Sayings Birthplace Quotes

In the first place, we should insist that if the immigrant who comes here in good faith becomes an American and assimilates himself to us, he shall be treated on an exact equality with everyone else, for it is an outrage to discriminate against any such man because of creed, or birthplace, or origin. But this is predicated upon the person's becoming in every facet an American, and nothing but an American...There can be no divided allegiance here. Any man who says he is an American, but something else also, isn't an American at all. We have room for but one flag, the American flag... We have room for but one language here, and that is the English language... and we have room for but one sole loyalty and that is a loyalty to the American people.

Let not the rash marble risk garrulous breaches of oblivion's omnipotence, in many words recalling name, renown, events, birthplace. All those glass jewels are best left in the dark. Let not the marble say what men do not. The essentials of the dead man's life-- the trembling hope, the implacable miracle of pain, the wonder of sensual delight-- will abide forever. Blindly the uncertain soul asks to continue when it is the lives of others that will make that happen, as you yourself are the mirror and image of those who did not live as long as you and others will be (and are) your immortality on earth.

I believe that what we regret most are our failures of courage, whether it’s the courage to be kinder, to show up, to say how we feel, to set boundaries, to be good to ourselves. For that reason, regret can be the birthplace of empathy.

Society has three stages: Savagery, Ascendance, Decadence. The great rise because of Savagery. They rule in Ascendance. They fall because of their own Decadence." He tells how the Persians were felled, how the Romans collapsed because their rulers forgot how their parents gained them an empire. He prattles about Muslim dynasties and European effeminacy and Chinese regionalism and American self-loathing and self-neutering. All the ancient names. "Our Savagery began when our capital, Luna, rebelled against the tyranny of Earth and freed herself from the shackles of Demokracy, from the Noble Lie - the idea that men are brothers and are created equal." Augustus weaves lies of his own with that golden tongue of his. He tells of the Goldens' suffering. The Masses sat on the wagon and expected the great to pull, he reminds. They sat whipping the great until we could no longer take it. I remember a different whipping. "Men are not created equal; we all know this. There are averages. There are outliers. There are the ugly. There are the beautiful. This would not be if we were all equal. A Red can no more command a starship than a Green can serve as a doctor!" There's more laughter across the square as he tells us to look at pathetic Athens, the birthplace of the cancer they call Demokracy. Look how it fell to Sparta. The Noble Lie made Athens weak. It made their citizens turn on their best general, Alcibiades, because of jealousy. "Even the nations of Earth grew jealous of one another. The United States of America exacted this idea of equality through force. And when the nations united, the Americans were surprised to find that they were disliked! The Masses are jealous! How wonderful a dream it would be if all men were created equal! But we are not. It is against the Noble Lie that we fight. But as I said before, as I say to you now, there is another evil against which we war. It is a more pernicious evil. It is a subversive, slow evil. It is not a wildfire. It is a cancer. And that cancer is Decadence. Our society has passed from Savagery to Ascendance. But like our spiritual ancestors, the Romans, we too can fall into Decadence.

This city has more history than hauntings,” he says. “For one, it’s the birthplace of jazz.” “And home to voodoo and vampires,” says Mom. “And real people, too,” presses Dad, “like Pere Antoine and Jean Lafitte—” “And the Axeman of New Orleans,” adds Mom brightly. Jacob shoots me a look. “I really hope axe is a kind of instrument and not—” “He went around chopping people up,” Mom adds. Jacob sighs. “Of course he did.

Finally, we entered Chetaube County, my imaginary birthplace, where the names of the little winding roads and minuscule mountain communities never failed to inspire me: Yardscrabble, Big Log, Upper, Middle and Lower Pigsty, Chicken Scratch, Cooterville, Felchville, Dust Rag, Dough Bag, Uranus Ridge, Big Bottom, Hooter Holler, Quickskillet, Buck Wallow, Possum Strut ... We always say a picture speaks a thousand words, but isn’t the opposite equally true?

SELF-HELP FOR FELLOW REFUGEES If your name suggests a country where bells might have been used for entertainment, or to announce the entrances and exits of the seasons and the birthdays of gods and demons, it's probably best to dress in plain clothes when you arrive in the United States. And try not to talk too loud. If you happen to have watched armed men beat and drag your father out the front door of your house and into the back of an idling truck, before your mother jerked you from the threshold and buried your face in her skirt folds, try not to judge your mother too harshly. Don't ask her what she thought she was doing, turning a child's eyes away from history and toward that place all human aching starts. And if you meet someone in your adopted country and think you see in the other's face an open sky, some promise of a new beginning, it probably means you're standing too far. Or if you think you read in the other, as in a book whose first and last pages are missing, the story of your own birthplace, a country twice erased, once by fire, once by forgetfulness, it probably means you're standing too close. In any case, try not to let another carry the burden of your own nostalgia or hope. And if you're one of those whose left side of the face doesn't match the right, it might be a clue looking the other way was a habit your predecessors found useful for survival. Don't lament not being beautiful. Get used to seeing while not seeing. Get busy remembering while forgetting. Dying to live while not wanting to go on. Very likely, your ancestors decorated their bells of every shape and size with elaborate calendars and diagrams of distant star systems, but with no maps for scattered descendants. And I bet you can't say what language your father spoke when he shouted to your mother from the back of the truck, "Let the boy see!" Maybe it wasn't the language you used at home. Maybe it was a forbidden language. Or maybe there was too much screaming and weeping and the noise of guns in the streets. It doesn't matter. What matters is this: The kingdom of heaven is good. But heaven on earth is better. Thinking is good. But living is better. Alone in your favorite chair with a book you enjoy is fine. But spooning is even better.

West Country novelist Thomas Hardy almost did not survive his birth in 1840 because everyone thought he was stillborn. He did not appear to be breathing and was put to one side for dead. The nurse attending the birth only by chance noticed a slight movement that showed the baby was in fact alive. He lived to be 87 and gave the world 18 novels, including some of the most widely read in English literature. When he did die, there was controversy over where he should be laid to rest. Public opinion felt him too famous to lie anywhere other than in Poets’ Corner in Westminster Abbey, the national shrine. He, however, had left clear instructions to be buried in Stinsford, near his birthplace and next to his parents, grandparents, first wife and sister. A compromise was brokered. His ashes were interred in the Abbey. His heart would be buried in his beloved home county. The plan agreed, his heart was taken to his sister’s house ready for burial. Shortly before, as it lay ready on the kitchen table, the family cat grabbed it and disappeared with it into the woods. Although, simultaneously with the national funeral in Westminster Abbey, a burial ceremony took place on 16 January 1928, at Stinsford, there is uncertainty to this day as to what was in the casket: some say it was buried empty; others that it contained the captured cat which had consumed the heart.

You will then be ready to undergo initiation: an ordeal imposed by the Brotherhood of Fools and Simpletons. Three questions will be put to you. Just three. The first: 'How would you order the world if you were given the powers of the creator?' the second: 'What is it you desire that you do not already possess?' The third: 'Say something that will truly astonish us!' If you answer these satisfactorily you are then to return to your birthplace, sit quietly with hands folded, and meditate on the needs of all God's creatures. . . . When you know what it is they need . . . you are to report back to the Brotherhood and dissolve the order.

I believe that what we regret most are our failures of courage, whether it’s the courage to be kinder, to show up, to say how we feel, to set boundaries, to be good to ourselves. For that reason, regret can be the birthplace of empathy. When I think of the times when I wasn’t being kind or generous—when I chose being liked over defending someone or something that deserved defending—I feel deep regret, but I’ve also learned something: Regret is what taught me that living outside of my values is not tenable for me. Regrets about not taking chances have made me braver. Regrets about shaming or blaming people I care about have made me more thoughtful. Sometimes the most uncomfortable learning is the most powerful.

He grabbed her by the shoulders and stared into her soul with his madly hypnotic eyes, the same color as his chemical birthplace. “Would you die for me?” he asked. Quinzel nodded with certainty. “Yes.” “No. That’s too easy.” He leaned in closer, his eyes drawing her in. “Would you live for me?” He then smiled The Smile, and it scared the hell out of her. Quinzel trembled. There was a power about him she could not deny, and she wanted that power to ravage her. He was a lion about to swallow a mouse, and she could hardly wait another instant to be devoured. But he wouldn’t let her go. Not now. Not yet. “Will you embrace me and only me?” he demanded. She nodded vigorously. Of course. There’ll never be anyone else. “Will you bind your spirit to mine, in hate?” If not you, who else? Bind me. Bind me any way you want. “Do you consign your soul to me?” Duh. What do you think I’ve been trying to do? C’mon. Let’s do this already. “Do you laugh at the world in disgust?” Always have. Always will. ’Specially if we can laugh at it together. All she said to him was, “Yes.” Joker backed away. He stared at her, studied her. He was the doctor now, and she the patient, but he still needed to make sure. “Do not say this oath thoughtlessly,” he said, his expression serious. “Desire becomes surrender. Surrender becomes power. Do you want it? Do you really want it?” She looked at him with undying love in her eyes. “I do,” she joyously said. “I do.” “Then goodbye, Dr. Quinzel.” He

The bus here because they lost Rosa Parks's bus." "Who lost Rosa Parks's bus?" "White people. Who the fuck else? Supposedly, every February when schoolkids visit the Rosa Parks Museum, or wherever the fuck the bus is at, the bus they tell the kids is the birthplace of the civil rights movement is a phony. Just some old Birmingham city bus they found in some junkyard. That's what my sister says, anyway." "I don't know." Cuz took two deep swallows of gin. "What you mean, 'You don't know'? You think that after Rosa Parks bitch-slapped white America, some white rednecks going to go out of their way to save the original bus? That'd be like the Celtics hanging Magic Johnson's jersey in the rafters of the Boston Garden. No fucking way.

Everything and Nothing* There was no one inside him; behind his face (which even in the bad paintings of the time resembles no other) and his words (which were multitudinous, and of a fantastical and agitated turn) there was no more than a slight chill, a dream someone had failed to dream. At first he thought that everyone was like him, but the surprise and bewilderment of an acquaintance to whom he began to describe that hollowness showed him his error, and also let him know, forever after, that an individual ought not to differ from its species. He thought at one point that books might hold some remedy for his condition, and so he learned the "little Latin and less Greek" that a contemporary would later mention. Then he reflected that what he was looking for might be found in the performance of an elemental ritual of humanity, and so he allowed himself to be initiated by Anne Hathaway one long evening in June. At twenty-something he went off to London. Instinctively, he had already trained himself to the habit of feigning that he was somebody, so that his "nobodiness" might not be discovered. In London he found the calling he had been predestined to; he became an actor, that person who stands upon a stage and plays at being another person, for an audience of people who play at taking him for that person. The work of a thespian held out a remarkable happiness to him—the first, perhaps, he had ever known; but when the last line was delivered and the last dead man applauded off the stage, the hated taste of unreality would assail him. He would cease being Ferrex or Tamerlane and return to being nobody. Haunted, hounded, he began imagining other heroes, other tragic fables. Thus while his body, in whorehouses and taverns around London, lived its life as body, the soul that lived inside it would be Cassar, who ignores the admonition of the sibyl, and Juliet, who hates the lark, and Macbeth, who speaks on the moor with the witches who are also the Fates, the Three Weird Sisters. No one was as many men as that man—that man whose repertoire, like that of the Egyptian Proteus, was all the appearances of being. From time to time he would leave a confession in one corner or another of the work, certain that it would not be deciphered; Richard says that inside himself, he plays the part of many, and Iago says, with curious words, I am not what I am. The fundamental identity of living, dreaming, and performing inspired him to famous passages. For twenty years he inhabited that guided and directed hallucination, but one morning he was overwhelmed with the surfeit and horror of being so many kings that die by the sword and so many unrequited lovers who come together, separate, and melodiously expire. That very day, he decided to sell his theater. Within a week he had returned to his birthplace, where he recovered the trees and the river of his childhood and did not associate them with those others, fabled with mythological allusion and Latin words, that his muse had celebrated. He had to be somebody; he became a retired businessman who'd made a fortune and had an interest in loans, lawsuits, and petty usury. It was in that role that he dictated the arid last will and testament that we know today, from which he deliberately banished every trace of sentiment or literature. Friends from London would visit his re-treat, and he would once again play the role of poet for them. History adds that before or after he died, he discovered himself standing before God, and said to Him: I , who have been so many men in vain, wish to be one, to be myself. God's voice answered him out of a whirlwind: I, too, am not I; I dreamed the world as you, Shakespeare, dreamed your own work, and among the forms of my dream are you, who like me, are many, yet no one.

What is freedom? Is it moving through a room unhindered, in any direction you want, fast or slow? Or is it being able to think any thought whatsoever, high or low, without shame or fear? Is freedom being able to openly express your convictions, and then trying to influence others to think the same thing? Or is freedom having the possibility to choose, being able to say no to what you don't want? [...] Freedom, thought Phillip Mouse, would be to outwit the limitations fate had once given him. To break out of the social, intellectual, and emotional framework that the factory [birthplace] and his youth had defined. Freedom, thought Mouse, was to surprise life by placing yourself above your fate.

Tony had hated that. He had wanted to kill the psychiatrist who had dealt with him after the Berlin bombings for saying it. But he had wanted to go home, that was true. Not to find the Mullers anymore. Tony had done his research after the war's end - he knew that they were gone, on trains, to camps, into hell. So not to find the loved ones he had lost but to make his birthplace pay for all it had stolen

Aztlán: The mythical birthplace of the Aztecs. Chicanos use this term to describe the southwest United States. Chicanos are idiots. Citlali says Aztlán is somewhere in Ohio.

Now if we want to look for the roots of a destructive 'modernity' - the ideology, say, of technocentrism and ecological degradation we might start by looking in the project of 'improvement', the subordination of all human values to productivity and profit, rather than in the Enlightenment. Might we say that it is no accident that the mad cow disease scandal happened in Britain, the birthplace of 'improvement', or that, more recently, Britain has seen the most massive outbreak of foot-and- mouth disease, widely attributed to intensive farming and marketing practices

When Fibber would say, “I was born in a little white house on top of Kickapoo Hill back in Peoria of poor but honest parents,” he could have been speaking about James Jordan who was born near Peoria on November 16, 1896. (On the December 12, 1939 episode of Fibber McGee and Molly Teeny correctly guesses Fibber’s birthday of November 16th.) Marian Driscoll was born not far away from Jim’s birthplace on April 15, 1898. The couple dated in their teens and were married on August 31, 1918. After Jim returned from brief service with the army at the end of World War I (which, Fibber would always insist, was the big war), the pair began touring as a musical act with Marian as pianist and Jim assisting on the singing.

Great Depression times 100” and hyperinflation on par with the Weimar Republic. Fox News was running stories suggesting that Obama had deployed the Secret Service to monitor the conservative network. And a bizarre conspiracy theory about the president’s birthplace was beginning to gain traction—boosted by an unlikely spokesman. Donald Trump had begun popping up on political talk shows to muse about whether Barack Obama might perhaps be a secret Muslim born in Kenya who’d defrauded American voters to get elected to the presidency. This theory had been kicking around the fringes of U.S. political discourse for years and had already been debunked, but suddenly it—and Trump—were everywhere. On The View: “I want him to show his birth certificate. There’s something on that birth certificate that he doesn’t like.” On Fox News: “He’s spent millions of dollars trying to get away from this issue.… A lot of facts are emerging and I’m starting to wonder myself whether or not he was born in this country.” On The Laura Ingraham Show: “He doesn’t have a birth certificate, or if he does, there’s something on that certificate that is very bad for him. Now, somebody told me—and I have no idea if this is bad for him or not, but perhaps it would be—that where it says ‘religion,’ it might have ‘Muslim.’ ” On the Today show: “If he wasn’t born in this country, which is a real possibility… then he has pulled one of the great cons in the history of politics.” Romney

But before franking the letter for the post, next morning, Farley added a few scribbled lines in the margin: ‘In haste: much that I feared has been confirmed in these last hours. Shortly before matins, there was a knock on my door: it was Cunningham’s young assistant. He told me – oh so many things – I shall write of them all to you in time. Suffice it to say for the present, that everything is other than what it appears to be, a phantom of itself. The young man has promised to reveal everything to me if I would but accompany him to his birthplace. Fortunately the place of which he spoke is not far from the location of my clinic. We are to leave tomorrow: I shall write again and in greater detail, dear friend, once I know more ...

Stewart Brand: It had great continuity and those people stayed in touch online for decades and all that. But it ossified… Fabrice Florin: And a lot of the intellectuals that were sharing ideas on The Well went on to branch out into different areas. But you can really trace back a lot of the origins of this new movement to The Well. A lot of the folks were there. Howard Rheingold: I remember I got a friend request on Facebook early from Steve Case and I said, “I know who you are. But why do you want to friend me?” And he said, “Oh, I lurked on The Well from the beginning.” So I think, yes, it did influence things. Larry Brilliant: Steve Jobs was on it—Steve had a fake name and he lurked. Howard Rheingold: Steve Jobs, Steve Case, Craig Newmark: They would all say that they were informed by their experiences on The Well. Fabrice Florin: The Well was the birthplace of the online community. Larry Brilliant: All that goes back to Steve giving me the computer, letting me use it in Nepal, the experience I had with his software to access the satellite, and then coming back and Steve seeing what Seva-Talk could be. We showed it to hundreds of people and nobody saw anything in it. Steve got it immediately. Fabrice Florin: And Stewart basically gave the technology a set of values and ethics that all the developers could share. They already had their own hacker ethic, but he helped to amplify it and bring people together. And then it became big business, and it was hard for intellectuals to be the primary driving force anymore. It became the businesspeople who started driving it. Which is understandable given the scale and scope of what happened. It just became too large for intellectuals to hold.