horns and neither one can advance or retreat.
Mario Vargas Llosa (Death in the Andes)
Near the exit to the blue patio, DeCoverley Pox and Joaquin Stick stand by a concrete scale model of the Jungfrau, ... socking the slopes of the famous mountain with red rubber hot-water bags full of ice cubes, the idea being to pulverize the ice for Pirate's banana frappes. With their nights' growths of beard, matted hair, bloodshot eyes, miasmata of foul breath, DeCoverley and Joaquin are wasted gods urging on a tardy glacier. Elsewhere in the maisonette, other drinking companions disentangle from blankets (one spilling wind from his, dreaming of a parachute), piss into bathroom sinks, look at themselves with dismay in concave shaving mirrors, slab water with no clear plan in mind onto heads of thinning hair, struggle into Sam Brownes, dub shoes against rain later in the day with hand muscles already weary of it, sing snatches of popular songs whose tunes they don't always know, lie, believing themselves warmed, in what patches of the new sunlight come between the mullions, begin tentatively to talk shop as a way of easing into whatever it is they'll have to be doing in less than an hour, lather necks and faces, yawn, pick their noses, search cabinets or bookcases for the hair of the dog that not without provocation and much prior conditioning bit them last night. Now there grows among all the rooms, replacing the night's old smoke, alcohol and sweat, the fragile, musaceous odor of Breakfast:flowery, permeating, surprising, more than the color of winter sunlight, taking over not so much through any brute pungency or volume as by the high intricacy to the weaving of its molecules, sharing the conjuror's secret by which-- though it is not often Death is told so clearly to fuck off--- the genetic chains prove labyrinthine enough to preserve some human face down ten or twenty generations. . . so the same assertion-through-structure allows this war morning's banana fragrance to meander, repossess, prevail. Is there any reason not to open every window, and let the kind scent blanket all Chelsea? As a spell, against falling objects. . . .
Thomas Pynchon
Despite the dangers and discomforts, climbing is for many an all-consuming passion. They interrupt, end, or never start their careers, focusing exclusively on completing the next climb. Climber Todd Skinner said free climbing means "going right to the edge" of your capabilites. For many climbers, this closeness to death - the risk of dying - produces an adrenaline rush that most other life experiences simply can't. It is what keeps many of them married to the sport. Probably no other sport creates such a feeling of oneness with Mother Nature. Attached to a mountainside by fingertips and toes, the climber necessarily becomes part of the rock - or else. One climber says that while scaling a granite face, she felt close to God, so intense was her relationship with the natural world. Climbers speak of "floating" or "performing a ballet" over the rock, each placement of foot and each reach into a crack creating unity with the mountain. The sport is one of total engagement with the here-and-now, which frees the mind from everything else. Climbers' concentration is complete and focused. Their only thought is executing the next move... Ken Bokelund... said: "Climbing for me has always been the strength of the body over the weakness of the mind. If you train so that you are very strong physically and you have mastered the techniques, then all that's left is believing. Freeing your mind of fear is the key. This is very difficult to do, but when you can achieve it, then you are in true harmony with the rock. Fear is just one more thing to worry about and is very distracting. It can make you fall... ...when you know you are strong enough to complete any maneuver, once that level of physical confidence is achieved, then you are able to put fear out of your mind. Climbing becomes a very simple pleasure. It's just you and the rock. It's a total clarity of being, a time when nothing matters, you're moving without any thought, you're in a place where time stands still. Even when you're on a wall for days, when you get down, everything seems exactly the same, as though time never passed.
Bob Madgic (Shattered Air: A True Account of Catastrophe and Courage on Yosemite's Half Dome)
The intellect (mind), indeed, is a correct scale. Its indications are completely certain and in no way wrong. However, the intellect should not be used to weigh such matters as the oneness of God, the other world, the truth of prophecy, the real character of the divine attributes, or anything else that lies beyond the level of the intellect. That would mean to desire the impossible. One might compare it with a man who sees a scale in which gold is being weighed, and wants to weigh mountains in it. The (fact that this is impossible) does not prove that the indications of the scale are not true (when it is used for its proper purpose). However, there is a limit at which the intellect must stop. It cannot go beyond its own level. Thus, it cannot comprehend God and His attributes. It is but one of the atoms of the world of existence which results from (God). This shows that those who give the intellect preference over (traditional) information in such matters are wrong, deficient in understanding, and faulty in reasoning. This, then, explains the true situation in this respect.
Ibn Khaldun (The Muqaddimah: An Introduction to History)
That which is unnamed was first,” it said. “But I am named, flesh queen. Remember.” Its pupils thinned. “The cold one on the ship. She was your kin.” Glorian looked at the other skull. “She fell to my flame. So will this land. We will finish the scouring, for we are the teeth that harrow and turn. The mountain is the forge and smith, and we, its iron offspring—come to avenge the first, the forebear, he who sleeps beneath.” Every warrior should know fear, Glorian Brightcry. Without it, courage is an empty boast. “You confess,” Glorian said, “that you slew the blood of the Saint.” Her voice kept breaking. “Do you then declare war on Inys?” Fyredel—the wyrm—let out a rattle. A score of complex scales and muscles shifted in its face. “When your days grow long and hot,” he said, “when the sun in the North never sets, we shall come.” On both sides of the Strondway, those who had not fled were rooted to the spot, fixated on Glorian. She realized what they must be thinking. If she died childless, the eternal vine was at its end. What she did next could define how they saw the House of Berethnet for centuries to come. Start forging your armour, Glorian. You will need it. She looked down once more at her parents’ remains, the bones the wyrms had dumped here like a spoil of war. In her memory, her father laughed and drew her close. He would never laugh again. Never smile. Her mother would never tell her she loved her, or how to calm her dreams. And where there had been fear, there was anger. “If you—If you dare to turn your fire on Inys,” Glorian bit out, “then I will do as my ancestor did to the Nameless One.” She forced herself to lift her chin in defiance. “I will drive you back with sword and spear, with bow and lance!” Shaking, she heaved for air. “I am the voice, the body of Inys. My stomach is its strength—my heart, its shield— and if you think I will submit to you because I am small and young, you are wrong.” Sweat was running down her back. She had never been so afraid in her life. “I am not afraid,” she said. At this, the wyrm unfurled its wings to their full breadth. From tip to hooked tip, they were as wide as two longships facing each other. People scrambled out of their shadow. “So be it, Shieldheart.” It steeped the word in mockery. “Treasure your darkness, for the fire comes. Until then, a taste of our flame, to light your city through the winter. Heed my words.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
Bohr was a colossus in the world of physics. The only scientist to achieve a similar degree of influence during the first half of the twentieth century was Albert Einstein, who was as much his rival as his friend. In 1922, Bohr had already received the Nobel Prize, and he had a gift for discovering young talents and bringing them under his wing. Such was the case with Heisenberg: during their strolls in the mountains, he convinced the young physicist that, when discussing atoms, language could serve as nothing more than a kind of poetry. Walking with Bohr, Heisenberg had his first intuition of the radical otherness of the subatomic world. “If a mere particle of dust contains billions of atoms,” Bohr said to him as they were scaling the massifs of the Harz range, “what possible way is there to talk meaningfully of something so small?” The physicist—like the poet—should not describe the facts of the world, but rather generate metaphors and mental connections. From that summer onwards, Heisenberg understood that to apply concepts of classical physics such as position, velocity and momentum to a subatomic particle was sheer madness. That aspect of nature required a completely new language.” Excerpt From: Benjamín Labatut. “When We Cease to Understand the World”.
Benjamín Labatut (When We Cease to Understand the World)
Geopolitics is ultimately the study of the balance between options and lim­itations. A country's geography determines in large part what vulnerabilities it faces and what tools it holds. "Countries with flat tracks of land -- think Poland or Russia -- find building infrastructure easier and so become rich faster, but also find them­selves on the receiving end of invasions. This necessitates substantial stand­ing armies, but the very act of attempting to gain a bit of security automat­ically triggers angst and paranoia in the neighbors. "Countries with navigable rivers -- France and Argentina being premier examples -- start the game with some 'infrastructure' already baked in. Such ease of internal transport not only makes these countries socially uni­fied, wealthy, and cosmopolitan, but also more than a touch self-important. They show a distressing habit of becoming overimpressed with themselves -- and so tend to overreach. "Island nations enjoy security -- think the United Kingdom and Japan -- in part because of the physical separation from rivals, but also because they have no choice but to develop navies that help them keep others away from their shores. Armed with such tools, they find themselves actively meddling in the affairs of countries not just within arm's reach, but half a world away. "In contrast, mountain countries -- Kyrgyzstan and Bolivia, to pick a pair -- are so capital-poor they find even securing the basics difficult, mak­ing them largely subject to the whims of their less-mountainous neighbors. "It's the balance of these restrictions and empowerments that determine both possibilities and constraints, which from my point of view makes it straightforward to predict what most countries will do: · The Philippines' archipelagic nature gives it the physical stand-off of is­lands without the navy, so in the face of a threat from a superior country it will prostrate itself before any naval power that might come to its aid. · Chile's population center is in a single valley surrounded by mountains. Breaching those mountains is so difficult that the Chileans often find it easier to turn their back on the South American continent and interact economically with nations much further afield. · The Netherlands benefits from a huge portion of European trade because it controls the mouth of the Rhine, so it will seek to unite the Continent economically to maximize its economic gain while bringing in an exter­nal security guarantor to minimize threats to its independence. · Uzbekistan sits in the middle of a flat, arid pancake and so will try to expand like syrup until it reaches a barrier it cannot pass. The lack of local competition combined with regional water shortages adds a sharp, brutal aspect to its foreign policy. · New Zealand is a temperate zone country with a huge maritime frontage beyond the edge of the world, making it both wealthy and secure -- how could the Kiwis not be in a good mood every day? "But then there is the United States. It has the fiat lands of Australia with the climate and land quality of France, the riverine characteristics of Germany with the strategic exposure of New Zealand, and the island fea­tures of Japan but with oceanic moats -- and all on a scale that is quite lit­erally continental. Such landscapes not only make it rich and secure beyond peer, but also enable its navy to be so powerful that America dominates the global oceans.
Peter Zeihan (The Absent Superpower: The Shale Revolution and a World Without America)
On the other side of the mountain, Drizzt Do'Urden opened his eyes from his daytime slumber. Emerging from the cave into the growing gloom, he found Wulfgar in the customary spot, poised meditatively on a high stone, staring out over the plain. "You long for your home?" the drow asked rhetorically. Wulfgar shrugged his huge shoulders and answered absently, "Perhaps." The barbarian had come to ask many disturbing questions of himself about his people and their way of life since he had learned respect for Drizzt. The Drow was an enigma to him, a confusing combination of fighting brilliance and absolute control. Drizzt seemed able to weigh every move he ever made in the scales of high adventure and indisputable morals. Wulfgar turned a questioning gaze on the drow. "Why are you here?" he asked suddenly. Now it was Drizzt who stared reflectively into the openness before them. The first stars of the evening had appeared, their reflections sparkling distinctively in the dark pools of the elf's eyes. But Drizzt was not seeing them; his mind was viewing long past images of the lightless cities of the drow in their immense cavern complexes far beneath the ground. "I remember," Drizzt recalled vividly, as terrible memories are often vivid, "'the first time I ever viewed this surface world. I was a much younger elf then, a member of a large raiding party. We slipped out from a secret cave and descended upon a small elven village." The drow flinched at the images as they flashed again in his mind. "My companions slaughtered every member of the wood elf clan. Every female. Every child." Wulfgar listened with growing horror. The raid that Drizzt was describing might well have been one perpetrated by the ferocious Tribe of the Elk. "My people kill," Drizzt went on grimly. "They kill without mercy." He locked his stare onto Wulfgar to make sure that the barbarian heard him well. "They kill without passion." He paused for a moment to let the barbarian absorb the full weight of his words. The simple yet definitive description of the cold killers had confused Wulfgar. He had been raised and nurtured among passionate warriors, fighters whose entire purpose in life was the pursuit of battle-glory - fighting in praise of Tempos. The young barbarian simply could not understand such emotionless cruelty. A subtle difference, though, Wulfgar had to admit. Drow or barbarian, the results of the raids were much the same. "The demon goddess they serve leaves no room for the other races," Drizzt explained. "Particularly the other races of elves." "But you will never come to be accepted in this world," said Wulfgar. "Surely you must know that the humans will ever shun you." Drizzt nodded. "Most," he agreed. "I have few that I can call friends, yet I am content. You see, barbarian, I have my own respect, without guilt, without shame." He rose from his crouch and started away into the darkness. "Come," he instructed. "Let us fight well this night, for I am satisfied with the improvement of your skills, and this part of your lessons nears its end." Wulfgar sat a moment longer in contemplation. The drow lived a hard and materially empty existence, yet he was richer than any man Wulfgar had ever known. Drizzt had clung to his principles against overwhelming circumstances, leaving the familiar world of his own people by choice to remain in a world where he would never be accepted or appreciated. He looked at the departing elf, now a mere shadow in the gloom. "Perhaps we two are not so different," he mumbled under his breath.
R.A. Salvatore (The Crystal Shard (Forgotten Realms: Icewind Dale, #1; Legend of Drizzt, #4))
HOW TO USE THIS BOOK WHAT TO DO FIRST 1. Find the MAP. It will be there. No Tour of Fantasyland is complete without one. It will be found in the front part of your brochure, quite near the page that says For Mom and Dad for having me and for Jeannie (or Jack or Debra or Donnie or …) for putting up with me so supportively and for my nine children for not interrupting me and for my Publisher for not discouraging me and for my Writers’ Circle for listening to me and for Barbie and Greta and Albert Einstein and Aunty May and so on. Ignore this, even if you are wondering if Albert Einstein is Albert Einstein or in fact the dog. This will be followed by a short piece of prose that says When the night of the wolf waxes strong in the morning, the wise man is wary of a false dawn. Ka’a Orto’o, Gnomic Utterances Ignore this too (or, if really puzzled, look up GNOMIC UTTERANCES in the Toughpick section). Find the Map. 2. Examine the Map. It will show most of a continent (and sometimes part of another) with a large number of BAYS, OFFSHORE ISLANDS, an INLAND SEA or so and a sprinkle of TOWNS. There will be scribbly snakes that are probably RIVERS, and names made of CAPITAL LETTERS in curved lines that are not quite upside down. By bending your neck sideways you will be able to see that they say things like “Ca’ea Purt’wydyn” and “Om Ce’falos.” These may be names of COUNTRIES, but since most of the Map is bare it is hard to tell. These empty inland parts will be sporadically peppered with little molehills, invitingly labeled “Megamort Hills,” “Death Mountains, ”Hurt Range” and such, with a whole line of molehills near the top called “Great Northern Barrier.” Above this will be various warnings of danger. The rest of the Map’s space will be sparingly devoted to little tiny feathers called “Wretched Wood” and “Forest of Doom,” except for one space that appears to be growing minute hairs. This will be tersely labeled “Marshes.” This is mostly it. No, wait. If you are lucky, the Map will carry an arrow or compass-heading somewhere in the bit labeled “Outer Ocean” and this will show you which way up to hold it. But you will look in vain for INNS, reststops, or VILLAGES, or even ROADS. No – wait another minute – on closer examination, you will find the empty interior crossed by a few bird tracks. If you peer at these you will see they are (somewhere) labeled “Old Trade Road – Disused” and “Imperial Way – Mostly Long Gone.” Some of these routes appear to lead (or have lead) to small edifices enticingly titled “Ruin,” “Tower of Sorcery,” or “Dark Citadel,” but there is no scale of miles and no way of telling how long you might take on the way to see these places. In short, the Map is useless, but you are advised to keep consulting it, because it is the only one you will get. And, be warned. If you take this Tour, you are going to have to visit every single place on this Map, whether it is marked or not. This is a Rule. 3. Find your STARTING POINT. Let us say it is the town of Gna’ash. You will find it down in one corner on the coast, as far away from anywhere as possible. 4. Having found Gna’ash, you must at once set about finding an INN, Tour COMPANIONS, a meal of STEW, a CHAMBER for the night, and then the necessary TAVERN BRAWL. (If you look all these things up in the Toughpick section, you will know what you are in for.) The following morning, you must locate the MARKET and attempt to acquire CLOTHING (which absolutely must include a CLOAK), a SADDLE ROLL, WAYBREAD, WATERBOTTLES, a DAGGER, a SWORD, a HORSE, and a MERCHANT to take you along in his CARAVAN. You must resign yourself to being cheated over most prices and you are advised to consult a local MAGICIAN about your Sword. 5. You set off. Now you are on your own. You should turn to the Toughpick section of this brochure and select your Tour on a pick-and-mix basis, remembering only that you will have to take in all of it.
Diana Wynne Jones